#650 - Young Drummer Boy & Zayce Hundo on New Album, Swifty Blue, Police Being Fans, Chito Rana$ & More

https://youtu.be/HLQ4Ifw_TaY

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
Yo.

Speaker 2 (00:00):
Before we get into the interview, man, I want to
give a shout to say all my radio stations all
across the country who have the Bootleg cav Show as
an official affiliate. Man, we're on the radio in about
one hundred cities nationwide every day. Want to give a
shout out to Real ninety two three in La Shout
out to the Beat in Miami, Shout out to Wild
ninety four one in Tampa, shout out to Hot ninety
eight three, and Tucson Power ninety eight three in Phoenix.

(00:23):
We are one O two nine. Importantly, we're all over
the country, so you could tap in with that radio show.
If you want to know for on in your city,
just go to Bootleg Cab dot com. The fullest of
cities is there. You might hear us. Let's get into
the interview Bootleg Cab Podcast. Man, we got special guests
in here, both returning oddly enough. Yeah, Young Drummer Boy

(00:47):
and Zace What Jay's last time you're here was with
Pac Joko, right, yeah, Park Joko ay Yai Yai and
of course Park Joko Man independent rap legend pioneer, Young
Drummer Boy. Yeah, we were talking earlier, Man, like you
you are, Like I feel like a lot of people

(01:10):
who are like in your position don't necessarily like give
back as much as you do. And I don't mean
like give back like it's for charity. But you're always
I feel like tapping in with like the young guys,
you know, like a lot of people first, you know,
like why is that something that's important for you?

Speaker 3 (01:27):
Why is it important for me? Shit, I mean, I
like to look out for the homies that it'll be
like coming up. I know it's hard, bro, it's hard
for us to come up, you know what I'm saying,
Like when I started by myself and when I got
with a little g and then when you know, we
went solo, and so this is a tough game, bro.
It's like a real, real tough game, you know what
I mean.

Speaker 2 (01:47):
And it's like tough to really like, you know, I
feel like, get attention to people who matter. Yeah, it's
like a coat sign you don't even know, like a
co sign from you or doing a record with somebody
could change someone's whole life.

Speaker 3 (01:59):
I never even looked at it like that, you know
what I'm saying. But when we did the records and
shit like that, like you know with Lefty say, like
with raality, I mean a lot of homies coming up, man,
you know what I'm saying, Like I never really looked
at it like a co sign and I always looked
at it like as a homy point of view. You
know what I mean. Right, You're dope. You know what
I mean, Like, let's get in here, let's work. I
never had like a big ego type shit, right. I

(02:20):
mean I think that probably why I didn't really like
try to charge everybody, or you know what I'm saying,
try to make a dollar off everybody. I just seen
the potential of what it could do and like and
putting out good music and shit. You know what I'm saying.
Like I've never been to Talent Scout, but obviously some
of the shit that I fucked with just went up.

Speaker 2 (02:38):
I heard you talk about trying like signing artists and shit, Like,
is that something you're trying.

Speaker 3 (02:41):
To We're doing that now? Yeah, So we're doing that
now right here. We're actually doing like a whole grand
opening for our for our studio where we're gonna be.
It's I think it's time that I started signing people.
You know what I'm saying, just developing talent, yeah, and
really helping them get to whatever my platform could do
for them. You know what I'm saying. See, we have
you know, we have a studio which is a compound,

(03:04):
and if we could bring people in there and give
them my resources, I think that should it would be dope,
you know what I'm saying, and give it and do
it the right way too, because you know what I mean,
some of these some of these deals out there be
crazy as hell.

Speaker 2 (03:17):
Nah, for sure. Man, I feel like I feel like, uh,
the transparency of like record deals will come in public,
and like the ease that artists have now to just
hit upload on like distroc cute or whatever. I think
it's a little bit easier for artists and I get
take advantage of. But still you still see motherfuckers getting fucked.

Speaker 3 (03:33):
Yeah, yeah they do. I mean Ship, I stepped in
mud a couple of times, you know what I'm saying.
So I had learned that ship our way.

Speaker 2 (03:41):
But well, like could you had you were with g right,
but then did you have distro with Empire?

Speaker 3 (03:47):
No, we still have open doors with Empire. So we
still do what we did now is we do like
instead of partnerships instead of label deals. I just have
a couple of different open doors where I could distrut.
I could distribute music or anybody's music that I that
I signed a project. Yeah, I could take it to
you know what I'm saying, Orchard, you know, I could
take it over here to Empire. So I have a

(04:09):
lot of different different ways I could really you know,
put put the music out, which I think is good
because you know what I'm saying, like distro Kid toom
core and a lot of the platforms I mean too
Core helped me make my career. My bad catalog was
is still on tone Core Yeah, and that helped me

(04:29):
buy like the first pad bro Like, tone Core is
not bad, but there is a different there is a
different reach that you get when you go.

Speaker 2 (04:36):
To like like like an Empire or like a distributor
that has like some sort of like label services.

Speaker 3 (04:42):
Yeah, so's it's different. Like you could tell. I could
tell just by the chech manager and.

Speaker 2 (04:48):
They actually get you. The other thing, I don't think
a lot of people like Gazzi Broke is down to me.
He was like, yo, like if you go to Company
A and you come to us, like we're going to
get you more per stream, right, We're gonna get you
all the money per stream as opposed to like I
don't want to say, like let's say whatever distro Kid like,

(05:08):
your payper stream is will be a lot less, a
lot less.

Speaker 3 (05:10):
That's the difference, I think, just from the checks. So
I've I've tried it myself, so like everything that I
when I'm talking, because I've done it right. So I
have I have records where we made money off of
on dishro Kid, and then I see it like trickling
in and then I'll around and grab that same record
or that same album, and I'll come move it to

(05:31):
like to Orchard, and then the money difference, you can
see the volume just increase.

Speaker 2 (05:36):
Right, you know what I mean? How did you end
up linking with Zays over here? The DJ Khaled clone?

Speaker 1 (05:42):
This is the real legend right here, bro, real legend.

Speaker 2 (05:44):
Nah.

Speaker 3 (05:45):
I mean they's been with us for a minute. I
mean yeah, like six years now, yeah yeah. But he's
always on the grind. Man, this guy's business and hustling.

Speaker 2 (05:54):
What's some stuff you've been producing lately, because you've been
like I feel like I've been seeing your name a.

Speaker 1 (05:58):
Lot every thing, man, Like I'm everywhere for sure. I mean,
obviously the drummer. We just dropped the project straight out
the nine, so uh but yeah, I mean.

Speaker 2 (06:08):
The work called back to the back back to the nine. Sorry,
how do I know you're out there?

Speaker 1 (06:15):
Hey?

Speaker 3 (06:15):
To be fair, we did that ship in four days.

Speaker 2 (06:17):
Like I was like, oh, that might be a new
album back to the nine.

Speaker 1 (06:20):
Sorry, that's the next album.

Speaker 2 (06:22):
Yeah.

Speaker 3 (06:23):
I stressed him out, bro, I stressed him out, like
we did. We literally, bro, we literally did that ship
in four days. Although songs president, Yeah, four days, four day,
four studio days.

Speaker 1 (06:34):
We got the whole project done partly like two weeks.

Speaker 3 (06:36):
Yeah, because I just went in there. I was like, yo,
that till today's ready. Like I already took a long
enough break, bro.

Speaker 1 (06:43):
So this really was like my first project with him
that I got to lead on. Like as far as production, it's.

Speaker 2 (06:50):
Like really kind of like set the sound right, yeah, like, hey,
look this is what we're gonna do.

Speaker 1 (06:54):
Yeah, we still have the you know, the homie one
hundred and six to six. He does a lot of
work too. But uh, I was grateful to take the
lead on this one, and you know what I mean,
proud of it. I'm proud of that project, not not
for sure.

Speaker 3 (07:06):
I think it's important. I think it's important to like,
you know, fuck with I mean, obviously in my career
I fucked with different producers.

Speaker 2 (07:13):
Working out. I hit you about it. I was like,
want Carlo Records, tough.

Speaker 3 (07:17):
You fun with that one. Yeah, I'm still kind of
like getting to know the records and ship since we
dropped him so fast.

Speaker 2 (07:22):
Yeah. Would it come out in February?

Speaker 1 (07:25):
Yeah, run there the beginning of February.

Speaker 2 (07:27):
Yeah. Yeah.

Speaker 3 (07:28):
I was just kind of like, it's the top of
the year.

Speaker 2 (07:30):
That's got to be weird when you put something so
quick after recording it. Yeah, you're like, damn, I ain't
ready to perform yet.

Speaker 1 (07:36):
That's why I forgot the title.

Speaker 3 (07:39):
Yeah, it was the top of the year, and I
was like, man, we got to do something. And I
already know they knows what he's doing, bro, So I
was like, Jay's just run some beats, let me just
hear some ship, let me just be a rapper. Yeah,
you know what I mean for a week instead of trying.

Speaker 2 (07:53):
And that's how and it came out.

Speaker 3 (07:55):
Yeah, And it came out like that.

Speaker 2 (07:56):
Man, Hey, man, don't forget odd socks Basics s the
own only thing that's on my feet man, or the
odd socks baby. All right, and what I love about
odd socks. First of all, I don't want to say
any other socks by name, but if you're just throwing on,
you know, the good old generic tube socks with shorts.
So whatever it is, ankle socks, you ain't gonna find

(08:18):
anything more comfortable than these odd Socks Basics or more affordable.
That's right. Get a pack like this for nine ninety
nine For odd socks dot Com, use the promo code bootleg.
Not only do they got the basics on lock, of course,
they have all your favorite license products. I don't know,
maybe a little Budweiser, maybe a little Attack on Titan.

(08:38):
You know what, they just locked in the liquid Death.
Can we also give a shout out they just locked
in one piece. I'm waiting for my co obese to
send me some one piece stuff Cote forty five. How
about some warheads? Uh? Yeah? Hello? Odd Socks dot Com
used the promo code bootleg save twenty percent off. And
trust me, the most comfortable socks in the world are

(08:58):
these odd Socks Basics. I literally have not worn anything
else on my feet in five years. Swear to God,
odd Socks, my son hoops in him. Everybody's rocking with
the odd Socks basics. So makes you get you a
pack and thank me later. Odd Socks dot com us
the prone code Bootleg say twenty percent off a checkout

(09:19):
a couple of years ago, Well shiit twenty twenty three.
You and g ended up getting back together, which I
feel like was big for the culture and uh, just
a big statement. How is he doing? Because there was
like speculation he had got deported and he came out
and said that was fake news, Like, yeah, how was
he doing?

Speaker 3 (09:38):
Like what's going on with him? He's good, man, he's good.
I mean, everybody's gonna have a story to tell, you
know what I'm saying. But for G I mean, he's
gonna have to tell his own story.

Speaker 2 (09:46):
You know. I saw that for a Sam strip club
not too long. Yeah, that was throwing money at Sam's.

Speaker 3 (09:51):
I think I seen him at what Up Dough over
there eating some pieces.

Speaker 2 (09:53):
Sam's is not in Mexican.

Speaker 3 (09:56):
Yeah, I mean, look, he's always gonna do what he's
gonna do. He's always you know, keep his keeps his
personal life how it is, and when he comes out,
when he comes out, especially when we come out together,
we make a big impact and shit, so you know,
I'd rather let him tell whatever he got going on.

Speaker 2 (10:10):
I feel like he's done a really good job of
like and you too, honestly, Like, uh, just like I
feel like a lot of like the La Mexican rap
scene has has had a tend tendency to get messy.
Oh hell yeah, and because like you'll see like because
like you know, in shout outs like food community and
like some of these blogs. But like at the end

(10:32):
of the day, I feel like a lot of guys
want to make it almost blogs, yeah, and like they'll
like kind of lean into some of the bullshit. Like,
but I feel like you've done a pretty good job
of like I mean, here and there, there's like some
fun shit that comes up. But yeah, but it's like,
for you, is it pretty important to just kind of
like cause you're a grown ass man dog like.

Speaker 3 (10:53):
Yeah, yeah, yeah, you can't get caught up in the bullshit.

Speaker 2 (10:55):
Like like you don't want to be like participating in
the circus, I'm sure.

Speaker 3 (10:58):
Yeah. I mean, like the Internet is always going to
be the Internet, you know what I'm saying, and like,
especially when it comes to like beefing and shit like that,
I don't think none of that is real, you know
what I'm saying, Like you can't really beef over the internet.
I know there's been some real rat beef, but you know,
you know, in history, but like nowadays, it's like people
are beefing on purpose, you know, to get certain you

(11:21):
know what I mean streams or to get certain looks,
and that's just like pretty fake, you know, so I
try to stay away from that.

Speaker 2 (11:27):
I feel like to even the way you handled the
Swifty Blue thing was the most grown ass man way
of handling it.

Speaker 3 (11:33):
I forgot what I did, what I do.

Speaker 2 (11:35):
I just remember the way you replied. It was like
you it was almost like it just didn't bother you. Yeah.

Speaker 3 (11:39):
Yeah, like it was like so now it was like yeah,
oh yeah, I remember you did me about that. Yeah
when you see that happen, yeah yeah, see he just
tried to take credit for something that he didn't really
know what happened. You know what I'm saying. Because I
think you were like, yo, post with the chain then yeah,
like show me the chain, yeah for sure, you know,
I mean the whole thing was like somebody took my

(12:01):
chain in Denver, right, This was the story that came out,
and then he had heard about it and he took
full credit for it right on the internet. But the
funny thing is, like, I ain't been in Denver in
like two years, so right away they just missed me
with that one, you know what I'm saying. Like it
was out of left field. So I'm like, okay, you know,

(12:23):
so when he hit me back, he was actually like
trying to get me, like to be like, man, I'm
just trying to help you out type shit, and he's.

Speaker 2 (12:30):
Like maybe he was trying to reach out in his
own weird way.

Speaker 3 (12:34):
Yeah, just on some dumb shit, you know what I'm saying.

Speaker 2 (12:37):
But Swift, he's a good dude.

Speaker 3 (12:38):
Man.

Speaker 2 (12:38):
I just think sometimes man, the Internet, Man, the Internet,
some motherfucker dog.

Speaker 3 (12:41):
The Internet takes people, bro.

Speaker 1 (12:44):
I think a lot of young homies could learn from
Drummer though, because he handles himself very professional boss. You know,
Like he said, the Internet could be crazy, they could
spend shit a lot of different ways. But since I've
known him, he's always handled himself and like stood out
of that shit.

Speaker 2 (12:59):
So how long have you been taking golf, Like, seriously,
were you because you know, for people who don't know,
golf is an expensive endeavor, Yeah it is. It's different
when you go with your homies and you use their clubs,
you know what I'm saying, Like, but when you got
to like you gotta get the shoes, you gotta get
the fucking clubs. This ship is not cheap. Though, when

(13:21):
did you really really like dive in, dive in?

Speaker 3 (13:23):
I think when I dove into golf is when I
like actually started learning how to really play that motherfucker.
Because it's a fun ass like thing to do.

Speaker 2 (13:32):
It's also very difficult.

Speaker 3 (13:33):
No, it's hard. Yeah, it's definite because.

Speaker 2 (13:35):
It's really you're playing yourself low key, you're playing the
course like.

Speaker 3 (13:38):
Yeah, ain't nobody helping you. You got to just do it.
I mean you're you're you're in competition with with whoever's
with you to get a lower score, right right, right,
but like it's really you yeah, and the course, Yeah
for sure. I mean yeah, I think I took it
seriously when I actually started learning, you know what I mean,
And then I wanted to learn more. But hell yeah, bro,
we dropped, we drop bread just going like especially going

(13:59):
as much, just like right now we're slow down for
a little bit, but as much as we were going.
We're going like every single day.

Speaker 2 (14:06):
What's like an average cost to go to like one
of these nice courses, A nice course, like a really
nice one, because there's some sick ones, Like have you
been like like as a pebble beach.

Speaker 3 (14:17):
It's somewhere here you're talking about like you're talking about
like a rack around in pebble beach, Jesus, you know
what I'm saying. And then they got the poor man's
pebble Beach. I think it's like in where's that one
at like Newport what they call it the Port? It's
still nice as fun, but that's still like four hundred
round Jesus. I want to open the golf course. Bro.

Speaker 2 (14:39):
My dad was the head groundskeeper. He's like digging ditches
and yeah at a golf course. My whole childhood city
course in Phoenix.

Speaker 3 (14:48):
Damn.

Speaker 2 (14:48):
That's yeah.

Speaker 3 (14:49):
So I kind of grew up like I played golf
in Phoenix too.

Speaker 2 (14:52):
Out there, we have more golf courses per capita than
anywhere in the country. I did not know that you
could fucking throw a rock and hit a golf course
in Phoenix.

Speaker 3 (15:00):
Okay. You know, the golf became such an accession that
when we would do shows like going around the different
you know states and stuff like that, we would go,
we would look for golf courses to go while we're
out there. So I'll even extend to day. So see
if they booked me, like to go do a show
from Friday Saturday, I'll be like, okay.

Speaker 2 (15:18):
We'll let's stay till Monday Sunday we play golf.

Speaker 3 (15:21):
Yes, it's like that type ship.

Speaker 2 (15:22):
You know, you're like in it when you travel with
the golf clubs. Yeah, checking them clubs. Bro that she
gives me anxiety. Anything, get in on some of that
cocaine and that can can. Yeah, No, it's definitely. I
I one of my best friends is part of a
country club and b oh yeah, I'm on the motherfucking

(15:44):
golf course with this dude for his wedding weekend. And
Jordan's the only the only polo I had was like
a cookies polo.

Speaker 3 (15:52):
You've seen that ship, what I did with a left
du and that ship, that ship was legendary.

Speaker 2 (15:56):
That ship was fucked so long ago.

Speaker 3 (15:58):
Now tight shirt on and then fucking.

Speaker 2 (16:02):
It looked like you guys were ready to kill Lefty
like you were like, fun, I want to come back here.
That's crazy as.

Speaker 3 (16:10):
I think he did, cause the big records over there,
he showed up in jeans, definite was definitely do not
know how to go. I know, you know what, he
had a little he had a couple of hits, but nah, bro,
I take that for quick.

Speaker 2 (16:21):
Have you left you? Obviously? Man, it's been dope to
see him get clean and that grammy. How big of
a deal you think that is just for latinos rappers
from LA for him to be able to put that
grammy on the on the mantle, I.

Speaker 3 (16:34):
Think it's a huge deal. I think it's I mean,
it's something that was not really achievable or it hasn't
been achievable for for none of us. You know what
I'm saying. He did it, you know, I mean regardless
of you know the bands term where people are talking
about ship like he got a motherfucker.

Speaker 2 (16:49):
And I mean that shit's catchy. Yeah, like for real,
I hope he does a record with that as the hook,
like his own record with that as the hook.

Speaker 1 (17:00):
Yeah.

Speaker 3 (17:00):
I've been a Lefties corner for from the from the
gate you know I met you know, when I met Lefty,
he was like before, like right before he took off
like one of the homies, uh, one of the homies monos. Man,
he's in the FEDS right now. But he introduced me
to him. And then the first time I met Lefty,
like he was just in a little club that we
were that we were at one of my little homies

(17:21):
Hennessy he was, he was doing the show there, you know.
I think it was like in somewhere in the o C.
And left he came up with the homie and he
was just like, hey, like this, we got something to speak.
He wants to spit something to you. And he spit
the letters the song the drummer. Yeah, he just spit
it like a cappella right there. But he was, you know,
saying he was low. He was still he was still Lefty.

(17:43):
So I was like, man, that' shit hard and ship,
you know what I'm saying. But you know, sometimes you
you know, it's a club vibe, so it's like you
don't really like you're not really locked in, right, you
know what I mean? And then I was like, dope, see,
but I'm the type of person like I'll fuck with
the Homies as soon as I see it, Like, I
guess that's a different went back to like what you
were saying earlier, like I like to fuck with the

(18:04):
Homies and I like to and I like to help
him come up as much as I can. You know
what I'm saying. I don't you know, I don't really
look at myself like you know, I'm gonna help you
blow up. It's never that. It's so we just kind
of like, just make this record because I know this
record could be big. That's all I That's all I
really have in my mind when I when I go
through the ship like that, you know what I'm saying.
And but with Lefty, once he started dropping his ship

(18:26):
and I seen him taking it seriously, then I'm like,
all right, I want to Now now I feel like
we could actually work because I take this shit real seriously.

Speaker 2 (18:34):
Sure, you know what I mean.

Speaker 3 (18:35):
So it's like once the Homies really start putting in work,
I'm like, Okay, that's what I kind of look for.

Speaker 2 (18:41):
I still haven't figured out how he's well, I guess
it doesn't really matter unless on some flags it But
the fact left he has so many records on DSPs,
on other people's beats that I know he didn't clear right,
I'm like, I'm like, and you know it's it's I
saw he linked with the game randomly all start weekend.

(19:02):
I think it was whose podcast was that wasn't the
Fat Job and yeah, Jada Ship and Jada and I was.
I always wonder like if game is aware that, like
he has like a song on that we spotted of
the game.

Speaker 3 (19:16):
Don't say that ship. We didn't do ship?

Speaker 2 (19:21):
Well, I guess we did.

Speaker 3 (19:22):
Yeah we do. I mean we do like interpolations and ship.
So like as far as like the Winks to beat.

Speaker 2 (19:28):
Or find someone who reproduced.

Speaker 3 (19:29):
It on YouTube, yeah that too. I mean, but we
we actually paid, so I helped produce the record. So
when it came to the to the Winks and Ship
that me and him drop, me and Lefty drop. What
we did was from from scratch. We just started and
we we did. We did the whole beat like me
and uh and one six to six and I try
to switch a couple of notes in there to make

(19:51):
it interpolations.

Speaker 2 (19:52):
Do you feel like because I feel like this is
happening a lot where I'll see motherfuckers have like an
in house producer and they'll find a beat they like
on YouTube, or they'll do a record on someone else's beat,
and then somebody will be like, yo, I need five hundred,
Like no, fuck that, I'm gonna just have a homie reproduce.
It is that common? And do you look at that

(20:12):
as like a big no no in the producer world.

Speaker 1 (20:16):
Yeah, it's a lot common now. Like I see that
a lot of people come to me and ask me
to do that. But I'll tell them like, I'll just
go off the vibe more like, I don't really like
to recreate something that's already there, you know, take the BPM,
the vibe, you know what I mean, make it similar.
But yeah, like just straight up copying it.

Speaker 2 (20:34):
Is I feel like actually happens a lot. It does
all the time.

Speaker 3 (20:38):
That's the cheat code. Man.

Speaker 2 (20:39):
I've been guilty of it too, yo man t K
Man remake, But it happens. What about? I feel like
the new thing is like, uh, we're gonna start seeing
bruhs like entire They're gonna have like real production catalogs
that they didn't even touch an instrument for. They're just
typing in prompts on so with AI No, that's just

(21:00):
it's crazy crazy.

Speaker 3 (21:01):
But the homies that like sometimes they'll fuck around with
it and it sounds weird, Like damn.

Speaker 2 (21:07):
That's just a slap. Some of that should be crazy.
Yeah it is.

Speaker 3 (21:12):
How do you feel about that? Um?

Speaker 2 (21:15):
I don't want to know about it. If it's happening, right,
If I know that you're rapping on a beat that
AI made, I'm not gonna fuck with it. So if
you're gonna do it, lie to everybody.

Speaker 3 (21:25):
Just die with the lie.

Speaker 2 (21:26):
Yeah, die with the lie, because otherwise, like motherfuckers is
gonna be like you're rapping over AI beats. The funny
shit is is motherfuckers swear that they're good songwriters now
because they could put in anything into that app and
it'll make it sound like a good song.

Speaker 3 (21:44):
I feel like seniors could get away with that more though, right, Yeah,
because because rap rap is no no no.

Speaker 2 (21:53):
I mean, like, I've had homies like TK who'll be like, Bro,
I'm such a good songwriter. Bro, listen to this ship
that sooner spit out and I'd be like, dog, I
just wrote the gayest song dissing my best friend on
SUNO and it sounds like a hit. You could put
anything in that motherfucker and it will make it sound crazy.

Speaker 1 (22:12):
Yeah, I think it's just another tool. But depending on
how you use it, you know.

Speaker 2 (22:16):
Yeah, I feel like the good thing about it is
if you want to sample some shit, you could just
have it spit something out and then you chop it, right,
So as opposed to having a clear sample, it'll make
it a lot easier because that's the one. I feel
like clear and samples.

Speaker 3 (22:30):
But I feel like bro like like coming from where
I I, you know, I come from like making beats.
That's that's where I started. My whole career is making beats.
I just feel like it's not the same as like
it's definitely not the same digging through crage and then
started then from there going through YouTube for hours just
finding like different samples and shit like that. And then

(22:51):
there's a certain type of frequency that they just knows
I fucking hate. And we had the battle on the
on the project a little actually what Carlo, Yeah no, no,
no no, I love it now. Yeah, But at first
there was some things that happened in there that had
to take like that that were tickn out by AI. Right,

(23:13):
So some sounds that were tiken out by I don't
know what it is, you know, I.

Speaker 1 (23:17):
Mean just like it removes like the drums of vocals, right,
but it leaves like this kind of I don't know,
like a sound like a like a yeah, like this
sounds funny. I fucking hate that sound.

Speaker 3 (23:29):
So I'm like, just do it the old school way.
Just just drop them, drop the lows, drop that, you know,
drop the high, just keep the mid, and just do
it like for you know, we don't have to fucking
go and have this like magic wand that pulls out
the one sound we need, you know what I'm saying, right,
So I was like and then once we did it,
it was great. I was like, I love it. We

(23:52):
had like we had a whole debate in the studio,
like we had like four or five different producers in
there listening to it, no just saying which one it better.

Speaker 2 (24:01):
So there was like five different.

Speaker 3 (24:04):
So it was like this this one was raw, and
it was just like we did it off of a
fucking just straight sample, and this one was some of
the noises were chicking out of fucking you know, digitally
ticking out and at the end the raw and uncut
when one man.

Speaker 2 (24:19):
We gotta give a shout out to our new sponsor,
Raffie Law Group. Listen, I don't partner with just anybody.
And if you're from Arizona, all my az people who
are watching, y'all know, call RAFFI. Raffi Raffie Law Group.
They treat you like family, which is why I decided
to partner with them. Man, it only makes sense. The
best law group in AZ. They've helped over seventy thousand

(24:41):
folks in Arizona, and listen, it's pretty easy. Whatever happens,
car accidents, car crashes, injuries, whatever, they handle it. My
wife actually got into an accident, this was like five
or six years ago. They handled her case, she got
paid out. It was super painless, it was super seamless.
The team was incredible. And when I tell you, man,

(25:03):
it's like a real family atmosphere over there. This is
not like just some random billboard lawyer or some bus
stop lawyer. No, it's a real team, all right. So
make sure you go support Raffie Law Group, and don't
forget you're get into an accident, any sort of personal injury,
car crash, whatever, make sure you call RAFFI right now.
Six two, three, three, eight eight forty three thirty three.
That's six two three three eight eight four three three

(25:25):
three call Raffi okay. On the album, you have a
song called Gangster Movie. What's your top five gangster movies
of all time?

Speaker 3 (25:35):
Uh? Casino, it'll be good Fellas. Uh, what is that one? Bronx?
Hell for sure a Bronx. Tell what's Sonny Man? And
then uh, what's that one where he goes undercover? Oh Donny, Yeah,
Donny Basco that one too. Yeah, and fucking scarface the carface,

(26:00):
her face is mandatory that five and everything.

Speaker 2 (26:03):
Good Fellow's my favorite man.

Speaker 3 (26:05):
The only thing I hate, you know what, it's good
Fellas or Casino. One of them fucking things pissed me
off is the fucking cheating bitch.

Speaker 2 (26:12):
It's Casino.

Speaker 3 (26:13):
Casino. Oh yeah, I turn it off once. I know
that's just coming. I don't know if it's like she's.

Speaker 2 (26:19):
Off in the hotel with BRU.

Speaker 3 (26:21):
I don't know if it's PTSD now that she ain't
never happened to me, but I feel like if it
did happen to me, bro, that should be fucking like
I just it gives me like worse. I fucking hate her.

Speaker 2 (26:30):
Yeah, yeah, I'm pretty sure, that's Casino.

Speaker 3 (26:33):
It is right. She goes, she takes money off the
bank and then she fucking goes and she does she
fucks it off. Yeah, we're like with her, like yes, yes, yes,
I think that's her like child that was like her childhood,
like that still had a hold on her. Man. That
can that can that can happen to anybody.

Speaker 2 (26:49):
Okay, you got back to the nineties? Is the last
song on the album Give me your favorite nineties albums?
Give me five of them?

Speaker 3 (26:54):
Are you tripping?

Speaker 2 (26:55):
Bro?

Speaker 3 (26:57):
Nineties albums? I could name some hours, but I don't
think so.

Speaker 2 (27:03):
Like what.

Speaker 3 (27:05):
I gotta looked at my at my confidant. That's the nineties. Yeah,
the Chronics, the nineties, Yeah, the East that was the nineties. Yeah,
there you go. Just the years would fuck me up.
My deeps in the nineties too infamous, Yeah, yeah, nineteen
ninety five, ninety six year Okay, yeah, that's when like
Alchemists and all that too. That was the nineties, right,

(27:26):
Tupac shit Alchemist shit yeah yeah, Alchemist.

Speaker 2 (27:29):
Well Alchemists is like, yeah, he was the only thing
that fuck me was the years.

Speaker 3 (27:31):
But those are those are like the.

Speaker 2 (27:33):
Ones you're a big mob deep guy.

Speaker 3 (27:34):
Yeah, because Alchemists and Scissa and the beat makers and shit.

Speaker 2 (27:38):
You know, would you have you linked up with Alchemists
or mad Him yet?

Speaker 3 (27:42):
I haven't, and I would be that, you know. That
was one of my like like, I don't know what
you call those, but that's what I always want to
do because that's who I was listening to, like you know,
and then like Psycho Realm type beats and shit like
this is the type of shit that I would listen
to that inspired me to make music, even though my
music don't sound like that or my beats obviously it
took on their own form, you know what I mean.

(28:04):
But those were those were the ship. Like even DJ Quick,
a lot of DJ Quick, like my brother Smoking would
just he would put me on like we would be
in a work truck, but I would be my brother's
work truck and we would just he would just play shit.
He would just be like listen to the beach, listen
to the beats and ship like that, and we would
listen to a lot of like Warren g Ship too.

Speaker 2 (28:21):
Warn't is crazy producer. People don't even give his credit
like that.

Speaker 3 (28:24):
Yeah, No, Warren GY's crazy.

Speaker 2 (28:26):
Yeah he did some ship Brounk man.

Speaker 3 (28:28):
Yeah, so I be yeah, so don't funk. Don't get
me fucked up on this tip. But I just the years,
it's kind of like, not fuck my deep man. I
don't think a lot of people would expect you to
fuck with my deep like that.

Speaker 1 (28:39):
Nah, mob deep man, they should. Those are definite legends
right there.

Speaker 3 (28:43):
You know what I mean?

Speaker 2 (28:44):
Uh, what is it about like where you guys are from?
Because I feel like LA and Sam Bernardino on Riverside
and just everything like west of here gets for people
who aren't from California. We just kind of even folks
from Arizona, like everything might as well be the same,

(29:04):
Like we look at San Bernardino as LA for an
Arizona or Ontario might as well be LA. You know,
right right, you're right, But what would you say is
like kind of like the cultural difference between like growing
up on that side, uh and you know La. I
feel like Las La. I always kind of see guys
from the outskirts of LA or outskirts of southern California

(29:25):
always kind of have more of a chip on their shoulder.

Speaker 3 (29:28):
From the outside. Yeah, I would say, well, you know,
it's just you know, it started expanding that way, right,
So people from La started moving out to the furthest city,
you know what I'm saying. So like Sambordino, you know, it.

Speaker 2 (29:41):
Was a lot more affordable to live out there too, right.

Speaker 3 (29:44):
So you know what I mean, shout out to a
lot of the homies and a lot of homies from
as Ontario or Sambordino, you know, Riverside and all that shit.
You know, they really had it down out there. I
think they just I think it's just a little battle
that's always been going on, you know where it just
came out of nowhere. It was like l a against
ie when it's not.

Speaker 2 (30:05):
Really like that.

Speaker 3 (30:06):
It's not like no real official like it just like
little hatred back and forth type shit, you know what
I'm saying.

Speaker 2 (30:12):
Yeah, I feel like too. It's like you go out
there like I was, like, dude, Pomona had the what
was that day party? That'd be cracking out there. It
was like red Cups Sundays or something like that. Yeah,
it was like on the roof.

Speaker 3 (30:22):
Yeah that's a Fox theater.

Speaker 2 (30:24):
Yeah, I used to do I DJ that ship. That
ship was a movie.

Speaker 3 (30:26):
It would always be cracking.

Speaker 2 (30:28):
That shit was.

Speaker 3 (30:28):
I was never allowed to really be out there like
that because well, you know, like the Pomoni PDUs to
shut down all my shows right there, they shut down
the Fox Theater ones like.

Speaker 2 (30:36):
Just because they're afraid some shit was gonna happen.

Speaker 3 (30:37):
Yeah, just some bullshit, just hating bro when.

Speaker 2 (30:40):
It had happened that like never, So nothing ever like
sparked them to be like never.

Speaker 3 (30:45):
They just were like hat They just they just I
just been on their radar for so long. Yeah, you
know what I'm saying. And even this last case that
I caught like in twenty twenty two or some shit
man like on some bullshit, I was innocent. That was insane.
They tried to say I had something on me, and
ship I feel like they put it there, you know
what I mean.

Speaker 2 (31:06):
But no, it can't.

Speaker 3 (31:07):
It went down to the to the fact that I mean,
it got so crazy that they've been watching like my
moves and like you know, when I was really in
the streets like running around, there was like a whole
different gang unit back then, you know what I mean,
And then now it was like a new gang unit,
you know what I'm saying, Like for these past couple
of years that don't even know me They've never arrested me.

(31:30):
They've never dealt with me when I was really out
there running wild, you know what I'm saying, because obviously
shit changed once I started really taking my career seriously.

Speaker 2 (31:38):
Of course, man, you got you got ship to lose now.

Speaker 3 (31:41):
But I'll bullshit you not when I when I got
pulled over, we didn't get pulled over. They just pulled
up on us, you know what I'm saying, And they
just knew who we were. But they knew who one
of the little homies was. As soon as they looked
into the into like into the beans. They looked down
because I was like in the driver's seat. They were like,
they're like, drummer, Bro, this never met me. There was
like drummer and they just acted like they knew me.

(32:02):
I'm like what I'm like, They're like, oh yeah, drummer.
And then they try to pull us out, did all
kinds of illegal ship, pulled this out and all that,
And by that time, already I'm already up on game.
I already got lawyers already. I'm like, bro, you guys
can't do this ship.

Speaker 2 (32:15):
That's crazy.

Speaker 3 (32:16):
I'm not you know, I'm saying, like no, no, you
know due process.

Speaker 2 (32:19):
No fucking yeah, and.

Speaker 3 (32:20):
That's what you know, that's why it was. You know,
what happened happened like it was a D reject. But anyways,
they were like reciting some of my fucking songs and
ship ship, you know, just.

Speaker 2 (32:30):
Riding around bumping your ship.

Speaker 3 (32:32):
That's what they exactly what they said. They were like,
we listened to your ship and I was like, the fuck.
My little honey looked at me like crazy. I was like, bro,
don't it be crazy like that. I don't know these motherfuckers,
but they were reciting some of my songs like they
were fans. Like they were fans.

Speaker 2 (32:48):
That's pretty I mean, that's kind of cool.

Speaker 3 (32:50):
Not when they arrest you do.

Speaker 1 (32:53):
You know?

Speaker 3 (32:54):
I got to pay ten bands to get out on ball.
I was like, man, I was like, what's my bell?
They were like it's one hundred. I was like one hundred,
what's that? Okay? Temp alright, I gotta do. I gotta
pay ten. I was like, I'll be out by the night.
They're like, all right, we're gonna save your career. I
can say this story right. They're gonna save my career right,
And I was like, all right, how you gonna do that.
They're like, you just tell us where this this and

(33:15):
this is that, and then we'll let you go. I
was like, Bro, you was talking about ruining my career.

Speaker 2 (33:20):
What the fuck.

Speaker 3 (33:22):
Fuck we're talking about? I said, Man, bring me, put
me in the fucking ship, let me get on the phone,
let me pay the temp ban, and I'll be out
of here.

Speaker 2 (33:30):
Like, oh that's wild. Yeah, would you like cause I
feel like obviously that's where you're from. Like at a
certain point in time, they gotta start looking at you
like like a community leader. Uh, like somebody who's a positive.

Speaker 3 (33:42):
And we've done a lot of shit for the community.
I mean we try to you know what I'm saying, Like,
you know, we go to you know, uh God's pantry
right there in Pomona.

Speaker 2 (33:51):
Like if you connected with any of the councilmen or
any other local politicians at all.

Speaker 3 (33:54):
No, I think you know what I think it is
is I'm still my raps is still kind of you know,
I mean out there right you know, and I feel
like to to really touch bases with them.

Speaker 2 (34:06):
I would love to you.

Speaker 3 (34:06):
I mean, if anyway I could give back, I'm gonna
give back, you know what I mean. So now we
get back into any way we can on our own,
you know what I'm saying, Like where God's pantry, different
people will go do Turkey giveaways, and you know, if
they want me to pop up certain places, I'll pop
up just for the free, you know. If it has
to do with Pomona, like you know, the kids come,
they have like a like a low Rider day where
the kids get to come around and see all the

(34:27):
cards and shit. I'll pop out type shit just to
just to do it, you know, and take pictures and
you know, talk to people and shit like that. But
I think my music is still a little too ady
for them to full to really commit, you know what
I'm saying. And some of my partners have been telling me, like, man,
you gotta turn it down a little bit so we
could get you into these other things.

Speaker 2 (34:44):
I feel like Nipsey had that moment where you would
see like Nipsey like kind of trying to ingratiate himself
with at least having some political allies. And right right,
you know what I'm saying, where it's like if you
ever wanted to open a store or open a restaurant,
like the city will get by hind it as supposed
to be like, oh, we gotta watch out. Yeah, you
know that crazy drummer boy right around town bumping.

Speaker 3 (35:06):
Yeah, he's opening the restaurant. Crazy, bro, That shit was wild, man,
It is, you know, pretty crazy. But it's crazy that
like they never ever had no contact with me, Like
so they didn't know me. All they know is what
the internet scenes, right, and everybody believes, even including them.
They believe everything they see on the internet.

Speaker 2 (35:25):
You know what I'm saying, Only imagine that motherfuckers are
board man eating donuts to the parking lot, probably looking.
They're probably watching YouTube. They're probably watching all these fucking blogs,
like ill check this motherfucker out.

Speaker 3 (35:34):
Yeah, there's like a YouTube channel called Promoting PDA or
something like that, and they be commenting on all my videos.
This is really Yeah, all that you don't know if
it's really the promoting.

Speaker 2 (35:43):
Who's logged in. That's like that's their gig.

Speaker 3 (35:45):
They all have the passwords.

Speaker 2 (35:46):
They're fucking YouTube. Just all right, let's leave a comment
under this guy's music video. That's pretty But you know
what's funny.

Speaker 3 (35:53):
They even be trying to hate bro. They be like, oh,
we haven't seen this dude.

Speaker 2 (35:56):
The promoters like that. They be hating, bro, this fool
is not even outside like that.

Speaker 3 (36:00):
Yeah, they're gonna make me go back outside. It's yeah,
but it's crazy.

Speaker 2 (36:04):
What's the best Mexican food in Pomona?

Speaker 3 (36:08):
And for me, it's always been Mexico right there by
by the Indian Hill Swami. That's why I was going
when I was a kid. It was Mexico. It's still there, fire,
you know what I mean. My dad used to take
us there every day. I mean every day, like after
church and ship. We would go there since I was young.
In Tacos, Mexico. And they're open twenty four hours.

Speaker 2 (36:27):
That's the best. There's no twenty four hour Mexican food
in the valley. I don't know how we are in
the San Fernando Valley and the only thing we got
is fucking trucks open until two. There's no drive through you.

Speaker 1 (36:39):
Albertos, no no.

Speaker 2 (36:41):
In Phoenix we got Philibertos and Albertos and Robertos all
the births a night dog. Yeah, ain't no fucking Berthos
in the valley.

Speaker 1 (36:50):
Ain't we got an open one?

Speaker 2 (36:52):
Or even like we can, we can give Taco Gallivan
be open all night. I want one of them joints
over here. Oh them ships are cool for a change.

Speaker 3 (37:00):
No, it hits, it hits. I mean, but yeah, that
twenty four hour joints is something else? Are you?

Speaker 2 (37:07):
Are you gonna have a more active year in twenty
twenty six, like in terms of like I was just
gonna be the only Alby drop.

Speaker 3 (37:11):
You're gonna hand on food. They were going crazy this year.

Speaker 2 (37:14):
Because I feel like you dropped last year.

Speaker 3 (37:16):
But I feel like I took a break last year,
So I was we took a bit of a Yeah, yeah,
I chilled. Man, Sometimes you need that break in twenty
four right, I think we Hell yeah we did, but
now I don't think you had an album. I think
we're doing more singles. Yeah yeah, but we was definitely
touching millions. Yeah, yeah, yeah, we was out there. I
think around that time, well, we dropped the ship in
twenty twenty three, like the end of twenty twenty three,

(37:36):
ride that wave with that album with the H forty seven,
and then around the same time, I was we were
doing this ship with a rowdy and lefty and that
was touching ms. You know what I'm saying. So it
definitely gave me a breather, you know what I mean.

Speaker 2 (37:50):
It was sure, it was a little breather because.

Speaker 3 (37:51):
You need bro in this game. You need you need
some breathers to really, like, you know, focus on on
yourself because this shit could get away from you real fast.

Speaker 2 (37:59):
You know, you gotta work on that golf game.

Speaker 3 (38:02):
Yeah, yeah, for sure. But right now my plan is
I'm working with Cheeto Man. Big shout out to chee Tonas.
I know that, you know, the fans been wanting to
see that for a minute. I think that's gonna be
good for for you know, the West Coast scene, the
West Coast sound for us.

Speaker 2 (38:15):
He's from sack.

Speaker 3 (38:17):
Yeah, but he's definitely from from up north. But he's
he's on he's on our side out here, you know
what I mean. So I me and him about to
do some crazy ship.

Speaker 2 (38:26):
Yeah, I saw. He's actually super super slept on. I
feel like still, you know what I'm saying.

Speaker 3 (38:31):
Like, yeah, he slept on, but he's selling our shows.
He just sold out like four shows back to back.

Speaker 2 (38:38):
Phoenix coming up.

Speaker 3 (38:39):
Yeah, I'm pretty sure that's gonna be sold out too.

Speaker 2 (38:41):
Probably.

Speaker 3 (38:42):
He's a real man. He's he's dope. He does his ship,
you know, what I mean.

Speaker 2 (38:45):
I feel like him getting locked up like was like
super unfortunate because he kind of like threw a bit
of a hiccup and like I feel like, man, when
you got to go sit down?

Speaker 3 (38:55):
Yeah, sitting down could definitely you know, it just depends,
you know, how you bounce back though, you know what
I mean.

Speaker 2 (39:00):
Are you still in contact with Roddy Rax?

Speaker 3 (39:04):
I haven't talked to him for a minute because, like
I said, I closed myself off. But as soon as
he's ready to come out and start dropping music, you know,
I'd definitely be right there there.

Speaker 2 (39:12):
He's so talented, man, Yeah, he could wrap his fucking
ass off. Bro.

Speaker 3 (39:16):
Yeah for sure.

Speaker 2 (39:17):
Who do you want to produce for that you haven't
produced for yet? Zace? Besides DJ Khalen. Never seen both
of you guys in the same place at the same time,
I know, the same president or you look like an
Armenian Carl Oh no, I don't know. But what about
that dude over there that least that we call him
no Mexican not. We'll just lean into it when you're

(39:38):
when you're over here, just say yes, what's my name?
But yes, brother, do you have come? Ob where's that picture?

Speaker 3 (39:44):
At X.

Speaker 1 (39:45):
Who do I want to work with? I haven't worked
with I really like to work with payso I haven't
really got to work with him.

Speaker 2 (39:55):
Heaby dope, Yeah, yeah, dope pays So I just saw
you with pay so yeah.

Speaker 3 (40:00):
Not pacers a homie. Check out this picture though, that's
the homie right there. Tell me they ain't look exactly
the same. Brow that was like, No, that's bullshit. This
fool looks Look at his picture. Can you see from
that far look at the camera. Man, shout out to
my man right there, Man, he's that's ex Mandosa right there. Man,

(40:24):
he's undercover DJ Cally you seen it?

Speaker 2 (40:29):
Yo? Have you ever heard of this car dealer in
Vegas named chop hold on, fool, I'm gonna show you
exactly who you look like.

Speaker 3 (40:35):
Though, Nah, that's crazy.

Speaker 2 (40:39):
This is funny because you look like this fool. Dog
for real?

Speaker 1 (40:43):
I heard if bulet keV don't make fun of you.
He don't really like you. Oh yeah, let me just
shave my head.

Speaker 3 (40:51):
Yeah for sure.

Speaker 2 (40:55):
This who had a TV show and he's like he's
it's just like a ridiculous bruh dog.

Speaker 3 (41:02):
This is you.

Speaker 2 (41:05):
That's you. You are a car dealer same glasses.

Speaker 1 (41:10):
I'm out here, Dylan Dylan.

Speaker 2 (41:11):
Beats Hey, don't forget. If you're not on my bookie
and you're a sports fan, get in on the action.

Speaker 3 (41:17):
Man.

Speaker 2 (41:17):
NBA playoffs are coming, they're steadily approaching end of the
season awards. You can go ahead and throw a little
something on those, little action on them. Also baseball season.
Go to my bookie right now. Use the promo code bootleg.
And if you put some action on something up to
five hundred bucks and you happen to lose, it's all good.

(41:38):
They're gonna give you that right back. Risk free. Use
that promo code bootleg at my bookie. Get in on
the action. I've been rocking with my bookie as a customer,
like twelve years. My bookie promo code bootleg. Head over.
How much from you? If I'm like some random full
off the streets and I'm like, y'a, I need to
be how much.

Speaker 1 (41:58):
Charging fifty thousand, two thousands?

Speaker 2 (42:01):
That's too much?

Speaker 1 (42:04):
All right?

Speaker 3 (42:05):
But he only has to sell like you to have
a good year.

Speaker 2 (42:07):
You won't sell for.

Speaker 3 (42:10):
You. Guys. Have faith in it, bro.

Speaker 2 (42:13):
What if I'm like, what if I'm hella trash like
I'm talentless.

Speaker 3 (42:18):
Don't don't say no numbers. They they're gonna have to
call one hundred day.

Speaker 2 (42:23):
What if like I have like an investor okay, okay,
and I have like like a bread behind me, and
I'm like, look, man, but on a ratchet trash I
just started a few weeks ago. But you know my
dad is behind me. He's a dentist. How much would
it cost for you to do an EP for me?

Speaker 3 (42:42):
Now? Is he a dentist and like a little spot
in Pomona or is he like a dentist in Calabasta
in Laguna Hill? Okay, now we're talking different money right there.

Speaker 2 (42:51):
With some money, like I want you to record me.
I want you to give me beats I wanted to.
I want to do the primary artist, my trash ship ses.

Speaker 1 (43:01):
I would say between like like twenty or thirty thousand.

Speaker 2 (43:05):
What if I got fifteen fifteen all at once, cash
tax free for one beat for for a five song EP?

Speaker 3 (43:12):
Oh man, damn, but what if he blows up? All right,
we'll take the fifteen, but we want seventy five percent
on my manager. Okay, we're taking the rais. This guy's
did you know how many he's got beats out there. Man,
he's been producing for a.

Speaker 2 (43:29):
Lot of money.

Speaker 1 (43:30):
I have twenty five songs that have dropped since January.
That's gone.

Speaker 2 (43:33):
Dude. Fuck.

Speaker 3 (43:35):
I feel like Zay does so much producing out here
for so many people, and he got a big record
come in. I don't know if you can speak about that,
speak about it.

Speaker 1 (43:44):
Don't be a pussy Oh no uh With Vic Rosecrans,
we got one with three one, oh Baby, oh fire,
and they really like it. So they're gonna press play
on that, like come on, man, that's that's that's gonna
be like a because I know Vic's doing like some
DJ type ship. Yeah, it's working on a project, and
I'm you know, he asked me to help out, so
it should be should be dope.

Speaker 2 (44:06):
I'm just gonna pour dy coke on a mic.

Speaker 3 (44:09):
You hear that and make that a commercial?

Speaker 2 (44:12):
Good old aspertain baby, we got we got.

Speaker 3 (44:15):
A lot of things coming. I'm gonna do it with me.
He's we're gonna I'm gonna.

Speaker 2 (44:18):
Like ready sure, so you guys have a bunch of
like ship already just ready to go.

Speaker 3 (44:23):
I got a whole Spanish project that I've never done before.
It is coming.

Speaker 2 (44:28):
Are you like super super fluent or you like because
alexis like is he speaks Spanish like a pissa, but
like Defoe has like sometimes when he comes when he's
writing Spanish, it it's definitely hard his help, Like he'd
be like, Yo, does this sound al right? Does this
sound like crazy?

Speaker 1 (44:45):
You gotta speak it correctly, right, like it's politically correct.

Speaker 3 (44:49):
There's certain words that that that you have to say
that you can say wrong and you won't even know it,
you know what I'm saying, Like when you throw the
R when you don't, you know, like a.

Speaker 2 (44:59):
Little ship where gotta be like yo, almost like playing
for somebody.

Speaker 3 (45:02):
Yes, like Vos Vodios would be like you know what
I mean, neighborhoods, and then Virio like Vodos would be
like various, like little.

Speaker 2 (45:11):
Cious, like how many hoes you got video video areas?
You don't?

Speaker 3 (45:18):
You don't roll the R as hard as like Virio?

Speaker 2 (45:21):
Right? What was it like going going out to Mexico
and doing stuff?

Speaker 1 (45:24):
I mean, it's it was a whole It was an
eye opener.

Speaker 2 (45:29):
Man.

Speaker 3 (45:30):
We plan on doing a lot more. That's why I'm
doing this whole Spanish album and we're gonna do some
songs with had Maki's out there, huge artists. I don't know,
you know who had right, huge man, we're doing some
ship with him out there. We went out there to
win Ajuato in Mexico. I went to the slums and
I saw I was like, damn, those were the slums.

Speaker 2 (45:52):
That's not like how far is that from from? Like
let's say, CJ. Did you drive there?

Speaker 3 (45:58):
TJ?

Speaker 1 (45:59):
From TJ?

Speaker 3 (46:00):
It's still a four hour flight into the motherland.

Speaker 2 (46:02):
Oh yes, you're like in there. You can't drive there, Yeah,
you can't.

Speaker 3 (46:05):
And you can't drive out either.

Speaker 2 (46:07):
Yeah.

Speaker 3 (46:08):
So yeah, you know what I'm saying. Like we went
out there. I was still like, you know what I mean,
I'm still gonna stand on this. I think I'm the first,
like Mexican American American artists to really go out there
to the slums and shoot like that.

Speaker 2 (46:20):
Be scared God.

Speaker 3 (46:22):
I had some people contest that though, like people like
in the comments, because I didn't really put it out
there like that like the blogs put it out there,
you know. But then I was trying to do some
research and see who was really shooting like music videos
like deep in the slums out there that didn't have
to be there. Like I didn't have to be there,
you know what I'm saying, Like I could travel back
and forth type shit, you know what I mean. But

(46:43):
I chose, you know, I chose to go out there
and shoot the music videos out there because we're just
I feel like there's a whole fan base and a
whole you know, support system out there that we haven't
showed love to, right, So I was like, let's go
and and sure enough, we got the most love we
ever gotten anywhere.

Speaker 2 (47:02):
Like you like, was there, Like, did you run any
sketchy shit at all?

Speaker 3 (47:05):
Like? Nah, because I was. I was with the real
members out there, you know what I'm saying.

Speaker 2 (47:09):
So they had to like, motherfuckers really need to worry
about the cops out there.

Speaker 3 (47:13):
You know. That's that's yeah, definitely what you gotta worry about.

Speaker 2 (47:15):
Yeah, It's like and then like I feel like if
you make caddles, like you gotta worry abou where you're
at because you're like, yeah, you're thinking about that.

Speaker 3 (47:24):
If you're talking about that, yeah, that ship you probably you.

Speaker 2 (47:27):
Know, they don't give a fuck if you're a Southsider,
you know what I'm saying, That does not concern them
very much.

Speaker 3 (47:32):
Yes, Yeah, you can't really speak on stuff me personally,
Like I've never I've never claimed to to to be
on that side of the you know what I mean?
The tracks, right, So I can't rap about stuff like that,
you know what I'm saying, because if I did it,
I'll just be rapping about some ship I don't know about,
you know. Yeah, but the way we just made this
happen was just so beautifully. And now that you know,
these records are coming together like we did, we did

(47:55):
like as soon as we finished this album, we automatically
started working on the Spanish album. And I think it's gonna,
it's gonna, it's gonna, it's gonna shake some ship up.
You know what I'm saying.

Speaker 2 (48:05):
You know, are you switching the beats up it all?

Speaker 1 (48:08):
Yeah? It's more hip hop esque, you know, yeah, super raps.

Speaker 3 (48:13):
But I mean, you know what's dope about it all?

Speaker 2 (48:17):
Dude? The guy be selling out everything, which we almost
had on that Alexis record. He's he was on Empire
something MX fuck fools huge.

Speaker 3 (48:28):
It's not head on MX.

Speaker 1 (48:29):
Nah.

Speaker 2 (48:30):
I know him. It's m hm no, it's gonna bother me.
This guy's he at for a set there. He was
like one of Empire's biggest artists.

Speaker 1 (48:43):
Yeah, their numbers are different, they're different, bro.

Speaker 2 (48:46):
Biggest rapper from Mexico. It's gonna be on the first
page because this guy sold out in Monterey. He did
like a fucking stadium dog.

Speaker 3 (48:56):
Now that's what they're doing. Here's the thing. They don't
even need like America. They don't need the States to
be popping. Like the homie out there head on, he's
from the Susios. Click, you know what I'm saying, Like,
that's that's that's where he came over here and g
signed up to the Susios, you know what I mean.
And this this was on private jets over there. Bro,
he got his own private jets.

Speaker 2 (49:16):
Was big. I think he did it. I think I
want to say he did something to snow the product
a few years ago too. How do I spell his name?

Speaker 3 (49:22):
Head?

Speaker 2 (49:23):
Yeah, G E R A M. Because he's got to
be related to this other artist I'm thinking of, because
I know I'm not crazy related. No, they all have
fans also, like oh, yeah, I was ship. What's this
fucking dude? This guy's like oh secan, Oh motherfucker's massive. Yeah,

(49:43):
Like that was like the Tupac out there. This was
got five point two monthly listeners. Jesus Christ, bro, Like
I like, I remember they were showing us like footage
like his like like he had like sold out like
a state, like a like a stadium or some ship
like in the middle of Mexico. I was like, damn.
And then you listen to him, and this fool was
just rapping.

Speaker 3 (50:00):
The love is different when we go out there. The
embrace they have for us is like way different, bro.
Like out here, there's so many egos. There's so many people,
you know what I mean doing this shit. You know
what I mean that say they come from the slums there,
or feel like they come from the slums, but the
people out there actually come from the slums. Bro.

Speaker 2 (50:20):
And yeah, I feel like Mexico as a country is
just such a more graceful place than here. Yeah. We're
so wrapped up in culture or an ego like you said,
and wrapped up in like hating and thinking that like
someone else's success has something to do with my shit, you.

Speaker 3 (50:36):
Know right, I think, Yeah, it's really like that. That's
probably why I fuck with a lot of artists. But
I never try to hate on people and I you know,
I fucked with like the most artists out here. I
feel like being you know what I'm saying a Mexican
American rapper. I think I've fucked with like, you know,
pretty much everybody. You know what I'm saying. I've dabbled
everywhere with a lot of singles, a lot of songs

(50:58):
that I put out. I had a lot of people
on my albums Drake or Rest in Peace, you know
what I'm saying, like Phoenix, everybody, man, because I never
really been trying to hate and then even people like
Tommy Gunn's coming over here and even you know, lower
artists that are barely making it out, Like I just
always try to try to keep my door open, you
know what I'm saying. That's what I want to do
with the studio, too, is really opening because it's been
a private studio for the last like five years. And

(51:20):
Ship it's in uh'n door. So right now we just
we're just hooking it up, you know what I mean.
And I think the ship that we're doing Pace with
cheet Tho is gonna be big. Me and Pace got
some got a big show coming up, you know, I mean,
shout out to pay, so ship, you know something.

Speaker 2 (51:37):
Is coming soon. I don't think he's working.

Speaker 3 (51:40):
He's working on a few things right now, you know
what I'm saying. So you know, I just got I
just I support and I and I and I really
rock with with everybody doing their ship like the Homies,
unless you unless they're really on some hater ship. Then
I'll just be on my raight rod ship too, and
I'll just be like, man, we just ignore it. Yeah,
it's just like whatever, bro, you.

Speaker 2 (51:58):
Know what I mean.

Speaker 3 (51:58):
But but so far we do get a lot of
love and people are really you know, fuck with us,
and shit, I've been blessed to be having people fuck with.

Speaker 2 (52:05):
Us, was the man. The album is out, Back to
the nine, that train from back to.

Speaker 3 (52:10):
The nine, Back to the nine out now, new ship
coming out, Man, stop playing.

Speaker 2 (52:14):
Yes, sir, go get the album. Uh and you guys
got a Spanish seat album on the way. And then
you got a bunch of shit I'm sure coming.

Speaker 3 (52:21):
Yeah, I'm dropping four tastes by the end of this year.
Four of them are coming out.

Speaker 2 (52:25):
Four more, three three more, three more, three more four total. Yeah.
I love it, man, Yeah, man, man, you independent dog.
You gotta run up that catalog.

Speaker 3 (52:32):
Yeah, you're running that one up.

Speaker 2 (52:34):
You know, I'm saying boy Zay's hundoy. You have fifteen
to twenty five thousand dollars Rich Dennis Father from LAGOONA Hills.
Tap in tap for them, beats Man, hit.

Speaker 3 (52:45):
Up backs Man, Doosha slash fucking DJ called over there.

Speaker 2 (52:49):
Shout out to DJ Call and Chop of the Vegas
car Dealer.

Speaker 1 (52:53):
Shout out there, man, that's my family.

Speaker 2 (52:55):
Hey, it is the biggest Armenia producer of the game. Hey,
want to shout out to our new sponsor over at Ease. Man,
don't forget to hit that QR code. Save thirty percent
off when you use that promo code. Man, whatever you're
into the best delivered right to your door. It could
be edibles, it could be flour whatever you like, save
thirty percent off site wide using the promo code Bootleg

(53:17):
right now, all right, especially if you're in SoCal. You
know Ease is the number one delivery service, all right
to get that good good delivered right to your door.
Go to Ease right now one more time. Save thirty
percent off your entire order just using that promo code Bootleg.
Shout out to Ease.