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Speaker 1 (00:03):
All right Man podcast. We got a special guest in here.
He just dropped the encore edition of his project Money
Talk to Canny Money. What's up man in the Building's up?
Speaker 2 (00:14):
Kill?
Speaker 1 (00:14):
How you been, brother?
Speaker 2 (00:15):
I've been good man, doing good, doing better.
Speaker 1 (00:18):
That's good to hear. Why did you spend the block
because the first Money Talk was twenty nineteen. You like
doing sequels for sure? Yeah?
Speaker 2 (00:27):
Yeah, because I ain't know what threw So it's like
edything with me. As the stories, it's like continuous, like
Money Talk and then Money Talk my first project paper up.
I would put their project together. Hey, you put it together?
You know what I'm saying. It was a body of art.
So I just was like, I've been in a different
bag lately. I've been real, like real particular about my craft.
(00:49):
I've been just going up, doing a lot better. So
it's like I was like, man, I gotta drop a
Money Talk too. But that's why it was artistic. That's
why the cover was so much of being artistic, because
I'm just showing so many different ways of I have
elevated since then.
Speaker 1 (01:06):
I feel like the deluxe edition of albums. People have
been doing deluxees like that. I feel like there was
like a four or five year runner. Everybody was doing
like a deluxe. For you, it was like you just
didn't have the final thought out or you were like, Yo,
there's this pocket of songs we gotta set off to
the side because we see.
Speaker 2 (01:21):
I don't like doing deluxes either. No more like I
didn't even really That's why I didn't call it the
looks on the Uncle, because it's like, you know what
uncle is? They want more? Yeah, I gave it to
him the next week. Yeah, yeah, other people wait time.
Speaker 1 (01:37):
I remember there was like Uzzi was doing some ship
Uzzi to put an album out, and then like two
hours later it be like new, like the is going on, Yeah,
just do it? Do a triple disc, you know what
I'm saying.
Speaker 2 (01:47):
Yeah, I just had to. I just throw them on
there though, because and then it was just and then
it was a different like those songs had different just
had different meanings to him too, you know what I'm saying,
Like I dropped the uncle like on Valentine, So it
just was doing different stuff. I just be doing different stuff,
like showing different ways on my crab.
Speaker 1 (02:06):
Man, you have a pretty crazy catalog at this point,
have you been able to take any of the rap
money and do anything on the side, and the investing
in anything different. Y.
Speaker 2 (02:15):
I take a doll I make and put it into
someth I got truck and bidings is uncreated, right, I
got a game of silf. I'm out unbuilt. I got
damn got. I got a lot of difference. I heard
the trucking game is good truck game, amazing.
Speaker 1 (02:32):
So you own a bunch of trucks. Yeah, so I
heard it like the hardest thing is to find good drivers.
Speaker 2 (02:37):
My hardest thing I have to find good drivers. My
hardest thing gets to deal with drivers.
Speaker 1 (02:41):
Because they're like dealing with anything like they're very Yeah,
they help me out the trucking business. And he said
it was like dealing with drivers painting the ass.
Speaker 2 (02:49):
You gotta think the folks on the road all day long,
and they all they see is the road, so you
they might just be calling and complaining just because just
because they like it be shipped like that. But I
ain't gonna allow one thing. I ain't nothing. I o
a trial and nothing I ever did to get some money.
It was easy. So I was like, if I got
to deal with you complying in and dizey as long
(03:10):
as you get get the load or they load need
to be. I'm cool.
Speaker 1 (03:14):
It has the uh, this Iran war and the gas
price is shooting through the roofs. Gotta kind of fuck
with the paper a little bit.
Speaker 2 (03:21):
It's been seven thousand gas last week, jases literally seven
thousand and gas seven thousand, four hundred and twenty seven
gas last week.
Speaker 1 (03:30):
I like, how you understand it? You know the exact amount.
Speaker 2 (03:33):
This shit hurt.
Speaker 1 (03:34):
That's just a lot, just serious.
Speaker 2 (03:37):
It's worth it though.
Speaker 1 (03:38):
In Beverly Hills, I drove by a gas station last
night after dinner and it was like seven eighty nine
per gallon diesel.
Speaker 2 (03:45):
These will be like five fifty about five fifty three
that shit, and so I can diesel out here.
Speaker 1 (03:53):
Oh yeah, it's like eight or nine bucks. Oh it's disrespectful.
Speaker 2 (03:58):
I'll be trying. My heart is keeping from coming here
here in Florida. I try to keep him away, sort
of batting gas too or the bad and gas. It
ain't as bad as here, though it's bad.
Speaker 1 (04:07):
That's why you gotta get a tesla mane.
Speaker 2 (04:09):
They got to some trucks coming.
Speaker 1 (04:11):
You just gotta plug it in. Oh yeah, they got
the Testa the Semis coming.
Speaker 2 (04:13):
That's what I can't wait. I can't wait, I can't wait.
But yeah, this this this part of like why I
did it, like have been even with money talk, That's
why I can't bag of money talk because I just
feel like I'm growing up in so many different ways
and I can talk to the money in a lot
of different ways, and like it's just it's kind of
where why I dropped it big like that can't big
like that?
Speaker 1 (04:34):
You got uh Soft Walk of course glocks on the
album Uh Sucewalk is one of those rappers like he's like,
I feel like underrated in terms of his lyrical ability
because he could spit for real, for real, Like he's
the may rap the top tier mcs.
Speaker 2 (04:49):
Yeah, rap him mother.
Speaker 1 (04:50):
When you get on the record with someone who's like that,
who like is known for their lyrical prownis, does it
make you like to be a little more intentional with
your pen game?
Speaker 2 (04:57):
No, I'm intentional always. Yeah, I don't play, but in
my opinion regardless, So it's like and I wrap off
the top of my head. So it's just gonna make
me think I'm already overthinking. I'm gonna I'm gonna be
hard anyway.
Speaker 1 (05:09):
So so you're always pre styling, You're always punching in.
Speaker 2 (05:13):
Yeah, punching in. I don't write nothing because I can't.
I gotta go lead a life, come big, think a
better talk it. That's how I make my music.
Speaker 1 (05:20):
You've never written any lyricstown ever where you thought of
something you're like, oh, I gotta put that.
Speaker 2 (05:25):
Oh no, I write ideals down, like if I have
a like, I write ideas down, but I'm not gonna
write like lyrics. Like no, I ain't gonna write lyrics down.
I might write a song ideal or like a damn
I want to touch basis on these topics. I might
write a topic down for sure.
Speaker 1 (05:38):
Yeah, yeah, Yo, I want to know your take on
like kind of Uh. There's been this like in the
athlete space and like you hear like Steven A talking
about Memphis stephen A. Smith and how like certain players
just don't want to go play there.
Speaker 2 (05:52):
Yeah.
Speaker 1 (05:53):
Do you feel like it's getting better at all? Like yeah,
because it feels like it feels like they're like like
what we kind of know on the hip hop side
in the street side is like our Memphis is a
rough place, but it feels like it's kind of linking
into the mainstream when you have Stephen H. Smith saying
that shit and like.
Speaker 2 (06:07):
But you know what they tears you Memphis is such
an important places like they you gotta touch bases on
their experience in Memphis. So I like it. And the
effect of they think what they're doing is like it
make a difference, like it ain't like Degrizzes ain't going nowhere,
like our colture ain't going nowhere, like but all our
coature is that important where it's moving into where like
(06:29):
they talking about you know what I'm saying, how he
is being in Memphis. But in reality you got a
lot of people who saying like, nah, Memphis, is this
also memphisis this also? D Then the theory, it's like
they just like we're a special place, like the good
the bad. We specially like before want to see what's
little Memphis on all angles?
Speaker 1 (06:49):
If Memphis has the best barbecue, what place have you
been to that has the second best? What place gives
Memphis a run for the money when it comes to barbecue.
Speaker 2 (06:57):
I don't think no valguan him a run for the money.
But the second big place that I can say that.
Speaker 1 (07:03):
I like, it's like Carolina, Carolina, Carolina got their own style.
I like, Carolina, have you done Austin yet? You try
to go to Austin? Man, Man, they got this place
called Terry Black's the fucking life up.
Speaker 2 (07:16):
Bro.
Speaker 1 (07:16):
Shit is crazy.
Speaker 2 (07:18):
I gotta go shut.
Speaker 1 (07:21):
Do you feel like, man? I mean, it's crazy because
I was just just kind of thinking about you know,
I showed you guys the Dolf memory I got outside
because I have one without him, pop Smoke, Mac Miller
and nip. Time has flown by. I mean, obviously there's
a lot of still unsettled stuff with with with with
(07:41):
with the perpetrators of his death. But do you feel
like justice has been served in any way?
Speaker 2 (07:46):
I don't really think about justice. I just really be
thinking about I'll just be trying to get go day
by day, just dealing with the effect of him not
being around. But like, I don't really think about I
don't be thinking about that. I don't know. It ain't
no justice for that to me. You know, it's like,
ain't no justice for that?
Speaker 1 (08:08):
Is there anything that you because you know you talked
about this is kind of like coming back to the
album that he helped put out right. Yeah, in twenty nineteen,
is there anything that you still kind of apply to
your career, your day to day life that you learned
from Dolf?
Speaker 2 (08:20):
Hey, yeah, I just keep going, don't stop right. Ain't
nothing that gonna start me. I get I take problems now,
like I learned there for Show. I take problems and
I be excited about them. It's fun to be Like
if I get a problem, it's fun. It's like, Damn,
I got something solve, I got something to come up with.
I got some to work with. It's like, I don't
(08:41):
like it thing being perfect. I don't like it thing
being just easy peasy, Like if it's easy, I don't
want it. I want someone. I want some to literally
challenge me. This is what I learned from him for Show.
Like I like challenges. I like taking the stairs, like
I don't really care about the elevator, Like I'm gonna
get where I'm going regardless. I ain't in no race,
you know what I'm saying.
Speaker 1 (09:01):
So, what is the last challenge you had to deal with,
Whether it's on the business side, of the music side
is or something you had to kind of get through shit.
Speaker 2 (09:06):
I had to get through this morning. I got three
problems just on the way here. Drive. I got a
fire driver. When I leave, I gotta fire one. Drive.
When I leave, I got another driver. He's he been
driving for six hours. One of his times was off
and he didn't even know. It seems like you just
have driver problems in the truck business. You just said,
(09:30):
you just said this morning, I'm talking about this my
last But the thing with me is it don't matter
to me because I'm in a space where I'm prepared
for problems like it ain't nothing like as soon as
I fire him, I gotta driver. It's gonna go get
the truck in an hour. Like I don't really, I
don't care about.
Speaker 1 (09:48):
Do you have a partner in the trucking business, Yeah.
Speaker 2 (09:51):
I got a whole team. Like I don't do stuff
along like I gotta. I got a team for everything.
I built the whole system. That's what people go wrong
get even with I tre you everything like rap, I
t your you everything light to screez light. You gotta
have a team. You gotta hell. You can't people just
do stuff on their own. You don't feel you gotta
have team. You gotta have employees, you gotta have being
as partner. As you gotta do what you do, you
(10:12):
gotta make it makes sense. It's a corporation.
Speaker 1 (10:15):
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like paper Route as that inspired you to want to
(11:42):
go out and get your own artists and maybe do
your own label thing.
Speaker 2 (11:44):
Yeah, but the only thing that the only thing about
me they play rounds on mean is I'm not gonna
go get no artists until I know I'm reader to
like give my all to the artists, because like Dove
put his artists before he put his silk. So I'm
not gonna go take an artist and just put them
under my wing and just have them around and just hanging.
(12:06):
You're in the position I gonna wait to lot and
learn everything I need to learn and do it and
know everything I need to know and know what I'm
talking about. Then I'm gonna give me an artist and
i'mnna turn them up.
Speaker 1 (12:16):
Any tour stuff coming up.
Speaker 2 (12:18):
I'm going on to it in a minute. Were going
on to it. Got tools all around the corner.
Speaker 1 (12:23):
What do you think is your biggest market outside of
being home? Like if if you had to think of
like a city that you think you get the most
loving Texas just the state of Texas.
Speaker 2 (12:30):
State of Texas for sure, Jesus.
Speaker 1 (12:33):
Like my sake, Houston is a crazy place. Did you
see this video of this guy eating ask at the
pool party that went viral on Twitter like two days ago.
You see this guy was he was tongue punching fart
boxes and sucking off feet crazy in the middle of
a pool party.
Speaker 2 (12:48):
Like he's in front of everybody's He's so different, man,
It's like.
Speaker 1 (12:53):
A light switch happened, and like Houston became like South Beach.
Speaker 2 (12:56):
Here's yeah, they cause they made they did they Spring Baker.
Speaker 1 (12:59):
He's well, I think it's because South Beach changed the laws.
Speaker 2 (13:03):
Nah, Houston may seth Beach change. They was back like that.
You can do your thing in South Beach. Now.
Speaker 1 (13:08):
I thought they changed the law where you couldn't party late.
Speaker 2 (13:10):
Noah, they changed it back because anybody does Houston, crazy stupid.
I was down there.
Speaker 1 (13:17):
Oh you were out there?
Speaker 2 (13:18):
Hell yeah, she's Oh God, this is what in the
cluthes they paying.
Speaker 1 (13:24):
I saw. I saw bitches partying in the gas station
parking lot because they couldn't get in the club, so
they just created a club in the gas station parking lot.
Speaker 2 (13:30):
The club parking lot, the gas parking lot, everywhere, the
middle of the street. This was the club.
Speaker 1 (13:36):
Could you in good faith feel good about bagging a
chick at the gas station club like you? I found her.
She was torking, shoeless in front of a chevron. I'm
gonna take her back to the room and treat her tonight,
treat the hell I don't know, like a gas station thought.
I'm gonna buy her four loco back at Dorito's.
Speaker 2 (13:58):
Julio.
Speaker 1 (13:59):
How fucking shooting that?
Speaker 2 (14:00):
They old we're gonna get some done. But I don't know.
But it just depends.
Speaker 1 (14:05):
I wonder when people are gonna stop the tequila wave,
because it started in Covid and it's still running strong.
I feel like before tequila, everybody was on Crown and brown, right,
but the tequila's had a grip for fux. It's Covid
it ain't going nowhere. Yeah, I mean because I think
it is the healthier liquor.
Speaker 2 (14:23):
It's spoke, man, it ain't going nowhere.
Speaker 1 (14:24):
I just think people keep jumping from brand to brand
because it was us. Now they're on Don JULIOO.
Speaker 2 (14:34):
It started with Castle.
Speaker 1 (14:35):
I wonder like where they're jumping caustle like this ship,
this dangers. That's George Clooney's tequilas you know.
Speaker 2 (14:44):
But I ain't gonna lie. The tequila is not real.
It's not really real over it.
Speaker 1 (14:50):
There are some brands, but the main ones aren't real.
Speaker 2 (14:53):
They're not like the ones they had the Man Like
it's just like this has noveall beatings, like anything that's
had the Man and everybody buying it. They gonna cut it.
Speaker 1 (15:02):
They gotta gotta cut it, like yeah, they couldn't cut
it with creatine.
Speaker 2 (15:06):
Yeah this is gonna be knowing. But when I went
to I went to Mexico, like I shot wanted. I
shot one of my videos in Mesico on combo, Like
they don't even got plastic on. They on the little
bottles like you could just open the battle like hear this,
how you know they packaging it and doing it how
they want to do over there. They don't create and
go straight in open the bottle like they selling this
ship in the grocery store. It's real tequila.
Speaker 1 (15:27):
If you could start an alcohol business, what type of
alcohol would it be?
Speaker 2 (15:30):
Tequila? You do?
Speaker 1 (15:31):
Tequila would be just like one of the other seventeen
thousand celebrity on brands.
Speaker 2 (15:36):
I'd be I try to. I ain't gonna lie. I
make my own tequila and I just know how to market.
Speaker 1 (15:42):
You do like a hard seltzer called like money Loco
or something.
Speaker 2 (15:45):
That'd be hard.
Speaker 1 (15:46):
They get all my ninety nine can of fucking poison.
Make it accessible.
Speaker 2 (15:53):
I'm gonna tell you what I do. I wouldn't do that.
I make it high as fuck because people won't. They coast,
They're gonna be curious, They're gonna spend their money. I
want I give me a I make a big ass battle.
That motherfucker might calls about twenty five hundred for the liquor.
Did you like?
Speaker 1 (16:12):
I feel like you? You know, the West Coast is
obviously a place that Dolph spent a lot of time in.
Him and Berner had to join album together. Are you
pretty tapped in with what's going on? Like the La
hip hop scene. Is there any artists out here you
fuck with?
Speaker 2 (16:25):
I fuck with in La. I really fuck with Grido.
I fuck with I kind of like the older I slick,
just more so like the older culture of California music.
You know what I'm saying right Like, I ain't really
too tapped in with the younger Wade.
Speaker 1 (16:44):
What about the Bay? Have you tapped them?
Speaker 2 (16:46):
The beate all? Yeah? Fuck with the Bay?
Speaker 1 (16:48):
Yeah?
Speaker 2 (16:48):
Yeah, fuck with the Bay. I ain't gonna lie. I
fuck with the Bay. This where this word the hard
ship to me?
Speaker 1 (16:55):
Who you fuck with that in the Bay?
Speaker 2 (16:56):
I fuck with Fieldy for Shure, He's a good guy man. Yeah,
I'm folk with hustlers, bro Like, I don't really go
by music like music to me, this should be like
I know, it's would be so much keptain music be
like I like, I like, I folk with the artists
like like where they come from. I had you hustling
like what you're talking about, like the Mossola the I.
Speaker 1 (17:18):
Mean the Bay area is literally just like one of
the biggest hustling places exactly.
Speaker 2 (17:22):
Yeah. Yeah, so yeah, I folk with out there.
Speaker 1 (17:26):
You have a song on your arm It's called she
like fine bitches. And how many thres have you had?
Cople just a couple couple, it's a lot over under five.
Speaker 2 (17:43):
I'm right, I'm about right.
Speaker 1 (17:44):
If it's not bad, are they overrated? It depends on
the folks, right, because I do feel like it feels
like the kind of thing that could be stressful, because
depending on how emotional one of the like, it could
be a thing where But I.
Speaker 2 (18:00):
Got a rule with this ship though, Like my rule
with this ship is, I don't sit. I don't set
this ship up. I don't I don't even initiate it.
I don't got to deal with no drummer in it
because it's like you look this last song, she like
find you like fine bitches. She liked you, you like her,
and y'all like me, y'all let me know, and y'all
(18:21):
ready to do with y'all like this, y'all put it
together and keep the druma out the way. Ain't no
missing communications, No, nothing is what it is.
Speaker 1 (18:30):
When is the last time you were in love? Kenny money?
Love you are you have a lady?
Speaker 2 (18:35):
Yeah?
Speaker 1 (18:36):
Nice? That's why you were like, yo, don't she like
girls too? She like fine bitches?
Speaker 2 (18:44):
Exactly? No, any woman I deal with they like girls, man,
I can't. I don't want no girl that don't like girls.
Speaker 1 (18:50):
Is it hard to be in a relationship while also
trying to be a thriving rapper, because obviously, when it
comes to the fame.
Speaker 2 (18:57):
She knows my money come first. As long as the
only way I can deal with anybody, any woman, any
woman in my life, they gonna know, they gotta know
that these money come first. I'm gonna do what I
want to do. I'm gonna respect you, I'm gonna fuck
with you. I got your back. I'm wee with you
with but you ain't coming before this hustle, and you
(19:19):
ain't coming before the goals. You know what I'm saying.
And it's how it supposed to be. Because the day
if I let you coming between where I'm trying to
get to in life, if I got people between you
and my hustle, that ain't real love anyway. So we
shouldn't be doing nothing.
Speaker 1 (19:36):
Go through your phone, ever, I ain't no woman in
my life ever went through my phone.
Speaker 2 (19:40):
I'm'ta think you the police they know this a forbid.
Don't even touch my phone.
Speaker 1 (19:44):
That's fair.
Speaker 2 (19:45):
I go outside and talk on the phone. Don't you
don't even hear my conversation.
Speaker 1 (19:49):
Never like woking up to her, like holding the face
and lock over you like this.
Speaker 2 (19:52):
I know when I don't got faced, I don't got placed.
I be on my phone. I ain't going for that.
I don't walk over to my phone up under her.
Every time I look at that's on my phone? On
my phone?
Speaker 1 (20:01):
Why is it under you?
Speaker 2 (20:02):
Man?
Speaker 1 (20:03):
How to end up over here?
Speaker 2 (20:04):
I don't know why they phone up under you?
Speaker 1 (20:07):
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Speaker 2 (21:26):
Yeah, do you uh?
Speaker 1 (21:28):
Because I feel like I feel like Memphis is in
a it feels like it's in a pretty chill place
right now. Do you feel like the hip hop scene
is kind of becoming a little bit more united or
is it still pretty divided?
Speaker 2 (21:39):
The hip hop saying right, yeah, yeah, the hip hop's
anging right, and then divided like a motherfucker.
Speaker 1 (21:43):
I feel like I feel see like more people working
together though you do. Yeah, I mean I see list
people working together than do you think it's worse than ever,
it's worse than No, Yeah, I.
Speaker 2 (21:52):
Don't see that. I mean people doing features like I
don't see it like ooh, DJ Kevian making niggas do together.
Speaker 1 (22:01):
If anybody can solve a problems, it's DJ call like this.
Speaker 2 (22:07):
If you go look at songs on the charts, it's
not like in the recent years where you got top
songs in their features, like people collabed on. People have
everybody like I just pendit. Everybody getting out they deals.
If I worry about being solo, they're doing solo singers.
Speaker 1 (22:23):
I don't even think about it.
Speaker 2 (22:24):
Yeah, Like it ain't really a lot of people working
like people working together, but it's not I'm talking about
Like when you look at them charts, that's what mat
them numbers in the money. People ain't really working together.
Speaker 1 (22:36):
That's fair. I mean I feel like some people are.
They are, Yeah, but.
Speaker 2 (22:41):
The collectors as it particularly used to what I'm used
to singing, like, you don't really be going on like
they used to have. I'm used to seeing folks on
the charts. You got three songs, three people on one song.
Number one you got these person, did a song with
these person. Number two, you got the song with these person.
Number three that is just straight everybody doing solo, little
(23:03):
singles and solos and they fighting for spots.
Speaker 1 (23:06):
Like really, do you feel like uh? Because it's crazy
because you'll see, like somebody like Shasty get out and
now he's back in.
Speaker 2 (23:16):
Yeah.
Speaker 1 (23:17):
Is it hard to like see? Because I feel like
we all have people like that in our lives where
it's like I got two of my cousins who are
doing life in prison and every time they get out,
they go right back in for someone like Shasty, who
I feel like, damn Near is like one of the
faces of Memphis.
Speaker 2 (23:31):
You know.
Speaker 1 (23:32):
Fdo is the hottest song in the club right now
at this very moment. It's a hit for the city.
I feel like in totality that hip go away. You
know what I'm saying.
Speaker 2 (23:41):
I hate their farm man. This it's crazy. I hit
the phone like Memphis, Memphis, be we be winning and
we'll be doing be doing shit just happened. But one
thing better, you know, I think I think that be
meant like it's gonna some good gonna come out of it. Yeah,
I oh, some good come out. I don't want to
see nobody in Menphick going through it. No, Wen, we
(24:04):
come from ship Man. We gotta we gotta, we gotta,
we gotta win. They can't. I'm telling you, I don't
care who it is for Memphis, they can't. We are different,
We gifted, you know what I'm saying.
Speaker 1 (24:15):
For sure? I mean I feel like you guys have
had this the rap game in a real choke hold
for like at least six years now.
Speaker 2 (24:21):
They're just off our personalities. Like talent is one thing.
We talented, but we got soul, Like for sure, you
gotta say music different, We got so non music? Right?
Got so.
Speaker 1 (24:39):
Did you got Did you have a chat with Suce
Waka because he got shot in Memphis, like and you
guys working together, Did you guys have a chat about that,
because he damn it could have lost his life in
your hometown when it happened.
Speaker 2 (24:51):
I just tell him, I tell him, like I just
I really just checking on him to make sure I
was a screeen nigga. Man, he ain't really like Sault
Street bro, Like, ain't no thing. Why I can't coach coach.
I'm gonna tell him how to do that if it
is my city, Like right, you know what come weunster
He ain't.
Speaker 1 (25:11):
Also a hustler and the hustler so only fans strip club.
Speaker 2 (25:17):
I don't play.
Speaker 1 (25:18):
He got a clothing store.
Speaker 2 (25:19):
I think, I don't lie. Went after and spent the
day with my boy. He motivated me some more. I
feel I fucked with him, like I fuck with him.
Speaker 1 (25:26):
You should start managing only fans girls me, Man, why not?
They bruin your relationship, but it might be worth it.
Speaker 2 (25:32):
No, if I just told you and the woman I
deal with like girls, man, she will manage on me
before I manage.
Speaker 1 (25:37):
That's actually smart. Yeah, just be like, look, I'm gonna
fed you this business. We're gonna get all the girls
in Memphis up on this. Only fans get a crack.
Speaker 2 (25:42):
We're gonna get like, I don't deal with women from Memphis.
Why not? Because man, Memphi women some folks like us folks, folks,
some folks mean being you can't even play. I ain't
all my Memphis folks is sisters.
Speaker 1 (25:58):
You're right about that.
Speaker 2 (26:00):
Girls like I ain't no wen't even being no related mind.
Speaker 1 (26:03):
There's a few famous Memphis female rappers who I've met,
and I'd be.
Speaker 2 (26:06):
Like, damn, my myphid woman, my huge.
Speaker 1 (26:09):
It sounds like you know, money bag, yo. You know
what I'm saying, You're a badger waking up there like my.
Speaker 2 (26:14):
Myphi woman will hit you on your eye like all
they're playing with her talk about you said, who like girl?
What you say?
Speaker 1 (26:19):
I shp like your lady's not from Memphis. I'm assuming
listen right, okay? Are you are you already working on
new music? Obviously this dropped February thirteen, so I'm assuming
are you good for the year?
Speaker 2 (26:37):
What are you good for the year?
Speaker 1 (26:39):
You know what I'm saying, like, are you putting out
anything new the rest of the year, Like what's the
whole project?
Speaker 2 (26:44):
The drug? But song this week or song a week
after that? It's probably two weeks. Hell nine's slowing down.
I'm tired of slowing down. I'd be chilling. I'll be
too chill, I'll be I gotta, I gotta what they
be asking for?
Speaker 1 (26:59):
What about a new do you think there could be
a new like paper rolled Illuminati type situation?
Speaker 2 (27:04):
Pep broad Aluminati too from the DRUP for sure, This
was about the drop.
Speaker 1 (27:08):
That's what's next.
Speaker 2 (27:09):
Yeah, this is from the drop. Fire Pepper Road Lomona too.
This is from the drop. The whole gang going crazy.
Love to hear it, man, that's mazing.
Speaker 1 (27:18):
Well listen, brother, I appreciate you pulling up. Go support
the album. It's out right now. So tour coming soon.
Speaker 2 (27:24):
To a coming soon money talk two out right now,
Pepper Lomonadi around the coma. You know, we got a
whole lot of money gonna see. You might blink, you
might see a god damn camouflage box truck, camouflage, Duly
camouflage eighteen.
Speaker 1 (27:41):
It was like we are all over camouflage on an
eighteen wheeler. Hell yeah, okay, I'm.
Speaker 2 (27:47):
Not playing with these folks, man, Pepperah, shit going all
across the board.
Speaker 1 (27:52):
I love to see it. Brother, I appreciate you pulling
up any money my dog Fire. Hey want to shout
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All right Man podcast. We got a special guest in here.
He just dropped the encore edition of his project Money
Talk to Canny Money. What's up man in the Building's up?
Speaker 2 (00:14):
Kill?
Speaker 1 (00:14):
How you been, brother?
Speaker 2 (00:15):
I've been good man, doing good, doing better.
Speaker 1 (00:18):
That's good to hear. Why did you spend the block
because the first Money Talk was twenty nineteen. You like
doing sequels for sure? Yeah?
Speaker 2 (00:27):
Yeah, because I ain't know what threw So it's like
edything with me. As the stories, it's like continuous, like
Money Talk and then Money Talk my first project paper up.
I would put their project together. Hey, you put it together?
You know what I'm saying. It was a body of art.
So I just was like, I've been in a different
bag lately. I've been real, like real particular about my craft.
(00:49):
I've been just going up, doing a lot better. So
it's like I was like, man, I gotta drop a
Money Talk too. But that's why it was artistic. That's
why the cover was so much of being artistic, because
I'm just showing so many different ways of I have
elevated since then.
Speaker 1 (01:06):
I feel like the deluxe edition of albums. People have
been doing deluxees like that. I feel like there was
like a four or five year runner. Everybody was doing
like a deluxe. For you, it was like you just
didn't have the final thought out or you were like, Yo,
there's this pocket of songs we gotta set off to
the side because we see.
Speaker 2 (01:21):
I don't like doing deluxes either. No more like I
didn't even really That's why I didn't call it the
looks on the Uncle, because it's like, you know what
uncle is? They want more? Yeah, I gave it to
him the next week. Yeah, yeah, other people wait time.
Speaker 1 (01:37):
I remember there was like Uzzi was doing some ship
Uzzi to put an album out, and then like two
hours later it be like new, like the is going on, Yeah,
just do it? Do a triple disc, you know what
I'm saying.
Speaker 2 (01:47):
Yeah, I just had to. I just throw them on
there though, because and then it was just and then
it was a different like those songs had different just
had different meanings to him too, you know what I'm saying,
Like I dropped the uncle like on Valentine, So it
just was doing different stuff. I just be doing different stuff,
like showing different ways on my crab.
Speaker 1 (02:06):
Man, you have a pretty crazy catalog at this point,
have you been able to take any of the rap
money and do anything on the side, and the investing
in anything different. Y.
Speaker 2 (02:15):
I take a doll I make and put it into
someth I got truck and bidings is uncreated, right, I
got a game of silf. I'm out unbuilt. I got
damn got. I got a lot of difference. I heard
the trucking game is good truck game, amazing.
Speaker 1 (02:32):
So you own a bunch of trucks. Yeah, so I
heard it like the hardest thing is to find good drivers.
Speaker 2 (02:37):
My hardest thing I have to find good drivers. My
hardest thing gets to deal with drivers.
Speaker 1 (02:41):
Because they're like dealing with anything like they're very Yeah,
they help me out the trucking business. And he said
it was like dealing with drivers painting the ass.
Speaker 2 (02:49):
You gotta think the folks on the road all day long,
and they all they see is the road, so you
they might just be calling and complaining just because just
because they like it be shipped like that. But I
ain't gonna allow one thing. I ain't nothing. I o
a trial and nothing I ever did to get some money.
It was easy. So I was like, if I got
to deal with you complying in and dizey as long
(03:10):
as you get get the load or they load need
to be. I'm cool.
Speaker 1 (03:14):
It has the uh, this Iran war and the gas
price is shooting through the roofs. Gotta kind of fuck
with the paper a little bit.
Speaker 2 (03:21):
It's been seven thousand gas last week, jases literally seven
thousand and gas seven thousand, four hundred and twenty seven
gas last week.
Speaker 1 (03:30):
I like, how you understand it? You know the exact amount.
Speaker 2 (03:33):
This shit hurt.
Speaker 1 (03:34):
That's just a lot, just serious.
Speaker 2 (03:37):
It's worth it though.
Speaker 1 (03:38):
In Beverly Hills, I drove by a gas station last
night after dinner and it was like seven eighty nine
per gallon diesel.
Speaker 2 (03:45):
These will be like five fifty about five fifty three
that shit, and so I can diesel out here.
Speaker 1 (03:53):
Oh yeah, it's like eight or nine bucks. Oh it's disrespectful.
Speaker 2 (03:58):
I'll be trying. My heart is keeping from coming here
here in Florida. I try to keep him away, sort
of batting gas too or the bad and gas. It
ain't as bad as here, though it's bad.
Speaker 1 (04:07):
That's why you gotta get a tesla mane.
Speaker 2 (04:09):
They got to some trucks coming.
Speaker 1 (04:11):
You just gotta plug it in. Oh yeah, they got
the Testa the Semis coming.
Speaker 2 (04:13):
That's what I can't wait. I can't wait, I can't wait.
But yeah, this this this part of like why I
did it, like have been even with money talk, That's
why I can't bag of money talk because I just
feel like I'm growing up in so many different ways
and I can talk to the money in a lot
of different ways, and like it's just it's kind of
where why I dropped it big like that can't big
like that?
Speaker 1 (04:34):
You got uh Soft Walk of course glocks on the
album Uh Sucewalk is one of those rappers like he's like,
I feel like underrated in terms of his lyrical ability
because he could spit for real, for real, Like he's
the may rap the top tier mcs.
Speaker 2 (04:49):
Yeah, rap him mother.
Speaker 1 (04:50):
When you get on the record with someone who's like that,
who like is known for their lyrical prownis, does it
make you like to be a little more intentional with
your pen game?
Speaker 2 (04:57):
No, I'm intentional always. Yeah, I don't play, but in
my opinion regardless, So it's like and I wrap off
the top of my head. So it's just gonna make
me think I'm already overthinking. I'm gonna I'm gonna be
hard anyway.
Speaker 1 (05:09):
So so you're always pre styling, You're always punching in.
Speaker 2 (05:13):
Yeah, punching in. I don't write nothing because I can't.
I gotta go lead a life, come big, think a
better talk it. That's how I make my music.
Speaker 1 (05:20):
You've never written any lyricstown ever where you thought of
something you're like, oh, I gotta put that.
Speaker 2 (05:25):
Oh no, I write ideals down, like if I have
a like, I write ideas down, but I'm not gonna
write like lyrics. Like no, I ain't gonna write lyrics down.
I might write a song ideal or like a damn
I want to touch basis on these topics. I might
write a topic down for sure.
Speaker 1 (05:38):
Yeah, yeah, Yo, I want to know your take on
like kind of Uh. There's been this like in the
athlete space and like you hear like Steven A talking
about Memphis stephen A. Smith and how like certain players
just don't want to go play there.
Speaker 2 (05:52):
Yeah.
Speaker 1 (05:53):
Do you feel like it's getting better at all? Like yeah,
because it feels like it feels like they're like like
what we kind of know on the hip hop side
in the street side is like our Memphis is a
rough place, but it feels like it's kind of linking
into the mainstream when you have Stephen H. Smith saying
that shit and like.
Speaker 2 (06:07):
But you know what they tears you Memphis is such
an important places like they you gotta touch bases on
their experience in Memphis. So I like it. And the
effect of they think what they're doing is like it
make a difference, like it ain't like Degrizzes ain't going nowhere,
like our colture ain't going nowhere, like but all our
coature is that important where it's moving into where like
(06:29):
they talking about you know what I'm saying, how he
is being in Memphis. But in reality you got a
lot of people who saying like, nah, Memphis, is this
also memphisis this also? D Then the theory, it's like
they just like we're a special place, like the good
the bad. We specially like before want to see what's
little Memphis on all angles?
Speaker 1 (06:49):
If Memphis has the best barbecue, what place have you
been to that has the second best? What place gives
Memphis a run for the money when it comes to barbecue.
Speaker 2 (06:57):
I don't think no valguan him a run for the money.
But the second big place that I can say that.
Speaker 1 (07:03):
I like, it's like Carolina, Carolina, Carolina got their own style.
I like, Carolina, have you done Austin yet? You try
to go to Austin? Man, Man, they got this place
called Terry Black's the fucking life up.
Speaker 2 (07:16):
Bro.
Speaker 1 (07:16):
Shit is crazy.
Speaker 2 (07:18):
I gotta go shut.
Speaker 1 (07:21):
Do you feel like, man? I mean, it's crazy because
I was just just kind of thinking about you know,
I showed you guys the Dolf memory I got outside
because I have one without him, pop Smoke, Mac Miller
and nip. Time has flown by. I mean, obviously there's
a lot of still unsettled stuff with with with with
(07:41):
with the perpetrators of his death. But do you feel
like justice has been served in any way?
Speaker 2 (07:46):
I don't really think about justice. I just really be
thinking about I'll just be trying to get go day
by day, just dealing with the effect of him not
being around. But like, I don't really think about I
don't be thinking about that. I don't know. It ain't
no justice for that to me. You know, it's like,
ain't no justice for that?
Speaker 1 (08:08):
Is there anything that you because you know you talked
about this is kind of like coming back to the
album that he helped put out right. Yeah, in twenty nineteen,
is there anything that you still kind of apply to
your career, your day to day life that you learned
from Dolf?
Speaker 2 (08:20):
Hey, yeah, I just keep going, don't stop right. Ain't
nothing that gonna start me. I get I take problems now,
like I learned there for Show. I take problems and
I be excited about them. It's fun to be Like
if I get a problem, it's fun. It's like, Damn,
I got something solve, I got something to come up with.
I got some to work with. It's like, I don't
(08:41):
like it thing being perfect. I don't like it thing
being just easy peasy, Like if it's easy, I don't
want it. I want someone. I want some to literally
challenge me. This is what I learned from him for Show.
Like I like challenges. I like taking the stairs, like
I don't really care about the elevator, Like I'm gonna
get where I'm going regardless. I ain't in no race,
you know what I'm saying.
Speaker 1 (09:01):
So, what is the last challenge you had to deal with,
Whether it's on the business side, of the music side
is or something you had to kind of get through shit.
Speaker 2 (09:06):
I had to get through this morning. I got three
problems just on the way here. Drive. I got a
fire driver. When I leave, I gotta fire one. Drive.
When I leave, I got another driver. He's he been
driving for six hours. One of his times was off
and he didn't even know. It seems like you just
have driver problems in the truck business. You just said,
(09:30):
you just said this morning, I'm talking about this my
last But the thing with me is it don't matter
to me because I'm in a space where I'm prepared
for problems like it ain't nothing like as soon as
I fire him, I gotta driver. It's gonna go get
the truck in an hour. Like I don't really, I
don't care about.
Speaker 1 (09:48):
Do you have a partner in the trucking business, Yeah.
Speaker 2 (09:51):
I got a whole team. Like I don't do stuff
along like I gotta. I got a team for everything.
I built the whole system. That's what people go wrong
get even with I tre you everything like rap, I
t your you everything light to screez light. You gotta
have a team. You gotta hell. You can't people just
do stuff on their own. You don't feel you gotta
have team. You gotta have employees, you gotta have being
as partner. As you gotta do what you do, you
(10:12):
gotta make it makes sense. It's a corporation.
Speaker 1 (10:15):
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check out, obviously being a part of a legendary imprint
like paper Route as that inspired you to want to
(11:42):
go out and get your own artists and maybe do
your own label thing.
Speaker 2 (11:44):
Yeah, but the only thing that the only thing about
me they play rounds on mean is I'm not gonna
go get no artists until I know I'm reader to
like give my all to the artists, because like Dove
put his artists before he put his silk. So I'm
not gonna go take an artist and just put them
under my wing and just have them around and just hanging.
(12:06):
You're in the position I gonna wait to lot and
learn everything I need to learn and do it and
know everything I need to know and know what I'm
talking about. Then I'm gonna give me an artist and
i'mnna turn them up.
Speaker 1 (12:16):
Any tour stuff coming up.
Speaker 2 (12:18):
I'm going on to it in a minute. Were going
on to it. Got tools all around the corner.
Speaker 1 (12:23):
What do you think is your biggest market outside of
being home? Like if if you had to think of
like a city that you think you get the most
loving Texas just the state of Texas.
Speaker 2 (12:30):
State of Texas for sure, Jesus.
Speaker 1 (12:33):
Like my sake, Houston is a crazy place. Did you
see this video of this guy eating ask at the
pool party that went viral on Twitter like two days ago.
You see this guy was he was tongue punching fart
boxes and sucking off feet crazy in the middle of
a pool party.
Speaker 2 (12:48):
Like he's in front of everybody's He's so different, man,
It's like.
Speaker 1 (12:53):
A light switch happened, and like Houston became like South Beach.
Speaker 2 (12:56):
Here's yeah, they cause they made they did they Spring Baker.
Speaker 1 (12:59):
He's well, I think it's because South Beach changed the laws.
Speaker 2 (13:03):
Nah, Houston may seth Beach change. They was back like that.
You can do your thing in South Beach. Now.
Speaker 1 (13:08):
I thought they changed the law where you couldn't party late.
Speaker 2 (13:10):
Noah, they changed it back because anybody does Houston, crazy stupid.
I was down there.
Speaker 1 (13:17):
Oh you were out there?
Speaker 2 (13:18):
Hell yeah, she's Oh God, this is what in the
cluthes they paying.
Speaker 1 (13:24):
I saw. I saw bitches partying in the gas station
parking lot because they couldn't get in the club, so
they just created a club in the gas station parking lot.
Speaker 2 (13:30):
The club parking lot, the gas parking lot, everywhere, the
middle of the street. This was the club.
Speaker 1 (13:36):
Could you in good faith feel good about bagging a
chick at the gas station club like you? I found her.
She was torking, shoeless in front of a chevron. I'm
gonna take her back to the room and treat her tonight,
treat the hell I don't know, like a gas station thought.
I'm gonna buy her four loco back at Dorito's.
Speaker 2 (13:58):
Julio.
Speaker 1 (13:59):
How fucking shooting that?
Speaker 2 (14:00):
They old we're gonna get some done. But I don't know.
But it just depends.
Speaker 1 (14:05):
I wonder when people are gonna stop the tequila wave,
because it started in Covid and it's still running strong.
I feel like before tequila, everybody was on Crown and brown, right,
but the tequila's had a grip for fux. It's Covid
it ain't going nowhere. Yeah, I mean because I think
it is the healthier liquor.
Speaker 2 (14:23):
It's spoke, man, it ain't going nowhere.
Speaker 1 (14:24):
I just think people keep jumping from brand to brand
because it was us. Now they're on Don JULIOO.
Speaker 2 (14:34):
It started with Castle.
Speaker 1 (14:35):
I wonder like where they're jumping caustle like this ship,
this dangers. That's George Clooney's tequilas you know.
Speaker 2 (14:44):
But I ain't gonna lie. The tequila is not real.
It's not really real over it.
Speaker 1 (14:50):
There are some brands, but the main ones aren't real.
Speaker 2 (14:53):
They're not like the ones they had the Man Like
it's just like this has noveall beatings, like anything that's
had the Man and everybody buying it. They gonna cut it.
Speaker 1 (15:02):
They gotta gotta cut it, like yeah, they couldn't cut
it with creatine.
Speaker 2 (15:06):
Yeah this is gonna be knowing. But when I went
to I went to Mexico, like I shot wanted. I
shot one of my videos in Mesico on combo, Like
they don't even got plastic on. They on the little
bottles like you could just open the battle like hear this,
how you know they packaging it and doing it how
they want to do over there. They don't create and
go straight in open the bottle like they selling this
ship in the grocery store. It's real tequila.
Speaker 1 (15:27):
If you could start an alcohol business, what type of
alcohol would it be?
Speaker 2 (15:30):
Tequila? You do?
Speaker 1 (15:31):
Tequila would be just like one of the other seventeen
thousand celebrity on brands.
Speaker 2 (15:36):
I'd be I try to. I ain't gonna lie. I
make my own tequila and I just know how to market.
Speaker 1 (15:42):
You do like a hard seltzer called like money Loco
or something.
Speaker 2 (15:45):
That'd be hard.
Speaker 1 (15:46):
They get all my ninety nine can of fucking poison.
Make it accessible.
Speaker 2 (15:53):
I'm gonna tell you what I do. I wouldn't do that.
I make it high as fuck because people won't. They coast,
They're gonna be curious, They're gonna spend their money. I
want I give me a I make a big ass battle.
That motherfucker might calls about twenty five hundred for the liquor.
Did you like?
Speaker 1 (16:12):
I feel like you? You know, the West Coast is
obviously a place that Dolph spent a lot of time in.
Him and Berner had to join album together. Are you
pretty tapped in with what's going on? Like the La
hip hop scene. Is there any artists out here you
fuck with?
Speaker 2 (16:25):
I fuck with in La. I really fuck with Grido.
I fuck with I kind of like the older I slick,
just more so like the older culture of California music.
You know what I'm saying right Like, I ain't really
too tapped in with the younger Wade.
Speaker 1 (16:44):
What about the Bay? Have you tapped them?
Speaker 2 (16:46):
The beate all? Yeah? Fuck with the Bay?
Speaker 1 (16:48):
Yeah?
Speaker 2 (16:48):
Yeah, fuck with the Bay. I ain't gonna lie. I
fuck with the Bay. This where this word the hard
ship to me?
Speaker 1 (16:55):
Who you fuck with that in the Bay?
Speaker 2 (16:56):
I fuck with Fieldy for Shure, He's a good guy man. Yeah,
I'm folk with hustlers, bro Like, I don't really go
by music like music to me, this should be like
I know, it's would be so much keptain music be
like I like, I like, I folk with the artists
like like where they come from. I had you hustling
like what you're talking about, like the Mossola the I.
Speaker 1 (17:18):
Mean the Bay area is literally just like one of
the biggest hustling places exactly.
Speaker 2 (17:22):
Yeah. Yeah, so yeah, I folk with out there.
Speaker 1 (17:26):
You have a song on your arm It's called she
like fine bitches. And how many thres have you had?
Cople just a couple couple, it's a lot over under five.
Speaker 2 (17:43):
I'm right, I'm about right.
Speaker 1 (17:44):
If it's not bad, are they overrated? It depends on
the folks, right, because I do feel like it feels
like the kind of thing that could be stressful, because
depending on how emotional one of the like, it could
be a thing where But I.
Speaker 2 (18:00):
Got a rule with this ship though, Like my rule
with this ship is, I don't sit. I don't set
this ship up. I don't I don't even initiate it.
I don't got to deal with no drummer in it
because it's like you look this last song, she like
find you like fine bitches. She liked you, you like her,
and y'all like me, y'all let me know, and y'all
(18:21):
ready to do with y'all like this, y'all put it
together and keep the druma out the way. Ain't no
missing communications, No, nothing is what it is.
Speaker 1 (18:30):
When is the last time you were in love? Kenny money?
Love you are you have a lady?
Speaker 2 (18:35):
Yeah?
Speaker 1 (18:36):
Nice? That's why you were like, yo, don't she like
girls too? She like fine bitches?
Speaker 2 (18:44):
Exactly? No, any woman I deal with they like girls, man,
I can't. I don't want no girl that don't like girls.
Speaker 1 (18:50):
Is it hard to be in a relationship while also
trying to be a thriving rapper, because obviously, when it
comes to the fame.
Speaker 2 (18:57):
She knows my money come first. As long as the
only way I can deal with anybody, any woman, any
woman in my life, they gonna know, they gotta know
that these money come first. I'm gonna do what I
want to do. I'm gonna respect you, I'm gonna fuck
with you. I got your back. I'm wee with you
with but you ain't coming before this hustle, and you
(19:19):
ain't coming before the goals. You know what I'm saying.
And it's how it supposed to be. Because the day
if I let you coming between where I'm trying to
get to in life, if I got people between you
and my hustle, that ain't real love anyway. So we
shouldn't be doing nothing.
Speaker 1 (19:36):
Go through your phone, ever, I ain't no woman in
my life ever went through my phone.
Speaker 2 (19:40):
I'm'ta think you the police they know this a forbid.
Don't even touch my phone.
Speaker 1 (19:44):
That's fair.
Speaker 2 (19:45):
I go outside and talk on the phone. Don't you
don't even hear my conversation.
Speaker 1 (19:49):
Never like woking up to her, like holding the face
and lock over you like this.
Speaker 2 (19:52):
I know when I don't got faced, I don't got placed.
I be on my phone. I ain't going for that.
I don't walk over to my phone up under her.
Every time I look at that's on my phone? On
my phone?
Speaker 1 (20:01):
Why is it under you?
Speaker 2 (20:02):
Man?
Speaker 1 (20:03):
How to end up over here?
Speaker 2 (20:04):
I don't know why they phone up under you?
Speaker 1 (20:07):
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Speaker 2 (20:51):
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Speaker 2 (21:26):
Yeah, do you uh?
Speaker 1 (21:28):
Because I feel like I feel like Memphis is in
a it feels like it's in a pretty chill place
right now. Do you feel like the hip hop scene
is kind of becoming a little bit more united or
is it still pretty divided?
Speaker 2 (21:39):
The hip hop saying right, yeah, yeah, the hip hop's
anging right, and then divided like a motherfucker.
Speaker 1 (21:43):
I feel like I feel see like more people working
together though you do. Yeah, I mean I see list
people working together than do you think it's worse than ever,
it's worse than No, Yeah, I.
Speaker 2 (21:52):
Don't see that. I mean people doing features like I
don't see it like ooh, DJ Kevian making niggas do together.
Speaker 1 (22:01):
If anybody can solve a problems, it's DJ call like this.
Speaker 2 (22:07):
If you go look at songs on the charts, it's
not like in the recent years where you got top
songs in their features, like people collabed on. People have
everybody like I just pendit. Everybody getting out they deals.
If I worry about being solo, they're doing solo singers.
Speaker 1 (22:23):
I don't even think about it.
Speaker 2 (22:24):
Yeah, Like it ain't really a lot of people working
like people working together, but it's not I'm talking about
Like when you look at them charts, that's what mat
them numbers in the money. People ain't really working together.
Speaker 1 (22:36):
That's fair. I mean I feel like some people are.
They are, Yeah, but.
Speaker 2 (22:41):
The collectors as it particularly used to what I'm used
to singing, like, you don't really be going on like
they used to have. I'm used to seeing folks on
the charts. You got three songs, three people on one song.
Number one you got these person, did a song with
these person. Number two, you got the song with these person.
Number three that is just straight everybody doing solo, little
(23:03):
singles and solos and they fighting for spots.
Speaker 1 (23:06):
Like really, do you feel like uh? Because it's crazy
because you'll see, like somebody like Shasty get out and
now he's back in.
Speaker 2 (23:16):
Yeah.
Speaker 1 (23:17):
Is it hard to like see? Because I feel like
we all have people like that in our lives where
it's like I got two of my cousins who are
doing life in prison and every time they get out,
they go right back in for someone like Shasty, who
I feel like, damn Near is like one of the
faces of Memphis.
Speaker 2 (23:31):
You know.
Speaker 1 (23:32):
Fdo is the hottest song in the club right now
at this very moment. It's a hit for the city.
I feel like in totality that hip go away. You
know what I'm saying.
Speaker 2 (23:41):
I hate their farm man. This it's crazy. I hit
the phone like Memphis, Memphis, be we be winning and
we'll be doing be doing shit just happened. But one
thing better, you know, I think I think that be
meant like it's gonna some good gonna come out of it. Yeah,
I oh, some good come out. I don't want to
see nobody in Menphick going through it. No, Wen, we
(24:04):
come from ship Man. We gotta we gotta, we gotta,
we gotta win. They can't. I'm telling you, I don't
care who it is for Memphis, they can't. We are different,
We gifted, you know what I'm saying.
Speaker 1 (24:15):
For sure? I mean I feel like you guys have
had this the rap game in a real choke hold
for like at least six years now.
Speaker 2 (24:21):
They're just off our personalities. Like talent is one thing.
We talented, but we got soul, Like for sure, you
gotta say music different, We got so non music? Right?
Got so.
Speaker 1 (24:39):
Did you got Did you have a chat with Suce
Waka because he got shot in Memphis, like and you
guys working together, Did you guys have a chat about that,
because he damn it could have lost his life in
your hometown when it happened.
Speaker 2 (24:51):
I just tell him, I tell him, like I just
I really just checking on him to make sure I
was a screeen nigga. Man, he ain't really like Sault
Street bro, Like, ain't no thing. Why I can't coach coach.
I'm gonna tell him how to do that if it
is my city, Like right, you know what come weunster
He ain't.
Speaker 1 (25:11):
Also a hustler and the hustler so only fans strip club.
Speaker 2 (25:17):
I don't play.
Speaker 1 (25:18):
He got a clothing store.
Speaker 2 (25:19):
I think, I don't lie. Went after and spent the
day with my boy. He motivated me some more. I
feel I fucked with him, like I fuck with him.
Speaker 1 (25:26):
You should start managing only fans girls me, Man, why not?
They bruin your relationship, but it might be worth it.
Speaker 2 (25:32):
No, if I just told you and the woman I
deal with like girls, man, she will manage on me
before I manage.
Speaker 1 (25:37):
That's actually smart. Yeah, just be like, look, I'm gonna
fed you this business. We're gonna get all the girls
in Memphis up on this. Only fans get a crack.
Speaker 2 (25:42):
We're gonna get like, I don't deal with women from Memphis.
Why not? Because man, Memphi women some folks like us folks, folks,
some folks mean being you can't even play. I ain't
all my Memphis folks is sisters.
Speaker 1 (25:58):
You're right about that.
Speaker 2 (26:00):
Girls like I ain't no wen't even being no related mind.
Speaker 1 (26:03):
There's a few famous Memphis female rappers who I've met,
and I'd be.
Speaker 2 (26:06):
Like, damn, my myphid woman, my huge.
Speaker 1 (26:09):
It sounds like you know, money bag, yo. You know
what I'm saying, You're a badger waking up there like my.
Speaker 2 (26:14):
Myphi woman will hit you on your eye like all
they're playing with her talk about you said, who like girl?
What you say?
Speaker 1 (26:19):
I shp like your lady's not from Memphis. I'm assuming
listen right, okay? Are you are you already working on
new music? Obviously this dropped February thirteen, so I'm assuming
are you good for the year?
Speaker 2 (26:37):
What are you good for the year?
Speaker 1 (26:39):
You know what I'm saying, like, are you putting out
anything new the rest of the year, Like what's the
whole project?
Speaker 2 (26:44):
The drug? But song this week or song a week
after that? It's probably two weeks. Hell nine's slowing down.
I'm tired of slowing down. I'd be chilling. I'll be
too chill, I'll be I gotta, I gotta what they
be asking for?
Speaker 1 (26:59):
What about a new do you think there could be
a new like paper rolled Illuminati type situation?
Speaker 2 (27:04):
Pep broad Aluminati too from the DRUP for sure, This
was about the drop.
Speaker 1 (27:08):
That's what's next.
Speaker 2 (27:09):
Yeah, this is from the drop. Fire Pepper Road Lomona too.
This is from the drop. The whole gang going crazy.
Love to hear it, man, that's mazing.
Speaker 1 (27:18):
Well listen, brother, I appreciate you pulling up. Go support
the album. It's out right now. So tour coming soon.
Speaker 2 (27:24):
To a coming soon money talk two out right now,
Pepper Lomonadi around the coma. You know, we got a
whole lot of money gonna see. You might blink, you
might see a god damn camouflage box truck, camouflage, Duly
camouflage eighteen.
Speaker 1 (27:41):
It was like we are all over camouflage on an
eighteen wheeler. Hell yeah, okay, I'm.
Speaker 2 (27:47):
Not playing with these folks, man, Pepperah, shit going all
across the board.
Speaker 1 (27:52):
I love to see it. Brother, I appreciate you pulling
up any money my dog Fire. Hey want to shout
out to our new sponsor over at Ease, Man, don't
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Hosts And Creators
James Andre Jefferson Jr.
Bootleg Kev
Brian Baumgartner
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