#513 Food Noise, Achieving Greatness & The 72 Hour Hummus

Episode Transcript
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Speaker 1 (00:00):
The Nicky Glaizer Podcasts.

Speaker 2 (00:10):
DearS Nikki.

Speaker 3 (00:11):
Hello here, I am welcome to the show. It's Nicky
Glazer podcast coming at you. Uh, I'm live in Saint Louis.
Here with us is Noah, Brian, Sean O'Connor. How you
guys doing today?

Speaker 2 (00:23):
Great?

Speaker 4 (00:24):
Great? Great? Great?

Speaker 2 (00:27):
Didn't you see Sean a lot this weekend? I did?

Speaker 3 (00:30):
I I know how he's doing. Unless things drastically changed yesterday.

Speaker 2 (00:33):
Sean is over his fear of flying.

Speaker 1 (00:37):
Nice what not.

Speaker 2 (00:39):
But it's like it's it's it's getting a lot better.

Speaker 5 (00:42):
Yeah, commercial flight. I love it.

Speaker 1 (00:45):
Yeah, and.

Speaker 4 (00:49):
I love the chill Pale.

Speaker 2 (00:50):
I'm not on it right now, but like, do you
like you're using it a lot though? Right?

Speaker 3 (00:54):
Like the little device that shocks your hand. We talked
about it last week in case you missed it. It's
like this little thing that Emily turned us on to
that she got from Rosey O'donnald's TikTok that it's like
you hold in your hand. It's a little keyfob and
it shocks your hand for twenty minutes, like right, and
it lessens your anxiety and it fucking works.

Speaker 5 (01:13):
It really does. I've been using it NonStop. It is
helping me in every interaction I have.

Speaker 3 (01:18):
Yeah, I almost I think I'm gonna start bring it
on stage. I think it's I just want to try
it once. What was I doing yesterday?

Speaker 2 (01:25):
I was I was practicing.

Speaker 3 (01:28):
Rapping, you know, and uh, memorizing this rap that I'm
working on, and I.

Speaker 2 (01:34):
Was like, really out of breath.

Speaker 3 (01:35):
Rap takes like so much breath control that even singing
doesn't Like it's just so exhausting. And you think that
you know a rap because you're just mouthing the lyrics
to it, but like you don't understand that you're not
saying it and putting inflection, and it's so hard to do.

Speaker 2 (01:49):
And I don't know.

Speaker 3 (01:50):
If on my birthday I'm gonna be able to debut
the rap song that I've been memorizing that I can,
because it's way harder than I thought.

Speaker 2 (01:56):
But then I did the Chill Pill and I was
able to do it.

Speaker 1 (01:58):
I mean, wasn't it the same song? Been trying to remember?

Speaker 2 (02:00):
Oh yeah, did I talk about it?

Speaker 1 (02:01):
Yeah? Rap? God, I like I talk.

Speaker 4 (02:04):
What do you mean?

Speaker 1 (02:05):
We've been talking about this everywhere?

Speaker 3 (02:07):
Okay, okay, sorry, I forgot that I talked about it
so much on here.

Speaker 4 (02:10):
I understand.

Speaker 2 (02:12):
I don't know what I don't say on here and
what I do say on here.

Speaker 3 (02:15):
Sometimes I don't like I shouldn't say it on there,
I should just keep it to myself. And then I'm like, yeah,
the ninky that is like smart probably wouldn't have talked
about it on a broadcast, So let's like be that person.
I'm not harboring anything. I'm not like trying to keep secrets.
I just feel like I shouldn't share everything, but I
do anyway. So yeah, I was practicing rap God yesterday
and I'm getting really good. But like I thought I

(02:35):
was really good because I'm mouthing it on a treadmill
and I can mouth it all, but that does not
mean I'm saying it and it is. I'm literally out
of breath the entire time, like it is. It went
from being I thought a B plus like I'm ready
to do this, to a D minus like I cannot
say it when given the chance to say it out loud.

Speaker 2 (02:53):
It is. So it's one thing to be able to
mouth it.

Speaker 4 (02:55):
Good job.

Speaker 3 (02:56):
Okay, I memorized all the words and I can say
them really fast, but I can't.

Speaker 2 (03:00):
I literally can't say them. I can't like make the
sound breath control you think, yes, yes, yeah.

Speaker 5 (03:05):
I think what you need to do is you have
to get like prosthetics and do like undercover karaoke and
just practice it a few times where it's not you
doing it, like you go up from like yeah.

Speaker 1 (03:16):
I'm a rapper.

Speaker 5 (03:18):
Yeah, like I'm Shila, like like, they's my fake name?

Speaker 2 (03:21):
That's so weird.

Speaker 3 (03:22):
And like when I used to go to bars, I
would with a guy I didn't like, I would say
my name was Shila.

Speaker 2 (03:26):
That's so crazy that.

Speaker 5 (03:27):
You picked so is it because no one wants to
fuck with Shila?

Speaker 2 (03:31):
I know Sheila is actually who I wanted to be.

Speaker 3 (03:34):
I love the name Sheila because I think it's like
an eighties girl that's like a badass who you wouldn't
fuck with, who you like with Sheila. Yeah, you want
to fuck Sheila, but she's never going to fuck you.
Like she's too cool, she's got a luck going on.

Speaker 1 (03:44):
She is like she's got a studded leather jack and
she's smoking cigarettes outside the bar.

Speaker 2 (03:48):
Yeah, it's a little bit.

Speaker 3 (03:49):
It's giving what's her name from Saved by the Bell
Tory Tory?

Speaker 2 (03:54):
Yeah, yes, is it Tory.

Speaker 5 (03:56):
So yeah, Torri Tori was the leather jacket one. She's
kind of okay, yeah, shells likeded a little bit.

Speaker 3 (04:06):
Yes, and so she doesn't have time for men's business.
So like when I would bust out, yeah my name
is Sheila, I felt like they would take the hint
and leave me alone. But uh no. So yeah, it's
it's breath control. And I even saved some kind of
like there was some story that came across my Instagram
up talking about it was like a vocal coach that
was dissecting Kendrick Lamar's performance at the super Bowl and

(04:28):
saying that it was a masterclass in breath control.

Speaker 1 (04:30):
And I got it.

Speaker 2 (04:31):
I saved it.

Speaker 3 (04:31):
You know when you see a video and you're like,
I could learn something from this, and then you save
it and you never go watch it, look at it.

Speaker 2 (04:37):
Everything I do.

Speaker 3 (04:38):
I did do a workout from TikTok or from Instagram
reels the other day. I did it, and I felt
so much better, and I like, I actually saved a
video and I went back and found it and did
it amazing.

Speaker 1 (04:49):
Yeah.

Speaker 3 (04:49):
Yeah, it was like it's like almost like it was
a yoga stretch thing for my post Youeri Republic Tilt.
I finally found a thing that was like actually offering
good stretches for it, and it definitely gave me that
little slope that you get right before your butt. Like
my back like was hurting because it was like the
vertebrae were moving in a way that that hasn't happened before.

(05:11):
So but it were really sexual exercises because you have to.

Speaker 2 (05:14):
It's just a bunch of like.

Speaker 3 (05:15):
It's like twerking, slow towerking in different positions.

Speaker 1 (05:18):
Right, not something you want to do in a public.

Speaker 3 (05:20):
Gym, but I did because I'm like, fuck it, I
don't care, like like I can't. I don't want to
do this alone. Like almost part of it is like
I only work out if there's people around making me
feel like they are like I'm accountable. So I'm not
going to like miss out on that and do a
worse workout because I feel like I'm turning people on.
And I kind of did it in the corner, but

(05:40):
but it definitely was sexually. You're just like the corner, Yeah,
definitely like over there, Yeah, like just slowly cat cowing.

Speaker 1 (05:49):
And different positions looking at your phone.

Speaker 4 (05:52):
Yeah, is what your cat does is a perfect position.

Speaker 3 (05:56):
Yes, yes it was, but yeah, I was proud of
my stuff for Actually, do you guys, uys save stuff
constantly that you don't watch or like, do you ever
send a video?

Speaker 2 (06:04):
This is a thing I maybe wanted to do on stage.

Speaker 3 (06:06):
But sometimes I'll like see a video that's like a
republic is that is threatened and here's why, and it's
like gonna break it down, and I'm like, I don't
feel like watching this, but I know it's important, so
I'll send it to someone who like will watch it all.

Speaker 4 (06:20):
Do you know that?

Speaker 2 (06:24):
Yeah, I definitely.

Speaker 3 (06:25):
I think I've done it to you, Like I'll watch
three fourths that I'm like, this is going where I
think it's going.

Speaker 2 (06:30):
And like I've seen.

Speaker 1 (06:31):
In that why you send me that forty five minute
video about Zebras?

Speaker 3 (06:36):
No, I probably would watched no anth stuff if Zebra's
are threatened.

Speaker 2 (06:40):
I can't.

Speaker 3 (06:40):
But but yeah, like you know, it's just breaking down
about how the you know, s Ai d is being dismantled,
so you know stuff like that that I'm like, I
don't need all the details. I'm never going to retain
all this, but here's someone that would I have.

Speaker 1 (06:55):
Oh, I've had I have a dream of being I
sometimes I think of the perfect count argument for something,
and Cadence it.

Speaker 4 (07:04):
Was really more than Luther King.

Speaker 5 (07:07):
I know we're always like what airing.

Speaker 4 (07:12):
Yeah, it was true.

Speaker 1 (07:14):
I mean I had a dream today and I was
that I thought of this perfect counter argument for that.
You could go on Fox News and say and it's
like undeniable. But I'll never get the opportunity to go
on Fox News. And it's so rare that you have
just like this perfect counter argument. And really it's against
the us AID thing. So everyone's saying like, oh, to
get rid of us AID is like great for the

(07:36):
country because you're lowering wasteful spending and they were spending
money on so much bullshit and all that. And I
think that the Republican Party is vastly misunderstanding the purpose
of us AID or giving aid to other countries. And
it's not it's not that we're trying to be these

(07:57):
like generous benefactors and be considered like these amazing saviors
of the of the world. You know, how the mafia
gets its power. How does the mafia get its power?
The mafia gets its power because there are people in
a community who need money, and you are there because

(08:20):
society or the government structures have let them down, and
you are there to provide businesses, to provide people with resources.
And once you provide them with those resources, then they
owe you something and then they're reliant on you for something.
It's the same way al Qaeda. It's the same way
Isis gets their power. The first thing al Qaeda and
Isis does is they go into needy communities and they

(08:44):
give them food, they give them protection, they give them medicine,
so that the good will for exactly, So America isn't
going into African countries and giving people aid because no,
they're doing it because it's preventing other countries or other
organizations from doing the same thing and winning the propaganda war. Yes,

(09:05):
it's for our own self defense that we provide these services.

Speaker 3 (09:09):
Becaus God forbid we just be kind, because that would
be so stupid.

Speaker 1 (09:14):
Exactly, well, it would be a waste of money to
just be kind. Now, the only time it is good
to be kind is if you're vaccinating people across the
world so you can avoid another panic.

Speaker 3 (09:21):
Did you hear about the new like disease that's in
the congo Oh my god, A bunch of some toddlers
ate a bat carcass, and now they are like fifty
four people have died from this illness that kills you,
like within hours, and it's like really bad and it's new.

Speaker 2 (09:35):
I was reading about.

Speaker 3 (09:35):
Today and it was on the Washington Post, and then
I went to the comments just to see, you know,
just to make myself angry, and one of the comments
was like, why are people eating bat carcasses?

Speaker 2 (09:45):
Stop it? And I just I couldn't help myself.

Speaker 3 (09:48):
I go, oh, yeah, I'm sure these toddlers in the
Congo just turned down every other kind.

Speaker 2 (09:54):
Of food and chose the bat carcass.

Speaker 3 (09:56):
I'm sure that in lieu of going to Walmart and
stocking up on you.

Speaker 2 (10:00):
Know, dunk a use.

Speaker 3 (10:01):
These these kids in the Congo love just wanted to
eat a back carcass. They wasn't out of a need
or a starvation kind of thing, like fucking morons.

Speaker 2 (10:10):
Who thinks anyone eats a bat willing?

Speaker 4 (10:13):
Yeah?

Speaker 3 (10:13):
I mean, I know there are wet markets where it's
like delicacies, but like, kids in the Congo aren't eating
a back carcass because it's fun.

Speaker 1 (10:19):
Ozzy Osbourne fans, Yeah.

Speaker 5 (10:22):
I do like to think that one of them is
a picky eater, and it's just like, no, I only
want the back.

Speaker 3 (10:28):
Can you imagine little kids being such picky eaters? I mean,
I guess I had a joke about that my special
but like you know, like my nephews won't eat anything,
you know, like they only want McDonald Like they can't.
They won't touch if something is touching something else or
has like a little bit of a green sprig of
something on it.

Speaker 2 (10:48):
It's like no, like that is all learned behavior.

Speaker 3 (10:52):
Because kids are eating back carcasses to survive, you know,
like that, so would my nephews if they had to.

Speaker 5 (10:58):
I think that's why we should never have moved away
from that guilt trip we put on kids in like
the seventies, eighties and nineties of like there are children starving. Yeah,
kids in Africa, kids in China, they're starving, and you
need that.

Speaker 4 (11:13):
You need that too.

Speaker 3 (11:14):
That gives you an eating disorder that you always have
to eat all the food on your plate. And then
that because I just watched the video about how parents
need to stop saying the kids in Africa thing because
it makes you feel guilt and it makes you eat
when you're feeling guilty and associates those two feelings together
and then you end up overeating when you're feeling guilt
in your own life.

Speaker 2 (11:31):
Something like that gets The best.

Speaker 1 (11:33):
Diet strategy is to is portion control, Like you can't
just look at your plate. You don't have to finish
every single thing on your plate. And that's the best
way to lose weight is to recognize that.

Speaker 2 (11:43):
Yeah, but how would you do that?

Speaker 3 (11:45):
I don't even understand not fit, Like I cannot have
said it literally a million times on this podcast Wrap God,
that I cannot fathom leaving behind something on your plate
that you were just eating and enjoying and being like no,
I'm good, Like how slow do you have to eat
that your body is like in the same in a
one serving you're getting full from it?

Speaker 2 (12:06):
Like that is a slow ass eater.

Speaker 3 (12:08):
Like I've sometimes I have a friend that eats really slow,
and I've counted the choose for like one bite of
food because I've been bored, you know, and I just
like like can see what they're like, see them eating,
and I've counted like thirty five chews for a little
bite of food, and I'm just like, what is this like?
And I will eat with them just to see how

(12:30):
long it's takes me. And I'm like it takes me
for like less. I don't even know if I chew,
I'm like gonna have a gag reflex. No, They're just
a meticulous, measured, mindful person.

Speaker 2 (12:44):
And I don't know what that's like.

Speaker 5 (12:45):
Yeah, because I have a I have like a pretty
like easy to trigger gag reflex. But I am a
hoover with food, like and like I'm like certain I
know exactly how I'm going to die instead of just
going to choke at a restaurant.

Speaker 2 (13:00):
I have you choked a lot of food because you're
eating too fast as it?

Speaker 5 (13:03):
Yeah, I've I choked on like water because I'm like
doing that too fast, Like yep, me too.

Speaker 1 (13:08):
Yeah, Like choking on water is easier than the food.
The food, you can I've seen myself like just taking
a swig of water and then like coughing it up.

Speaker 2 (13:17):
Yeah, the wrong pipe or whatever.

Speaker 1 (13:19):
You're to choke on food, I think it's not.

Speaker 4 (13:22):
It's not. I choke on food.

Speaker 5 (13:24):
Like I'll clear my throat like one three times a
week at least.

Speaker 2 (13:28):
Like it's like when you have that panic of you're
going to die.

Speaker 5 (13:31):
I'm gonna die where I'm like, oh like like I
go like and then it comes up and then I'm like,
I haven't.

Speaker 2 (13:37):
Seen you do that. But maybe I'm not tuned in.

Speaker 5 (13:41):
I think I'm I'm better around people who aren't my family.

Speaker 3 (13:45):
Like what I'm we're the food out of the way
because it's like I just see it and I want
it to be gone, so do I don't have to
deal with the pain of like should I eat it's
I mean, food is like a drug. It just I
never feel I never feel comfortable around it. I want
it gone so I don't have to deal with it
anymore or like or I just want the feeling it

(14:06):
gives me.

Speaker 2 (14:07):
It's so delicious, Like I can't.

Speaker 1 (14:08):
Get joy while you're eating it.

Speaker 2 (14:11):
No, I'm not like you sucking on a kit cat.
I cannot.

Speaker 4 (14:13):
I just.

Speaker 3 (14:15):
A big second on a big cat. I don't understand,
like savoring. I tried this weekend, but we got these
really good sweets, like vegan sweets that they gave us
in Boston and backstage, and I literally like, if you
want to bring me stuff, guys, no one ever bring me.
I just don't eat sugar. I don't enjoy cakes. I
don't enjoy cookies. I don't care if they're vegan. I

(14:36):
just don't like sugar.

Speaker 1 (14:37):
I'm not into it.

Speaker 3 (14:39):
But this weekend I was like, I'm gonna just treat
myself to a macaron I've never had one of those
macaroni macaron Yeah, Like they look like little hamburgers but
they're all one color.

Speaker 1 (14:48):
Yeah, yeah, the French hamburger.

Speaker 3 (14:50):
They are fucking amazing. No, what people need to be
talking more about these. I know they were probably big
in like twenty eleven or something, but they Having one
of those was enough for me. And I liked that
it feels like a meringue, almost like an empty like
there's like it's like a foaminess to it that makes
it feel like it's pumped with a lot of air,
so you don't feel like you're.

Speaker 2 (15:10):
Eating this dense thing.

Speaker 3 (15:11):
But then I did, and I did have a There
was like a cheesecake and a jar, and I had
just done six shows and I was like, I don't
wanna fucking treat myself and that was so good, and
I did. I was able to just eat half of
it and not eat the whole thing because it was
like I was really proud of myself.

Speaker 2 (15:27):
I was like, am I a real woman?

Speaker 3 (15:29):
Like there are things I do sometimes where I'm like,
I feel so cool, like when I get a tall
latte instead of a Venti. When I just do things
that are like I'm just a normal lady that SIPs
on a tall latte.

Speaker 2 (15:41):
That's all I would want.

Speaker 3 (15:41):
The only reason I can get a tall is because
I've had three Venti's in the last hour. It would
never occurred to me when people just get one coffee
a day and it's a small Sean, you're a venty
guy too.

Speaker 4 (15:51):
I'm a Venti. I need more.

Speaker 5 (15:53):
I just need Like I don't know what it is,
but I just even find like when I'm doing like
Uber Eats, I kind of oways so overorder.

Speaker 3 (16:01):
Like I know that's whenever I give someone a Uber
Eats order and I'm like, send it to the group.
I always tell people get as much as you want,
because if I was asked to add to an Uber
Eats order that someone else was paying for, I'd be like,
I guess I can only get an entree instead of
two entrees and a salad and a soup. Like I'm like,
I have a scarcity thing where it's like it's not gonna.

Speaker 4 (16:24):
Be enough exactly.

Speaker 5 (16:26):
Whenever I'm ordering, I'm like, oh, man, like I know me,
and then like I really, Then I'm.

Speaker 1 (16:31):
Like, wait, I don't know me.

Speaker 4 (16:32):
I know me too, Yeah, I have no idea who
I am.

Speaker 5 (16:36):
It's my biggest problem.

Speaker 1 (16:39):
Macarons are great, did you Yeah? And also macarones are
most of the time gluten free. In case you are
Celiac person, that's the one that's one of the rare
desserts that's like not an ice cream or something like
that is gluten free.

Speaker 2 (16:52):
No, you don't like desserts, right? You don't like sweets?

Speaker 3 (16:55):
Me?

Speaker 2 (16:55):
No, no, me, I'm not.

Speaker 6 (16:57):
I'm not really a sugar person, but I have been
and my eating habits have definitely changed as a parent
because I have what does that mean to eat? So
like just like the pacing right my food. I used
to be a moderate eater and now I just like
shove everything into my gullet and just eat, eat, eat,
and then I and then you know, I get occupied
with the baby and stuff.

Speaker 2 (17:18):
What's your go to?

Speaker 3 (17:19):
Like I need to eat fast and I don't have
time whatever.

Speaker 6 (17:23):
You have, I just I just like I'm so used
to it because I've been doing it for so long
that I just shovel everything into my mouth.

Speaker 3 (17:28):
Like what like if you right now were like had
fifteen minutes to eat something like what would be in
your kitchen right now that you would put in your.

Speaker 6 (17:35):
Mouth, probably like a tie dish or some some like
like pan Asian dish?

Speaker 2 (17:40):
Would you eat it up?

Speaker 1 (17:42):
Yeah?

Speaker 2 (17:42):
Oh yeah for sure? And is it something that you
like ordered before that's like leftovers or is it something
you made over the weekend?

Speaker 1 (17:50):
Uh?

Speaker 2 (17:51):
Like either, just whatever's in the fridge.

Speaker 3 (17:55):
Just get stop together, Like, it's not handfuls of chips.
It's not a protein bar. Like I don't even understand
how po live on hoptine bars.

Speaker 6 (18:01):
While also when I'm nursing, I just have to just
constantly be eating and drinking water. So yesterday I was
sitting there just like eating an entire bag of chips.

Speaker 3 (18:10):
Yeah, I'm definitely putting down some bags of chips on
my own, and then I offer like people like last
night I brought skinny pop over my parents' house and
my mom had like two handfuls, and so it made
me feel like I didn't eat the whole bag. Yeah, yeah, yeah,
that's really.

Speaker 1 (18:25):
A little bit, a couple of handfuls.

Speaker 4 (18:26):
Yeah, I'm so disappointed.

Speaker 5 (18:29):
Like as a kid, I felt like the little bag
was always perfect, and now I'm like, I just want
to crush.

Speaker 4 (18:35):
I just want to crush.

Speaker 5 (18:36):
What it's a plate of food or if it's a
bag of food, I just want to like take it
down so it's not it's not there tomorrow.

Speaker 1 (18:44):
Oh my god.

Speaker 3 (18:44):
I like wistfully think about before I had an eating disorder,
when I would like get a sacked lunch and my
mom would just pack like a peanut butter and jelly sandwich,
a handful of chips in a plastic bag, a Capri
son and apple, and like maybe like a Reese's cup
or like a little Halloween candy and that was enough.
There was no part of me that was like this

(19:06):
is it. There was no like what else am I
gonna get later on? How am I gonna finagle more food?
It was just like that was it, and I didn't
I wasn't thinking about it all day because I had
already eaten a breakfast in the morning that was adequate
and kept me full. Like this life we live in
where it's just like you try to starve yourself and
wait to the next meal so that you can be
really hungry. Then you overeat, and then you feel bad

(19:28):
about overeating, so you try to wait as long as
you can before you eat next time, and then again
you're so hungry, and then you overeat, and it's like this,
I wish you I've broken the cycle before, but I
tend to like stay in that kind of like overeat,
feel sick, feel bad, wait until I'm so hungry to
eat again kind of thing. I never starve myself, like

(19:49):
if I'm hungry, I will always eat, but I will
sometimes I can't even recognize what hunger is. I don't
think because I'm still so fucked up from fear, Like, well, I.

Speaker 2 (20:01):
Can't possibly eat now.

Speaker 3 (20:02):
My brain won't even let me because I know just
ten hours ago I ate enough food for a whole day,
so that's not gonna I can't wake up and go like, oh,
I'm gonna.

Speaker 2 (20:09):
You know, eat again. It's just it's it's a mind.
It's a mind.

Speaker 1 (20:14):
Fuck. Yeah, no, it sounds very mind. I can't like, yeah, I.

Speaker 3 (20:20):
Don't think you relate, like, right, do you even have
a relationship with food like that? Like when people don't
have food noise going on? What is your life like? Honestly,
I need to know you need to be more accomplishing
more in your life, not just Brian.

Speaker 2 (20:33):
Everyone that doesn't have food noise.

Speaker 3 (20:34):
If I'm able to get this much done with the
rattling around of like what are you gonna eat next?

Speaker 2 (20:39):
How much did you just eat?

Speaker 3 (20:40):
What's are you sure that everyone is gonna eat with
you when you eat next? Because if people don't eat,
then you feel bad about eating too much. But they
just ate, so they're not gonna be as hungry as
you when you all sit down to eat. So then
when you sit down to eat, you're gonna be judging
that you're eating too much around them, and they're not
gonna be like that is what's going on up here
all of the time.

Speaker 1 (20:59):
Yeah, the time.

Speaker 2 (21:00):
Chris can't stand it.

Speaker 3 (21:01):
It's it's hell to be married to it, or we're
not married, but be partnered with it.

Speaker 2 (21:06):
But I wasn't a slip, by the way, don't go
she was married.

Speaker 3 (21:10):
I keep saying that headlines now it's we're not married,
we're not we but I always easier to it just
sounds communicates commitment.

Speaker 2 (21:20):
That we're at that boyfriend does it anyway, go on.

Speaker 5 (21:24):
But I'm always jealous of what when we eat with Brian,
because Brian, you'll just like order a soup and be okay,
and then I'm like, it's like, yeah, no, I like.

Speaker 3 (21:34):
He can like in between, he'll like be like he'll
like be about to eat something like a spoonful of soup,
and then he'll put it down and go Actually, I
was thinking that maybe if we approach that one bit differently,
and the soup will be on the spoon, not in
his mouth, like hovering in the air, getting cold, getting
like unpleasing, and then the soup will become so cold

(21:57):
from him talking because he he is like prioritizing communication
over this dumb soup, which should be doing that. The
soup will become inedible, and then he'll go, I don't
really want this right now, and he'll just set it down.
I can't even get I can't even comprehend.

Speaker 4 (22:13):
That I'm jealous of that.

Speaker 1 (22:15):
I'm like, I could have.

Speaker 3 (22:16):
The nuclear codes and like be able to prevent something,
and I would still say it through soup in my mouth.

Speaker 2 (22:25):
I just I think you're either one or the other.

Speaker 3 (22:27):
But I will say I'm not saying Brian's food situation
is just so enviable because a lot of it is
wrapped around it's gonna make your teeth hurt. Oh yeah,
you have a lot of energy going into that that. Yes,
you have different noise. I don't need to make it
seem like everyone does have noise.

Speaker 1 (22:42):
Yes, one thing I do. One thing I do that
I'd like to stop doing is if I'm in like,
if I'm like telling a story or something, I will
frequently like put food in my mouth and then I'll
just have the food in my mouth.

Speaker 2 (22:55):
No, you don't not to me, you do not.

Speaker 3 (22:57):
I've noticed that you will because I pay attention, you
will put it down.

Speaker 2 (23:01):
I've never seen you talk through food.

Speaker 1 (23:03):
Wow, well I I.

Speaker 2 (23:04):
Maybe I just think it's your dipping or something.

Speaker 4 (23:07):
Yeah.

Speaker 1 (23:07):
No, because I got very good at it. I've gotten
very good at having like a like a squirrels amount
of storage of food in my cheek while I'm telling
a story.

Speaker 2 (23:16):
Heir, it is more grown out, so it's really hard
to tell. Oh yeah, you can.

Speaker 1 (23:19):
Realize that it's I'm slowly distributing morsels into my throat.

Speaker 3 (23:24):
While there's some good morsels that you can get in
your gums. My favorite is when you need animal crackers,
the build up of animal crackers in your gums is
as delicious as the original animal cracker. That's That's one
that I will speak you when.

Speaker 2 (23:38):
We get back.

Speaker 3 (23:39):
I want to talk to you about a timid Timothy
Chalomey thing that I wanted to get everyone's feedback on
because I read it last night and I go, oh,
this will be perfect for the podcast.

Speaker 2 (23:48):
So stay tuned for that right after that.

Speaker 3 (23:52):
Okay, So I guess Timothy Shallomey just made history. This
is BuzzFeed Instagram. Timothy Shallomey just made history. Is the
youngest person ever to win Best Actor in a Leading
Role at the SAG Awards, and his acceptance speech proves
that in an industry built on the art of pretending,
Timmy is as real as it gets. Okay, So I
originally read the headline on bus Heed is Timothy Schallomey

(24:15):
did something many actors are afraid to do in his
unconventional acceptance speech at the SAG Awards, and people are
seriously impressed.

Speaker 2 (24:22):
Oh what's it going to be? Go to the next slide.
The next slide is.

Speaker 3 (24:27):
Uh is a quote from from his speech, and then
it says, holy shit, Uh Timmy, what a speech?

Speaker 2 (24:34):
Oscar next?

Speaker 3 (24:35):
Okay, so this is the speech, and I want us
all to weigh in on it, okay, because it is
different than most speeches.

Speaker 2 (24:40):
And this is Timothy shalamay.

Speaker 1 (24:42):
Shout out North America. Shout out Earth.

Speaker 2 (24:45):
Yeah, I showed out.

Speaker 3 (24:48):
Shout out heavy awards that aren't as good as uh,
you know.

Speaker 1 (24:52):
An Oscar or wait a second, quick quick shout out
WGA Awards because Nicki Glazer one a w GA Award
for some day you all die. Congrat Thank you.

Speaker 2 (25:04):
So much, thank you, thank you. It's my first award.

Speaker 1 (25:08):
It's an incredible award.

Speaker 2 (25:10):
Yeah, I'm really really award.

Speaker 1 (25:12):
Because you're being acknowledged by your fellow writers.

Speaker 3 (25:16):
Yeah, I mean it truly is the War Award out
of all of the ones that I was nominated for, Grammy, Emmy,
Critics Choice.

Speaker 2 (25:28):
That Golden Globe.

Speaker 3 (25:30):
That really I you know, it would have been nice
to win all those, but as someone who voted in
some of those, you just pick like your friends or
you pick like it's like a popularity contest.

Speaker 4 (25:40):
It's not.

Speaker 3 (25:40):
No one watches everything, but writers are not nice. But
here's the thing. I determined that I either won because
I'm they respected my writing or they hate everyone else
in the category, because.

Speaker 2 (25:51):
I know a lot of times I will vote based on.

Speaker 3 (25:54):
I just don't want that person to win, and I
will pick anyone else that has been nice to me
before for or like. So it isn't always about the
merit of it, and that's okay. I think we really
need to acknowledge that that is. This is not the Olympics.
You're not being and even the Olympics, I would say,
is not completely fair. You can't completely objectively judge something
without putting your own personal.

Speaker 1 (26:15):
There are a couple of questionable judgments in the gymnastics
category last Olympics.

Speaker 5 (26:20):
But I will say, I will say not to poopoo
what you just said, but it is but to poo
pooh away A lot A large portion of the WGA
members are drama writers who truly actually love comedy and
like have none of the hang ups that like the
comedy writers do, and like none.

Speaker 2 (26:42):
Of the jealousies or putting people like.

Speaker 5 (26:45):
Yeah like they're like they're just like true fans like
uh And I only know this as I've been around them,
and they suck like they like genuinely love things like
and I I can't comprehend how.

Speaker 1 (26:58):
You do that.

Speaker 3 (26:59):
No, it meant so much to me, It really did,
Like that was like whoa. And I will say that.
Robbie pra of Netflix did text me the day before
the awards and was like, but hey, buddy, I hope
you win, just to let you know Netflix couldn't submit so.

Speaker 2 (27:12):
You have a better chance.

Speaker 3 (27:13):
I was like, wow, he's always strolling me, but also
really supportive. But he was like in other words, he
was like, what have gone to Chappelle? Had it not,
had we been able to, had we submitted?

Speaker 1 (27:27):
But submit? Why because it's I don't think that.

Speaker 2 (27:29):
I think they choose not to.

Speaker 3 (27:30):
I don't know why, because it doesn't matter, doesn't impress anyone.

Speaker 2 (27:34):
They can't put it on a billboard, but I will
put try polish.

Speaker 3 (27:42):
Okay, this is what Timothy said when he accepted his
SAG Award. I know we're in a subjective business, but
the truth is I'm really in pursuit of greatness. I
know people don't usually talk like that, but I want
to be one of the greats.

Speaker 2 (27:55):
I'm inspired by the greats. I'm inspired by the greats.

Speaker 3 (27:58):
Here tonight, I'm as inspired by Daniel da Lewis, Marlon Brando,
and Viola Davis, as I am by Michael Jordan, Michael Phelps,
and I want to be up there. So I'm deeply grateful.
This doesn't signify that, but it's a little more fuel.
It's a little more.

Speaker 2 (28:13):
AMMO to keep going. Thank you so much.

Speaker 3 (28:17):
Okay, So people are saying that it's arrogant, you know,
like the naysayers are saying it's arrogant. It's he threw
the Sagward under the bus, which I would argue, no,
he did not. He was just saying, like, I'm not
there yet. This doesn't mean that I've winning, This doesn't
mean that I've risen to that level, but it's a
little more fuel on the what how did he say?

Speaker 5 (28:36):
Right?

Speaker 1 (28:36):
And also let's just be honest here. I mean, Sagward
is a level below an oscar. I mean there is
a way to go. Just can people stop being ridiculous
about the truth.

Speaker 3 (28:46):
Yes, but some of the comments are did the greats
ever talk like this? I'm sorry, So eighty five percent
of the sag members who aren't famous aren't in pursuit
of greatness and aren't.

Speaker 2 (28:58):
Working hard enough. And then someone said he's a narcissist. Uh.

Speaker 3 (29:05):
So funny how when Anne Hathaway was proud of her
work in her speech, she got the whole opposite reaction.
I do think that that's an interesting thing to note.
And then someone, uh, yeah, people, people, Uh, the ego
is huge, mind blown, mind blown, mind blowed emoji.

Speaker 4 (29:21):
What do you.

Speaker 2 (29:22):
Guys make of it? Because before I go off on it.

Speaker 1 (29:24):
Fuck you, fuck the internet, funk all those people typically
you know what this reminds me of.

Speaker 2 (29:33):
Honestly, have the board at Club Shalome.

Speaker 4 (29:36):
We know it reminds me.

Speaker 1 (29:38):
Of a similar person striving for greatness who made a
similar type comment. And I believe it was an amazing
comment to make, and it just showed how confident they were.
And that was when Nicky Glazer was asked, what do
you think about being selected as being the host of
the Golden Globes And you said, I think they made

(29:59):
the right choice. Yeah, I think they made a smart choice.
It's just believing in yourself and being confident and manifesting
and said.

Speaker 2 (30:07):
I don't always feel that way.

Speaker 3 (30:09):
Let me be honest, Like that would be insane if
I always was like, yeah, me taking this Blotti's class.
It was a right choice for this place to you know,
give me a free week trial, you know, like I
know when I suck. But yeah, that was just yeah,
I just knew that I.

Speaker 1 (30:24):
Was your confidence. That was Babe Ruth pointing the bat
over the wall saying I'm going to hit a home
run or the hangout Sean.

Speaker 5 (30:32):
That that was Babe Ruth. And he pointed, he pointed out,
do you know the Babe Ruth.

Speaker 1 (30:37):
Thing, Nicky.

Speaker 3 (30:39):
I recall it like I can see it in my
mind of him like calling the shot.

Speaker 1 (30:42):
Yeah, he called the shot, and he says, I'm going
to hit a home run essentially, and if he doesn't
hit a home run, man, that's embarrassing.

Speaker 3 (30:49):
But you don't call it like it happens to a lot,
not him though, remember.

Speaker 2 (30:54):
The times it does go well. I think it's like
a type of bias.

Speaker 4 (30:57):
But I think this rolls.

Speaker 5 (30:59):
I think what Timothy did rules and I don't even
think this is like a new thing. I feel like
Marlon Brando was like sew up his ass and calling
himself like the greatest actor that ever lived in like
the late fifties and early sixties and like to the
point where he was like holding out for money and
doing all that shit. And then al Pacino when he
was nominated for an oscars, he showed up on so

(31:20):
many painkillers. He couldn't do this, but he definitely believed it, Like,
I mean, yeah, but it's not like there's a gen
Z type of thing where he like kind of grew
up with rap and like kind of like Braggadocio, And
I think it was just like a new level of
I think.

Speaker 6 (31:38):
It was humility, like he was showing humility in that
a lot. I didn't really see it as Brad exactly. No,
I think it's Fragodocio.

Speaker 1 (31:45):
Braggadoc show is also my favorite rapper, but I think
that he Isn't it most vulnerable? Isn't it more vulnerable
to say I want to be one of the greats?
Isn't it vulnerable to say here is my goal, Now
watch me try to achieve, rather than pretend like you
don't want to be.

Speaker 3 (32:02):
One of the Well, I really don't like the argument
of like, so so why even say it, Like don't
we disassume you want to be great?

Speaker 2 (32:08):
No?

Speaker 3 (32:09):
No, no, no, not everyone who's famous or who works
in comedy or acting or sports really goes to become
is like trying to achieve greatness.

Speaker 2 (32:20):
They all might say they are, but they are leaving.

Speaker 3 (32:24):
They are leaving you know, potential behind because they don't
they're not doing everything they can to be great. We
know the people that do, the Kobe's, the Tom Brady's,
the Daniel day Lewis is, the the Jeremy Strong's. Like,
you know what you can do to be great, and
people don't do it, So you're not trying to be great.
It's it's a you're just showing up and you're getting

(32:45):
by and you can't get by.

Speaker 2 (32:46):
Trust me, I've gotten by a lot without trying to
be great.

Speaker 5 (32:50):
But no, for so many, For so many, it's just
the money that like, is.

Speaker 2 (32:55):
That motivates you.

Speaker 4 (32:56):
Yeah, like Jeremy.

Speaker 5 (32:58):
Strong, if he wasn't try to be great, he would
be like, I don't know, the Incredible Hulk or some shit.

Speaker 1 (33:04):
Yeah, like he's not. He does look like he could
be caring.

Speaker 3 (33:09):
There's other motivations, but people just assume that because someone's
in the spotlight, they're always trying their best and they're
always striving to be one of the best, and it's
just not true. As someone who has been able for
many years to costpuy on just doing, you know, knowing
what I could.

Speaker 2 (33:25):
Do, and I still do that.

Speaker 3 (33:26):
There are still jobs where I just go, I could
nail this, and I know exactly what I could do
to nail it. I don't have energy for it. So
I'm going to be good, but I'm not going to
be great. And you make that decision every day with
every project you do. So I think it is notable
to say I want to be the great, the greatest
and to call your shot in and it might even
actually inspire him to do it because he's like I

(33:47):
just said it on this kind of platform. I can't
not show up to my acting class tomorrow, I can't
stay out late drinking tonight, and like yeah, like the
I think that really that really helps. Like I I
wrote something to Sean yesterday about a thing I'm coming
up doing, and I deleted it immediately because I was like,
I don't want evidence that I ever said this, but

(34:09):
this is what I want to achieve in doing this.
It's like maybe a petty achievement because it's like I
want to be the best at the whatever, you know,
But it struck me after I said it.

Speaker 2 (34:19):
As being like almost like petty.

Speaker 3 (34:22):
It struck me as being petty and a little bit
overly competitive when it really doesn't need to be that thing.
But for me to achieve greatness, I need to be competitive.
I have to create a fake race in my head
that's maybe no one else is paying attention to, and
then I can yes.

Speaker 2 (34:41):
Blazon.

Speaker 5 (34:42):
But people are paying attention to everything because.

Speaker 2 (34:45):
Like everything's competition.

Speaker 5 (34:46):
Everyone is always trying to be the greatest the moment.

Speaker 3 (34:49):
Tell me a comedy show that you don't walk away
from and you see multiple comedians and you don't talk
to your friends on the way home about who was
the best?

Speaker 2 (34:55):
Tell me that.

Speaker 3 (34:56):
Tell me any time you go anywhere and you see
multiple different performing different things. And then one can be
doing a musical number, one can be doing a comedy number,
one could be doing a dance number.

Speaker 2 (35:05):
You don't go what was your favorite dance number? What
was your favorite comedy you?

Speaker 3 (35:09):
You you pit them against themselves, even though they're all
different things happening at different parts of the show.

Speaker 2 (35:14):
It is a competition.

Speaker 1 (35:16):
And so whenever I see an improv show, I don't
do that. Whenever I see an improv show, because they're
all equally bad.

Speaker 2 (35:22):
Yeah, yeah, I would think of an inm broad show.

Speaker 3 (35:24):
You would definitely go like on the way home, if
I ever went to go see one, I would definitely
be like that one girl was the best that got
like we love to rank things.

Speaker 1 (35:32):
Yes, by the way, just quickly and shout out to
Magnet Theater, which is this improv theater in New York City.
Have you ever performed there, Sean the Magnet Theater in
New York.

Speaker 5 (35:41):
Oh yeah, oh my god, I've performed with the Magnet Theater.

Speaker 2 (35:44):
Where is it? I think I've probably done it too.

Speaker 1 (35:46):
It's on twenty eighth or twenty ninth Street between seventh
and eighth Avenue. And it was, oh that I have
survived in its forms, it somehow has had this staying
power that the UCB and even different form of the Pit,
the other two big improp theaters in New York City
did not have. And it was because of like the
strong community, because they never had any desire to grow

(36:06):
beyond being a strong community, but they are having.

Speaker 2 (36:11):
They did want to strive for greatness.

Speaker 1 (36:12):
They didn't strive exactly.

Speaker 4 (36:14):
You know.

Speaker 1 (36:15):
The Magnet, I think famously was like, we're not striving
for greatness. We're not getting involved in the muck of
the industry. We just want people to come here and
have a good time and make friends.

Speaker 5 (36:26):
It was friends community and like the art of improv,
Like it was just in the pursuit of like being
like having fun with improv. Like UCB was like, I
need to be in a T mobile commercial, right.

Speaker 1 (36:40):
And because of that, the Magnet Theaters survived through COVID
because where the UCB didn't. The UCB shut down.

Speaker 2 (36:46):
Because it was based on money.

Speaker 1 (36:48):
Yeah, And and for the Magnet, it was like the
community was like, there's no way we're going to let
this die because I mean, we won't have anyone. We're
to hang out with our friends anyway. The Magnet Theater
is having their twenty year anniversary next month, and I
just want to shout out to the Magnet. So we're
just talking about improv quick quickly and I shit on it.
I uh, I just want to shout out to them
because they they were They gave me like the most

(37:09):
stage time in New York City out of any venue
in the entire city for the time I was there.

Speaker 2 (37:15):
That's nice congratulation that you did that.

Speaker 1 (37:17):
The Magnet.

Speaker 3 (37:18):
Congratulations twenty years. You never even think you're going to
be around for twenty years. Like whenever a business is
like established twenty twenty two, I'm like, get that.

Speaker 2 (37:28):
Off of there.

Speaker 1 (37:28):
No one cares what you were established.

Speaker 3 (37:30):
But in twenty years it's kinna seem like something, you
know what I mean? You have to write and established
at some point you got to Like we were even
talking about it this weekend, about like taking photographs and
like how I would like love if people had photographs
of me in the comedy community back in two thousand
and seven, two thousand and eight, two thousand, like when
I first started. But at the time, you're just like

(37:52):
I don't want people taking pictures all the time, Like
I don't need all this shit. But like now I'm like,
oh my god, Like we just don't. We never foreseen nostalgia,
at least I don't. I don't anticipate it, like I'm
trying to by keeping some things. Like this weekend, someone
made me a dress that has Tom Brady's face on it,
and I was like, we can just like give it
to someone, and then someone was like, well, what if

(38:12):
the woman that made it for you finds out you
just gave it away? I'm like, I hope she's not hurt,
because why would I wear that again? But like, okay,
let me just keep it because maybe someday that'll mean
something to me. And of course it will be like,
oh my god, that was my first time like selling
out all these big shows.

Speaker 2 (38:27):
That was like the year that my life.

Speaker 3 (38:29):
Broke open, and you know, and but I'm not having
a daughter, and I doubt like Poppy will give a
fuck about that dress. But maybe it'll go to a
museum someday if I get shot by my assistant or.

Speaker 4 (38:39):
Something, or you'll be buried in it.

Speaker 3 (38:42):
Yeah, okay, if I fit in it when I'm that age, Yeah,
that would be great. Bury me in that dress one
hundred percent, have the in memoriam be the popular picture.
And yeah, I just don't see myself being like in
a museum unless I die tragically, because in like some
kind of Selena way.

Speaker 2 (38:59):
So that's why I said, she shot by my assistant.

Speaker 1 (39:03):
Gen Zia.

Speaker 2 (39:04):
I have to be like, do you have to die
tragically to be like an icon?

Speaker 1 (39:08):
I think to be an icon?

Speaker 3 (39:10):
Yeah, like I'm sorry, James Dean, like a car accident
like Sam Kinnison car accident, like Marilyn Monroe overdose young,
Like no one cares when you're like pass away. At
ninety four, I get an alert that some woman named
Buzzy Winthrop died like he was the biggest actress in
ninety thirty three. It was nice CNN that you gave
me that, But like, of course she's dead, she's ninety nine,

(39:31):
Like it's not interesting.

Speaker 5 (39:32):
You're right, we always worship the people who died at
their peak.

Speaker 4 (39:37):
That's like it.

Speaker 5 (39:38):
Yeah, Like it's like we never got to see Nirvana
just start sucking yea, so like Kirk Obain gets to
be like Kirk Obain forever.

Speaker 1 (39:47):
We never got to see what like Saddam Hussein was
gonna get up to in his later years.

Speaker 3 (39:51):
Yeah, we should have given him a shot. Yeah, that's
why we know so much now.

Speaker 5 (39:56):
His comedians and cars getting coffee was gonna be so funny.

Speaker 3 (40:02):
I was actually reading on a sub SNL subreddit where
like it's SNL fans dissecting the show.

Speaker 2 (40:08):
It's the subreddit live.

Speaker 3 (40:09):
From New York, if you're interested, and they they were
talking at one guy was like I just don't get
blue shy, like explain blushy to me. And I was
reading the comments and they were like, actually, I hate
him because he would tank any sketch that a woman
wrote I found out, which makes me immediately hate him.
And I know that he's like a beloved icon, but

(40:32):
I honestly have never really left anything he like. I
think he was good in Animal House, but I don't
really care about Cheaberger Cheaberger or like him dressed as
a bee or like, I just don't I haven't laughed.
I haven't given it a chance, really, but finding out
he's a massive misogynist, which everyone was in the seventies,
so I give him a little bit of a past
because of the time. But his a lot of people

(40:54):
said he is revered because his death.

Speaker 5 (40:56):
Was tragic, absolutely, and like they all knew he was
going to speedball cocaine and yeah, yeah, like he was
like I don't get Blushi like, and I even I
like Animal House. I like the Blues Brothers movie, fine,
but I don't understand him. And then I'm reading this
book about Lauren Michaels and like he was just a

(41:16):
piece of shit the entire time, and like got fired
so many times because he was like impossible to work with.
Thought he was better than the show, and then you
watch his sketches and it's like cheap Berger, chea Berger,
it's samurai guy. Like, it's likely some of the.

Speaker 4 (41:31):
Worst shit ever put on television.

Speaker 2 (41:33):
Well, comedy does not hold up obviously.

Speaker 1 (41:37):
Sure at the Animal House though, that's what he's really,
That's why he's got the he's got the poster and
everyone's dorm room because of iconic.

Speaker 2 (41:44):
He's just a funny looking guy too.

Speaker 3 (41:47):
But yeah, we we were in Boston over the weekend
and we had we did a thing on Saturday that
we can't talk about.

Speaker 1 (41:56):
Secret the secret kind of society.

Speaker 3 (42:00):
Invited to a secret society, needing to be to me,
to be honored by this, by this prestigious.

Speaker 1 (42:08):
Grove or sculling bone.

Speaker 4 (42:09):
Yeah, it's kind of like it's kind of like a
less funny skull and Bones.

Speaker 3 (42:16):
No, I really, let me just say, if any of
those people are listening, we can't talk about what it was.

Speaker 2 (42:23):
But I had an amazing.

Speaker 3 (42:25):
Time on the last half of that experience, Like it
was it was actually the whole thing was really entertaining
and kind of like it's funny to talk about with
only the people that experienced it with me because I
can't talk about it publicly, but you know when sometimes
when you have like an annoying experience, it's fun to like,
you know, talk about it later, I will say afterwards,

(42:45):
going to lunch and talking to everyone and hanging out
when the all the bs was over with, it was
one of the most rewarding favorite going to lunch and
talking to people. That was one of the most favorite
things I've ever done. It could have been it was
I could have done it. We were talking about later.
I could have done it all day. I really it
made me realize I want to go talk to young
people that are smart and tenacious and and just interesting

(43:10):
and funny and like just so cool. It was so fun.
I had the best time before that not that fun.

Speaker 5 (43:18):
It was not that fun, and it was like, oh no,
Like it truly felt like you got into an uber
And then you realized slowly that the driver was fucked up.

Speaker 2 (43:28):
And that the locks were sawed off.

Speaker 3 (43:30):
Yeah, and he was blasting his own music and making
you sing along yeah, and you didn't know the words.

Speaker 5 (43:36):
But then once you got home and you kind of
realized that this person was just pretending with dropped.

Speaker 3 (43:46):
So we went through a thing with like in the
secret kind of world. You have to go through this
like kind of a little bit of an initial.

Speaker 2 (43:53):
Animal sacrifice involved, right.

Speaker 3 (43:55):
No, I was waiting for that. I would have loved
to sacrifice some of the people.

Speaker 1 (43:58):
Involved, but they were animals.

Speaker 3 (44:01):
No, it was it's they and the people listening know
that this sucks, Like they are smart enough to know
that this whole thing sucks.

Speaker 2 (44:08):
But the reason that it sucks is because it was.

Speaker 3 (44:10):
No, they are so smart and they they all had
this kind of air about it, like I'm sorry, we
have to do this kind of thing.

Speaker 5 (44:15):
Yeah, they were like they were really their hearts weren't
in it, and you could feel it right away. Right
away we got to talking to them, they were like
actually very funny and like quick, oh my god.

Speaker 3 (44:26):
We couldn't stop talking about how much we loved all
of you, and we wish we could say publicly who
you are, but we can't because of this dumb rule,
because of your dumb like the dumb, secretive, secret special society.

Speaker 2 (44:39):
Thing about it. That and this is what I learned.
When something is.

Speaker 3 (44:45):
When you're prohibited from talking about something afterwards, and you
make it so no one can give you notes on it.
No one can dissect it and maybe give you some
critical help with it, constructive criticism. You it's the same,
and it's over the years. Something especially something based in comedy.
If it is something that is written and planned out

(45:07):
in nineteen or like possibly eight late eighteen hundreds and
maybe not updated since the nineteen forties, it doesn't work anymore.

Speaker 2 (45:16):
Secrecy, Yes it is. If it inspired this conversation.

Speaker 3 (45:21):
It's like if you I was living in the Canterbury Tales,
which you just go, this isn't This doesn't work now comedically,
but it is, and it's it's barely interesting too. No offense,
like truly no offense, because if I were one of
these people, I would have done the same exact thing.
You're locked into a thing that you can't get out of,
but it needs to be updated. I have production notes.

(45:42):
If you want to reach out, we will be happy
to give you some to make a good experience so
that the experience that we had at the tail end
of it is as good as the rest of it.

Speaker 2 (45:50):
And I'm sorry for the listener being like what are
you talking about?

Speaker 3 (45:53):
But like, just imagine a group inviting you to like
say hey, what's up, and then you have to watch
a play first that you're like a part of it's
sleep no More but you but it's but but not good, Yeah,
an interactive play. And then then after the play, all
the actors drop it and then they're real people, and
then it's the most fun you've ever had.

Speaker 4 (46:13):
Yeah, it's it was so wild.

Speaker 5 (46:14):
And if you wonder what we're talking about, we're talking
about the Doge Committee.

Speaker 3 (46:20):
Some of them will be working there.

Speaker 5 (46:25):
They let us delete a few Social Security numbers and
it was like so rewarded.

Speaker 2 (46:29):
So fun.

Speaker 1 (46:30):
But before that, you have to watch the play. And
that's why I.

Speaker 2 (46:34):
Just it was reminded.

Speaker 3 (46:35):
It reminded me of this thing I read about the
did I talk did I talk about I know I
talked to both of you about this separately, but did
I talk about how why there aren't playing crashes because
of on this podcast?

Speaker 2 (46:52):
What I learned I read in a really long article.

Speaker 3 (46:54):
Okay, I'm gonna synthesize it when we get back, but
it's actually as interesting, I promise you. And it has
to do with this thing of like we need, you
need open dialogue for things to get better.

Speaker 2 (47:03):
And for things to run efficiently.

Speaker 1 (47:05):
And I don't think it's hat that you read instead
of sending out, instead of outsourcing.

Speaker 3 (47:10):
I read the whole thing and I did put it
on my Instagram story because I was like, everyone needs
to know this. It will give you peace of mind
about flying and feeling safe and doing that, but it
will actually not make you feel good after what if
it gets taken over by the people that I think
it's going to be taken over by, Because okay, I'll
tell you about that when we get back, right when
we get back, Okay, So pretty much the reason that

(47:33):
there aren't plane crashes is because no one's ever blamed
for it.

Speaker 2 (47:36):
Have I talked about this on air before?

Speaker 1 (47:37):
I don't think so.

Speaker 2 (47:38):
I don't think it at air.

Speaker 3 (47:40):
Okay, So this is all gonna be me kind of
speaking like I don't know all the official words for it,
but the like pretty much the mandate from the FAA
and like everyone who regulates a marriage, and I think
this is global, like you know, handles plane crashes and
regulates what they're able to do and where they're able

(48:01):
to go and navigation.

Speaker 2 (48:03):
And all that stuff.

Speaker 3 (48:04):
If there is an error, if there's a plane crash,
no one gets blamed. Let me say that again. There
is never an investigation after an airplane mishap a crash
where if they try to figure out whose fault it is.
All they try to do after a crash is to
find out what happened, what led to this mistake that

(48:26):
someone made. Yes, they eventually go, okay, this person made
this mistake, but they will never punish that person. That
person will never lose their job. They will never be
tried before a jury of their peers. They will never
be fired, they will never be docked paid, they will
never be put on leave ever.

Speaker 2 (48:41):
Because it is it is.

Speaker 3 (48:42):
They all agree that if you work for the if
you work as an air traffic control person, if you
work as a pilot, it is under the assumption that
you are always doing the best job you can and
that no one would ever not be right.

Speaker 2 (48:58):
So if something happened, it's a mistake you didn't mean to.

Speaker 3 (49:02):
We are humans, We will fault at some point, and
just because you make a mistake doesn't mean you need
to be fired. And because of this, and now this
is the interesting part that I love. It's the psychological part,
because there is never any blame placed on anyone for
anything that goes wrong. When something does go wrong. Everyone
tells the truth again. Everyone tells the truth when they're

(49:25):
asked about like how did this plane get hit?

Speaker 1 (49:28):
What happened?

Speaker 3 (49:28):
Why did you leave that plane on the tarmac and
then signal for this other plane to land? That woman
who made that mistake says, I just you know, I
was distract I couldn't the camera on the that is
pointing towards the tarmac doesn't light that one section that's
where the plane was stalled.

Speaker 2 (49:43):
I couldn't see it. I fucked up. I knew it
was there.

Speaker 3 (49:45):
I just forgot because then I got distracted by another
phone call. I didn't sleep the past fourteen hours because
of this thing they take. She can be completely honest
about what happened, and it actually explain that it was
her fault and she's never going to face any comp
sequences for it. And people go, oh, that's wrong, like
you should punish someone for fucking up. Well, what happens
when you punish someone for fucking up is that they

(50:07):
have reason to lie and cover up why it happened.
And when people cover up why it happened and go, well,
it was because actually I didn't tell that plane to
wait there. They waited there themselves, and then that woman
just gets to lie and say that because all the
people on the plane are dead, so we can never
really check if that plane actually did stay there by
themselves or not. If she's lying about that, we'll never know.

(50:28):
But if she tells the truth and says, yeah, I
told them to wait there, and I fucked up, and
then I signaled the other plane to land and a
crash into it, then we know, let's what can we
do to never make that happen again, as opposed to
covering it up. So when Trump gets in there with
all of his people, who all all they do is
punish and place blame and say who did what? When
you know whoever, it's not just Trump like, when it

(50:51):
becomes regulated by people who like to place blame and punish,
then that lies start. And when lies start, problems don't
get solved, and problems get repeated and things get covered up,
And that to me circles back around to what we
went through. Because if there was an opportunity to say
freely what you don't like and what is wrong without

(51:12):
feeling like you're going to be punished for revealing some secret,
things can be better and an enjoyable experience and maybe
you know, you can get a ton more comedians that
you want to come and do it because they're all
telling each other how great it was.

Speaker 1 (51:24):
Yeah, And also think about the resources being expended. It's
very backwards looking to try to assign blame, and it
takes a lot of resources to do an investigation to
figure out and then also to defend against the person
who is.

Speaker 3 (51:38):
And they get lawyers, and what lawyers do, they lie,
and so with lies cover up the truth.

Speaker 2 (51:43):
And when the truth is covered up, you can't remedy it.

Speaker 3 (51:46):
You can't fix the bolt that wasn't screwed in tight enough,
where that guy goes, oh, I didn't screw it in
tight enough because I wanted to get to lunch. Okay, well,
then maybe we need to look at these people are
not eating enough, We're having lunch breaks a little too late,
and so the bolts aren't getting screwed. So then they
move the lunches, so now the bolt targeting screwed, like
things can be remedied.

Speaker 1 (52:02):
It shifts the focus from looking back at something that
happened and trying to assign blame and to looking forward
and saying, how can we make sure that this is
never going to happen again in the future.

Speaker 5 (52:16):
Not to mention when you're punishing that person who fucked
up in that way, then they have lost left their
like you know, like their perch, and now you're filling
that like that hole that you just had with somebody
who's maybe underqualified, who is more willing to lie.

Speaker 4 (52:33):
And then yeah, we're or and now.

Speaker 1 (52:35):
They didn't just learn the most valuable lesson that they'll
never make that same misake.

Speaker 2 (52:38):
Again ever do it again.

Speaker 3 (52:40):
And it's like it's it's the same thing as like
we don't punish fathers who accidentally leave their I mean,
I think sometimes they're tried, but most of the time,
if there is a like a child dies because of
like a parent's negligence, they're not thrown in jail. It's
like it's not you we know that no one would
actually do that on purpose. I know that some parents
do do that, but like Jathon know, like it would

(53:00):
be if we had someone who purposely flied a plane
and flew a plane into another plane, that would open
up a whole thing of like now everyone's looking at
each other like who's here to do the wrong thing?
Like yeah, right, they just need to look at the
hiring practices. That's someone who fucked up in the hiring practices,
and that person doesn't need to be punished for hiring
a psychopath. They need to have Now let's let's give

(53:22):
maybe a different kind of psychopath test.

Speaker 5 (53:25):
Yes, like learning the lesson is so important, Like did
you ever notice that, like OJ Simpson never killed.

Speaker 2 (53:31):
Again that we know of, We know that just lesson.

Speaker 1 (53:40):
I think I think so too.

Speaker 3 (53:41):
But it's really good Rob after that, Yeah, he did
and feel his own shirts.

Speaker 1 (53:46):
As Norm said, what.

Speaker 2 (53:49):
Was Norm's joke about that?

Speaker 1 (53:50):
I just don't think you should go to jail for
twenty five consecutive life sentences for stealing your own show.

Speaker 3 (53:55):
Yeah, because it was about his own merchandise that he
was trying to get back that like subsequent charge.

Speaker 2 (54:01):
Nor that's so many great OJ jokes.

Speaker 3 (54:02):
But yeah, it's like it's the whole thing about like
you know, if someone murders someone, it's like not really
their fault.

Speaker 2 (54:08):
They were just born with a murderer's brain and they were.

Speaker 3 (54:10):
Like abused as a kid that made them a psychopath
and all the things that it's not really their fault.
The situation in the brain that they were born with
final thought. I'm getting into no free will, Sam Harris.
But the reason we punish them and we lock them
away is to protect people from them. Right So that
like an air traffic controller who makes a mistake, if
they did it on purpose, it was determined, I'm guessing

(54:32):
that they.

Speaker 2 (54:33):
Would go away, but I don't.

Speaker 3 (54:36):
What I'm saying is like they they're not investigated under
the assumption that they are going to be put in
jail or that they did it on purpose, Whereas you know,
when we try people, we go, what the fuck you
did this? You meant to do this, you wanted to
do this, and then we throw you in jail. But
it sets an example for other people that deters people
from murdering. Now, you know, someone who accidentally makes a

(54:59):
mistake as an air traffic control person, them going to
prison for life for making mistake. I don't think it's
going to deter other people from making that mistake. I
think it's already ingrained in people that they don't want
plane crashes, right Like, So, the reason we punish murderers
is to set an.

Speaker 2 (55:14):
Example and to protect people.

Speaker 3 (55:16):
So it's very It's just interesting that like I just
love that somehow this you know, aviation, this like really
highly the with such a high margin of like accidents
and like it's crazy they're planes flying in there. They
really don't have that many accidents compared to any other thing.
Like it's safe, extremely safe, and it's because of this.

(55:40):
It was this really great article. If you want to
read it, it says.

Speaker 2 (55:43):
What I said much more.

Speaker 3 (55:45):
If you want to look it up, just literally DM
me and I'll find it for you because I can't
remember what to google.

Speaker 6 (55:51):
I asked you a question about your weekend. I have
so many blood points here. Uh so you were in
Fort Lauderdale and something happened at dinner with the weight stuff.

Speaker 1 (56:04):
Oh though they came and they gave the food right, Yeah,
it was hilarious.

Speaker 2 (56:08):
It was insane.

Speaker 3 (56:09):
No, no, they that was like one of the most
delicious meals in a really long time.

Speaker 2 (56:15):
What happened? Did I do something funny or you know?

Speaker 4 (56:18):
They just like they were so attentive.

Speaker 5 (56:22):
They were very attentive and the meal was incredible and
like it was the best hummus I've ever had. And
I didn't know trouble but you could, yeah, you could
elevate hummus to this level, but it takes like seventy
two hours of.

Speaker 3 (56:35):
Yeah it took I was going to kill you shot.
Did you see the look I shot you when you asked, now,
why would the hummus take seventy two hours? Because he
was describing each dish and like, I'm sorry, this is
gonna sound rude. I don't care about how something's made,
or the ingredients or what region of Italy.

Speaker 2 (56:55):
The cooking is based on.

Speaker 3 (56:57):
Like when I'm hungry, I don't want to sit and
look at it while you described to me.

Speaker 6 (57:03):
The forum where they start from. As they started, they
start talking about.

Speaker 3 (57:08):
Icy, but like you can't start eating yet, you have
to like wait and while they're done with their power
point presentation.

Speaker 2 (57:13):
And I'm not trying to be rude.

Speaker 3 (57:15):
I this is going to be diarrhea in three hours.

Speaker 2 (57:19):
Like I don't care. I don't. I don't there are
I'm sure there.

Speaker 3 (57:23):
Are people that do care about what region of Florence
that this type of thing, that this dish is inspired
by the cooking from that area, and I guess it
is interesting. I but when I'm like post show and
like want to just eat and I'm kind of hungry,
I don't really care.

Speaker 1 (57:41):
I don't care, just down.

Speaker 3 (57:43):
Yeah.

Speaker 5 (57:43):
It's also insane too. They kept the restaurant open for us,
which is so kind, so nice to do this spiel.
And I mean like they kept checking to make sure
after every bite if it was to our liking, which was.

Speaker 4 (57:59):
It was very flagrant.

Speaker 5 (58:01):
And I realize now I should not have been at.

Speaker 3 (58:08):
Yeah, bitch, Oh, it is like it's like when my
mom we were checking to a hotel once and I
was just like they were telling us about the gym
and what time the coffee bar is open, and what
time there are appetizers and then what time, you know,
just telling us and then oh, there's actually construction going

(58:28):
on in the second floor, but that won't affect you
because it only begins on Monday. And you guys check
out on Monday. And my mom goes, so, what's the
construction for? And I just look over her, like are
you And they haven't given us the card yet, like
they're waiting to present all of this until they give
us the cars. Why would you ever? I gave her
the biggest tongue lashing in the elevator. She I mean,
it wasn't like I was being tongue in cheek about it.

(58:50):
But I'm just like, why would you ever care? Why
did you need to know that? Like I think sometimes
people just like want to keep things vacation.

Speaker 1 (58:58):
You just want to know things that you don't normally want.

Speaker 3 (59:00):
To the construction that you're not going to encounter at
a place that you don't go on a vacation.

Speaker 1 (59:05):
You're walking around a city and you're like, I wonder
what that water is for? Like it like, I wonder
what that statue means.

Speaker 2 (59:10):
No, I guess I want to be more curious. This
is my problem.

Speaker 5 (59:14):
I think something just clicked in my brain because, like
I hit a vape and when he said seventy two
hour hummus, I was.

Speaker 3 (59:21):
Like, no, it is funny because it's like, what the
fuck are you doing for?

Speaker 2 (59:25):
But they are fermented.

Speaker 4 (59:26):
For that long?

Speaker 3 (59:26):
I think, yeah, yeah, And then I was I was
waiting for him to leave so I could say seventy
two hours for the hummus, seventy three hours to get
the bread that you.

Speaker 2 (59:34):
Just asked for five minutes ago.

Speaker 3 (59:37):
Like literally we were done with peta, but we had
all this saumas in front of us, and then we
we go we love the hummus. He goes that actually
takes seventy I go, can we get some more peda?
We're like, like, listen, we're in the middle of finishing hummus.
Can you please don't think that I'm obnoxious for thinking
that this is a weird thing.

Speaker 2 (59:52):
But we are out of pita.

Speaker 3 (59:54):
It's a table of people and there's tons of homas
still left, right, and I go, or we're about to.

Speaker 1 (59:58):
Be out of one?

Speaker 3 (59:59):
Then I go that we get more pita justa well,
I think they were kind of out of it because
they later told us that they only had one more
kind of up.

Speaker 6 (01:00:09):
Closing yes, okay, yeah, vessels, but still every time you get,
oh my god, vessels.

Speaker 3 (01:00:18):
We don't have any more of that vessel, but we
do have this hummus vessel.

Speaker 2 (01:00:21):
And it was a pretzel but it was so good.

Speaker 3 (01:00:23):
Oh my god, this place was brother so delicious and
so worth the monologues we had to hear before we
ate everything.

Speaker 2 (01:00:29):
But I go, can we get some more bread? And
he goes, oh God, isn't that hummus great? And I go,
we love it.

Speaker 3 (01:00:33):
We just want to eat more of it, you know,
like because there's nothing to eat it with. And I
didn't say that, but like, that's what I meant, and
he goes, and then that's when Sean goes and you know,
then he goes, yes, it actually takes seventy two hours, scoo.
I'm like, why are you telling us about the hummus
when we want more bread feet?

Speaker 2 (01:00:48):
We're looking at.

Speaker 3 (01:00:49):
It, we were sold, we love it. And so that's
when Sean asked about the seventy two hours. And that's
when I looked at Sean like, are you fucking kidding
me right now that we have to now hear about
the seventy two hour process, which involves many steps by
the way, because it's seventy two hours, And that's when
I said, it takes seventy three hours to order it,
and uh, but it was, Yeah, that was the funny thing.
But they were so nice and they really took care

(01:01:10):
of us. And I really shout out to that restaurant, like,
you know who you are. If this is getting back
to you, I'm sorry we made fun of you. That's
not very nice, cause it was delicious food. And then
but then even like you know, even my my promotions
company this weekend in Boston was like, hey, Nikki, for
Sunday night, we're having a sushi chef come in and

(01:01:32):
make you sushi in between shows, and I was like,
can I just tell you that's not what I like.
I'm so sorry, thank you for the gift. But like
I and I go, am I paying for this? They're like, no,
this is like a thing we thought you would really like,
and I'm like, that's so sweet. I should just have
shut up and said thank you, but instead I said
for next time, like I don't like warm sushi, like

(01:01:54):
I don't like room temperature sushi, so I don't want
it made on the spot ever, because I like the
rice to be and also I don't want to talk
to a chef about what they did exactly. And are
we paying him enough that he doesn't feel the need
to talk to me about it? And the truth was yes,
I was communicated, Yes you would.

Speaker 2 (01:02:10):
Don't worry.

Speaker 3 (01:02:11):
It's like it's gonna be in between shows. By the way,
this is I'm doing six shows, you guys. So don't
think Nikki's such a bit she doesn't have time to
talk to a chef. Of course I do. I like
went in. I was like, thank you so much for
being here. This looks delicious, and then he had to
teach me which each thing was, which is like, I
think I know what avocado and eggplant look like. That's fine,
So I've kind of beating him to it. I go, okay,
so that's egg plan and that's you know, and then

(01:02:31):
that's the at a mom may and he's like, oh,
you really know, and I'm like, well, I've been to
a Japanese restaurant once before, very sweet, and he made
me do a boomerang holding his food, so that was
that was fine, But but.

Speaker 2 (01:02:44):
I was just like, I don't want to.

Speaker 3 (01:02:46):
I don't you know, every time you get a nice thing,
you have to like there's an effort of talking to
the person and making a thing about it, like when
the chef's are in the back of the kitchen. I
respect a chef's work so fucking much.

Speaker 2 (01:02:59):
I really do.

Speaker 3 (01:03:00):
It's an art, but I don't I would never tell you, guys,
how I write my jokes unless you asked, and unless
people show curiosity. I would never talk to you about
the process. I don't think it's interesting for people to
hear about the process. I know that most and you
could probably pull up a million different clips of me
talking about the process and go actually Nikki, and you
actually think we.

Speaker 4 (01:03:18):
All would do this oppost Tomedia.

Speaker 1 (01:03:21):
It takes seventy two hours to write that.

Speaker 3 (01:03:23):
Fine, yeah, yeah, well and yeah, we talked about Popular
and the making of that.

Speaker 2 (01:03:27):
I get it.

Speaker 3 (01:03:27):
There's there's but listen, there's a fast forward button on this.
By the way, it isn't in real time when you're
reading for your hummus.

Speaker 1 (01:03:34):
You talked about Popular on the Niki Glazer podcast. People
are trying to listen to you talk about it. Different
if you are listening to that Shude cooking podcasts telling
you about how you made the hummus.

Speaker 3 (01:03:44):
Some people like to interact with people, and I do.
Don't ever think like Sean, You're around me a lot
like on the road.

Speaker 2 (01:03:52):
I'm not an anti social person.

Speaker 3 (01:03:53):
I'm not rude to people who stop by and say hi,
Like I actually like interactions, but.

Speaker 2 (01:03:57):
You I don't like yourself people.

Speaker 3 (01:04:00):
I just don't like empty things that I'm like, I
didn't ask for this and now I am being presented
like it's a gift for me when I don't even
want it.

Speaker 5 (01:04:07):
We aerin and I were just talking about this about
white lotus and like, oh, when they're all like sitting
there at the show with dinner. You just don't want
the show with dinner. I don't want the show with dinner.
I just want to eat dinner. I don't care that Major.

Speaker 3 (01:04:22):
D has to come up and tell you what a
beautiful table of ladies you are, and this is our
esteemed woman who curated the whole thing, and she used
to be an actress, and they have to like fawn
over her, Like I am the friend in that group
going like, Okay, I want to get back to talking
about like what our farts have been like recently, Like
I want to I don't want to hear about this
woman's like a relationship with her husband. I just it's

(01:04:42):
not that I don't have a curiosity about people.

Speaker 2 (01:04:44):
I clearly do. I just I'm just coming off like
such a bitch. I feel like.

Speaker 1 (01:04:48):
We've all been on both sides of that coin, because
how many times have we done shows, especially early on,
when we ambushed some restaurant or bar.

Speaker 5 (01:04:57):
I'm so apologetic. I was so aogenic on stage. I
never had a good set ever, saying like I'm sorry,
this is like the worst thing ever.

Speaker 2 (01:05:06):
I am the same way.

Speaker 3 (01:05:08):
I don't I don't ever think anyone is ever like
interested in meeting me. Like there's been a couple times
where I haven't introduced Chris when I meet like a
celebrity because I just feel bad that the celebrity doesn't
even want to meet me. So I've explained to him, like,
so I just assume they don't care about my partner either.
They're like, he goes, you don't understand people do want
to meet you. They do, they're interested in you. I'm like,

(01:05:30):
it's no offense to you. I'm not like trying to
be like, oh, I'm so embarrassed of them meeting Chris.

Speaker 2 (01:05:34):
I'm embarrassed they even have to meet me. And like,
I don't think people understand that.

Speaker 3 (01:05:39):
I walk around I generally with like why that's why
when people say they.

Speaker 2 (01:05:43):
Listen to the podcast, I always go, oh my god,
I'm so embarressed. Not because I don't think this is
a value.

Speaker 3 (01:05:49):
I just have a thing running through me that nothing
I say is that interesting and I don't deserve all
of this, and I wish more people had that, even
though I do do this.

Speaker 2 (01:05:57):
Because I got offered money to do it.

Speaker 3 (01:05:59):
So I'm just trusting people who give me money to
do this that I am interesting but other than that,
I and all the notes that besties write me and
all the feedback I get, and the listeners like, I
respect you, I love you, and I trust that I
am interesting, but it's hard for me to believe. And
I think more people need to operate from that place
because I think you'd be right.

Speaker 1 (01:06:19):
Except for Timothy Shalloony, who can say that he's going
to be one of the greats.

Speaker 3 (01:06:24):
Yeah that I mean he was. He has to say
something in that moment, and it's way more interesting.

Speaker 1 (01:06:28):
Than thank you, mom, thank you for my award.

Speaker 3 (01:06:33):
All right, but seriously, thank you for listening to the podcast.
I do love that you listen to me ramble. And
I know I contradicted myself a million times, and I
know I'm a.

Speaker 2 (01:06:40):
Hypocrite so much.

Speaker 4 (01:06:41):
Can you tell?

Speaker 2 (01:06:42):
I just went a couples therapy guys, Thank you for listening.

Speaker 3 (01:06:45):
Fresh off a couple therapy episode, really introspective, really suggesting
myself after everything, I say, love you, guys, thank you
for listening, Thanks for being here.

Speaker 2 (01:06:53):
Sean, Brian Noah, and let's see you in tomorrow, don't
Beka bye.

Speaker 3 (01:06:58):
The Nicky Glazer Podcast is a production by Will Ferrell's
Big Money Players and iHeart podcasts created and hosted by
me Nicki Glazer, co hosted by Brian Frangie, Executive produced
by Will Ferrell, Hans Sonny and Noah Avior. Edited it
engineered by Lean and Loaf, video production Mark Canton and
music by Anya Marina. You can now watch full episodes

(01:07:18):
of the Nicki Glazer podcast on YouTube, follow at Nicki
Glazer pod and subscribe to our channel

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Nikki Glaser

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