January 20, 2026 • 50 mins
Today, this is what's important:
Corporate overlords, MTV, Spinal Tap, comedies, One Battle After Another, & more.
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Episode Transcript
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Speaker 1 (00:01):
Welcome to This Is Important, a production of iHeart Radio,
the show where we talk about what's obviously most critically
crucially important today on This Is Important.
Speaker 2 (00:14):
Why are you so convinced that Shilah buff throws the
dick down so hard?
Speaker 1 (00:20):
It sucks that you guys aren't Eugene Levy.
Speaker 3 (00:23):
Guys, what the fuck is happening?
Speaker 1 (00:29):
Let's go?
Speaker 4 (00:33):
Yeah, God, Blake, go through it, go through it, Blake,
another one another one.
Speaker 3 (00:47):
Can't remind him.
Speaker 1 (00:48):
I was intoxicated and we're done.
Speaker 3 (00:52):
He said, we're done.
Speaker 2 (00:54):
Now we're done' that's it.
Speaker 3 (00:57):
What is up? Guys?
Speaker 1 (00:59):
This podcast may or may not be on Netflix.
Speaker 3 (01:06):
I do not have that prepared.
Speaker 2 (01:08):
Whoa, I do not have a Netflix star scene. I
will get it as soon as we're.
Speaker 1 (01:15):
Because we signed a deal with Netflix to be on Netflix.
Speaker 3 (01:18):
We did, but we don't.
Speaker 1 (01:19):
We don't know when officially we're starting that deal, so
we don't. We don't know, but we are going to
be on Netflix.
Speaker 3 (01:25):
We're pretty I'm going to do a whole revamp a studio.
Speaker 2 (01:30):
Very excited. I'm very excited.
Speaker 1 (01:33):
It's crazy to me, and we've talked about this before
that you have our poster.
Speaker 3 (01:37):
That's what we do yeah.
Speaker 1 (01:39):
On the ground directly behind you where you can see it.
And then when I brought that up to you, you said, well,
I don't want behind me to be all about me,
And I'm like, we still see the poster. It's just
not hanging.
Speaker 3 (01:52):
Notice me, SAMPI notice me. I think I told you
that I don't hang things up around the house of me.
Oh wow, why not? But I also I just don't
want to. I'm not going to hang that up. That's
not what I'm gonna hang up. It's gonna stay on
the floor hang it. I mean it's literally you can't
even see it's it's still wrapped in.
Speaker 1 (02:12):
I don't think I have that. I don't think Isaac
sent that to me, which is pretty cool.
Speaker 3 (02:16):
I'll send it. You can have it. I have it.
Speaker 2 (02:18):
I have it up in my garage. It looks great.
Speaker 3 (02:20):
Dude. If you get a navigator and come over, throw right.
Speaker 1 (02:22):
In the back right that and that is the game
over poster. If you're still listening via audio and not
possibly Netflix, if and when that deal finally closes, I.
Speaker 2 (02:33):
Cannot wait, cannot wait, can't wait, can't win.
Speaker 1 (02:37):
It's my He's I think Papa Netflix is my favorite
corporate overlord. Okay, would you say, what's what's your favorite
corporate over what I'm trying to coin the evil Empire.
Speaker 2 (02:51):
I'm trying to coin that, the evil Empire.
Speaker 3 (02:54):
Okay, And how does that? How do you do that?
How does one do that?
Speaker 1 (02:57):
And and they're evil to you because they give you
bigger pitchecks than you've ever gotten in your life, and
they're how you pay No, it's just family, feed your
family and for your mortgage.
Speaker 2 (03:08):
Well, because it doesn't sound cool to say like the
awesome Empire, it's got to be the Evil Empire. It's
the cool Rage Against Machine album. Yeah, like come on, yeah, okay, yeah,
I guess that makes sense.
Speaker 3 (03:20):
I mean evil in a nice way, like Doctor E.
And it's cool.
Speaker 2 (03:24):
It's cool, like we're we're we're like teaming up with
Darth Vader sort of. That's cool to me. I like
being the bad guy.
Speaker 3 (03:30):
Oh that's right, you're got a bad boy streak.
Speaker 2 (03:33):
We're the bad guys, right, don't you guys like to
be the bad guy?
Speaker 1 (03:37):
I guess so.
Speaker 3 (03:38):
I can only think of one other evil overlord Adam,
and that's Zaslov.
Speaker 1 (03:44):
Yeah, Zaslov is a good sounding name for a evil overlord.
Speaker 3 (03:49):
Yeah, and I think that's just the fun one to say,
Zazov seems kind of like evil and throwing up the
Z is kind of sick.
Speaker 1 (03:56):
All hail, yeah, everyone, we did that. We did like
an all hands. They called it all hands, and I
still don't quite know what that means. But it was
a four Viacom where they have a bunch of their
people on their hit shows come and do perform basically
for all the head marketing people that then spend upfronts. Yeah,
(04:21):
but they called it all hands, and so for whatever reason,
Anders couldn't go, so Blake and I just went by ourselves,
and our bit was that we just came out doing
this and we just go all Hail Viacom off Viacom,
and then got the crowd of five hundred or so
like ad executives to all put up their v's like
(04:43):
this and chance all Hail Viacom.
Speaker 3 (04:46):
It was very fun.
Speaker 1 (04:47):
Yeah, and it crushed.
Speaker 3 (04:49):
It crushed. Turns out it did. It worked.
Speaker 2 (04:52):
You know what, did we even talk about some of
the saddest news to hit the airwaves tv VS?
Speaker 1 (05:00):
I know it. I knew you're gonna say it.
Speaker 2 (05:02):
Ud Speaking of Viacon and Blake just got into it
a couple of years ago.
Speaker 3 (05:06):
Oh dude, you're.
Speaker 1 (05:07):
Like a channel that's fully dedicated to to Rob Deerdrig's ridiculousness.
Speaker 3 (05:16):
Yeah.
Speaker 1 (05:17):
Absolutely, Man, does it get any better?
Speaker 3 (05:20):
Dude? That is crazy. It's sad to me that somebody
there and I think we've covered this, but like some
programmer there was like I crunched the numbers and if
we just play Ridiculousness all day and Catfish all night,
we do better than any other possible combination of TV shows.
And then they did it. Yeah, they did. They didn't go,
(05:40):
we know, we know that does the best, but we
can't just do that. We're MTV. We got to at
least do something that resembles a specific voice.
Speaker 1 (05:52):
And that's and that is why viacom and I don't know,
maybe that they're under new ownership, maybe it'll change, but
I they were the worst.
Speaker 2 (06:02):
The worst, soul less, soulless. It is a giant bag fumble.
Like do you remember how like MTV controlled culture. It
literally was the entire culture was through MTV that like.
Speaker 1 (06:18):
And it was mostly Ja Rule and Ashanti based and
Cisco song song was off the chain the.
Speaker 3 (06:27):
String, like the spring Break Beauty and the beach ship
raised me.
Speaker 2 (06:34):
I used to record that on a VCR just to
watch it back.
Speaker 3 (06:39):
Dude, the grind on the beach was wild.
Speaker 5 (06:43):
Hey, Blake, how many times did you jerk off to
Beauty in the Beach spring Break MTV?
Speaker 3 (06:51):
In an insane amount of crazy like YouTube? I might
have to throw that on tonight.
Speaker 1 (07:00):
I bet Blake has masturbated more to things that weren't
pornography than any than any other friend that I have.
Speaker 2 (07:10):
I think you nailed that one.
Speaker 3 (07:13):
I think you are right. I definitely yea.
Speaker 2 (07:16):
I like my imagination to do a little bit of.
Speaker 3 (07:19):
The the locking, you know what I mean. Do you
like a story in your porno? I? Yeah, do you right? Yeah?
Speaker 2 (07:29):
I used to. I enjoyed when porno had a storyline.
I wish that would come back.
Speaker 1 (07:33):
I think we really well, they still do, but the
storylines are yeah, you stupid, and you click through it.
Speaker 5 (07:39):
It's always just like stepbrother, get out of your step brother, stepsister,
I have to mom says I have.
Speaker 1 (07:47):
To be in here. Meanwhile, they're both stories thirty six
when you're like, what is what are we doing?
Speaker 3 (07:52):
And then the step mom shows up and somehow she's younger.
Speaker 1 (07:55):
Yeah, she's twenty seven.
Speaker 2 (07:57):
Yeah, that's not a like getting stuck in like the
washer or dryer or whatever.
Speaker 3 (08:03):
That's not stros are good.
Speaker 1 (08:05):
Tail is old as time.
Speaker 2 (08:07):
Maybe you could count the like the real estate ones.
Those are kind of a story. I'll count that as
a story where they're like, oh, like, I love this house,
but how am I gonna pay for it?
Speaker 1 (08:15):
It used to be epic tales.
Speaker 3 (08:17):
It used to be like really shipwrespionage.
Speaker 2 (08:21):
Right, yeah, I remember this one called Ravenous. Oh man,
it had this dude name. I think his name is
Randy Spears. He's one of my favorite porno ades. This
dude was killer Dude.
Speaker 1 (08:32):
So Isaac just wrote a very cryptic, doesn't make much
sense chat. Uh. Here in the chat, he goes, that's
main MTV is not gone. It's just the MTV Music
Channel's MTV Classic, MTV Eighties, et cetera. Getting radical.
Speaker 3 (08:50):
So that doesn't make it.
Speaker 1 (08:51):
I don't know what is that that's main MTV is
not gone.
Speaker 3 (08:55):
Well, when you put it like that, that's main MTV.
That that's main empty.
Speaker 1 (09:00):
Is not gone.
Speaker 3 (09:02):
And by the way, you are so dumb. Sorry, the
main MTV channel is not dark. Then what is everyone
talking about. I don't feel like there'd be like an
international rip for MTV Eighties or MTV like Classic or
whatever the fuck they call it.
Speaker 1 (09:17):
Yeah right, it's just the channels that play music videos.
Speaker 2 (09:21):
That's MTV, isn't it. Okay, so are you saying ridiculousness
lives on?
Speaker 1 (09:26):
So wait, so the AI video that I posted wasn't
exactly truthful?
Speaker 3 (09:30):
Cheers? Yeah, exactly, Adam, exactly? Okay, wait no what what? What? No?
This makes no sense? No, MTV is gone? So did
everyone take everyone is following the wrong story than Isaac.
Everyone just heard and ran with it. MTV is gone,
it's gone, then then turn it on right now, Isaac,
if it's still there, turning on right now right now?
Speaker 1 (09:52):
She go, Okay, Well, maybe I mean, maybe Isaac's right.
He does know some stuff.
Speaker 2 (09:56):
That AI thing you posted it was dope though, because
I totally forgot about celebrity deathmatch that show used to
kick ass.
Speaker 3 (10:04):
Dude.
Speaker 1 (10:05):
Oh yeah, they went down like I was trying to
find it. But I posted it more than twenty four
hours ago, so it's no longer in my story. But
you saw Kurt Loder, you saw Carson Daily, you know
a celebrity death Match. It was the jackass guys. Yeah,
it kind of went down the little laundry list of
(10:26):
classic MTV stuff and you're like, man, there were some
these guys were juggernauts. Yeah, these guys were major, major stars.
Speaker 3 (10:36):
Ended with Simon Rex. Yeah.
Speaker 1 (10:37):
I don't think Simon made it.
Speaker 3 (10:39):
I don't know. Maybe I saw another one that ended
on him.
Speaker 2 (10:41):
It had unplugged. Remember unplugged was off the fucking hook
and Nirvana unplugged that one.
Speaker 3 (10:47):
This is important, this is important you yes, favorite MTV unplugged.
Ooh that's you. Guys can't say Atlantis, that's mine? No,
but go ahead, go off king.
Speaker 2 (11:00):
I you know what I really like jay Z's jay
Z's Unplugged album is fucking doped.
Speaker 3 (11:06):
With the Roots were his backup A?
Speaker 2 (11:08):
Yes, I believe they are. Yeah, it's really good. It's
very good.
Speaker 3 (11:13):
Erica Bado comes out on it. Someone comes out on it.
Lauren Hill. Did Lauren Hill have one? Or did she
come out on his? Mary j Blives's todd it's Mary
j Bi.
Speaker 1 (11:24):
I mean, this is so basic, but I think I
just have to say Nirvana, and I know that that's
the one that everybody thinks of. It's great, but I'm
a basic rich and I do admit that.
Speaker 3 (11:36):
Adam, that's kind of right where you're at.
Speaker 2 (11:39):
No, that's that is great. That one is great, and
that album is perfect.
Speaker 1 (11:44):
It was so good. And that that that song that
they sang by the Meat Puppets where they go We're
the bad Wolves going they die, don't Heaven Flash perfect place?
Speaker 3 (11:58):
Want them out? He does that one?
Speaker 2 (12:03):
What's going on? That's probably the one song I didn't like.
Speaker 1 (12:10):
I love that song and I still love that song.
Speaker 3 (12:12):
Why do you love that song so much?
Speaker 1 (12:14):
Dude? It just tickled me. Give me a little tickle
to my pickle.
Speaker 3 (12:17):
I don't like Polly Wants a Cracker.
Speaker 2 (12:19):
Oh, that one's sick. Polly wants a cracker. That one's dark, dude.
That one's dark because.
Speaker 3 (12:24):
It's when you're twelve. It's cool because it's like you'll
get off or whatever.
Speaker 2 (12:28):
You're like, Oh, that one's dark.
Speaker 3 (12:31):
And they were the first ones to do covers. They
kind of set that trend or am I crazy? Am
I am? I off my rock because they they did
David Bowie Coke. They did like four covers I think well.
Speaker 1 (12:41):
And also Meat Puppets that song that's not Thursday, they.
Speaker 3 (12:44):
Did a bunch of covers.
Speaker 2 (12:45):
Yeah.
Speaker 3 (12:46):
I don't count the Meat Puppets one really, and and
that's always been your thing.
Speaker 1 (12:52):
I'm always talking to me Puppet.
Speaker 3 (12:54):
No matter what. He never counts meat Puppet.
Speaker 5 (12:56):
Yeah no, maybe I say Meat Puppet's top top five
favorite band.
Speaker 3 (13:00):
What whoa big swing? I like that em and butthole
Surfer for hours.
Speaker 5 (13:06):
It's a real if you know, you have presidency the
United States of America. Yeah, okay, specifically Trump dude Venezuela's
have you guys ever had.
Speaker 3 (13:15):
A moment like this? And this is regarding this. When
I was an assistant in Bones was I was pretty
not like super tight with a writer, but like we
would hu hang out and like throw the football like
outside the office and like kick it when we were
bored or whatever. And we were talking about the Manusida
the world. That song the Bowie song.
Speaker 1 (13:34):
Great.
Speaker 3 (13:35):
He's like, yeah, like, I mean, it's such a good song.
Even Bowie covered it. I don't know that song. I
don't know that. So it's the it's the famous one
from that album. Oh that's so that's a Bowie song.
Speaker 1 (13:49):
Oh that's not their song.
Speaker 3 (13:50):
No, that's a Bowie song. And he was like, so
that's a good song. Even Bowie covered it from them,
and I was like, you know they covered Bowie and
he goes, no, they had it first. And I was like,
you're telling me that The Man Who Sold the World
was a Nirvana song and not a Bowie song first.
And he's like, yeah, why would he dig his heels in?
Speaker 1 (14:11):
I don't know.
Speaker 3 (14:11):
And I was like, but you're wrong, it's a Bowie album.
He looked it up and then he was like all right,
and we never threw the football again. Never threw the
right after that. It was just a little awkward, like
the power dynamic because I was like the assistant and
like whatever. You'd be like, hey, let's go through the
football around. I'm like, you're a writer and I liked
(14:33):
the guy. Nice guy, Yeah, but like why.
Speaker 5 (14:35):
Didn't you just let him happen and now you threw
the No, no, no, Durs doesn't let people have things.
Speaker 2 (14:43):
If there's one thing I know about, he ain't gonna
let you have You're not always coming, he's going.
Speaker 3 (14:50):
By the way, he wasn't really catching the football at all.
What it's like, you know, now I'm just throwing shade.
But I do remember being like, oh, fuck, see you
around there.
Speaker 2 (15:03):
It goes and that's how Hollywood works. That's how Hollywood works.
Speaker 1 (15:07):
But that no great album, David Rowie, that album came
out in nineteen seventy. That's a long time ago.
Speaker 2 (15:12):
Band.
Speaker 3 (15:13):
I love that album. What are you siding with the writer? Now?
I love that album. Adams like, give him some grace,
give him some grace.
Speaker 1 (15:19):
Well, you know what I started to for the first time.
I think we talked about on the podcast. I have
not seen spinal tap. I've never seen it.
Speaker 2 (15:27):
Oh round, dude, that's great that that has great music
in it as well.
Speaker 3 (15:33):
Stone Hunge. That one's so good, dude.
Speaker 1 (15:36):
And I wrote a movie this past year, or we
wrote a treatment to a movie that we hope to
write with Jerry Zucker, oh of the Zucker Brothers.
Speaker 3 (15:46):
Okay, And he's so funny.
Speaker 1 (15:48):
And he's an older guy. He's seventy five years old now,
and I'm like, he's so fucking funny. I'm like, I
think I have to give some flowers, not to him,
but too careful. It's hard to you know, Jerry, are
you listening? You know, don't I'm not not giving you flowers.
Speaker 3 (16:03):
And you know, that he is.
Speaker 1 (16:04):
But if I give flowers, people pass away, So I'm
not giving you flowers, right, it's science. I'm like, I
think I have to go back and watch some of
these older comedies that I had never seen before.
Speaker 3 (16:15):
Have you seen an airplane? I have? Yes, Okay, airplanes all timer. Yeah.
Have you seen Kentucky Fried movie? Dude?
Speaker 1 (16:21):
Yes, I watched it only after.
Speaker 3 (16:24):
Amazon Women on the Moon.
Speaker 2 (16:25):
No, No, never saw How deep into spinal tap are you?
Speaker 1 (16:30):
I'm only I'm watching it while at the gym, So
I watch it while I'm on the bike, so I'm
like forty I rode the bike for like forty five minutes,
the only way to do it.
Speaker 2 (16:37):
That's how they intended to be watched.
Speaker 1 (16:39):
Well, dude, I like watching it because there's no I
actually get deeper into movies that way. Oh you zone
in because there's no Uh, I'm not looking at my
phone because it's playing on my phone. Wow, so literally,
and I'm locked in to it.
Speaker 3 (16:54):
And when it like the sweat drips and it just
starts fast forwarding like that's all part of the experience.
Speaker 1 (16:58):
It's really good, but it's so fucking fun and it's
so well done.
Speaker 2 (17:03):
Hilarious, Grill the Glove, the album Smell the Glove That.
Speaker 3 (17:06):
Is so good. That is so good.
Speaker 1 (17:09):
When they get lost, when they get lost trying to
get to this.
Speaker 2 (17:13):
Stage, right, have you had? Has the egg happened? Where
he's like, has that happened yet? Where he's not, Oh man,
stop stops.
Speaker 1 (17:22):
It's stone the eighteen inch Stonehenge has happened.
Speaker 3 (17:25):
Yeah, very fun.
Speaker 2 (17:27):
It is a very very funny movie. It might be
one of the funniest movies of all time.
Speaker 3 (17:32):
Yeah.
Speaker 1 (17:32):
And I don't know why I never It's not that
I didn't give it love. Everyone said that it was
great and very funny, and I just hadn't seen it.
I was like, I don't know, I want to watch
this old movie.
Speaker 3 (17:41):
To your credit, to your point earlier, it is old.
It's from nineteen eighty or eighty one or some shit, right,
is it?
Speaker 1 (17:47):
Yeah, something like that.
Speaker 3 (17:48):
It's way old. And it wasn't a normal movie, like
it was a mockumentary, and so like you really got
to re like, now documentaries, are we all nowhere? Right?
Speaker 1 (18:00):
Yeah?
Speaker 3 (18:01):
But back then, as a kid especially, you kind of
had to like reframe the whole like concept of like, okay,
got it, they're making fun of this band. It's not
just like a straightforward silly movie.
Speaker 2 (18:13):
What was the first mockumentary?
Speaker 3 (18:16):
Was it spinal It's some Italian movie. It's some Italian movie.
I think there's there's some movie where they say the
original mockumentary was like Sart, Well.
Speaker 1 (18:25):
It's it's fucking awesome. And it made me go and
have a deeper appreciation for older comedians and how fucking
trailblazing and funny they were. And I watched the John
Candy documentary.
Speaker 3 (18:40):
I gotta watch that.
Speaker 1 (18:41):
All of those guys were just so damn good and
they all came up together and it made me a
you know.
Speaker 3 (18:47):
Just be your friends. Aren't they aren't as funny?
Speaker 1 (18:50):
Yeah, I'm like, it sucks that you guys aren't. Eugene Levy, Yeah, well,
Adam to your point.
Speaker 3 (18:58):
And by the way, I think it was the one
I'm looking The one I'm thinking of was Fellini's The Clowns.
Some someone talks about that movie, so okay, lame. The
the amount of funny people who I'm like in awe,
Like I thought were funny then, but now after working
(19:21):
in the business and being like, oh, you guys were
all super talents. Not only were you funny, you played
instruments and like wrote this and like this was all improvised,
like even the people he were like the eighth banana
in a movie, like like a Martin even because like
a Martin male. If you go back and watch early
(19:43):
Martin Maull which brothers, this dude's out of control funny,
he's not even in uh in this is final tap.
But then like the dude who shows up is like
the captain with like the captain's hat, who's in like
every Christopher guest movie. But he just pops in and
like it up and then pieces out. Yeah, super funny.
Speaker 2 (20:04):
I mean just like I mean, there's so many funny
people in that movie too, and it was cool.
Speaker 1 (20:09):
It's it's what they used to do with comedy. And
they still would if if they made comedy movies, but
they've they've stopped making them. And I like when you
say that, people get mad, people are like they fucking
still make They don't they don't make them.
Speaker 3 (20:23):
No, they don't, No, they don't they do way those
people at them were like stage comedians, like they got
whether they were stand ups or like improv comedians, they
got in fucking reps back when like that was it, yeah,
and then they got put on. Now you get put
you can do your reps in front of the world
and you could make it and be funny. And there's
(20:45):
plenty of uh Instagram or TikTokers who are funny, but
there's a different But you're doing it out into space.
There's a different muscle that you get when you do
it on stage.
Speaker 1 (20:55):
When you're doing it on stage, for.
Speaker 3 (20:57):
Sure, hone it and you hone it and you hone
it with your home and then you have like a
thing together. So when you are doing it in the
void aka camera for a movie, you know what worked
and you know the rhythms and all that shit. That's
what I think they have that is missing from comedies now.
I think comedies now are made with an editor, you know,
like they they let it roll in those movies in
(21:19):
a way that you're like, the timing is less edited then.
Speaker 1 (21:25):
And also they stopped making comedies, yeah, because they make
because they used to make.
Speaker 3 (21:30):
The manufactured Now they truly used to make fifty a
year and now there's like three that come out in
the theaters like huge releases, and.
Speaker 1 (21:40):
That obviously that's a lot less so people aren't breaking
from they used to, like you know, some funny funny kids.
They make a movie, they put it out.
Speaker 3 (21:52):
If it pops, they get to make more movies. And
now that they don't do that. And but what do
we think the science is behind this? Does anybody have
a theory not having comedies besides like the executive reason
where it's like, hey, comedy doesn't travel and we don't
want to make a movie just for here. It's got
a play so we can make our backupd I think
(22:12):
that's amazing.
Speaker 1 (22:13):
I think that's a lot of it. And then I
think it's DVDs. Yeah, the fact that there's no DVDs anymore.
So that's where comedies made a lot of their money
was even it came If it came out and made
some money in the theaters, then if it's a hit
and they have a cult following, like it would make
all their money and plus.
Speaker 3 (22:32):
Right, but what's the difference between DVDs and streaming.
Speaker 2 (22:37):
The amount of money you have to pay, Yeah, to
pay for the DVDs.
Speaker 3 (22:40):
So you're saying they don't recoup as much.
Speaker 1 (22:42):
But if you're because streaming is they wanted every movie
to be worldwide, because that's how they get new subscribers.
So if they just released movies that were only successful
in America, America is saturated.
Speaker 3 (22:56):
And there's no A twenty four. There's no A twenty
four for common like A twenty four. Who they're like,
we don't want to make that much money.
Speaker 1 (23:03):
David Gordon Green, I guess he was telling me that Blumhouse.
So he's friends with with the Blumhouse guy. What is
his name is Jason Blumhouse. I guess Jason big Blum. Yes,
so he's friends with David Gordon Green. His friends with
Jason Blum. And I don't think I'm sneaking out of
turn because he told me this. He Jason told him
(23:26):
to say that he should do Blumhouse, but for comedy,
make them super dirt cheap, and then once one hits,
then they're off to the races.
Speaker 3 (23:38):
You know, Well, is that the end? Sorry? I thought
that I thought Jason Blum was going to go. We've
thought about that, but here's the reason we don't do it.
Speaker 1 (23:47):
No, I mean, I don't know, he says. Jason Blum
was like, it could work, like it needs someone like
a David Gordon Green with a pedigree and with because
you know, David's directed a lot of big movies.
Speaker 3 (23:57):
Do you think there's anything to just the dial of
consuming comedy has changed so much because of phones and scrolling.
Speaker 2 (24:05):
Absolutely the funniest stuff.
Speaker 3 (24:06):
That's the other thing physical, like physical gags. You used
to have to go to the movies to see like
somebody fall off a roof and like land other nuts whatever,
And even if it wasn't like fully accurate, if it
was good enough slapstick whatever, stuntman, you lost your shit.
And that's and on speaking base level comedy as opposed
(24:26):
to like, uh like smart guy comedy, because I still
think there's a place for that, but just like baseline
twelve year old boy comedy, you kind of can't beat
the real shit you see on the internet with somebody
just really falling off of a roof landing on their nuts.
It's like we have the scroll up.
Speaker 2 (24:47):
Yeah it's America for Home Videos twenty four to seven,
which was the greatest show ever.
Speaker 3 (24:52):
Or Jackass totally, you can't do Jackass anymore because you're
competing against the population of planet Earth right.
Speaker 2 (24:59):
Right, Well, I remember because there who was that one dude?
Remember he would like squeeze lemons in his eyes all
the time. Remember him, Supreme Patty or something.
Speaker 3 (25:08):
Remember that this is the Internet guy.
Speaker 1 (25:10):
Oh yeah, yeah, yeah, yeah, yeah, Internet guy. I remember him.
I think you're right.
Speaker 2 (25:14):
That was kind of like the next wave of like jackass.
It was just people like fucking themselves up.
Speaker 1 (25:20):
Well now it's just you have your YouTube channel or
your you stream constantly and that's your jackass. And those,
by the way, those guys have made more money than
Johnny Knoxville, like they you know what I mean. So,
and Johnny Knoxville has to like piss in a bag
or whatever.
Speaker 3 (25:38):
I don't know if he still has.
Speaker 1 (25:39):
To, but for a long time he did, so I
don't know. Yeah, changed, It does suck because I do
really miss comedies in the in the theater.
Speaker 3 (25:48):
But oh for sure, what's the last funny comedy you
guys saw? Naked Gun? Naked Gun? Yeah, I hadn't seen.
Speaker 1 (25:56):
I have not gotten to go to the theater yet,
but I plan on going to see and a Conda.
I've yet to see.
Speaker 3 (26:02):
Oh yeah, it's funny. What the hell? That's right? That's
a comedy, right, yeah? Oh yeah, yeah Blake, Yeah that
came out, but it has it.
Speaker 2 (26:10):
But but here's the thing is that, well the original
was it.
Speaker 3 (26:13):
It's a horror comedy, like it's got a killer snake,
so it's it's yeah, it's not more that than it
is a comedy. But it kind of rides the line
in a way that you're like, you have to do
you have to be something else that isn't just a comedy.
Speaker 1 (26:29):
Right, even when we did Game Over man, it was
like this action comedy. It was it was an action comedy.
Speaker 3 (26:34):
So did you guys see just one of those days
or just one of just one of them days? That no?
Speaker 2 (26:38):
That oh I heard it was very good.
Speaker 3 (26:43):
Super funny. Yeah, super funny. That's the last funny movie
I've seen. I want to check I'm like, this is it.
And by the way, it's just about getting rent. There
you got a classic. It's just about getting rent but
through a new lens, Girls in the Hood figuring it
out very specific so funny. I gotta check that out.
(27:03):
I'm trying to.
Speaker 2 (27:04):
I'm really trying to watch a lot of movies right now.
I just saw uh one battle after another. I enjoyed
it quite a bit.
Speaker 3 (27:12):
Really, Yet you weren't in on that one. That movie
is stupid that movie. I was watching it. I hate what.
I hate that. This movie feels kind of stupid stupid. Yeah, like, like,
how what do you mean?
Speaker 1 (27:28):
Well? I thought it was like funny in ways, like
it was making me laugh. Is that what was funny?
Speaker 3 (27:35):
Stupid? What do you mean? No, like like like kind
of not thought out, like just not not good. I didn't.
I just didn't. I didn't believe anything.
Speaker 1 (27:49):
Hey, it looks like Pta is not gonna call you back.
Speaker 3 (27:51):
He's mad because he cut him out of that movie.
Speaker 1 (27:53):
Yeah, yeah, he's mad.
Speaker 3 (27:54):
Well that's good. That also, wasn't that good? I like
Liquor's Pizza. I like Lickor's Pizza. Yeah, that was good,
was great, But this seems like it was the year
of dumb movies. I just watched The Long Walk on
the airplane from Mexico.
Speaker 2 (28:06):
Oh, that one's about literally like a long walk.
Speaker 3 (28:09):
It's a Stephen King movie. It's literally like like Running
Man or like Hunger Games, where it's the society has crumbled,
everyone's poor, so you sign up to walk, and okay,
I like taking a walk. Whoever is the last one
standing wins a bunch of money and then one wish
(28:31):
and I haven't finished it. It's gonna take a lot
for me to go back and turn this on.
Speaker 1 (28:37):
You know.
Speaker 3 (28:37):
I watched The Running like Mike keep The Running Man
is also just dumb, dude.
Speaker 1 (28:44):
I wanted to love it because I love Edgar Wright.
I think Glenn Powell's great, like I like him. Uh,
And I was really excited for it because it looks
really cool, like it looks fucking sick, like a fun movie,
a world you wanted to live in. And it just
didn't get me. I was just like, ah, yeah, I
mean it was fine. I didn't I didn't hate it.
(29:05):
I like enjoyed my time watching it, but I wasn't
blown away like I was by some of his other
movies like Baby Driver, I thought was sick.
Speaker 3 (29:11):
That was Baby Driver was cute, I was fun. But
there was no like Into The Running Man. There just
was no like intelligent move. There was no part where
I was like, oh, this guy's a smart character. He
did something really genuinely intelligent about this whole not like
(29:33):
here and there like oh yeah it's smart than there
I'm saying, like satisfying at the end where you go, yeah,
this guy fucking rocks. Well. Arnold didn't do that.
Speaker 1 (29:43):
It's like, the the reason The Fugitive is fucking cool
is because he does things throughout that you're like, oh,
what a brilliant idea.
Speaker 3 (29:51):
And it's a detective movie at the same time, right right, well,
and by the way, the running Man, for me, they're like,
he's like a tough guy, and he's like walking around
like tough guy, and I'm like, just just chill, just chill.
And then and then he gets cattle prodded and like
holds onto it and it's like and they're like that again,
(30:12):
and they're like, well, you're just pissed off at everything.
And I was like, okay, so that's gonna be the thing.
He's just like an angry, pissed off guy. And then
they kind of just abandoned that and he's not that
what I watch it, it just starts. I just there's
these these moves. And by the way, I know, if
you're listening, you're like, well, then fucking right, one, dude,
I'm trying. It's really hard. And when you write something
(30:34):
that isn't stupid, they don't want to make it okay.
They give you a help that goes, hey, can you
just kind of not it's just stupid and explain this.
They do because Matt, they go, can you explain this?
And I go, well, you don't get it. They go, no, no, no,
we get it. But like, no, no, it seems like
you need to have the character, have the character say
(30:54):
it out loud. You can't just have him punch the wall.
You got to have him go I'm pissed because of
the thing. And it's like, well, the thing just happens
of the thing.
Speaker 2 (31:05):
I think you guys are also explaining why like comedy
is on the Internet and on Instagram is because it's
people's pure comedic perspective. It's no notes are given, they're
just this episode's they're giving you the funniest bro the
funniest shit. So they don't they doesn't have to go
through any of those filters of people going can you
(31:25):
explain this?
Speaker 1 (31:27):
Or I know. But also the annoying thing is it
doesn't tell any sort of story, like I like a story.
Speaker 3 (31:34):
And when the guy likes this mask off, You're like, wait,
who's the guy. I've never I've never feel like main
hunter or whatever.
Speaker 1 (31:42):
I'm like, no, I'm saying on the internet. Sorry, I
mean like on the Internet. I'm like there's no story
to it. It's just like, yeah, girls be walking like
this and guys be.
Speaker 5 (31:52):
Like and you're like, likes it, but I'm like, I
like it.
Speaker 3 (32:00):
I've got a story. But or just a guy dressed
as a bush jumping out of people like boardwalk. No,
you know, you know what's really you know what?
Speaker 1 (32:09):
I want to see that movie and we follow him
home and he takes off the bush costume and you
see how sad his life.
Speaker 3 (32:16):
His nine children. He can't ready. Dude, you know what's
really funny.
Speaker 2 (32:21):
I love those videos the golfers where they like tie
snakes fake snakes to the golf people golf.
Speaker 3 (32:28):
I can watch those for what.
Speaker 1 (32:31):
Yeah, you're the reason comedies are out of the theaters. Thanks,
thanks Bud.
Speaker 2 (32:35):
You need to watch those fake snake videos. They are
very good.
Speaker 1 (32:39):
I will say I watched Weapons, which I really liked.
I thought that was that That one stuck with me.
That was really cool movie.
Speaker 2 (32:45):
Yeah, Weapons rocked. Weapons was probably my favorite.
Speaker 5 (32:48):
My mom goes, huh, well that was stupid, gets okay,
and she goes she goes, uh, that was just one
of those silly movies that you just watch and you
go stupid.
Speaker 1 (33:02):
And I go I don't know. I think I think
people like it, and she goes, no, this is one
of those movies that you just put on and go stupid.
And I'm like, mom, this was this is the biggest
movie like this year, you know, when people really liked it,
and she's liked it.
Speaker 3 (33:19):
I don't know.
Speaker 1 (33:19):
I don't think she was like she couldn't believe that
anyone likes the movie.
Speaker 3 (33:24):
Here's what I'll say. I saw again the internet. Somebody
just go so no one checked the basement of the house,
and no one thought those parents, no one thought those
parents stupid. The fact that the parents were missing and
couldn't come to the school, but an insane, deranged seeming
woman came and everyone seemed cool with that. That hey maybe,
(33:49):
but and so I do think, like I do think
that the premise, the premise was thinner than the execution.
I think that movie was executed really well, with the
exception of the gun over the house. At that one
moment gun over the house, They're like, AK forty seven shadow.
I forgot about that, and I was like, I feel
like we've covered this because I was like I saw
(34:10):
that and I go forget it. You didn't see it
don't worry about it. Don't let it ruin it. Don't
let it ruin it. And then I liked the ending.
I thought it was fun and blah blah blah. But man,
this the movies this year. I'm like, I don't care
about these movies. Well, come on, I.
Speaker 5 (34:25):
Love how you say movies. Dur says movies in such
a specific sun wag.
Speaker 3 (34:30):
Movies, movies. You say movies, movies. If here's what I
would have liked one battle after another. If instead of
Leonardo DiCaprio, they got Shia.
Speaker 1 (34:45):
Hot take, so instead you would have liked this movie.
So instead of the biggest movie star who's also a
great actor, Leo wasn't good.
Speaker 3 (34:55):
Here's my hot take. I'm not saying he's a bad actor.
I think he was miscast great. I think he was miscast.
Speaker 1 (35:01):
We get a certified Looney tune. He was also a
great actor.
Speaker 3 (35:06):
Here's my take. Isn't isn't he r our best for
his for his age, for his generation, shilah bug I'll
stack him up. I'll stack him up. Here's what I'll say.
Let me let me I I'm I'm willing to get
into this, but I do want to just say, I
think the movie didn't work for me because fundamentally, Leo
(35:30):
just seemed too sloppy. I'm like, this girl is not
fucking this guy. There's no fucking way in the world.
This tough, beautiful hazard fucking ship together doesn't take ship
from anybody. Is like, yeah, but I fuck this clown.
There's no way, dude.
Speaker 2 (35:48):
She she loved him for his mind. It wasn't just
because he was mine.
Speaker 3 (35:53):
He was I'm the bottom guy he was. He was
devoted man.
Speaker 1 (35:58):
This is my take, is that, well, then maybe she
was miscast, because you're right, she was. She was great,
stunningly she was.
Speaker 3 (36:06):
I liked her. I like ug her up a little bit. No, no, no, no,
I think she popped. I don't think Leo popped. But
here's my take is that Shia has a more like
rigid kind of militantness to him. I would much have
rather seen a militant dumb guy, okay, hang on who
(36:29):
loses everything, becomes an alcoholic stoner, but then is like
hell bent on getting his daughter, but is a dumb
militant guy instead of like a sloppy dumb guy.
Speaker 2 (36:42):
But that's what That's what Sean Penn is that's why
they're the opposite.
Speaker 3 (36:46):
Yeah, no, no, no, but who it didn't work well and
didn't work.
Speaker 1 (36:52):
Producer Anna is saying, I don't know, girls stay fucking
doofy ass dudes, which is true.
Speaker 2 (36:58):
Which is true, dude, Girls doobi fucking doofiest dudes, because
it's not like he probably had good.
Speaker 5 (37:05):
Look at my wife, my wife, I've got a beautiful wife,
and look at me.
Speaker 3 (37:10):
You're rich, Adam, You're rich, You're rich, Adam, Get over it,
you're rich.
Speaker 1 (37:14):
I'm not over it.
Speaker 3 (37:15):
This guy's living in the fucking midd of nowhere building bombs, dude,
but he building bombs.
Speaker 2 (37:21):
He stood for something, He stood for something that's better
than I am. He was rich, rich in his beliefs.
Speaker 3 (37:29):
Come on, man, and it just didn't seem like a
world that I was believing.
Speaker 1 (37:32):
I'm like, yeah, And also, under underneath the doofy ass,
he's Leonardo DiCaprio.
Speaker 3 (37:40):
You know what she probably is.
Speaker 1 (37:41):
She probably saw him shaved once, and he was shaved,
he wore a suit, he had to go to a wedding,
and she saw what he could be and she was
like Jesus Christ.
Speaker 2 (37:52):
When he pulled his hair back, he was hot.
Speaker 3 (37:55):
Dude for a little poem. Let me just say this, Wow,
Shy is hitting it. Leo's not hitting it.
Speaker 2 (38:03):
Shi, Why are you so convinced that Shilao throws the
dick down so hard?
Speaker 3 (38:12):
I'm not saying he throws the dick down.
Speaker 1 (38:14):
What I'm saying is I'm saying it. He's crazy.
Speaker 3 (38:18):
He wants to like he's into it. I don't think
Leonardo Kaiper's laying down and that trick's riding him. She
can get that anywhere. Why is she married?
Speaker 4 (38:28):
Like?
Speaker 3 (38:28):
Why is she?
Speaker 2 (38:29):
No?
Speaker 1 (38:29):
I see and now I've turned the page and I'm
with you.
Speaker 3 (38:32):
But thank you when you broke it down like this.
I love this.
Speaker 1 (38:36):
He broke it down like this. This makes perfect sense
because Leo, he's just is a guy that has been
with thousands of women, and it's good of an actor
as he is.
Speaker 3 (38:46):
He's bringing that to a performance. He's bringing that to
a performance. So he's lazy. He's lazy in bed.
Speaker 1 (38:53):
He's not giving it at all, Shia, I don't know.
He's the kind of guy that I can see.
Speaker 3 (38:58):
He's a giver.
Speaker 1 (38:59):
I can see him just giver, going on like a
pussy fast.
Speaker 3 (39:02):
It's a mission.
Speaker 1 (39:03):
Does he's like, actually, haven't had sex in six years? Right,
and then when he dives back in, he's gonna be
such such a fucking love Oh and these women will
be please left and right.
Speaker 2 (39:17):
Sixty nine dudes that this isn't even what the movie's about.
Speaker 1 (39:22):
Yeah, but then they're bringing that to the performance.
Speaker 3 (39:25):
See that's you know, in five years, when AI gets there,
I'm plucking. I'm plugging in, shy out of this movie,
fucking and plugging, and it's gonna be better.
Speaker 2 (39:34):
See No, because that's not even what the movie's about.
Speaker 3 (39:37):
It's not Can you imagine a serious, a serious, dumb
person trying to save the world is so much better
than a guy who's like, I got a lung check
and I don't know what I'm doing.
Speaker 2 (39:48):
Yeah, you're worried about the wrong relationship. It's about a
father and his daughter. It's not about the love. I
don't believe that this guy's a good dad either. I
think that man he's trying to.
Speaker 3 (40:01):
No, I'm telling you, one battle after another.
Speaker 1 (40:05):
He's just a stoner. Dude. He's just a stoner, I know.
Speaker 3 (40:07):
But he's he seemed like a stoner already, so then
for him to become what more of a stoner. It's
not a turn. I want to see a guy who
like is fixated on doing this thing and fighting the revolution,
who's too stupid to do a good job.
Speaker 1 (40:21):
No, but he wasn't fixated on fighting the revolution. He
was fixated on pleasing his psychotic girlfriend.
Speaker 3 (40:29):
He wasn't though he was. She was like, let's fuck
right here, let's do this, and he was like, gotcha, bitch,
all right? Yeah he was.
Speaker 1 (40:37):
I mean, he was trying to please her. She's a
absolute psychopath who wants to lead the revolution. By the way,
he turned on his ass fuck her.
Speaker 3 (40:48):
And I'm and I'm wondering why, and I'm asking, I'm asking,
and I'm not like, uh, this is not like a me,
this is not a takedown.
Speaker 1 (40:57):
And if you haven't seen this movie, uh so sorry.
And what's the girl's name? What is her name? Tina Taylor?
Is that right?
Speaker 3 (41:12):
Tianna Taylor. Tianna Taylor, Tianna Taylor.
Speaker 1 (41:14):
She's great, Tianna Taylor.
Speaker 3 (41:17):
Why she's fucking Sean Penn And like you can get
into the like the like power dynamic dad, but like gross,
like yeah, there's gotta be somebody else you want to
overpower who isn't that guy well.
Speaker 1 (41:33):
And also it's because she was an absolute psychopath. And
by the way, Tiana Taylor, I'm looking at her, she
was strikingly. She's a striking looking woman. She's unmail, she's gorgeous.
But so, here's my thing.
Speaker 3 (41:45):
You're letting that guy come in you fucking because it's
stopped his daughter, Right, it's love. I get get my
whole My whole thing. Is that chick that they illustrated
that they kind of defined as this thing is not
letting that guy come inside of her when they show this,
when they show the second she pulls a gun out
(42:08):
and I'm guessing puts it in his asshole, is what
they're kind of alluding to, right, I guess I gotta
rewatch it.
Speaker 5 (42:13):
I'm like, so, so like, okay, yeah, you're getting me
fucking little choved up over here.
Speaker 3 (42:19):
I understand. I go, Okay, So she sticks a gun
in the asshole of a militant white guy. Love that.
But then she lets him come in her. Don't understand that.
That's a huge leap for me.
Speaker 1 (42:31):
I don't know, bro, Maybe she scooped it in herself.
Maybe she scooped it in herself as a power move.
Speaker 3 (42:36):
We don't think you guys, I.
Speaker 2 (42:38):
Think you're getting hung up on the wrong things. There's
it's a father daughter movie. It's not about com He's
not even the dad dude.
Speaker 3 (42:46):
For Durs, it's always about Colm dude.
Speaker 1 (42:48):
It always That's why he couldn't watch Wanka. That's why
Wonka fell off for him.
Speaker 2 (42:53):
It was there's two cubbays comedy make comedies, make comedies
great again.
Speaker 3 (42:58):
And I thought I I found it super boring until
they had the like device super boring until they had
the device where it's like, is it his kid or
the other guy's kid.
Speaker 1 (43:10):
Also, Isaac's chiming in with a thing that I brought
up fifteen minutes ago. She also snitched on all of
her friends. We know Isaac.
Speaker 3 (43:18):
I liked the movie a lot. I thought it was
really awesome. I thought it was reminiscent.
Speaker 1 (43:23):
I liked it too. Yeah, I thought it was dope.
I wasn't And people are like, best movie of the year.
Speaker 3 (43:28):
I would pople call it a masterpiece, and I'm like,
what are we doing? What are we doing?
Speaker 1 (43:32):
I thought it was really great, A little underwhelmed by
that because I'm like, I liked I liked it but
I wasn't like, this is the best we have all
year long. This is number one.
Speaker 3 (43:41):
I think Weapons is one.
Speaker 1 (43:43):
I liked Weapons barm.
Speaker 3 (43:44):
Let me ask you guys a question. Would you ever
watch that movie again?
Speaker 2 (43:48):
Yes, because Benicio del Toro, bro dude's a fucking mam.
Speaker 3 (43:53):
He's lukewarm in that movie. What he kills it. He's
a nice guy, he's a cool guy. He's like, I
gotta be there, let's go. And you're like, great, man,
he's helping you know, he's helping out. That's it. Not enough.
Speaker 2 (44:05):
I don't watch a lot of movies twice, so that's
an odd question.
Speaker 3 (44:09):
But I would watch it. Yeah, I liked it a lot.
I put a gun to your head, you would watch.
Speaker 1 (44:13):
It, Blake, I'm surprised you even watched these movies when
you're tu But when guys are fucking getting their nuts
kicked on the internet, and when guys are putting lemons,
trust me, see lemons in their now on the internet.
Speaker 2 (44:26):
Well, I watched the movie while I was on Instagram.
But yeah, okay, it was really good. In the background
checks out And by.
Speaker 3 (44:33):
The way, PTA has made many masterpieces. Pta rock many,
so he's he's good he's good to go. This just
for me, I was like sitting there going no.
Speaker 2 (44:46):
Interesting, that ain't it?
Speaker 3 (44:49):
The whole time? He's just like I wish it was
Shia La buff As soon as I walked out, I
go buff. Boys should have been Shia. Should have been
Shia or like John Barenthal. Some I don't think he
works anymore. Hard edged guy is way funnier to watch
failing because they're stupid, because they so seriously want it.
(45:10):
That to me is because for me, the comedy of
it is like a guy who's incapable of saving the day.
He's just he's really trying to save the day and
he's failing. I can't remember the I don't know the password.
It's funny one time. I think they did it three
or four times and I'm like, we know he doesn't
know it. That's funny. It is funny the first time,
(45:34):
and then when he doesn't know the second time.
Speaker 1 (45:36):
You're like the second and third time too. I like
to beat a dead horse, though, But any take backs,
any apologies, any.
Speaker 3 (45:43):
Epics, stamps, just a bunch of double downs for me.
Weapons is number one for you Blake or you Adam?
I think so. I think That was my favorite movie
this year.
Speaker 1 (45:53):
Of the handful of movies I've seen.
Speaker 3 (45:56):
Yeah, Weapons, Weapons was really good. Yeah, I don't even
know what I've seen this year.
Speaker 1 (46:00):
My mom thought it was so dumb stupid. She's like, oh, gosh,
well that was just a goofy movie to watch, and
I'm like, yeah, it's a big hit. Mom couldn't wrap
her head around it.
Speaker 3 (46:14):
Yeah, but that doesn't make it good. Sinners also awful.
Speaker 5 (46:18):
Wow, you're on a ring and Sinners is the other
big movie I liked Sinners.
Speaker 3 (46:24):
Laugh out loud. I laughed so hard at that movie.
Speaker 5 (46:27):
I was like, the white guys like doing like Irish
Jigs was pretty.
Speaker 3 (46:33):
Howling in the theater. I'm like, we're really watching these
white people Irish jig as vampires outside of a house
that they're trapped in. Where's the tension? This is a
bad movie. Wait a second. You've been been walking in
and out of here all night and now you're asking
me if you can come in, and you're not just
(46:54):
coming in you guys, you guys pick up on this shit.
I'm like, what are we doing here? And then when
the woman just screams.
Speaker 1 (47:04):
Well, it's because in the other room, the guy's already
turned into a vampire. So it's that's already happened. And
now they're like, wait.
Speaker 3 (47:10):
And for anybody I already we already know, like you
want to.
Speaker 2 (47:15):
See Anybody who hasn't seen these movies, I would like
to take back. Yeah, talking about them and ruining them
for everybody he did.
Speaker 1 (47:25):
And by the way, if you haven't seen these movies.
Speaker 3 (47:27):
What are you doing?
Speaker 2 (47:28):
Get into the theater, support the art.
Speaker 3 (47:30):
Well.
Speaker 5 (47:31):
By the way, they're all on streaming now, they are
just stream it, just stream Yeah, you can easily watch it.
Speaker 3 (47:36):
What did I watch this?
Speaker 2 (47:37):
Here?
Speaker 3 (47:38):
I'm like, I'm online now and I'm looking at these
movies and I'm like, what was good? I did like weapons?
Speaker 1 (47:43):
I want to watch roof Man. I want to Anna Roade.
Have you seen the new Channing Tata movie roof Man?
Anything Channing does is usually pretty good. Yeah, I like it.
Speaker 3 (47:54):
I'm I'm a Channing guy. Was the New Predator's good?
I heard that the New Predator? I heard that was cool.
Speaker 1 (48:00):
I hear that's cool. Yeah, I have yet to see
that one. That has to be streaming by now.
Speaker 3 (48:06):
But guys, what the fuck is happening? Like even this
Denzel Spike Lee movie Highest to Lowest. I haven't seen it,
but I also haven't heard anybody talk about it.
Speaker 1 (48:15):
Oh I saw it.
Speaker 3 (48:16):
Was it good? Cool?
Speaker 1 (48:17):
I can't remember.
Speaker 3 (48:18):
That's what I'm saying. This is crazy movie podcast of
all time? Isn't this crazy? Oh?
Speaker 1 (48:24):
My god?
Speaker 3 (48:25):
It was cool?
Speaker 5 (48:26):
It actually was really cool. It was cool, okay, but
it's on Apple. I feel like when you watch a movie. Yeah,
I feel like when you watch a movie on streaming
unless they eventize the movie. It was just it was
just like a thing that just was there, and I
was just like, oh, doesn't Washington click? And I watched
it and I liked it, but it wasn't eventized at all,
(48:48):
so I don't remember it in the same.
Speaker 3 (48:50):
Way I saw Eddington. I thought Eddington was okay until
I saw one battle after another, and now I really
like Eddington. I think that's kind of the same movie
a bit better.
Speaker 5 (49:02):
Any apologies you can take?
Speaker 3 (49:05):
Is this your double I'm going through movies now. F
one I liked. F one was cool.
Speaker 1 (49:09):
F one, F one was fine. I thought F one
was fine.
Speaker 3 (49:13):
Yeah, I thought it was cool.
Speaker 1 (49:14):
People like loved it. I was just like you, You
were absolutely right when saying like f one is basically
like you're just sort of learning that they need to
stop for tires all the time, and that's kind of
the whole movie.
Speaker 3 (49:25):
It's a movie about tire tires.
Speaker 1 (49:28):
Yeah, it's a movie about stopping for tires.
Speaker 2 (49:30):
Great show Tires Tires on Netflix in better than actually better?
Speaker 1 (49:37):
Okay, any takee back's apologies, any epics slams.
Speaker 3 (49:40):
I took back.
Speaker 2 (49:41):
I did my take back all the spoilers. I'm sorry
to the fans who had to hear that.
Speaker 1 (49:46):
Yeah, and I would like to uh glob on glom
or glob glom blog, you're.
Speaker 5 (49:53):
About to what to what Blake just said? And I
apologize for all the spoilers.
Speaker 3 (49:58):
Isn't that crazy? I was like, did you did anyone
see Springsteen?
Speaker 1 (50:02):
All right? And that's another episode.
Speaker 3 (50:04):
Of Wicked two is and.
Speaker 1 (50:13):
We've lost this movie. We've lost him. We've lost this movie. Yeah,
we've lost him.
Speaker 2 (50:18):
He's lost a hate hurricane
Welcome to This Is Important, a production of iHeart Radio,
the show where we talk about what's obviously most critically
crucially important today on This Is Important.
Speaker 2 (00:14):
Why are you so convinced that Shilah buff throws the
dick down so hard?
Speaker 1 (00:20):
It sucks that you guys aren't Eugene Levy.
Speaker 3 (00:23):
Guys, what the fuck is happening?
Speaker 1 (00:29):
Let's go?
Speaker 4 (00:33):
Yeah, God, Blake, go through it, go through it, Blake,
another one another one.
Speaker 3 (00:47):
Can't remind him.
Speaker 1 (00:48):
I was intoxicated and we're done.
Speaker 3 (00:52):
He said, we're done.
Speaker 2 (00:54):
Now we're done' that's it.
Speaker 3 (00:57):
What is up? Guys?
Speaker 1 (00:59):
This podcast may or may not be on Netflix.
Speaker 3 (01:06):
I do not have that prepared.
Speaker 2 (01:08):
Whoa, I do not have a Netflix star scene. I
will get it as soon as we're.
Speaker 1 (01:15):
Because we signed a deal with Netflix to be on Netflix.
Speaker 3 (01:18):
We did, but we don't.
Speaker 1 (01:19):
We don't know when officially we're starting that deal, so
we don't. We don't know, but we are going to
be on Netflix.
Speaker 3 (01:25):
We're pretty I'm going to do a whole revamp a studio.
Speaker 2 (01:30):
Very excited. I'm very excited.
Speaker 1 (01:33):
It's crazy to me, and we've talked about this before
that you have our poster.
Speaker 3 (01:37):
That's what we do yeah.
Speaker 1 (01:39):
On the ground directly behind you where you can see it.
And then when I brought that up to you, you said, well,
I don't want behind me to be all about me,
And I'm like, we still see the poster. It's just
not hanging.
Speaker 3 (01:52):
Notice me, SAMPI notice me. I think I told you
that I don't hang things up around the house of me.
Oh wow, why not? But I also I just don't
want to. I'm not going to hang that up. That's
not what I'm gonna hang up. It's gonna stay on
the floor hang it. I mean it's literally you can't
even see it's it's still wrapped in.
Speaker 1 (02:12):
I don't think I have that. I don't think Isaac
sent that to me, which is pretty cool.
Speaker 3 (02:16):
I'll send it. You can have it. I have it.
Speaker 2 (02:18):
I have it up in my garage. It looks great.
Speaker 3 (02:20):
Dude. If you get a navigator and come over, throw right.
Speaker 1 (02:22):
In the back right that and that is the game
over poster. If you're still listening via audio and not
possibly Netflix, if and when that deal finally closes, I.
Speaker 2 (02:33):
Cannot wait, cannot wait, can't wait, can't win.
Speaker 1 (02:37):
It's my He's I think Papa Netflix is my favorite
corporate overlord. Okay, would you say, what's what's your favorite
corporate over what I'm trying to coin the evil Empire.
Speaker 2 (02:51):
I'm trying to coin that, the evil Empire.
Speaker 3 (02:54):
Okay, And how does that? How do you do that?
How does one do that?
Speaker 1 (02:57):
And and they're evil to you because they give you
bigger pitchecks than you've ever gotten in your life, and
they're how you pay No, it's just family, feed your
family and for your mortgage.
Speaker 2 (03:08):
Well, because it doesn't sound cool to say like the
awesome Empire, it's got to be the Evil Empire. It's
the cool Rage Against Machine album. Yeah, like come on, yeah, okay, yeah,
I guess that makes sense.
Speaker 3 (03:20):
I mean evil in a nice way, like Doctor E.
And it's cool.
Speaker 2 (03:24):
It's cool, like we're we're we're like teaming up with
Darth Vader sort of. That's cool to me. I like
being the bad guy.
Speaker 3 (03:30):
Oh that's right, you're got a bad boy streak.
Speaker 2 (03:33):
We're the bad guys, right, don't you guys like to
be the bad guy?
Speaker 1 (03:37):
I guess so.
Speaker 3 (03:38):
I can only think of one other evil overlord Adam,
and that's Zaslov.
Speaker 1 (03:44):
Yeah, Zaslov is a good sounding name for a evil overlord.
Speaker 3 (03:49):
Yeah, and I think that's just the fun one to say,
Zazov seems kind of like evil and throwing up the
Z is kind of sick.
Speaker 1 (03:56):
All hail, yeah, everyone, we did that. We did like
an all hands. They called it all hands, and I
still don't quite know what that means. But it was
a four Viacom where they have a bunch of their
people on their hit shows come and do perform basically
for all the head marketing people that then spend upfronts. Yeah,
(04:21):
but they called it all hands, and so for whatever reason,
Anders couldn't go, so Blake and I just went by ourselves,
and our bit was that we just came out doing
this and we just go all Hail Viacom off Viacom,
and then got the crowd of five hundred or so
like ad executives to all put up their v's like
(04:43):
this and chance all Hail Viacom.
Speaker 3 (04:46):
It was very fun.
Speaker 1 (04:47):
Yeah, and it crushed.
Speaker 3 (04:49):
It crushed. Turns out it did. It worked.
Speaker 2 (04:52):
You know what, did we even talk about some of
the saddest news to hit the airwaves tv VS?
Speaker 1 (05:00):
I know it. I knew you're gonna say it.
Speaker 2 (05:02):
Ud Speaking of Viacon and Blake just got into it
a couple of years ago.
Speaker 3 (05:06):
Oh dude, you're.
Speaker 1 (05:07):
Like a channel that's fully dedicated to to Rob Deerdrig's ridiculousness.
Speaker 3 (05:16):
Yeah.
Speaker 1 (05:17):
Absolutely, Man, does it get any better?
Speaker 3 (05:20):
Dude? That is crazy. It's sad to me that somebody
there and I think we've covered this, but like some
programmer there was like I crunched the numbers and if
we just play Ridiculousness all day and Catfish all night,
we do better than any other possible combination of TV shows.
And then they did it. Yeah, they did. They didn't go,
(05:40):
we know, we know that does the best, but we
can't just do that. We're MTV. We got to at
least do something that resembles a specific voice.
Speaker 1 (05:52):
And that's and that is why viacom and I don't know,
maybe that they're under new ownership, maybe it'll change, but
I they were the worst.
Speaker 2 (06:02):
The worst, soul less, soulless. It is a giant bag fumble.
Like do you remember how like MTV controlled culture. It
literally was the entire culture was through MTV that like.
Speaker 1 (06:18):
And it was mostly Ja Rule and Ashanti based and
Cisco song song was off the chain the.
Speaker 3 (06:27):
String, like the spring Break Beauty and the beach ship
raised me.
Speaker 2 (06:34):
I used to record that on a VCR just to
watch it back.
Speaker 3 (06:39):
Dude, the grind on the beach was wild.
Speaker 5 (06:43):
Hey, Blake, how many times did you jerk off to
Beauty in the Beach spring Break MTV?
Speaker 3 (06:51):
In an insane amount of crazy like YouTube? I might
have to throw that on tonight.
Speaker 1 (07:00):
I bet Blake has masturbated more to things that weren't
pornography than any than any other friend that I have.
Speaker 2 (07:10):
I think you nailed that one.
Speaker 3 (07:13):
I think you are right. I definitely yea.
Speaker 2 (07:16):
I like my imagination to do a little bit of.
Speaker 3 (07:19):
The the locking, you know what I mean. Do you
like a story in your porno? I? Yeah, do you right? Yeah?
Speaker 2 (07:29):
I used to. I enjoyed when porno had a storyline.
I wish that would come back.
Speaker 1 (07:33):
I think we really well, they still do, but the
storylines are yeah, you stupid, and you click through it.
Speaker 5 (07:39):
It's always just like stepbrother, get out of your step brother, stepsister,
I have to mom says I have.
Speaker 1 (07:47):
To be in here. Meanwhile, they're both stories thirty six
when you're like, what is what are we doing?
Speaker 3 (07:52):
And then the step mom shows up and somehow she's younger.
Speaker 1 (07:55):
Yeah, she's twenty seven.
Speaker 2 (07:57):
Yeah, that's not a like getting stuck in like the
washer or dryer or whatever.
Speaker 3 (08:03):
That's not stros are good.
Speaker 1 (08:05):
Tail is old as time.
Speaker 2 (08:07):
Maybe you could count the like the real estate ones.
Those are kind of a story. I'll count that as
a story where they're like, oh, like, I love this house,
but how am I gonna pay for it?
Speaker 1 (08:15):
It used to be epic tales.
Speaker 3 (08:17):
It used to be like really shipwrespionage.
Speaker 2 (08:21):
Right, yeah, I remember this one called Ravenous. Oh man,
it had this dude name. I think his name is
Randy Spears. He's one of my favorite porno ades. This
dude was killer Dude.
Speaker 1 (08:32):
So Isaac just wrote a very cryptic, doesn't make much
sense chat. Uh. Here in the chat, he goes, that's
main MTV is not gone. It's just the MTV Music
Channel's MTV Classic, MTV Eighties, et cetera. Getting radical.
Speaker 3 (08:50):
So that doesn't make it.
Speaker 1 (08:51):
I don't know what is that that's main MTV is
not gone.
Speaker 3 (08:55):
Well, when you put it like that, that's main MTV.
That that's main empty.
Speaker 1 (09:00):
Is not gone.
Speaker 3 (09:02):
And by the way, you are so dumb. Sorry, the
main MTV channel is not dark. Then what is everyone
talking about. I don't feel like there'd be like an
international rip for MTV Eighties or MTV like Classic or
whatever the fuck they call it.
Speaker 1 (09:17):
Yeah right, it's just the channels that play music videos.
Speaker 2 (09:21):
That's MTV, isn't it. Okay, so are you saying ridiculousness
lives on?
Speaker 1 (09:26):
So wait, so the AI video that I posted wasn't
exactly truthful?
Speaker 3 (09:30):
Cheers? Yeah, exactly, Adam, exactly? Okay, wait no what what? What? No?
This makes no sense? No, MTV is gone? So did
everyone take everyone is following the wrong story than Isaac.
Everyone just heard and ran with it. MTV is gone,
it's gone, then then turn it on right now, Isaac,
if it's still there, turning on right now right now?
Speaker 1 (09:52):
She go, Okay, Well, maybe I mean, maybe Isaac's right.
He does know some stuff.
Speaker 2 (09:56):
That AI thing you posted it was dope though, because
I totally forgot about celebrity deathmatch that show used to
kick ass.
Speaker 3 (10:04):
Dude.
Speaker 1 (10:05):
Oh yeah, they went down like I was trying to
find it. But I posted it more than twenty four
hours ago, so it's no longer in my story. But
you saw Kurt Loder, you saw Carson Daily, you know
a celebrity death Match. It was the jackass guys. Yeah,
it kind of went down the little laundry list of
(10:26):
classic MTV stuff and you're like, man, there were some
these guys were juggernauts. Yeah, these guys were major, major stars.
Speaker 3 (10:36):
Ended with Simon Rex. Yeah.
Speaker 1 (10:37):
I don't think Simon made it.
Speaker 3 (10:39):
I don't know. Maybe I saw another one that ended
on him.
Speaker 2 (10:41):
It had unplugged. Remember unplugged was off the fucking hook
and Nirvana unplugged that one.
Speaker 3 (10:47):
This is important, this is important you yes, favorite MTV unplugged.
Ooh that's you. Guys can't say Atlantis, that's mine? No,
but go ahead, go off king.
Speaker 2 (11:00):
I you know what I really like jay Z's jay
Z's Unplugged album is fucking doped.
Speaker 3 (11:06):
With the Roots were his backup A?
Speaker 2 (11:08):
Yes, I believe they are. Yeah, it's really good. It's
very good.
Speaker 3 (11:13):
Erica Bado comes out on it. Someone comes out on it.
Lauren Hill. Did Lauren Hill have one? Or did she
come out on his? Mary j Blives's todd it's Mary
j Bi.
Speaker 1 (11:24):
I mean, this is so basic, but I think I
just have to say Nirvana, and I know that that's
the one that everybody thinks of. It's great, but I'm
a basic rich and I do admit that.
Speaker 3 (11:36):
Adam, that's kind of right where you're at.
Speaker 2 (11:39):
No, that's that is great. That one is great, and
that album is perfect.
Speaker 1 (11:44):
It was so good. And that that that song that
they sang by the Meat Puppets where they go We're
the bad Wolves going they die, don't Heaven Flash perfect place?
Speaker 3 (11:58):
Want them out? He does that one?
Speaker 2 (12:03):
What's going on? That's probably the one song I didn't like.
Speaker 1 (12:10):
I love that song and I still love that song.
Speaker 3 (12:12):
Why do you love that song so much?
Speaker 1 (12:14):
Dude? It just tickled me. Give me a little tickle
to my pickle.
Speaker 3 (12:17):
I don't like Polly Wants a Cracker.
Speaker 2 (12:19):
Oh, that one's sick. Polly wants a cracker. That one's dark, dude.
That one's dark because.
Speaker 3 (12:24):
It's when you're twelve. It's cool because it's like you'll
get off or whatever.
Speaker 2 (12:28):
You're like, Oh, that one's dark.
Speaker 3 (12:31):
And they were the first ones to do covers. They
kind of set that trend or am I crazy? Am
I am? I off my rock because they they did
David Bowie Coke. They did like four covers I think well.
Speaker 1 (12:41):
And also Meat Puppets that song that's not Thursday, they.
Speaker 3 (12:44):
Did a bunch of covers.
Speaker 2 (12:45):
Yeah.
Speaker 3 (12:46):
I don't count the Meat Puppets one really, and and
that's always been your thing.
Speaker 1 (12:52):
I'm always talking to me Puppet.
Speaker 3 (12:54):
No matter what. He never counts meat Puppet.
Speaker 5 (12:56):
Yeah no, maybe I say Meat Puppet's top top five
favorite band.
Speaker 3 (13:00):
What whoa big swing? I like that em and butthole
Surfer for hours.
Speaker 5 (13:06):
It's a real if you know, you have presidency the
United States of America. Yeah, okay, specifically Trump dude Venezuela's
have you guys ever had.
Speaker 3 (13:15):
A moment like this? And this is regarding this. When
I was an assistant in Bones was I was pretty
not like super tight with a writer, but like we
would hu hang out and like throw the football like
outside the office and like kick it when we were
bored or whatever. And we were talking about the Manusida
the world. That song the Bowie song.
Speaker 1 (13:34):
Great.
Speaker 3 (13:35):
He's like, yeah, like, I mean, it's such a good song.
Even Bowie covered it. I don't know that song. I
don't know that. So it's the it's the famous one
from that album. Oh that's so that's a Bowie song.
Speaker 1 (13:49):
Oh that's not their song.
Speaker 3 (13:50):
No, that's a Bowie song. And he was like, so
that's a good song. Even Bowie covered it from them,
and I was like, you know they covered Bowie and
he goes, no, they had it first. And I was like,
you're telling me that The Man Who Sold the World
was a Nirvana song and not a Bowie song first.
And he's like, yeah, why would he dig his heels in?
Speaker 1 (14:11):
I don't know.
Speaker 3 (14:11):
And I was like, but you're wrong, it's a Bowie album.
He looked it up and then he was like all right,
and we never threw the football again. Never threw the
right after that. It was just a little awkward, like
the power dynamic because I was like the assistant and
like whatever. You'd be like, hey, let's go through the
football around. I'm like, you're a writer and I liked
(14:33):
the guy. Nice guy, Yeah, but like why.
Speaker 5 (14:35):
Didn't you just let him happen and now you threw
the No, no, no, Durs doesn't let people have things.
Speaker 2 (14:43):
If there's one thing I know about, he ain't gonna
let you have You're not always coming, he's going.
Speaker 3 (14:50):
By the way, he wasn't really catching the football at all.
What it's like, you know, now I'm just throwing shade.
But I do remember being like, oh, fuck, see you
around there.
Speaker 2 (15:03):
It goes and that's how Hollywood works. That's how Hollywood works.
Speaker 1 (15:07):
But that no great album, David Rowie, that album came
out in nineteen seventy. That's a long time ago.
Speaker 2 (15:12):
Band.
Speaker 3 (15:13):
I love that album. What are you siding with the writer? Now?
I love that album. Adams like, give him some grace,
give him some grace.
Speaker 1 (15:19):
Well, you know what I started to for the first time.
I think we talked about on the podcast. I have
not seen spinal tap. I've never seen it.
Speaker 2 (15:27):
Oh round, dude, that's great that that has great music
in it as well.
Speaker 3 (15:33):
Stone Hunge. That one's so good, dude.
Speaker 1 (15:36):
And I wrote a movie this past year, or we
wrote a treatment to a movie that we hope to
write with Jerry Zucker, oh of the Zucker Brothers.
Speaker 3 (15:46):
Okay, And he's so funny.
Speaker 1 (15:48):
And he's an older guy. He's seventy five years old now,
and I'm like, he's so fucking funny. I'm like, I
think I have to give some flowers, not to him,
but too careful. It's hard to you know, Jerry, are
you listening? You know, don't I'm not not giving you flowers.
Speaker 3 (16:03):
And you know, that he is.
Speaker 1 (16:04):
But if I give flowers, people pass away, So I'm
not giving you flowers, right, it's science. I'm like, I
think I have to go back and watch some of
these older comedies that I had never seen before.
Speaker 3 (16:15):
Have you seen an airplane? I have? Yes, Okay, airplanes all timer. Yeah.
Have you seen Kentucky Fried movie? Dude?
Speaker 1 (16:21):
Yes, I watched it only after.
Speaker 3 (16:24):
Amazon Women on the Moon.
Speaker 2 (16:25):
No, No, never saw How deep into spinal tap are you?
Speaker 1 (16:30):
I'm only I'm watching it while at the gym, So
I watch it while I'm on the bike, so I'm
like forty I rode the bike for like forty five minutes,
the only way to do it.
Speaker 2 (16:37):
That's how they intended to be watched.
Speaker 1 (16:39):
Well, dude, I like watching it because there's no I
actually get deeper into movies that way. Oh you zone
in because there's no Uh, I'm not looking at my
phone because it's playing on my phone. Wow, so literally,
and I'm locked in to it.
Speaker 3 (16:54):
And when it like the sweat drips and it just
starts fast forwarding like that's all part of the experience.
Speaker 1 (16:58):
It's really good, but it's so fucking fun and it's
so well done.
Speaker 2 (17:03):
Hilarious, Grill the Glove, the album Smell the Glove That.
Speaker 3 (17:06):
Is so good. That is so good.
Speaker 1 (17:09):
When they get lost, when they get lost trying to
get to this.
Speaker 2 (17:13):
Stage, right, have you had? Has the egg happened? Where
he's like, has that happened yet? Where he's not, Oh man,
stop stops.
Speaker 1 (17:22):
It's stone the eighteen inch Stonehenge has happened.
Speaker 3 (17:25):
Yeah, very fun.
Speaker 2 (17:27):
It is a very very funny movie. It might be
one of the funniest movies of all time.
Speaker 3 (17:32):
Yeah.
Speaker 1 (17:32):
And I don't know why I never It's not that
I didn't give it love. Everyone said that it was
great and very funny, and I just hadn't seen it.
I was like, I don't know, I want to watch
this old movie.
Speaker 3 (17:41):
To your credit, to your point earlier, it is old.
It's from nineteen eighty or eighty one or some shit, right,
is it?
Speaker 1 (17:47):
Yeah, something like that.
Speaker 3 (17:48):
It's way old. And it wasn't a normal movie, like
it was a mockumentary, and so like you really got
to re like, now documentaries, are we all nowhere? Right?
Speaker 1 (18:00):
Yeah?
Speaker 3 (18:01):
But back then, as a kid especially, you kind of
had to like reframe the whole like concept of like, okay,
got it, they're making fun of this band. It's not
just like a straightforward silly movie.
Speaker 2 (18:13):
What was the first mockumentary?
Speaker 3 (18:16):
Was it spinal It's some Italian movie. It's some Italian movie.
I think there's there's some movie where they say the
original mockumentary was like Sart, Well.
Speaker 1 (18:25):
It's it's fucking awesome. And it made me go and
have a deeper appreciation for older comedians and how fucking
trailblazing and funny they were. And I watched the John
Candy documentary.
Speaker 3 (18:40):
I gotta watch that.
Speaker 1 (18:41):
All of those guys were just so damn good and
they all came up together and it made me a
you know.
Speaker 3 (18:47):
Just be your friends. Aren't they aren't as funny?
Speaker 1 (18:50):
Yeah, I'm like, it sucks that you guys aren't. Eugene Levy, Yeah, well,
Adam to your point.
Speaker 3 (18:58):
And by the way, I think it was the one
I'm looking The one I'm thinking of was Fellini's The Clowns.
Some someone talks about that movie, so okay, lame. The
the amount of funny people who I'm like in awe,
Like I thought were funny then, but now after working
(19:21):
in the business and being like, oh, you guys were
all super talents. Not only were you funny, you played
instruments and like wrote this and like this was all improvised,
like even the people he were like the eighth banana
in a movie, like like a Martin even because like
a Martin male. If you go back and watch early
(19:43):
Martin Maull which brothers, this dude's out of control funny,
he's not even in uh in this is final tap.
But then like the dude who shows up is like
the captain with like the captain's hat, who's in like
every Christopher guest movie. But he just pops in and
like it up and then pieces out. Yeah, super funny.
Speaker 2 (20:04):
I mean just like I mean, there's so many funny
people in that movie too, and it was cool.
Speaker 1 (20:09):
It's it's what they used to do with comedy. And
they still would if if they made comedy movies, but
they've they've stopped making them. And I like when you
say that, people get mad, people are like they fucking
still make They don't they don't make them.
Speaker 3 (20:23):
No, they don't, No, they don't they do way those
people at them were like stage comedians, like they got
whether they were stand ups or like improv comedians, they
got in fucking reps back when like that was it, yeah,
and then they got put on. Now you get put
you can do your reps in front of the world
and you could make it and be funny. And there's
(20:45):
plenty of uh Instagram or TikTokers who are funny, but
there's a different But you're doing it out into space.
There's a different muscle that you get when you do
it on stage.
Speaker 1 (20:55):
When you're doing it on stage, for.
Speaker 3 (20:57):
Sure, hone it and you hone it and you hone
it with your home and then you have like a
thing together. So when you are doing it in the
void aka camera for a movie, you know what worked
and you know the rhythms and all that shit. That's
what I think they have that is missing from comedies now.
I think comedies now are made with an editor, you know,
like they they let it roll in those movies in
(21:19):
a way that you're like, the timing is less edited then.
Speaker 1 (21:25):
And also they stopped making comedies, yeah, because they make
because they used to make.
Speaker 3 (21:30):
The manufactured Now they truly used to make fifty a
year and now there's like three that come out in
the theaters like huge releases, and.
Speaker 1 (21:40):
That obviously that's a lot less so people aren't breaking
from they used to, like you know, some funny funny kids.
They make a movie, they put it out.
Speaker 3 (21:52):
If it pops, they get to make more movies. And
now that they don't do that. And but what do
we think the science is behind this? Does anybody have
a theory not having comedies besides like the executive reason
where it's like, hey, comedy doesn't travel and we don't
want to make a movie just for here. It's got
a play so we can make our backupd I think
(22:12):
that's amazing.
Speaker 1 (22:13):
I think that's a lot of it. And then I
think it's DVDs. Yeah, the fact that there's no DVDs anymore.
So that's where comedies made a lot of their money
was even it came If it came out and made
some money in the theaters, then if it's a hit
and they have a cult following, like it would make
all their money and plus.
Speaker 3 (22:32):
Right, but what's the difference between DVDs and streaming.
Speaker 2 (22:37):
The amount of money you have to pay, Yeah, to
pay for the DVDs.
Speaker 3 (22:40):
So you're saying they don't recoup as much.
Speaker 1 (22:42):
But if you're because streaming is they wanted every movie
to be worldwide, because that's how they get new subscribers.
So if they just released movies that were only successful
in America, America is saturated.
Speaker 3 (22:56):
And there's no A twenty four. There's no A twenty
four for common like A twenty four. Who they're like,
we don't want to make that much money.
Speaker 1 (23:03):
David Gordon Green, I guess he was telling me that Blumhouse.
So he's friends with with the Blumhouse guy. What is
his name is Jason Blumhouse. I guess Jason big Blum. Yes,
so he's friends with David Gordon Green. His friends with
Jason Blum. And I don't think I'm sneaking out of
turn because he told me this. He Jason told him
(23:26):
to say that he should do Blumhouse, but for comedy,
make them super dirt cheap, and then once one hits,
then they're off to the races.
Speaker 3 (23:38):
You know, Well, is that the end? Sorry? I thought
that I thought Jason Blum was going to go. We've
thought about that, but here's the reason we don't do it.
Speaker 1 (23:47):
No, I mean, I don't know, he says. Jason Blum
was like, it could work, like it needs someone like
a David Gordon Green with a pedigree and with because
you know, David's directed a lot of big movies.
Speaker 3 (23:57):
Do you think there's anything to just the dial of
consuming comedy has changed so much because of phones and scrolling.
Speaker 2 (24:05):
Absolutely the funniest stuff.
Speaker 3 (24:06):
That's the other thing physical, like physical gags. You used
to have to go to the movies to see like
somebody fall off a roof and like land other nuts whatever,
And even if it wasn't like fully accurate, if it
was good enough slapstick whatever, stuntman, you lost your shit.
And that's and on speaking base level comedy as opposed
(24:26):
to like, uh like smart guy comedy, because I still
think there's a place for that, but just like baseline
twelve year old boy comedy, you kind of can't beat
the real shit you see on the internet with somebody
just really falling off of a roof landing on their nuts.
It's like we have the scroll up.
Speaker 2 (24:47):
Yeah it's America for Home Videos twenty four to seven,
which was the greatest show ever.
Speaker 3 (24:52):
Or Jackass totally, you can't do Jackass anymore because you're
competing against the population of planet Earth right.
Speaker 2 (24:59):
Right, Well, I remember because there who was that one dude?
Remember he would like squeeze lemons in his eyes all
the time. Remember him, Supreme Patty or something.
Speaker 3 (25:08):
Remember that this is the Internet guy.
Speaker 1 (25:10):
Oh yeah, yeah, yeah, yeah, yeah, Internet guy. I remember him.
I think you're right.
Speaker 2 (25:14):
That was kind of like the next wave of like jackass.
It was just people like fucking themselves up.
Speaker 1 (25:20):
Well now it's just you have your YouTube channel or
your you stream constantly and that's your jackass. And those,
by the way, those guys have made more money than
Johnny Knoxville, like they you know what I mean. So,
and Johnny Knoxville has to like piss in a bag
or whatever.
Speaker 3 (25:38):
I don't know if he still has.
Speaker 1 (25:39):
To, but for a long time he did, so I
don't know. Yeah, changed, It does suck because I do
really miss comedies in the in the theater.
Speaker 3 (25:48):
But oh for sure, what's the last funny comedy you
guys saw? Naked Gun? Naked Gun? Yeah, I hadn't seen.
Speaker 1 (25:56):
I have not gotten to go to the theater yet,
but I plan on going to see and a Conda.
I've yet to see.
Speaker 3 (26:02):
Oh yeah, it's funny. What the hell? That's right? That's
a comedy, right, yeah? Oh yeah, yeah Blake, Yeah that
came out, but it has it.
Speaker 2 (26:10):
But but here's the thing is that, well the original
was it.
Speaker 3 (26:13):
It's a horror comedy, like it's got a killer snake,
so it's it's yeah, it's not more that than it
is a comedy. But it kind of rides the line
in a way that you're like, you have to do
you have to be something else that isn't just a comedy.
Speaker 1 (26:29):
Right, even when we did Game Over man, it was
like this action comedy. It was it was an action comedy.
Speaker 3 (26:34):
So did you guys see just one of those days
or just one of just one of them days? That no?
Speaker 2 (26:38):
That oh I heard it was very good.
Speaker 3 (26:43):
Super funny. Yeah, super funny. That's the last funny movie
I've seen. I want to check I'm like, this is it.
And by the way, it's just about getting rent. There
you got a classic. It's just about getting rent but
through a new lens, Girls in the Hood figuring it
out very specific so funny. I gotta check that out.
(27:03):
I'm trying to.
Speaker 2 (27:04):
I'm really trying to watch a lot of movies right now.
I just saw uh one battle after another. I enjoyed
it quite a bit.
Speaker 3 (27:12):
Really, Yet you weren't in on that one. That movie
is stupid that movie. I was watching it. I hate what.
I hate that. This movie feels kind of stupid stupid. Yeah, like, like,
how what do you mean?
Speaker 1 (27:28):
Well? I thought it was like funny in ways, like
it was making me laugh. Is that what was funny?
Speaker 3 (27:35):
Stupid? What do you mean? No, like like like kind
of not thought out, like just not not good. I didn't.
I just didn't. I didn't believe anything.
Speaker 1 (27:49):
Hey, it looks like Pta is not gonna call you back.
Speaker 3 (27:51):
He's mad because he cut him out of that movie.
Speaker 1 (27:53):
Yeah, yeah, he's mad.
Speaker 3 (27:54):
Well that's good. That also, wasn't that good? I like
Liquor's Pizza. I like Lickor's Pizza. Yeah, that was good,
was great, But this seems like it was the year
of dumb movies. I just watched The Long Walk on
the airplane from Mexico.
Speaker 2 (28:06):
Oh, that one's about literally like a long walk.
Speaker 3 (28:09):
It's a Stephen King movie. It's literally like like Running
Man or like Hunger Games, where it's the society has crumbled,
everyone's poor, so you sign up to walk, and okay,
I like taking a walk. Whoever is the last one
standing wins a bunch of money and then one wish
(28:31):
and I haven't finished it. It's gonna take a lot
for me to go back and turn this on.
Speaker 1 (28:37):
You know.
Speaker 3 (28:37):
I watched The Running like Mike keep The Running Man
is also just dumb, dude.
Speaker 1 (28:44):
I wanted to love it because I love Edgar Wright.
I think Glenn Powell's great, like I like him. Uh,
And I was really excited for it because it looks
really cool, like it looks fucking sick, like a fun movie,
a world you wanted to live in. And it just
didn't get me. I was just like, ah, yeah, I
mean it was fine. I didn't I didn't hate it.
(29:05):
I like enjoyed my time watching it, but I wasn't
blown away like I was by some of his other
movies like Baby Driver, I thought was sick.
Speaker 3 (29:11):
That was Baby Driver was cute, I was fun. But
there was no like Into The Running Man. There just
was no like intelligent move. There was no part where
I was like, oh, this guy's a smart character. He
did something really genuinely intelligent about this whole not like
(29:33):
here and there like oh yeah it's smart than there
I'm saying, like satisfying at the end where you go, yeah,
this guy fucking rocks. Well. Arnold didn't do that.
Speaker 1 (29:43):
It's like, the the reason The Fugitive is fucking cool
is because he does things throughout that you're like, oh,
what a brilliant idea.
Speaker 3 (29:51):
And it's a detective movie at the same time, right right, well,
and by the way, the running Man, for me, they're like,
he's like a tough guy, and he's like walking around
like tough guy, and I'm like, just just chill, just chill.
And then and then he gets cattle prodded and like
holds onto it and it's like and they're like that again,
(30:12):
and they're like, well, you're just pissed off at everything.
And I was like, okay, so that's gonna be the thing.
He's just like an angry, pissed off guy. And then
they kind of just abandoned that and he's not that
what I watch it, it just starts. I just there's
these these moves. And by the way, I know, if
you're listening, you're like, well, then fucking right, one, dude,
I'm trying. It's really hard. And when you write something
(30:34):
that isn't stupid, they don't want to make it okay.
They give you a help that goes, hey, can you
just kind of not it's just stupid and explain this.
They do because Matt, they go, can you explain this?
And I go, well, you don't get it. They go, no, no, no,
we get it. But like, no, no, it seems like
you need to have the character, have the character say
(30:54):
it out loud. You can't just have him punch the wall.
You got to have him go I'm pissed because of
the thing. And it's like, well, the thing just happens
of the thing.
Speaker 2 (31:05):
I think you guys are also explaining why like comedy
is on the Internet and on Instagram is because it's
people's pure comedic perspective. It's no notes are given, they're
just this episode's they're giving you the funniest bro the
funniest shit. So they don't they doesn't have to go
through any of those filters of people going can you
(31:25):
explain this?
Speaker 1 (31:27):
Or I know. But also the annoying thing is it
doesn't tell any sort of story, like I like a story.
Speaker 3 (31:34):
And when the guy likes this mask off, You're like, wait,
who's the guy. I've never I've never feel like main
hunter or whatever.
Speaker 1 (31:42):
I'm like, no, I'm saying on the internet. Sorry, I
mean like on the Internet. I'm like there's no story
to it. It's just like, yeah, girls be walking like
this and guys be.
Speaker 5 (31:52):
Like and you're like, likes it, but I'm like, I
like it.
Speaker 3 (32:00):
I've got a story. But or just a guy dressed
as a bush jumping out of people like boardwalk. No,
you know, you know what's really you know what?
Speaker 1 (32:09):
I want to see that movie and we follow him
home and he takes off the bush costume and you
see how sad his life.
Speaker 3 (32:16):
His nine children. He can't ready. Dude, you know what's
really funny.
Speaker 2 (32:21):
I love those videos the golfers where they like tie
snakes fake snakes to the golf people golf.
Speaker 3 (32:28):
I can watch those for what.
Speaker 1 (32:31):
Yeah, you're the reason comedies are out of the theaters. Thanks,
thanks Bud.
Speaker 2 (32:35):
You need to watch those fake snake videos. They are
very good.
Speaker 1 (32:39):
I will say I watched Weapons, which I really liked.
I thought that was that That one stuck with me.
That was really cool movie.
Speaker 2 (32:45):
Yeah, Weapons rocked. Weapons was probably my favorite.
Speaker 5 (32:48):
My mom goes, huh, well that was stupid, gets okay,
and she goes she goes, uh, that was just one
of those silly movies that you just watch and you
go stupid.
Speaker 1 (33:02):
And I go I don't know. I think I think
people like it, and she goes, no, this is one
of those movies that you just put on and go stupid.
And I'm like, mom, this was this is the biggest
movie like this year, you know, when people really liked it,
and she's liked it.
Speaker 3 (33:19):
I don't know.
Speaker 1 (33:19):
I don't think she was like she couldn't believe that
anyone likes the movie.
Speaker 3 (33:24):
Here's what I'll say. I saw again the internet. Somebody
just go so no one checked the basement of the house,
and no one thought those parents, no one thought those
parents stupid. The fact that the parents were missing and
couldn't come to the school, but an insane, deranged seeming
woman came and everyone seemed cool with that. That hey maybe,
(33:49):
but and so I do think, like I do think
that the premise, the premise was thinner than the execution.
I think that movie was executed really well, with the
exception of the gun over the house. At that one
moment gun over the house, They're like, AK forty seven shadow.
I forgot about that, and I was like, I feel
like we've covered this because I was like I saw
(34:10):
that and I go forget it. You didn't see it
don't worry about it. Don't let it ruin it. Don't
let it ruin it. And then I liked the ending.
I thought it was fun and blah blah blah. But man,
this the movies this year. I'm like, I don't care
about these movies. Well, come on, I.
Speaker 5 (34:25):
Love how you say movies. Dur says movies in such
a specific sun wag.
Speaker 3 (34:30):
Movies, movies. You say movies, movies. If here's what I
would have liked one battle after another. If instead of
Leonardo DiCaprio, they got Shia.
Speaker 1 (34:45):
Hot take, so instead you would have liked this movie.
So instead of the biggest movie star who's also a
great actor, Leo wasn't good.
Speaker 3 (34:55):
Here's my hot take. I'm not saying he's a bad actor.
I think he was miscast great. I think he was miscast.
Speaker 1 (35:01):
We get a certified Looney tune. He was also a
great actor.
Speaker 3 (35:06):
Here's my take. Isn't isn't he r our best for
his for his age, for his generation, shilah bug I'll
stack him up. I'll stack him up. Here's what I'll say.
Let me let me I I'm I'm willing to get
into this, but I do want to just say, I
think the movie didn't work for me because fundamentally, Leo
(35:30):
just seemed too sloppy. I'm like, this girl is not
fucking this guy. There's no fucking way in the world.
This tough, beautiful hazard fucking ship together doesn't take ship
from anybody. Is like, yeah, but I fuck this clown.
There's no way, dude.
Speaker 2 (35:48):
She she loved him for his mind. It wasn't just
because he was mine.
Speaker 3 (35:53):
He was I'm the bottom guy he was. He was
devoted man.
Speaker 1 (35:58):
This is my take, is that, well, then maybe she
was miscast, because you're right, she was. She was great,
stunningly she was.
Speaker 3 (36:06):
I liked her. I like ug her up a little bit. No, no, no, no,
I think she popped. I don't think Leo popped. But
here's my take is that Shia has a more like
rigid kind of militantness to him. I would much have
rather seen a militant dumb guy, okay, hang on who
(36:29):
loses everything, becomes an alcoholic stoner, but then is like
hell bent on getting his daughter, but is a dumb
militant guy instead of like a sloppy dumb guy.
Speaker 2 (36:42):
But that's what That's what Sean Penn is that's why
they're the opposite.
Speaker 3 (36:46):
Yeah, no, no, no, but who it didn't work well and
didn't work.
Speaker 1 (36:52):
Producer Anna is saying, I don't know, girls stay fucking
doofy ass dudes, which is true.
Speaker 2 (36:58):
Which is true, dude, Girls doobi fucking doofiest dudes, because
it's not like he probably had good.
Speaker 5 (37:05):
Look at my wife, my wife, I've got a beautiful wife,
and look at me.
Speaker 3 (37:10):
You're rich, Adam, You're rich, You're rich, Adam, Get over it,
you're rich.
Speaker 1 (37:14):
I'm not over it.
Speaker 3 (37:15):
This guy's living in the fucking midd of nowhere building bombs, dude,
but he building bombs.
Speaker 2 (37:21):
He stood for something, He stood for something that's better
than I am. He was rich, rich in his beliefs.
Speaker 3 (37:29):
Come on, man, and it just didn't seem like a
world that I was believing.
Speaker 1 (37:32):
I'm like, yeah, And also, under underneath the doofy ass,
he's Leonardo DiCaprio.
Speaker 3 (37:40):
You know what she probably is.
Speaker 1 (37:41):
She probably saw him shaved once, and he was shaved,
he wore a suit, he had to go to a wedding,
and she saw what he could be and she was
like Jesus Christ.
Speaker 2 (37:52):
When he pulled his hair back, he was hot.
Speaker 3 (37:55):
Dude for a little poem. Let me just say this, Wow,
Shy is hitting it. Leo's not hitting it.
Speaker 2 (38:03):
Shi, Why are you so convinced that Shilao throws the
dick down so hard?
Speaker 3 (38:12):
I'm not saying he throws the dick down.
Speaker 1 (38:14):
What I'm saying is I'm saying it. He's crazy.
Speaker 3 (38:18):
He wants to like he's into it. I don't think
Leonardo Kaiper's laying down and that trick's riding him. She
can get that anywhere. Why is she married?
Speaker 4 (38:28):
Like?
Speaker 3 (38:28):
Why is she?
Speaker 2 (38:29):
No?
Speaker 1 (38:29):
I see and now I've turned the page and I'm
with you.
Speaker 3 (38:32):
But thank you when you broke it down like this.
I love this.
Speaker 1 (38:36):
He broke it down like this. This makes perfect sense
because Leo, he's just is a guy that has been
with thousands of women, and it's good of an actor
as he is.
Speaker 3 (38:46):
He's bringing that to a performance. He's bringing that to
a performance. So he's lazy. He's lazy in bed.
Speaker 1 (38:53):
He's not giving it at all, Shia, I don't know.
He's the kind of guy that I can see.
Speaker 3 (38:58):
He's a giver.
Speaker 1 (38:59):
I can see him just giver, going on like a
pussy fast.
Speaker 3 (39:02):
It's a mission.
Speaker 1 (39:03):
Does he's like, actually, haven't had sex in six years? Right,
and then when he dives back in, he's gonna be
such such a fucking love Oh and these women will
be please left and right.
Speaker 2 (39:17):
Sixty nine dudes that this isn't even what the movie's about.
Speaker 1 (39:22):
Yeah, but then they're bringing that to the performance.
Speaker 3 (39:25):
See that's you know, in five years, when AI gets there,
I'm plucking. I'm plugging in, shy out of this movie,
fucking and plugging, and it's gonna be better.
Speaker 2 (39:34):
See No, because that's not even what the movie's about.
Speaker 3 (39:37):
It's not Can you imagine a serious, a serious, dumb
person trying to save the world is so much better
than a guy who's like, I got a lung check
and I don't know what I'm doing.
Speaker 2 (39:48):
Yeah, you're worried about the wrong relationship. It's about a
father and his daughter. It's not about the love. I
don't believe that this guy's a good dad either. I
think that man he's trying to.
Speaker 3 (40:01):
No, I'm telling you, one battle after another.
Speaker 1 (40:05):
He's just a stoner. Dude. He's just a stoner, I know.
Speaker 3 (40:07):
But he's he seemed like a stoner already, so then
for him to become what more of a stoner. It's
not a turn. I want to see a guy who
like is fixated on doing this thing and fighting the revolution,
who's too stupid to do a good job.
Speaker 1 (40:21):
No, but he wasn't fixated on fighting the revolution. He
was fixated on pleasing his psychotic girlfriend.
Speaker 3 (40:29):
He wasn't though he was. She was like, let's fuck
right here, let's do this, and he was like, gotcha, bitch,
all right? Yeah he was.
Speaker 1 (40:37):
I mean, he was trying to please her. She's a
absolute psychopath who wants to lead the revolution. By the way,
he turned on his ass fuck her.
Speaker 3 (40:48):
And I'm and I'm wondering why, and I'm asking, I'm asking,
and I'm not like, uh, this is not like a me,
this is not a takedown.
Speaker 1 (40:57):
And if you haven't seen this movie, uh so sorry.
And what's the girl's name? What is her name? Tina Taylor?
Is that right?
Speaker 3 (41:12):
Tianna Taylor. Tianna Taylor, Tianna Taylor.
Speaker 1 (41:14):
She's great, Tianna Taylor.
Speaker 3 (41:17):
Why she's fucking Sean Penn And like you can get
into the like the like power dynamic dad, but like gross,
like yeah, there's gotta be somebody else you want to
overpower who isn't that guy well.
Speaker 1 (41:33):
And also it's because she was an absolute psychopath. And
by the way, Tiana Taylor, I'm looking at her, she
was strikingly. She's a striking looking woman. She's unmail, she's gorgeous.
But so, here's my thing.
Speaker 3 (41:45):
You're letting that guy come in you fucking because it's
stopped his daughter, Right, it's love. I get get my
whole My whole thing. Is that chick that they illustrated
that they kind of defined as this thing is not
letting that guy come inside of her when they show this,
when they show the second she pulls a gun out
(42:08):
and I'm guessing puts it in his asshole, is what
they're kind of alluding to, right, I guess I gotta
rewatch it.
Speaker 5 (42:13):
I'm like, so, so like, okay, yeah, you're getting me
fucking little choved up over here.
Speaker 3 (42:19):
I understand. I go, Okay, So she sticks a gun
in the asshole of a militant white guy. Love that.
But then she lets him come in her. Don't understand that.
That's a huge leap for me.
Speaker 1 (42:31):
I don't know, bro, Maybe she scooped it in herself.
Maybe she scooped it in herself as a power move.
Speaker 3 (42:36):
We don't think you guys, I.
Speaker 2 (42:38):
Think you're getting hung up on the wrong things. There's
it's a father daughter movie. It's not about com He's
not even the dad dude.
Speaker 3 (42:46):
For Durs, it's always about Colm dude.
Speaker 1 (42:48):
It always That's why he couldn't watch Wanka. That's why
Wonka fell off for him.
Speaker 2 (42:53):
It was there's two cubbays comedy make comedies, make comedies
great again.
Speaker 3 (42:58):
And I thought I I found it super boring until
they had the like device super boring until they had
the device where it's like, is it his kid or
the other guy's kid.
Speaker 1 (43:10):
Also, Isaac's chiming in with a thing that I brought
up fifteen minutes ago. She also snitched on all of
her friends. We know Isaac.
Speaker 3 (43:18):
I liked the movie a lot. I thought it was
really awesome. I thought it was reminiscent.
Speaker 1 (43:23):
I liked it too. Yeah, I thought it was dope.
I wasn't And people are like, best movie of the year.
Speaker 3 (43:28):
I would pople call it a masterpiece, and I'm like,
what are we doing? What are we doing?
Speaker 1 (43:32):
I thought it was really great, A little underwhelmed by
that because I'm like, I liked I liked it but
I wasn't like, this is the best we have all
year long. This is number one.
Speaker 3 (43:41):
I think Weapons is one.
Speaker 1 (43:43):
I liked Weapons barm.
Speaker 3 (43:44):
Let me ask you guys a question. Would you ever
watch that movie again?
Speaker 2 (43:48):
Yes, because Benicio del Toro, bro dude's a fucking mam.
Speaker 3 (43:53):
He's lukewarm in that movie. What he kills it. He's
a nice guy, he's a cool guy. He's like, I
gotta be there, let's go. And you're like, great, man,
he's helping you know, he's helping out. That's it. Not enough.
Speaker 2 (44:05):
I don't watch a lot of movies twice, so that's
an odd question.
Speaker 3 (44:09):
But I would watch it. Yeah, I liked it a lot.
I put a gun to your head, you would watch.
Speaker 1 (44:13):
It, Blake, I'm surprised you even watched these movies when
you're tu But when guys are fucking getting their nuts
kicked on the internet, and when guys are putting lemons,
trust me, see lemons in their now on the internet.
Speaker 2 (44:26):
Well, I watched the movie while I was on Instagram.
But yeah, okay, it was really good. In the background
checks out And by.
Speaker 3 (44:33):
The way, PTA has made many masterpieces. Pta rock many,
so he's he's good he's good to go. This just
for me, I was like sitting there going no.
Speaker 2 (44:46):
Interesting, that ain't it?
Speaker 3 (44:49):
The whole time? He's just like I wish it was
Shia La buff As soon as I walked out, I
go buff. Boys should have been Shia. Should have been
Shia or like John Barenthal. Some I don't think he
works anymore. Hard edged guy is way funnier to watch
failing because they're stupid, because they so seriously want it.
(45:10):
That to me is because for me, the comedy of
it is like a guy who's incapable of saving the day.
He's just he's really trying to save the day and
he's failing. I can't remember the I don't know the password.
It's funny one time. I think they did it three
or four times and I'm like, we know he doesn't
know it. That's funny. It is funny the first time,
(45:34):
and then when he doesn't know the second time.
Speaker 1 (45:36):
You're like the second and third time too. I like
to beat a dead horse, though, But any take backs,
any apologies, any.
Speaker 3 (45:43):
Epics, stamps, just a bunch of double downs for me.
Weapons is number one for you Blake or you Adam?
I think so. I think That was my favorite movie
this year.
Speaker 1 (45:53):
Of the handful of movies I've seen.
Speaker 3 (45:56):
Yeah, Weapons, Weapons was really good. Yeah, I don't even
know what I've seen this year.
Speaker 1 (46:00):
My mom thought it was so dumb stupid. She's like, oh, gosh,
well that was just a goofy movie to watch, and
I'm like, yeah, it's a big hit. Mom couldn't wrap
her head around it.
Speaker 3 (46:14):
Yeah, but that doesn't make it good. Sinners also awful.
Speaker 5 (46:18):
Wow, you're on a ring and Sinners is the other
big movie I liked Sinners.
Speaker 3 (46:24):
Laugh out loud. I laughed so hard at that movie.
Speaker 5 (46:27):
I was like, the white guys like doing like Irish
Jigs was pretty.
Speaker 3 (46:33):
Howling in the theater. I'm like, we're really watching these
white people Irish jig as vampires outside of a house
that they're trapped in. Where's the tension? This is a
bad movie. Wait a second. You've been been walking in
and out of here all night and now you're asking
me if you can come in, and you're not just
(46:54):
coming in you guys, you guys pick up on this shit.
I'm like, what are we doing here? And then when
the woman just screams.
Speaker 1 (47:04):
Well, it's because in the other room, the guy's already
turned into a vampire. So it's that's already happened. And
now they're like, wait.
Speaker 3 (47:10):
And for anybody I already we already know, like you
want to.
Speaker 2 (47:15):
See Anybody who hasn't seen these movies, I would like
to take back. Yeah, talking about them and ruining them
for everybody he did.
Speaker 1 (47:25):
And by the way, if you haven't seen these movies.
Speaker 3 (47:27):
What are you doing?
Speaker 2 (47:28):
Get into the theater, support the art.
Speaker 3 (47:30):
Well.
Speaker 5 (47:31):
By the way, they're all on streaming now, they are
just stream it, just stream Yeah, you can easily watch it.
Speaker 3 (47:36):
What did I watch this?
Speaker 2 (47:37):
Here?
Speaker 3 (47:38):
I'm like, I'm online now and I'm looking at these
movies and I'm like, what was good? I did like weapons?
Speaker 1 (47:43):
I want to watch roof Man. I want to Anna Roade.
Have you seen the new Channing Tata movie roof Man?
Anything Channing does is usually pretty good. Yeah, I like it.
Speaker 3 (47:54):
I'm I'm a Channing guy. Was the New Predator's good?
I heard that the New Predator? I heard that was cool.
Speaker 1 (48:00):
I hear that's cool. Yeah, I have yet to see
that one. That has to be streaming by now.
Speaker 3 (48:06):
But guys, what the fuck is happening? Like even this
Denzel Spike Lee movie Highest to Lowest. I haven't seen it,
but I also haven't heard anybody talk about it.
Speaker 1 (48:15):
Oh I saw it.
Speaker 3 (48:16):
Was it good? Cool?
Speaker 1 (48:17):
I can't remember.
Speaker 3 (48:18):
That's what I'm saying. This is crazy movie podcast of
all time? Isn't this crazy? Oh?
Speaker 1 (48:24):
My god?
Speaker 3 (48:25):
It was cool?
Speaker 5 (48:26):
It actually was really cool. It was cool, okay, but
it's on Apple. I feel like when you watch a movie. Yeah,
I feel like when you watch a movie on streaming
unless they eventize the movie. It was just it was
just like a thing that just was there, and I
was just like, oh, doesn't Washington click? And I watched
it and I liked it, but it wasn't eventized at all,
(48:48):
so I don't remember it in the same.
Speaker 3 (48:50):
Way I saw Eddington. I thought Eddington was okay until
I saw one battle after another, and now I really
like Eddington. I think that's kind of the same movie
a bit better.
Speaker 5 (49:02):
Any apologies you can take?
Speaker 3 (49:05):
Is this your double I'm going through movies now. F
one I liked. F one was cool.
Speaker 1 (49:09):
F one, F one was fine. I thought F one
was fine.
Speaker 3 (49:13):
Yeah, I thought it was cool.
Speaker 1 (49:14):
People like loved it. I was just like you, You
were absolutely right when saying like f one is basically
like you're just sort of learning that they need to
stop for tires all the time, and that's kind of
the whole movie.
Speaker 3 (49:25):
It's a movie about tire tires.
Speaker 1 (49:28):
Yeah, it's a movie about stopping for tires.
Speaker 2 (49:30):
Great show Tires Tires on Netflix in better than actually better?
Speaker 1 (49:37):
Okay, any takee back's apologies, any epics slams.
Speaker 3 (49:40):
I took back.
Speaker 2 (49:41):
I did my take back all the spoilers. I'm sorry
to the fans who had to hear that.
Speaker 1 (49:46):
Yeah, and I would like to uh glob on glom
or glob glom blog, you're.
Speaker 5 (49:53):
About to what to what Blake just said? And I
apologize for all the spoilers.
Speaker 3 (49:58):
Isn't that crazy? I was like, did you did anyone
see Springsteen?
Speaker 1 (50:02):
All right? And that's another episode.
Speaker 3 (50:04):
Of Wicked two is and.
Speaker 1 (50:13):
We've lost this movie. We've lost him. We've lost this movie. Yeah,
we've lost him.
Speaker 2 (50:18):
He's lost a hate hurricane
Hosts And Creators
Anders Holm
Kyle Newacheck
Adam Devine
Blake Anderson
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