Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Caitlin's Entertainment Report, He's on the breadshell.
Speaker 2 (00:03):
Singer Ingrid Andres says she's headed to rehab after being
drunk during her performance at the National Anthem at the
home run Derby Monday night. The four time Grammy nominee wrote,
I'm not gonna be asked, y'all. I was drunk last night,
checking myself into a facility today to get the help
I need.
Speaker 3 (00:19):
That was not me last night.
Speaker 2 (00:21):
I apologized to MLB all the fans in this country
I love so much for that rendition.
Speaker 3 (00:25):
Let y'all know how rehab is. I hear it's super fun.
Speaker 2 (00:28):
Fellow country star Carly Pearce showed her support, writing I'm
sending you love, Ingrid.
Speaker 3 (00:33):
Being this open takes a lot. You've got this. Hang
in there. Singer Julia Michaels added, love you girl.
Speaker 2 (00:39):
I'm sorry you're going through this, and I'm sorry the
world can be so cruel here for you. So, you know,
wishing her the best if that's what she needs and
that's what's going on.
Speaker 3 (00:47):
She did look to me different than she normally looks.
Her eyes looked a little off. Jeeson, do you agree, Yeah,
something was off. I watched it back after Yeah, Yes,
something was going on for sure.
Speaker 2 (01:01):
By the way, baseball fans did praise country singer Cody
Johnson Kojo for delivering a much better rendition of the
national anthem before last night's All Star Game. Kept it
a little cute country, but he did a pretty good job.
Speaking of music, Adele is ready for a break from music.
She told a German TV station. I don't have any
plans for new music at all. I want a big
(01:21):
break after this and I think I want to do
other creative things just for a little while. By the way,
after this, she means for residency, and she's never liked
the spotlight, said, I don't like being famous. I love
that I get to make music all the time. But
she's never really loved the attention. Missy Elliott has now
made history as the first person to have their rap
song transmitted into space. The hip Hop Icon was tapped
(01:43):
by NASA to beam the lyrics to her nineteen ninety
seven hit The Rain from California all the way to Venus,
her favorite planet should I chose Venus because it symbolizes strength, beauty, empowerment,
and I'm so humbled to have the opportunity to share
my art my message with the universe. Britney Brown, a
direct sure at NASA, was the one who had the idea,
and she said, both Space Exploration and Missy Elliot's art
(02:05):
have been about pushing boundaries. Missy as a track record
of infusing space centric storytelling and futuristic visuals in our
music video. So the opportunity to collab on something out
of this world is truly fitting. If you guys could
beam one song, or if you could play one song
to the aliens, this.
Speaker 1 (02:21):
Kind of sounds like BS to me, Like beaming music
to the aliens, like that is just like naming a star.
Speaker 3 (02:27):
I don't think they're actually beaming it to the aliens.
Speaker 1 (02:30):
I know, I don't. How do I know you're really
doing that? How do you know you're really doing that?
You don't know that? Like naming it is the same
as naming a star, Like that's my start? Well, how
do you know that? Like who's this at home? Like
the company that decided they own the stars? Like I
don't know if I trust this? Trust what that the
aliens are really hearing it?
Speaker 3 (02:48):
They're not. They're not saying they're doing it for the aliens.
I'm just saying that, Well, they're they're they're beaming it
to space.
Speaker 1 (02:53):
I think they're assuming that, like maybe someone with some
alien with their transistor radio is like tuning in and
hearing this and being like, oh Missy Elliott. I like that,
but I think they would like work it better. Okay,
I think work it or get your freaking like something
more sexual. I think for the aliens, okay, for space okay,
I think I think of anyone who's like to tune
in accidentally and hear a song being, you know, beamed
(03:14):
from this country, I think it should probably be of
a sexual nature.
Speaker 2 (03:18):
Yeah, yeah, anyone else, i'd say, pony Pony.
Speaker 1 (03:23):
Also, we're not even no Missy at all. We're just
getting rid of Missy completely.
Speaker 2 (03:26):
Yeah, surprise is that yours?
Speaker 3 (03:31):
If you buck? But I don't know how rowdy they are,
like what they're on. I don't know what they're on.
So I'm gonna go ahead and do the sexual.
Speaker 1 (03:36):
I like that.
Speaker 3 (03:36):
I like that. It's better that's over here.
Speaker 1 (03:39):
You've been gone.
Speaker 3 (03:40):
I mean I kind of, oh yeah, please.
Speaker 1 (03:44):
What you're saying to the aliens is like I don't
need you, don't come here ever, which maybe we don't
know that we don't want them. I don't want to
I don't want to be unwelcome. What if they got
better stuff over there there? It's more mean you don't
come here.
Speaker 3 (03:56):
I don't know.
Speaker 1 (03:57):
Are you sure?
Speaker 3 (03:58):
Are you sure?
Speaker 2 (03:59):
Well?
Speaker 1 (04:00):
I mean they're better off, but are you sure? We
wouldn't be better off if somebody if one of the
aliens was like, hey, come check out where I live.
You want to come to my house because I feel
like maybe the aliens. The aliens give me up. There
might be like that neighbor, the rich neighbor you had
that had the refrigerator, the garage refrigerator, you know, the
one where you open it had every single kind of
drink in there possible? What if the aliens? What if
(04:20):
the aliens house has an ing ground pool?
Speaker 3 (04:22):
Take me?
Speaker 1 (04:23):
So now you want to go, But a minute ago
you were scared. No, Then you heard about the garage fridge,
and you're like trying to protect them by saying don't
come here. So I'm protecting the aliens. I see if
they want to welcome me to their land. One percent,
I'd like to say here's a good example of good
old you know, earthly music. Billy Clark said, Okay, yeah, yeah,
that's that's a nice mainstream, middle of the roads selection.
Speaker 3 (04:45):
Elon Musk, he's an alien.
Speaker 2 (04:46):
He's here, right, I guess for now, right he should
maybe go back.
Speaker 3 (04:51):
We're to take it online today. The remix to Fred's
favorite song Nasty Girl. Really Yeah,
Caitlin's Entertainment Report, He's on the breadshell.
Speaker 2 (00:03):
Singer Ingrid Andres says she's headed to rehab after being
drunk during her performance at the National Anthem at the
home run Derby Monday night. The four time Grammy nominee wrote,
I'm not gonna be asked, y'all. I was drunk last night,
checking myself into a facility today to get the help
I need.
Speaker 3 (00:19):
That was not me last night.
Speaker 2 (00:21):
I apologized to MLB all the fans in this country
I love so much for that rendition.
Speaker 3 (00:25):
Let y'all know how rehab is. I hear it's super fun.
Speaker 2 (00:28):
Fellow country star Carly Pearce showed her support, writing I'm
sending you love, Ingrid.
Speaker 3 (00:33):
Being this open takes a lot. You've got this. Hang
in there. Singer Julia Michaels added, love you girl.
Speaker 2 (00:39):
I'm sorry you're going through this, and I'm sorry the
world can be so cruel here for you. So, you know,
wishing her the best if that's what she needs and
that's what's going on.
Speaker 3 (00:47):
She did look to me different than she normally looks.
Her eyes looked a little off. Jeeson, do you agree, Yeah,
something was off. I watched it back after Yeah, Yes,
something was going on for sure.
Speaker 2 (01:01):
By the way, baseball fans did praise country singer Cody
Johnson Kojo for delivering a much better rendition of the
national anthem before last night's All Star Game. Kept it
a little cute country, but he did a pretty good job.
Speaking of music, Adele is ready for a break from music.
She told a German TV station. I don't have any
plans for new music at all. I want a big
(01:21):
break after this and I think I want to do
other creative things just for a little while. By the way,
after this, she means for residency, and she's never liked
the spotlight, said, I don't like being famous. I love
that I get to make music all the time. But
she's never really loved the attention. Missy Elliott has now
made history as the first person to have their rap
song transmitted into space. The hip Hop Icon was tapped
(01:43):
by NASA to beam the lyrics to her nineteen ninety
seven hit The Rain from California all the way to Venus,
her favorite planet should I chose Venus because it symbolizes strength, beauty, empowerment,
and I'm so humbled to have the opportunity to share
my art my message with the universe. Britney Brown, a
direct sure at NASA, was the one who had the idea,
and she said, both Space Exploration and Missy Elliot's art
(02:05):
have been about pushing boundaries. Missy as a track record
of infusing space centric storytelling and futuristic visuals in our
music video. So the opportunity to collab on something out
of this world is truly fitting. If you guys could
beam one song, or if you could play one song
to the aliens, this.
Speaker 1 (02:21):
Kind of sounds like BS to me, Like beaming music
to the aliens, like that is just like naming a star.
Speaker 3 (02:27):
I don't think they're actually beaming it to the aliens.
Speaker 1 (02:30):
I know, I don't. How do I know you're really
doing that? How do you know you're really doing that?
You don't know that? Like naming it is the same
as naming a star, Like that's my start? Well, how
do you know that? Like who's this at home? Like
the company that decided they own the stars? Like I
don't know if I trust this? Trust what that the
aliens are really hearing it?
Speaker 3 (02:48):
They're not. They're not saying they're doing it for the aliens.
I'm just saying that, Well, they're they're they're beaming it
to space.
Speaker 1 (02:53):
I think they're assuming that, like maybe someone with some
alien with their transistor radio is like tuning in and
hearing this and being like, oh Missy Elliott. I like that,
but I think they would like work it better. Okay,
I think work it or get your freaking like something
more sexual. I think for the aliens, okay, for space okay,
I think I think of anyone who's like to tune
in accidentally and hear a song being, you know, beamed
(03:14):
from this country, I think it should probably be of
a sexual nature.
Speaker 2 (03:18):
Yeah, yeah, anyone else, i'd say, pony Pony.
Speaker 1 (03:23):
Also, we're not even no Missy at all. We're just
getting rid of Missy completely.
Speaker 2 (03:26):
Yeah, surprise is that yours?
Speaker 3 (03:31):
If you buck? But I don't know how rowdy they are,
like what they're on. I don't know what they're on.
So I'm gonna go ahead and do the sexual.
Speaker 1 (03:36):
I like that.
Speaker 3 (03:36):
I like that. It's better that's over here.
Speaker 1 (03:39):
You've been gone.
Speaker 3 (03:40):
I mean I kind of, oh yeah, please.
Speaker 1 (03:44):
What you're saying to the aliens is like I don't
need you, don't come here ever, which maybe we don't
know that we don't want them. I don't want to
I don't want to be unwelcome. What if they got
better stuff over there there? It's more mean you don't
come here.
Speaker 3 (03:56):
I don't know.
Speaker 1 (03:57):
Are you sure?
Speaker 3 (03:58):
Are you sure?
Speaker 2 (03:59):
Well?
Speaker 1 (04:00):
I mean they're better off, but are you sure? We
wouldn't be better off if somebody if one of the
aliens was like, hey, come check out where I live.
You want to come to my house because I feel
like maybe the aliens. The aliens give me up. There
might be like that neighbor, the rich neighbor you had
that had the refrigerator, the garage refrigerator, you know, the
one where you open it had every single kind of
drink in there possible? What if the aliens? What if
(04:20):
the aliens house has an ing ground pool?
Speaker 3 (04:22):
Take me?
Speaker 1 (04:23):
So now you want to go, But a minute ago
you were scared. No, Then you heard about the garage fridge,
and you're like trying to protect them by saying don't
come here. So I'm protecting the aliens. I see if
they want to welcome me to their land. One percent,
I'd like to say here's a good example of good
old you know, earthly music. Billy Clark said, Okay, yeah, yeah,
that's that's a nice mainstream, middle of the roads selection.
Speaker 3 (04:45):
Elon Musk, he's an alien.
Speaker 2 (04:46):
He's here, right, I guess for now, right he should
maybe go back.
Speaker 3 (04:51):
We're to take it online today. The remix to Fred's
favorite song Nasty Girl. Really Yeah,
The Fred Show On Demand News
Show Links
Official WebsitePopular Podcasts
24/7 News: The Latest
Today’s Latest News In 4 Minutes. Updated Hourly.
Crime Junkie
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.