Episode Transcript
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Speaker 1 (00:16):
Okay, so I found a list.
Speaker 2 (00:19):
Where did that go?
Speaker 1 (00:21):
Of the best?
Speaker 2 (00:23):
Yeah?
Speaker 3 (00:23):
Here it is the best albums from nineteen eighty six, right,
Lindsey would have.
Speaker 4 (00:29):
Been four, five Okay, I'm in six. Yeh, it'd have
been six. I would have been eleven.
Speaker 3 (00:36):
Yeah, and right now you're trying to think of albums
in that timeframe. But when I name some of these,
you're gonna go, oh, yeah, this is gonna be fun.
Speaker 2 (00:44):
All right.
Speaker 3 (00:45):
So the first one that they have here, these are
no particular order. I'm gonna name some people.
Speaker 1 (00:50):
And you're gonna go, I don't know who that is.
Speaker 3 (00:54):
The band Bad Brains. They have an album called I
Against and uh. It's a punk band, kind of a
funk soul band. Real influential in a lot of modern
bands and rock bands. Right, But the next one influential,
I'm sorry, Best Albums of eighty six licensed to ILL
from the Beastie Boys.
Speaker 1 (01:13):
Yes, right, you were six, you were five, and I
owned it at six? No? At five?
Speaker 3 (01:21):
No, well, of course, of course. Depeche Mode. Okay, okay,
Black Celebration, Yeah, that's a great album. Sure, Died pretty.
Speaker 2 (01:32):
Better than Dying Ugly.
Speaker 3 (01:34):
I am not familiar with this band, But they apparently
had some hits in the eighties.
Speaker 2 (01:42):
Yeah, and yeah, what was their song? What was their
hips hit song?
Speaker 4 (01:48):
If this was one of the best albums of nineteen
eighty six, surely they had at least a one hit wonder.
Speaker 3 (01:55):
Yeah they had a song called just Skin.
Speaker 2 (02:02):
Yeah. Okay, yeah, okay, yeah, never heard of any of them.
Speaker 3 (02:08):
Steve Earle is on this list, which I was surprised.
But I hate this phrase. It says nineteen eighty six
was a big year for country music. I feel like
country music does pretty great every year.
Speaker 2 (02:22):
Yeah, was there As a huge country music fan, I
should be able to answer that, was there ever a
year that country music absolutely sucked? A donkey dick?
Speaker 1 (02:35):
But isn't that subjective? That's what I'm saying.
Speaker 2 (02:38):
Yeah, I guess you could.
Speaker 3 (02:39):
I would say, what would it have to happen for
it to be a bad year of country music?
Speaker 4 (02:44):
Poor sales, poor ticket sales, poor album sales.
Speaker 3 (02:49):
Okay, So here's some here's some guesses on the bad
years of country music.
Speaker 2 (02:56):
One of them You're gonna love.
Speaker 3 (02:57):
But nineteen fifties much rockabilly, Okay, seventy nine to eighty six,
too much urban cowboy pop? Country, but you're like, okay, fair.
The early two thousand's post nine to eleven, okay, apparently
it's very good, which you feel like it would be good.
Speaker 4 (03:15):
Yeah, that's a lot of that pop country really blew up.
Speaker 3 (03:18):
And then twenty eleven to twenty thirteen bro country, or
as Gimpee and I like to call it, bedazzled country.
Speaker 4 (03:24):
Yeah, yeah, we got the rhinestones on your jeans, gets
stuck in the seat belt, You can't fucking buckle up.
Speaker 3 (03:31):
Anymore, according to twenty eleven All R I'm sorry. Twenty eleven,
according to Saving Country Music, was considered the worst year
ever for mainstream country do the high volume of uninspired,
formulatic songs. The era continued to get worse, accumulating bro
country craze dominated by themes of beer trucks and, according
(03:52):
to critics, lack of musical substance. I think a lot
of country music checks that box still today.
Speaker 4 (03:58):
Yeah, but I think they're talking about the Luke Bryan's,
the Florida Georgia lines, those ones that, like, you know,
they were catchy when they came out, And maybe that's
a hindsight sort of thing, like, well, that fucking song
we row we thinking, you know, but a lot of
that type music country music, Yeah, that checks.
Speaker 3 (04:17):
I think we overromanticize music, specifically country music as like,
oh no, there's this formula and it's super authentic, No,
are there some artists?
Speaker 1 (04:27):
Yeah, of course, right, But you can't be an.
Speaker 4 (04:29):
Artist for thirty years and every song is authentic, right, right,
because what are you going to sing about when you've
been around twenty years killing it as a country artist
that is relatable?
Speaker 2 (04:41):
Right? And even then are they right? Are they singing
their own songs that they've written? Right?
Speaker 4 (04:46):
That's another thing that people don't think of. A lot
of these artists are buying songs that were written by
somebody else's singing it and making it huge.
Speaker 1 (04:54):
Yeah.
Speaker 3 (04:55):
Another one considered one of the best albums of eighty
six one Gabrielle.
Speaker 2 (05:00):
Oh Yeah, I love one.
Speaker 3 (05:01):
Gabrielle Curenty was a lot in Latin pop music icon.
He was very flamboyant and a prolific songwriter. And haseke
te conce is one of his songs, and you nose Kim.
Speaker 1 (05:17):
Passo sure Ldvo de Juarez is his nickname.
Speaker 4 (05:23):
Yeah right, Yeah, But Peter Gabriel so I know that
album in nineteen I you don't equate Peter Gabriel so
and Beastie Boys Licensed to Ill being at the same
time the same year.
Speaker 3 (05:37):
Now, I'm gonna name another one in a minute. You're
gonna go WHOA right, great album? Iggy Pop? Sure, Genesis
Invisible Touch, Oh yeah, yeah, right, that was a great
album that Genesis put out. Janet Jackson Control came out
in eighty six. Another great album. You think of Janna
(05:59):
Jackson Control, you do think maybe Peter Gabriel, and you
definitely think Beastie Boys at that time. Let's see New
Order Brotherhood. Sure, I'm trying to see here rim they
had an album out, Run DMC Raising Hell. You don't
think Run DMC Raising Hell came out at the same
time as Licensed to Ill. Right about Paul Simon and Graceland.
(06:24):
Great album, right? Historically, Slayer, Rain and Blood came out
in eighty six, and you don't equate that as the
same year.
Speaker 1 (06:34):
Peter Gabriel.
Speaker 4 (06:35):
No, No, because it doesn't have that typical eighties vibe
to it.
Speaker 1 (06:39):
Yeah.
Speaker 3 (06:40):
And then the last one on here that I deliberately
pocketed until the end, because you do not equate this
album was coming out in nineteen eighty six or on
the same year release as Peter Gabriel or Genesis or
or depeche Mode or the Beastie Boys, and that is
Master Puppets by Metallica.
Speaker 4 (07:03):
Yeah, that was my first exposure to me Totalica.
Speaker 2 (07:06):
But it wasn't in nineteen eighty six, Sure it was.
It was.
Speaker 3 (07:12):
The five Yeah, Ride the Lightning was my first. Okay,
I worked in a CD store and yeah, I worked
in a CD store and the guy that worked there,
that was the manager, was a cool just one of
those cool like music guys, had the cool hair, right,
had all the hot always had a hot girlfriend with him.
(07:32):
Not the traditional dork music person, but just looked like
he was in a band and he was always playing
cool music.
Speaker 4 (07:40):
And yeah, mine was this tall, lanky motherfucker named Austin.
I couldn't tell his last name, but he was in
a couple of grades ahead of me. I was a
freshman at the time. And he's like, you ever hear Metallica?
I was like, I don't think so, and so he
slides me Master Puppets cassette, you know, and that's when
I see the album cover.
Speaker 2 (07:59):
I was like, oh, that's so bad. As I plugged
that in. I was like, holy shit, ooh, I can
get down on this.
Speaker 4 (08:06):
I jammed on that some bitch forever un till he
finally said, Hey, can I get my Can I get
my tape?
Speaker 2 (08:10):
Bite? Yeah. When I was younger, my friend Blair and Heath.
Speaker 3 (08:15):
They Blair had a half pipe in his backyard, so
he would go over there and skate, uh, and he
would bring out his record player Iron Maiden.
Speaker 2 (08:23):
Nice to play Iron Maiden, which was cool.
Speaker 3 (08:26):
That CD store was one of the best jobs I
ever had, I could imagine, because all I had to
do was listen to music. And we had one night
a month where we did inventory and we went through
the whole store and you had put everything back in
alphabetical order because he gets jacked up. And he would
bring in beer and we'd drink beer. Oh yeah, and
organize CDs and listen to listen to music, get the
(08:48):
cool ball, and then you go to the bar afterwards
right next door. And it was a CD trading place.
Speaker 2 (08:54):
Oh yeah? Was that?
Speaker 5 (08:56):
Did that kind of Is that kind of what got
you wanting to be in radio?
Speaker 1 (08:59):
No job, no no no.
Speaker 3 (09:01):
I had already graduated from from college when I was
doing that, And what got me into radio was I
took a class my senior year in high school mister
picked and it was a radio one oh one class,
and they had a radio station that was in a
closet that had a CD player and a reel to
reel and one wire went to the classroom to play
(09:22):
and that that old toggling knob board And that's what
got me into it.
Speaker 2 (09:26):
Nice, it was awesome. Nice.
Speaker 4 (09:29):
Ours was they as a freshman, They're like, you need
to start thinking about college and blah blah blah, all
that other shit.
Speaker 2 (09:36):
That nobody ever really does.
Speaker 4 (09:36):
Maybe it's just me, but anyhow, So we took a
tour of Northern Oklahoma College there in Tonqua.
Speaker 2 (09:42):
Okay, and they have a radio program there. They did.
Speaker 4 (09:45):
I don't know if they still do. I like to
think they do. Haven't been there in a long time,
but they're like, this is our radio station.
Speaker 2 (09:51):
I was like, that's so cool, you know, seeing a
college jocks in there that did playing music, Like, that's
fucking awesome. What was it music?
Speaker 4 (09:59):
What do you?
Speaker 2 (10:00):
What was yours? Like?
Speaker 3 (10:00):
Gimpie mentioned Metallica, Master Puppets and Red Lightning for me,
do you have an album that sticks out in your mind,
that got you into music, that opened you up, because like,
my brother had music, he had Public Enemy and I
remember him playing Luke Skywalker and I had the Pantera CD.
Speaker 1 (10:16):
So I was into music.
Speaker 3 (10:19):
But to be discovering a massive artist, you were like,
what pearl Jam sticks out in my mind? Derek the
cool hippie guy that worked at Chucky Cheese brought it
and played it.
Speaker 1 (10:29):
And when every song is just like Hammering.
Speaker 3 (10:32):
Perfect two ninety one ninety three somewhere in there with
the ten album, Yeah, yeah, it was awesome.
Speaker 5 (10:41):
I listened to a lot of John Records land Decker
growing up. Woo oo John Records land Decker. He was
in Chicago disc jockey.
Speaker 2 (10:50):
Oh and what is his name?
Speaker 5 (10:52):
John Records Landecker.
Speaker 2 (10:54):
Okay, and.
Speaker 5 (10:57):
Music was always on in my house. I mean, is
just a huge part of microwing up.
Speaker 1 (11:03):
Wait did he put out music?
Speaker 2 (11:04):
No? No, he was just a radio jack.
Speaker 1 (11:07):
So you're listening to the radio. Yeah, I got it,
Oh got it.
Speaker 2 (11:10):
This guy looks like fucking Adam Sandberg.
Speaker 4 (11:12):
He looks exactly like you expect somebody named John Records
land Decker to look like.
Speaker 2 (11:19):
Next we got the best, it's.
Speaker 5 (11:22):
Yeah and I just I mean just listening to the radio.
Just I was ten years old and I had a
sound machine with a little microphone on it and it
had and it had some uh sound effect buttons, and
I would pretend to be a DJ myself and I.
Speaker 3 (11:39):
Would go but I asked, I asked about music. What
was the album?
Speaker 5 (11:43):
Probably Thriller, Sure or any or Paula Abduel. I had
a record player I got for Christmas and it was
a thriller themed it was It was actually bad. It
was bad album cover of Michael Jackson. But yeah, I
would listen to the Thriller album. I would listen to
(12:04):
Paula Abdul.
Speaker 1 (12:05):
How'd you get? Who gave you an album? My mom
and dad? That turned you like, was like you got
to listen to this.
Speaker 5 (12:12):
My mom and dad they would buy an album for me.
Probably every Christmas would be a new one because they
listened to albums forever.
Speaker 1 (12:22):
They had every Beatles.
Speaker 5 (12:24):
Album, all tons of different classic rock albums, Fleetwood mac cco.
I have tons, and that's how I got into it.
Speaker 3 (12:35):
I remember there was a CD store near my parents'
house growing up, and I would go in there and
I remember appetite for Destruction to come out, And I
remember seeing the end cap for Use Your Illusion one
and two, and the debate I had to have about
buying two right, being like I and.
Speaker 1 (12:57):
I was like, I'll just buy one of them. No,
how could I do that?
Speaker 4 (12:59):
There?
Speaker 1 (13:00):
Clearly they wanted, clearly they wanted me to buy both.
Speaker 2 (13:05):
Two totally different albums.
Speaker 1 (13:07):
By Yeah, one of them is way better than the
other one.
Speaker 2 (13:11):
Which one do you think is the best of the two.
That's fun?
Speaker 3 (13:17):
If I remember correctly, Blue was the second one, Red
was the first one. Yes, I think I played Blue
more than I played Red. So use your Illusion too, Yes.
Speaker 4 (13:27):
Absolutely, I mean fucking use your illusion one was all right,
I think that's the one that gave us November rain. Yeah,
Living I Die I believe was on that one. But
I fucking use your Illusion to There was so many better.
Speaker 3 (13:42):
Estranged Knocking on Heaven's door, Uh, Locomotive so fine?
Speaker 1 (13:47):
You could be mine civil war? Yeah, what we have?
Speaker 2 (13:53):
Yeah, it's failure to communicate. Fuck getting the ring, I
don't know the one.
Speaker 4 (14:00):
Yeah, And then one was bad Obsession right next door
to Hell, perfect Crime, back Off, Bitch you ain't the first,
which is a pretty great song.
Speaker 1 (14:10):
November Rain. Oh yeah, two for sure.
Speaker 4 (14:15):
Yeah, yeah, because I think out of all the ones
that are on Use Your Illusion one, November Rain is
really the only one that's birthday. Yeah yeah, I'm just
going over them again. Yeah, kind of makes you want
to put on some some g and all them die
live and let die live and live is all right?
You know it was a cover song, but yeah, so wide. Yeah,
(14:37):
they did a lot of cover songs. Ain't that The
Truth Knocking on Heaven's Doors a cover?
Speaker 2 (14:42):
Yeah? Yeah, yeah, yeah, yeah, I remember.
Speaker 3 (14:45):
I remember I bought Pantera, uh, and my parents came.
Speaker 4 (14:51):
They saw the CD case. They weren't even hearing the music.
Which one was it? The one with the fist on
the face the display of palace, And they took it
from me because it was a picture of a guy
getting punched in the face, which is actually that's the
second album cover, because the other one was way more
graphic than that one. And they're like, listenell mofucker got
a dial it back. I think it was somebody getting fisted,
(15:14):
like literally in the ass fisted. Oh my, that's why
they're like, ooh, can you change that? So went with
the skull. I believe I could be wrong.
Speaker 2 (15:23):
I'm trying to see if I can find the original cover.
I don't.
Speaker 1 (15:30):
All I can find.
Speaker 3 (15:33):
Is there's a drawing one that showed their face and
like blood coming off the hit. Yeah, I'm curious to
what the original one was.
Speaker 2 (15:44):
Yeah, I read that. Oh fuck, it was a long
time ago, trying to do something. Uh no, what's that
other one? What's the other that's yeah, I'm trying to
see fake. No.
Speaker 3 (15:59):
War was an one that I got into and none
of my friends were into, and I would buy all
there all because of epic right, and then I went
and bought the next one with the swan on it.
Speaker 4 (16:11):
If you remember the Geese or Pelican or whatever it was. Okay,
it was far beyond Driven, not vulgar display of power.
And uh, here you go go ahead. I'll let you
go ahead. Google Far Beyond Driven original cover and you
can see why they had to fucking change it.
Speaker 2 (16:27):
I knew there was one of the Pantera's, one of
their albums. Uh, let's see images that is the one
with the skull. No, that's what they changed, is the remake.
Speaker 4 (16:43):
Okay, you're looking to be like a brownish color, because
that one.
Speaker 2 (16:47):
Is a blue. The one with the skull is a
blue color.
Speaker 3 (16:51):
I'm trying to make the picture bigger because I can't
see it. Uh yeah, I can't see it.
Speaker 2 (16:57):
Okay, So stupid phone, that's the one you know it has? Yeah? Right,
so this is the original, the original cover.
Speaker 1 (17:09):
Yeah, I just can't see decipher anything.
Speaker 2 (17:12):
I see somebody's hand.
Speaker 4 (17:13):
That's an asshole, and then that's drill getting into the assay.
Speaker 2 (17:17):
Yeah.
Speaker 4 (17:17):
So they were like, yeah, they're spreading the cheeks and
fucking getting me it.
Speaker 2 (17:22):
Yeah, y'all got to change that. You can't. You can't
have that.
Speaker 3 (17:27):
Yeah, no, that that definitely is not okay.
Speaker 4 (17:31):
If my parents would have seen that growing up, you
could probably get away with the skull, but the you know,
the drill in the ass cheeks, they'd be like, you
get this.
Speaker 2 (17:40):
Filth out of my house.
Speaker 3 (17:42):
I remember having a conversation with my parents because they
took that album away and they said it was bad
and demonic, and I'm like, what are you talking about?
Speaker 1 (17:49):
Right, you took me to see Kiss in fourth grade, right.
Speaker 2 (17:51):
Well, it's different.
Speaker 3 (17:53):
Kiss exactly, But from that point forward it was okay
for me to listen to Kiss and any band that
opened for Kiss by the way, including for a faster
pussy cat.
Speaker 2 (18:05):
Right right, Well, was just talking about cats.
Speaker 4 (18:07):
You had mentioned Luke Skywalker earlier, and I think everybody
got in trouble with that fucking two Live crew, as
bad as they want to be or whatever, everybody got
in trouble for that one. I remember my brother getting
in trouble for having that cassette. Yeah, back in the day,
my brother was like, hey, come here, I want to
play something for you. And I was like, okay, I
(18:29):
had to have been. I had to have been. I'm
trying to think it's twelve, right, maybe twelve, maybe thirteen,
And he played it on cassette and he had been like,
oh right.
Speaker 2 (18:47):
What is he seen about?
Speaker 3 (18:49):
Oh my goodness. He's like yeah, no, awesome. Yeah, He's like,
don't let mom here. I'm like, can I make a copy?
And he's like quickly because I want this back?
Speaker 2 (18:59):
Yeah. I think first time. I heart God damn, how
old was I six seven? Something like it?
Speaker 4 (19:06):
And of course at that time you're learning of all
kinds of stuff and presidents and stuff, and Abraham Lincoln
happened to be the subject in class that week. And
then when my brother played that Abraham Lincoln was a
good old man jumped through a window with a picker
in his hand. That's all I could pictures like an
actual able link and I was like, hey.
Speaker 2 (19:24):
He would never do that, but it was hilarious.
Speaker 5 (19:26):
My older cousin would introduce me to a lot of
rap songs and artists, and I remember, I can't I
couldn't wait to drive my own car so I could
listen to whatever I wanted. So that was when I
could listen to Easy without my parents knowing. And so
I would sneak Easy E cassette tapes in my vehicle
(19:48):
and before my parents if I drove somewhere, I would
always make sure before exiting my vehicle to eject cassette
tapes out of my vehicle and put them in my
glove box or wherever.
Speaker 1 (20:01):
So my parents, can you ever go looking through your car?
Speaker 2 (20:03):
No, lucky you? Yeah, yeah, I don't remember my parents. Now.
Speaker 1 (20:07):
My dad and I shared a car for a.
Speaker 3 (20:08):
While, uh huh, but and he obviously would go through
that one. But when I had my personal car, I
don't remember that ever happening.
Speaker 4 (20:18):
Military family man, So my dad was all about fucking
surprise inspections. What are we going to catch with you know,
catch you got weed in your car?
Speaker 2 (20:28):
Yeah?
Speaker 4 (20:29):
Why does it smell like alcohol in here? I don't
know what I're talking about. Man, good times.
Speaker 5 (20:35):
If they did, it wasn't like they were going to
look at a tape and read it what it was,
you know what I mean?
Speaker 2 (20:40):
Like, all right, who's this easy, e feller?
Speaker 1 (20:44):
It's just the alphabet teaching the alphabet?
Speaker 4 (20:48):
Uh?
Speaker 1 (20:49):
Did you ever have like room inspections?
Speaker 4 (20:51):
Oh?
Speaker 2 (20:51):
Fuck? Constantly? Man? Constantly?
Speaker 4 (20:53):
Now when he when he just looked at like, make
you stand there while he looked through it?
Speaker 1 (20:57):
Or did he toss the room?
Speaker 2 (20:59):
Toss that motherfucker man, emptying.
Speaker 4 (21:02):
Drawers boo boom, no kidding, close out the closet, boom,
onto the floor, mattresses, flipped pillowcases, out the pillows, you know,
toss that motherfucker man. And the best part of it
not really all right, I'm done clean the shit up.
Speaker 1 (21:19):
Yeah, that's why it's called a toss.
Speaker 2 (21:21):
Yeah yeah, yeah.
Speaker 4 (21:23):
Never did really find anything. Never never did find anything.
And it's funny because like I had to go through
that up until I was like fifteen sixteen something like that.
Speaker 2 (21:36):
Like how young were you do remember that happening? Oh?
Speaker 4 (21:38):
It was from I'd have to say, let's see, they
got together. They got married when I was eight seven,
so I'd have to say probably around that time, eight nine.
Speaker 3 (21:50):
What could you possibly as a seven or eight year
old be hiding in your room that he felt he
needed to.
Speaker 2 (21:54):
Toss the room for cigarettes.
Speaker 4 (21:57):
I gotta keep in mind, you know, I also have
an older brother as well, so a lot of that
share room trickled down. Yeah, okay, so so he i'd
be cigarettes, fucking pornography, any of that shit, right and
uh after, Like I said, I've had to put up
with that until I was like seventeen, sixteen seventeen. Anyhow,
it got to a point to where I was keeping
(22:19):
pounds of fucking weed and my goddamn sock drawer and
they never went in there, looked never wants nothing. I'm like, here,
I am, I got pounds of illegal drugs in my
goddamn and you nothing nothing at all all?
Speaker 1 (22:34):
Growing up?
Speaker 4 (22:34):
You want to toss that shit and make me go
and pick it up afterwards? Ah, Like when you think
about that, what do you think about that event and
them doing that?
Speaker 2 (22:45):
Ah?
Speaker 4 (22:46):
You know, he's just protecting his house. You know, he
had certain rules, you know, he did. There's certain things
they didn't want to brought into the house, and you know,
he was just protecting his household. But it never coll
It didn't stop it, but it didn't catch, like you
pointed out, No, it didn't stop anything and never did catch.
But probably because that's how maybe that's how he was raised, right,
(23:09):
I don't know. Sh It rolls downhill, you know what
I mean. You only do what you taught because you
learn from your parents or whatever. So that's the thing
I never did. I never once tossed any of my
kids rooms.
Speaker 2 (23:22):
I was gonna ask if you ever did that. Now,
I'd search them, right, Hey, what do you got?
Speaker 4 (23:27):
You can tell something's going on, all right, all right,
give me that vape or you get them.
Speaker 2 (23:31):
They catch them red handed.
Speaker 4 (23:34):
You know.
Speaker 2 (23:34):
That was the biggest thing, was the the vape and
the pornography on the digital. Hell, remember, man, like, what
kind of porn is my kid into?
Speaker 4 (23:46):
And he's fucking watching Cleveland from Family Guy And I'm like,
oh God, at least look at some real teddies or something.
But you know, that was that was the worst part
of it. I didn't have to toss their room or anything
like that.
Speaker 3 (23:58):
There was There an instance too where porn was circling
around the house with step mom porn.
Speaker 2 (24:08):
That was another one.
Speaker 4 (24:09):
Yeah, he finally decided to get out of the animated porn.
He went to step mom porn. I was like, what
do you think my wife at the time thinks about this?
Speaker 2 (24:17):
Man? Man, how do you think that makes her feel
a little creepy? Don't you think get I get it,
that's a natural thing. I just make a big deal
about it.
Speaker 4 (24:25):
It was just like, you're I get it, You're curious,
You're at that point, you know what I mean. But
you shouldn't. You shouldn't you're going to anyway. But me,
I feel like if I'm not, I'm not not not
doing my part as a parent. If I don't say, hey, yeah,
come on, man. My wife and I are discussing.
Speaker 3 (24:43):
Like giving the kids a phone, one of the kids
a limited phone, not even really a phone, but we
can they can text us, and they can call us,
and it's got like we can see where they're at, right,
And we go back back and forth on it because
we would only be making that decision out of convenience
(25:05):
for us, all right, of course, not for any type
of education or lesson or this is how life works
type of thing, because I want I don't want them
thinking that I have to see where they are all
the time, right, I want to. I want to keep
them safe, but also you gotta sneak out a couple
(25:27):
of times to understand some things. Passage, right, or you know,
go to that part of town you're not or whatever.
Speaker 4 (25:35):
Sure, I thought, okay, well we'll take the phones away,
all right. You can't be fucking looking at Porno if
you ain't got no phone. And then that's when I
discovered you can get on the internet on your Nintendo DS.
Speaker 2 (25:47):
Yeah, I were looking at it on the DS. I'm like,
oh my god, appropriately titled absolutely right, do dick suckers.
Speaker 1 (25:58):
We're gon change the name DS. Fine, they'll never make
the connection.
Speaker 3 (26:04):
All right, you guys have a fantastic week, and we'll
talk to you soon.
Speaker 2 (26:08):
See ya, Bye bye,
Okay, so I found a list.
Speaker 2 (00:19):
Where did that go?
Speaker 1 (00:21):
Of the best?
Speaker 2 (00:23):
Yeah?
Speaker 3 (00:23):
Here it is the best albums from nineteen eighty six, right,
Lindsey would have.
Speaker 4 (00:29):
Been four, five Okay, I'm in six. Yeh, it'd have
been six. I would have been eleven.
Speaker 3 (00:36):
Yeah, and right now you're trying to think of albums
in that timeframe. But when I name some of these,
you're gonna go, oh, yeah, this is gonna be fun.
Speaker 2 (00:44):
All right.
Speaker 3 (00:45):
So the first one that they have here, these are
no particular order. I'm gonna name some people.
Speaker 1 (00:50):
And you're gonna go, I don't know who that is.
Speaker 3 (00:54):
The band Bad Brains. They have an album called I
Against and uh. It's a punk band, kind of a
funk soul band. Real influential in a lot of modern
bands and rock bands. Right, But the next one influential,
I'm sorry, Best Albums of eighty six licensed to ILL
from the Beastie Boys.
Speaker 1 (01:13):
Yes, right, you were six, you were five, and I
owned it at six? No? At five?
Speaker 3 (01:21):
No, well, of course, of course. Depeche Mode. Okay, okay,
Black Celebration, Yeah, that's a great album. Sure, Died pretty.
Speaker 2 (01:32):
Better than Dying Ugly.
Speaker 3 (01:34):
I am not familiar with this band, But they apparently
had some hits in the eighties.
Speaker 2 (01:42):
Yeah, and yeah, what was their song? What was their
hips hit song?
Speaker 4 (01:48):
If this was one of the best albums of nineteen
eighty six, surely they had at least a one hit wonder.
Speaker 3 (01:55):
Yeah they had a song called just Skin.
Speaker 2 (02:02):
Yeah. Okay, yeah, okay, yeah, never heard of any of them.
Speaker 3 (02:08):
Steve Earle is on this list, which I was surprised.
But I hate this phrase. It says nineteen eighty six
was a big year for country music. I feel like
country music does pretty great every year.
Speaker 2 (02:22):
Yeah, was there As a huge country music fan, I
should be able to answer that, was there ever a
year that country music absolutely sucked? A donkey dick?
Speaker 1 (02:35):
But isn't that subjective? That's what I'm saying.
Speaker 2 (02:38):
Yeah, I guess you could.
Speaker 3 (02:39):
I would say, what would it have to happen for
it to be a bad year of country music?
Speaker 4 (02:44):
Poor sales, poor ticket sales, poor album sales.
Speaker 3 (02:49):
Okay, So here's some here's some guesses on the bad
years of country music.
Speaker 2 (02:56):
One of them You're gonna love.
Speaker 3 (02:57):
But nineteen fifties much rockabilly, Okay, seventy nine to eighty six,
too much urban cowboy pop? Country, but you're like, okay, fair.
The early two thousand's post nine to eleven, okay, apparently
it's very good, which you feel like it would be good.
Speaker 4 (03:15):
Yeah, that's a lot of that pop country really blew up.
Speaker 3 (03:18):
And then twenty eleven to twenty thirteen bro country, or
as Gimpee and I like to call it, bedazzled country.
Speaker 4 (03:24):
Yeah, yeah, we got the rhinestones on your jeans, gets
stuck in the seat belt, You can't fucking buckle up.
Speaker 3 (03:31):
Anymore, according to twenty eleven All R I'm sorry. Twenty eleven,
according to Saving Country Music, was considered the worst year
ever for mainstream country do the high volume of uninspired,
formulatic songs. The era continued to get worse, accumulating bro
country craze dominated by themes of beer trucks and, according
(03:52):
to critics, lack of musical substance. I think a lot
of country music checks that box still today.
Speaker 4 (03:58):
Yeah, but I think they're talking about the Luke Bryan's,
the Florida Georgia lines, those ones that, like, you know,
they were catchy when they came out, And maybe that's
a hindsight sort of thing, like, well, that fucking song
we row we thinking, you know, but a lot of
that type music country music, Yeah, that checks.
Speaker 3 (04:17):
I think we overromanticize music, specifically country music as like,
oh no, there's this formula and it's super authentic, No,
are there some artists?
Speaker 1 (04:27):
Yeah, of course, right, But you can't be an.
Speaker 4 (04:29):
Artist for thirty years and every song is authentic, right, right,
because what are you going to sing about when you've
been around twenty years killing it as a country artist
that is relatable?
Speaker 2 (04:41):
Right? And even then are they right? Are they singing
their own songs that they've written? Right?
Speaker 4 (04:46):
That's another thing that people don't think of. A lot
of these artists are buying songs that were written by
somebody else's singing it and making it huge.
Speaker 1 (04:54):
Yeah.
Speaker 3 (04:55):
Another one considered one of the best albums of eighty
six one Gabrielle.
Speaker 2 (05:00):
Oh Yeah, I love one.
Speaker 3 (05:01):
Gabrielle Curenty was a lot in Latin pop music icon.
He was very flamboyant and a prolific songwriter. And haseke
te conce is one of his songs, and you nose Kim.
Speaker 1 (05:17):
Passo sure Ldvo de Juarez is his nickname.
Speaker 4 (05:23):
Yeah right, Yeah, But Peter Gabriel so I know that
album in nineteen I you don't equate Peter Gabriel so
and Beastie Boys Licensed to Ill being at the same
time the same year.
Speaker 3 (05:37):
Now, I'm gonna name another one in a minute. You're
gonna go WHOA right, great album? Iggy Pop? Sure, Genesis
Invisible Touch, Oh yeah, yeah, right, that was a great
album that Genesis put out. Janet Jackson Control came out
in eighty six. Another great album. You think of Janna
(05:59):
Jackson Control, you do think maybe Peter Gabriel, and you
definitely think Beastie Boys at that time. Let's see New
Order Brotherhood. Sure, I'm trying to see here rim they
had an album out, Run DMC Raising Hell. You don't
think Run DMC Raising Hell came out at the same
time as Licensed to Ill. Right about Paul Simon and Graceland.
(06:24):
Great album, right? Historically, Slayer, Rain and Blood came out
in eighty six, and you don't equate that as the
same year.
Speaker 1 (06:34):
Peter Gabriel.
Speaker 4 (06:35):
No, No, because it doesn't have that typical eighties vibe
to it.
Speaker 1 (06:39):
Yeah.
Speaker 3 (06:40):
And then the last one on here that I deliberately
pocketed until the end, because you do not equate this
album was coming out in nineteen eighty six or on
the same year release as Peter Gabriel or Genesis or
or depeche Mode or the Beastie Boys, and that is
Master Puppets by Metallica.
Speaker 4 (07:03):
Yeah, that was my first exposure to me Totalica.
Speaker 2 (07:06):
But it wasn't in nineteen eighty six, Sure it was.
It was.
Speaker 3 (07:12):
The five Yeah, Ride the Lightning was my first. Okay,
I worked in a CD store and yeah, I worked
in a CD store and the guy that worked there,
that was the manager, was a cool just one of
those cool like music guys, had the cool hair, right,
had all the hot always had a hot girlfriend with him.
(07:32):
Not the traditional dork music person, but just looked like
he was in a band and he was always playing
cool music.
Speaker 4 (07:40):
And yeah, mine was this tall, lanky motherfucker named Austin.
I couldn't tell his last name, but he was in
a couple of grades ahead of me. I was a
freshman at the time. And he's like, you ever hear Metallica?
I was like, I don't think so, and so he
slides me Master Puppets cassette, you know, and that's when
I see the album cover.
Speaker 2 (07:59):
I was like, oh, that's so bad. As I plugged
that in. I was like, holy shit, ooh, I can
get down on this.
Speaker 4 (08:06):
I jammed on that some bitch forever un till he
finally said, Hey, can I get my Can I get
my tape?
Speaker 2 (08:10):
Bite? Yeah. When I was younger, my friend Blair and Heath.
Speaker 3 (08:15):
They Blair had a half pipe in his backyard, so
he would go over there and skate, uh, and he
would bring out his record player Iron Maiden.
Speaker 2 (08:23):
Nice to play Iron Maiden, which was cool.
Speaker 3 (08:26):
That CD store was one of the best jobs I
ever had, I could imagine, because all I had to
do was listen to music. And we had one night
a month where we did inventory and we went through
the whole store and you had put everything back in
alphabetical order because he gets jacked up. And he would
bring in beer and we'd drink beer. Oh yeah, and
organize CDs and listen to listen to music, get the
(08:48):
cool ball, and then you go to the bar afterwards
right next door. And it was a CD trading place.
Speaker 2 (08:54):
Oh yeah? Was that?
Speaker 5 (08:56):
Did that kind of Is that kind of what got
you wanting to be in radio?
Speaker 1 (08:59):
No job, no no no.
Speaker 3 (09:01):
I had already graduated from from college when I was
doing that, And what got me into radio was I
took a class my senior year in high school mister
picked and it was a radio one oh one class,
and they had a radio station that was in a
closet that had a CD player and a reel to
reel and one wire went to the classroom to play
(09:22):
and that that old toggling knob board And that's what
got me into it.
Speaker 2 (09:26):
Nice, it was awesome. Nice.
Speaker 4 (09:29):
Ours was they as a freshman, They're like, you need
to start thinking about college and blah blah blah, all
that other shit.
Speaker 2 (09:36):
That nobody ever really does.
Speaker 4 (09:36):
Maybe it's just me, but anyhow, So we took a
tour of Northern Oklahoma College there in Tonqua.
Speaker 2 (09:42):
Okay, and they have a radio program there. They did.
Speaker 4 (09:45):
I don't know if they still do. I like to
think they do. Haven't been there in a long time,
but they're like, this is our radio station.
Speaker 2 (09:51):
I was like, that's so cool, you know, seeing a
college jocks in there that did playing music, Like, that's
fucking awesome. What was it music?
Speaker 4 (09:59):
What do you?
Speaker 2 (10:00):
What was yours? Like?
Speaker 3 (10:00):
Gimpie mentioned Metallica, Master Puppets and Red Lightning for me,
do you have an album that sticks out in your mind,
that got you into music, that opened you up, because like,
my brother had music, he had Public Enemy and I
remember him playing Luke Skywalker and I had the Pantera CD.
Speaker 1 (10:16):
So I was into music.
Speaker 3 (10:19):
But to be discovering a massive artist, you were like,
what pearl Jam sticks out in my mind? Derek the
cool hippie guy that worked at Chucky Cheese brought it
and played it.
Speaker 1 (10:29):
And when every song is just like Hammering.
Speaker 3 (10:32):
Perfect two ninety one ninety three somewhere in there with
the ten album, Yeah, yeah, it was awesome.
Speaker 5 (10:41):
I listened to a lot of John Records land Decker
growing up. Woo oo John Records land Decker. He was
in Chicago disc jockey.
Speaker 2 (10:50):
Oh and what is his name?
Speaker 5 (10:52):
John Records Landecker.
Speaker 2 (10:54):
Okay, and.
Speaker 5 (10:57):
Music was always on in my house. I mean, is
just a huge part of microwing up.
Speaker 1 (11:03):
Wait did he put out music?
Speaker 2 (11:04):
No? No, he was just a radio jack.
Speaker 1 (11:07):
So you're listening to the radio. Yeah, I got it,
Oh got it.
Speaker 2 (11:10):
This guy looks like fucking Adam Sandberg.
Speaker 4 (11:12):
He looks exactly like you expect somebody named John Records
land Decker to look like.
Speaker 2 (11:19):
Next we got the best, it's.
Speaker 5 (11:22):
Yeah and I just I mean just listening to the radio.
Just I was ten years old and I had a
sound machine with a little microphone on it and it
had and it had some uh sound effect buttons, and
I would pretend to be a DJ myself and I.
Speaker 3 (11:39):
Would go but I asked, I asked about music. What
was the album?
Speaker 5 (11:43):
Probably Thriller, Sure or any or Paula Abduel. I had
a record player I got for Christmas and it was
a thriller themed it was It was actually bad. It
was bad album cover of Michael Jackson. But yeah, I
would listen to the Thriller album. I would listen to
(12:04):
Paula Abdul.
Speaker 1 (12:05):
How'd you get? Who gave you an album? My mom
and dad? That turned you like, was like you got
to listen to this.
Speaker 5 (12:12):
My mom and dad they would buy an album for me.
Probably every Christmas would be a new one because they
listened to albums forever.
Speaker 1 (12:22):
They had every Beatles.
Speaker 5 (12:24):
Album, all tons of different classic rock albums, Fleetwood mac cco.
I have tons, and that's how I got into it.
Speaker 3 (12:35):
I remember there was a CD store near my parents'
house growing up, and I would go in there and
I remember appetite for Destruction to come out, And I
remember seeing the end cap for Use Your Illusion one
and two, and the debate I had to have about
buying two right, being like I and.
Speaker 1 (12:57):
I was like, I'll just buy one of them. No,
how could I do that?
Speaker 4 (12:59):
There?
Speaker 1 (13:00):
Clearly they wanted, clearly they wanted me to buy both.
Speaker 2 (13:05):
Two totally different albums.
Speaker 1 (13:07):
By Yeah, one of them is way better than the
other one.
Speaker 2 (13:11):
Which one do you think is the best of the two.
That's fun?
Speaker 3 (13:17):
If I remember correctly, Blue was the second one, Red
was the first one. Yes, I think I played Blue
more than I played Red. So use your Illusion too, Yes.
Speaker 4 (13:27):
Absolutely, I mean fucking use your illusion one was all right,
I think that's the one that gave us November rain. Yeah,
Living I Die I believe was on that one. But
I fucking use your Illusion to There was so many better.
Speaker 3 (13:42):
Estranged Knocking on Heaven's door, Uh, Locomotive so fine?
Speaker 1 (13:47):
You could be mine civil war? Yeah, what we have?
Speaker 2 (13:53):
Yeah, it's failure to communicate. Fuck getting the ring, I
don't know the one.
Speaker 4 (14:00):
Yeah, And then one was bad Obsession right next door
to Hell, perfect Crime, back Off, Bitch you ain't the first,
which is a pretty great song.
Speaker 1 (14:10):
November Rain. Oh yeah, two for sure.
Speaker 4 (14:15):
Yeah, yeah, because I think out of all the ones
that are on Use Your Illusion one, November Rain is
really the only one that's birthday. Yeah yeah, I'm just
going over them again. Yeah, kind of makes you want
to put on some some g and all them die
live and let die live and live is all right?
You know it was a cover song, but yeah, so wide. Yeah,
(14:37):
they did a lot of cover songs. Ain't that The
Truth Knocking on Heaven's Doors a cover?
Speaker 2 (14:42):
Yeah? Yeah, yeah, yeah, yeah, I remember.
Speaker 3 (14:45):
I remember I bought Pantera, uh, and my parents came.
Speaker 4 (14:51):
They saw the CD case. They weren't even hearing the music.
Which one was it? The one with the fist on
the face the display of palace, And they took it
from me because it was a picture of a guy
getting punched in the face, which is actually that's the
second album cover, because the other one was way more
graphic than that one. And they're like, listenell mofucker got
a dial it back. I think it was somebody getting fisted,
(15:14):
like literally in the ass fisted. Oh my, that's why
they're like, ooh, can you change that? So went with
the skull. I believe I could be wrong.
Speaker 2 (15:23):
I'm trying to see if I can find the original cover.
I don't.
Speaker 1 (15:30):
All I can find.
Speaker 3 (15:33):
Is there's a drawing one that showed their face and
like blood coming off the hit. Yeah, I'm curious to
what the original one was.
Speaker 2 (15:44):
Yeah, I read that. Oh fuck, it was a long
time ago, trying to do something. Uh no, what's that
other one? What's the other that's yeah, I'm trying to
see fake. No.
Speaker 3 (15:59):
War was an one that I got into and none
of my friends were into, and I would buy all
there all because of epic right, and then I went
and bought the next one with the swan on it.
Speaker 4 (16:11):
If you remember the Geese or Pelican or whatever it was. Okay,
it was far beyond Driven, not vulgar display of power.
And uh, here you go go ahead. I'll let you
go ahead. Google Far Beyond Driven original cover and you
can see why they had to fucking change it.
Speaker 2 (16:27):
I knew there was one of the Pantera's, one of
their albums. Uh, let's see images that is the one
with the skull. No, that's what they changed, is the remake.
Speaker 4 (16:43):
Okay, you're looking to be like a brownish color, because
that one.
Speaker 2 (16:47):
Is a blue. The one with the skull is a
blue color.
Speaker 3 (16:51):
I'm trying to make the picture bigger because I can't
see it. Uh yeah, I can't see it.
Speaker 2 (16:57):
Okay, So stupid phone, that's the one you know it has? Yeah? Right,
so this is the original, the original cover.
Speaker 1 (17:09):
Yeah, I just can't see decipher anything.
Speaker 2 (17:12):
I see somebody's hand.
Speaker 4 (17:13):
That's an asshole, and then that's drill getting into the assay.
Speaker 2 (17:17):
Yeah.
Speaker 4 (17:17):
So they were like, yeah, they're spreading the cheeks and
fucking getting me it.
Speaker 2 (17:22):
Yeah, y'all got to change that. You can't. You can't
have that.
Speaker 3 (17:27):
Yeah, no, that that definitely is not okay.
Speaker 4 (17:31):
If my parents would have seen that growing up, you
could probably get away with the skull, but the you know,
the drill in the ass cheeks, they'd be like, you
get this.
Speaker 2 (17:40):
Filth out of my house.
Speaker 3 (17:42):
I remember having a conversation with my parents because they
took that album away and they said it was bad
and demonic, and I'm like, what are you talking about?
Speaker 1 (17:49):
Right, you took me to see Kiss in fourth grade, right.
Speaker 2 (17:51):
Well, it's different.
Speaker 3 (17:53):
Kiss exactly, But from that point forward it was okay
for me to listen to Kiss and any band that
opened for Kiss by the way, including for a faster
pussy cat.
Speaker 2 (18:05):
Right right, Well, was just talking about cats.
Speaker 4 (18:07):
You had mentioned Luke Skywalker earlier, and I think everybody
got in trouble with that fucking two Live crew, as
bad as they want to be or whatever, everybody got
in trouble for that one. I remember my brother getting
in trouble for having that cassette. Yeah, back in the day,
my brother was like, hey, come here, I want to
play something for you. And I was like, okay, I
(18:29):
had to have been. I had to have been. I'm
trying to think it's twelve, right, maybe twelve, maybe thirteen,
And he played it on cassette and he had been like,
oh right.
Speaker 2 (18:47):
What is he seen about?
Speaker 3 (18:49):
Oh my goodness. He's like yeah, no, awesome. Yeah, He's like,
don't let mom here. I'm like, can I make a copy?
And he's like quickly because I want this back?
Speaker 2 (18:59):
Yeah. I think first time. I heart God damn, how
old was I six seven? Something like it?
Speaker 4 (19:06):
And of course at that time you're learning of all
kinds of stuff and presidents and stuff, and Abraham Lincoln
happened to be the subject in class that week. And
then when my brother played that Abraham Lincoln was a
good old man jumped through a window with a picker
in his hand. That's all I could pictures like an
actual able link and I was like, hey.
Speaker 2 (19:24):
He would never do that, but it was hilarious.
Speaker 5 (19:26):
My older cousin would introduce me to a lot of
rap songs and artists, and I remember, I can't I
couldn't wait to drive my own car so I could
listen to whatever I wanted. So that was when I
could listen to Easy without my parents knowing. And so
I would sneak Easy E cassette tapes in my vehicle
(19:48):
and before my parents if I drove somewhere, I would
always make sure before exiting my vehicle to eject cassette
tapes out of my vehicle and put them in my
glove box or wherever.
Speaker 1 (20:01):
So my parents, can you ever go looking through your car?
Speaker 2 (20:03):
No, lucky you? Yeah, yeah, I don't remember my parents. Now.
Speaker 1 (20:07):
My dad and I shared a car for a.
Speaker 3 (20:08):
While, uh huh, but and he obviously would go through
that one. But when I had my personal car, I
don't remember that ever happening.
Speaker 4 (20:18):
Military family man, So my dad was all about fucking
surprise inspections. What are we going to catch with you know,
catch you got weed in your car?
Speaker 2 (20:28):
Yeah?
Speaker 4 (20:29):
Why does it smell like alcohol in here? I don't
know what I're talking about. Man, good times.
Speaker 5 (20:35):
If they did, it wasn't like they were going to
look at a tape and read it what it was,
you know what I mean?
Speaker 2 (20:40):
Like, all right, who's this easy, e feller?
Speaker 1 (20:44):
It's just the alphabet teaching the alphabet?
Speaker 4 (20:48):
Uh?
Speaker 1 (20:49):
Did you ever have like room inspections?
Speaker 4 (20:51):
Oh?
Speaker 2 (20:51):
Fuck? Constantly? Man? Constantly?
Speaker 4 (20:53):
Now when he when he just looked at like, make
you stand there while he looked through it?
Speaker 1 (20:57):
Or did he toss the room?
Speaker 2 (20:59):
Toss that motherfucker man, emptying.
Speaker 4 (21:02):
Drawers boo boom, no kidding, close out the closet, boom,
onto the floor, mattresses, flipped pillowcases, out the pillows, you know,
toss that motherfucker man. And the best part of it
not really all right, I'm done clean the shit up.
Speaker 1 (21:19):
Yeah, that's why it's called a toss.
Speaker 2 (21:21):
Yeah yeah, yeah.
Speaker 4 (21:23):
Never did really find anything. Never never did find anything.
And it's funny because like I had to go through
that up until I was like fifteen sixteen something like that.
Speaker 2 (21:36):
Like how young were you do remember that happening? Oh?
Speaker 4 (21:38):
It was from I'd have to say, let's see, they
got together. They got married when I was eight seven,
so I'd have to say probably around that time, eight nine.
Speaker 3 (21:50):
What could you possibly as a seven or eight year
old be hiding in your room that he felt he
needed to.
Speaker 2 (21:54):
Toss the room for cigarettes.
Speaker 4 (21:57):
I gotta keep in mind, you know, I also have
an older brother as well, so a lot of that
share room trickled down. Yeah, okay, so so he i'd
be cigarettes, fucking pornography, any of that shit, right and
uh after, Like I said, I've had to put up
with that until I was like seventeen, sixteen seventeen. Anyhow,
it got to a point to where I was keeping
(22:19):
pounds of fucking weed and my goddamn sock drawer and
they never went in there, looked never wants nothing. I'm like, here,
I am, I got pounds of illegal drugs in my
goddamn and you nothing nothing at all all?
Speaker 1 (22:34):
Growing up?
Speaker 4 (22:34):
You want to toss that shit and make me go
and pick it up afterwards? Ah, Like when you think
about that, what do you think about that event and
them doing that?
Speaker 2 (22:45):
Ah?
Speaker 4 (22:46):
You know, he's just protecting his house. You know, he
had certain rules, you know, he did. There's certain things
they didn't want to brought into the house, and you know,
he was just protecting his household. But it never coll
It didn't stop it, but it didn't catch, like you
pointed out, No, it didn't stop anything and never did catch.
But probably because that's how maybe that's how he was raised, right,
(23:09):
I don't know. Sh It rolls downhill, you know what
I mean. You only do what you taught because you
learn from your parents or whatever. So that's the thing
I never did. I never once tossed any of my
kids rooms.
Speaker 2 (23:22):
I was gonna ask if you ever did that. Now,
I'd search them, right, Hey, what do you got?
Speaker 4 (23:27):
You can tell something's going on, all right, all right,
give me that vape or you get them.
Speaker 2 (23:31):
They catch them red handed.
Speaker 4 (23:34):
You know.
Speaker 2 (23:34):
That was the biggest thing, was the the vape and
the pornography on the digital. Hell, remember, man, like, what
kind of porn is my kid into?
Speaker 4 (23:46):
And he's fucking watching Cleveland from Family Guy And I'm like,
oh God, at least look at some real teddies or something.
But you know, that was that was the worst part
of it. I didn't have to toss their room or anything
like that.
Speaker 3 (23:58):
There was There an instance too where porn was circling
around the house with step mom porn.
Speaker 2 (24:08):
That was another one.
Speaker 4 (24:09):
Yeah, he finally decided to get out of the animated porn.
He went to step mom porn. I was like, what
do you think my wife at the time thinks about this?
Speaker 2 (24:17):
Man? Man, how do you think that makes her feel
a little creepy? Don't you think get I get it,
that's a natural thing. I just make a big deal
about it.
Speaker 4 (24:25):
It was just like, you're I get it, You're curious,
You're at that point, you know what I mean. But
you shouldn't. You shouldn't you're going to anyway. But me,
I feel like if I'm not, I'm not not not
doing my part as a parent. If I don't say, hey, yeah,
come on, man. My wife and I are discussing.
Speaker 3 (24:43):
Like giving the kids a phone, one of the kids
a limited phone, not even really a phone, but we
can they can text us, and they can call us,
and it's got like we can see where they're at, right,
And we go back back and forth on it because
we would only be making that decision out of convenience
(25:05):
for us, all right, of course, not for any type
of education or lesson or this is how life works
type of thing, because I want I don't want them
thinking that I have to see where they are all
the time, right, I want to. I want to keep
them safe, but also you gotta sneak out a couple
(25:27):
of times to understand some things. Passage, right, or you know,
go to that part of town you're not or whatever.
Speaker 4 (25:35):
Sure, I thought, okay, well we'll take the phones away,
all right. You can't be fucking looking at Porno if
you ain't got no phone. And then that's when I
discovered you can get on the internet on your Nintendo DS.
Speaker 2 (25:47):
Yeah, I were looking at it on the DS. I'm like,
oh my god, appropriately titled absolutely right, do dick suckers.
Speaker 1 (25:58):
We're gon change the name DS. Fine, they'll never make
the connection.
Speaker 3 (26:04):
All right, you guys have a fantastic week, and we'll
talk to you soon.
Speaker 2 (26:08):
See ya, Bye bye,
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