Episode Transcript
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Speaker 1 (00:00):
I writ y'all, welcome to the one More Can I Say? Podcast?
Speaker 2 (00:03):
This episode where we had rider three hundred and seventy
four episodes of these things.
Speaker 1 (00:08):
What's hattening?
Speaker 2 (00:09):
I want your hot talko. Alright, let's introduce to other
members of the pot. That is the first lady, that pole,
the only lady of the pots. He's fucking what up?
Speaker 1 (00:18):
Hey, y'all, what's up?
Speaker 3 (00:21):
Somebody better woo whoop wooo? Right, yeah, right, hey y'all,
what's up?
Speaker 1 (00:27):
What's up? What's up? That funny man over there brushing
his waves is Zach bug. I don't have a woo,
I don't have a brush, but woo, I don't know.
I saw you.
Speaker 2 (00:36):
I wasn't looking. I just saw this motion. I don't
have hair, so that us it? You know, I got
you who being sensitive? Angry man starting off for already
he started to day with me. He's starting already. Woo
woo woo woo woo angry man. Now let's go ahead,
get hit the pot man. Cardi B has announced she
(00:57):
is the new face of Old Navy for their fall
Most Just Wanted Denim campaign. Cardi B continues to get
bags shout out to Old Navy the Scully Game.
Speaker 1 (01:07):
I love them.
Speaker 4 (01:08):
Then we just say on this podcast yesterday about how
hard Cardi B works yep, and the biggest hustle out there,
and here she comes with another deal. She even said, Hey,
if you girls got BBLS and you can't find jeans,
look old Navy got you. We got them and they
started twenty two dollars affordable. I noticed that about Cardi
And I don't know if she aligns her brands like
(01:28):
this on purpose, but do you know that she doesn't
do like the She's not behind all the hotest expensive
ticket stuff that people can't afford, her hair care line,
very affordable.
Speaker 1 (01:38):
Jeans, you know what I'm saying. It seems like that
might be a conscious thing.
Speaker 2 (01:41):
I don't know, it gotta be, I mean, and I
think I always say that when celebrities do stuff that
the everyday person that listens to your music can afford it.
Out you got everybody wearing Cardi B jeans, you know
what I mean, everybody a twenty two dollars jean. You're
gonna have so many women in those, especially, I mean
the BBLS. Shout out to the ladies that got BBLS.
(02:03):
And I know they're gonna be able to fit some
some big butts in there. Cardi's endorsing it.
Speaker 3 (02:10):
Yeah, I think it's smart to come out with this
because so many women have the new booties. You know,
not everybody got their upgraded booty, and now you need
somewhere to put it. And so Cardi B Is gonna
give you the solution. And we know one thing about
Cardi B and her team, they are fly Okay, she
has some of the She's one of the best styled
entertainers in the business in my opinion. So I can't
(02:31):
wait to see what she does with this line, and
I hope it extends to her children, like I would
love to see how she dressed her kids in old
Navy because I think I maybe I'm speaking for everybody,
but when you were a kid, that's a lot of
kids were old Navy. Like we was shorties. We used
to get old Navy shirts for the Fourth of July.
Used to be a whole thing. So I want to
see that too.
Speaker 1 (02:49):
Yeah. I get my son's stuff from old Navy all
the time.
Speaker 4 (02:51):
Definitely, I hit the Navy six dollars shorts, yep, six
dollars t shirts.
Speaker 1 (02:56):
Man, you rack up you spend one hundred dollars. He's
straight for the season. Yep, we don't child support. You
got three kids. That helps.
Speaker 5 (03:01):
Come on now, everybok kaki short, everybody, come on now.
Speaker 1 (03:06):
Clothes.
Speaker 2 (03:09):
The old Navy is one of those places you go
back to school shopping for sure for sure, and coat
shopping for some reason.
Speaker 1 (03:15):
You go get your coat winter. Yeah, win a coach
for sure for sure.
Speaker 2 (03:20):
All right, let's get to this man. Beyonce drop the
remix to Morning Dew featuring Jay Z. Looks like we
got sound on that.
Speaker 1 (03:27):
Let's hear it. Let's take you.
Speaker 6 (03:33):
You know what that night this, Let's see what that
morning do top of the top, sloppy in the Morning Dew.
Watch you spent it. I don't need nothing new coming through.
Smell of fool in the old school holding this up.
Title a liar, but we know the truth.
Speaker 5 (03:50):
Put the mute, let me put you on game.
Speaker 2 (03:57):
I like I said, I like them to sing together,
but I don't know. I don't know if that was
one of Jay's stronger verses.
Speaker 1 (04:06):
Was that a Jay strong verse.
Speaker 5 (04:07):
He had about one mode rhyme with do and do
I was about.
Speaker 1 (04:11):
Saying that jay Z, he's way better than what that
verse show, way better.
Speaker 2 (04:17):
It wasn't he ain't hit this what a pause part
where he hit the pause. I kind of liked that,
but I mean, I woo.
Speaker 4 (04:27):
It started strong, you know what I'm saying. Like the
first four bars, I was like, okay with that, morning
do it. And then you thought he was gonna kind
of switch the catens up, and he kept it the same.
I don't know hear the whole song.
Speaker 3 (04:37):
I gotta make sure this was approved by jay Z,
like I gotta make sure this wasn't somebody didn't leak this.
I need to make sure this is the official remix.
Because he was even rapping too hard, like he was loud.
He was it was too hard, and then it was
too many rhymes with Malibu. I don't know, I don't know.
Speaker 1 (04:57):
I don't know no man, now forward I know on
this pod, I said hey, I said, hey man, I
just be worried. I ain't saying he can't. I just worried.
Speaker 2 (05:14):
And then somebody on this pod said, huh, I ain't
never worried about what jay Z do.
Speaker 1 (05:20):
I ain't never worried about that.
Speaker 5 (05:21):
I wasn't now I was not until now. Now I'm like, oh,
we gotta have a meeting.
Speaker 4 (05:29):
Hold on, and you don't have to throw out these
verses if it ain't got to listen. You know, jay
Z can go harder than that.
Speaker 1 (05:37):
You gotta listen to.
Speaker 2 (05:38):
Here, boy, this is we all know that doing this,
doing anything and entertainment anything that don't even matter anything
coming off the bench, shoulder speak to come and then
jump back in you cat.
Speaker 1 (05:54):
That's what took Drake so long. Drake got beat up.
He hadn't been rapping that much.
Speaker 2 (05:59):
He had really been vacation on his plane, and he
had to make sure what he came out with was
at least solid. Jay's still living in it, like, man,
I can get off the bench and do whatever. I
look at my freestyles, look at that This it's a
miss and I don't like saying that about But that verse,
(06:20):
the piece that we heard.
Speaker 1 (06:22):
We can go back. Listen to it right now. Hold on,
let's give it another. We know what that night did.
Speaker 6 (06:30):
Let's see what that morning do. Top of the top,
sloppy is the morning do?
Speaker 1 (06:34):
To watch you?
Speaker 6 (06:36):
I don't need nothing new coming through meloboo in an
old school, So then this up type of a liar.
Speaker 1 (06:42):
But we know the truth. Put the meal, U, let
me put you on game. Not second time around. I
like it. Second time around it got better.
Speaker 5 (06:57):
It's failure.
Speaker 1 (06:58):
I can't see that.
Speaker 5 (06:59):
Yeah us, No, I get it now. I missed it.
I didn't hear it clearly the first time.
Speaker 2 (07:05):
Okay, so we got we still got bars in there.
It's still got bars in there. Like see that morning dude.
Then he went off the dude, he is.
Speaker 5 (07:11):
Not as strong he did eat when you hit the words,
we know what that night did. Let's see what that morning?
Speaker 1 (07:18):
You start rapping locky?
Speaker 4 (07:27):
You know what that means for the top slocky like
that more morning dude. I get that morning dude with.
Speaker 5 (07:33):
Driving around in an old school Malaboo vintage.
Speaker 1 (07:37):
I don't want nothing. Okay, so let's go let's go
back again. Let's go back again. We get.
Speaker 2 (07:46):
We know what that night did.
Speaker 6 (07:47):
Let's see what that morning do. Top of the top
sloppy in the morning duke, to watch you, vin, I
don't need nothing new coming through smelling pool in the
old school holding this up type.
Speaker 1 (08:00):
But we know the truth. Mute.
Speaker 2 (08:06):
Let me.
Speaker 5 (08:09):
Forget everything.
Speaker 4 (08:11):
And then you got to hear the rest of the
verse to cut off, so you know he might have
just even took it up to a whole other level.
Speaker 1 (08:17):
Be sorry, he snaps. Be sorry, I like because the
benches A don't like nothing new.
Speaker 5 (08:21):
But all I kept here was dou w sou. That's
why I couldn't hear the words.
Speaker 1 (08:27):
Now I know the words, the words.
Speaker 5 (08:30):
Let's see you know what that nice? Let's see what
that morning do?
Speaker 3 (08:35):
Put them holes on mute mut he ate, He snap,
Oh sorry, I don't know what they I don't know
what they were talking about.
Speaker 5 (08:44):
I never went against you whole never.
Speaker 2 (08:47):
You were just worried nods ago no, but we okay,
so let me ask you this. So I wouldn't listen
to nightmareter dreams, Yeah, what's that about?
Speaker 1 (08:58):
Okay? I just wanted okay, there, well go, that was.
Speaker 2 (09:01):
Mic Miil redoing dreams tonightmares and it's not he rapping
in there.
Speaker 1 (09:05):
But it ain't. He should have never touched it. I
got to hear it.
Speaker 5 (09:08):
I ain't even gonna listen to it.
Speaker 4 (09:09):
So he decided to like remix his song later, like
fourteen years later, right, m M something like that, something.
Speaker 3 (09:15):
Like that, because I mean, when you had a song
that's a hit like it was for so long. I
guess he figured, like y'all saying y'all tied of heating
it in the club. Let me get yall a new
version of it, right, Yeah.
Speaker 2 (09:26):
I guess we like that's a classic. That's a classic classic.
Speaker 3 (09:32):
That is that?
Speaker 2 (09:33):
And I think that's that's the best intro of hip
hop history. There's never been an intro to an album
that's been better than that ever.
Speaker 1 (09:43):
Ever. You just can't an intro getting played like they
think about it. I don't.
Speaker 2 (09:50):
That's why, because we don't remember the intros. That's because
we remember this one.
Speaker 1 (09:55):
I can't say the best in hip hop history though.
That's that's tough, Zach. You can't. The only intro that
you can remember is dreams to night dreams and nightmares.
That's it.
Speaker 2 (10:06):
That's why it's the best. Yep, you right, that's why
it's the best. All right, let's go ahead at this though.
Speaking of music, Drake get to ten women with fifty
thousand dollars each at his annual Strong Women, Stronger Drinks
event in Toronto that was created to celebrate women and
give them a space to connect and for him to sample.
(10:30):
Dude created a sampling event and called it oh My God,
all right.
Speaker 3 (10:35):
I like this though, like y'all throwing these rooftop parties
and stuff. Y'all need to starry throwing parties like drake
and do what give us fifty thousand dollars? You know,
y'all want to have parties and yeah, parties over there.
Speaker 5 (10:52):
I want to come to a Tonga pone party and
lead with twenty bands.
Speaker 2 (10:56):
I wish I could, but I wouldn't. Let you know,
you leave with ten bands. There's some strings attached to
but that's called fifty thousand dollars of seed money. Ten
ten women got seed money.
Speaker 5 (11:12):
Wow, that's amazing, though, Like, if you got it, do it.
Speaker 2 (11:16):
What's the party thing? It's called strong Women, Stronger drinks.
The vents in Toronto created celebrate women and give them
a space to connect.
Speaker 5 (11:26):
Oh yeah, that's a wilde.
Speaker 2 (11:30):
It's dire Boller Cole is different. That is like, that's
something I'm just bored. It's needing new chicks out here.
Speaker 1 (11:38):
Let's throw a party. I'm gonna come through and pick
the ones. I want. Strong women, stronger drinks. And he
gave so. He gave them.
Speaker 2 (11:49):
He brought strong pretty women, put them all in the room,
gave them strong drinks and handed them fifty thousand dollars
in cash. Yep, that's wonderful. That's definitely he took the
game to the next level.
Speaker 1 (12:06):
With that one.
Speaker 2 (12:07):
That's that's tricking. If you got it personified, that's seed money.
Speaker 1 (12:12):
Bro. I ain't mad at him.
Speaker 3 (12:14):
He put Yeah, he had our fifty thousand dollars increments
to ten female creators and business owners. He had luxury
vehicles outside with bowls on them and burking bags.
Speaker 1 (12:26):
So wait a minute, he gave them burking bags.
Speaker 5 (12:28):
Too, and cars outside the party.
Speaker 1 (12:32):
He gave out cars. Yes, yes, he is. He's got
to be stopped. That is.
Speaker 3 (12:42):
I think this is a wonderful new new wave that
we should recreate everywhere.
Speaker 2 (12:49):
Who else Oprah did that? I'm like, we like, yes,
we lived like Oprah Winfrey did it. Somebody else have
rich and were like Tyler Perry, were like Drake, Yes.
Speaker 4 (13:07):
Tona's like this is evil Tonah saying he's doing good
for evil reasons.
Speaker 3 (13:11):
Drake doesn't have to do this, you know that, right,
He don't have to. He don't have to do this
to get women. He's just Drake.
Speaker 1 (13:19):
True.
Speaker 5 (13:19):
So this is just a candier after cannisell Is hard.
Speaker 2 (13:23):
Okay, all right, before I leave this we leave this point,
Drake invites you Kiki on Kiki, the Kiki that does
not not married. Yes, she owns her own beauty supply businesses.
And Drake invites you to his house, hands you fifty
thousand dollars in cash, gives you a luxury vehicle and
(13:44):
a Burken bag. You don't think you're gonna love Drake forever?
Speaker 5 (13:49):
Yes, that's why.
Speaker 2 (13:51):
That's what Drake call you late at night, Be like
what you're doing? Want come over for some drinks. Let's
talk about your business.
Speaker 5 (13:56):
Yes, but unmarried Kiki beauty supply. I work in Kiki.
If Drake called me and just was calling me, is Drake,
I'm still going to Canada?
Speaker 1 (14:06):
You know what I'm saying.
Speaker 5 (14:07):
Yeah, it don't take all that.
Speaker 3 (14:09):
So my thing, what Drake is doing is changing the
narrative about him across the country. He does that for
the women in Toronto or whatever, and he makes the
headline now Kiki and Chicago, who was just td e
key is now back ov okey and saying how amazing
Drake is for doing that. That's all he doing, He
creating a story so that we could He's changing the
(14:31):
narrative about how women so w now women are rallying
behind Drake again rather than what we were doing.
Speaker 4 (14:37):
That's all that is, and that's that's very smart. But
what tone is saying, what you're missing is this is
a recruitment event. Absolutely, so he's also gonna see what's
out there. And if anything, I think he's doing everything
that you're talking about. But if something catches his eye
within this time period that he may not have the
number two.
Speaker 3 (14:55):
It's his, absolutely, but it was But my point, I
my only disargument what that is that it was his anyway,
it was he didn't.
Speaker 1 (15:03):
Need to know. He creates the event.
Speaker 4 (15:05):
So now these invite these like these chicks are coming,
Does that make sense? Like they in my now they're
in my reach.
Speaker 5 (15:14):
I'm saying, I hate to get a gameway, get a game,
go ahead.
Speaker 1 (15:17):
So it's ten women, now ten, they's ten fatigue.
Speaker 2 (15:22):
They are having this great experience, right, this is hospitality
at its finest.
Speaker 1 (15:28):
Drake.
Speaker 2 (15:29):
Yes, if Drake reaches out to you and says, hey, hey,
he key come up to Toronto, Drake, he could be
labeled as thirsty head and slid in your d MS.
But if Drake presents hospitality towards you and then you
want to just give it to him. Now he's just
taking what's his. It's called waiting for something to shake.
(15:52):
Drake Drake no all tenative women not going he but
he's like, yo, y'all have a good time, and he
is not going to even act like he's interested. And
somebody gonna be like they something shook out of that ten.
Maybe I'm at least saying four out of.
Speaker 1 (16:09):
The ten shook.
Speaker 5 (16:11):
I think Drake can go ten for ten.
Speaker 1 (16:14):
Drake definitely can go ten for ten, just if he
chooses to go ten for ten.
Speaker 4 (16:17):
What's gonna happen is Drake is gonna cause friend over
and he's gonna say he's gonna whisper in his ear
and tell him something, and then Drake's gonna disappear. And
then said friend is gonna walk up to a group
of ladies that Drake wants and say, hey, man, after
this we having a little something that the thing y'all
come through, okay, boom, and then it's over. But Drake's
(16:38):
not gonna be seen in the event trying to holler
at chicks because that kind of goes against It's gonna
look like, you know what he wants to.
Speaker 1 (16:44):
He wants it to look like I'm just you know,
I just want to uplift the women. But he is
doing it for his image more more than to get
extra vagina. That's just the perks of it. I get it.
That's cool. Shout you Drake. All right, I wish I
could know something like that.
Speaker 5 (16:58):
I wish y'all could too.
Speaker 1 (16:59):
I wish I could.
Speaker 2 (17:00):
I want you to know if I ever invite ten
women to my crib and give him fifty thousands of
Burking bags and some cars, trust me, it is some
evil reasons.
Speaker 1 (17:10):
That's a shame. It's evil reasons.
Speaker 2 (17:14):
Dropped My homie Friday dropped his trailer to the new
album Tension, released in August fourteenth. Shout out to Friday. Now, Zach,
you did put me on Friday's music. I had to
give you that.
Speaker 1 (17:27):
And Friday's Friday is a good friend of the show. Yeah.
I like Friday. So you say he's dropping new music, yep,
August fourteenth.
Speaker 4 (17:34):
I'm excited for it. You know, I've liked Friday since
he's come out. Both albums were good to me. Even
his live concert was good. He's got a.
Speaker 1 (17:41):
Very unique, strong voice, different, but I like Friday. He's dope.
So I'm excited for the fourteenth. And R and B
is in a good place, y'all.
Speaker 4 (17:50):
I just want to let y'all know, throughout this podcast,
you look at earlier episodes, I probably was talking trash
about how R and B ain't where it's supposed to be.
Speaker 1 (17:58):
Today I can say that R and B is in
a great place. And I'm what do you what?
Speaker 5 (18:04):
What's making you excited?
Speaker 1 (18:05):
Who?
Speaker 5 (18:06):
Which artists?
Speaker 4 (18:06):
I mean, it's so many from just dropped that new
mood and it's moved to a classic. It's a banger,
you know what I'm saying, and he's doing it the
right way. You know, I'm gonna say L mean, I'm
gonna throw l mean in there. Even the young boy
j don oh, Yes, coming up tough. It's so many
Klani's album really solid album's album is solid.
Speaker 1 (18:30):
R and B is in a good spot.
Speaker 4 (18:34):
Yes it is, it is, And I'm happy to groups
and even like and no, you know I joke with
all the time about B two K being back, but
done that say something to to just how R and
B is where B two K can come back?
Speaker 1 (18:47):
I mean B two K did did did a really
good job at the album. I did take a couple
of skips to it.
Speaker 2 (18:53):
Do what.
Speaker 1 (18:55):
You know what you skip because came out I skipped
through something.
Speaker 5 (19:05):
I highly recommend listening to A. Marion's O two E P.
Speaker 3 (19:09):
It is amazing and B two K mile Lische is
a great record that's now being added to radio across
the country.
Speaker 1 (19:17):
So a record.
Speaker 5 (19:20):
I've been working the record.
Speaker 1 (19:22):
I work every two K record.
Speaker 3 (19:24):
But I'm but like and I and I hate that
for me because when I when I'm serious about a song,
nobody takes me serious because I tell everything is great.
But when I tell you, oh, two is it's good,
it's really good, guys. And like Zach said, R and
B is in a great place, good place. All right,
I'm telling you, oh to just go listen to Reasons
(19:47):
all right?
Speaker 1 (19:48):
All right? Well Chloe Bailey is she releasing records? She has?
Speaker 3 (19:52):
She's been working with Timbland, Oh it would be nice
for her. She's been working with Timbling. They dropped I
think two songs so far. So give Chloe a listen.
Speaker 1 (20:02):
I got out now.
Speaker 2 (20:04):
She also shared her approach to health and fitness after
leaving the diet behind her statement is in the group text.
Speaker 1 (20:11):
Anybody got that to read that? Get it? Oh? Well,
of course you were. That's it. Yes, you teme about
the statement that I don't see in the group text, right?
What statement? Ryan, Well, Ryan said, it's in there.
Speaker 5 (20:24):
From Chloe Bailey.
Speaker 1 (20:27):
Yep, her statement is in the group text.
Speaker 3 (20:29):
What it says, Well, it ain't that he lied, So
let's look up Choe Bailey's statement.
Speaker 2 (20:35):
Okay, health and fitness after leaving diet culture behind.
Speaker 3 (20:41):
Anybody got experience producing a podcast? Don't laugh too hard.
We got any videographers out there too, because yesterday the
camera weren't working. Now we don't have a statement. It's
it's pips about to be handed out. Okay, let me
see she's ending her vegan diet apply at what More
(21:01):
Podcasts at gmail dot com. Hold on, let me find
this damn comment somebody in the group chat.
Speaker 1 (21:09):
He just lied.
Speaker 3 (21:12):
And okay, Chloe said, I know my weight fluctuates, but
I've been working out hard since February. Grateful that I
didn't lose the booty this time.
Speaker 1 (21:22):
Though.
Speaker 5 (21:23):
That was a statement we needed to read. Ryan, Yeah, yes, yeah,
he going on the right up in a suspension because what.
Speaker 3 (21:33):
Okay, like she's leaving veganism, and I think that's a
big deal for somebody who has been vegan because that's.
Speaker 5 (21:39):
Such a strict lifestyle.
Speaker 2 (21:41):
But h.
Speaker 3 (21:50):
Y'all, I know something wrong. Okay, I'm waiting on some
new meats to come out. Damn well, I ain't going
to be okay. I've been on the black mar I
get looking for new animals to frown. I damn sure
ain't going to begin that. Listen, leave Chloe alone. But
the force hate against Chloe Bailey drives me insane. And
(22:12):
y'all know, I been on this rant for force hating
on people who haven't done a thing to anybody. All
she does is wake up, look good, have a lot
of talent, and live her life, and people just hate
hate for no reason.
Speaker 5 (22:27):
I don't understand what.
Speaker 1 (22:33):
I don't think the thing is hate.
Speaker 4 (22:35):
I don't think that's the correct thing, because I sometimes
I have no I want her to be successful. When
she first came out, I've always thought all that she's dope,
she's talented. Some stuff that Chloe does comes off a
little strange and weird, and when people call it out,
you know what I'm saying. I think she feels it's
it's hat and then she claps back and it just
(22:56):
gets sometimes weird, you know. So weird stuff happens around
Chloe sometimes, and I don't think they forcing the hate.
It's just some stuff just be weird. You know you
see it too, No, and I think you ignore it
because you love Chloe, And I understand that. I try
to ignore it too. But some stuff she does, you
be like Chloe, we didn't need all that. That feels
(23:17):
a little like you'll be a little embarrassed for somebody.
Sometimes you be a little embarrassed for Chloye. But you
do certain stuff and you know I'm telling the truth.
Speaker 3 (23:27):
He has normalized a grown man performing in nightgowns. But
he want to say Chloe Bailey is weird.
Speaker 1 (23:35):
Not she's weird. Okay, So sometimes like, no, explain the
man in nightgowns and she attext you.
Speaker 5 (23:46):
Normal.
Speaker 1 (23:47):
My guy don't talk, see what I'm saying. He don't do.
Speaker 4 (23:50):
He doesn't do interviews like that. He doesn't do. All
he gonna do is give you that voice and sing
whatever he's singing. It blinds you.
Speaker 1 (23:56):
You don't even know what he got on because the
voice is so she's Hey, guys, he's just a victim.
Speaker 5 (24:03):
Wait to go on to swim and you'd be like, hey,
why are you talking like that?
Speaker 1 (24:07):
What's going on, chloy? We gotta give us some grace.
Speaker 4 (24:10):
I'm giving her the grace, but I'm saying that's what
people be seeing. It'd be that awkward stuff because it's awkward.
Speaker 2 (24:16):
It gotta be awkward for somebody to because Chloe's just
a victim of all right, hey y'all, finna be the
next people. We got you, You got the endorsement, we
got you, y'all pretty y'all could sing all right, let's
push you out.
Speaker 1 (24:31):
And it didn't stick.
Speaker 2 (24:32):
So now she's stuck in that weird place of trying
to get something to stick. She had the engine behind it,
and then it just didn't stick. It didn't stick.
Speaker 5 (24:42):
She's amazing. She's a great artist.
Speaker 1 (24:44):
I didn't say she wasn't.
Speaker 3 (24:45):
And I just believe that there's a lot of force
hate when it comes to Chloe and other people too.
I ain't gonna bring them up, but it's just a
lot of force hate out here in the world. And
y'all bother people that don't bother nobody bothering her. You
gotta see it online. Okay, throw her take her pictures
(25:05):
without her makeup on, and the memes.
Speaker 1 (25:08):
Up like that.
Speaker 3 (25:09):
Okay, I get that, Okay, Chloe Bailey dirty okay, but
they act like SOMEA Walker is normal and I'm gonna
leave it at that. So I hate doing this and
always think about weird because Sizz are weird, some are weird.
Speaker 5 (25:30):
All all of my favorite artists we stopping.
Speaker 2 (25:34):
You are going down a weird wall. You're going down
a bad rabbit hole. You're gonna make me do something
I don't want to do.
Speaker 1 (25:41):
What you just said, Sizzle, it's weird.
Speaker 2 (25:45):
And some of Walker we're weird, yes, yes, but they
also have one thing hit record, thank you right?
Speaker 1 (25:51):
But what could be as weird as she wanted to
if she had?
Speaker 5 (25:55):
So that's just let people be weird, though, is what
my point is.
Speaker 3 (26:00):
You know what I'm saying. I'm never disputing their music.
Like I said, they are our favorite artists. I love
Somema Waka, love her music, love sis of music, but
they admittedly talk about being weird.
Speaker 5 (26:09):
They say they weird. You know what I'm saying, Siss,
I'll tell you in a minute.
Speaker 1 (26:12):
She's weird.
Speaker 3 (26:13):
Someone get on the Internet and do all kind of
weird stuff and we just be like, Okay, but Chloe
get on it and take a selfie and everybody's dragon.
I think that's sports hate.
Speaker 1 (26:23):
I just think if you allowed to be weird. Michael Jackson, Camels.
Speaker 5 (26:29):
Y'all bullied Mike. Y'all bullied Mike.
Speaker 2 (26:31):
But you know what, you know, when people stop bullying Mike,
he made thriller now every time, Mike, Yeah, Mike. The
moment Mike really got bullied is when the hit records
slowed down. Unfortunately it's bad. It's like, hey, you could
be weird, you could be look at all the weird
ass actors, but they just do. They do amazing movies,
(26:52):
and we kind of be like, all right.
Speaker 5 (26:55):
My thing is, let people be weird in peace.
Speaker 3 (26:58):
I was always the kid who was arguing with people
at school for bullying the weird kids, like I took
up for this. So maybe that's just where this is
coming from. Like I would have defended at in high school.
He wouldn't have had he wouldn't have had no problems
because I'm not weird.
Speaker 1 (27:15):
But I'm just saying I get what you're saying. I
guess I'm saying this.
Speaker 4 (27:20):
I do understand what you're saying, Kiki, and I don't
think I don't want you to think that I disagree
with you, Yes, but you can't. I don't think you
also have to ignore that sometimes Chloe has done things
and put stuff out on social that has been weird
and weird. Isn't even necessarily enough because, like you said.
Speaker 2 (27:39):
Everybody does weird stuff something everybody, but we talk about
them too, and when they do weird stuff, we talk
about them.
Speaker 1 (27:47):
You just said, I ain't got a moo moo and
this and that if she I don't know what it is.
Speaker 5 (27:54):
It's really Tone's point.
Speaker 3 (27:55):
We accept weird from artists would hit records and artists
that we like, I can love, And if y'all don't
feel that way about him, then y'all dragged.
Speaker 5 (28:04):
The people that are a little different.
Speaker 2 (28:07):
That's what she's saying. That's the part what she's saying
isn't right. You shouldn't let people be weird. You should
see we got there. Now let's get to this. Chris Brown, Uh.
Speaker 1 (28:19):
He says that well.
Speaker 2 (28:20):
His his former UK sailmate says that the singer switched
up on him after being released from prison.
Speaker 3 (28:26):
Speaking of weird speaking switched up on him, Yeah, speaking
of weird, this whole situation.
Speaker 1 (28:34):
And Chris actually said something to this. Do y'all got it?
Speaker 2 (28:36):
He says in a group text, Ryan said, it's a
hold on, go ahead kick You looked that up about
the car. Well, because because he got me, I'm about.
Speaker 4 (28:48):
To call hey man, hold on, y'all, I'm just gonna
call right hey, Ryan, Everything that you said was in
the group text. Ain't in the group text.
Speaker 5 (28:59):
So, uh so come turn in your key card.
Speaker 1 (29:02):
Yeah, you sleep your key card on the thing. We don't.
We done went to the group text three times in
the pie. Ain't been in nothing in that grather your belongings.
It's in the group text. We're gonna walk here about
it here.
Speaker 4 (29:14):
We didn't get the Chloe take them to the elevator.
We didn't get the first what was the first one.
Speaker 5 (29:18):
We didn't have Chloe Bailey's statement.
Speaker 1 (29:20):
We didn't have Chloe Bailey.
Speaker 5 (29:22):
He made the jay Z song sound weird the first time.
Speaker 1 (29:24):
Yep, jay Zon.
Speaker 5 (29:26):
And we don't have Chris Brown.
Speaker 4 (29:28):
Yep, we ain't got Chris Brown either. No, don't don't
send it now, then tell me check the group Yes, yes, Okay, this.
Speaker 3 (29:36):
Was a plane we in the add with no gasoline
pips for you, bro. Okay, and then oh then we
read the wrong tweet because of you you know what.
Speaker 5 (29:46):
Show, We didn't argue about Chloe Bailey for twenty minutes on.
Speaker 1 (29:49):
The wrong topic, on the wrong damn topic. Don't worry
about it.
Speaker 3 (29:54):
Though, by our resumes at what More Podcasts at gmail
dot com.
Speaker 1 (30:01):
No, no, how about you, you know, and do your job.
We're gonna we're gonna talk to you after this man. Okay,
is that right? Yeah? And he's gonna get mad. Tone
you ain't reading this stuff on the on the sheet, Sam, okay.
Speaker 2 (30:19):
All right, all right, Well about the salemate, Kiki, yes,
all right, what's wrong? What the salemate is saying is crazy.
Speaker 5 (30:29):
It's crazy.
Speaker 2 (30:32):
He said I'm good enough for him for him in jail,
but now that I'm out, it's like he's too good
for me.
Speaker 5 (30:42):
Okay.
Speaker 3 (30:42):
Chris Brown collapsed back at former UK salemate, who claimed
the singer switched up on him after being released from prison,
despite remaining loyal throughout their sentence and too, and then
he dropped a quote. This act just read, so basically,
this man is saying he was in jail with Chris Brown.
They were close friends and jail and at some point
they and you know how you get well, I don't know.
(31:04):
I never been in jail, but people in jail be
making a lot of promises to people. And I think
what happened was Chris Brown and this guy he thought
Chris Brown was his actual friend. So when he got
when Chris got out, the guy would be hitting Chris
up for tickets and stuff, and Chris was giving them
tickets to his girlfriend or what would come see him
at the show, and something where Chris said no or
(31:25):
ignored him, and Buddy started releasing their messages and Chris
cussed him out.
Speaker 1 (31:30):
And it looks really crazy.
Speaker 2 (31:32):
Yeah, that, I'll tell you always goes wrong when the
communication stopped. Something go wrong with the communication between a
regular person a celebrity. Now we gotta start outing them
and saying, all crazy, come on, dog you as jail friend,
he gave you. Even if he gave you one pair
of tickets, well just one, I'd have been like, all right,
I'm cool, and me and Chris would seale mace man,
(31:53):
look we was talking.
Speaker 1 (31:54):
Man, it's Miami Jay. You don't hit him up all
the time. No, it's Chris Fan Brown.
Speaker 4 (32:01):
What relationship did you think you had with Chris? The
fact that he gave you tickets? He probably he watched
you backstage?
Speaker 1 (32:06):
Was like, what up?
Speaker 5 (32:06):
Bro?
Speaker 1 (32:07):
Good seeing you man? Glad you out? I'm out? What
else do you want? How long was he in jail
with him? That's what I'm trying to figure out.
Speaker 5 (32:13):
Did Ryan provide the audio from the man?
Speaker 3 (32:16):
For?
Speaker 2 (32:16):
Who?
Speaker 5 (32:16):
From the guy? H?
Speaker 1 (32:18):
It's audio there?
Speaker 3 (32:20):
Yes? Okay, Well, the selly posted a note allegedly written
by Chris Brown to him on a piece of paper.
The note says to Dave, thank you, my brother. I
appreciate everything you've done for me while I've been blocked up.
Keep being a good person. God sees all, and he
(32:41):
sees your heart. You'll be home soon, bro, cheers Chris
Brown with a heart. And it looked like he put
some bloodstains on the note, which is again weird, but
we accept weird from pop certain people.
Speaker 1 (32:57):
So yeah, well we don't know that he wrote the note.
Speaker 5 (33:00):
Well, well, it's a signature there. I don't know allegedly.
Speaker 1 (33:04):
Okay, oh again, how much what does he want from? Okay?
Speaker 2 (33:11):
Here, let me go, let me, let me help anybody
out this wh we had the audio had a celebrity friend.
I'm cool with the Wrens tape.
Speaker 1 (33:20):
I'm cool with him.
Speaker 2 (33:21):
I will text the Wrins and he won't respond for months,
for months. I don't be like, oh bro, you bogus,
Oh bro you did oh man, tone, what's up?
Speaker 1 (33:34):
Bro?
Speaker 5 (33:34):
Man?
Speaker 2 (33:34):
I meant to get back to you. Jason weaves Man
like my brother, I might hit weed now, I won't
take no months, but it might not. I might hit
We've heurn no return my text for about a couple
of days, three four days. But it don't mean nothing.
Celebrities are busy. It's the same thing that we was
talking about the other day about Shaboozie respect the curve,
(33:59):
Like that's it, Yeah, that's it.
Speaker 3 (34:02):
It's weird when you think, I mean, because being in
jail is a different type of level. So Chris Brown
and he probably felt level to Chris Brown for some
you know what I'm saying. Like he probably felt they
was on the same you trauma bond when you're in
a hard place, you know what I'm saying. And so
he probably in his mind really thought that was his friend,
his brother, and that that relationship was going to continue
outside of prison. But I think you're just a little delusional,
(34:25):
you know what I'm saying, Like, yeah, just in jail
with him. Dog.
Speaker 1 (34:30):
Let me tell you something.
Speaker 4 (34:31):
Jail dudes really can't take reality. Well that's that's that's
they come out. Sometimes they think they in relationship with
the woman that they left when they think everything go
back to where it was. And if Chris was just
being a good guy and cool with him and like
really rocking with him, I don't think the guys lying.
I think they was cool in jail, but he didn't
realize this is just the jail thing. And when I'll
(34:55):
probably catch him in passing, he'll probably mess with me.
Every time he kept whatever city they're from or whatever
at at you. Every time you go to England or
wherever they was at, Chris ll take care of him.
They take care of my boy.
Speaker 1 (35:04):
Yeah yeah, yeah, he can hit him. Yeah, he good.
Speaker 4 (35:07):
And then you leave that as there. We're not gonna
hang out. We're not we're not going shopping together, we
not doing We're not that.
Speaker 1 (35:14):
But jail people.
Speaker 4 (35:16):
Sometimes have a tough time. Dudes reached out to you
to rap. They told my man, they met you one
time at a remote outside of Juil.
Speaker 1 (35:30):
That's tough. And you said, Bro, email me, but the
jail he was like, that's my man.
Speaker 4 (35:35):
He said, yeah, I'm probably gonna be open up for
a dongle pone day next year or soth like they put.
They start creating the story until you all this stuff
that's gonna happen.
Speaker 2 (35:43):
They met you one time. Yes, that's tough, that's weird.
That's tough. I hate it when people get mad at me.
Speaker 1 (35:50):
I want you to know y'all get mad at me
when y'all say, hey, ton, we was.
Speaker 2 (35:57):
We was in the club back of O seven even
we was like by the bar and then we was.
I feel bad when I remember you.
Speaker 5 (36:05):
Yes, you do.
Speaker 3 (36:06):
You try to keep your word to everybody, and you
try to come through for everybody.
Speaker 2 (36:10):
You do.
Speaker 1 (36:11):
I try too hard. Yeah, I try to, you do.
Speaker 5 (36:14):
I don't try it.
Speaker 1 (36:14):
I don't even.
Speaker 2 (36:18):
Like.
Speaker 1 (36:18):
I don't remember Bro, I just remember me. I don't
really do that. I feel like, no remind me. I
don't remember you at all. Now. I hate doing that.
That's bad.
Speaker 5 (36:31):
I don't.
Speaker 1 (36:31):
I hate like some people. I remember now I will,
I remember faces.
Speaker 2 (36:37):
It's red and I completely blackout on the whole situation.
Speaker 1 (36:42):
But there is times that people have walked up to me,
especially like what three days ago the park. I was
at the park with my son exactly. The lady walks
up to me. It says, hey, you remember me, No,
I lived down the street.
Speaker 4 (36:57):
Hey, I'm good for the even if I don't remember
out lie after you tell me the place.
Speaker 5 (37:04):
Oh okay, so you let them refresh your memory, remind.
Speaker 4 (37:07):
Me, and then they'll tell me. And then I may remember.
I may not, but you're gonna get the same response.
Hell yeah, I remember now, my boy, you being I
remember now. That's crazy, that's crazy.
Speaker 1 (37:20):
That's so funny.
Speaker 2 (37:21):
Let's get to this man, Lebron James be poorly has
the last dance. Stout died in the works after signing
with the Sixers, as he should.
Speaker 5 (37:28):
It just reminded me. And when Tom called Friday, remember him?
Speaker 1 (37:35):
I remember Friday.
Speaker 5 (37:37):
It's funny though, because that's literally what the situation is.
Speaker 1 (37:41):
It was. It was and I just and I don't.
I didn't follow.
Speaker 2 (37:44):
I didn't follow the only thing about that Friday situation
that I say, maybe mad that I just like I
didn't follow my rules of engagement. I did not follow
it that they keep everything safe. We saw when we
was in La for what we were in La for
for BT Awards. We at t I party. I saw
doctor Cheyenne Brian again. I have seen it like three
(38:05):
or four times. I came up, she saw me, but
I still said, hey, talk upon I interviewed you at TSR.
Speaker 1 (38:12):
Hey yeah, boom, and it was it and kept it pushing.
That's how I should have did it with Friday.
Speaker 2 (38:18):
But I mean now it's actually become this joke has
become a joke on their side.
Speaker 5 (38:23):
Yes, it's it's hilarious.
Speaker 1 (38:25):
They still like like they laughed at it.
Speaker 2 (38:27):
Like he walked up to me when we were saying Houston,
looking his glasses off, like it's me baby having Friday.
Speaker 1 (38:35):
That's the fact that he was like, no, I remember,
hold on. He hit me with a sac I don't remember.
I don't remember he said hold on, he took the
glass off, you know me not no, no off. It
was that what it is hold on and it was
(38:57):
in there.
Speaker 2 (38:58):
I'm talking I've probably only been in all my career,
been in maybe three parties that had had that were
like that, with that level of celebrity. I'm talking to
everybody just as I was, I was feeling like I
was one of them.
Speaker 1 (39:14):
That was one of them. I had a lot of cocktails.
That's a bad That was a wild moment.
Speaker 5 (39:18):
Man, it ain't wrong, that's so funny.
Speaker 1 (39:20):
But yeah, let's get to this man.
Speaker 2 (39:21):
I think he deserves it though, Lebron James The Last
Dance Style Documentary.
Speaker 5 (39:26):
Yes, I think.
Speaker 3 (39:28):
So do you think do you think Lebron is going
to try to get six rings or seven rings?
Speaker 1 (39:33):
Impossible? Why would you say it's impossible for him to
get six or seven?
Speaker 3 (39:40):
Uh?
Speaker 1 (39:40):
Ge't seven? I don't think. I don't think his body
holds up to get seven.
Speaker 5 (39:43):
But I'm like, maybe he trying to get six? To
me with Jordan's.
Speaker 1 (39:47):
Absolutely, I think. I think.
Speaker 4 (39:49):
I do think he has a chance to go back
to back with these Philadelphia seventy six ers if they
they messed.
Speaker 1 (39:55):
Well, yeah, I think it's a chance. Yeah he could probably.
Speaker 2 (39:58):
I mean I'm not met like people get mad at
him for trying to go get a ring. I mean,
Lebron not be in sports or at least basketball.
Speaker 1 (40:07):
You playing for.
Speaker 2 (40:09):
Money, shots and fame and ring and rings, legacy and legacy. Yeah,
so it's not like it's not a lot that you're
playing for. He's got a lot of that already.
Speaker 1 (40:21):
He don't need no money.
Speaker 2 (40:22):
The legacy is set. All he needs is like, hey, man,
I want you say Jordan got six rings? I got
six rings?
Speaker 1 (40:30):
Yeah? What you gonna say?
Speaker 2 (40:31):
And I mean and eventually when when Mike becomes like
a Bill Russell, how when people talk about Bill Russell
and Kareem.
Speaker 1 (40:41):
You know you'd be like, oh, yeah, they were really good.
Speaker 2 (40:43):
But Lebron gonna be the guy for most kids to
be like, yo, he's the greatest basketball player ever.
Speaker 1 (40:48):
He had six rings. He better than me.
Speaker 4 (40:52):
It's like, I couldn't be Lebron James still be out
there on the court. That's how you know you got
a different love for it. Be the Lebron James is
the Beyonces, the the Eddie you know, Murphy's he said
there anything I do more, y'all gonna judge and criticize,
you know what I'm saying. So people always say, oh,
he's ring chasing, He's going No, he just wants to
compete for a championship.
Speaker 1 (41:12):
His legacy is set.
Speaker 4 (41:13):
He can get ten more rings, and everybody's still gonna,
you know, have their opinion of why it was trying
to make them not legit. He's already to still play
the game and go through this type of criticism at
this late and you don't need nothing from nobody.
Speaker 1 (41:29):
I think it's admirable and you gotta just love basketball.
Speaker 4 (41:32):
And people say, oh, you ring chasing the man average
twenty seven points in the playoffs last year, beat the
Rockets without the other star on there by himself, so
he still got it. It ain't like he just scoring
six points a game and barely go No, he's just
still him.
Speaker 1 (41:48):
People can't take that Mike didn't do that.
Speaker 3 (41:51):
I'm not debating with you today on Mike Now what
she saying he said? He said, Yo, goat couldn't do that.
Speaker 1 (42:00):
He was trashing at forty two. What'd you say.
Speaker 5 (42:06):
He said that MJ was trash at forty two.
Speaker 2 (42:10):
They're not gonna all I'm gonna say is this, and
I'm gonna be done and I'm done talking about it.
It ain't even really I could go We all heard
this debate. Mike won the championship three times in a row,
left basketball to play baseball, chill came back, almost.
Speaker 1 (42:30):
Went to the finals, and then won it three more times.
Speaker 5 (42:36):
Two took play professional golf at some point.
Speaker 1 (42:39):
No, I made up. You made that up too much.
Speaker 2 (42:43):
Sounded good though, So I ain't got I really can't.
That's all I say. I just like I got you,
I got you two three pieces crazy with teams that
are less talented than Lebron has won championships with no
Do you know what happened to that team Key Keepson's
were he year and I'm gonna leave it here. You
know that team when he went to go play baseball
(43:04):
when he wasn't on the team anymore. Yeah, that team
went to the Western Conference fights Eastern Conference fight.
Speaker 1 (43:09):
But did they win? They didn't.
Speaker 2 (43:10):
They didn't win, but they literally took it to like
game seven, they won fifty They won.
Speaker 4 (43:17):
I believe they won fifty eight games the year that
looked that Mike played. Then when he retired, when he
left the game, they won fifty six the next year
without him. So, but it's less talented to be this
less I know they always say this less talented team
when Lebron lee.
Speaker 1 (43:30):
For argument, when Lebron leave places, they turned the ship.
That's fair, they.
Speaker 2 (43:34):
Don't because all the other that's because all the other
stars leave with him.
Speaker 1 (43:38):
No, he shows up places and they become something.
Speaker 4 (43:40):
So when he went to when he went to Cleveland,
when he went to Cleveland, they hadn't been in the
playoffs in four years.
Speaker 1 (43:46):
Okay, I'm not gonna argue with it. They didn't and
then they next thing, you know, they're champions.
Speaker 5 (43:50):
I didn't mean to start this.
Speaker 1 (43:51):
I did say.
Speaker 5 (43:52):
I didn't mean to start that.
Speaker 2 (43:53):
All I'm saying is he won it three times in
a row. He did her left and did it and
did it again. That's the That's why I say it's
crazy to win a championship three years in a row,
stop and then say, you know what, I'm gonna win.
He literally ruined people's lives their whole career. He ruined
(44:19):
their life. They're like, yeah, this is it, we gonna
get it. And this fool won three ars in a row,
and now he's trash because you done got old. He
ruined people's lives.
Speaker 4 (44:29):
He probably had the best seven year run in basketball
ever in sports and sports history, probably ever ever, he's ever,
but Lebron's had four careers in one career, four Hall
of Fame careers in one.
Speaker 2 (44:43):
All right, you got it, all right, man, if you
got lives to have cool shoes, all right, Can we
go ahead and move on?
Speaker 1 (44:50):
He does, Alright, gonna watch the documentary? Am I gonna
watch it? No? I'm a Lebron fan. I like Lebron.
I like the things like Lebron's outward facing.
Speaker 2 (45:01):
It was a different time, But I think that I
don't even think Jordan, even if he lived in this
era where he would be outward facing like he is,
I still I still think he would still keep things
Lebron like let us in, let us see him Taco Tuesday,
let us see him work out a podcast, like do
a part like.
Speaker 1 (45:19):
You know what I mean? I just I enjoy that
that he the people. Yeah, you know what I mean.
Speaker 5 (45:26):
I'm so proud of his legacy is ridiculous.
Speaker 1 (45:29):
Here we have better fashions, We got better, we got
better Mike.
Speaker 4 (45:37):
Mike would have a stylist if he came up in this,
I don't think he would go because when people say that,
don't forget Mike and his heyday was a trendsetter as
far as fashion and style.
Speaker 1 (45:48):
Niggas was getting hoop it rings and all of that.
That's because of Mike.
Speaker 2 (45:53):
He was that. Yeah, definitely, he definitely made that. I
think I think he would he. I think he made
bald heads popular.
Speaker 5 (46:01):
Yes he did.
Speaker 1 (46:02):
He definitely made it popular. Who else was it, Well,
Mike made it a thing. No, it was other bald people.
But when he went bald, people was like it was okay.
People who could grow hair were going bald because of
Michael Jordan. Hi people were.
Speaker 2 (46:17):
It was a lot more men trying to hang on
and had the ring and then had this little that
little piece. I don't know what that was, though, I'm
glad that. I'm glad I missed that air. Yeah, that
would have been crazy work, like I gotta walk around
my ring and then like.
Speaker 1 (46:33):
Stuff in the middle, insane. I couldn't have been popular
like that.
Speaker 2 (46:38):
No, I'm right cool, all right, man, If you got
locked up, who from the pot are you calling?
Speaker 1 (46:44):
First? Zach, I'm gonna get you out.
Speaker 5 (46:49):
Definitely calling Sack.
Speaker 1 (46:51):
Who's a car first? Who would I call first? Definitely?
Speaker 2 (46:55):
I would call ain't gonna lie to you and it ain't.
But you wouldn't call me I got locked up, come
get you.
Speaker 1 (47:05):
No, it's not that.
Speaker 4 (47:07):
For some reason this I know this is weird, but
for some reason I feel like I call key key,
but you would pull up, so like, yes, I'm coming.
Speaker 2 (47:14):
I need.
Speaker 4 (47:15):
She ain't coming out of the house, but I need
I need somebody to let everybody know. Like she's gonna
make sure that it's happening in emotion. You know what
I'm saying. And I can hear you get in the
call and be like, I get him and then you
come get me. You know what I'm saying, Cause I don't.
I don't have faith in key come from himself.
Speaker 5 (47:33):
So i'd be like, how long they say that.
Speaker 2 (47:36):
Look, I'm gonna come by in the morning after the show.
See she gonna try to pick me up on the
way somewhere. Ton'm gonna get up and come get me
with her. He'll leave the club. He'll be like, I'm
on the way, bro, but I need to see. The
thing is, you don't look at your phone, so you
think I'm gonna call you because you ain't gonna gonna
miss it.
Speaker 5 (47:56):
Now he's gonna miss He always on the phone. I
don't want to put it.
Speaker 1 (48:01):
I don't see it.
Speaker 3 (48:02):
I don't want his pressure up, like because I know
the moment I caught that man is turning red. He's
gonna panic, He's gonna yell everybody at the station gonna.
Speaker 5 (48:13):
Know what happened.
Speaker 3 (48:14):
I can't call him right away. I gotta tell him
the story after I got everything worked out.
Speaker 1 (48:18):
I'm not doing that. Oh please, I'm not doing that.
Speaker 3 (48:23):
You would be You would be livid, like what like
you wouldn't intentionally tell everybody but your voice, like your
voice with everybody.
Speaker 1 (48:32):
We're here, okay, everybody.
Speaker 3 (48:35):
My friends are all listening watching this to know, Like
who you call Ryan twenty six in California. I've never
been over there.
Speaker 1 (48:53):
I think would get the answer and go back to sleep.
Speaker 5 (48:55):
Yeah, ain't nobody calling them?
Speaker 2 (48:56):
Right?
Speaker 1 (48:56):
Ass?
Speaker 5 (48:59):
I gotta you.
Speaker 1 (49:02):
Shoot, he's gonna talk to you.
Speaker 2 (49:06):
He's not gonna be that, no emotion, and the voice
is gonna be like right, I'm locked up, man, tell
them to get me up out of here.
Speaker 1 (49:11):
You are real? So what you do?
Speaker 2 (49:16):
Man?
Speaker 1 (49:17):
Where you at? That's crazy? All right? I'm gonna call him, alright?
Why do you sho? You gonna call him? Yeah? And
then you see a text Zach in jail? Go get
him now?
Speaker 5 (49:28):
When he takes us the other day, it is anybody
seeing it is.
Speaker 2 (49:31):
Anybody seeing my text. The only way n get me
out if I got his charge. He stole your charge.
Speaker 1 (49:43):
He's like, is this it?
Speaker 5 (49:44):
My hair?
Speaker 1 (49:46):
Key stole that side of the room is charging? Still me?
I don't still what happened back in here? And saw it?
Speaker 3 (49:53):
Oh?
Speaker 1 (49:54):
I thought she had it.
Speaker 5 (49:55):
I was the only one to respond to the young
brother because tanks for hours.
Speaker 3 (50:01):
I was actually working and I said, let me stop
what I'm doing and go see if ride a charger
in here.
Speaker 1 (50:06):
I didn't respond because I wasn't in there. I wasn't
at the street stations.
Speaker 5 (50:12):
So right, so anyway, yeah, I really wouldn't call none
of y'all.
Speaker 1 (50:18):
I'm being for real. You'll sit there and do my
time if I you do your time, Yeah, looking for you.
Speaker 3 (50:27):
You're gonna have a hundred jokes when you come pick
me up. They gonna maybe take my wig off. I
can't wait till the part to pressure.
Speaker 1 (50:35):
Gonna be up.
Speaker 2 (50:37):
Pressure definitely would get up, but I would I would come,
I'm coming to get You'll you would. I ain't gonna
say nothing. I'm gonna just be like, damn, Kicky locked up,
that's crazy.
Speaker 1 (50:47):
Now.
Speaker 2 (50:48):
The only thing I would say I was like, if
anybody got Kiki's mama's sister number, I get so I
gotta I gotta get airy futy because I'm like, she
calling me shemus can't get in touch. I gotta do something. Yes,
I got because I probably call her Zach right after that,
like Kiki locked up. Bro, you gotta get her, We
(51:11):
gotta get her. All right, come on, she thene finally snapped. Snap,
all right, don't forget guys to ask the pods zac book.
Speaker 1 (51:20):
How does that go? Well? You ask the pod.
Speaker 4 (51:22):
So what you do is you ask us anything that
you want to ask us, and we definitely answer it.
We give advice, suggestions, whatever you want. Right, So, you
go to the iHeartRadio app and then you go to
w g C I and then you click that red
mic and then you just leave a message for us.
We go through all the messages and we answer them
on our Sunday show from four at six pm on.
Speaker 1 (51:42):
W g C I.
Speaker 2 (51:44):
And also, since we're right here with a little housekeeping,
remember that proper way to comment is hey, podfam is
blah blah blah.
Speaker 1 (51:53):
From there we go.
Speaker 2 (51:55):
Now, I know a lot of you have already said hey,
you know, we've already told you where we're from, but
we still like to see where you're from because when
people see that in the comments, they see that the
pod is everywhere.
Speaker 1 (52:06):
Yep, So hey, hey what up podfam or howe you
want to start it? But remember from.
Speaker 3 (52:13):
Such and such absolutely, and make sure you are listening
to the show every Sunday four o'clock Central time. You
can listen from across the country on the iHeartRadio app.
Just search for WGCI.
Speaker 1 (52:24):
Yep. So you get actually you get an extra pod.
Speaker 3 (52:27):
Yeah it's an extra pod. And yeah it's mandatory, actually supermandatory.
But let's get to this before we get out too
much of No. Amazon is now training drivers for slippery deliveries,
to deliver packages and hazardous weather. They just they got
to teach it because people probably messing up and taking
off work.
Speaker 1 (52:49):
That is crazy to me, what get slippery training is wild?
Speaker 4 (52:54):
So what they're doing is like giving you slippery conditions
and then having you train and walk through the package.
Amazon do not want you to take a day off.
They are like, hell, no, ain't no way these packages
getting out. We're gonna treat you how to walk in
slippery conditions. Yeah, so then getting so then when you
fall as it's on you, we trained you.
Speaker 5 (53:13):
Yes, I mean look at the mail.
Speaker 3 (53:14):
The postal workers they gotta walk in slippery conditions, and
I ain't paying no prime service for them. If I'm
paying prime and you slipping, slide and get my packages
to my dough, okay, figure it out.
Speaker 5 (53:26):
Get you some boots, put a little salt truck down
there or something.
Speaker 3 (53:29):
But no, because we'd have They never had mercy about
the postal workers. They gotta go to work, rainsleek, hell snow, gunshots, dogs,
loose everything to deliver them coupons that we ain't opening.
Speaker 5 (53:40):
So if I'm paying for a service, absolutely there it is.
Speaker 2 (53:45):
I'm a kick key. Yes, all right, let's go ahead.
Let's read some comments from the pod.
Speaker 1 (53:51):
Mmmm, pips, don't you know news.
Speaker 5 (53:59):
Like it out?
Speaker 1 (54:01):
We need some music for what K's looking for? What
did they just say?
Speaker 3 (54:05):
Oh my god, Alaskan cruise would be dope. That's from
Comichia Lockhart, I don't know why we were talking about that.
Speaker 4 (54:14):
What are we talking about, elast I don't know when
we were talking about last we were talking about going
to Alaska maybe, and then she was in an Alaskan cruise.
Speaker 5 (54:23):
Monica seventy said, tone getting it this morning.
Speaker 1 (54:26):
That made me giggle.
Speaker 5 (54:26):
They talking about you. How you keep moving in them chairs.
It's so funny.
Speaker 1 (54:33):
Let me see. Oh.
Speaker 3 (54:34):
Happiness in Maryland said, why y'all do tone like this?
L O L Now if he do this, moves with
his shirt off? Carry on from Baltimore, Maryland. So y'all
got him tworking.
Speaker 5 (54:46):
In the chairs.
Speaker 1 (54:46):
H I don't work. They just want to see him
decade it all up. You want to see tones. You
want to see Tone tworking in the chair? No nod.
Speaker 5 (55:03):
Loretta Taylor said, you know you find when your camera glitching.
Speaker 1 (55:07):
And you still look good.
Speaker 3 (55:13):
Jay more abundantly said from Arizona Pie, Okay, Arizona Pie,
fam checking in. I enjoy y'all all so much. Y'all
truly brightened my day. Keep doing the Lord's work.
Speaker 5 (55:26):
My goodness.
Speaker 1 (55:27):
Yes, there we go.
Speaker 3 (55:30):
Uh huh, let me see Novella Marie laughing at Zach
time about girl, if you don't put that plate up?
And another one from Happiness She said, Keiki as a
church girl, pick up the pieces is a good message.
Speaker 5 (55:45):
You can preach that.
Speaker 3 (55:46):
And it reminds me of the episode when Zach Hero
Martin Lawrence pick up the pieces. Yea, yeah, yeah, and
a few people of pop. I'm saying that they would
actually like the G unit shue. So wow, yeah, Gena
Lee said, I want those G units. I'm forty two
years old and my first paycheck and my first job,
(56:07):
I got me a G unit jacket and I still
have it.
Speaker 1 (56:11):
You could do so much more with your money right now,
don't you get Don't do it, don't do it. I'm sorry. Wow,
it a little nostalgia. I guess that's it.
Speaker 3 (56:26):
It's a lot more, but we don't have time. But
shout out to the Poe fam. I love y'all so much,
and I don't What I don't see though, is y'all
supposed to have two yess in these comments. Every week
you brought to the pot they needed, so they need
to vouch that you sent them. So that needs to
be in the comments.
Speaker 5 (56:42):
Expeditiously.
Speaker 1 (56:43):
Let's get it, giving y'all pips. How about that, hips, pips?
Speaker 5 (56:47):
Your resumes? Send your resumes?
Speaker 2 (56:51):
Oh no, hey, y'all, man, we will talk to y'all.
So we are TSR live, right, Yes, yep, TSR live.
So makes you chap? Did you know seven thirty Central Time?
That is eight thirty Eastern and five thirty Pacific. Definitely
check us out, don't miss it. And you know, well,
how let y'all later. What more can I say?
I writ y'all, welcome to the one More Can I Say? Podcast?
Speaker 2 (00:03):
This episode where we had rider three hundred and seventy
four episodes of these things.
Speaker 1 (00:08):
What's hattening?
Speaker 2 (00:09):
I want your hot talko. Alright, let's introduce to other
members of the pot. That is the first lady, that pole,
the only lady of the pots. He's fucking what up?
Speaker 1 (00:18):
Hey, y'all, what's up?
Speaker 3 (00:21):
Somebody better woo whoop wooo? Right, yeah, right, hey y'all,
what's up?
Speaker 1 (00:27):
What's up? What's up? That funny man over there brushing
his waves is Zach bug. I don't have a woo,
I don't have a brush, but woo, I don't know.
I saw you.
Speaker 2 (00:36):
I wasn't looking. I just saw this motion. I don't
have hair, so that us it? You know, I got
you who being sensitive? Angry man starting off for already
he started to day with me. He's starting already. Woo
woo woo woo woo angry man. Now let's go ahead,
get hit the pot man. Cardi B has announced she
(00:57):
is the new face of Old Navy for their fall
Most Just Wanted Denim campaign. Cardi B continues to get
bags shout out to Old Navy the Scully Game.
Speaker 1 (01:07):
I love them.
Speaker 4 (01:08):
Then we just say on this podcast yesterday about how
hard Cardi B works yep, and the biggest hustle out there,
and here she comes with another deal. She even said, Hey,
if you girls got BBLS and you can't find jeans,
look old Navy got you. We got them and they
started twenty two dollars affordable. I noticed that about Cardi
And I don't know if she aligns her brands like
(01:28):
this on purpose, but do you know that she doesn't
do like the She's not behind all the hotest expensive
ticket stuff that people can't afford, her hair care line,
very affordable.
Speaker 1 (01:38):
Jeans, you know what I'm saying. It seems like that
might be a conscious thing.
Speaker 2 (01:41):
I don't know, it gotta be, I mean, and I
think I always say that when celebrities do stuff that
the everyday person that listens to your music can afford it.
Out you got everybody wearing Cardi B jeans, you know
what I mean, everybody a twenty two dollars jean. You're
gonna have so many women in those, especially, I mean
the BBLS. Shout out to the ladies that got BBLS.
(02:03):
And I know they're gonna be able to fit some
some big butts in there. Cardi's endorsing it.
Speaker 3 (02:10):
Yeah, I think it's smart to come out with this
because so many women have the new booties. You know,
not everybody got their upgraded booty, and now you need
somewhere to put it. And so Cardi B Is gonna
give you the solution. And we know one thing about
Cardi B and her team, they are fly Okay, she
has some of the She's one of the best styled
entertainers in the business in my opinion. So I can't
(02:31):
wait to see what she does with this line, and
I hope it extends to her children, like I would
love to see how she dressed her kids in old
Navy because I think I maybe I'm speaking for everybody,
but when you were a kid, that's a lot of
kids were old Navy. Like we was shorties. We used
to get old Navy shirts for the Fourth of July.
Used to be a whole thing. So I want to
see that too.
Speaker 1 (02:49):
Yeah. I get my son's stuff from old Navy all
the time.
Speaker 4 (02:51):
Definitely, I hit the Navy six dollars shorts, yep, six
dollars t shirts.
Speaker 1 (02:56):
Man, you rack up you spend one hundred dollars. He's
straight for the season. Yep, we don't child support. You
got three kids. That helps.
Speaker 5 (03:01):
Come on now, everybok kaki short, everybody, come on now.
Speaker 1 (03:06):
Clothes.
Speaker 2 (03:09):
The old Navy is one of those places you go
back to school shopping for sure for sure, and coat
shopping for some reason.
Speaker 1 (03:15):
You go get your coat winter. Yeah, win a coach
for sure for sure.
Speaker 2 (03:20):
All right, let's get to this man. Beyonce drop the
remix to Morning Dew featuring Jay Z. Looks like we
got sound on that.
Speaker 1 (03:27):
Let's hear it. Let's take you.
Speaker 6 (03:33):
You know what that night this, Let's see what that
morning do top of the top, sloppy in the Morning Dew.
Watch you spent it. I don't need nothing new coming through.
Smell of fool in the old school holding this up.
Title a liar, but we know the truth.
Speaker 5 (03:50):
Put the mute, let me put you on game.
Speaker 2 (03:57):
I like I said, I like them to sing together,
but I don't know. I don't know if that was
one of Jay's stronger verses.
Speaker 1 (04:06):
Was that a Jay strong verse.
Speaker 5 (04:07):
He had about one mode rhyme with do and do
I was about.
Speaker 1 (04:11):
Saying that jay Z, he's way better than what that
verse show, way better.
Speaker 2 (04:17):
It wasn't he ain't hit this what a pause part
where he hit the pause. I kind of liked that,
but I mean, I woo.
Speaker 4 (04:27):
It started strong, you know what I'm saying. Like the
first four bars, I was like, okay with that, morning
do it. And then you thought he was gonna kind
of switch the catens up, and he kept it the same.
I don't know hear the whole song.
Speaker 3 (04:37):
I gotta make sure this was approved by jay Z,
like I gotta make sure this wasn't somebody didn't leak this.
I need to make sure this is the official remix.
Because he was even rapping too hard, like he was loud.
He was it was too hard, and then it was
too many rhymes with Malibu. I don't know, I don't know.
Speaker 1 (04:57):
I don't know no man, now forward I know on
this pod, I said hey, I said, hey man, I
just be worried. I ain't saying he can't. I just worried.
Speaker 2 (05:14):
And then somebody on this pod said, huh, I ain't
never worried about what jay Z do.
Speaker 1 (05:20):
I ain't never worried about that.
Speaker 5 (05:21):
I wasn't now I was not until now. Now I'm like, oh,
we gotta have a meeting.
Speaker 4 (05:29):
Hold on, and you don't have to throw out these
verses if it ain't got to listen. You know, jay
Z can go harder than that.
Speaker 1 (05:37):
You gotta listen to.
Speaker 2 (05:38):
Here, boy, this is we all know that doing this,
doing anything and entertainment anything that don't even matter anything
coming off the bench, shoulder speak to come and then
jump back in you cat.
Speaker 1 (05:54):
That's what took Drake so long. Drake got beat up.
He hadn't been rapping that much.
Speaker 2 (05:59):
He had really been vacation on his plane, and he
had to make sure what he came out with was
at least solid. Jay's still living in it, like, man,
I can get off the bench and do whatever. I
look at my freestyles, look at that This it's a
miss and I don't like saying that about But that verse,
(06:20):
the piece that we heard.
Speaker 1 (06:22):
We can go back. Listen to it right now. Hold on,
let's give it another. We know what that night did.
Speaker 6 (06:30):
Let's see what that morning do. Top of the top,
sloppy is the morning do?
Speaker 1 (06:34):
To watch you?
Speaker 6 (06:36):
I don't need nothing new coming through meloboo in an
old school, So then this up type of a liar.
Speaker 1 (06:42):
But we know the truth. Put the meal, U, let
me put you on game. Not second time around. I
like it. Second time around it got better.
Speaker 5 (06:57):
It's failure.
Speaker 1 (06:58):
I can't see that.
Speaker 5 (06:59):
Yeah us, No, I get it now. I missed it.
I didn't hear it clearly the first time.
Speaker 2 (07:05):
Okay, so we got we still got bars in there.
It's still got bars in there. Like see that morning dude.
Then he went off the dude, he is.
Speaker 5 (07:11):
Not as strong he did eat when you hit the words,
we know what that night did. Let's see what that morning?
Speaker 1 (07:18):
You start rapping locky?
Speaker 4 (07:27):
You know what that means for the top slocky like
that more morning dude. I get that morning dude with.
Speaker 5 (07:33):
Driving around in an old school Malaboo vintage.
Speaker 1 (07:37):
I don't want nothing. Okay, so let's go let's go
back again. Let's go back again. We get.
Speaker 2 (07:46):
We know what that night did.
Speaker 6 (07:47):
Let's see what that morning do. Top of the top
sloppy in the morning duke, to watch you, vin, I
don't need nothing new coming through smelling pool in the
old school holding this up type.
Speaker 1 (08:00):
But we know the truth. Mute.
Speaker 2 (08:06):
Let me.
Speaker 5 (08:09):
Forget everything.
Speaker 4 (08:11):
And then you got to hear the rest of the
verse to cut off, so you know he might have
just even took it up to a whole other level.
Speaker 1 (08:17):
Be sorry, he snaps. Be sorry, I like because the
benches A don't like nothing new.
Speaker 5 (08:21):
But all I kept here was dou w sou. That's
why I couldn't hear the words.
Speaker 1 (08:27):
Now I know the words, the words.
Speaker 5 (08:30):
Let's see you know what that nice? Let's see what
that morning do?
Speaker 3 (08:35):
Put them holes on mute mut he ate, He snap,
Oh sorry, I don't know what they I don't know
what they were talking about.
Speaker 5 (08:44):
I never went against you whole never.
Speaker 2 (08:47):
You were just worried nods ago no, but we okay,
so let me ask you this. So I wouldn't listen
to nightmareter dreams, Yeah, what's that about?
Speaker 1 (08:58):
Okay? I just wanted okay, there, well go, that was.
Speaker 2 (09:01):
Mic Miil redoing dreams tonightmares and it's not he rapping
in there.
Speaker 1 (09:05):
But it ain't. He should have never touched it. I
got to hear it.
Speaker 5 (09:08):
I ain't even gonna listen to it.
Speaker 4 (09:09):
So he decided to like remix his song later, like
fourteen years later, right, m M something like that, something.
Speaker 3 (09:15):
Like that, because I mean, when you had a song
that's a hit like it was for so long. I
guess he figured, like y'all saying y'all tied of heating
it in the club. Let me get yall a new
version of it, right, Yeah.
Speaker 2 (09:26):
I guess we like that's a classic. That's a classic classic.
Speaker 3 (09:32):
That is that?
Speaker 2 (09:33):
And I think that's that's the best intro of hip
hop history. There's never been an intro to an album
that's been better than that ever.
Speaker 1 (09:43):
Ever. You just can't an intro getting played like they
think about it. I don't.
Speaker 2 (09:50):
That's why, because we don't remember the intros. That's because
we remember this one.
Speaker 1 (09:55):
I can't say the best in hip hop history though.
That's that's tough, Zach. You can't. The only intro that
you can remember is dreams to night dreams and nightmares.
That's it.
Speaker 2 (10:06):
That's why it's the best. Yep, you right, that's why
it's the best. All right, let's go ahead at this though.
Speaking of music, Drake get to ten women with fifty
thousand dollars each at his annual Strong Women, Stronger Drinks
event in Toronto that was created to celebrate women and
give them a space to connect and for him to sample.
(10:30):
Dude created a sampling event and called it oh My God,
all right.
Speaker 3 (10:35):
I like this though, like y'all throwing these rooftop parties
and stuff. Y'all need to starry throwing parties like drake
and do what give us fifty thousand dollars? You know,
y'all want to have parties and yeah, parties over there.
Speaker 5 (10:52):
I want to come to a Tonga pone party and
lead with twenty bands.
Speaker 2 (10:56):
I wish I could, but I wouldn't. Let you know,
you leave with ten bands. There's some strings attached to
but that's called fifty thousand dollars of seed money. Ten
ten women got seed money.
Speaker 5 (11:12):
Wow, that's amazing, though, Like, if you got it, do it.
Speaker 2 (11:16):
What's the party thing? It's called strong Women, Stronger drinks.
The vents in Toronto created celebrate women and give them
a space to connect.
Speaker 5 (11:26):
Oh yeah, that's a wilde.
Speaker 2 (11:30):
It's dire Boller Cole is different. That is like, that's
something I'm just bored. It's needing new chicks out here.
Speaker 1 (11:38):
Let's throw a party. I'm gonna come through and pick
the ones. I want. Strong women, stronger drinks. And he
gave so. He gave them.
Speaker 2 (11:49):
He brought strong pretty women, put them all in the room,
gave them strong drinks and handed them fifty thousand dollars
in cash. Yep, that's wonderful. That's definitely he took the
game to the next level.
Speaker 1 (12:06):
With that one.
Speaker 2 (12:07):
That's that's tricking. If you got it personified, that's seed money.
Speaker 1 (12:12):
Bro. I ain't mad at him.
Speaker 3 (12:14):
He put Yeah, he had our fifty thousand dollars increments
to ten female creators and business owners. He had luxury
vehicles outside with bowls on them and burking bags.
Speaker 1 (12:26):
So wait a minute, he gave them burking bags.
Speaker 5 (12:28):
Too, and cars outside the party.
Speaker 1 (12:32):
He gave out cars. Yes, yes, he is. He's got
to be stopped. That is.
Speaker 3 (12:42):
I think this is a wonderful new new wave that
we should recreate everywhere.
Speaker 2 (12:49):
Who else Oprah did that? I'm like, we like, yes,
we lived like Oprah Winfrey did it. Somebody else have
rich and were like Tyler Perry, were like Drake, Yes.
Speaker 4 (13:07):
Tona's like this is evil Tonah saying he's doing good
for evil reasons.
Speaker 3 (13:11):
Drake doesn't have to do this, you know that, right,
He don't have to. He don't have to do this
to get women. He's just Drake.
Speaker 1 (13:19):
True.
Speaker 5 (13:19):
So this is just a candier after cannisell Is hard.
Speaker 2 (13:23):
Okay, all right, before I leave this we leave this point,
Drake invites you Kiki on Kiki, the Kiki that does
not not married. Yes, she owns her own beauty supply businesses.
And Drake invites you to his house, hands you fifty
thousand dollars in cash, gives you a luxury vehicle and
(13:44):
a Burken bag. You don't think you're gonna love Drake forever?
Speaker 5 (13:49):
Yes, that's why.
Speaker 2 (13:51):
That's what Drake call you late at night, Be like
what you're doing? Want come over for some drinks. Let's
talk about your business.
Speaker 5 (13:56):
Yes, but unmarried Kiki beauty supply. I work in Kiki.
If Drake called me and just was calling me, is Drake,
I'm still going to Canada?
Speaker 1 (14:06):
You know what I'm saying.
Speaker 5 (14:07):
Yeah, it don't take all that.
Speaker 3 (14:09):
So my thing, what Drake is doing is changing the
narrative about him across the country. He does that for
the women in Toronto or whatever, and he makes the
headline now Kiki and Chicago, who was just td e
key is now back ov okey and saying how amazing
Drake is for doing that. That's all he doing, He
creating a story so that we could He's changing the
(14:31):
narrative about how women so w now women are rallying
behind Drake again rather than what we were doing.
Speaker 4 (14:37):
That's all that is, and that's that's very smart. But
what tone is saying, what you're missing is this is
a recruitment event. Absolutely, so he's also gonna see what's
out there. And if anything, I think he's doing everything
that you're talking about. But if something catches his eye
within this time period that he may not have the
number two.
Speaker 3 (14:55):
It's his, absolutely, but it was But my point, I
my only disargument what that is that it was his anyway,
it was he didn't.
Speaker 1 (15:03):
Need to know. He creates the event.
Speaker 4 (15:05):
So now these invite these like these chicks are coming,
Does that make sense? Like they in my now they're
in my reach.
Speaker 5 (15:14):
I'm saying, I hate to get a gameway, get a game,
go ahead.
Speaker 1 (15:17):
So it's ten women, now ten, they's ten fatigue.
Speaker 2 (15:22):
They are having this great experience, right, this is hospitality
at its finest.
Speaker 1 (15:28):
Drake.
Speaker 2 (15:29):
Yes, if Drake reaches out to you and says, hey, hey,
he key come up to Toronto, Drake, he could be
labeled as thirsty head and slid in your d MS.
But if Drake presents hospitality towards you and then you
want to just give it to him. Now he's just
taking what's his. It's called waiting for something to shake.
(15:52):
Drake Drake no all tenative women not going he but
he's like, yo, y'all have a good time, and he
is not going to even act like he's interested. And
somebody gonna be like they something shook out of that ten.
Maybe I'm at least saying four out of.
Speaker 1 (16:09):
The ten shook.
Speaker 5 (16:11):
I think Drake can go ten for ten.
Speaker 1 (16:14):
Drake definitely can go ten for ten, just if he
chooses to go ten for ten.
Speaker 4 (16:17):
What's gonna happen is Drake is gonna cause friend over
and he's gonna say he's gonna whisper in his ear
and tell him something, and then Drake's gonna disappear. And
then said friend is gonna walk up to a group
of ladies that Drake wants and say, hey, man, after
this we having a little something that the thing y'all
come through, okay, boom, and then it's over. But Drake's
(16:38):
not gonna be seen in the event trying to holler
at chicks because that kind of goes against It's gonna
look like, you know what he wants to.
Speaker 1 (16:44):
He wants it to look like I'm just you know,
I just want to uplift the women. But he is
doing it for his image more more than to get
extra vagina. That's just the perks of it. I get it.
That's cool. Shout you Drake. All right, I wish I
could know something like that.
Speaker 5 (16:58):
I wish y'all could too.
Speaker 1 (16:59):
I wish I could.
Speaker 2 (17:00):
I want you to know if I ever invite ten
women to my crib and give him fifty thousands of
Burking bags and some cars, trust me, it is some
evil reasons.
Speaker 1 (17:10):
That's a shame. It's evil reasons.
Speaker 2 (17:14):
Dropped My homie Friday dropped his trailer to the new
album Tension, released in August fourteenth. Shout out to Friday. Now, Zach,
you did put me on Friday's music. I had to
give you that.
Speaker 1 (17:27):
And Friday's Friday is a good friend of the show. Yeah.
I like Friday. So you say he's dropping new music, yep,
August fourteenth.
Speaker 4 (17:34):
I'm excited for it. You know, I've liked Friday since
he's come out. Both albums were good to me. Even
his live concert was good. He's got a.
Speaker 1 (17:41):
Very unique, strong voice, different, but I like Friday. He's dope.
So I'm excited for the fourteenth. And R and B
is in a good place, y'all.
Speaker 4 (17:50):
I just want to let y'all know, throughout this podcast,
you look at earlier episodes, I probably was talking trash
about how R and B ain't where it's supposed to be.
Speaker 1 (17:58):
Today I can say that R and B is in
a great place. And I'm what do you what?
Speaker 5 (18:04):
What's making you excited?
Speaker 1 (18:05):
Who?
Speaker 5 (18:06):
Which artists?
Speaker 4 (18:06):
I mean, it's so many from just dropped that new
mood and it's moved to a classic. It's a banger,
you know what I'm saying, and he's doing it the
right way. You know, I'm gonna say L mean, I'm
gonna throw l mean in there. Even the young boy
j don oh, Yes, coming up tough. It's so many
Klani's album really solid album's album is solid.
Speaker 1 (18:30):
R and B is in a good spot.
Speaker 4 (18:34):
Yes it is, it is, And I'm happy to groups
and even like and no, you know I joke with
all the time about B two K being back, but
done that say something to to just how R and
B is where B two K can come back?
Speaker 1 (18:47):
I mean B two K did did did a really
good job at the album. I did take a couple
of skips to it.
Speaker 2 (18:53):
Do what.
Speaker 1 (18:55):
You know what you skip because came out I skipped
through something.
Speaker 5 (19:05):
I highly recommend listening to A. Marion's O two E P.
Speaker 3 (19:09):
It is amazing and B two K mile Lische is
a great record that's now being added to radio across
the country.
Speaker 1 (19:17):
So a record.
Speaker 5 (19:20):
I've been working the record.
Speaker 1 (19:22):
I work every two K record.
Speaker 3 (19:24):
But I'm but like and I and I hate that
for me because when I when I'm serious about a song,
nobody takes me serious because I tell everything is great.
But when I tell you, oh, two is it's good,
it's really good, guys. And like Zach said, R and
B is in a great place, good place. All right,
I'm telling you, oh to just go listen to Reasons
(19:47):
all right?
Speaker 1 (19:48):
All right? Well Chloe Bailey is she releasing records? She has?
Speaker 3 (19:52):
She's been working with Timbland, Oh it would be nice
for her. She's been working with Timbling. They dropped I
think two songs so far. So give Chloe a listen.
Speaker 1 (20:02):
I got out now.
Speaker 2 (20:04):
She also shared her approach to health and fitness after
leaving the diet behind her statement is in the group text.
Speaker 1 (20:11):
Anybody got that to read that? Get it? Oh? Well,
of course you were. That's it. Yes, you teme about
the statement that I don't see in the group text, right?
What statement? Ryan, Well, Ryan said, it's in there.
Speaker 5 (20:24):
From Chloe Bailey.
Speaker 1 (20:27):
Yep, her statement is in the group text.
Speaker 3 (20:29):
What it says, Well, it ain't that he lied, So
let's look up Choe Bailey's statement.
Speaker 2 (20:35):
Okay, health and fitness after leaving diet culture behind.
Speaker 3 (20:41):
Anybody got experience producing a podcast? Don't laugh too hard.
We got any videographers out there too, because yesterday the
camera weren't working. Now we don't have a statement. It's
it's pips about to be handed out. Okay, let me
see she's ending her vegan diet apply at what More
(21:01):
Podcasts at gmail dot com. Hold on, let me find
this damn comment somebody in the group chat.
Speaker 1 (21:09):
He just lied.
Speaker 3 (21:12):
And okay, Chloe said, I know my weight fluctuates, but
I've been working out hard since February. Grateful that I
didn't lose the booty this time.
Speaker 1 (21:22):
Though.
Speaker 5 (21:23):
That was a statement we needed to read. Ryan, Yeah, yes, yeah,
he going on the right up in a suspension because what.
Speaker 3 (21:33):
Okay, like she's leaving veganism, and I think that's a
big deal for somebody who has been vegan because that's.
Speaker 5 (21:39):
Such a strict lifestyle.
Speaker 2 (21:41):
But h.
Speaker 3 (21:50):
Y'all, I know something wrong. Okay, I'm waiting on some
new meats to come out. Damn well, I ain't going
to be okay. I've been on the black mar I
get looking for new animals to frown. I damn sure
ain't going to begin that. Listen, leave Chloe alone. But
the force hate against Chloe Bailey drives me insane. And
(22:12):
y'all know, I been on this rant for force hating
on people who haven't done a thing to anybody. All
she does is wake up, look good, have a lot
of talent, and live her life, and people just hate
hate for no reason.
Speaker 5 (22:27):
I don't understand what.
Speaker 1 (22:33):
I don't think the thing is hate.
Speaker 4 (22:35):
I don't think that's the correct thing, because I sometimes
I have no I want her to be successful. When
she first came out, I've always thought all that she's dope,
she's talented. Some stuff that Chloe does comes off a
little strange and weird, and when people call it out,
you know what I'm saying. I think she feels it's
it's hat and then she claps back and it just
(22:56):
gets sometimes weird, you know. So weird stuff happens around
Chloe sometimes, and I don't think they forcing the hate.
It's just some stuff just be weird. You know you
see it too, No, and I think you ignore it
because you love Chloe, And I understand that. I try
to ignore it too. But some stuff she does, you
be like Chloe, we didn't need all that. That feels
(23:17):
a little like you'll be a little embarrassed for somebody.
Sometimes you be a little embarrassed for Chloye. But you
do certain stuff and you know I'm telling the truth.
Speaker 3 (23:27):
He has normalized a grown man performing in nightgowns. But
he want to say Chloe Bailey is weird.
Speaker 1 (23:35):
Not she's weird. Okay, So sometimes like, no, explain the
man in nightgowns and she attext you.
Speaker 5 (23:46):
Normal.
Speaker 1 (23:47):
My guy don't talk, see what I'm saying. He don't do.
Speaker 4 (23:50):
He doesn't do interviews like that. He doesn't do. All
he gonna do is give you that voice and sing
whatever he's singing. It blinds you.
Speaker 1 (23:56):
You don't even know what he got on because the
voice is so she's Hey, guys, he's just a victim.
Speaker 5 (24:03):
Wait to go on to swim and you'd be like, hey,
why are you talking like that?
Speaker 1 (24:07):
What's going on, chloy? We gotta give us some grace.
Speaker 4 (24:10):
I'm giving her the grace, but I'm saying that's what
people be seeing. It'd be that awkward stuff because it's awkward.
Speaker 2 (24:16):
It gotta be awkward for somebody to because Chloe's just
a victim of all right, hey y'all, finna be the
next people. We got you, You got the endorsement, we
got you, y'all pretty y'all could sing all right, let's
push you out.
Speaker 1 (24:31):
And it didn't stick.
Speaker 2 (24:32):
So now she's stuck in that weird place of trying
to get something to stick. She had the engine behind it,
and then it just didn't stick. It didn't stick.
Speaker 5 (24:42):
She's amazing. She's a great artist.
Speaker 1 (24:44):
I didn't say she wasn't.
Speaker 3 (24:45):
And I just believe that there's a lot of force
hate when it comes to Chloe and other people too.
I ain't gonna bring them up, but it's just a
lot of force hate out here in the world. And
y'all bother people that don't bother nobody bothering her. You
gotta see it online. Okay, throw her take her pictures
(25:05):
without her makeup on, and the memes.
Speaker 1 (25:08):
Up like that.
Speaker 3 (25:09):
Okay, I get that, Okay, Chloe Bailey dirty okay, but
they act like SOMEA Walker is normal and I'm gonna
leave it at that. So I hate doing this and
always think about weird because Sizz are weird, some are weird.
Speaker 5 (25:30):
All all of my favorite artists we stopping.
Speaker 2 (25:34):
You are going down a weird wall. You're going down
a bad rabbit hole. You're gonna make me do something
I don't want to do.
Speaker 1 (25:41):
What you just said, Sizzle, it's weird.
Speaker 2 (25:45):
And some of Walker we're weird, yes, yes, but they
also have one thing hit record, thank you right?
Speaker 1 (25:51):
But what could be as weird as she wanted to
if she had?
Speaker 5 (25:55):
So that's just let people be weird, though, is what
my point is.
Speaker 3 (26:00):
You know what I'm saying. I'm never disputing their music.
Like I said, they are our favorite artists. I love
Somema Waka, love her music, love sis of music, but
they admittedly talk about being weird.
Speaker 5 (26:09):
They say they weird. You know what I'm saying, Siss,
I'll tell you in a minute.
Speaker 1 (26:12):
She's weird.
Speaker 3 (26:13):
Someone get on the Internet and do all kind of
weird stuff and we just be like, Okay, but Chloe
get on it and take a selfie and everybody's dragon.
I think that's sports hate.
Speaker 1 (26:23):
I just think if you allowed to be weird. Michael Jackson, Camels.
Speaker 5 (26:29):
Y'all bullied Mike. Y'all bullied Mike.
Speaker 2 (26:31):
But you know what, you know, when people stop bullying Mike,
he made thriller now every time, Mike, Yeah, Mike. The
moment Mike really got bullied is when the hit records
slowed down. Unfortunately it's bad. It's like, hey, you could
be weird, you could be look at all the weird
ass actors, but they just do. They do amazing movies,
(26:52):
and we kind of be like, all right.
Speaker 5 (26:55):
My thing is, let people be weird in peace.
Speaker 3 (26:58):
I was always the kid who was arguing with people
at school for bullying the weird kids, like I took
up for this. So maybe that's just where this is
coming from. Like I would have defended at in high school.
He wouldn't have had he wouldn't have had no problems
because I'm not weird.
Speaker 1 (27:15):
But I'm just saying I get what you're saying. I
guess I'm saying this.
Speaker 4 (27:20):
I do understand what you're saying, Kiki, and I don't
think I don't want you to think that I disagree
with you, Yes, but you can't. I don't think you
also have to ignore that sometimes Chloe has done things
and put stuff out on social that has been weird
and weird. Isn't even necessarily enough because, like you said.
Speaker 2 (27:39):
Everybody does weird stuff something everybody, but we talk about
them too, and when they do weird stuff, we talk
about them.
Speaker 1 (27:47):
You just said, I ain't got a moo moo and
this and that if she I don't know what it is.
Speaker 5 (27:54):
It's really Tone's point.
Speaker 3 (27:55):
We accept weird from artists would hit records and artists
that we like, I can love, And if y'all don't
feel that way about him, then y'all dragged.
Speaker 5 (28:04):
The people that are a little different.
Speaker 2 (28:07):
That's what she's saying. That's the part what she's saying
isn't right. You shouldn't let people be weird. You should
see we got there. Now let's get to this. Chris Brown, Uh.
Speaker 1 (28:19):
He says that well.
Speaker 2 (28:20):
His his former UK sailmate says that the singer switched
up on him after being released from prison.
Speaker 3 (28:26):
Speaking of weird speaking switched up on him, Yeah, speaking
of weird, this whole situation.
Speaker 1 (28:34):
And Chris actually said something to this. Do y'all got it?
Speaker 2 (28:36):
He says in a group text, Ryan said, it's a
hold on, go ahead kick You looked that up about
the car. Well, because because he got me, I'm about.
Speaker 4 (28:48):
To call hey man, hold on, y'all, I'm just gonna
call right hey, Ryan, Everything that you said was in
the group text. Ain't in the group text.
Speaker 5 (28:59):
So, uh so come turn in your key card.
Speaker 1 (29:02):
Yeah, you sleep your key card on the thing. We don't.
We done went to the group text three times in
the pie. Ain't been in nothing in that grather your belongings.
It's in the group text. We're gonna walk here about
it here.
Speaker 4 (29:14):
We didn't get the Chloe take them to the elevator.
We didn't get the first what was the first one.
Speaker 5 (29:18):
We didn't have Chloe Bailey's statement.
Speaker 1 (29:20):
We didn't have Chloe Bailey.
Speaker 5 (29:22):
He made the jay Z song sound weird the first time.
Speaker 1 (29:24):
Yep, jay Zon.
Speaker 5 (29:26):
And we don't have Chris Brown.
Speaker 4 (29:28):
Yep, we ain't got Chris Brown either. No, don't don't
send it now, then tell me check the group Yes, yes, Okay, this.
Speaker 3 (29:36):
Was a plane we in the add with no gasoline
pips for you, bro. Okay, and then oh then we
read the wrong tweet because of you you know what.
Speaker 5 (29:46):
Show, We didn't argue about Chloe Bailey for twenty minutes on.
Speaker 1 (29:49):
The wrong topic, on the wrong damn topic. Don't worry
about it.
Speaker 3 (29:54):
Though, by our resumes at what More Podcasts at gmail
dot com.
Speaker 1 (30:01):
No, no, how about you, you know, and do your job.
We're gonna we're gonna talk to you after this man. Okay,
is that right? Yeah? And he's gonna get mad. Tone
you ain't reading this stuff on the on the sheet, Sam, okay.
Speaker 2 (30:19):
All right, all right, Well about the salemate, Kiki, yes,
all right, what's wrong? What the salemate is saying is crazy.
Speaker 5 (30:29):
It's crazy.
Speaker 2 (30:32):
He said I'm good enough for him for him in jail,
but now that I'm out, it's like he's too good
for me.
Speaker 5 (30:42):
Okay.
Speaker 3 (30:42):
Chris Brown collapsed back at former UK salemate, who claimed
the singer switched up on him after being released from prison,
despite remaining loyal throughout their sentence and too, and then
he dropped a quote. This act just read, so basically,
this man is saying he was in jail with Chris Brown.
They were close friends and jail and at some point
they and you know how you get well, I don't know.
(31:04):
I never been in jail, but people in jail be
making a lot of promises to people. And I think
what happened was Chris Brown and this guy he thought
Chris Brown was his actual friend. So when he got
when Chris got out, the guy would be hitting Chris
up for tickets and stuff, and Chris was giving them
tickets to his girlfriend or what would come see him
at the show, and something where Chris said no or
(31:25):
ignored him, and Buddy started releasing their messages and Chris
cussed him out.
Speaker 1 (31:30):
And it looks really crazy.
Speaker 2 (31:32):
Yeah, that, I'll tell you always goes wrong when the
communication stopped. Something go wrong with the communication between a
regular person a celebrity. Now we gotta start outing them
and saying, all crazy, come on, dog you as jail friend,
he gave you. Even if he gave you one pair
of tickets, well just one, I'd have been like, all right,
I'm cool, and me and Chris would seale mace man,
(31:53):
look we was talking.
Speaker 1 (31:54):
Man, it's Miami Jay. You don't hit him up all
the time. No, it's Chris Fan Brown.
Speaker 4 (32:01):
What relationship did you think you had with Chris? The
fact that he gave you tickets? He probably he watched
you backstage?
Speaker 1 (32:06):
Was like, what up?
Speaker 5 (32:06):
Bro?
Speaker 1 (32:07):
Good seeing you man? Glad you out? I'm out? What
else do you want? How long was he in jail
with him? That's what I'm trying to figure out.
Speaker 5 (32:13):
Did Ryan provide the audio from the man?
Speaker 3 (32:16):
For?
Speaker 2 (32:16):
Who?
Speaker 5 (32:16):
From the guy? H?
Speaker 1 (32:18):
It's audio there?
Speaker 3 (32:20):
Yes? Okay, Well, the selly posted a note allegedly written
by Chris Brown to him on a piece of paper.
The note says to Dave, thank you, my brother. I
appreciate everything you've done for me while I've been blocked up.
Keep being a good person. God sees all, and he
(32:41):
sees your heart. You'll be home soon, bro, cheers Chris
Brown with a heart. And it looked like he put
some bloodstains on the note, which is again weird, but
we accept weird from pop certain people.
Speaker 1 (32:57):
So yeah, well we don't know that he wrote the note.
Speaker 5 (33:00):
Well, well, it's a signature there. I don't know allegedly.
Speaker 1 (33:04):
Okay, oh again, how much what does he want from? Okay?
Speaker 2 (33:11):
Here, let me go, let me, let me help anybody
out this wh we had the audio had a celebrity friend.
I'm cool with the Wrens tape.
Speaker 1 (33:20):
I'm cool with him.
Speaker 2 (33:21):
I will text the Wrins and he won't respond for months,
for months. I don't be like, oh bro, you bogus,
Oh bro you did oh man, tone, what's up?
Speaker 1 (33:34):
Bro?
Speaker 5 (33:34):
Man?
Speaker 2 (33:34):
I meant to get back to you. Jason weaves Man
like my brother, I might hit weed now, I won't
take no months, but it might not. I might hit
We've heurn no return my text for about a couple
of days, three four days. But it don't mean nothing.
Celebrities are busy. It's the same thing that we was
talking about the other day about Shaboozie respect the curve,
(33:59):
Like that's it, Yeah, that's it.
Speaker 3 (34:02):
It's weird when you think, I mean, because being in
jail is a different type of level. So Chris Brown
and he probably felt level to Chris Brown for some
you know what I'm saying. Like he probably felt they
was on the same you trauma bond when you're in
a hard place, you know what I'm saying. And so
he probably in his mind really thought that was his friend,
his brother, and that that relationship was going to continue
outside of prison. But I think you're just a little delusional,
(34:25):
you know what I'm saying, Like, yeah, just in jail
with him. Dog.
Speaker 1 (34:30):
Let me tell you something.
Speaker 4 (34:31):
Jail dudes really can't take reality. Well that's that's that's
they come out. Sometimes they think they in relationship with
the woman that they left when they think everything go
back to where it was. And if Chris was just
being a good guy and cool with him and like
really rocking with him, I don't think the guys lying.
I think they was cool in jail, but he didn't
realize this is just the jail thing. And when I'll
(34:55):
probably catch him in passing, he'll probably mess with me.
Every time he kept whatever city they're from or whatever
at at you. Every time you go to England or
wherever they was at, Chris ll take care of him.
They take care of my boy.
Speaker 1 (35:04):
Yeah yeah, yeah, he can hit him. Yeah, he good.
Speaker 4 (35:07):
And then you leave that as there. We're not gonna
hang out. We're not we're not going shopping together, we
not doing We're not that.
Speaker 1 (35:14):
But jail people.
Speaker 4 (35:16):
Sometimes have a tough time. Dudes reached out to you
to rap. They told my man, they met you one
time at a remote outside of Juil.
Speaker 1 (35:30):
That's tough. And you said, Bro, email me, but the
jail he was like, that's my man.
Speaker 4 (35:35):
He said, yeah, I'm probably gonna be open up for
a dongle pone day next year or soth like they put.
They start creating the story until you all this stuff
that's gonna happen.
Speaker 2 (35:43):
They met you one time. Yes, that's tough, that's weird.
That's tough. I hate it when people get mad at me.
Speaker 1 (35:50):
I want you to know y'all get mad at me
when y'all say, hey, ton, we was.
Speaker 2 (35:57):
We was in the club back of O seven even
we was like by the bar and then we was.
I feel bad when I remember you.
Speaker 5 (36:05):
Yes, you do.
Speaker 3 (36:06):
You try to keep your word to everybody, and you
try to come through for everybody.
Speaker 2 (36:10):
You do.
Speaker 1 (36:11):
I try too hard. Yeah, I try to, you do.
Speaker 5 (36:14):
I don't try it.
Speaker 1 (36:14):
I don't even.
Speaker 2 (36:18):
Like.
Speaker 1 (36:18):
I don't remember Bro, I just remember me. I don't
really do that. I feel like, no remind me. I
don't remember you at all. Now. I hate doing that.
That's bad.
Speaker 5 (36:31):
I don't.
Speaker 1 (36:31):
I hate like some people. I remember now I will,
I remember faces.
Speaker 2 (36:37):
It's red and I completely blackout on the whole situation.
Speaker 1 (36:42):
But there is times that people have walked up to me,
especially like what three days ago the park. I was
at the park with my son exactly. The lady walks
up to me. It says, hey, you remember me, No,
I lived down the street.
Speaker 4 (36:57):
Hey, I'm good for the even if I don't remember
out lie after you tell me the place.
Speaker 5 (37:04):
Oh okay, so you let them refresh your memory, remind.
Speaker 4 (37:07):
Me, and then they'll tell me. And then I may remember.
I may not, but you're gonna get the same response.
Hell yeah, I remember now, my boy, you being I
remember now. That's crazy, that's crazy.
Speaker 1 (37:20):
That's so funny.
Speaker 2 (37:21):
Let's get to this man, Lebron James be poorly has
the last dance. Stout died in the works after signing
with the Sixers, as he should.
Speaker 5 (37:28):
It just reminded me. And when Tom called Friday, remember him?
Speaker 1 (37:35):
I remember Friday.
Speaker 5 (37:37):
It's funny though, because that's literally what the situation is.
Speaker 1 (37:41):
It was. It was and I just and I don't.
I didn't follow.
Speaker 2 (37:44):
I didn't follow the only thing about that Friday situation
that I say, maybe mad that I just like I
didn't follow my rules of engagement. I did not follow
it that they keep everything safe. We saw when we
was in La for what we were in La for
for BT Awards. We at t I party. I saw
doctor Cheyenne Brian again. I have seen it like three
(38:05):
or four times. I came up, she saw me, but
I still said, hey, talk upon I interviewed you at TSR.
Speaker 1 (38:12):
Hey yeah, boom, and it was it and kept it pushing.
That's how I should have did it with Friday.
Speaker 2 (38:18):
But I mean now it's actually become this joke has
become a joke on their side.
Speaker 5 (38:23):
Yes, it's it's hilarious.
Speaker 1 (38:25):
They still like like they laughed at it.
Speaker 2 (38:27):
Like he walked up to me when we were saying Houston,
looking his glasses off, like it's me baby having Friday.
Speaker 1 (38:35):
That's the fact that he was like, no, I remember,
hold on. He hit me with a sac I don't remember.
I don't remember he said hold on, he took the
glass off, you know me not no, no off. It
was that what it is hold on and it was
(38:57):
in there.
Speaker 2 (38:58):
I'm talking I've probably only been in all my career,
been in maybe three parties that had had that were
like that, with that level of celebrity. I'm talking to
everybody just as I was, I was feeling like I
was one of them.
Speaker 1 (39:14):
That was one of them. I had a lot of cocktails.
That's a bad That was a wild moment.
Speaker 5 (39:18):
Man, it ain't wrong, that's so funny.
Speaker 1 (39:20):
But yeah, let's get to this man.
Speaker 2 (39:21):
I think he deserves it though, Lebron James The Last
Dance Style Documentary.
Speaker 5 (39:26):
Yes, I think.
Speaker 3 (39:28):
So do you think do you think Lebron is going
to try to get six rings or seven rings?
Speaker 1 (39:33):
Impossible? Why would you say it's impossible for him to
get six or seven?
Speaker 3 (39:40):
Uh?
Speaker 1 (39:40):
Ge't seven? I don't think. I don't think his body
holds up to get seven.
Speaker 5 (39:43):
But I'm like, maybe he trying to get six? To
me with Jordan's.
Speaker 1 (39:47):
Absolutely, I think. I think.
Speaker 4 (39:49):
I do think he has a chance to go back
to back with these Philadelphia seventy six ers if they
they messed.
Speaker 1 (39:55):
Well, yeah, I think it's a chance. Yeah he could probably.
Speaker 2 (39:58):
I mean I'm not met like people get mad at
him for trying to go get a ring. I mean,
Lebron not be in sports or at least basketball.
Speaker 1 (40:07):
You playing for.
Speaker 2 (40:09):
Money, shots and fame and ring and rings, legacy and legacy. Yeah,
so it's not like it's not a lot that you're
playing for. He's got a lot of that already.
Speaker 1 (40:21):
He don't need no money.
Speaker 2 (40:22):
The legacy is set. All he needs is like, hey, man,
I want you say Jordan got six rings? I got
six rings?
Speaker 1 (40:30):
Yeah? What you gonna say?
Speaker 2 (40:31):
And I mean and eventually when when Mike becomes like
a Bill Russell, how when people talk about Bill Russell
and Kareem.
Speaker 1 (40:41):
You know you'd be like, oh, yeah, they were really good.
Speaker 2 (40:43):
But Lebron gonna be the guy for most kids to
be like, yo, he's the greatest basketball player ever.
Speaker 1 (40:48):
He had six rings. He better than me.
Speaker 4 (40:52):
It's like, I couldn't be Lebron James still be out
there on the court. That's how you know you got
a different love for it. Be the Lebron James is
the Beyonces, the the Eddie you know, Murphy's he said
there anything I do more, y'all gonna judge and criticize,
you know what I'm saying. So people always say, oh,
he's ring chasing, He's going No, he just wants to
compete for a championship.
Speaker 1 (41:12):
His legacy is set.
Speaker 4 (41:13):
He can get ten more rings, and everybody's still gonna,
you know, have their opinion of why it was trying
to make them not legit. He's already to still play
the game and go through this type of criticism at
this late and you don't need nothing from nobody.
Speaker 1 (41:29):
I think it's admirable and you gotta just love basketball.
Speaker 4 (41:32):
And people say, oh, you ring chasing the man average
twenty seven points in the playoffs last year, beat the
Rockets without the other star on there by himself, so
he still got it. It ain't like he just scoring
six points a game and barely go No, he's just
still him.
Speaker 1 (41:48):
People can't take that Mike didn't do that.
Speaker 3 (41:51):
I'm not debating with you today on Mike Now what
she saying he said? He said, Yo, goat couldn't do that.
Speaker 1 (42:00):
He was trashing at forty two. What'd you say.
Speaker 5 (42:06):
He said that MJ was trash at forty two.
Speaker 2 (42:10):
They're not gonna all I'm gonna say is this, and
I'm gonna be done and I'm done talking about it.
It ain't even really I could go We all heard
this debate. Mike won the championship three times in a row,
left basketball to play baseball, chill came back, almost.
Speaker 1 (42:30):
Went to the finals, and then won it three more times.
Speaker 5 (42:36):
Two took play professional golf at some point.
Speaker 1 (42:39):
No, I made up. You made that up too much.
Speaker 2 (42:43):
Sounded good though, So I ain't got I really can't.
That's all I say. I just like I got you,
I got you two three pieces crazy with teams that
are less talented than Lebron has won championships with no
Do you know what happened to that team Key Keepson's
were he year and I'm gonna leave it here. You
know that team when he went to go play baseball
(43:04):
when he wasn't on the team anymore. Yeah, that team
went to the Western Conference fights Eastern Conference fight.
Speaker 1 (43:09):
But did they win? They didn't.
Speaker 2 (43:10):
They didn't win, but they literally took it to like
game seven, they won fifty They won.
Speaker 4 (43:17):
I believe they won fifty eight games the year that
looked that Mike played. Then when he retired, when he
left the game, they won fifty six the next year
without him. So, but it's less talented to be this
less I know they always say this less talented team
when Lebron lee.
Speaker 1 (43:30):
For argument, when Lebron leave places, they turned the ship.
That's fair, they.
Speaker 2 (43:34):
Don't because all the other that's because all the other
stars leave with him.
Speaker 1 (43:38):
No, he shows up places and they become something.
Speaker 4 (43:40):
So when he went to when he went to Cleveland,
when he went to Cleveland, they hadn't been in the
playoffs in four years.
Speaker 1 (43:46):
Okay, I'm not gonna argue with it. They didn't and
then they next thing, you know, they're champions.
Speaker 5 (43:50):
I didn't mean to start this.
Speaker 1 (43:51):
I did say.
Speaker 5 (43:52):
I didn't mean to start that.
Speaker 2 (43:53):
All I'm saying is he won it three times in
a row. He did her left and did it and
did it again. That's the That's why I say it's
crazy to win a championship three years in a row,
stop and then say, you know what, I'm gonna win.
He literally ruined people's lives their whole career. He ruined
(44:19):
their life. They're like, yeah, this is it, we gonna
get it. And this fool won three ars in a row,
and now he's trash because you done got old. He
ruined people's lives.
Speaker 4 (44:29):
He probably had the best seven year run in basketball
ever in sports and sports history, probably ever ever, he's ever,
but Lebron's had four careers in one career, four Hall
of Fame careers in one.
Speaker 2 (44:43):
All right, you got it, all right, man, if you
got lives to have cool shoes, all right, Can we
go ahead and move on?
Speaker 1 (44:50):
He does, Alright, gonna watch the documentary? Am I gonna
watch it? No? I'm a Lebron fan. I like Lebron.
I like the things like Lebron's outward facing.
Speaker 2 (45:01):
It was a different time, But I think that I
don't even think Jordan, even if he lived in this
era where he would be outward facing like he is,
I still I still think he would still keep things
Lebron like let us in, let us see him Taco Tuesday,
let us see him work out a podcast, like do
a part like.
Speaker 1 (45:19):
You know what I mean? I just I enjoy that
that he the people. Yeah, you know what I mean.
Speaker 5 (45:26):
I'm so proud of his legacy is ridiculous.
Speaker 1 (45:29):
Here we have better fashions, We got better, we got
better Mike.
Speaker 4 (45:37):
Mike would have a stylist if he came up in this,
I don't think he would go because when people say that,
don't forget Mike and his heyday was a trendsetter as
far as fashion and style.
Speaker 1 (45:48):
Niggas was getting hoop it rings and all of that.
That's because of Mike.
Speaker 2 (45:53):
He was that. Yeah, definitely, he definitely made that. I
think I think he would he. I think he made
bald heads popular.
Speaker 5 (46:01):
Yes he did.
Speaker 1 (46:02):
He definitely made it popular. Who else was it, Well,
Mike made it a thing. No, it was other bald people.
But when he went bald, people was like it was okay.
People who could grow hair were going bald because of
Michael Jordan. Hi people were.
Speaker 2 (46:17):
It was a lot more men trying to hang on
and had the ring and then had this little that
little piece. I don't know what that was, though, I'm
glad that. I'm glad I missed that air. Yeah, that
would have been crazy work, like I gotta walk around
my ring and then like.
Speaker 1 (46:33):
Stuff in the middle, insane. I couldn't have been popular
like that.
Speaker 2 (46:38):
No, I'm right cool, all right, man, If you got
locked up, who from the pot are you calling?
Speaker 1 (46:44):
First? Zach, I'm gonna get you out.
Speaker 5 (46:49):
Definitely calling Sack.
Speaker 1 (46:51):
Who's a car first? Who would I call first? Definitely?
Speaker 2 (46:55):
I would call ain't gonna lie to you and it ain't.
But you wouldn't call me I got locked up, come
get you.
Speaker 1 (47:05):
No, it's not that.
Speaker 4 (47:07):
For some reason this I know this is weird, but
for some reason I feel like I call key key,
but you would pull up, so like, yes, I'm coming.
Speaker 2 (47:14):
I need.
Speaker 4 (47:15):
She ain't coming out of the house, but I need
I need somebody to let everybody know. Like she's gonna
make sure that it's happening in emotion. You know what
I'm saying. And I can hear you get in the
call and be like, I get him and then you
come get me. You know what I'm saying, Cause I don't.
I don't have faith in key come from himself.
Speaker 5 (47:33):
So i'd be like, how long they say that.
Speaker 2 (47:36):
Look, I'm gonna come by in the morning after the show.
See she gonna try to pick me up on the
way somewhere. Ton'm gonna get up and come get me
with her. He'll leave the club. He'll be like, I'm
on the way, bro, but I need to see. The
thing is, you don't look at your phone, so you
think I'm gonna call you because you ain't gonna gonna
miss it.
Speaker 5 (47:56):
Now he's gonna miss He always on the phone. I
don't want to put it.
Speaker 1 (48:01):
I don't see it.
Speaker 3 (48:02):
I don't want his pressure up, like because I know
the moment I caught that man is turning red. He's
gonna panic, He's gonna yell everybody at the station gonna.
Speaker 5 (48:13):
Know what happened.
Speaker 3 (48:14):
I can't call him right away. I gotta tell him
the story after I got everything worked out.
Speaker 1 (48:18):
I'm not doing that. Oh please, I'm not doing that.
Speaker 3 (48:23):
You would be You would be livid, like what like
you wouldn't intentionally tell everybody but your voice, like your
voice with everybody.
Speaker 1 (48:32):
We're here, okay, everybody.
Speaker 3 (48:35):
My friends are all listening watching this to know, Like
who you call Ryan twenty six in California. I've never
been over there.
Speaker 1 (48:53):
I think would get the answer and go back to sleep.
Speaker 5 (48:55):
Yeah, ain't nobody calling them?
Speaker 2 (48:56):
Right?
Speaker 1 (48:56):
Ass?
Speaker 5 (48:59):
I gotta you.
Speaker 1 (49:02):
Shoot, he's gonna talk to you.
Speaker 2 (49:06):
He's not gonna be that, no emotion, and the voice
is gonna be like right, I'm locked up, man, tell
them to get me up out of here.
Speaker 1 (49:11):
You are real? So what you do?
Speaker 2 (49:16):
Man?
Speaker 1 (49:17):
Where you at? That's crazy? All right? I'm gonna call him, alright?
Why do you sho? You gonna call him? Yeah? And
then you see a text Zach in jail? Go get
him now?
Speaker 5 (49:28):
When he takes us the other day, it is anybody
seeing it is.
Speaker 2 (49:31):
Anybody seeing my text. The only way n get me
out if I got his charge. He stole your charge.
Speaker 1 (49:43):
He's like, is this it?
Speaker 5 (49:44):
My hair?
Speaker 1 (49:46):
Key stole that side of the room is charging? Still me?
I don't still what happened back in here? And saw it?
Speaker 3 (49:53):
Oh?
Speaker 1 (49:54):
I thought she had it.
Speaker 5 (49:55):
I was the only one to respond to the young
brother because tanks for hours.
Speaker 3 (50:01):
I was actually working and I said, let me stop
what I'm doing and go see if ride a charger
in here.
Speaker 1 (50:06):
I didn't respond because I wasn't in there. I wasn't
at the street stations.
Speaker 5 (50:12):
So right, so anyway, yeah, I really wouldn't call none
of y'all.
Speaker 1 (50:18):
I'm being for real. You'll sit there and do my
time if I you do your time, Yeah, looking for you.
Speaker 3 (50:27):
You're gonna have a hundred jokes when you come pick
me up. They gonna maybe take my wig off. I
can't wait till the part to pressure.
Speaker 1 (50:35):
Gonna be up.
Speaker 2 (50:37):
Pressure definitely would get up, but I would I would come,
I'm coming to get You'll you would. I ain't gonna
say nothing. I'm gonna just be like, damn, Kicky locked up,
that's crazy.
Speaker 1 (50:47):
Now.
Speaker 2 (50:48):
The only thing I would say I was like, if
anybody got Kiki's mama's sister number, I get so I
gotta I gotta get airy futy because I'm like, she
calling me shemus can't get in touch. I gotta do something. Yes,
I got because I probably call her Zach right after that,
like Kiki locked up. Bro, you gotta get her, We
(51:11):
gotta get her. All right, come on, she thene finally snapped. Snap,
all right, don't forget guys to ask the pods zac book.
Speaker 1 (51:20):
How does that go? Well? You ask the pod.
Speaker 4 (51:22):
So what you do is you ask us anything that
you want to ask us, and we definitely answer it.
We give advice, suggestions, whatever you want. Right, So, you
go to the iHeartRadio app and then you go to
w g C I and then you click that red
mic and then you just leave a message for us.
We go through all the messages and we answer them
on our Sunday show from four at six pm on.
Speaker 1 (51:42):
W g C I.
Speaker 2 (51:44):
And also, since we're right here with a little housekeeping,
remember that proper way to comment is hey, podfam is
blah blah blah.
Speaker 1 (51:53):
From there we go.
Speaker 2 (51:55):
Now, I know a lot of you have already said hey,
you know, we've already told you where we're from, but
we still like to see where you're from because when
people see that in the comments, they see that the
pod is everywhere.
Speaker 1 (52:06):
Yep, So hey, hey what up podfam or howe you
want to start it? But remember from.
Speaker 3 (52:13):
Such and such absolutely, and make sure you are listening
to the show every Sunday four o'clock Central time. You
can listen from across the country on the iHeartRadio app.
Just search for WGCI.
Speaker 1 (52:24):
Yep. So you get actually you get an extra pod.
Speaker 3 (52:27):
Yeah it's an extra pod. And yeah it's mandatory, actually supermandatory.
But let's get to this before we get out too
much of No. Amazon is now training drivers for slippery deliveries,
to deliver packages and hazardous weather. They just they got
to teach it because people probably messing up and taking
off work.
Speaker 1 (52:49):
That is crazy to me, what get slippery training is wild?
Speaker 4 (52:54):
So what they're doing is like giving you slippery conditions
and then having you train and walk through the package.
Amazon do not want you to take a day off.
They are like, hell, no, ain't no way these packages
getting out. We're gonna treat you how to walk in
slippery conditions. Yeah, so then getting so then when you
fall as it's on you, we trained you.
Speaker 5 (53:13):
Yes, I mean look at the mail.
Speaker 3 (53:14):
The postal workers they gotta walk in slippery conditions, and
I ain't paying no prime service for them. If I'm
paying prime and you slipping, slide and get my packages
to my dough, okay, figure it out.
Speaker 5 (53:26):
Get you some boots, put a little salt truck down
there or something.
Speaker 3 (53:29):
But no, because we'd have They never had mercy about
the postal workers. They gotta go to work, rainsleek, hell snow, gunshots, dogs,
loose everything to deliver them coupons that we ain't opening.
Speaker 5 (53:40):
So if I'm paying for a service, absolutely there it is.
Speaker 2 (53:45):
I'm a kick key. Yes, all right, let's go ahead.
Let's read some comments from the pod.
Speaker 1 (53:51):
Mmmm, pips, don't you know news.
Speaker 5 (53:59):
Like it out?
Speaker 1 (54:01):
We need some music for what K's looking for? What
did they just say?
Speaker 3 (54:05):
Oh my god, Alaskan cruise would be dope. That's from
Comichia Lockhart, I don't know why we were talking about that.
Speaker 4 (54:14):
What are we talking about, elast I don't know when
we were talking about last we were talking about going
to Alaska maybe, and then she was in an Alaskan cruise.
Speaker 5 (54:23):
Monica seventy said, tone getting it this morning.
Speaker 1 (54:26):
That made me giggle.
Speaker 5 (54:26):
They talking about you. How you keep moving in them chairs.
It's so funny.
Speaker 1 (54:33):
Let me see. Oh.
Speaker 3 (54:34):
Happiness in Maryland said, why y'all do tone like this?
L O L Now if he do this, moves with
his shirt off? Carry on from Baltimore, Maryland. So y'all
got him tworking.
Speaker 5 (54:46):
In the chairs.
Speaker 1 (54:46):
H I don't work. They just want to see him
decade it all up. You want to see tones. You
want to see Tone tworking in the chair? No nod.
Speaker 5 (55:03):
Loretta Taylor said, you know you find when your camera glitching.
Speaker 1 (55:07):
And you still look good.
Speaker 3 (55:13):
Jay more abundantly said from Arizona Pie, Okay, Arizona Pie,
fam checking in. I enjoy y'all all so much. Y'all
truly brightened my day. Keep doing the Lord's work.
Speaker 5 (55:26):
My goodness.
Speaker 1 (55:27):
Yes, there we go.
Speaker 3 (55:30):
Uh huh, let me see Novella Marie laughing at Zach
time about girl, if you don't put that plate up?
And another one from Happiness She said, Keiki as a
church girl, pick up the pieces is a good message.
Speaker 5 (55:45):
You can preach that.
Speaker 3 (55:46):
And it reminds me of the episode when Zach Hero
Martin Lawrence pick up the pieces. Yea, yeah, yeah, and
a few people of pop. I'm saying that they would
actually like the G unit shue. So wow, yeah, Gena
Lee said, I want those G units. I'm forty two
years old and my first paycheck and my first job,
(56:07):
I got me a G unit jacket and I still
have it.
Speaker 1 (56:11):
You could do so much more with your money right now,
don't you get Don't do it, don't do it. I'm sorry. Wow,
it a little nostalgia. I guess that's it.
Speaker 3 (56:26):
It's a lot more, but we don't have time. But
shout out to the Poe fam. I love y'all so much,
and I don't What I don't see though, is y'all
supposed to have two yess in these comments. Every week
you brought to the pot they needed, so they need
to vouch that you sent them. So that needs to
be in the comments.
Speaker 5 (56:42):
Expeditiously.
Speaker 1 (56:43):
Let's get it, giving y'all pips. How about that, hips, pips?
Speaker 5 (56:47):
Your resumes? Send your resumes?
Speaker 2 (56:51):
Oh no, hey, y'all, man, we will talk to y'all.
So we are TSR live, right, Yes, yep, TSR live.
So makes you chap? Did you know seven thirty Central Time?
That is eight thirty Eastern and five thirty Pacific. Definitely
check us out, don't miss it. And you know, well,
how let y'all later. What more can I say?
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