May 9, 2026 • 73 mins
Podcast: Cuál es tu bachatero favorito
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Speaker 1 (00:10):
You don't know when.
Speaker 2 (00:12):
Mo la fer yamal sinco al quadras yet nor way this,
he says. Heresy doble la in concerto yamala nomen sinco
al quadros. Know why this, he says, young man.
Speaker 1 (00:27):
No, but it means confronting.
Speaker 3 (00:29):
You do coming. I'm we got to do better to do.
(01:06):
I'm gonna do to me. I can't you me.
Speaker 4 (01:17):
To No, you're getting.
Speaker 5 (01:23):
An out.
Speaker 6 (01:27):
You got to come up.
Speaker 5 (01:33):
I get turn everything to.
Speaker 4 (01:34):
Get wet, to come on bad and better can do?
Speaker 5 (01:39):
Come about it.
Speaker 4 (01:40):
I got to come bad, come up, I can turn together.
Speaker 5 (01:46):
We had to come on bad and then back. I'm
onna colabad. Who's that say? Okay, I.
Speaker 7 (02:08):
Say my last I'm I'm paying, I'm gonna do. I'm
gonna do.
Speaker 5 (02:17):
I'm doing.
Speaker 8 (02:20):
I'm gonna We're gonna come if I can do the job,
you have to come. I'm gonna go back.
Speaker 5 (02:28):
I'm gonna do.
Speaker 8 (02:30):
I'm gonna tay. You're gonna come over if I can
put him.
Speaker 5 (02:35):
You have to come there to.
Speaker 1 (02:46):
Bo and let me come make.
Speaker 5 (02:56):
And can't go the sail. That's so far.
Speaker 9 (03:03):
Go.
Speaker 4 (03:07):
Your clindess is meeting at me.
Speaker 5 (03:11):
That's so why not to Lita.
Speaker 4 (03:15):
Tell you like lem pos guitar down.
Speaker 5 (03:18):
So I'm like.
Speaker 10 (03:23):
They look at the pay pay you look at my play.
Speaker 7 (03:30):
And my facer make your head makes.
Speaker 5 (03:41):
That's oh my god, that's.
Speaker 11 (03:53):
It's like your Lissa missa thing the love beside the
Prisa put me will you point you point the furore
(04:16):
and said put not there.
Speaker 4 (04:20):
Made you pin there there.
Speaker 5 (04:24):
Will be there.
Speaker 7 (04:25):
There's bad woman that's on my list.
Speaker 12 (04:51):
I am.
Speaker 4 (05:00):
Oh ye by Joe. And then look what tell yourself
when the gop.
Speaker 5 (05:07):
Lo the cover you know.
Speaker 13 (05:11):
Because a way.
Speaker 14 (05:14):
Yeah, and may you have early but they say developing
like well last nau even but never they let me
channa below me to I'm but like your even know
your hell with your name.
Speaker 5 (05:37):
Below the.
Speaker 15 (05:42):
Bellow their own mommy, your Macara team but fell and
then I leave that ye don't blow the lotoma as
their own a.
Speaker 13 (05:55):
Let Joe help.
Speaker 5 (05:59):
My drop.
Speaker 10 (06:00):
Yes, the bump down my mother all mama and.
Speaker 14 (06:06):
Your get your killer but back now, I'm yes, but the.
Speaker 10 (06:15):
Way out the prow out the tally.
Speaker 16 (06:19):
Look my rouse caging man down to hang a jaw
in the back. Yant Yau and donkey Yao were burnt
down out you know I have YU got down and.
Speaker 17 (06:35):
The letter don't stole the letter, don't bother here and there.
Speaker 18 (06:48):
The moment the letters there you know that.
Speaker 1 (06:56):
Maybe no romance.
Speaker 4 (07:06):
Maybe that's another.
Speaker 13 (07:08):
Yeah, I love that.
Speaker 2 (07:11):
You get a lot to just very last.
Speaker 4 (07:16):
Maybe that's last.
Speaker 19 (07:22):
Moas books, no man, what.
Speaker 20 (07:29):
Did your.
Speaker 5 (07:32):
Us to.
Speaker 4 (07:38):
Your homology.
Speaker 18 (07:41):
Pianosmology very piano.
Speaker 21 (07:59):
That the book that was why nothing can to be
games young people.
Speaker 22 (08:27):
Thank you, stamm we both Christy, whether your NSA who sat.
Speaker 18 (08:51):
On your will.
Speaker 20 (08:58):
You be norma?
Speaker 5 (09:00):
We are.
Speaker 13 (09:09):
Please go.
Speaker 1 (09:12):
On the Ferando lest.
Speaker 13 (09:17):
Signal the content could signal the content signal the content?
Speaker 5 (09:29):
Could you.
Speaker 23 (09:32):
Okay, actual signal the contest or could you.
Speaker 13 (09:38):
Sing only contest?
Speaker 5 (09:39):
They said, this.
Speaker 24 (09:41):
Becomes in the lord.
Speaker 5 (09:44):
Let's see.
Speaker 25 (09:46):
Yeah yeah, cooking maintain Martin going on here, okay Martell
your masterly contest. Lay it's becoming.
Speaker 5 (10:04):
Letty como main.
Speaker 25 (10:13):
Was going on, No kid or the master in the audience,
A good audience, good arding. Most it's all been Vanda.
Speaker 26 (10:27):
In you go a song, I don't be the mo.
Speaker 5 (10:32):
Nothing and I can.
Speaker 27 (10:35):
For and the baby.
Speaker 28 (10:39):
Danny boy your money making for that bathing.
Speaker 4 (10:47):
In the look to take gret.
Speaker 25 (10:51):
Red the coffee county problems, the other problems single the country.
Speaker 5 (11:02):
Come on lacky Monday.
Speaker 13 (11:13):
Doing nor King or Martell your master holy contest to
say this.
Speaker 5 (11:24):
In your.
Speaker 9 (11:30):
Day making.
Speaker 5 (11:34):
Game, nor kid my.
Speaker 28 (11:38):
Your master go bay can be bla your talk about job.
Speaker 20 (11:43):
By bye you're talking.
Speaker 28 (11:44):
I said, okay, b b b babola bola bola were
the probaba you know by la brea b let us
we go bla yallo yalloa lamb and.
Speaker 1 (12:27):
Ter okay your yeah your creo, Yeah.
Speaker 2 (12:37):
Yeah ter think you're a s oh yes you know,
said Romeo Santos He Prince roy hul Elmer College.
Speaker 1 (12:47):
Mayanna, But like I said.
Speaker 2 (12:48):
Manyana Manyana mana Colorentin and Kia center unto your team
chacandos into take senor park yoga to la room, but
(13:11):
mandos into dollars lapenzium Conto rome Prince roy Well Parati
Kualis l ray de la Cha Romeo Santos Parati, Prince
roy El Principe el princip Claro Claro Principe m HM.
Romeo Romeo Clark l laa is Romeo Santo only dial.
Speaker 27 (13:43):
Not the one lose achata masle hosperos and your Romeo Santos.
Speaker 1 (13:47):
Sel Bill the ray the lava chat.
Speaker 2 (13:50):
Song our cy coher ka yaman ray out yaman el
principe Qualitas.
Speaker 27 (14:02):
Dos Miamigo Romano, Anthony Romeo Santos, Prince Roy Resulta.
Speaker 1 (14:14):
Romeo Romeo.
Speaker 2 (14:18):
Claro claro looks para mission LOCs a different.
Speaker 24 (14:21):
I mean.
Speaker 1 (14:25):
Chad Romeo a different Prince Royce see.
Speaker 2 (14:33):
Roy and mar Romantico me my mass mass tambo different different.
Speaker 27 (14:43):
La seas Antonio Santo traditional traditionalist.
Speaker 1 (14:52):
We have you uncle Chavalta, the Prince Roy Romeo Santos
who and.
Speaker 27 (15:01):
You're traditionalists, okay, assumes identificans, perro tradition, the man.
Speaker 23 (15:16):
Full Loveland Ila contown, Okay, all of your soon.
Speaker 1 (15:25):
In okay, your electronic Okay, come, Prince. The Prince roy
(15:46):
is the differential. The prince is the par rome to
parace is a paras.
Speaker 5 (16:01):
Okay, I.
Speaker 29 (16:17):
Can get a complaint.
Speaker 13 (16:20):
My you're so.
Speaker 23 (16:26):
Get in the rest in my.
Speaker 5 (16:32):
Call to the rest.
Speaker 13 (16:38):
It's a book.
Speaker 4 (16:39):
As can you take care of s.
Speaker 2 (16:46):
Yeah, okay, talking okay, okay, Antony iel differentia the local traditional.
Speaker 1 (17:04):
Yea is.
Speaker 16 (17:13):
It?
Speaker 5 (17:15):
Son?
Speaker 6 (17:16):
I don't know?
Speaker 27 (17:19):
I gusty chart back at the motival where some traditional not.
Speaker 1 (17:30):
Yabo yabooscar pub that is like at the motivala your
p public then.
Speaker 2 (17:47):
I see referring the elm blow too Mohammed.
Speaker 1 (17:54):
Maintained shut.
Speaker 2 (18:09):
Fent Romeo Prince Royce to Mohamo romantic there the traditional
this is.
Speaker 27 (18:25):
A yes Romeo as the inclusive to Romeo Romeo is
a composition rel okay.
Speaker 1 (18:43):
Romeo madrion.
Speaker 2 (18:48):
Toego okays to the section, Okay, okay.
Speaker 10 (18:59):
Solom supposa.
Speaker 27 (19:05):
Yes, yes, yes Romeo Romeoa companura mosicura, the high, the high,
(19:31):
my mother mamo the more for me to memoy s
A Romeo co compans.
Speaker 2 (19:45):
Tm you know is a ner manna in the Prince
roy Romeo Santra conclo. Yeah so now manana mere center
eight sound instance in the Chatase Thomas.
Speaker 1 (19:59):
Qu identificenttifs a quality and.
Speaker 2 (20:07):
Compart com French Roma stress, Republican.
Speaker 1 (20:14):
Republic and.
Speaker 27 (20:17):
Manican, the Puerto Rican press and Coca cola. The Puerto
Rico y tim mala model not traditionally is a trapal moment.
This is adress opina a Joey Man concert.
Speaker 2 (20:35):
Pro Prince Royce getto and Romeo pro porque made brio
solo concre to.
Speaker 27 (20:53):
Product from Prince Ro Cantando Baranao can production on us
you want to start when the Lamas Romeo Prince Royal
cha Torito.
Speaker 9 (21:17):
Prefer to vida a cio Antonio Romeo.
Speaker 1 (21:21):
Santos, Antony Romeo Santos yet.
Speaker 9 (21:25):
Romeo the same bendik Loo Aventura Puerto ricanam into Americas
from them and a silo Antonio Romeo, Santos Lo cargo
Wo Mano bessito in Melmoso in Melustaria co siertoleto.
Speaker 1 (21:55):
A double see c come to number when when.
Speaker 27 (22:04):
When Canto l department to the promotion of the Lulu so.
Speaker 2 (22:16):
Lodore application and I heard radio was was Uma quarters
the cou water Trino and the sun trending lant to watch.
Speaker 27 (22:32):
Tro those titans Presenteria center Romeo, Santos, Prince roy too
can can sand.
Speaker 1 (22:45):
And conic and roombast.
Speaker 12 (22:48):
Tres con French Roombas andand like hard radio grassis a
fara and Fara noon Casi the mas fasil communic Condo,
ask click and micro Prieta sen and Farado especially in
(23:12):
accident Orlando.
Speaker 27 (23:14):
In La Florida Central. Are you mon paracasso accident se
me who taking la bogado sinquetreas el keatina masti and
put presenta latina Julio put con Julio Martinez, Martinez mcglardi
claro sell me whole Martinez Maclardi representa call no sea
(23:37):
legs aga nado mile the castos don't jonas dollar is
auna sola familia in gada caso snigo Martinez, man Glardi borgado,
Julio punto con l kyot recommundo a la bugado sques
treas Martinez man Glardie.
Speaker 12 (23:56):
Nether starts importunit me doll is Sara gotta startello sing remorento, what.
Speaker 26 (24:06):
Are close everything, Let's go roombas.
Speaker 12 (24:11):
And sat opportunity that the gunner mellos grandis and god
meant mass partipes mast opportunity that is then is the
gunner mass infant room basido.
Speaker 1 (24:25):
Fassi lest bado, Dan Newly.
Speaker 2 (24:28):
I ken those messes say super accident checks and.
Speaker 1 (24:33):
Google bogdo Dan Newland.
Speaker 2 (24:35):
Me less Jo said that copdose Parla's big tim was
the accident is monla Florida central avogado, Dan Newland, Dan
lu but your thing Jack Kiss say.
Speaker 13 (24:48):
For the Rolando kill into sack dido and ciii.
Speaker 27 (24:51):
What's the sea that's cuentos the rows at the kingsmi
tumbra looks bad.
Speaker 12 (24:59):
L is the accident the Orlando contacting us in Farah
and farah cub.
Speaker 30 (25:05):
Musical basis.
Speaker 13 (25:12):
To opportunity that they can never mail.
Speaker 1 (25:14):
No, that is is a hoa.
Speaker 12 (25:17):
We see down the room bas and the labla clavin
ni now is more neda grisel room bass and the cup.
Speaker 13 (25:33):
In your finest.
Speaker 4 (25:47):
Caribou conserve.
Speaker 31 (26:12):
Ye boy sami roll if you gatavan notab corona, No, yo,
that's what Carl Laura altamus can yer by bika front
(26:37):
to gacona one by.
Speaker 4 (26:42):
The carabs and tall and.
Speaker 5 (26:50):
Territory.
Speaker 10 (26:52):
It is a travel company.
Speaker 1 (26:53):
The control the mouth upper mouth up person.
Speaker 5 (27:00):
But jump.
Speaker 20 (27:02):
Will not jump on but now not the kong.
Speaker 32 (27:07):
Mola love so the guitar guys a boy, yo, what
the what the guns an can after time?
Speaker 6 (27:56):
Where wherein the look you're gonna want to black here
find the bomain.
Speaker 31 (28:10):
Don't b'kin you from me or your canto love your.
Speaker 5 (28:15):
Big sun he's up, I said.
Speaker 33 (28:21):
South be sty so I say, are you can again?
I say yet, my sister and I say no, say I.
Speaker 27 (28:31):
Say it.
Speaker 25 (28:41):
Sells your past is very up and you're like a
you know lack.
Speaker 5 (28:51):
I can't do that.
Speaker 4 (28:52):
Well look I can't really and.
Speaker 5 (29:03):
You're gonna want me, don't you bunk?
Speaker 33 (29:09):
Don't wear a sas that's all.
Speaker 10 (29:15):
Don't know yourself said, then said.
Speaker 5 (29:21):
Look at why so sad became hella Hello it skill world.
Speaker 34 (29:43):
Hello talk yellowising hellow I you only put the look
so I'm wait the cares last said, come on.
Speaker 13 (29:55):
Horse me me you.
Speaker 5 (30:06):
Prom the boy, prom the boy. You're a final.
Speaker 4 (30:14):
It doesn't know the most most.
Speaker 5 (30:17):
Boy looking.
Speaker 20 (30:24):
Happening before your dan. You can come and tell me after.
Speaker 5 (30:41):
Doing your pack.
Speaker 4 (30:45):
Before your das you bring your man there, can come
t me after.
Speaker 20 (30:51):
Doing your packs.
Speaker 28 (30:54):
Yeah yeah see him looking right, yeah right, don't dream
and that that's why I'm saying I play.
Speaker 8 (31:04):
Yeah look at last joy you.
Speaker 4 (31:11):
Like I said, it doesn't know the morn.
Speaker 35 (31:23):
When sasode laughing when laughing.
Speaker 36 (31:49):
Episode go to the ah my no say little day
Denny bray no go again again and go on thusday
can go to you aam say go on today and
(32:15):
I say they don't Danny day no go against again
on newsday go to you Asara many say.
Speaker 37 (32:33):
O am and Mama sida to goa m morena is it.
Speaker 13 (32:41):
The money.
Speaker 23 (32:44):
And yah yah.
Speaker 37 (32:46):
Familia game the goad toga we will.
Speaker 23 (32:54):
O m y man live.
Speaker 4 (32:59):
To Dougie log at your thea.
Speaker 13 (33:03):
Blas today have my.
Speaker 5 (33:06):
No say day.
Speaker 36 (33:09):
Today have Danny day, no honey biga Tuesday. Amy, don't you.
Speaker 20 (33:21):
See not try get your not.
Speaker 5 (33:30):
Try o. I canna do well.
Speaker 1 (33:35):
Not prand of day, brast prand of day?
Speaker 4 (33:44):
What quest's not my.
Speaker 5 (34:05):
Quest? Let that.
Speaker 4 (34:10):
Quest I's not not not seeing w laughed off quite daring.
Speaker 38 (34:15):
That's by my hostay b him the drivehole of that boy,
start him and look here everywhere by him not to
see what he laughed on quite Darry. That's like my
holiday by d the drive whole of that staring you're
not look here.
Speaker 4 (34:31):
Everywhere when we don't look at the right, what would.
Speaker 10 (34:34):
Do my people look at the calt You're not gonna I'm.
Speaker 5 (34:39):
Talking to me.
Speaker 4 (34:41):
I don't know why.
Speaker 20 (34:43):
I know okay that we mus let me not my
younger role for.
Speaker 4 (34:50):
Me not being when they can get up and on it,
I can be there.
Speaker 5 (34:55):
I'm going I got you.
Speaker 26 (34:57):
I'm talking about him And to say, Brad.
Speaker 39 (35:06):
Yeah, you're not holding well okay, t.
Speaker 24 (35:17):
Quite potrap talk out yeah talk quite talk talk.
Speaker 38 (35:32):
I want to see why last on quite darning as
I told you Ques, then I don't.
Speaker 5 (35:40):
Back question last dog quite.
Speaker 1 (35:44):
As I told you Ques.
Speaker 38 (35:47):
Then I know now what back okay some while we're
gonna back in the dry so many bitter look at
the out you know. Then that goes a battles rising
day going me that my younger all if you want
(36:09):
me mad bos you have an end of it.
Speaker 26 (36:13):
I cannot be.
Speaker 5 (36:14):
There the girl.
Speaker 4 (36:18):
And don't say.
Speaker 12 (36:24):
Broombo grassi guy by.
Speaker 5 (36:35):
Book.
Speaker 13 (36:40):
You have your book looking.
Speaker 12 (36:46):
Us to be.
Speaker 4 (36:50):
Done to last a month?
Speaker 5 (36:56):
What did you say? You do my.
Speaker 10 (37:01):
You look went to most yams.
Speaker 4 (37:06):
Go get your second first.
Speaker 30 (37:10):
I'm getting serf.
Speaker 20 (37:14):
Yeah, see your days and.
Speaker 37 (37:19):
Da okay no, that's why we see the sanaa gastrang
lies and to be.
Speaker 30 (37:28):
Oh that's mis guy yeah getting on astory were.
Speaker 5 (37:41):
Get get.
Speaker 30 (37:49):
Yeah the see guess that's a rep.
Speaker 5 (37:56):
From bas.
Speaker 1 (37:58):
Conference. You know your goal. We let only lan Marna
music in the Tami labrication. I already tall chat. Listen
to me and the Prince roy Romeo, Santo.
Speaker 2 (38:13):
Torito, Damil Torriedo s b Manana praisa mate al killa
sentence in com parana Musica than to a prince recom
Romeo to some tilos parac some par.
Speaker 27 (38:27):
Romeo, Santos, Prince Royce and bractel torito traditions Comnti santos
hey Java aretos dostydnista.
Speaker 1 (38:44):
Yama, I geta prince rouca cucha.
Speaker 13 (38:56):
Let's kinst.
Speaker 1 (39:00):
Okay Romeo, it is your season, you know, I say.
Speaker 27 (39:07):
Memoria locus y yeah yeah, interests.
Speaker 23 (39:16):
Coom graund full over santia to space.
Speaker 1 (39:18):
Okay, stood this.
Speaker 40 (39:26):
Talaman apto cases.
Speaker 27 (39:33):
Okay, but me not para turning a later letter here
m posit the super Royo auto compositor.
Speaker 1 (39:49):
Traphonic quarters and record number by.
Speaker 27 (39:55):
Gathering catheringto terms cake porquetident friend.
Speaker 1 (40:03):
Roy, Prince roy la vida prince roy Lo, the Prince
roy the Romeo la that.
Speaker 41 (40:18):
Impression and.
Speaker 1 (40:20):
Long local love love.
Speaker 9 (40:28):
That man.
Speaker 1 (40:39):
By money handles and the.
Speaker 42 (40:45):
Memorial memory.
Speaker 27 (40:50):
Personal mean the Prince roy Yes, mill theo.
Speaker 2 (40:59):
Sto, No, no, there is a super milid.
Speaker 5 (41:08):
No you.
Speaker 1 (41:12):
Ricos, I am barns and your I have to Franchi
in the corona drive l being being male condor f.
Speaker 27 (41:25):
Yes depo event no clara yah yam in persona you
s a to photoca and persona you cannot one tasle photos.
Speaker 1 (41:37):
You might be a cab Lamos, hen Hennessy.
Speaker 27 (41:44):
Hennessey, Quinteros and more.
Speaker 1 (41:46):
No traditional is to your qualities.
Speaker 43 (41:48):
Pines Romeo more a tacularly vexic andante.
Speaker 1 (41:56):
Literally it's a pasiona oh by a.
Speaker 26 (42:01):
Man permal te for common.
Speaker 1 (42:05):
Letters, Okay, okay, in concerto put Prince roy tam being.
Speaker 43 (42:16):
Co clary, not Romeo, see the the Romeo Chta pro
in the same.
Speaker 2 (42:31):
Okay buen more calas and concerto bet us talking coms Pony.
Speaker 5 (42:51):
You know I.
Speaker 1 (42:54):
Said no Romeo.
Speaker 5 (43:00):
You see.
Speaker 1 (43:05):
Ala Alejandro San.
Speaker 2 (43:08):
Francia Concert Training Center.
Speaker 1 (43:12):
Bass Puto ts Franchi. We got a little.
Speaker 12 (43:17):
With preath traffic is p that's a cheese put Franchiga.
We got the run the tree room see and Puto
t for free.
Speaker 44 (43:31):
In the Historia Los Bros Massive Convera Twins, Roy s
Rong s Hira Man Roy.
Speaker 13 (43:47):
Rom next one said land.
Speaker 44 (43:54):
And take Ademaster Boom Pierre Hey Stefan Sierra to his story.
Speaker 45 (43:59):
Go roombast t is dieing Instagram bus Canos bare rumba
ci and tres and jo accident j.
Speaker 41 (44:12):
Quatro t th trees in s cientos ce te quatro threstress,
the mants, present party, Rodriguez loss, the accident.
Speaker 4 (44:27):
Rumba l tm.
Speaker 1 (44:32):
Aparancilo, parcel manteslado say lamas.
Speaker 27 (44:38):
They say zelos bedos a tres jare colo parceltes.
Speaker 13 (44:44):
Lados, dann.
Speaker 5 (44:49):
On music room, tress on.
Speaker 20 (45:00):
The wife.
Speaker 23 (45:02):
Okay, stop again another stop?
Speaker 26 (45:10):
I can.
Speaker 1 (45:13):
You know how you're next?
Speaker 10 (45:17):
Money that my n you kill me.
Speaker 46 (45:26):
By your man shot.
Speaker 19 (45:45):
There's Honor Bonner the mirror to love your now. Purper
throws a coil park to the common talk.
Speaker 47 (45:55):
And talents.
Speaker 4 (45:58):
As a solo moment, you get about dark.
Speaker 35 (46:03):
I don't mind.
Speaker 5 (46:04):
Counter that is so many some.
Speaker 30 (46:08):
Area come on love at that?
Speaker 20 (46:13):
Don't mind conda, what do you?
Speaker 5 (46:15):
That are so many?
Speaker 4 (46:16):
Sometime I like that comes?
Speaker 1 (46:22):
Don't My body feels like that?
Speaker 4 (46:24):
See know that person?
Speaker 13 (46:25):
Only you who I see my daddy does up the back.
Speaker 4 (46:28):
Coming see see not only you.
Speaker 48 (46:31):
I need a better ey Dundard ecosa a baby love
Why I don't need no closure? You're billing down baby
coming you Yeah was your come let me be better?
Danglard eco sun a baby love why I don't need
no closure. You're billing down baby coming me?
Speaker 5 (46:48):
Yeah?
Speaker 4 (46:49):
Was your gum let me who I don't mind tumter
that so may somehow come on love.
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I like that cos.
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No my panda as.
Speaker 29 (47:05):
Ms alder the gila a wiler version co roald No
then and to balter.
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Your adam.
Speaker 19 (47:28):
Damas amada carisas.
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I my.
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My pay pay to me like you turn me to
your play is hi movie?
Speaker 23 (47:43):
Your demand be is hi?
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Move to your demand me.
Speaker 5 (47:48):
My pay pa to me?
Speaker 13 (47:50):
You to me to your play is hi movie?
Speaker 4 (47:52):
Your demand is hi? Moved your demand me.
Speaker 19 (48:00):
The mirror to love your proslos on the common clo
and tell them Ross wecome a solo woman, talk about
trug mind the.
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Cold like.
Speaker 18 (48:25):
Man can.
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Like Alcaza.
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Regular regar.
Speaker 27 (48:48):
Camilla partets parently Hendro sans has a present time that
we trained Gabrin who was strained in Santa and sans
Hemo s TLAs centa pregunta see Tela saviis t see
tela sais sagamea Alejandro sans Qualem instrumental musical Calelejandro sanhs
(49:12):
toka Ala perfection pregunta quala sell instrumento musical Calelejandro sangs
toka allah perfection see of that La repuotta, travitel quartros
Rose say yes, tress quartros rosset and yes tres ala
yamada numero uno keno stela reporta perfecta correcta segoletos Paralyjandro
(49:38):
siance at trent and Elkia Center Qula seven instrumento Gallejandro
sanhs toka allah perfection a la pregunta tram.
Speaker 1 (49:50):
Travel rumba si punto.
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Drama televas dancl.
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On my way no.
Speaker 42 (50:07):
Cassa I said when I said my broom tab let
me sail back on a son final sassy lucien n
the birds get oh, we'll call you my bro and
the love Parazon androm eisod sasy lucio spandies get o
(50:30):
cam brosse no bro and the love Parada You.
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From We're going to cross.
Speaker 24 (50:37):
Fail from this can't go sa trouble didn't annoy me?
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You know a posy you can I know you know?
Speaker 26 (50:48):
So se with the mothers here get they defreasy.
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Get us over my cos.
Speaker 46 (50:56):
One of hans and tops of using I know you
can let him.
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Because can you kiss us?
Speaker 42 (51:05):
How myssa the grandson.
Speaker 18 (51:12):
You know you have no le parsa No.
Speaker 5 (51:15):
Let me.
Speaker 42 (51:17):
Sac slu spans get well, caima parados as sails spans
get camo.
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Bro para yaha. Okayamas, we'll play.
Speaker 38 (51:39):
Your more example through seventy one.
Speaker 46 (51:43):
Throw sappy look in the parent presa.
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No Peter you.
Speaker 49 (51:52):
Him, I said gus us who one of coffee and
the post do you want to get.
Speaker 35 (52:08):
To be young?
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Its young before roumas and.
Speaker 1 (52:17):
Go on to the my no say.
Speaker 13 (52:22):
They don't have anything?
Speaker 36 (52:27):
No ne poguin again on go woseday can boma.
Speaker 31 (52:35):
Man say.
Speaker 36 (52:38):
Today and my no say they don't they as Danny
bing day no need go get again on newsday boom
as a man is Sai.
Speaker 37 (52:58):
William and my master readA to Gulborgada di morena Lonada
money in the present bad jola and hi yah mal
bay Java the game then going bad and to regue
(53:18):
we will oh yeah, Mama live.
Speaker 36 (53:25):
Drunk lay there rena jen blah Doday, My no say
they don't.
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Dny dayDay.
Speaker 46 (53:46):
Sarama.
Speaker 34 (53:52):
So it's a brooking moas with one of the oils.
Speaker 10 (54:03):
Always go.
Speaker 5 (54:08):
For me the.
Speaker 42 (54:11):
In the rose, but come me less than not to
the girl of comment the line and that to sells.
Then come me a simple and p saspect the girl
of comment, do s love your specs?
Speaker 10 (54:31):
You never knowing cannot.
Speaker 5 (54:34):
This is who not supposed to mister b.
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The traumbles in.
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The stando. This is supposedly.
Speaker 10 (54:49):
Drums will be pretty format a.
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Friend.
Speaker 10 (55:03):
That's not legal.
Speaker 5 (55:04):
You know your.
Speaker 10 (55:08):
Your care to cares of some stand on yours.
Speaker 13 (55:12):
And your dostap.
Speaker 23 (55:15):
Come me listen.
Speaker 42 (55:19):
Girls, something past.
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Girl, come.
Speaker 23 (55:32):
Spaces your gio.
Speaker 33 (55:37):
Regard especially again listen to your hero's.
Speaker 5 (55:44):
To your gero. It's just love. That is your yeow.
Speaker 4 (55:58):
But returning said own not competence.
Speaker 7 (56:02):
I was just saying, oh nocussing family locally as.
Speaker 5 (56:09):
That sea.
Speaker 36 (56:09):
Sing them anything.
Speaker 47 (56:17):
Let me an put the project, thank you yours nor moon.
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Shut them yellow.
Speaker 5 (56:34):
Nay he.
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Going on some prison.
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Missing.
Speaker 4 (56:46):
I cannot do anything.
Speaker 23 (56:50):
He sat, he is.
Speaker 19 (56:58):
I think it is so very are going you away?
Speaker 5 (57:01):
Yeah?
Speaker 40 (57:03):
Can you take me so ammia more.
Speaker 4 (57:08):
Glojoke them me.
Speaker 13 (57:17):
Let me come to the moment.
Speaker 5 (57:23):
Your b beha.
Speaker 23 (57:27):
Tasting them.
Speaker 10 (57:33):
Shoot the mill. I know something you brother.
Speaker 5 (57:44):
Be say get your.
Speaker 23 (57:50):
Stay yeah, let.
Speaker 13 (58:07):
Me yes, young people boss your uns.
Speaker 40 (58:32):
Yeah, okay, I just tell the gres garda Mia my god,
the so Bara they love break that's your mom going
the log of the leman of tennant Park and Pasamo,
(58:53):
the last Lugger Masca.
Speaker 50 (58:54):
Yeah and love bat I love the rosa degrees they dances.
Meeting go okay, he was gonna make I think my
Sammy to song.
Speaker 5 (59:09):
Start lens and the repent.
Speaker 4 (59:13):
To dammy calm the meeting go gay.
Speaker 46 (59:22):
Said damn day the.
Speaker 40 (59:24):
Song said answer once again, I go Lema and brow
he will getting your.
Speaker 26 (59:51):
Get me going, pray o Lolly, that's musso.
Speaker 51 (01:00:16):
Casting a dum famoso a Sara.
Speaker 5 (01:00:24):
Darting.
Speaker 52 (01:00:26):
Don't tell me not to stand silas fantasty nobody.
Speaker 51 (01:00:32):
Last who just then Dunta lobby that sadi Ya who knows?
Not Salida, You're just not people's ye don't persona.
Speaker 20 (01:00:51):
Majoria they were.
Speaker 52 (01:00:53):
Not Tato stems on us sent me just.
Speaker 23 (01:00:59):
Last their.
Speaker 5 (01:01:04):
Love then it also then it all.
Speaker 12 (01:01:50):
Cool friend Gabby and room basin Punta Tres. Don't they more.
Speaker 13 (01:01:56):
Humans?
Speaker 12 (01:01:59):
I heard radio grass Afar and Fara Nona see the
mass fasil communic con as clicking, micro Ya, Prieta, s
Patros Andara especially in accident Orlando.
Speaker 1 (01:02:14):
M Rio Parallejandro s.
Speaker 27 (01:02:19):
Camestrumentalsical totally Jandro sans ala perfection quals instrumental, the tocallynro
sala reporta correct like guitar like guitar la guitar rio,
the loctional concerto, the Alejandro sance in the Kia Center
ste whoever trained tarabrillpana leandro, spanya pari patria, permit la
(01:02:47):
community that Panola Japan inland you with you okay and
laropo to claros Garcia, Franchi cal.
Speaker 1 (01:03:08):
Spana, spino, tello huro Minka can go to the movie
I'm the King. Orlando lack com that I'm the King?
Is that reader?
Speaker 5 (01:03:18):
Are you a.
Speaker 1 (01:03:21):
Mega mega me sol.
Speaker 5 (01:03:29):
Best for it?
Speaker 1 (01:03:32):
Perro yours flicaria, No, no, you're talking.
Speaker 2 (01:03:40):
You know why your your Alejandro sons because you who
is our whoever train what trained training Pamy complaining Okay,
man Manna complaining.
Speaker 27 (01:03:51):
Manna celera to complain your conromy Prince Roy man throcking
not to local, So tell hey.
Speaker 1 (01:04:05):
Ma myeral l parolo.
Speaker 27 (01:04:15):
Ca manyanaa quarantine and la logo said quarry guarrent quarantine, quarantine, quar.
Speaker 1 (01:04:38):
Quarantine my w yeah and in quin So you're a
tabo lando the.
Speaker 27 (01:04:45):
Lo kel cha presenter Doro's kya center. Romeo Santos, Prince
roy is correct, gaby plant kayla chatta. Interpreter Romeo Santos
is roy meme call keta traditional kaila, can't lava chatta
(01:05:06):
antonis Santos huas you know so hainti the chat uma
traditional chata ka like ya like mate, you know public
travel quarters and by the sas in trece travetel was
(01:05:28):
sap de la rumba il quarts rot quatro trientjo ti
sinko travelablica young and so telephone in tali hinted i
hat rareo a microphonic yamag talk back to the press,
the membory to put your pin her lava chata mont
tm ptrin in tretos does chatta in principed lava chata
(01:05:49):
Romeos Prince Royal yamal attention to yokomo French ke traditional pragunta.
Speaker 1 (01:06:01):
Supper indo quarts and by this is.
Speaker 27 (01:06:06):
Paratro publico qua manati Prince roy qui.
Speaker 1 (01:06:14):
Can Romeo perial berro Ma Prince roy juntos.
Speaker 13 (01:06:19):
Really the.
Speaker 53 (01:06:27):
From dominic cats and diago yeah.
Speaker 13 (01:06:40):
Cha chad to craig as a.
Speaker 53 (01:06:49):
Equi andre merce b bana came see there's a where
creig my la traditionally and republic government the.
Speaker 27 (01:07:11):
Francause gabb you the Puerto Rico he got s he
could take the millow close senor that the to number.
Speaker 1 (01:07:25):
He like my lagry ma ma chata Yeah.
Speaker 5 (01:07:52):
Where way way.
Speaker 28 (01:08:02):
Lo hell.
Speaker 1 (01:08:15):
Cha a call.
Speaker 27 (01:08:21):
Clock one is a local bellow you know front located
ge So we have twenty mill I mean avent in community,
go go music Pricey Romeo quanted to.
Speaker 8 (01:08:47):
Or press Romeo see me fran.
Speaker 27 (01:08:56):
And alect t Roma Prince Roua marble me and Ganda
Romeo dil la moore ma canto.
Speaker 1 (01:09:08):
Went to uh when is Indu Romeo della Franchi numero
bullet So you went camel when they can ticket however
to photo the damas and numerous royal and to the
(01:09:30):
department the promo.
Speaker 2 (01:09:33):
Prince right bejam and Ganta so inconditional so in condition conditional.
Speaker 1 (01:09:41):
Tickets b I p P Grasia Gracia.
Speaker 27 (01:09:48):
Maud cares are many Prince roy Romo Santos.
Speaker 2 (01:09:59):
Tradition la barquib n yeah lar rue marquees la rue marquees. Yeah,
here are you they made an Romeo Prince roy Neguta and.
Speaker 1 (01:10:28):
Jam tea yea, yeah said that done. It's so sam
Eagle tradition, Cha but tradition. What want you want to.
Speaker 27 (01:10:46):
Bab Yeah, el my instro Hurricane Dante kit in Florida
Central Stimata David Benio quart I.
Speaker 39 (01:10:59):
Say mana yamana the example.
Speaker 51 (01:11:08):
Though Romeo t n a from a king roy and
prince and said lo lo time like I.
Speaker 1 (01:11:16):
Said, you know, the TI is the social, they be
the traditional, the cha. The antony.
Speaker 44 (01:11:26):
Is traditional Defin and Antonio.
Speaker 27 (01:11:37):
Albut Claros Davis took not your love the Vedo Vido
Antonio Santo knowing I don't know my rome Brice Royce
(01:11:58):
the type then that was.
Speaker 1 (01:12:01):
A milia but.
Speaker 39 (01:12:05):
Rumatico your active rumatic and.
Speaker 20 (01:12:15):
You know looking at Dover and.
Speaker 1 (01:12:40):
So my energy is maskep solaris.
Speaker 2 (01:12:42):
Yeah, you're the pack Menos Gadama stay that port test
res public control, Jamah quarters, Satrus quattros in comil quarters,
Satris quatros in comil analysis, solar gates, rapids in Compromiso,
Jamalos quartrositress quatras in Camille, somewha Venergila combinasolark yo, Gabby
(01:13:04):
Gallo de Linso he recomendo.
Speaker 54 (01:13:06):
Trasun accidente pres Blonkaida las cameras, the Segurida de las
Tiendas guarda Evidencia club pero devesa guarde mediato, not Pierda's tempo.
I jamanos in Fara Ifara too, demos con evidencia anti Zaparisca,
Orlando and to
Speaker 1 (01:13:21):
Remea and Porta Agocelo
You don't know when.
Speaker 2 (00:12):
Mo la fer yamal sinco al quadras yet nor way this,
he says. Heresy doble la in concerto yamala nomen sinco
al quadros. Know why this, he says, young man.
Speaker 1 (00:27):
No, but it means confronting.
Speaker 3 (00:29):
You do coming. I'm we got to do better to do.
(01:06):
I'm gonna do to me. I can't you me.
Speaker 4 (01:17):
To No, you're getting.
Speaker 5 (01:23):
An out.
Speaker 6 (01:27):
You got to come up.
Speaker 5 (01:33):
I get turn everything to.
Speaker 4 (01:34):
Get wet, to come on bad and better can do?
Speaker 5 (01:39):
Come about it.
Speaker 4 (01:40):
I got to come bad, come up, I can turn together.
Speaker 5 (01:46):
We had to come on bad and then back. I'm
onna colabad. Who's that say? Okay, I.
Speaker 7 (02:08):
Say my last I'm I'm paying, I'm gonna do. I'm
gonna do.
Speaker 5 (02:17):
I'm doing.
Speaker 8 (02:20):
I'm gonna We're gonna come if I can do the job,
you have to come. I'm gonna go back.
Speaker 5 (02:28):
I'm gonna do.
Speaker 8 (02:30):
I'm gonna tay. You're gonna come over if I can
put him.
Speaker 5 (02:35):
You have to come there to.
Speaker 1 (02:46):
Bo and let me come make.
Speaker 5 (02:56):
And can't go the sail. That's so far.
Speaker 9 (03:03):
Go.
Speaker 4 (03:07):
Your clindess is meeting at me.
Speaker 5 (03:11):
That's so why not to Lita.
Speaker 4 (03:15):
Tell you like lem pos guitar down.
Speaker 5 (03:18):
So I'm like.
Speaker 10 (03:23):
They look at the pay pay you look at my play.
Speaker 7 (03:30):
And my facer make your head makes.
Speaker 5 (03:41):
That's oh my god, that's.
Speaker 11 (03:53):
It's like your Lissa missa thing the love beside the
Prisa put me will you point you point the furore
(04:16):
and said put not there.
Speaker 4 (04:20):
Made you pin there there.
Speaker 5 (04:24):
Will be there.
Speaker 7 (04:25):
There's bad woman that's on my list.
Speaker 12 (04:51):
I am.
Speaker 4 (05:00):
Oh ye by Joe. And then look what tell yourself
when the gop.
Speaker 5 (05:07):
Lo the cover you know.
Speaker 13 (05:11):
Because a way.
Speaker 14 (05:14):
Yeah, and may you have early but they say developing
like well last nau even but never they let me
channa below me to I'm but like your even know
your hell with your name.
Speaker 5 (05:37):
Below the.
Speaker 15 (05:42):
Bellow their own mommy, your Macara team but fell and
then I leave that ye don't blow the lotoma as
their own a.
Speaker 13 (05:55):
Let Joe help.
Speaker 5 (05:59):
My drop.
Speaker 10 (06:00):
Yes, the bump down my mother all mama and.
Speaker 14 (06:06):
Your get your killer but back now, I'm yes, but the.
Speaker 10 (06:15):
Way out the prow out the tally.
Speaker 16 (06:19):
Look my rouse caging man down to hang a jaw
in the back. Yant Yau and donkey Yao were burnt
down out you know I have YU got down and.
Speaker 17 (06:35):
The letter don't stole the letter, don't bother here and there.
Speaker 18 (06:48):
The moment the letters there you know that.
Speaker 1 (06:56):
Maybe no romance.
Speaker 4 (07:06):
Maybe that's another.
Speaker 13 (07:08):
Yeah, I love that.
Speaker 2 (07:11):
You get a lot to just very last.
Speaker 4 (07:16):
Maybe that's last.
Speaker 19 (07:22):
Moas books, no man, what.
Speaker 20 (07:29):
Did your.
Speaker 5 (07:32):
Us to.
Speaker 4 (07:38):
Your homology.
Speaker 18 (07:41):
Pianosmology very piano.
Speaker 21 (07:59):
That the book that was why nothing can to be
games young people.
Speaker 22 (08:27):
Thank you, stamm we both Christy, whether your NSA who sat.
Speaker 18 (08:51):
On your will.
Speaker 20 (08:58):
You be norma?
Speaker 5 (09:00):
We are.
Speaker 13 (09:09):
Please go.
Speaker 1 (09:12):
On the Ferando lest.
Speaker 13 (09:17):
Signal the content could signal the content signal the content?
Speaker 5 (09:29):
Could you.
Speaker 23 (09:32):
Okay, actual signal the contest or could you.
Speaker 13 (09:38):
Sing only contest?
Speaker 5 (09:39):
They said, this.
Speaker 24 (09:41):
Becomes in the lord.
Speaker 5 (09:44):
Let's see.
Speaker 25 (09:46):
Yeah yeah, cooking maintain Martin going on here, okay Martell
your masterly contest. Lay it's becoming.
Speaker 5 (10:04):
Letty como main.
Speaker 25 (10:13):
Was going on, No kid or the master in the audience,
A good audience, good arding. Most it's all been Vanda.
Speaker 26 (10:27):
In you go a song, I don't be the mo.
Speaker 5 (10:32):
Nothing and I can.
Speaker 27 (10:35):
For and the baby.
Speaker 28 (10:39):
Danny boy your money making for that bathing.
Speaker 4 (10:47):
In the look to take gret.
Speaker 25 (10:51):
Red the coffee county problems, the other problems single the country.
Speaker 5 (11:02):
Come on lacky Monday.
Speaker 13 (11:13):
Doing nor King or Martell your master holy contest to
say this.
Speaker 5 (11:24):
In your.
Speaker 9 (11:30):
Day making.
Speaker 5 (11:34):
Game, nor kid my.
Speaker 28 (11:38):
Your master go bay can be bla your talk about job.
Speaker 20 (11:43):
By bye you're talking.
Speaker 28 (11:44):
I said, okay, b b b babola bola bola were
the probaba you know by la brea b let us
we go bla yallo yalloa lamb and.
Speaker 1 (12:27):
Ter okay your yeah your creo, Yeah.
Speaker 2 (12:37):
Yeah ter think you're a s oh yes you know,
said Romeo Santos He Prince roy hul Elmer College.
Speaker 1 (12:47):
Mayanna, But like I said.
Speaker 2 (12:48):
Manyana Manyana mana Colorentin and Kia center unto your team
chacandos into take senor park yoga to la room, but
(13:11):
mandos into dollars lapenzium Conto rome Prince roy Well Parati
Kualis l ray de la Cha Romeo Santos Parati, Prince
roy El Principe el princip Claro Claro Principe m HM.
Romeo Romeo Clark l laa is Romeo Santo only dial.
Speaker 27 (13:43):
Not the one lose achata masle hosperos and your Romeo Santos.
Speaker 1 (13:47):
Sel Bill the ray the lava chat.
Speaker 2 (13:50):
Song our cy coher ka yaman ray out yaman el
principe Qualitas.
Speaker 27 (14:02):
Dos Miamigo Romano, Anthony Romeo Santos, Prince Roy Resulta.
Speaker 1 (14:14):
Romeo Romeo.
Speaker 2 (14:18):
Claro claro looks para mission LOCs a different.
Speaker 24 (14:21):
I mean.
Speaker 1 (14:25):
Chad Romeo a different Prince Royce see.
Speaker 2 (14:33):
Roy and mar Romantico me my mass mass tambo different different.
Speaker 27 (14:43):
La seas Antonio Santo traditional traditionalist.
Speaker 1 (14:52):
We have you uncle Chavalta, the Prince Roy Romeo Santos
who and.
Speaker 27 (15:01):
You're traditionalists, okay, assumes identificans, perro tradition, the man.
Speaker 23 (15:16):
Full Loveland Ila contown, Okay, all of your soon.
Speaker 1 (15:25):
In okay, your electronic Okay, come, Prince. The Prince roy
(15:46):
is the differential. The prince is the par rome to
parace is a paras.
Speaker 5 (16:01):
Okay, I.
Speaker 29 (16:17):
Can get a complaint.
Speaker 13 (16:20):
My you're so.
Speaker 23 (16:26):
Get in the rest in my.
Speaker 5 (16:32):
Call to the rest.
Speaker 13 (16:38):
It's a book.
Speaker 4 (16:39):
As can you take care of s.
Speaker 2 (16:46):
Yeah, okay, talking okay, okay, Antony iel differentia the local traditional.
Speaker 1 (17:04):
Yea is.
Speaker 16 (17:13):
It?
Speaker 5 (17:15):
Son?
Speaker 6 (17:16):
I don't know?
Speaker 27 (17:19):
I gusty chart back at the motival where some traditional not.
Speaker 1 (17:30):
Yabo yabooscar pub that is like at the motivala your
p public then.
Speaker 2 (17:47):
I see referring the elm blow too Mohammed.
Speaker 1 (17:54):
Maintained shut.
Speaker 2 (18:09):
Fent Romeo Prince Royce to Mohamo romantic there the traditional
this is.
Speaker 27 (18:25):
A yes Romeo as the inclusive to Romeo Romeo is
a composition rel okay.
Speaker 1 (18:43):
Romeo madrion.
Speaker 2 (18:48):
Toego okays to the section, Okay, okay.
Speaker 10 (18:59):
Solom supposa.
Speaker 27 (19:05):
Yes, yes, yes Romeo Romeoa companura mosicura, the high, the high,
(19:31):
my mother mamo the more for me to memoy s
A Romeo co compans.
Speaker 2 (19:45):
Tm you know is a ner manna in the Prince
roy Romeo Santra conclo. Yeah so now manana mere center
eight sound instance in the Chatase Thomas.
Speaker 1 (19:59):
Qu identificenttifs a quality and.
Speaker 2 (20:07):
Compart com French Roma stress, Republican.
Speaker 1 (20:14):
Republic and.
Speaker 27 (20:17):
Manican, the Puerto Rican press and Coca cola. The Puerto
Rico y tim mala model not traditionally is a trapal moment.
This is adress opina a Joey Man concert.
Speaker 2 (20:35):
Pro Prince Royce getto and Romeo pro porque made brio
solo concre to.
Speaker 27 (20:53):
Product from Prince Ro Cantando Baranao can production on us
you want to start when the Lamas Romeo Prince Royal
cha Torito.
Speaker 9 (21:17):
Prefer to vida a cio Antonio Romeo.
Speaker 1 (21:21):
Santos, Antony Romeo Santos yet.
Speaker 9 (21:25):
Romeo the same bendik Loo Aventura Puerto ricanam into Americas
from them and a silo Antonio Romeo, Santos Lo cargo
Wo Mano bessito in Melmoso in Melustaria co siertoleto.
Speaker 1 (21:55):
A double see c come to number when when.
Speaker 27 (22:04):
When Canto l department to the promotion of the Lulu so.
Speaker 2 (22:16):
Lodore application and I heard radio was was Uma quarters
the cou water Trino and the sun trending lant to watch.
Speaker 27 (22:32):
Tro those titans Presenteria center Romeo, Santos, Prince roy too
can can sand.
Speaker 1 (22:45):
And conic and roombast.
Speaker 12 (22:48):
Tres con French Roombas andand like hard radio grassis a
fara and Fara noon Casi the mas fasil communic Condo,
ask click and micro Prieta sen and Farado especially in
(23:12):
accident Orlando.
Speaker 27 (23:14):
In La Florida Central. Are you mon paracasso accident se
me who taking la bogado sinquetreas el keatina masti and
put presenta latina Julio put con Julio Martinez, Martinez mcglardi
claro sell me whole Martinez Maclardi representa call no sea
(23:37):
legs aga nado mile the castos don't jonas dollar is
auna sola familia in gada caso snigo Martinez, man Glardi borgado,
Julio punto con l kyot recommundo a la bugado sques
treas Martinez man Glardie.
Speaker 12 (23:56):
Nether starts importunit me doll is Sara gotta startello sing remorento, what.
Speaker 26 (24:06):
Are close everything, Let's go roombas.
Speaker 12 (24:11):
And sat opportunity that the gunner mellos grandis and god
meant mass partipes mast opportunity that is then is the
gunner mass infant room basido.
Speaker 1 (24:25):
Fassi lest bado, Dan Newly.
Speaker 2 (24:28):
I ken those messes say super accident checks and.
Speaker 1 (24:33):
Google bogdo Dan Newland.
Speaker 2 (24:35):
Me less Jo said that copdose Parla's big tim was
the accident is monla Florida central avogado, Dan Newland, Dan
lu but your thing Jack Kiss say.
Speaker 13 (24:48):
For the Rolando kill into sack dido and ciii.
Speaker 27 (24:51):
What's the sea that's cuentos the rows at the kingsmi
tumbra looks bad.
Speaker 12 (24:59):
L is the accident the Orlando contacting us in Farah
and farah cub.
Speaker 30 (25:05):
Musical basis.
Speaker 13 (25:12):
To opportunity that they can never mail.
Speaker 1 (25:14):
No, that is is a hoa.
Speaker 12 (25:17):
We see down the room bas and the labla clavin
ni now is more neda grisel room bass and the cup.
Speaker 13 (25:33):
In your finest.
Speaker 4 (25:47):
Caribou conserve.
Speaker 31 (26:12):
Ye boy sami roll if you gatavan notab corona, No, yo,
that's what Carl Laura altamus can yer by bika front
(26:37):
to gacona one by.
Speaker 4 (26:42):
The carabs and tall and.
Speaker 5 (26:50):
Territory.
Speaker 10 (26:52):
It is a travel company.
Speaker 1 (26:53):
The control the mouth upper mouth up person.
Speaker 5 (27:00):
But jump.
Speaker 20 (27:02):
Will not jump on but now not the kong.
Speaker 32 (27:07):
Mola love so the guitar guys a boy, yo, what
the what the guns an can after time?
Speaker 6 (27:56):
Where wherein the look you're gonna want to black here
find the bomain.
Speaker 31 (28:10):
Don't b'kin you from me or your canto love your.
Speaker 5 (28:15):
Big sun he's up, I said.
Speaker 33 (28:21):
South be sty so I say, are you can again?
I say yet, my sister and I say no, say I.
Speaker 27 (28:31):
Say it.
Speaker 25 (28:41):
Sells your past is very up and you're like a
you know lack.
Speaker 5 (28:51):
I can't do that.
Speaker 4 (28:52):
Well look I can't really and.
Speaker 5 (29:03):
You're gonna want me, don't you bunk?
Speaker 33 (29:09):
Don't wear a sas that's all.
Speaker 10 (29:15):
Don't know yourself said, then said.
Speaker 5 (29:21):
Look at why so sad became hella Hello it skill world.
Speaker 34 (29:43):
Hello talk yellowising hellow I you only put the look
so I'm wait the cares last said, come on.
Speaker 13 (29:55):
Horse me me you.
Speaker 5 (30:06):
Prom the boy, prom the boy. You're a final.
Speaker 4 (30:14):
It doesn't know the most most.
Speaker 5 (30:17):
Boy looking.
Speaker 20 (30:24):
Happening before your dan. You can come and tell me after.
Speaker 5 (30:41):
Doing your pack.
Speaker 4 (30:45):
Before your das you bring your man there, can come
t me after.
Speaker 20 (30:51):
Doing your packs.
Speaker 28 (30:54):
Yeah yeah see him looking right, yeah right, don't dream
and that that's why I'm saying I play.
Speaker 8 (31:04):
Yeah look at last joy you.
Speaker 4 (31:11):
Like I said, it doesn't know the morn.
Speaker 35 (31:23):
When sasode laughing when laughing.
Speaker 36 (31:49):
Episode go to the ah my no say little day
Denny bray no go again again and go on thusday
can go to you aam say go on today and
(32:15):
I say they don't Danny day no go against again
on newsday go to you Asara many say.
Speaker 37 (32:33):
O am and Mama sida to goa m morena is it.
Speaker 13 (32:41):
The money.
Speaker 23 (32:44):
And yah yah.
Speaker 37 (32:46):
Familia game the goad toga we will.
Speaker 23 (32:54):
O m y man live.
Speaker 4 (32:59):
To Dougie log at your thea.
Speaker 13 (33:03):
Blas today have my.
Speaker 5 (33:06):
No say day.
Speaker 36 (33:09):
Today have Danny day, no honey biga Tuesday. Amy, don't you.
Speaker 20 (33:21):
See not try get your not.
Speaker 5 (33:30):
Try o. I canna do well.
Speaker 1 (33:35):
Not prand of day, brast prand of day?
Speaker 4 (33:44):
What quest's not my.
Speaker 5 (34:05):
Quest? Let that.
Speaker 4 (34:10):
Quest I's not not not seeing w laughed off quite daring.
Speaker 38 (34:15):
That's by my hostay b him the drivehole of that boy,
start him and look here everywhere by him not to
see what he laughed on quite Darry. That's like my
holiday by d the drive whole of that staring you're
not look here.
Speaker 4 (34:31):
Everywhere when we don't look at the right, what would.
Speaker 10 (34:34):
Do my people look at the calt You're not gonna I'm.
Speaker 5 (34:39):
Talking to me.
Speaker 4 (34:41):
I don't know why.
Speaker 20 (34:43):
I know okay that we mus let me not my
younger role for.
Speaker 4 (34:50):
Me not being when they can get up and on it,
I can be there.
Speaker 5 (34:55):
I'm going I got you.
Speaker 26 (34:57):
I'm talking about him And to say, Brad.
Speaker 39 (35:06):
Yeah, you're not holding well okay, t.
Speaker 24 (35:17):
Quite potrap talk out yeah talk quite talk talk.
Speaker 38 (35:32):
I want to see why last on quite darning as
I told you Ques, then I don't.
Speaker 5 (35:40):
Back question last dog quite.
Speaker 1 (35:44):
As I told you Ques.
Speaker 38 (35:47):
Then I know now what back okay some while we're
gonna back in the dry so many bitter look at
the out you know. Then that goes a battles rising
day going me that my younger all if you want
(36:09):
me mad bos you have an end of it.
Speaker 26 (36:13):
I cannot be.
Speaker 5 (36:14):
There the girl.
Speaker 4 (36:18):
And don't say.
Speaker 12 (36:24):
Broombo grassi guy by.
Speaker 5 (36:35):
Book.
Speaker 13 (36:40):
You have your book looking.
Speaker 12 (36:46):
Us to be.
Speaker 4 (36:50):
Done to last a month?
Speaker 5 (36:56):
What did you say? You do my.
Speaker 10 (37:01):
You look went to most yams.
Speaker 4 (37:06):
Go get your second first.
Speaker 30 (37:10):
I'm getting serf.
Speaker 20 (37:14):
Yeah, see your days and.
Speaker 37 (37:19):
Da okay no, that's why we see the sanaa gastrang
lies and to be.
Speaker 30 (37:28):
Oh that's mis guy yeah getting on astory were.
Speaker 5 (37:41):
Get get.
Speaker 30 (37:49):
Yeah the see guess that's a rep.
Speaker 5 (37:56):
From bas.
Speaker 1 (37:58):
Conference. You know your goal. We let only lan Marna
music in the Tami labrication. I already tall chat. Listen
to me and the Prince roy Romeo, Santo.
Speaker 2 (38:13):
Torito, Damil Torriedo s b Manana praisa mate al killa
sentence in com parana Musica than to a prince recom
Romeo to some tilos parac some par.
Speaker 27 (38:27):
Romeo, Santos, Prince Royce and bractel torito traditions Comnti santos
hey Java aretos dostydnista.
Speaker 1 (38:44):
Yama, I geta prince rouca cucha.
Speaker 13 (38:56):
Let's kinst.
Speaker 1 (39:00):
Okay Romeo, it is your season, you know, I say.
Speaker 27 (39:07):
Memoria locus y yeah yeah, interests.
Speaker 23 (39:16):
Coom graund full over santia to space.
Speaker 1 (39:18):
Okay, stood this.
Speaker 40 (39:26):
Talaman apto cases.
Speaker 27 (39:33):
Okay, but me not para turning a later letter here
m posit the super Royo auto compositor.
Speaker 1 (39:49):
Traphonic quarters and record number by.
Speaker 27 (39:55):
Gathering catheringto terms cake porquetident friend.
Speaker 1 (40:03):
Roy, Prince roy la vida prince roy Lo, the Prince
roy the Romeo la that.
Speaker 41 (40:18):
Impression and.
Speaker 1 (40:20):
Long local love love.
Speaker 9 (40:28):
That man.
Speaker 1 (40:39):
By money handles and the.
Speaker 42 (40:45):
Memorial memory.
Speaker 27 (40:50):
Personal mean the Prince roy Yes, mill theo.
Speaker 2 (40:59):
Sto, No, no, there is a super milid.
Speaker 5 (41:08):
No you.
Speaker 1 (41:12):
Ricos, I am barns and your I have to Franchi
in the corona drive l being being male condor f.
Speaker 27 (41:25):
Yes depo event no clara yah yam in persona you
s a to photoca and persona you cannot one tasle photos.
Speaker 1 (41:37):
You might be a cab Lamos, hen Hennessy.
Speaker 27 (41:44):
Hennessey, Quinteros and more.
Speaker 1 (41:46):
No traditional is to your qualities.
Speaker 43 (41:48):
Pines Romeo more a tacularly vexic andante.
Speaker 1 (41:56):
Literally it's a pasiona oh by a.
Speaker 26 (42:01):
Man permal te for common.
Speaker 1 (42:05):
Letters, Okay, okay, in concerto put Prince roy tam being.
Speaker 43 (42:16):
Co clary, not Romeo, see the the Romeo Chta pro
in the same.
Speaker 2 (42:31):
Okay buen more calas and concerto bet us talking coms Pony.
Speaker 5 (42:51):
You know I.
Speaker 1 (42:54):
Said no Romeo.
Speaker 5 (43:00):
You see.
Speaker 1 (43:05):
Ala Alejandro San.
Speaker 2 (43:08):
Francia Concert Training Center.
Speaker 1 (43:12):
Bass Puto ts Franchi. We got a little.
Speaker 12 (43:17):
With preath traffic is p that's a cheese put Franchiga.
We got the run the tree room see and Puto
t for free.
Speaker 44 (43:31):
In the Historia Los Bros Massive Convera Twins, Roy s
Rong s Hira Man Roy.
Speaker 13 (43:47):
Rom next one said land.
Speaker 44 (43:54):
And take Ademaster Boom Pierre Hey Stefan Sierra to his story.
Speaker 45 (43:59):
Go roombast t is dieing Instagram bus Canos bare rumba
ci and tres and jo accident j.
Speaker 41 (44:12):
Quatro t th trees in s cientos ce te quatro threstress,
the mants, present party, Rodriguez loss, the accident.
Speaker 4 (44:27):
Rumba l tm.
Speaker 1 (44:32):
Aparancilo, parcel manteslado say lamas.
Speaker 27 (44:38):
They say zelos bedos a tres jare colo parceltes.
Speaker 13 (44:44):
Lados, dann.
Speaker 5 (44:49):
On music room, tress on.
Speaker 20 (45:00):
The wife.
Speaker 23 (45:02):
Okay, stop again another stop?
Speaker 26 (45:10):
I can.
Speaker 1 (45:13):
You know how you're next?
Speaker 10 (45:17):
Money that my n you kill me.
Speaker 46 (45:26):
By your man shot.
Speaker 19 (45:45):
There's Honor Bonner the mirror to love your now. Purper
throws a coil park to the common talk.
Speaker 47 (45:55):
And talents.
Speaker 4 (45:58):
As a solo moment, you get about dark.
Speaker 35 (46:03):
I don't mind.
Speaker 5 (46:04):
Counter that is so many some.
Speaker 30 (46:08):
Area come on love at that?
Speaker 20 (46:13):
Don't mind conda, what do you?
Speaker 5 (46:15):
That are so many?
Speaker 4 (46:16):
Sometime I like that comes?
Speaker 1 (46:22):
Don't My body feels like that?
Speaker 4 (46:24):
See know that person?
Speaker 13 (46:25):
Only you who I see my daddy does up the back.
Speaker 4 (46:28):
Coming see see not only you.
Speaker 48 (46:31):
I need a better ey Dundard ecosa a baby love
Why I don't need no closure? You're billing down baby
coming you Yeah was your come let me be better?
Danglard eco sun a baby love why I don't need
no closure. You're billing down baby coming me?
Speaker 5 (46:48):
Yeah?
Speaker 4 (46:49):
Was your gum let me who I don't mind tumter
that so may somehow come on love.
Speaker 5 (46:57):
I like that cos.
Speaker 4 (47:00):
No my panda as.
Speaker 29 (47:05):
Ms alder the gila a wiler version co roald No
then and to balter.
Speaker 4 (47:20):
Your adam.
Speaker 19 (47:28):
Damas amada carisas.
Speaker 5 (47:34):
I my.
Speaker 4 (47:39):
My pay pay to me like you turn me to
your play is hi movie?
Speaker 23 (47:43):
Your demand be is hi?
Speaker 4 (47:45):
Move to your demand me.
Speaker 5 (47:48):
My pay pa to me?
Speaker 13 (47:50):
You to me to your play is hi movie?
Speaker 4 (47:52):
Your demand is hi? Moved your demand me.
Speaker 19 (48:00):
The mirror to love your proslos on the common clo
and tell them Ross wecome a solo woman, talk about
trug mind the.
Speaker 4 (48:20):
Cold like.
Speaker 18 (48:25):
Man can.
Speaker 4 (48:32):
Like Alcaza.
Speaker 13 (48:43):
Regular regar.
Speaker 27 (48:48):
Camilla partets parently Hendro sans has a present time that
we trained Gabrin who was strained in Santa and sans
Hemo s TLAs centa pregunta see Tela saviis t see
tela sais sagamea Alejandro sans Qualem instrumental musical Calelejandro sanhs
(49:12):
toka Ala perfection pregunta quala sell instrumento musical Calelejandro sangs
toka allah perfection see of that La repuotta, travitel quartros
Rose say yes, tress quartros rosset and yes tres ala
yamada numero uno keno stela reporta perfecta correcta segoletos Paralyjandro
(49:38):
siance at trent and Elkia Center Qula seven instrumento Gallejandro
sanhs toka allah perfection a la pregunta tram.
Speaker 1 (49:50):
Travel rumba si punto.
Speaker 4 (49:54):
Drama televas dancl.
Speaker 5 (50:04):
On my way no.
Speaker 42 (50:07):
Cassa I said when I said my broom tab let
me sail back on a son final sassy lucien n
the birds get oh, we'll call you my bro and
the love Parazon androm eisod sasy lucio spandies get o
(50:30):
cam brosse no bro and the love Parada You.
Speaker 1 (50:36):
From We're going to cross.
Speaker 24 (50:37):
Fail from this can't go sa trouble didn't annoy me?
Speaker 5 (50:43):
You know a posy you can I know you know?
Speaker 26 (50:48):
So se with the mothers here get they defreasy.
Speaker 4 (50:54):
Get us over my cos.
Speaker 46 (50:56):
One of hans and tops of using I know you
can let him.
Speaker 4 (51:03):
Because can you kiss us?
Speaker 42 (51:05):
How myssa the grandson.
Speaker 18 (51:12):
You know you have no le parsa No.
Speaker 5 (51:15):
Let me.
Speaker 42 (51:17):
Sac slu spans get well, caima parados as sails spans
get camo.
Speaker 4 (51:34):
Bro para yaha. Okayamas, we'll play.
Speaker 38 (51:39):
Your more example through seventy one.
Speaker 46 (51:43):
Throw sappy look in the parent presa.
Speaker 5 (51:49):
No Peter you.
Speaker 49 (51:52):
Him, I said gus us who one of coffee and
the post do you want to get.
Speaker 35 (52:08):
To be young?
Speaker 13 (52:10):
Its young before roumas and.
Speaker 1 (52:17):
Go on to the my no say.
Speaker 13 (52:22):
They don't have anything?
Speaker 36 (52:27):
No ne poguin again on go woseday can boma.
Speaker 31 (52:35):
Man say.
Speaker 36 (52:38):
Today and my no say they don't they as Danny
bing day no need go get again on newsday boom
as a man is Sai.
Speaker 37 (52:58):
William and my master readA to Gulborgada di morena Lonada
money in the present bad jola and hi yah mal
bay Java the game then going bad and to regue
(53:18):
we will oh yeah, Mama live.
Speaker 36 (53:25):
Drunk lay there rena jen blah Doday, My no say
they don't.
Speaker 10 (53:36):
Dny dayDay.
Speaker 46 (53:46):
Sarama.
Speaker 34 (53:52):
So it's a brooking moas with one of the oils.
Speaker 10 (54:03):
Always go.
Speaker 5 (54:08):
For me the.
Speaker 42 (54:11):
In the rose, but come me less than not to
the girl of comment the line and that to sells.
Then come me a simple and p saspect the girl
of comment, do s love your specs?
Speaker 10 (54:31):
You never knowing cannot.
Speaker 5 (54:34):
This is who not supposed to mister b.
Speaker 10 (54:39):
The traumbles in.
Speaker 5 (54:42):
The stando. This is supposedly.
Speaker 10 (54:49):
Drums will be pretty format a.
Speaker 5 (55:02):
Friend.
Speaker 10 (55:03):
That's not legal.
Speaker 5 (55:04):
You know your.
Speaker 10 (55:08):
Your care to cares of some stand on yours.
Speaker 13 (55:12):
And your dostap.
Speaker 23 (55:15):
Come me listen.
Speaker 42 (55:19):
Girls, something past.
Speaker 5 (55:29):
Girl, come.
Speaker 23 (55:32):
Spaces your gio.
Speaker 33 (55:37):
Regard especially again listen to your hero's.
Speaker 5 (55:44):
To your gero. It's just love. That is your yeow.
Speaker 4 (55:58):
But returning said own not competence.
Speaker 7 (56:02):
I was just saying, oh nocussing family locally as.
Speaker 5 (56:09):
That sea.
Speaker 36 (56:09):
Sing them anything.
Speaker 47 (56:17):
Let me an put the project, thank you yours nor moon.
Speaker 1 (56:33):
Shut them yellow.
Speaker 5 (56:34):
Nay he.
Speaker 26 (56:38):
Going on some prison.
Speaker 5 (56:44):
Missing.
Speaker 4 (56:46):
I cannot do anything.
Speaker 23 (56:50):
He sat, he is.
Speaker 19 (56:58):
I think it is so very are going you away?
Speaker 5 (57:01):
Yeah?
Speaker 40 (57:03):
Can you take me so ammia more.
Speaker 4 (57:08):
Glojoke them me.
Speaker 13 (57:17):
Let me come to the moment.
Speaker 5 (57:23):
Your b beha.
Speaker 23 (57:27):
Tasting them.
Speaker 10 (57:33):
Shoot the mill. I know something you brother.
Speaker 5 (57:44):
Be say get your.
Speaker 23 (57:50):
Stay yeah, let.
Speaker 13 (58:07):
Me yes, young people boss your uns.
Speaker 40 (58:32):
Yeah, okay, I just tell the gres garda Mia my god,
the so Bara they love break that's your mom going
the log of the leman of tennant Park and Pasamo,
(58:53):
the last Lugger Masca.
Speaker 50 (58:54):
Yeah and love bat I love the rosa degrees they dances.
Meeting go okay, he was gonna make I think my
Sammy to song.
Speaker 5 (59:09):
Start lens and the repent.
Speaker 4 (59:13):
To dammy calm the meeting go gay.
Speaker 46 (59:22):
Said damn day the.
Speaker 40 (59:24):
Song said answer once again, I go Lema and brow
he will getting your.
Speaker 26 (59:51):
Get me going, pray o Lolly, that's musso.
Speaker 51 (01:00:16):
Casting a dum famoso a Sara.
Speaker 5 (01:00:24):
Darting.
Speaker 52 (01:00:26):
Don't tell me not to stand silas fantasty nobody.
Speaker 51 (01:00:32):
Last who just then Dunta lobby that sadi Ya who knows?
Not Salida, You're just not people's ye don't persona.
Speaker 20 (01:00:51):
Majoria they were.
Speaker 52 (01:00:53):
Not Tato stems on us sent me just.
Speaker 23 (01:00:59):
Last their.
Speaker 5 (01:01:04):
Love then it also then it all.
Speaker 12 (01:01:50):
Cool friend Gabby and room basin Punta Tres. Don't they more.
Speaker 13 (01:01:56):
Humans?
Speaker 12 (01:01:59):
I heard radio grass Afar and Fara Nona see the
mass fasil communic con as clicking, micro Ya, Prieta, s
Patros Andara especially in accident Orlando.
Speaker 1 (01:02:14):
M Rio Parallejandro s.
Speaker 27 (01:02:19):
Camestrumentalsical totally Jandro sans ala perfection quals instrumental, the tocallynro
sala reporta correct like guitar like guitar la guitar rio,
the loctional concerto, the Alejandro sance in the Kia Center
ste whoever trained tarabrillpana leandro, spanya pari patria, permit la
(01:02:47):
community that Panola Japan inland you with you okay and
laropo to claros Garcia, Franchi cal.
Speaker 1 (01:03:08):
Spana, spino, tello huro Minka can go to the movie
I'm the King. Orlando lack com that I'm the King?
Is that reader?
Speaker 5 (01:03:18):
Are you a.
Speaker 1 (01:03:21):
Mega mega me sol.
Speaker 5 (01:03:29):
Best for it?
Speaker 1 (01:03:32):
Perro yours flicaria, No, no, you're talking.
Speaker 2 (01:03:40):
You know why your your Alejandro sons because you who
is our whoever train what trained training Pamy complaining Okay,
man Manna complaining.
Speaker 27 (01:03:51):
Manna celera to complain your conromy Prince Roy man throcking
not to local, So tell hey.
Speaker 1 (01:04:05):
Ma myeral l parolo.
Speaker 27 (01:04:15):
Ca manyanaa quarantine and la logo said quarry guarrent quarantine, quarantine, quar.
Speaker 1 (01:04:38):
Quarantine my w yeah and in quin So you're a
tabo lando the.
Speaker 27 (01:04:45):
Lo kel cha presenter Doro's kya center. Romeo Santos, Prince
roy is correct, gaby plant kayla chatta. Interpreter Romeo Santos
is roy meme call keta traditional kaila, can't lava chatta
(01:05:06):
antonis Santos huas you know so hainti the chat uma
traditional chata ka like ya like mate, you know public
travel quarters and by the sas in trece travetel was
(01:05:28):
sap de la rumba il quarts rot quatro trientjo ti
sinko travelablica young and so telephone in tali hinted i
hat rareo a microphonic yamag talk back to the press,
the membory to put your pin her lava chata mont
tm ptrin in tretos does chatta in principed lava chata
(01:05:49):
Romeos Prince Royal yamal attention to yokomo French ke traditional pragunta.
Speaker 1 (01:06:01):
Supper indo quarts and by this is.
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Remea and Porta Agocelo
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