Podcast: Matt Damon cuestionó las nuevas exigencias narrativas de Netflix por los hábitos de consumo del público
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
A church your Land. You publico church your Lando.
Speaker 2 (00:05):
He ain't to ris Pe travel Instagram, travel to Canada,
YouTube on the two years maintain on the sal Church
Orlando and.
Speaker 1 (00:15):
The track.
Speaker 3 (00:20):
Roamo Franchi Chicola, Romba Para Infolmlat Lokas and Mundo in
there and YouTube Totalmente gratis i bas and Mundo in
(00:44):
ful Mamo, belm Clara l Beldama, Ernie.
Speaker 1 (00:50):
Then pat Lando para sa Chiese medal party.
Speaker 3 (00:57):
And not Land I know no indo them the landing
CA memo course meto you in.
Speaker 1 (01:15):
Our memo Li you talk about the you know negotios,
the diversion on.
Speaker 2 (01:22):
Mar not protr not fan.
Speaker 1 (01:30):
And cool Ca you know po.
Speaker 2 (01:34):
Te and isokill pxo ma hint into Pa.
Speaker 1 (01:42):
Lies coming to Lando.
Speaker 3 (01:45):
You see a qui and into Influmentola and Caguan Latino
perlsona super migratorius regular person.
Speaker 1 (02:03):
Solo. No, it was young to p ten permission processed
in the mountain in a month.
Speaker 4 (02:20):
The realm to America and it hasn't pass man and
one that.
Speaker 3 (02:39):
Okay Calvin like vera Brazilian because brazilanias Okay, like I said,
it's a massive.
Speaker 1 (02:52):
L L gringo.
Speaker 3 (02:59):
Gringo, the loento no noiendo you know the endo see
relmnd some policia also henam parise okay, look as young.
Speaker 1 (03:22):
I s look at.
Speaker 4 (03:28):
Okay l processo persona legal like like comment and montero
peroy processor the con.
Speaker 2 (03:44):
Is a persona coula per miso legal parafers poor specific
parts a teeple.
Speaker 1 (04:01):
The Marat.
Speaker 4 (04:05):
Company and all those it does young online.
Speaker 2 (04:13):
Exactly senors gratia aland the tod gaby krong to Lando
the local actory productor Matt Daimon a two of land
Po Kelly ser kuando ld o las corsask and the
(04:36):
Netflix unhem blow a taxi endo.
Speaker 1 (04:43):
Ueva's expencion narativa, the Netflix.
Speaker 2 (04:45):
Pollos abbito, the consumer thel public Mark Diamond, Dick traval
hotel you need us really a Netflix and French experentially
think that's I've seen a traditional condition another plam public
consuming containdos and say thet replico, the plata forma sola
tramas repeta vases baria vasis repeat and the alogos debid
(05:09):
ke mojo pectadores mira sus tele phonos me and travelic
like m b el trauma, la trama de la pelicola,
el diallo el dia logo repetitia, a trace basis devid
ke mojos pectador and mocha personas e tambiendos telephonos mentras
being una pellicula include I kept pellicula, mariata me I
(05:34):
kept by the way, the plotar and la premiros income
peligula para mantello.
Speaker 1 (05:39):
Pectaoris pen the porkela.
Speaker 2 (05:41):
Hinted tabindo pelicula yallawe tambimbo our yellow alos doos yallah
uba j Just so your franchi nunis jo persona sakwando pelicula,
your telephon porzola pellicula and.
Speaker 1 (05:59):
Me lo nino s.
Speaker 2 (06:02):
Go the l LaSala the amy connect term sgular pelo.
Carlina said, I'll grab Joe punga and me pelicula complaint.
Now I made the pelicula pul paro polomo your so
you look at from too man part.
Speaker 1 (06:27):
I guess that the looks man is that they line Chico.
Speaker 4 (06:34):
Joy plica and telephone la manoo sol AlSi orb there
persia sayla.
Speaker 2 (06:50):
Lamano pro public trabel quarts roses.
Speaker 1 (06:54):
He says in tres.
Speaker 2 (06:56):
Trabel was la rouma waters ros quater trenchcosa being trebdel
application I her radio a you microphonico and Yama told
back sea trevedel aplicas young I heard radio to telephon
in hinting told batti micro fonito eat a mint opina
ares to the la personas go pelicula a tatami connect
(07:18):
cellular de manera simultanea top top cuenta a travel alissa
or the peligula oevi comos a ten ferentando exce tintad
traditional aura mismo el contendo case implemented la pellicula d
n a sa grecibo include cive los diangoga pelliculas tekat
(07:42):
the net parliamento tres repetition is parakel public aspectator a
te parliament of mappendenterra pelicula cellular porkelo nev the empus
in the poste taviiano pelicula, mima waved cellular los BP
young madico okay telephone to.
Speaker 1 (08:02):
The lef a complete man the level as as it
is a map of a real the sac.
Speaker 2 (08:13):
Hinted relays lokay q in the is low productor and
it flees platformer like se hang loo you it ky
yap and not a pellicula pellicula japorlo man prim income
attention he net chico to cam and sick sla persona pellicula.
Speaker 1 (08:39):
See see.
Speaker 4 (08:41):
Okay is me hi ascelo memo inn don that codularist
if I wasn't availabla vero pero see sparrow can can
(09:01):
see pla do come then I get.
Speaker 2 (09:10):
Gando you will madame and solo kwand yo pellicula your
so plulard you thing to the lular pero use bella
pellicular ti poems and y u s polo mano compagne
and la cama nino and nina la cama. Yeah, I
mean the concentral sa plicula seem prett to the vela
(09:35):
the all right media una plas comosa they own say
uh una coromm oh the now right pigo. Then so
you say okay your your pelicular single cellulaandolar rumba travel
quarters ro yes, he says he and Trece travel. What's
(09:55):
up the roomba quarters the quartra trenos rout they tod
back the la rumba application I heard radio edit to
rumbera or umbla persona pellicula, ala mila and la mano.
They're like a para pelliculaints or mumbia hollo franch franchilula
(10:17):
pellicula's aunta coute yes sa andres como to a pellicula
congreslula and la mano singular.
Speaker 1 (10:26):
Hello, dimono, dimono, mammy, Hello, quite a man.
Speaker 2 (10:31):
Buena coassan come on to a persona telephone and la
mano he re como franchi se.
Speaker 1 (10:43):
Telephone brunlau.
Speaker 5 (10:45):
Bueno your blendo pad pad.
Speaker 1 (10:55):
Rather like to appear diallo la pellicule, not the concentra
not yeah, I see you come and I made said
(11:15):
the convert that yeah entry bendell you know, so let
me go when land yes ala u bend trapublic trabadel
(11:42):
quarts he said a trabat to la rumba. He graphon young,
I how are you? He's the two.
Speaker 2 (11:50):
Kyars know that how man was into telefl travis the
what's up?
Speaker 1 (11:56):
What's up to me?
Speaker 2 (11:57):
Quarts quart trina you know when ConA masuna mas public
because and you're a prime dee young el guadro rum
i wanna turn hello quapo delo persona ke yo hollo
s persula local eponent pasla peligula, pendent do cosa yeah
you van last.
Speaker 1 (12:19):
Yo Ali and Kilo and televan a telephon you do
telepan no way attack on centravian do coza.
Speaker 2 (12:28):
Hey jodo mimo you sir, come to pinto reels ya
la vetagula, Oh Nora.
Speaker 1 (12:36):
Mid a job mid a job smoleto.
Speaker 2 (12:39):
We are proviad ark like posa me or mis trabo
a mime, jevela sangri kwando yobe okay those telephone and
la mano you let you go sauna cosa swell teven.
Speaker 1 (12:53):
Lef you know, oh yeah, oh yeah, Odra Monetta and
pila yeah m pst.
Speaker 2 (13:15):
HAMAI mar demon procupa like torres los you nigustus Antonio
gamberla matica and come crivilla pelgla porc o n di
pectadores la cosa manera simultana perrimo common publica puss incrementing
no Franchi room.
Speaker 1 (13:39):
Right verio.
Speaker 2 (13:42):
Like door mac damon alvimo trivita and PoCA ll trava
your niece does I realizadores and Netflix and frank tango
exe hence a distintas and traditional conditional, The pla public
coccons suma, contino, plicnactor, the plataform a sole tramas repeata
(14:06):
and the alogos, the video pecta door mira, sus, telefonos
and travelgula all interpreter cimente, protagon sona, pelicula neflis hunto
awayn afflet yeld this senori is k at twelve manti
i here repetilo, theloos in la pelliculas baria wayses parakela huntes,
(14:29):
punt connectada, porc and d muchos being peliculas, al mimo
tempting sellular lone pectaoris being at those causes al mimo
tempo La pren thiago is la pregun thiago is see
de la persona ke yevl cellular al televisor pellicula and Netflix,
(14:52):
the jeva cellular lave tamn real idola, mimo tiempo como
macdamu t s a persona, the locate, mire telephono me
and tra pericula ut yes he said, latulio travel back,
the ruma mikron parents and applica young and her radio. No,
(15:13):
so how your travel was up? Quarts rout trenta rojo
he sousla persona qu two be la pellicula alabeular No no, yes, jesus.
Speaker 1 (15:34):
Picula to a post Navano. He went up those courses.
Speaker 2 (15:46):
L memo, yeah, say y yes, Una cosa, pellicula, soul
and ths leprosima.
Speaker 1 (15:52):
Not in beto.
Speaker 2 (15:58):
Grass convent from public co direct to the like pelicola
al lulard como, Tira selular and limnore two plot to
(16:20):
pelicula concentral.
Speaker 5 (16:25):
La ma frie com.
Speaker 1 (16:29):
Do your song of the you know thing is your
medica plicula, I mean.
Speaker 2 (16:41):
Hecta know selulard he and Pala pellicula, tell Ula, pellicula,
Joe tengo turcos and Trager.
Speaker 1 (16:55):
No, so your member.
Speaker 2 (17:00):
Your solos toninas, Yes you make solito, Yeah, you play
me peligula, Yeah yeah, Clara someone.
Speaker 1 (17:15):
Yea and your.
Speaker 2 (17:17):
Selulard Joe Ego, Joe ego even in Fermida yea namid
rock sufi caca. As soon as to that is fisiol,
he goes, yeah, Okay, you can take pla television m
(17:38):
programming for Dante unaplegular parentreatenernos unto the kalidak to another
Concini biendo television, the mado China pulas.
Speaker 1 (17:50):
He do.
Speaker 2 (17:52):
Pat Biandola real to tarbiandola la pina the cheese me
No se no is had tbo is.
Speaker 1 (18:03):
Relat.
Speaker 2 (18:05):
Oh you're look there product repetillo, ohaction like primo, but
I can I hate the peg?
Speaker 1 (18:19):
What you know rum buenas Frank Papa to movie Now, No,
you're okay, They're okay, they are baby.
Speaker 2 (18:43):
Ja ja don the yammy Fernanda LANDI focus on one
so lo ruo paramanana, are not that tini Lai parla
Florida Central Senor saying the majola madre being a la
(19:06):
p para el quilla center. Oh no ya, mama mas
Eric to the local lula Ala mi ve la mano
rumba buenas.
Speaker 1 (19:19):
Hello, song ticket is sola No the yam Fernandez Hello,
rumba buena.
Speaker 5 (19:33):
Thank you Jo, I'm not the the lephone, the windows,
polic Netflix, Netflix Salada.
Speaker 2 (19:50):
The locally Taxi he and o yen da Netflix a
Lorna's product Pelicula mm hmm pellicula action t selection, Oh yeah,
sin diallogo.
Speaker 1 (20:04):
Picul and pizza.
Speaker 2 (20:06):
Pa tula pellicula it concenter in O N d A
repetial yallogla pellicula pellicula pellicular if innoda pellicular repetilogos incrably
pero you plosh pelicula peliclos yeularla.
Speaker 1 (20:29):
Young to the man considered aura. Then movie is.
Speaker 2 (20:36):
Soul titoa pellicula.
Speaker 5 (20:40):
No, no, you're not.
Speaker 1 (20:42):
Who know who beat the porta Ma Dame the sravita
in My Dame Francia pull
A church your Land. You publico church your Lando.
Speaker 2 (00:05):
He ain't to ris Pe travel Instagram, travel to Canada,
YouTube on the two years maintain on the sal Church
Orlando and.
Speaker 1 (00:15):
The track.
Speaker 3 (00:20):
Roamo Franchi Chicola, Romba Para Infolmlat Lokas and Mundo in
there and YouTube Totalmente gratis i bas and Mundo in
(00:44):
ful Mamo, belm Clara l Beldama, Ernie.
Speaker 1 (00:50):
Then pat Lando para sa Chiese medal party.
Speaker 3 (00:57):
And not Land I know no indo them the landing
CA memo course meto you in.
Speaker 1 (01:15):
Our memo Li you talk about the you know negotios,
the diversion on.
Speaker 2 (01:22):
Mar not protr not fan.
Speaker 1 (01:30):
And cool Ca you know po.
Speaker 2 (01:34):
Te and isokill pxo ma hint into Pa.
Speaker 1 (01:42):
Lies coming to Lando.
Speaker 3 (01:45):
You see a qui and into Influmentola and Caguan Latino
perlsona super migratorius regular person.
Speaker 1 (02:03):
Solo. No, it was young to p ten permission processed
in the mountain in a month.
Speaker 4 (02:20):
The realm to America and it hasn't pass man and
one that.
Speaker 3 (02:39):
Okay Calvin like vera Brazilian because brazilanias Okay, like I said,
it's a massive.
Speaker 1 (02:52):
L L gringo.
Speaker 3 (02:59):
Gringo, the loento no noiendo you know the endo see
relmnd some policia also henam parise okay, look as young.
Speaker 1 (03:22):
I s look at.
Speaker 4 (03:28):
Okay l processo persona legal like like comment and montero
peroy processor the con.
Speaker 2 (03:44):
Is a persona coula per miso legal parafers poor specific
parts a teeple.
Speaker 1 (04:01):
The Marat.
Speaker 4 (04:05):
Company and all those it does young online.
Speaker 2 (04:13):
Exactly senors gratia aland the tod gaby krong to Lando
the local actory productor Matt Daimon a two of land
Po Kelly ser kuando ld o las corsask and the
(04:36):
Netflix unhem blow a taxi endo.
Speaker 1 (04:43):
Ueva's expencion narativa, the Netflix.
Speaker 2 (04:45):
Pollos abbito, the consumer thel public Mark Diamond, Dick traval
hotel you need us really a Netflix and French experentially
think that's I've seen a traditional condition another plam public
consuming containdos and say thet replico, the plata forma sola
tramas repeta vases baria vasis repeat and the alogos debid
(05:09):
ke mojo pectadores mira sus tele phonos me and travelic
like m b el trauma, la trama de la pelicola,
el diallo el dia logo repetitia, a trace basis devid
ke mojos pectador and mocha personas e tambiendos telephonos mentras
being una pellicula include I kept pellicula, mariata me I
(05:34):
kept by the way, the plotar and la premiros income
peligula para mantello.
Speaker 1 (05:39):
Pectaoris pen the porkela.
Speaker 2 (05:41):
Hinted tabindo pelicula yallawe tambimbo our yellow alos doos yallah
uba j Just so your franchi nunis jo persona sakwando pelicula,
your telephon porzola pellicula and.
Speaker 1 (05:59):
Me lo nino s.
Speaker 2 (06:02):
Go the l LaSala the amy connect term sgular pelo.
Carlina said, I'll grab Joe punga and me pelicula complaint.
Now I made the pelicula pul paro polomo your so
you look at from too man part.
Speaker 1 (06:27):
I guess that the looks man is that they line Chico.
Speaker 4 (06:34):
Joy plica and telephone la manoo sol AlSi orb there
persia sayla.
Speaker 2 (06:50):
Lamano pro public trabel quarts roses.
Speaker 1 (06:54):
He says in tres.
Speaker 2 (06:56):
Trabel was la rouma waters ros quater trenchcosa being trebdel
application I her radio a you microphonico and Yama told
back sea trevedel aplicas young I heard radio to telephon
in hinting told batti micro fonito eat a mint opina
ares to the la personas go pelicula a tatami connect
(07:18):
cellular de manera simultanea top top cuenta a travel alissa
or the peligula oevi comos a ten ferentando exce tintad
traditional aura mismo el contendo case implemented la pellicula d
n a sa grecibo include cive los diangoga pelliculas tekat
(07:42):
the net parliamento tres repetition is parakel public aspectator a
te parliament of mappendenterra pelicula cellular porkelo nev the empus
in the poste taviiano pelicula, mima waved cellular los BP
young madico okay telephone to.
Speaker 1 (08:02):
The lef a complete man the level as as it
is a map of a real the sac.
Speaker 2 (08:13):
Hinted relays lokay q in the is low productor and
it flees platformer like se hang loo you it ky
yap and not a pellicula pellicula japorlo man prim income
attention he net chico to cam and sick sla persona pellicula.
Speaker 1 (08:39):
See see.
Speaker 4 (08:41):
Okay is me hi ascelo memo inn don that codularist
if I wasn't availabla vero pero see sparrow can can
(09:01):
see pla do come then I get.
Speaker 2 (09:10):
Gando you will madame and solo kwand yo pellicula your
so plulard you thing to the lular pero use bella
pellicular ti poems and y u s polo mano compagne
and la cama nino and nina la cama. Yeah, I
mean the concentral sa plicula seem prett to the vela
(09:35):
the all right media una plas comosa they own say
uh una coromm oh the now right pigo. Then so
you say okay your your pelicular single cellulaandolar rumba travel
quarters ro yes, he says he and Trece travel. What's
(09:55):
up the roomba quarters the quartra trenos rout they tod
back the la rumba application I heard radio edit to
rumbera or umbla persona pellicula, ala mila and la mano.
They're like a para pelliculaints or mumbia hollo franch franchilula
(10:17):
pellicula's aunta coute yes sa andres como to a pellicula
congreslula and la mano singular.
Speaker 1 (10:26):
Hello, dimono, dimono, mammy, Hello, quite a man.
Speaker 2 (10:31):
Buena coassan come on to a persona telephone and la
mano he re como franchi se.
Speaker 1 (10:43):
Telephone brunlau.
Speaker 5 (10:45):
Bueno your blendo pad pad.
Speaker 1 (10:55):
Rather like to appear diallo la pellicule, not the concentra
not yeah, I see you come and I made said
(11:15):
the convert that yeah entry bendell you know, so let
me go when land yes ala u bend trapublic trabadel
(11:42):
quarts he said a trabat to la rumba. He graphon young,
I how are you? He's the two.
Speaker 2 (11:50):
Kyars know that how man was into telefl travis the
what's up?
Speaker 1 (11:56):
What's up to me?
Speaker 2 (11:57):
Quarts quart trina you know when ConA masuna mas public
because and you're a prime dee young el guadro rum
i wanna turn hello quapo delo persona ke yo hollo
s persula local eponent pasla peligula, pendent do cosa yeah
you van last.
Speaker 1 (12:19):
Yo Ali and Kilo and televan a telephon you do
telepan no way attack on centravian do coza.
Speaker 2 (12:28):
Hey jodo mimo you sir, come to pinto reels ya
la vetagula, Oh Nora.
Speaker 1 (12:36):
Mid a job mid a job smoleto.
Speaker 2 (12:39):
We are proviad ark like posa me or mis trabo
a mime, jevela sangri kwando yobe okay those telephone and
la mano you let you go sauna cosa swell teven.
Speaker 1 (12:53):
Lef you know, oh yeah, oh yeah, Odra Monetta and
pila yeah m pst.
Speaker 2 (13:15):
HAMAI mar demon procupa like torres los you nigustus Antonio
gamberla matica and come crivilla pelgla porc o n di
pectadores la cosa manera simultana perrimo common publica puss incrementing
no Franchi room.
Speaker 1 (13:39):
Right verio.
Speaker 2 (13:42):
Like door mac damon alvimo trivita and PoCA ll trava
your niece does I realizadores and Netflix and frank tango
exe hence a distintas and traditional conditional, The pla public
coccons suma, contino, plicnactor, the plataform a sole tramas repeata
(14:06):
and the alogos, the video pecta door mira, sus, telefonos
and travelgula all interpreter cimente, protagon sona, pelicula neflis hunto
awayn afflet yeld this senori is k at twelve manti
i here repetilo, theloos in la pelliculas baria wayses parakela huntes,
(14:29):
punt connectada, porc and d muchos being peliculas, al mimo
tempting sellular lone pectaoris being at those causes al mimo
tempo La pren thiago is la pregun thiago is see
de la persona ke yevl cellular al televisor pellicula and Netflix,
(14:52):
the jeva cellular lave tamn real idola, mimo tiempo como
macdamu t s a persona, the locate, mire telephono me
and tra pericula ut yes he said, latulio travel back,
the ruma mikron parents and applica young and her radio. No,
(15:13):
so how your travel was up? Quarts rout trenta rojo
he sousla persona qu two be la pellicula alabeular No no, yes, jesus.
Speaker 1 (15:34):
Picula to a post Navano. He went up those courses.
Speaker 2 (15:46):
L memo, yeah, say y yes, Una cosa, pellicula, soul
and ths leprosima.
Speaker 1 (15:52):
Not in beto.
Speaker 2 (15:58):
Grass convent from public co direct to the like pelicola
al lulard como, Tira selular and limnore two plot to
(16:20):
pelicula concentral.
Speaker 5 (16:25):
La ma frie com.
Speaker 1 (16:29):
Do your song of the you know thing is your
medica plicula, I mean.
Speaker 2 (16:41):
Hecta know selulard he and Pala pellicula, tell Ula, pellicula,
Joe tengo turcos and Trager.
Speaker 1 (16:55):
No, so your member.
Speaker 2 (17:00):
Your solos toninas, Yes you make solito, Yeah, you play
me peligula, Yeah yeah, Clara someone.
Speaker 1 (17:15):
Yea and your.
Speaker 2 (17:17):
Selulard Joe Ego, Joe ego even in Fermida yea namid
rock sufi caca. As soon as to that is fisiol,
he goes, yeah, Okay, you can take pla television m
(17:38):
programming for Dante unaplegular parentreatenernos unto the kalidak to another
Concini biendo television, the mado China pulas.
Speaker 1 (17:50):
He do.
Speaker 2 (17:52):
Pat Biandola real to tarbiandola la pina the cheese me
No se no is had tbo is.
Speaker 1 (18:03):
Relat.
Speaker 2 (18:05):
Oh you're look there product repetillo, ohaction like primo, but
I can I hate the peg?
Speaker 1 (18:19):
What you know rum buenas Frank Papa to movie Now, No,
you're okay, They're okay, they are baby.
Speaker 2 (18:43):
Ja ja don the yammy Fernanda LANDI focus on one
so lo ruo paramanana, are not that tini Lai parla
Florida Central Senor saying the majola madre being a la
(19:06):
p para el quilla center. Oh no ya, mama mas
Eric to the local lula Ala mi ve la mano
rumba buenas.
Speaker 1 (19:19):
Hello, song ticket is sola No the yam Fernandez Hello,
rumba buena.
Speaker 5 (19:33):
Thank you Jo, I'm not the the lephone, the windows,
polic Netflix, Netflix Salada.
Speaker 2 (19:50):
The locally Taxi he and o yen da Netflix a
Lorna's product Pelicula mm hmm pellicula action t selection, Oh yeah,
sin diallogo.
Speaker 1 (20:04):
Picul and pizza.
Speaker 2 (20:06):
Pa tula pellicula it concenter in O N d A
repetial yallogla pellicula pellicula pellicular if innoda pellicular repetilogos incrably
pero you plosh pelicula peliclos yeularla.
Speaker 1 (20:29):
Young to the man considered aura. Then movie is.
Speaker 2 (20:36):
Soul titoa pellicula.
Speaker 5 (20:40):
No, no, you're not.
Speaker 1 (20:42):
Who know who beat the porta Ma Dame the sravita
in My Dame Francia pull
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Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
Betrayal Season 5
Saskia Inwood woke up one morning, knowing her life would never be the same. The night before, she learned the unimaginable – that the husband she knew in the light of day was a different person after dark. This season unpacks Saskia’s discovery of her husband’s secret life and her fight to bring him to justice. Along the way, we expose a crime that is just coming to light. This is also a story about the myth of the “perfect victim:” who gets believed, who gets doubted, and why. We follow Saskia as she works to reclaim her body, her voice, and her life. If you would like to reach out to the Betrayal Team, email us at betrayalpod@gmail.com. Follow us on Instagram @betrayalpod and @glasspodcasts. Please join our Substack for additional exclusive content, curated book recommendations, and community discussions. Sign up FREE by clicking this link Beyond Betrayal Substack. Join our community dedicated to truth, resilience, and healing. Your voice matters! Be a part of our Betrayal journey on Substack.