May 28, 2026 • 53 mins
How can we protect the groins of the Tigers players, the top songs that come to mind when you hear “Classic” rock, an epic breakdown of the “Angel’s in the Outfield,” Josh’s crazy day at the Houston airport, what do you do with a gold bar to make money?, Josh hates when people point out a statement is “just your opinion” online, a man doing time for murder trying to be paroled, and more!
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Speaker 1 (00:00):
W u l Z Detroit one six point seven, Detroit's
wheels and radio station.
Speaker 2 (00:08):
Guaranteed Human Hello everybody, Josh Nis, y'all, Josh and James
this morning. How are you James good?
Speaker 3 (00:17):
How are you good?
Speaker 2 (00:18):
Good? Coming up, we'll have sports for you. The Tigers
are hot, Sorr. They won yesterday? Oh did they? Well?
Now I don't even have to do sports.
Speaker 3 (00:28):
Wow.
Speaker 2 (00:28):
I mean when you said there, oh, I mean they
won yesterday. Good for them. So, I mean there was
an angel in the outfield, Florida, I guess, so, well,
what could happen? Yeah, we'll see maybe in maybe in
sports we'll find that out. But that's coming up in
just a few Right now, you've got Metallica. Good morning friends,
(00:49):
the Josh Nis Show. Sports. Let's see here. So, the
Tigers were victorious last night. Nothing beat them up, Tigers
eat them up. They were a four nothing victor. But
the victory did come at a cost. That cost was
(01:13):
Casey Mice, who is injured again and man he was
out there just dealing at four innings, two hits, no runs,
six strikeouts. Casey Mice has a groin injury again, so
they're hoping for the best. There dude z r A
is two point two seven in a year where like
everyone is stunk. This guy's like, hey, when I'm healthy,
(01:33):
I'm pretty good. The problem is never healthy. Then a
guy who has stunk all year, Kim Lee Janssen. He
also got hurt too, His groins hurt. What's the deal
with the groins and the tigers? Well then, well, just
everybody all their pictures have that they just got growing problems.
Maybe they're doing something wrong in the training department there.
If everybody's groins getting hurt, that could be can you
(01:55):
dig it? No, maybe they're digging into their groins too much,
Like maybe they're just too hard.
Speaker 3 (02:00):
Do they need to get like a properly fitted athletic supporter.
Speaker 2 (02:05):
That could be. You know, your point's well taken. I
don't know what the issue is. I don't know if
a groin injury is truly impacted by the athletic supporter.
I don't know, Like, you know, the guy's you know,
his testicles are hurt. No, it's his groin regions.
Speaker 3 (02:19):
So I mean, maybe he got some he got those
big balls, you know, causes some some friction.
Speaker 2 (02:25):
Maybe he needs to stretch better, could be growing out Yeah, exactly.
That could be that. Now, maybe that's the issue. Pregame
cranking might help. Yeah, maybe that's the thing. It loosens
you up.
Speaker 3 (02:38):
A little bit, you get relaxed.
Speaker 2 (02:40):
You know.
Speaker 3 (02:41):
I crank it poisonous baby baters out of the brain.
Speaker 2 (02:45):
Iran it, you know, and then you're ready to go,
and then your groin feels good. I think that's the
way to solve it. That's exactly that's the judge and It.
Speaker 4 (02:59):
Shows A show now at eight seven seven, nine eighty eight,
one oh six seven, one oh six point seven w
LC Detroit twheels.
Speaker 2 (03:08):
I sent up the bars and back in town again.
So Josh inn a show. I love that song. I
think to me, when I think of classic rock radio, right,
when I think, and I know that that's not a
popular word to use anymore in you know, radio circles,
because classic means old and whatever. Yeah, But when I
(03:30):
think of like growing up listening to rock and roll radio, right,
and I'm thirty nine years old, so as a kid,
I'm listening to to, you know, these rock stations in
the nineties and two thousands. That's where I cut my
teeth on this. I listened to a radio station called
Eagle ninety eight point one. That was our hometown rock
radio station in Baton Rouge Show. In my formative years
(03:50):
of you know, being ten eleven twelve, listening to a
lot of this music, wanting to be a radio guy,
I listened to a radio station called Eagle ninety eight
point one and at the time it was a classic
Rocks and every night there'd be this guy on the
radio and his name was Delaney and he sounded like
a burnout like he is like your typical nighttime rock
and roll jock, burnout guy, be like Eagle honey boy on.
(04:15):
My name is Delayey.
Speaker 5 (04:17):
Yeah, we're just rocking tonight, man, like that type of say,
and like in and I think of this, and I
think of songs that I just remember hearing constantly in
that era, and the boys are back in town as
one of them.
Speaker 2 (04:31):
And if I had a mount rushmore of the songs
that I think are the greatest classic rock radio songs,
that would be the top four classic rock. And I
say classic rock, but it's rock radio stuff. I'm not
talking about stuff from the two thousands zo. I'm not
talking about butt rock and post grunge, shutting the metal.
I'm talking to the classic class the rock that built
(04:53):
rock radio. Right. What will you hear that song from
probably nineteen seventy eight, something like that, the Boys are
Back in Town seventy seven and seventy eight somewhere that
era above seekers. That's what I'm getting out here when
I think of like the four rock songs, not necessarily
the songs that are considered the four greatest classic rock
songs of all time, because then what you end up
with is, well, there's you know, Stairway to Heaven, or
(05:17):
there's Pink Floyd.
Speaker 6 (05:18):
This.
Speaker 2 (05:18):
No, I'm talking about the four songs that I think
about when I think of classic rock radio. Right, when
I think of my formative years, music that I didn't
listen to when it was out because I wasn't a
live for it, But the music that I heard constantly
on the radio that I associate with rock radio. One
of them is the Boys Are Back in Town. One
(05:40):
of them is Night Moves. Okay, okay, so there's two again.
This is just me when I think of my mind. Now,
if you want to get in, you can text text
the word Josh and your message to five one eight
eight one, all right, five to one eight eight one
it's a mount rush. More so, it's the top four
if you will, the songs that, for whatever reason, you
just to associate them with rock radio, the four Stars. Now.
Speaker 3 (06:05):
Granted, I grew up in a different place. I grew
up all over the place, but.
Speaker 2 (06:07):
I spent most of my time in my childhood that
I can remember, in Baton Rouge, Louisiana, our rock station
Eagle ninety eight point one, home of the LSU Tigers.
We would hear stuff like the boys are back in
town all the time. But in my formative years night
Moves Bob Seeger, I would put the boys are back
(06:29):
in town. I would put The Joker by Steve Miller,
and now I'm looking for one more. And this is
just minew Obviously, I don't need your help or anybody
else's help on this, because this is mine. This is
what I think of these things.
Speaker 3 (06:42):
ACDC like I don't maybe like a Hell's bells.
Speaker 2 (06:48):
Like if you say certain things that might jog my
memory and I'll go, oh yeah, we used to hear
that all the time. The one that actually stands out,
and I don't think that this will go for a
lot of other people, but one that stands out A
song that I remember hearing all the time because I
remember thinking, Wow, this is one of the most amazing
things I've ever heard. And this is random one now,
but it would be Stay Slash the Load Out by
(07:10):
Jackson Brown, like eight minute story song about playing a show,
tearing down the show, going to the next town. That
was one I would hear all the time as a kid,
and I went like wow, because in that era, you
didn't grow up with this, so like your parents grew
up with Jackson Brown, and your parents grew up listening
to it when it was current. So when you discover
these things when you're ten eleven years old and it's
(07:31):
new to you, it's the most incredible stuff you've ever heard.
And that's the other interesting thing is, you know, we
talk about you know, music all the time and what
direction radio formats go, and do you start playing more
songs from the nineties or do you play songs from
the two thousands? What is classic rock? What isn't classic rock?
People have these debates all the time. There are certain
songs and certain eras of music that will always be
(07:53):
revered more than other eras. We can play a billion
songs from the nineties and play a lot of good
songs from the nineties. Those songs will never ever, ever,
by any generation of people be viewed in the same
way that Pink Floyd was viewed, Bob Seger.
Speaker 3 (08:08):
Was viewed, them Lizzie was viewed, a CDC was viewed.
Speaker 2 (08:12):
There are certain songs that until the Martians come down
and warp all of our brains and take over our
landfill could be sooner than anything whenever that happens, there
are songs that will always exist, you know, like and
this isn't a knock on like nineties, not like a
lot of nineties. I love butt rock, you know, I
love butt rock. The people are not or the aliens
are not coming down from Mars or wherever and probing
(08:35):
us and warping our brains and saying take us to
a puddle of mud, like they don't care.
Speaker 3 (08:40):
Be pretty wild that they did.
Speaker 2 (08:41):
And they don't care about kid Rock, and they don't
care about Lincoln Park, and they don't care about Limp Biscuit,
and they don't care about any of these. But if
aliens come down, they'll be like, take us to Bob Zinger.
Because there are certain people ACDC and Pink Floyd that
will never die, that will never go away because they
are that iconic for whatever reason, and certain genres will
never match that. And I think that's what you get
(09:02):
with some of these artists. So when I think of
the bands and the songs, really more importantly, the songs
that I associate with classic rock radio just and I
say classic just to say the radio that I grew
up listening to. One of those songs is Thin Lizzie,
the Boys are Back in Town. One of those is
Night Moves by Bob Seeger, and one of those is
(09:23):
The Joker by Steve Miller. And I'm trying to think
of the other one that fits into that Mount rushmore
of like the four songs that I just associate from
my brain, from my ears to my brain that I
remember hearing in Baton Rouge, Louisiana, nineteen ninety six, nineteen
ninety seven, nineteen ninety eight on the rock station that
would play constantly, and it's just burned in my memory
(09:45):
Ward Skinner, kind of like Sweet Home, Alabama. But again
like you'll eventually say one and I'll go, yep, that
nothing's hit yet for that four, I'm not going.
Speaker 3 (09:56):
To get you any like classic rock deep cuts like,
so I'm just hitting this level.
Speaker 2 (10:00):
I get that I'm with you, all right, So let's
do this. If you want in, uh, maybe like this
again sweet emotion, maybe one of those type dream on.
But again, these are just the ones that are sticking
with me. That Finn, Lizzie, Bob Seger, Night Moves, and
the Joker Steve Miller. These are the songs that are
just burned into my brain that I used to hear
(10:21):
all the time, that I just associate with being iconic
rock song about like Boston. No no, not like that
has not to say those weren't just say it. It
just doesn't hit for me. It doesn't connect. You'll say
one eventually that will connect. Now if you want to
get in eight seven seven nine eight eight one oh
six seven eight seven seven nine eight eight one oh
(10:41):
six seven, you can text the word Josh in your
message to five one eight eight one. When you think
of iconic rock and roll radio and the songs you heard,
give me a handful. If you don't want to do four,
give me two. If you want to do eight, give
me eight. Just songs that when you think of the
apex of rock and roll radio when you were in
your four years hearing these songs that you just associate
(11:03):
with rock radio. That's what I'm looking for. It's a
random discussion, I know. But text the word Josh and
your message to five one eight eight one five one
eight eight one. You can also call eight seven seven
nine eight eight one oh six seven. It is the
Josh Nis Show. We got a whole f ton of
rock coming up.
Speaker 7 (11:18):
The Josh in his show one O six boy seven
w l Z. All right, The Josh inn Is Show Sports.
Speaker 2 (11:32):
Already, welcome man, everybody. Perhaps there were angels in the
outfield last night.
Speaker 3 (11:39):
You got a angel with you right now, just got here,
and he's gonna help.
Speaker 2 (11:43):
He's gonna help.
Speaker 1 (11:44):
Wow.
Speaker 2 (11:45):
And if there are angels out there, I sure hope
they're on our side.
Speaker 3 (11:50):
Well they were last night.
Speaker 2 (11:52):
Maybe they can help us with those groin injuries. That's
the thing. I don't know if that's in that angel
jurisdiction or not. Can they, like, can they rub that groin?
Pull it right out? Let me see. That'd be good
to me. I feel like if they can help you,
you know, fly through the skies and catch balls you
have no business catching. I feel like an angel should
be able to you know, help you rub.
Speaker 3 (12:12):
Out just a little rub, you know, just a little rub.
I also like the logic of this movie.
Speaker 2 (12:17):
So they can help you overcome like a fifteen game
deficit in the division, but oh no, and they can
help you throughout a game. But until it gets down
to like the last pitch of the last game, no,
we can't help you.
Speaker 3 (12:29):
Now.
Speaker 2 (12:29):
Championships have to be one on their own, so you
have no issue, You have no standards, You have none
of this when it comes to like cheating, which is
what you're doing, cheating throughout the regular season.
Speaker 3 (12:40):
Mats McConaughey was a man when they picked him up
and he picked that fly ball rightly, or.
Speaker 2 (12:44):
Like when that fat guy hit the home run and
said it must have been the chili dogs.
Speaker 3 (12:48):
He ate before the game.
Speaker 2 (12:49):
Yeah, and no one cared whenever the little the angel
was kicking the ball around the infield so nobody could
pick it up.
Speaker 3 (12:56):
Isn't the one where some guys slid the entire baseline
the fact guy?
Speaker 2 (13:00):
I think, Okay, there you go all that, and somehow
when it comes down to the last game, you can't
help the guy that's got cancer. Oh you can help
a fat guy that you know, that is Angels in
the Outfield, which is gonna sound ridiculous when I say this.
Angels in the Outfield super woken progressive before super woken
(13:21):
progressive because they helped the fat person, but they didn't
help the actual sick person. Wow. Oh, because well he's fat,
he can't help he said, he's a fat load. Why
does he need your help? He's healthy aside from eating
five chili dogs before the game. Mel over here has cancer. Yeah,
this man is gonna die and you're like, no, sol there, pal, Look,
(13:43):
I'm washing my beads, I'm washing my hands, and you pal, sorry,
he'll be one of us soon. Yeah, that's the most
dickish thing ever. So you couldn't help him throw you know, like,
what is that gonna accomplish? Cool? He got the out
on his own. Good. He's still gonna die soon. And
you couldn't have thrown him one bone, not one damn bone.
(14:04):
You couldn't have thrown Tony Danza, not one. But you know,
fat guy or guy who's terrible at baseball, you can
help them out. But the guy with him fasima and
lung cancer, you can't help him out. Smoke all those
years playing in college, and it was all, how dickish
was that too? And when the age was like, yeah,
they smoke for years. It's a bad habit. You don't know.
(14:26):
It's a bad habit being a fat lard that needs
five chili dogs before the game. It just slapped his
ass and made him slide seventy feet to be safe. Well,
that's a funny bad stuff. The answer is not a
funny bad stuff. Well, that's true. Also one of the
worst tropes in the history of cinema's ninety sports cinema
(14:47):
fat guys being catchers.
Speaker 3 (14:49):
Fat guys can't be catchers. They're like, they gotta know
the whole game.
Speaker 2 (14:52):
They gotta yeah, like you're fat ass, gonna squad for
nine innings. Catchers are not fat people, but in movies
it's always the fat It's always Ham Porter or John
Candy or that guy. And they're always named like Moose.
Like there are no catchers that are fat guys named Moose.
That happened that way in fantasy Land. It is anyway,
all that to tell you how the Tigers do. The
(15:14):
Tigers did win last night. Well, this is like the movie,
it just is. But the angels did not help the
groins of Casey Mize and Kinley Jansen angels. We need
you say that's an angel right now, bring on the
angels and that friends is Sports had a breakdown of
angels in the outfield, and let's break down. I've heard
(15:35):
of it, I know, right, Thank you, I appreciate. And
somebody help out the bruins of these guys that might
help craig them all. It's Tom Petty of Detroit's Wheels, well,
six point seven Detroit Wheels. Josh had a show. Let's
go to the phones.
Speaker 8 (15:51):
Hello, Hey, the hell up? Let the music on.
Speaker 9 (15:56):
Thanks, have a good day.
Speaker 2 (15:58):
Well, you know, Casey, you could have just called the hotline.
This isn't a way you didn't need to call the
actual call in line. Jeez, this guy just really hates
as the ups that might be it and he's like,
I'm not here for your angels in the outfield conversation.
I thought you'd been here twenty years ago. I've read
so anyway, here's your music palace. Well those six boys
(16:21):
seven Detroit's Wheels Josh Innis show. So I was down
in Texas over the weekend. I was visiting some friends
who were having like a baby shower. People that I
never thought would.
Speaker 3 (16:30):
Have a baby, by the way, but are having a baby.
Speaker 2 (16:32):
It gives you one less friend that doesn't have babies
to party with, because now there it was so bizarre
that they're having a kid, because they would just start
drinking buddies forever and now now they having a kid,
and that's very strange. But I was trying to fly
back on Saturday, not Saturday, Monday, and I'm trying to
fly back, get back to town. I'm on a Southwest flight.
(16:52):
Get to the airport. There's a delay because of weather.
It was weather that was coming in from the east.
I'm flying back east because my connection is going to Nashville,
So I'm going to Nashville back up here.
Speaker 3 (17:03):
So I get it.
Speaker 2 (17:06):
I get there early. I'm you know, good to go. Whatever.
They say there's a slight delay, I like thirty minutes. Whatever.
A big deal, not a big deal, it happens. Well,
the big deal is that I have a connection that
I have to get and apparently that connection was already
pretty tight. Oh okay. So I finally get to board
the plane. I'm in group eight. I'm on Southwest. Ready
to go or you know, forty minutes late, hour late,
whatever it is, but we're good to go. Grab my phone.
(17:28):
Show the guy my phone. He scans it BEATBB beep said, sir,
you need to go get a new ticket. Over at
the counter, like, well, why the hell do I need
to get a new ticket, He's like, I don't know,
go get a new ticket. So I'm like, I'm thinking
maybe I have to have a paper ticket or something.
I have no idea, or maybe they put me in
a different seat whatever, I don't know. You got upgraded
at first class. I want you won.
Speaker 3 (17:47):
Congratulations, you get the fight the bottom luggage.
Speaker 2 (17:51):
Congrats. So I go up to the counter. I'm like, so,
what's the deal here, and the lady goes, well, unfortunately,
you're not gonna make your connection if we let you
go out, So we can't let you leave. I'm like, well, like,
why can't I fly? Like you don't know that I'm
going to miss the connection. She says, oh, yes, we
know you're not going to make that connection.
Speaker 3 (18:09):
We would it make more sense though, for you to
be closer to your final destination than when I tried.
Speaker 2 (18:13):
To explain, I'm like, so, how is this the case?
How do like, why can't I just go and then
figure it out from there. It's like, no, we can't
have you do that. I'm like, well, is there another
flight that I can take? Well, no, that's the last
one for the night. You can take one in the morning. Like, well,
was there somewhere close to Detroit that I can fly
to to maybe get a car. She's like, well, what's
close to Detroit. I'm like, I don't know. Chicago? And
(18:36):
I was like, well, we can get you on a
red Eye in Chicago. But I'm like, I want to
take a red eyem I mean, it's four in the afternoon.
I don't want to take a red Eye to Chicago.
So whatever. So again I'm like, explain this to me.
Help me understand why I can't just go and then
I can figure it out. Like if I get to
Nashville and I missed the connection, I missed the connection,
then I can at least, you know, fly out from
(18:56):
there in the morning or whatever and get to where
I need to go. I don't want to all the
way back to my buddy's house, which by the way,
is forty miles outside of the city from the airport,
or forty miles from the airport don't. I have to
call them and tell them to come pick me back up,
and then I have to stay there and there have
to get up and do this again. I don't want
to do that. Yeah, it's like, we cannot let you
do that, sir. We cannot put you on a flight
(19:16):
that we know you are going to miss your connection.
But what if I don't miss it? Like I still
have there's a window here, there's a short flight. There's
a window that I can still make this flight. And oh,
by the way, I'm looking at my phone and that
flight is delayed too because the weather was coming from
the east of Nashville's behind. Everybody's everybody's behind like a
domino effect, it's everybody's behind. So I'm like, all right, whatever,
(19:38):
So what can I do. She's like, well, you have
to book a flight tomorrow cause I can't let you
on this flight. I'm like, well, why, Like what is
the deal? And I was talking to my wife and
she's like, well, you know what it actually is. They
just don't want you to get stuck there because they
don't want to be responsible for having to pay for
a hotel if you get stuck there. So they're basically
just covering their own ass. I'm like, well, I didn't
think about it. That's how it works.
Speaker 3 (19:57):
Like I figured they'd put you up in a hotel
in Houston. No, no, they.
Speaker 2 (20:02):
I guess no, because I guess that was my origin,
or like that is my point of origin. I guess,
so that wouldn't be the situation. But I think if
I flew to Nashville, their travel legalities, ye, print, So
they had to get picked up and go all the
way back to my buddy's house, then get up early
the next morning and do the whole damn thing again.
And it's like and by the way, I was.
Speaker 3 (20:23):
Suppose your buddy I would just put you up at
the holiday inn. Here's fifty bucks. Well's not coming.
Speaker 2 (20:29):
So I'm looking at my phone because it still thinks
that I'm on the flight, so it's showing me on
my home screen the flight tracker that flight got to
Nashville and plenty of time to catch the other flight
because the other flight was delayed by like forty minutes too.
You know what you need to do. And also here's
what I did. I'm like, I need a voucher. I
want a voucher so I can get a free flight.
They're like, well, you know, we can't guarantee that because
(20:50):
you because of the weather and whatever. I'm like, how
do I talk to someone? They're like, well, here's a
here's a piece of paper with a QR code. You
can scan this QR code and then your voucher requests.
So I did that. Haven't heard a damn thing back
from these people. It is Thursday. That was Monday that
I did that. I've heard nothing. It's really pissing me off.
I hope you're gonna forget about it. No, I want
(21:11):
a free flight because see what happened is you've impacted
my life. Now. I missed a day of work because
of that. I was supposed to be back at work
on Tuesday. I ended up back at work on Wednesday.
And I can tell you this if if you would
let me actually leave real comments and not just answer
a couple vague questions like hey, why did you Why
was your flight an issue? Was it canceled? Was it weather?
And that was basically the only question they asked me.
(21:31):
I want to get somebody on the phone and I
want to talk to these people, and I want to
be like, hey, help me understand why you told me.
I couldn't make my connection when I would have made
my connection, And now I want to free flight somewhere
anywhere in these continental United States.
Speaker 3 (21:47):
You want to give me the QR coat because I'll
talk about them.
Speaker 2 (21:49):
I want to get on.
Speaker 3 (21:50):
I want to get your delay cost me a day's
work worth of pay, exactly. I'm gonna get paid because
Jacks is gonna work exactly. There's your phone, Southwest, babies
to feed, exactly.
Speaker 2 (22:03):
And my man can't a flight, did you?
Speaker 3 (22:06):
He's not gonna catch.
Speaker 2 (22:07):
The the whatever you call it? Connection, connection, flight? Thank you.
I'm so full of rage I can't even talk.
Speaker 3 (22:13):
I'm spinning all over you.
Speaker 2 (22:14):
I'm sorry, Josh, Yeah, I'm here for one of six
point seven Detroit's wheels. Josh in a show that is
bon Jovi looking at the story. A little while ago
headlined forty million in gold bars, two million cash seized
an arrest of former US official David Rush. This is
(22:35):
gonna be a dumb question, and I'm aware this is
a dumb question, and that's why I'm looking for help
on this. But why is gold like why is a
gold bar worth so much?
Speaker 3 (22:46):
Like?
Speaker 2 (22:46):
What?
Speaker 10 (22:47):
Like?
Speaker 2 (22:47):
What what can you make out of a gold bar, Like,
what does that gold bar turn into that you can
sell and monetize? That makes a gold bar worth millions
of dollars? This is a legitimate I think just the
metal itself. I think we as a people, as a
world have put value on gold. Okay, it probably dates
(23:08):
back to biblical times, now you know and ever since then?
What do you make?
Speaker 4 (23:13):
Like?
Speaker 2 (23:13):
What is one gold bar like you see it in
a movie like yours? Like you were able to recover
all of my gold, I'm gonna give you one gold
giant gold and total their own package. What are you
gonna do with that one gold bar? Because just because
someone says that a gold bar is worth a million dollars,
it's not worth a million dollars until you get a
million dollars for the gold bar, right, Like, so what
can you do? Like what you you just bring your
(23:34):
gold bar into the pawn shop? Like what do you
do with a gold bar?
Speaker 3 (23:38):
Like?
Speaker 2 (23:39):
What how do you monetize that gold baran? You probably
to take it to some sort of a currency exchange,
I would imagine, or do you like do you melt
it down into something?
Speaker 3 (23:47):
Do you? Alsmith? I? Yes, I go in my back
and you melt down gold bars and what do you
you shoe horses?
Speaker 2 (23:53):
Well, dude, I don't have swords. That's why I'm asking
a question, Judge. I just need the answer. Like it's like, again,
forty million in gold bars, you got to board a
gold bar coming your way? I wish God. That's why
I was down in Houston. I was picking up my
gold bar. He was down there doing some sort of
a gold hunt. Yes, but this is a legit question
that I have. Like if I sound like an idiot,
(24:16):
I sound like an idiot. And if you want to
help me on the tex text the word Josh in
your message to five one eight eight one. Like I
know what a dollar bill is worth. It's a dollar, right, Yeah,
But when someone just says, here's a gold bar and
it's a million dollars, why, Like, why is a gold
bar a million dollars or forty million worth of gold bars?
Speaker 3 (24:32):
Why does it help if I tell you that dollar
is worth one dollars worth of gold?
Speaker 2 (24:36):
No, it helps me, you know, it does not help
me at all. I just like, I get that I
might sound stupid. I just don't understand.
Speaker 3 (24:48):
But I think the people with the amount of money
to be able to afford a gold bar, are buying
them just to stockpile them for the price of gold
to increase.
Speaker 2 (24:57):
I understand that, But like let's say one day you
just say, you know what, I've got a billion dollars
in gold bars. Maybe I want to get rid just
you know, kind of off flowed one of them to
get I want to be cash fluid right now. I
need a little pocket change, so I want to monetize this.
How do you monetize a gold bar? Like, you just
want to know how you get paid for that? I know,
I just want to know what you can do. Like
(25:18):
let's say you've got a gold bar, like an economics class. Okay,
let's say you have a gold bar, yes, and and
someone doesn't want to just buy it from you. You
need to find a way to turn that gold bar
into something that you can monetize. And then I turned
into golden dongers. That's it. That's it, that's the it.
But like, how is all? I just I need to
know how this works. Like let's say that I get
(25:39):
a gold bar and I'm like, I don't want to
hold onto this. I'm broke. I need some cash. How
do I turn that gold bar into the alleged a
million dollars that it's worth. You call somebody in the mob,
or you call somebody. I don't think the mob message
called El Choppo. Now that's more like that. I don't
know think the mob messes with gold. I don't think
that's a mob thing. I feel like gold is more
(26:00):
of like you know, like Iranian princes and stuff like that,
like people in like you know, you call Nicholas Cage.
There you go, there's the end. But look, help me
out on the text. If you can text the word
Josh in your message to five one, eight eight one,
you can call eight seven seven nine eight eight one
or six which you can do.
Speaker 3 (26:16):
You you think pawn shops are open, we'll call a PA.
Speaker 2 (26:20):
Like, Hey, if I brought a gold bar, would I
be able to get paid for?
Speaker 3 (26:24):
Yeah?
Speaker 2 (26:25):
And what they would tell me is, look, I can
do thirty bucks. You thirty I gotta you have to
bring it in. I gotta call my expert friend in
to come take a look at it. You know exactly,
That's exactly what I would get. So I'm not gonna call. Look,
that's gonna stay on my shelf.
Speaker 3 (26:38):
I got. You know, look I can give you thirty bucks.
Speaker 2 (26:41):
That's it. I was looking to get, you know, a million,
but I'll tell you you can't do a million. I
gotta sell it for a million. Yeah, it's gonna sit
on the shelf. It's gonna be right next to that
Elvis collector plate. The two most valuable items in the
pawn shop. Elvia, say, the sandwich off of this plate.
Speaker 3 (26:58):
That's just been the last played, the Nana and peanut
butter sandwiches deserved.
Speaker 2 (27:02):
Non, this is the toilet seat that Elvis fell off of,
my buddy die. That's play. Were some bucks. Yeah, they
saved it, jelly am. I I wonder if it's still
in the house. What if they preserved that toilet exactly?
Speaker 11 (27:13):
I don't know.
Speaker 2 (27:13):
I'm just possessed because they don't let you go upstairs
and gracelam. All right, So help me out on this
text the word Josh and your message to five one
eight A one, and you can call eight seven seven
nine eight eight one oh six seven in the middle
of a whole f ton of rock, King Nothing Wulz
Detroit one.
Speaker 1 (27:32):
O six point seven, Detroit's Wheels and Radio station.
Speaker 2 (27:37):
Guaranteed Human Thank you. Better identify yourself yep, now we're
talking about this story. I was reading about like forty
million in gold bars being seized, and all I asked
is why is a gold bar worth anything?
Speaker 1 (27:51):
Like?
Speaker 2 (27:52):
What if someone gave me a gold bar to day? Yes,
what could I do with it to make money from it?
From that gold bar? I'm not talking about why gold
is worth anything, which I understand how all that works
to a degree, but like, how if someone just handed
me a gold bar today, how would I monetize that
gold bar? Right? So, like I'm looking at some of
(28:14):
the texts that are coming in. It's a price, it's
a it's a Its price is a combination of things.
It can be used as jewelry and electronics. Its value
is based on what it can be used for. Yes,
but what do you do with a gold bar? Like,
how do you what happens when you seize forty million
dollars in gold bar? What would I have done with
(28:35):
one gold bar that would have made me the equivalent
of whatever one gold bar is worth? Well, first to
use it as a doorstop, keep your door open, James,
I'm not stupid. But what I'm trying to say the paperweight, Yes,
I'm fully aware of this.
Speaker 3 (28:49):
You can use it to break a window in case
of emergency, like if you're in your car and you
get an accident.
Speaker 2 (28:53):
Yeah, you know, I pull that out of your glovebox. Pow.
When I see all those shattered car windows in Hazel Parks,
someone probably used to go old Bard. They probably did,
all right, But anyway, let me see here. Let me
take some phone calls. Hello, wheels, hey, Josh, Hey, what's up.
Speaker 9 (29:08):
The reason that goal has its value is the same
reason that diamonds or even paper money has values. That
we've decided that it has values. Diamonds are just rotted.
Money is just paper with a fancy color on it.
He just decided that it has value because we all
like how.
Speaker 2 (29:25):
It looks understood. But someone can take that, like that
diamond and turn it into a diamond ring or a
diamond necklace, so I can understand how it's sold. How
is a gold bar?
Speaker 3 (29:35):
Like?
Speaker 2 (29:35):
What can you turn a gold bar into?
Speaker 9 (29:37):
Oh?
Speaker 2 (29:37):
Some chains?
Speaker 12 (29:38):
Can you?
Speaker 2 (29:38):
Is that how that works? I don't know how that works.
Speaker 9 (29:41):
It could turn it into a gold ring or a
gold necklace, just like it could with a diamond.
Speaker 2 (29:45):
So how does that work?
Speaker 8 (29:46):
Like?
Speaker 2 (29:46):
Do you have to melt it? Down and then shape
it into something Like how exactly does that happen? Is
all I'm asking.
Speaker 9 (29:53):
Yeah, you could sape it into whatever you want. And
I mean even with paper money that doesn't really have
any value by it felt we just decided that it doesn't.
It used to be based on gold is what paper
used to be based on?
Speaker 2 (30:07):
Understood? Now I get where you're coming from, and thank
you for the call. I understand all this. I just
want to know someone gives me a gold bar, Like
I know, if I have a big diamond or something.
I know I've seen it in enough movies where I
know what the diamond can be turned into. What can
a gold bar be turned into? That makes it worth
all this money? Is all I'm asking. Anything you can
(30:28):
imagine wheels? Hello, Hey, how you doing? Then go with shakin? Yeah,
so I was just going in.
Speaker 9 (30:36):
You were just talking about the gold stuff.
Speaker 2 (30:38):
Yeah what you got? Uh?
Speaker 3 (30:40):
So?
Speaker 9 (30:41):
Yeah, Like I don't know, I kind of feel the
same way, like at the end of the day, it's
kind of worthless.
Speaker 12 (30:46):
Like if we're to.
Speaker 9 (30:49):
Hit the fan tomorrow, what are you gonna do with
all this gold?
Speaker 8 (30:52):
What are you gonna melt it down to actually make
that valuable bullets.
Speaker 2 (30:56):
Yeah, when you try to kill a werewolf for.
Speaker 3 (30:58):
Something, killing anybody who's I did to my stuff taking
them out with the gold he said the fan I'm bullets,
bullets and knaves is what I'm making.
Speaker 9 (31:06):
I'd better have like wheat and soy and eggs and
a cow.
Speaker 2 (31:11):
Like for Daryn.
Speaker 9 (31:13):
Yeah, I feel the same way. I don't understand how
like they just place this value in This is like.
Speaker 3 (31:19):
A made up value.
Speaker 2 (31:20):
No, I'm with you the same.
Speaker 9 (31:21):
Way, Like I feel stupid, but.
Speaker 2 (31:24):
Look, we're not alone. You and I are in this together. Yeah, yeah, thanks,
good call.
Speaker 3 (31:31):
Bear defeated.
Speaker 2 (31:32):
Yeah, I'm glad. I'm glad that you're on my side
because this love together. I'm together, We're together. Oh no,
all right, So again no one has answered my question.
What can a gold bar be turned into that generates
revenue that makes it work to it? I feel like
the issue is our listeners.
Speaker 3 (31:48):
Don't have enough money to have a gold bar, to
have the experience.
Speaker 2 (31:57):
One of those six point seven Detroit Josh ish, I
gotta put a button on this, this conversation about gold bars. Yeah,
so I told you. I read a story earlier. The
headline was forty million in gold bars seized in this
and I'm like, well, how this explain to me how
gold bars turned into liquid cash? How do I make
(32:19):
money off of a gold bar? That's all I'm trying
to figure out, all right, out of all the things
we talked about an hour ago, I asked you, look,
what do you think is the ultimate classic rock Mount
Rushmore song? Nobody gold bar conversation. Everybody's an expert. Everybody
wants to get a gold bar. Let's see here, who
I'm cold about the gold bars?
Speaker 11 (32:37):
Uh?
Speaker 3 (32:38):
You got my gold bar? My color tap?
Speaker 2 (32:41):
These are not the oint oint pieks. They don't care
and is wow and nasty.
Speaker 3 (32:50):
Free money gold barn fortune?
Speaker 2 (32:55):
All right here, but let's see hello wheels, Hey, how
you doing?
Speaker 8 (32:58):
I'm falling through answered question about the gold bar?
Speaker 2 (33:01):
All right, so let's say it. First of all, what
are your qualifications?
Speaker 8 (33:05):
So? I am an engineer retired, Okay, have an advanced degree
in engineering?
Speaker 2 (33:11):
All right, now we got to show off. That's fine,
all right, now tell me advanced degree? Now what is
this advanced degree? How does it qualify you to discuss
what to do with a gold bar?
Speaker 3 (33:20):
Its costing one gold bar to get this degree he's still.
Speaker 2 (33:24):
Paying it off.
Speaker 8 (33:27):
It actually costed more than one gold bar. But anyways,
gold is a precious metal, meaning there's only so much
of it on this planet. That's what makes it worth something.
Speaker 2 (33:41):
But I'm aware it's worth something. But if someone gave
me a gold bar, what do I turn that into
that I can sell and get the money for. How
does he turn the gold bar into cash?
Speaker 8 (33:52):
Yeah, you could definitely take into a pawn broken. But
the reason it's valuable is you mentioned gold gold necklaces
of course, but also every electronic device uses gold in
its circuitry. So your cell phone, your TV, your whatever,
(34:12):
every damn thing uses gold. So you'd sell it and
that's what you would use it for.
Speaker 2 (34:17):
Well how do they do that? Though? So, like say
you sell the gold bar, the phone company buys it
to make phones whatever. How do they do that? Like
from that gold bar, how does that gold bar become
circuitry for a phone?
Speaker 8 (34:32):
What they do is they mount it down and then
they have a process where basically the wires all inside
your phone it's a circuit board, becomes gold. And the
reason gold is even this extremely high from a resistance
point of view, and it never Corrodes.
Speaker 3 (34:50):
So if I had a gold bar right now, who
should I take it to?
Speaker 8 (34:54):
Yeah, that's a good point, man, I would rather have
the diamond or other things. But you could take to trappers.
Speaker 2 (35:01):
I know where you take it. Where's that ace diamond jewelry?
We'll take it where, dearborn. Well, it's fine.
Speaker 3 (35:07):
I know the guys there, Well, that's fine. Don't treat
you well all that. They'll give you a good price.
Gold is at the highest value it's been in years.
Speaker 2 (35:14):
I understand that. But none of those people are gonna
give me what the gold bars words. If I have
a gold bar, you tell East Damond Jewlis you know me. Oh,
that's sure, I will make sure to do that. You
tell Michael Mrussak that you know me. Okay, We're gonna
take care of you. God, thank you, sir. Appreciate you.
Speaker 8 (35:29):
Hey, you guys are awesome. I listens to you guys
all the time.
Speaker 3 (35:33):
Kick some ass, well, you know what, we will kick
some ass. Pal Appreciate somebody else who might buy your
gold bar. Max Clark, I read he probably would call
the Josh.
Speaker 4 (35:44):
Innis Show now at eight seven seven nine eight eight
one o six seven one.
Speaker 7 (35:48):
O six point seven w LZ Detroit.
Speaker 2 (35:52):
Can you dig it? Hi, It's the Joshnis Show. It
is Josh and James. Welcome man, everybody. You want to
hook up with us on the text, you can text
word Joe. Well, I guess that sounds whoa, whoa, whoa.
That was super aggressive. Look, I mean, look, you can,
I guess if you'd like to, but just look, thank you.
(36:12):
Uh no, But if you want to talk with us
via text, we can just see if this things work
and send us a text. Text the word Josh and
your message to five one eight eight one. Earlier, we
were talking about songs that you identify as kind of
like the gold standard of classic rock, right, and that
started because we played Thin Lizzie. I think the Boys
are back in Town is on the Mount Rushmore. For me,
(36:32):
the Mount Rushmore of songs I associate with that era
of rock and roll radio, not necessarily the greatest, Like
I know that if you had a list of the
greatest rock and roll songs, it'd be like Stairway to Heaven.
You know that type of stuff. Fine, whatever, it's not
what I'm into. You know another thing that fascinates me
while we're talking about that, and I got some other
stuff to get to, and I got a lot. But
(36:56):
what fascinates me is how a song becomes like understood
to be an all time great song. Because I guarantee
you there are people who will tell you that Stairway
to Heaven is like the greatest song ever, mostly because
it's understood that it's supposed to be the greatest song ever.
But I don't know that those people actually like that song.
And I think what happens is people don't want to
(37:16):
argue with you on stuff, or they don't want to
look stupid, so they just go, yeah, Stairway to Heaven,
great song. Like it's fine. I don't like it, but
like it's fine. Right. But somewhere along the way, it
was determined that Stairway to Heaven has to be like
one of the two or three greatest songs of all time.
Like the other day, somebody and this is not Stairway related,
(37:38):
but it's Pink Floyd. Okay. So the other day I'm
on social media and one of these you know, classic
rock accounts on Twitter asks, is Hotel California a better
song than Wish You Were Here by Pink Floyd, to
which I responded, yes, every Eagle song is better than
Pink Floor. Oh oh, you angered somebody. I bet no,
I angered everyone. And these people's my mentions are just
(38:02):
flooded with people calling me the dumbest person on the planet.
How Lloyd fans are coming out of the wall. Well,
how is it bogus to state the preference? First of all,
it's my preference, it's my opinion. While I'm ranting, actually,
hold time, let me play a song. Hold I'll rant
in a sex save the good stuff. Well, I have
to reserve that time. There's let me hold on to
the I've got a lot of things. I'm pinned up.
(38:23):
See I I have limited time that I can say
these things. So let me do this. Let me get
to another song or two in there, and then I'll
get to that. Then we'll get to the release. Then
we'll get to the release unless I run out of
time again, then we'll have to release it. Now we're edging. Now,
we're edging. We are on edging this point. It's not
even a tease. At this point, we are no longer
teasing you. We are edging. Thank you, all right, sound Garden,
(38:46):
and then I'll try I'll do the best I can
to get to some of this other stuff. Don't be
pretty mature. Certainly you don't want to k. I appreciate
thank you, So I'll tell you what annoys me. Back
to this conversation about the comment on Twitter. This was
on Twitter about someone asked a question. The question was,
(39:07):
is Hotel California a better song than Wish You Were Here?
I think was the song, and I said, every Eagles
song is better than every Ping Floyd song. I'm an
Eagles guy. I really enjoy the Eagles. Someone comments, you
should have put in my opinion before that, because that's
just your opinion. Well I'm like, all right, the dude,
thanks bro, thank you, the dude. I appreciate you, Like
(39:29):
I get so annoyed by dummies, like obviously it's my
opinion because it's not a statement of fact. A statement
of fact is blank band has sold more albums than
other band. That's a fact. You can look at data
and back that up. Blank band has sold more tickets
than Blank band. That's a fact. Opinion is you know, hey,
(39:52):
the Eagles are a better band than Pink Floyd. That's
an opinion. That is not a fact. It is a
fact in my world because I like the Eagles more
than like Pink Floyd. The worst is when you get
these idiots that are like, you know, that's just your opinion. Obviously,
it's just my opinion. Themb nuts. That's the way it works.
You don't have to say in my opinion because when
(40:13):
you say the fact, you don't say, well, factually, this
is actually speaking like, don't be a dummy, like I
hate people. Social media is the absolute worst. Of course,
it's my opinion because there's no way of knowing whether
that's true or not, because there's no definitive data to
back that up.
Speaker 3 (40:28):
And if this person on Twitter is anything like me,
is playing worked, now shut up his plan work. Look
how fired up you are over him saying you should
have stated that was your opinion, because you know what
I say to people that say stuff that's possibly factual
that I don't agree with, but that's just your opinion. Bro,
you're one of those guys. If I'm just trying to
start some us see if I'm looking for some smoke
on the internet.
Speaker 2 (40:48):
Yes, you're giving these people too much credit, James. These
people are just jag offs, is all they are.
Speaker 3 (40:53):
I mean, somebody won, somebody did a good job, and
they got you fired up and you're ranting on the radio.
Speaker 2 (40:57):
But it's a stupid it's just so dumb.
Speaker 3 (41:00):
The year is dumb in your opinion.
Speaker 2 (41:03):
I've watched you get pissed at Pete.
Speaker 9 (41:04):
I do.
Speaker 3 (41:05):
Yeah.
Speaker 2 (41:05):
Absolutely here if I say Andy Green, the floor is yours.
Speaker 9 (41:10):
Go Ja.
Speaker 2 (41:11):
I even talked to the man, says I left the
radio show. I was ahad beforehand. My last day there
was the last one I spoke to him. I hope
he's okay. I hope you're doing well. Pal be blessed.
And that's it.
Speaker 3 (41:25):
You good.
Speaker 2 (41:26):
I'm good, cool and WELLA six five seven Detroit Wheels
Josh Show. Here's what you got coming up. We have
a local story about murder. Somebody's excited. He's really into
(41:52):
the cob. But a story about a local murderer. We'll
have that coming up.
Speaker 7 (41:57):
He's the Josh in his show on one who six
point seven double U l.
Speaker 2 (42:02):
Z Detroit wheel Act. I submit any song over eight
(42:27):
minutes should have an intermission. Oh really, yes, sir, Peter
peebrick Hunt.
Speaker 3 (42:34):
Yeah, you'll get some snacks.
Speaker 2 (42:36):
Why snow this is Stone Temple Pilots. We are Detroit's
Wheels one A six point seven Detroit's Wheels Josh and
a Show. It is Josh and James. What is up?
Did I tease something an hour ago before that Metallica
song I Don't know? Did you trying to remember? Did
I tease something to talk about? What was murder? That's it?
(43:01):
You got the murder story. There we go, local murder story. Well,
it's a local story about a local murderer. Oh you crime.
Speaker 10 (43:09):
Yeah, fifty years after murdering his young wife and eighty
five year old killer could be about to walk free,
but the family of his victim is fighting to make
sure that doesn't happen. Leslie Moran lured his wife into
a trap and then shot and killed her in nineteen
seventy six.
Speaker 3 (43:24):
I think this was in Bloomfield Hills.
Speaker 10 (43:27):
Maybe Moran was sentenced to life in prison, but then
the parole board recently cracked open the door for his release.
Speaker 2 (43:33):
This shouldn't even be a story like if you killed
somebody in cold blood, Like maybe you're reformed and maybe
you've you know, seen the error of your ways and
found God. You ain't get out of jail. Maybe it
should be as simple as it is. Maybe just upgrade
him to like laundry duty. There go, Hey, you work
in the library. Now read the decision to parole.
Speaker 12 (43:51):
Convicted murderer Leslie Moran is currently on hold. Right now,
he's still locked up, but his former sister in law
says it will be a gross miscarriage of justice if
he's released, and says it was like a punch to
the gut when she first got word of the parole
Board's decision to cut him loose.
Speaker 11 (44:08):
I couldn't save her, but if I can say anybody
else from him, and he is a real threat.
Speaker 2 (44:14):
It's been fifty years, but the wounds remain wrong. I
love it should be as many more years it has
to be. Yeah, the guy killed his wife and he
did it, and he's acknowledged that he did it, So
stay in jail.
Speaker 12 (44:26):
Sandy Humanys sister denverh a gun down by Leslie Moran,
her estranged husband in West Bloomfield in nineteen seventy six.
Human he was just seventeen years old when her sister
was murdered.
Speaker 6 (44:38):
He came home from school.
Speaker 11 (44:40):
There was a police car in the driveway and my
sister's best friend.
Speaker 6 (44:44):
I could hear my mother scream it.
Speaker 11 (44:46):
I turned to my sister's best friend, and she said,
last killed Debby.
Speaker 6 (44:50):
My sister was a twenty two year olds.
Speaker 2 (44:53):
For the morning.
Speaker 3 (44:55):
I didn't realize it got into that point. Well, maybe
do they have graphic details of the murder scene too,
Maybe we could listen to Yeah, maybe I'll just play
commercials now By bad. I've ruined the day.
Speaker 12 (45:04):
Come.
Speaker 2 (45:05):
Did he do it with a knife? Did he strangle her?
How did it happen?
Speaker 3 (45:07):
He shot her?
Speaker 2 (45:08):
Oh? He shot her? I missed that part. All the
graphic details you're criticizing before, and they literally end the
story say, mister shot part.
Speaker 3 (45:14):
I just heard mckilden goal's.
Speaker 11 (45:16):
Life, who had her whole life ahead of her. For
this to have happened, it should have never happened.
Speaker 12 (45:21):
Ran now eighty five, is serving a life sentence, but
this fighting to be released. He was denied parole in
twenty ten, twenty seventeen, and twenty twenty two. Last November,
the Parole Board recommended Governor Gretchen Whitmer reject Moran's commutation request,
but it granted him parole months later.
Speaker 6 (45:39):
One of the.
Speaker 11 (45:40):
Basic tenets of granting parole is if they testify honestly.
Speaker 2 (45:44):
Under oath which you don't know if they do or not.
They show remorse, which you can't prove.
Speaker 11 (45:49):
They've engaged in rehab, okay, and they take responsibility for
their actions.
Speaker 6 (45:55):
I said, he's done none of this well and.
Speaker 2 (45:58):
Still got the parole approved.
Speaker 3 (45:59):
Huh.
Speaker 2 (46:00):
There, you know.
Speaker 3 (46:00):
So I don't know.
Speaker 2 (46:01):
I think if you kill your wife, I just you know,
unless you're doctor Richard Campbell who didn't kill his wife
and was wrongfully accused and sentenced.
Speaker 3 (46:09):
Other than that, I don't think you should be getting
out of jail.
Speaker 2 (46:11):
No, I agree.
Speaker 3 (46:12):
I don't think you should be able to keep him
in there. And you're kind of a scummy person at that.
Speaker 2 (46:15):
Point, and look, maybe you have That's the thing I hate,
Like people go to jail and then then they have
nothing else to do but like find God, because what
else do they have to do? Like the only thing
they have going for them is maybe God will forgive
me and I'll go to heaven. Unless you're this guy,
and then you just appeal decisions jail for fifty years.
So it's I'm sure he's tried many times and they're
like no, no, but like, what what changed about this
(46:36):
guy from the time he was eighty to eighty five,
where they're like, you know what, now you get paroled?
Like how do they deter You're just reformed enough? Pal, Well,
now we can't walk. They're like, listen, that's what We'll
just set anybody. He's a he's in a motor scooter.
He's like the guy from Breaking Bed that's got a
ding to bell. Yeah, Like what am I gonna do?
I'm harmless, but yeah, that's here locally, And I'm on
(46:58):
the lady's side, Like, stay in jail. You killed this woman.
You can be as reformed as you want and maybe
God will forgive you. Maybe you'll go to I don't know,
but like, stay in jail, you do the crime, you
do the time. I just want to know when these
people parole, people parole these these criminals, how they decide that,
Like the guy's been there fifty years, what's changed in
year forty three to year fifty where you're like, been enough? Now,
(47:21):
I've seen enough from this guy. I think it's time.
Speaker 3 (47:24):
Maybe the cost of keeping him in the prison is
getting extensively here, let somebody else deal with his seed
pap machine.
Speaker 2 (47:30):
We're tired of this. We're we're spending all this money
on depends Let someone else have this issue, let them
deal with it.
Speaker 3 (47:38):
But anyway, so that's what's going on there with that story.
Speaker 2 (47:41):
You're interested. But anyway, so if you want to get
intext the word Josh and your message to five one
eight eight one, am I wrong? They're like to stay
in jail. Like it is possible that you can see
the error of your ways in jail and you can
feel bad about what you did, but you still did it. Like,
it's weird to me that some guy, you know that
(48:01):
some guys just out on the street and you know,
he killed somebody.
Speaker 3 (48:05):
It's weird.
Speaker 2 (48:05):
And it wasn't like an accident. It wasn't a man
slaughter thing. I killed his wife cold blood. You stay
in jail. I don't care that you're eighty five years old.
Stay in jail. You've been there for fifty of them.
What's fifty one? What's fifty two? Anyway? All right, it's
so Josh shot Josh on one.
Speaker 7 (48:21):
Who's six point seven doublellz Detroit's wheels.
Speaker 2 (48:25):
One of six point seven Detroit's Wheels. Josh in his
show I enjoyed this headline. Door dash can apparently cut
you off after too many booze orders. Come on, Yeah,
apparently it can as a door dash delivery, gentleman. I've
seen firsthand watching people order their booze and stuff. I've
picked up booze for people. I get that. Do you
think you have your forty to tell somebody they've had enough? Though, No,
(48:46):
I shouldn't. I don't think I do. I think the
app would tell them that. I don't think I can
be like, hello, sir, like I've got your beer but
you can't have I've showed up with all of your
Cheetos and your pizza, but I could not get your
alcoholic sir. I do not, with a clear conscience, feel
I can provides you with this natural light, Sir.
Speaker 3 (49:02):
Here's your big Naturals magazine that I picked up from
the liquor store, and I could not get your boothe Well.
Speaker 2 (49:08):
The reason this is a story is because a woman
on TikTok named Mary Mahoney claims to have received an
email from the company saying her days of ordering alcohol
are over. She alleges the company is hating on her
because she can order a mic chicken at two am
and claim you care about my health, but I'm not
allowed to order a six pack of beer. So people
(49:30):
are questioning whether or not this surreal email or not.
I've never seen anything like that. But again, I door
dashed for a couple months and I picked up beer
for people in cigarettes. I had to pick up cigarettes
for people. I've seen people pick them up from seven
to eleven. The best, though, is like some guys, like
one dude had me pick up a thirty rack of
natural Light and a pizza from seven to eleven. But
(49:51):
another person just had me go to a liquor store
and just buy a tall Boy and deliver this tall
Boy like five miles the booze fail. I was I
did that?
Speaker 3 (50:01):
I did you start like a business where you strictly
just deliver like booze?
Speaker 2 (50:05):
How does that not exist already? I would think it does.
But there was one guy that ordered one twenty five
ounce Budweiser Heavy and I had to drive ten miles
to an apartment. Oh man, I assumed it was like
some you know kid having this first beer. This dude
was seventy five in a robe watching CNN. He just
probably doesn't have drivers licens anymore. Open the door that
(50:26):
beer boom. Yeah. There was one woman who the same
seven eleven of the natural light in the pizza. She
ordered a carton of cigarettes and a coffee, so I
had to deliver a carton of cigarettes.
Speaker 3 (50:40):
But her breath smells great.
Speaker 2 (50:43):
And she also answered the door in a robe.
Speaker 3 (50:45):
So did she give you to give you a tip?
Speaker 2 (50:48):
The tip was don't look in my direction because you
don't want to see what's under here. But yeah, so
I've lived that life, but I don't think i'd have
the authority. Now I do have to ID, say I do.
I did have to I d people, so I'd have
to get their ID and I'd have to like take
a picture and it would, you know, confirm that these
people have.
Speaker 3 (51:06):
Their I don't know if I would trust a doordasher
to do that.
Speaker 2 (51:09):
Well, yeah, that's the times they can barely put the
pizza on the table by my door. Yeah, but that's
that was what I had to do. So I had
to get out the camera and take multiple pictures of
the front in the back of that.
Speaker 3 (51:19):
Yeah, I'd do all that stuff. That was my life.
But imagine being the doordashers gott to be like it
was not allowed to purchase your booze.
Speaker 2 (51:26):
Yeah there already an alcoholic rage. Yeah, well then you
have to cancel like the worst. Like there are times
that it's an error on somebody else, so an air
like of Chick fil A. They mess something up so
that I have to call and be like, hey, sorry,
it's not my fault, but you know they screwed something
up and it's a whole deal. Oh man, Yeah, do
you have to break some bad news?
Speaker 3 (51:45):
Oh? You do?
Speaker 2 (51:46):
And then people get ticked. And then some people have
specific requests on how you deliver their food, right, so
like leave it here and then knock, but walk away
very rarely do I. They shouldn't say that. I've encountered
a lot of the people. But you click your food well,
and then you have to take a photo of where
you left it. Yep.
Speaker 3 (52:05):
And I was loving to take the photos and stuff,
like when even the Amazon, so like Amazon makes a
delivery and I'll be like you need to take a photo,
and They're like, oh no, no, we're cool.
Speaker 2 (52:13):
I got you sure because I'm a flex and.
Speaker 3 (52:14):
I'll hold the package like doing a flex and then
they take that and my wife gets a message that
the package was delivered. I've done all these things. This
has been my life.
Speaker 2 (52:21):
Yeah, but now apparently door dash can say hey, you've
had too many.
Speaker 3 (52:25):
So any the DoorDash people ask if they could be
in the picture like I did like that and be like, hey,
I want to pose with my foot long.
Speaker 2 (52:33):
No, I have not seen anybody do that. I want to.
I want to strike a pose with my car of
the cigarettes. I try to get it over with quickly,
and you try to subtly take the picture as you're
walking away, because it's also embarrassing to be standing there
taking the picture when someone comes out in their robe
and they're picking up their their food that they requested
that you leave on their port, Well that you ask
a curtsy and to wait behind the door. Best thing
is they don't want to talk to you. That's why
(52:54):
they told you to leave it on the port. Yep.
Speaker 3 (52:56):
So I've been burned by that before, and I'm like, oh,
I think, oh, I think the word oh hi, oh.
Speaker 2 (53:00):
You forgot the two leaders in the car. And for
whatever reason, there's a shame to it. I don't know
why there's a shame about it, but there is. Like
there's a shame.
Speaker 3 (53:07):
It's because I'm too lazy to go drive to the
restaurant and get my own food.
Speaker 2 (53:10):
And that's the shame. Yes, you were willing to pay.
Speaker 3 (53:13):
I'm like twenty five extra, you know.
Speaker 2 (53:16):
No, I get it. I've I've lived it all, man,
I've I've been the door dash man. I got a
text the other day that said, it's your one year
anniversary of being on door Dash. Do you want to
start again? No? I hope not to be funny if
they send you a plaque. How many plaques do you
got from my heart? None? I don't stay around long enough.
You like it, but this is the Josie guys. I
(53:37):
have the wrong button.
Speaker 6 (53:40):
Detroit w ll Z
W u l Z Detroit one six point seven, Detroit's
wheels and radio station.
Speaker 2 (00:08):
Guaranteed Human Hello everybody, Josh Nis, y'all, Josh and James
this morning. How are you James good?
Speaker 3 (00:17):
How are you good?
Speaker 2 (00:18):
Good? Coming up, we'll have sports for you. The Tigers
are hot, Sorr. They won yesterday? Oh did they? Well?
Now I don't even have to do sports.
Speaker 3 (00:28):
Wow.
Speaker 2 (00:28):
I mean when you said there, oh, I mean they
won yesterday. Good for them. So, I mean there was
an angel in the outfield, Florida, I guess, so, well,
what could happen? Yeah, we'll see maybe in maybe in
sports we'll find that out. But that's coming up in
just a few Right now, you've got Metallica. Good morning friends,
(00:49):
the Josh Nis Show. Sports. Let's see here. So, the
Tigers were victorious last night. Nothing beat them up, Tigers
eat them up. They were a four nothing victor. But
the victory did come at a cost. That cost was
(01:13):
Casey Mice, who is injured again and man he was
out there just dealing at four innings, two hits, no runs,
six strikeouts. Casey Mice has a groin injury again, so
they're hoping for the best. There dude z r A
is two point two seven in a year where like
everyone is stunk. This guy's like, hey, when I'm healthy,
(01:33):
I'm pretty good. The problem is never healthy. Then a
guy who has stunk all year, Kim Lee Janssen. He
also got hurt too, His groins hurt. What's the deal
with the groins and the tigers? Well then, well, just
everybody all their pictures have that they just got growing problems.
Maybe they're doing something wrong in the training department there.
If everybody's groins getting hurt, that could be can you
(01:55):
dig it? No, maybe they're digging into their groins too much,
Like maybe they're just too hard.
Speaker 3 (02:00):
Do they need to get like a properly fitted athletic supporter.
Speaker 2 (02:05):
That could be. You know, your point's well taken. I
don't know what the issue is. I don't know if
a groin injury is truly impacted by the athletic supporter.
I don't know, Like, you know, the guy's you know,
his testicles are hurt. No, it's his groin regions.
Speaker 3 (02:19):
So I mean, maybe he got some he got those
big balls, you know, causes some some friction.
Speaker 2 (02:25):
Maybe he needs to stretch better, could be growing out Yeah, exactly.
That could be that. Now, maybe that's the issue. Pregame
cranking might help. Yeah, maybe that's the thing. It loosens
you up.
Speaker 3 (02:38):
A little bit, you get relaxed.
Speaker 2 (02:40):
You know.
Speaker 3 (02:41):
I crank it poisonous baby baters out of the brain.
Speaker 2 (02:45):
Iran it, you know, and then you're ready to go,
and then your groin feels good. I think that's the
way to solve it. That's exactly that's the judge and It.
Speaker 4 (02:59):
Shows A show now at eight seven seven, nine eighty eight,
one oh six seven, one oh six point seven w
LC Detroit twheels.
Speaker 2 (03:08):
I sent up the bars and back in town again.
So Josh inn a show. I love that song. I
think to me, when I think of classic rock radio, right,
when I think, and I know that that's not a
popular word to use anymore in you know, radio circles,
because classic means old and whatever. Yeah, But when I
(03:30):
think of like growing up listening to rock and roll radio, right,
and I'm thirty nine years old, so as a kid,
I'm listening to to, you know, these rock stations in
the nineties and two thousands. That's where I cut my
teeth on this. I listened to a radio station called
Eagle ninety eight point one. That was our hometown rock
radio station in Baton Rouge Show. In my formative years
(03:50):
of you know, being ten eleven twelve, listening to a
lot of this music, wanting to be a radio guy,
I listened to a radio station called Eagle ninety eight
point one and at the time it was a classic
Rocks and every night there'd be this guy on the
radio and his name was Delaney and he sounded like
a burnout like he is like your typical nighttime rock
and roll jock, burnout guy, be like Eagle honey boy on.
(04:15):
My name is Delayey.
Speaker 5 (04:17):
Yeah, we're just rocking tonight, man, like that type of say,
and like in and I think of this, and I
think of songs that I just remember hearing constantly in
that era, and the boys are back in town as
one of them.
Speaker 2 (04:31):
And if I had a mount rushmore of the songs
that I think are the greatest classic rock radio songs,
that would be the top four classic rock. And I
say classic rock, but it's rock radio stuff. I'm not
talking about stuff from the two thousands zo. I'm not
talking about butt rock and post grunge, shutting the metal.
I'm talking to the classic class the rock that built
(04:53):
rock radio. Right. What will you hear that song from
probably nineteen seventy eight, something like that, the Boys are
Back in Town seventy seven and seventy eight somewhere that
era above seekers. That's what I'm getting out here when
I think of like the four rock songs, not necessarily
the songs that are considered the four greatest classic rock
songs of all time, because then what you end up
with is, well, there's you know, Stairway to Heaven, or
(05:17):
there's Pink Floyd.
Speaker 6 (05:18):
This.
Speaker 2 (05:18):
No, I'm talking about the four songs that I think
about when I think of classic rock radio. Right, when
I think of my formative years, music that I didn't
listen to when it was out because I wasn't a
live for it, But the music that I heard constantly
on the radio that I associate with rock radio. One
of them is the Boys Are Back in Town. One
(05:40):
of them is Night Moves. Okay, okay, so there's two again.
This is just me when I think of my mind. Now,
if you want to get in, you can text text
the word Josh and your message to five one eight
eight one, all right, five to one eight eight one
it's a mount rush. More so, it's the top four
if you will, the songs that, for whatever reason, you
just to associate them with rock radio, the four Stars. Now.
Speaker 3 (06:05):
Granted, I grew up in a different place. I grew
up all over the place, but.
Speaker 2 (06:07):
I spent most of my time in my childhood that
I can remember, in Baton Rouge, Louisiana, our rock station
Eagle ninety eight point one, home of the LSU Tigers.
We would hear stuff like the boys are back in
town all the time. But in my formative years night
Moves Bob Seeger, I would put the boys are back
(06:29):
in town. I would put The Joker by Steve Miller,
and now I'm looking for one more. And this is
just minew Obviously, I don't need your help or anybody
else's help on this, because this is mine. This is
what I think of these things.
Speaker 3 (06:42):
ACDC like I don't maybe like a Hell's bells.
Speaker 2 (06:48):
Like if you say certain things that might jog my
memory and I'll go, oh yeah, we used to hear
that all the time. The one that actually stands out,
and I don't think that this will go for a
lot of other people, but one that stands out A
song that I remember hearing all the time because I
remember thinking, Wow, this is one of the most amazing
things I've ever heard. And this is random one now,
but it would be Stay Slash the Load Out by
(07:10):
Jackson Brown, like eight minute story song about playing a show,
tearing down the show, going to the next town. That
was one I would hear all the time as a kid,
and I went like wow, because in that era, you
didn't grow up with this, so like your parents grew
up with Jackson Brown, and your parents grew up listening
to it when it was current. So when you discover
these things when you're ten eleven years old and it's
(07:31):
new to you, it's the most incredible stuff you've ever heard.
And that's the other interesting thing is, you know, we
talk about you know, music all the time and what
direction radio formats go, and do you start playing more
songs from the nineties or do you play songs from
the two thousands? What is classic rock? What isn't classic rock?
People have these debates all the time. There are certain
songs and certain eras of music that will always be
(07:53):
revered more than other eras. We can play a billion
songs from the nineties and play a lot of good
songs from the nineties. Those songs will never ever, ever,
by any generation of people be viewed in the same
way that Pink Floyd was viewed, Bob Seger.
Speaker 3 (08:08):
Was viewed, them Lizzie was viewed, a CDC was viewed.
Speaker 2 (08:12):
There are certain songs that until the Martians come down
and warp all of our brains and take over our
landfill could be sooner than anything whenever that happens, there
are songs that will always exist, you know, like and
this isn't a knock on like nineties, not like a
lot of nineties. I love butt rock, you know, I
love butt rock. The people are not or the aliens
are not coming down from Mars or wherever and probing
(08:35):
us and warping our brains and saying take us to
a puddle of mud, like they don't care.
Speaker 3 (08:40):
Be pretty wild that they did.
Speaker 2 (08:41):
And they don't care about kid Rock, and they don't
care about Lincoln Park, and they don't care about Limp Biscuit,
and they don't care about any of these. But if
aliens come down, they'll be like, take us to Bob Zinger.
Because there are certain people ACDC and Pink Floyd that
will never die, that will never go away because they
are that iconic for whatever reason, and certain genres will
never match that. And I think that's what you get
(09:02):
with some of these artists. So when I think of
the bands and the songs, really more importantly, the songs
that I associate with classic rock radio just and I
say classic just to say the radio that I grew
up listening to. One of those songs is Thin Lizzie,
the Boys are Back in Town. One of those is
Night Moves by Bob Seeger, and one of those is
(09:23):
The Joker by Steve Miller. And I'm trying to think
of the other one that fits into that Mount rushmore
of like the four songs that I just associate from
my brain, from my ears to my brain that I
remember hearing in Baton Rouge, Louisiana, nineteen ninety six, nineteen
ninety seven, nineteen ninety eight on the rock station that
would play constantly, and it's just burned in my memory
(09:45):
Ward Skinner, kind of like Sweet Home, Alabama. But again
like you'll eventually say one and I'll go, yep, that
nothing's hit yet for that four, I'm not going.
Speaker 3 (09:56):
To get you any like classic rock deep cuts like,
so I'm just hitting this level.
Speaker 2 (10:00):
I get that I'm with you, all right, So let's
do this. If you want in, uh, maybe like this
again sweet emotion, maybe one of those type dream on.
But again, these are just the ones that are sticking
with me. That Finn, Lizzie, Bob Seger, Night Moves, and
the Joker Steve Miller. These are the songs that are
just burned into my brain that I used to hear
(10:21):
all the time, that I just associate with being iconic
rock song about like Boston. No no, not like that
has not to say those weren't just say it. It
just doesn't hit for me. It doesn't connect. You'll say
one eventually that will connect. Now if you want to
get in eight seven seven nine eight eight one oh
six seven eight seven seven nine eight eight one oh
(10:41):
six seven, you can text the word Josh in your
message to five one eight eight one. When you think
of iconic rock and roll radio and the songs you heard,
give me a handful. If you don't want to do four,
give me two. If you want to do eight, give
me eight. Just songs that when you think of the
apex of rock and roll radio when you were in
your four years hearing these songs that you just associate
(11:03):
with rock radio. That's what I'm looking for. It's a
random discussion, I know. But text the word Josh and
your message to five one eight eight one five one
eight eight one. You can also call eight seven seven
nine eight eight one oh six seven. It is the
Josh Nis Show. We got a whole f ton of
rock coming up.
Speaker 7 (11:18):
The Josh in his show one O six boy seven
w l Z. All right, The Josh inn Is Show Sports.
Speaker 2 (11:32):
Already, welcome man, everybody. Perhaps there were angels in the
outfield last night.
Speaker 3 (11:39):
You got a angel with you right now, just got here,
and he's gonna help.
Speaker 2 (11:43):
He's gonna help.
Speaker 1 (11:44):
Wow.
Speaker 2 (11:45):
And if there are angels out there, I sure hope
they're on our side.
Speaker 3 (11:50):
Well they were last night.
Speaker 2 (11:52):
Maybe they can help us with those groin injuries. That's
the thing. I don't know if that's in that angel
jurisdiction or not. Can they, like, can they rub that groin?
Pull it right out? Let me see. That'd be good
to me. I feel like if they can help you,
you know, fly through the skies and catch balls you
have no business catching. I feel like an angel should
be able to you know, help you rub.
Speaker 3 (12:12):
Out just a little rub, you know, just a little rub.
I also like the logic of this movie.
Speaker 2 (12:17):
So they can help you overcome like a fifteen game
deficit in the division, but oh no, and they can
help you throughout a game. But until it gets down
to like the last pitch of the last game, no,
we can't help you.
Speaker 3 (12:29):
Now.
Speaker 2 (12:29):
Championships have to be one on their own, so you
have no issue, You have no standards, You have none
of this when it comes to like cheating, which is
what you're doing, cheating throughout the regular season.
Speaker 3 (12:40):
Mats McConaughey was a man when they picked him up
and he picked that fly ball rightly, or.
Speaker 2 (12:44):
Like when that fat guy hit the home run and
said it must have been the chili dogs.
Speaker 3 (12:48):
He ate before the game.
Speaker 2 (12:49):
Yeah, and no one cared whenever the little the angel
was kicking the ball around the infield so nobody could
pick it up.
Speaker 3 (12:56):
Isn't the one where some guys slid the entire baseline
the fact guy?
Speaker 2 (13:00):
I think, Okay, there you go all that, and somehow
when it comes down to the last game, you can't
help the guy that's got cancer. Oh you can help
a fat guy that you know, that is Angels in
the Outfield, which is gonna sound ridiculous when I say this.
Angels in the Outfield super woken progressive before super woken
(13:21):
progressive because they helped the fat person, but they didn't
help the actual sick person. Wow. Oh, because well he's fat,
he can't help he said, he's a fat load. Why
does he need your help? He's healthy aside from eating
five chili dogs before the game. Mel over here has cancer. Yeah,
this man is gonna die and you're like, no, sol there, pal, Look,
(13:43):
I'm washing my beads, I'm washing my hands, and you pal, sorry,
he'll be one of us soon. Yeah, that's the most
dickish thing ever. So you couldn't help him throw you know, like,
what is that gonna accomplish? Cool? He got the out
on his own. Good. He's still gonna die soon. And
you couldn't have thrown him one bone, not one damn bone.
(14:04):
You couldn't have thrown Tony Danza, not one. But you know,
fat guy or guy who's terrible at baseball, you can
help them out. But the guy with him fasima and
lung cancer, you can't help him out. Smoke all those
years playing in college, and it was all, how dickish
was that too? And when the age was like, yeah,
they smoke for years. It's a bad habit. You don't know.
(14:26):
It's a bad habit being a fat lard that needs
five chili dogs before the game. It just slapped his
ass and made him slide seventy feet to be safe. Well,
that's a funny bad stuff. The answer is not a
funny bad stuff. Well, that's true. Also one of the
worst tropes in the history of cinema's ninety sports cinema
(14:47):
fat guys being catchers.
Speaker 3 (14:49):
Fat guys can't be catchers. They're like, they gotta know
the whole game.
Speaker 2 (14:52):
They gotta yeah, like you're fat ass, gonna squad for
nine innings. Catchers are not fat people, but in movies
it's always the fat It's always Ham Porter or John
Candy or that guy. And they're always named like Moose.
Like there are no catchers that are fat guys named Moose.
That happened that way in fantasy Land. It is anyway,
all that to tell you how the Tigers do. The
(15:14):
Tigers did win last night. Well, this is like the movie,
it just is. But the angels did not help the
groins of Casey Mize and Kinley Jansen angels. We need
you say that's an angel right now, bring on the
angels and that friends is Sports had a breakdown of
angels in the outfield, and let's break down. I've heard
(15:35):
of it, I know, right, Thank you, I appreciate. And
somebody help out the bruins of these guys that might
help craig them all. It's Tom Petty of Detroit's Wheels, well,
six point seven Detroit Wheels. Josh had a show. Let's
go to the phones.
Speaker 8 (15:51):
Hello, Hey, the hell up? Let the music on.
Speaker 9 (15:56):
Thanks, have a good day.
Speaker 2 (15:58):
Well, you know, Casey, you could have just called the hotline.
This isn't a way you didn't need to call the
actual call in line. Jeez, this guy just really hates
as the ups that might be it and he's like,
I'm not here for your angels in the outfield conversation.
I thought you'd been here twenty years ago. I've read
so anyway, here's your music palace. Well those six boys
(16:21):
seven Detroit's Wheels Josh Innis show. So I was down
in Texas over the weekend. I was visiting some friends
who were having like a baby shower. People that I
never thought would.
Speaker 3 (16:30):
Have a baby, by the way, but are having a baby.
Speaker 2 (16:32):
It gives you one less friend that doesn't have babies
to party with, because now there it was so bizarre
that they're having a kid, because they would just start
drinking buddies forever and now now they having a kid,
and that's very strange. But I was trying to fly
back on Saturday, not Saturday, Monday, and I'm trying to
fly back, get back to town. I'm on a Southwest flight.
(16:52):
Get to the airport. There's a delay because of weather.
It was weather that was coming in from the east.
I'm flying back east because my connection is going to Nashville,
So I'm going to Nashville back up here.
Speaker 3 (17:03):
So I get it.
Speaker 2 (17:06):
I get there early. I'm you know, good to go. Whatever.
They say there's a slight delay, I like thirty minutes. Whatever.
A big deal, not a big deal, it happens. Well,
the big deal is that I have a connection that
I have to get and apparently that connection was already
pretty tight. Oh okay. So I finally get to board
the plane. I'm in group eight. I'm on Southwest. Ready
to go or you know, forty minutes late, hour late,
whatever it is, but we're good to go. Grab my phone.
(17:28):
Show the guy my phone. He scans it BEATBB beep said, sir,
you need to go get a new ticket. Over at
the counter, like, well, why the hell do I need
to get a new ticket, He's like, I don't know,
go get a new ticket. So I'm like, I'm thinking
maybe I have to have a paper ticket or something.
I have no idea, or maybe they put me in
a different seat whatever, I don't know. You got upgraded
at first class. I want you won.
Speaker 3 (17:47):
Congratulations, you get the fight the bottom luggage.
Speaker 2 (17:51):
Congrats. So I go up to the counter. I'm like, so,
what's the deal here, and the lady goes, well, unfortunately,
you're not gonna make your connection if we let you
go out, So we can't let you leave. I'm like, well, like,
why can't I fly? Like you don't know that I'm
going to miss the connection. She says, oh, yes, we
know you're not going to make that connection.
Speaker 3 (18:09):
We would it make more sense though, for you to
be closer to your final destination than when I tried.
Speaker 2 (18:13):
To explain, I'm like, so, how is this the case?
How do like, why can't I just go and then
figure it out from there. It's like, no, we can't
have you do that. I'm like, well, is there another
flight that I can take? Well, no, that's the last
one for the night. You can take one in the morning. Like, well,
was there somewhere close to Detroit that I can fly
to to maybe get a car. She's like, well, what's
close to Detroit. I'm like, I don't know. Chicago? And
(18:36):
I was like, well, we can get you on a
red Eye in Chicago. But I'm like, I want to
take a red eyem I mean, it's four in the afternoon.
I don't want to take a red Eye to Chicago.
So whatever. So again I'm like, explain this to me.
Help me understand why I can't just go and then
I can figure it out. Like if I get to
Nashville and I missed the connection, I missed the connection,
then I can at least, you know, fly out from
(18:56):
there in the morning or whatever and get to where
I need to go. I don't want to all the
way back to my buddy's house, which by the way,
is forty miles outside of the city from the airport,
or forty miles from the airport don't. I have to
call them and tell them to come pick me back up,
and then I have to stay there and there have
to get up and do this again. I don't want
to do that. Yeah, it's like, we cannot let you
do that, sir. We cannot put you on a flight
(19:16):
that we know you are going to miss your connection.
But what if I don't miss it? Like I still
have there's a window here, there's a short flight. There's
a window that I can still make this flight. And oh,
by the way, I'm looking at my phone and that
flight is delayed too because the weather was coming from
the east of Nashville's behind. Everybody's everybody's behind like a
domino effect, it's everybody's behind. So I'm like, all right, whatever,
(19:38):
So what can I do. She's like, well, you have
to book a flight tomorrow cause I can't let you
on this flight. I'm like, well, why, Like what is
the deal? And I was talking to my wife and
she's like, well, you know what it actually is. They
just don't want you to get stuck there because they
don't want to be responsible for having to pay for
a hotel if you get stuck there. So they're basically
just covering their own ass. I'm like, well, I didn't
think about it. That's how it works.
Speaker 3 (19:57):
Like I figured they'd put you up in a hotel
in Houston. No, no, they.
Speaker 2 (20:02):
I guess no, because I guess that was my origin,
or like that is my point of origin. I guess,
so that wouldn't be the situation. But I think if
I flew to Nashville, their travel legalities, ye, print, So
they had to get picked up and go all the
way back to my buddy's house, then get up early
the next morning and do the whole damn thing again.
And it's like and by the way, I was.
Speaker 3 (20:23):
Suppose your buddy I would just put you up at
the holiday inn. Here's fifty bucks. Well's not coming.
Speaker 2 (20:29):
So I'm looking at my phone because it still thinks
that I'm on the flight, so it's showing me on
my home screen the flight tracker that flight got to
Nashville and plenty of time to catch the other flight
because the other flight was delayed by like forty minutes too.
You know what you need to do. And also here's
what I did. I'm like, I need a voucher. I
want a voucher so I can get a free flight.
They're like, well, you know, we can't guarantee that because
(20:50):
you because of the weather and whatever. I'm like, how
do I talk to someone? They're like, well, here's a
here's a piece of paper with a QR code. You
can scan this QR code and then your voucher requests.
So I did that. Haven't heard a damn thing back
from these people. It is Thursday. That was Monday that
I did that. I've heard nothing. It's really pissing me off.
I hope you're gonna forget about it. No, I want
(21:11):
a free flight because see what happened is you've impacted
my life. Now. I missed a day of work because
of that. I was supposed to be back at work
on Tuesday. I ended up back at work on Wednesday.
And I can tell you this if if you would
let me actually leave real comments and not just answer
a couple vague questions like hey, why did you Why
was your flight an issue? Was it canceled? Was it weather?
And that was basically the only question they asked me.
(21:31):
I want to get somebody on the phone and I
want to talk to these people, and I want to
be like, hey, help me understand why you told me.
I couldn't make my connection when I would have made
my connection, And now I want to free flight somewhere
anywhere in these continental United States.
Speaker 3 (21:47):
You want to give me the QR coat because I'll
talk about them.
Speaker 2 (21:49):
I want to get on.
Speaker 3 (21:50):
I want to get your delay cost me a day's
work worth of pay, exactly. I'm gonna get paid because
Jacks is gonna work exactly. There's your phone, Southwest, babies
to feed, exactly.
Speaker 2 (22:03):
And my man can't a flight, did you?
Speaker 3 (22:06):
He's not gonna catch.
Speaker 2 (22:07):
The the whatever you call it? Connection, connection, flight? Thank you.
I'm so full of rage I can't even talk.
Speaker 3 (22:13):
I'm spinning all over you.
Speaker 2 (22:14):
I'm sorry, Josh, Yeah, I'm here for one of six
point seven Detroit's wheels. Josh in a show that is
bon Jovi looking at the story. A little while ago
headlined forty million in gold bars, two million cash seized
an arrest of former US official David Rush. This is
(22:35):
gonna be a dumb question, and I'm aware this is
a dumb question, and that's why I'm looking for help
on this. But why is gold like why is a
gold bar worth so much?
Speaker 3 (22:46):
Like?
Speaker 2 (22:46):
What?
Speaker 10 (22:47):
Like?
Speaker 2 (22:47):
What what can you make out of a gold bar, Like,
what does that gold bar turn into that you can
sell and monetize? That makes a gold bar worth millions
of dollars? This is a legitimate I think just the
metal itself. I think we as a people, as a
world have put value on gold. Okay, it probably dates
(23:08):
back to biblical times, now you know and ever since then?
What do you make?
Speaker 4 (23:13):
Like?
Speaker 2 (23:13):
What is one gold bar like you see it in
a movie like yours? Like you were able to recover
all of my gold, I'm gonna give you one gold
giant gold and total their own package. What are you
gonna do with that one gold bar? Because just because
someone says that a gold bar is worth a million dollars,
it's not worth a million dollars until you get a
million dollars for the gold bar, right, Like, so what
can you do? Like what you you just bring your
(23:34):
gold bar into the pawn shop? Like what do you
do with a gold bar?
Speaker 3 (23:38):
Like?
Speaker 2 (23:39):
What how do you monetize that gold baran? You probably
to take it to some sort of a currency exchange,
I would imagine, or do you like do you melt
it down into something?
Speaker 3 (23:47):
Do you? Alsmith? I? Yes, I go in my back
and you melt down gold bars and what do you
you shoe horses?
Speaker 2 (23:53):
Well, dude, I don't have swords. That's why I'm asking
a question, Judge. I just need the answer. Like it's like, again,
forty million in gold bars, you got to board a
gold bar coming your way? I wish God. That's why
I was down in Houston. I was picking up my
gold bar. He was down there doing some sort of
a gold hunt. Yes, but this is a legit question
that I have. Like if I sound like an idiot,
(24:16):
I sound like an idiot. And if you want to
help me on the tex text the word Josh in
your message to five one eight eight one. Like I
know what a dollar bill is worth. It's a dollar, right, Yeah,
But when someone just says, here's a gold bar and
it's a million dollars, why, Like, why is a gold
bar a million dollars or forty million worth of gold bars?
Speaker 3 (24:32):
Why does it help if I tell you that dollar
is worth one dollars worth of gold?
Speaker 2 (24:36):
No, it helps me, you know, it does not help
me at all. I just like, I get that I
might sound stupid. I just don't understand.
Speaker 3 (24:48):
But I think the people with the amount of money
to be able to afford a gold bar, are buying
them just to stockpile them for the price of gold
to increase.
Speaker 2 (24:57):
I understand that, But like let's say one day you
just say, you know what, I've got a billion dollars
in gold bars. Maybe I want to get rid just
you know, kind of off flowed one of them to
get I want to be cash fluid right now. I
need a little pocket change, so I want to monetize this.
How do you monetize a gold bar? Like, you just
want to know how you get paid for that? I know,
I just want to know what you can do. Like
(25:18):
let's say you've got a gold bar, like an economics class. Okay,
let's say you have a gold bar, yes, and and
someone doesn't want to just buy it from you. You
need to find a way to turn that gold bar
into something that you can monetize. And then I turned
into golden dongers. That's it. That's it, that's the it.
But like, how is all? I just I need to
know how this works. Like let's say that I get
(25:39):
a gold bar and I'm like, I don't want to
hold onto this. I'm broke. I need some cash. How
do I turn that gold bar into the alleged a
million dollars that it's worth. You call somebody in the mob,
or you call somebody. I don't think the mob message
called El Choppo. Now that's more like that. I don't
know think the mob messes with gold. I don't think
that's a mob thing. I feel like gold is more
(26:00):
of like you know, like Iranian princes and stuff like that,
like people in like you know, you call Nicholas Cage.
There you go, there's the end. But look, help me
out on the text. If you can text the word
Josh in your message to five one, eight eight one,
you can call eight seven seven nine eight eight one
or six which you can do.
Speaker 3 (26:16):
You you think pawn shops are open, we'll call a PA.
Speaker 2 (26:20):
Like, Hey, if I brought a gold bar, would I
be able to get paid for?
Speaker 3 (26:24):
Yeah?
Speaker 2 (26:25):
And what they would tell me is, look, I can
do thirty bucks. You thirty I gotta you have to
bring it in. I gotta call my expert friend in
to come take a look at it. You know exactly,
That's exactly what I would get. So I'm not gonna call. Look,
that's gonna stay on my shelf.
Speaker 3 (26:38):
I got. You know, look I can give you thirty bucks.
Speaker 2 (26:41):
That's it. I was looking to get, you know, a million,
but I'll tell you you can't do a million. I
gotta sell it for a million. Yeah, it's gonna sit
on the shelf. It's gonna be right next to that
Elvis collector plate. The two most valuable items in the
pawn shop. Elvia, say, the sandwich off of this plate.
Speaker 3 (26:58):
That's just been the last played, the Nana and peanut
butter sandwiches deserved.
Speaker 2 (27:02):
Non, this is the toilet seat that Elvis fell off of,
my buddy die. That's play. Were some bucks. Yeah, they
saved it, jelly am. I I wonder if it's still
in the house. What if they preserved that toilet exactly?
Speaker 11 (27:13):
I don't know.
Speaker 2 (27:13):
I'm just possessed because they don't let you go upstairs
and gracelam. All right, So help me out on this
text the word Josh and your message to five one
eight A one, and you can call eight seven seven
nine eight eight one oh six seven in the middle
of a whole f ton of rock, King Nothing Wulz
Detroit one.
Speaker 1 (27:32):
O six point seven, Detroit's Wheels and Radio station.
Speaker 2 (27:37):
Guaranteed Human Thank you. Better identify yourself yep, now we're
talking about this story. I was reading about like forty
million in gold bars being seized, and all I asked
is why is a gold bar worth anything?
Speaker 1 (27:51):
Like?
Speaker 2 (27:52):
What if someone gave me a gold bar to day? Yes,
what could I do with it to make money from it?
From that gold bar? I'm not talking about why gold
is worth anything, which I understand how all that works
to a degree, but like, how if someone just handed
me a gold bar today, how would I monetize that
gold bar? Right? So, like I'm looking at some of
(28:14):
the texts that are coming in. It's a price, it's
a it's a Its price is a combination of things.
It can be used as jewelry and electronics. Its value
is based on what it can be used for. Yes,
but what do you do with a gold bar? Like,
how do you what happens when you seize forty million
dollars in gold bar? What would I have done with
(28:35):
one gold bar that would have made me the equivalent
of whatever one gold bar is worth? Well, first to
use it as a doorstop, keep your door open, James,
I'm not stupid. But what I'm trying to say the paperweight, Yes,
I'm fully aware of this.
Speaker 3 (28:49):
You can use it to break a window in case
of emergency, like if you're in your car and you
get an accident.
Speaker 2 (28:53):
Yeah, you know, I pull that out of your glovebox. Pow.
When I see all those shattered car windows in Hazel Parks,
someone probably used to go old Bard. They probably did,
all right, But anyway, let me see here. Let me
take some phone calls. Hello, wheels, hey, Josh, Hey, what's up.
Speaker 9 (29:08):
The reason that goal has its value is the same
reason that diamonds or even paper money has values. That
we've decided that it has values. Diamonds are just rotted.
Money is just paper with a fancy color on it.
He just decided that it has value because we all
like how.
Speaker 2 (29:25):
It looks understood. But someone can take that, like that
diamond and turn it into a diamond ring or a
diamond necklace, so I can understand how it's sold. How
is a gold bar?
Speaker 3 (29:35):
Like?
Speaker 2 (29:35):
What can you turn a gold bar into?
Speaker 9 (29:37):
Oh?
Speaker 2 (29:37):
Some chains?
Speaker 12 (29:38):
Can you?
Speaker 2 (29:38):
Is that how that works? I don't know how that works.
Speaker 9 (29:41):
It could turn it into a gold ring or a
gold necklace, just like it could with a diamond.
Speaker 2 (29:45):
So how does that work?
Speaker 8 (29:46):
Like?
Speaker 2 (29:46):
Do you have to melt it? Down and then shape
it into something Like how exactly does that happen? Is
all I'm asking.
Speaker 9 (29:53):
Yeah, you could sape it into whatever you want. And
I mean even with paper money that doesn't really have
any value by it felt we just decided that it doesn't.
It used to be based on gold is what paper
used to be based on?
Speaker 2 (30:07):
Understood? Now I get where you're coming from, and thank
you for the call. I understand all this. I just
want to know someone gives me a gold bar, Like
I know, if I have a big diamond or something.
I know I've seen it in enough movies where I
know what the diamond can be turned into. What can
a gold bar be turned into? That makes it worth
all this money? Is all I'm asking. Anything you can
(30:28):
imagine wheels? Hello, Hey, how you doing? Then go with shakin? Yeah,
so I was just going in.
Speaker 9 (30:36):
You were just talking about the gold stuff.
Speaker 2 (30:38):
Yeah what you got? Uh?
Speaker 3 (30:40):
So?
Speaker 9 (30:41):
Yeah, Like I don't know, I kind of feel the
same way, like at the end of the day, it's
kind of worthless.
Speaker 12 (30:46):
Like if we're to.
Speaker 9 (30:49):
Hit the fan tomorrow, what are you gonna do with
all this gold?
Speaker 8 (30:52):
What are you gonna melt it down to actually make
that valuable bullets.
Speaker 2 (30:56):
Yeah, when you try to kill a werewolf for.
Speaker 3 (30:58):
Something, killing anybody who's I did to my stuff taking
them out with the gold he said the fan I'm bullets,
bullets and knaves is what I'm making.
Speaker 9 (31:06):
I'd better have like wheat and soy and eggs and
a cow.
Speaker 2 (31:11):
Like for Daryn.
Speaker 9 (31:13):
Yeah, I feel the same way. I don't understand how
like they just place this value in This is like.
Speaker 3 (31:19):
A made up value.
Speaker 2 (31:20):
No, I'm with you the same.
Speaker 9 (31:21):
Way, Like I feel stupid, but.
Speaker 2 (31:24):
Look, we're not alone. You and I are in this together. Yeah, yeah, thanks,
good call.
Speaker 3 (31:31):
Bear defeated.
Speaker 2 (31:32):
Yeah, I'm glad. I'm glad that you're on my side
because this love together. I'm together, We're together. Oh no,
all right, So again no one has answered my question.
What can a gold bar be turned into that generates
revenue that makes it work to it? I feel like
the issue is our listeners.
Speaker 3 (31:48):
Don't have enough money to have a gold bar, to
have the experience.
Speaker 2 (31:57):
One of those six point seven Detroit Josh ish, I
gotta put a button on this, this conversation about gold bars. Yeah,
so I told you. I read a story earlier. The
headline was forty million in gold bars seized in this
and I'm like, well, how this explain to me how
gold bars turned into liquid cash? How do I make
(32:19):
money off of a gold bar? That's all I'm trying
to figure out, all right, out of all the things
we talked about an hour ago, I asked you, look,
what do you think is the ultimate classic rock Mount
Rushmore song? Nobody gold bar conversation. Everybody's an expert. Everybody
wants to get a gold bar. Let's see here, who
I'm cold about the gold bars?
Speaker 11 (32:37):
Uh?
Speaker 3 (32:38):
You got my gold bar? My color tap?
Speaker 2 (32:41):
These are not the oint oint pieks. They don't care
and is wow and nasty.
Speaker 3 (32:50):
Free money gold barn fortune?
Speaker 2 (32:55):
All right here, but let's see hello wheels, Hey, how
you doing?
Speaker 8 (32:58):
I'm falling through answered question about the gold bar?
Speaker 2 (33:01):
All right, so let's say it. First of all, what
are your qualifications?
Speaker 8 (33:05):
So? I am an engineer retired, Okay, have an advanced degree
in engineering?
Speaker 2 (33:11):
All right, now we got to show off. That's fine,
all right, now tell me advanced degree? Now what is
this advanced degree? How does it qualify you to discuss
what to do with a gold bar?
Speaker 3 (33:20):
Its costing one gold bar to get this degree he's still.
Speaker 2 (33:24):
Paying it off.
Speaker 8 (33:27):
It actually costed more than one gold bar. But anyways,
gold is a precious metal, meaning there's only so much
of it on this planet. That's what makes it worth something.
Speaker 2 (33:41):
But I'm aware it's worth something. But if someone gave
me a gold bar, what do I turn that into
that I can sell and get the money for. How
does he turn the gold bar into cash?
Speaker 8 (33:52):
Yeah, you could definitely take into a pawn broken. But
the reason it's valuable is you mentioned gold gold necklaces
of course, but also every electronic device uses gold in
its circuitry. So your cell phone, your TV, your whatever,
(34:12):
every damn thing uses gold. So you'd sell it and
that's what you would use it for.
Speaker 2 (34:17):
Well how do they do that? Though? So, like say
you sell the gold bar, the phone company buys it
to make phones whatever. How do they do that? Like
from that gold bar, how does that gold bar become
circuitry for a phone?
Speaker 8 (34:32):
What they do is they mount it down and then
they have a process where basically the wires all inside
your phone it's a circuit board, becomes gold. And the
reason gold is even this extremely high from a resistance
point of view, and it never Corrodes.
Speaker 3 (34:50):
So if I had a gold bar right now, who
should I take it to?
Speaker 8 (34:54):
Yeah, that's a good point, man, I would rather have
the diamond or other things. But you could take to trappers.
Speaker 2 (35:01):
I know where you take it. Where's that ace diamond jewelry?
We'll take it where, dearborn. Well, it's fine.
Speaker 3 (35:07):
I know the guys there, Well, that's fine. Don't treat
you well all that. They'll give you a good price.
Gold is at the highest value it's been in years.
Speaker 2 (35:14):
I understand that. But none of those people are gonna
give me what the gold bars words. If I have
a gold bar, you tell East Damond Jewlis you know me. Oh,
that's sure, I will make sure to do that. You
tell Michael Mrussak that you know me. Okay, We're gonna
take care of you. God, thank you, sir. Appreciate you.
Speaker 8 (35:29):
Hey, you guys are awesome. I listens to you guys
all the time.
Speaker 3 (35:33):
Kick some ass, well, you know what, we will kick
some ass. Pal Appreciate somebody else who might buy your
gold bar. Max Clark, I read he probably would call
the Josh.
Speaker 4 (35:44):
Innis Show now at eight seven seven nine eight eight
one o six seven one.
Speaker 7 (35:48):
O six point seven w LZ Detroit.
Speaker 2 (35:52):
Can you dig it? Hi, It's the Joshnis Show. It
is Josh and James. Welcome man, everybody. You want to
hook up with us on the text, you can text
word Joe. Well, I guess that sounds whoa, whoa, whoa.
That was super aggressive. Look, I mean, look, you can,
I guess if you'd like to, but just look, thank you.
(36:12):
Uh no, But if you want to talk with us
via text, we can just see if this things work
and send us a text. Text the word Josh and
your message to five one eight eight one. Earlier, we
were talking about songs that you identify as kind of
like the gold standard of classic rock, right, and that
started because we played Thin Lizzie. I think the Boys
are back in Town is on the Mount Rushmore. For me,
(36:32):
the Mount Rushmore of songs I associate with that era
of rock and roll radio, not necessarily the greatest, Like
I know that if you had a list of the
greatest rock and roll songs, it'd be like Stairway to Heaven.
You know that type of stuff. Fine, whatever, it's not
what I'm into. You know another thing that fascinates me
while we're talking about that, and I got some other
stuff to get to, and I got a lot. But
(36:56):
what fascinates me is how a song becomes like understood
to be an all time great song. Because I guarantee
you there are people who will tell you that Stairway
to Heaven is like the greatest song ever, mostly because
it's understood that it's supposed to be the greatest song ever.
But I don't know that those people actually like that song.
And I think what happens is people don't want to
(37:16):
argue with you on stuff, or they don't want to
look stupid, so they just go, yeah, Stairway to Heaven,
great song. Like it's fine. I don't like it, but
like it's fine. Right. But somewhere along the way, it
was determined that Stairway to Heaven has to be like
one of the two or three greatest songs of all time.
Like the other day, somebody and this is not Stairway related,
(37:38):
but it's Pink Floyd. Okay. So the other day I'm
on social media and one of these you know, classic
rock accounts on Twitter asks, is Hotel California a better
song than Wish You Were Here by Pink Floyd, to
which I responded, yes, every Eagle song is better than
Pink Floor. Oh oh, you angered somebody. I bet no,
I angered everyone. And these people's my mentions are just
(38:02):
flooded with people calling me the dumbest person on the planet.
How Lloyd fans are coming out of the wall. Well,
how is it bogus to state the preference? First of all,
it's my preference, it's my opinion. While I'm ranting, actually,
hold time, let me play a song. Hold I'll rant
in a sex save the good stuff. Well, I have
to reserve that time. There's let me hold on to
the I've got a lot of things. I'm pinned up.
(38:23):
See I I have limited time that I can say
these things. So let me do this. Let me get
to another song or two in there, and then I'll
get to that. Then we'll get to the release. Then
we'll get to the release unless I run out of
time again, then we'll have to release it. Now we're edging. Now,
we're edging. We are on edging this point. It's not
even a tease. At this point, we are no longer
teasing you. We are edging. Thank you, all right, sound Garden,
(38:46):
and then I'll try I'll do the best I can
to get to some of this other stuff. Don't be
pretty mature. Certainly you don't want to k. I appreciate
thank you, So I'll tell you what annoys me. Back
to this conversation about the comment on Twitter. This was
on Twitter about someone asked a question. The question was,
(39:07):
is Hotel California a better song than Wish You Were Here?
I think was the song, and I said, every Eagles
song is better than every Ping Floyd song. I'm an
Eagles guy. I really enjoy the Eagles. Someone comments, you
should have put in my opinion before that, because that's
just your opinion. Well I'm like, all right, the dude,
thanks bro, thank you, the dude. I appreciate you, Like
(39:29):
I get so annoyed by dummies, like obviously it's my
opinion because it's not a statement of fact. A statement
of fact is blank band has sold more albums than
other band. That's a fact. You can look at data
and back that up. Blank band has sold more tickets
than Blank band. That's a fact. Opinion is you know, hey,
(39:52):
the Eagles are a better band than Pink Floyd. That's
an opinion. That is not a fact. It is a
fact in my world because I like the Eagles more
than like Pink Floyd. The worst is when you get
these idiots that are like, you know, that's just your opinion. Obviously,
it's just my opinion. Themb nuts. That's the way it works.
You don't have to say in my opinion because when
(40:13):
you say the fact, you don't say, well, factually, this
is actually speaking like, don't be a dummy, like I
hate people. Social media is the absolute worst. Of course,
it's my opinion because there's no way of knowing whether
that's true or not, because there's no definitive data to
back that up.
Speaker 3 (40:28):
And if this person on Twitter is anything like me,
is playing worked, now shut up his plan work. Look
how fired up you are over him saying you should
have stated that was your opinion, because you know what
I say to people that say stuff that's possibly factual
that I don't agree with, but that's just your opinion. Bro,
you're one of those guys. If I'm just trying to
start some us see if I'm looking for some smoke
on the internet.
Speaker 2 (40:48):
Yes, you're giving these people too much credit, James. These
people are just jag offs, is all they are.
Speaker 3 (40:53):
I mean, somebody won, somebody did a good job, and
they got you fired up and you're ranting on the radio.
Speaker 2 (40:57):
But it's a stupid it's just so dumb.
Speaker 3 (41:00):
The year is dumb in your opinion.
Speaker 2 (41:03):
I've watched you get pissed at Pete.
Speaker 9 (41:04):
I do.
Speaker 3 (41:05):
Yeah.
Speaker 2 (41:05):
Absolutely here if I say Andy Green, the floor is yours.
Speaker 9 (41:10):
Go Ja.
Speaker 2 (41:11):
I even talked to the man, says I left the
radio show. I was ahad beforehand. My last day there
was the last one I spoke to him. I hope
he's okay. I hope you're doing well. Pal be blessed.
And that's it.
Speaker 3 (41:25):
You good.
Speaker 2 (41:26):
I'm good, cool and WELLA six five seven Detroit Wheels
Josh Show. Here's what you got coming up. We have
a local story about murder. Somebody's excited. He's really into
(41:52):
the cob. But a story about a local murderer. We'll
have that coming up.
Speaker 7 (41:57):
He's the Josh in his show on one who six
point seven double U l.
Speaker 2 (42:02):
Z Detroit wheel Act. I submit any song over eight
(42:27):
minutes should have an intermission. Oh really, yes, sir, Peter
peebrick Hunt.
Speaker 3 (42:34):
Yeah, you'll get some snacks.
Speaker 2 (42:36):
Why snow this is Stone Temple Pilots. We are Detroit's
Wheels one A six point seven Detroit's Wheels Josh and
a Show. It is Josh and James. What is up?
Did I tease something an hour ago before that Metallica
song I Don't know? Did you trying to remember? Did
I tease something to talk about? What was murder? That's it?
(43:01):
You got the murder story. There we go, local murder story. Well,
it's a local story about a local murderer. Oh you crime.
Speaker 10 (43:09):
Yeah, fifty years after murdering his young wife and eighty
five year old killer could be about to walk free,
but the family of his victim is fighting to make
sure that doesn't happen. Leslie Moran lured his wife into
a trap and then shot and killed her in nineteen
seventy six.
Speaker 3 (43:24):
I think this was in Bloomfield Hills.
Speaker 10 (43:27):
Maybe Moran was sentenced to life in prison, but then
the parole board recently cracked open the door for his release.
Speaker 2 (43:33):
This shouldn't even be a story like if you killed
somebody in cold blood, Like maybe you're reformed and maybe
you've you know, seen the error of your ways and
found God. You ain't get out of jail. Maybe it
should be as simple as it is. Maybe just upgrade
him to like laundry duty. There go, Hey, you work
in the library. Now read the decision to parole.
Speaker 12 (43:51):
Convicted murderer Leslie Moran is currently on hold. Right now,
he's still locked up, but his former sister in law
says it will be a gross miscarriage of justice if
he's released, and says it was like a punch to
the gut when she first got word of the parole
Board's decision to cut him loose.
Speaker 11 (44:08):
I couldn't save her, but if I can say anybody
else from him, and he is a real threat.
Speaker 2 (44:14):
It's been fifty years, but the wounds remain wrong. I
love it should be as many more years it has
to be. Yeah, the guy killed his wife and he
did it, and he's acknowledged that he did it, So
stay in jail.
Speaker 12 (44:26):
Sandy Humanys sister denverh a gun down by Leslie Moran,
her estranged husband in West Bloomfield in nineteen seventy six.
Human he was just seventeen years old when her sister
was murdered.
Speaker 6 (44:38):
He came home from school.
Speaker 11 (44:40):
There was a police car in the driveway and my
sister's best friend.
Speaker 6 (44:44):
I could hear my mother scream it.
Speaker 11 (44:46):
I turned to my sister's best friend, and she said,
last killed Debby.
Speaker 6 (44:50):
My sister was a twenty two year olds.
Speaker 2 (44:53):
For the morning.
Speaker 3 (44:55):
I didn't realize it got into that point. Well, maybe
do they have graphic details of the murder scene too,
Maybe we could listen to Yeah, maybe I'll just play
commercials now By bad. I've ruined the day.
Speaker 12 (45:04):
Come.
Speaker 2 (45:05):
Did he do it with a knife? Did he strangle her?
How did it happen?
Speaker 3 (45:07):
He shot her?
Speaker 2 (45:08):
Oh? He shot her? I missed that part. All the
graphic details you're criticizing before, and they literally end the
story say, mister shot part.
Speaker 3 (45:14):
I just heard mckilden goal's.
Speaker 11 (45:16):
Life, who had her whole life ahead of her. For
this to have happened, it should have never happened.
Speaker 12 (45:21):
Ran now eighty five, is serving a life sentence, but
this fighting to be released. He was denied parole in
twenty ten, twenty seventeen, and twenty twenty two. Last November,
the Parole Board recommended Governor Gretchen Whitmer reject Moran's commutation request,
but it granted him parole months later.
Speaker 6 (45:39):
One of the.
Speaker 11 (45:40):
Basic tenets of granting parole is if they testify honestly.
Speaker 2 (45:44):
Under oath which you don't know if they do or not.
They show remorse, which you can't prove.
Speaker 11 (45:49):
They've engaged in rehab, okay, and they take responsibility for
their actions.
Speaker 6 (45:55):
I said, he's done none of this well and.
Speaker 2 (45:58):
Still got the parole approved.
Speaker 3 (45:59):
Huh.
Speaker 2 (46:00):
There, you know.
Speaker 3 (46:00):
So I don't know.
Speaker 2 (46:01):
I think if you kill your wife, I just you know,
unless you're doctor Richard Campbell who didn't kill his wife
and was wrongfully accused and sentenced.
Speaker 3 (46:09):
Other than that, I don't think you should be getting
out of jail.
Speaker 2 (46:11):
No, I agree.
Speaker 3 (46:12):
I don't think you should be able to keep him
in there. And you're kind of a scummy person at that.
Speaker 2 (46:15):
Point, and look, maybe you have That's the thing I hate,
Like people go to jail and then then they have
nothing else to do but like find God, because what
else do they have to do? Like the only thing
they have going for them is maybe God will forgive
me and I'll go to heaven. Unless you're this guy,
and then you just appeal decisions jail for fifty years.
So it's I'm sure he's tried many times and they're
like no, no, but like, what what changed about this
(46:36):
guy from the time he was eighty to eighty five,
where they're like, you know what, now you get paroled?
Like how do they deter You're just reformed enough? Pal, Well,
now we can't walk. They're like, listen, that's what We'll
just set anybody. He's a he's in a motor scooter.
He's like the guy from Breaking Bed that's got a
ding to bell. Yeah, Like what am I gonna do?
I'm harmless, but yeah, that's here locally, And I'm on
(46:58):
the lady's side, Like, stay in jail. You killed this woman.
You can be as reformed as you want and maybe
God will forgive you. Maybe you'll go to I don't know,
but like, stay in jail, you do the crime, you
do the time. I just want to know when these
people parole, people parole these these criminals, how they decide that,
Like the guy's been there fifty years, what's changed in
year forty three to year fifty where you're like, been enough? Now,
(47:21):
I've seen enough from this guy. I think it's time.
Speaker 3 (47:24):
Maybe the cost of keeping him in the prison is
getting extensively here, let somebody else deal with his seed
pap machine.
Speaker 2 (47:30):
We're tired of this. We're we're spending all this money
on depends Let someone else have this issue, let them
deal with it.
Speaker 3 (47:38):
But anyway, so that's what's going on there with that story.
Speaker 2 (47:41):
You're interested. But anyway, so if you want to get
intext the word Josh and your message to five one
eight eight one, am I wrong? They're like to stay
in jail. Like it is possible that you can see
the error of your ways in jail and you can
feel bad about what you did, but you still did it. Like,
it's weird to me that some guy, you know that
(48:01):
some guys just out on the street and you know,
he killed somebody.
Speaker 3 (48:05):
It's weird.
Speaker 2 (48:05):
And it wasn't like an accident. It wasn't a man
slaughter thing. I killed his wife cold blood. You stay
in jail. I don't care that you're eighty five years old.
Stay in jail. You've been there for fifty of them.
What's fifty one? What's fifty two? Anyway? All right, it's
so Josh shot Josh on one.
Speaker 7 (48:21):
Who's six point seven doublellz Detroit's wheels.
Speaker 2 (48:25):
One of six point seven Detroit's Wheels. Josh in his
show I enjoyed this headline. Door dash can apparently cut
you off after too many booze orders. Come on, Yeah,
apparently it can as a door dash delivery, gentleman. I've
seen firsthand watching people order their booze and stuff. I've
picked up booze for people. I get that. Do you
think you have your forty to tell somebody they've had enough? Though, No,
(48:46):
I shouldn't. I don't think I do. I think the
app would tell them that. I don't think I can
be like, hello, sir, like I've got your beer but
you can't have I've showed up with all of your
Cheetos and your pizza, but I could not get your
alcoholic sir. I do not, with a clear conscience, feel
I can provides you with this natural light, Sir.
Speaker 3 (49:02):
Here's your big Naturals magazine that I picked up from
the liquor store, and I could not get your boothe Well.
Speaker 2 (49:08):
The reason this is a story is because a woman
on TikTok named Mary Mahoney claims to have received an
email from the company saying her days of ordering alcohol
are over. She alleges the company is hating on her
because she can order a mic chicken at two am
and claim you care about my health, but I'm not
allowed to order a six pack of beer. So people
(49:30):
are questioning whether or not this surreal email or not.
I've never seen anything like that. But again, I door
dashed for a couple months and I picked up beer
for people in cigarettes. I had to pick up cigarettes
for people. I've seen people pick them up from seven
to eleven. The best, though, is like some guys, like
one dude had me pick up a thirty rack of
natural Light and a pizza from seven to eleven. But
(49:51):
another person just had me go to a liquor store
and just buy a tall Boy and deliver this tall
Boy like five miles the booze fail. I was I
did that?
Speaker 3 (50:01):
I did you start like a business where you strictly
just deliver like booze?
Speaker 2 (50:05):
How does that not exist already? I would think it does.
But there was one guy that ordered one twenty five
ounce Budweiser Heavy and I had to drive ten miles
to an apartment. Oh man, I assumed it was like
some you know kid having this first beer. This dude
was seventy five in a robe watching CNN. He just
probably doesn't have drivers licens anymore. Open the door that
(50:26):
beer boom. Yeah. There was one woman who the same
seven eleven of the natural light in the pizza. She
ordered a carton of cigarettes and a coffee, so I
had to deliver a carton of cigarettes.
Speaker 3 (50:40):
But her breath smells great.
Speaker 2 (50:43):
And she also answered the door in a robe.
Speaker 3 (50:45):
So did she give you to give you a tip?
Speaker 2 (50:48):
The tip was don't look in my direction because you
don't want to see what's under here. But yeah, so
I've lived that life, but I don't think i'd have
the authority. Now I do have to ID, say I do.
I did have to I d people, so I'd have
to get their ID and I'd have to like take
a picture and it would, you know, confirm that these
people have.
Speaker 3 (51:06):
Their I don't know if I would trust a doordasher
to do that.
Speaker 2 (51:09):
Well, yeah, that's the times they can barely put the
pizza on the table by my door. Yeah, but that's
that was what I had to do. So I had
to get out the camera and take multiple pictures of
the front in the back of that.
Speaker 3 (51:19):
Yeah, I'd do all that stuff. That was my life.
But imagine being the doordashers gott to be like it
was not allowed to purchase your booze.
Speaker 2 (51:26):
Yeah there already an alcoholic rage. Yeah, well then you
have to cancel like the worst. Like there are times
that it's an error on somebody else, so an air
like of Chick fil A. They mess something up so
that I have to call and be like, hey, sorry,
it's not my fault, but you know they screwed something
up and it's a whole deal. Oh man, Yeah, do
you have to break some bad news?
Speaker 3 (51:45):
Oh? You do?
Speaker 2 (51:46):
And then people get ticked. And then some people have
specific requests on how you deliver their food, right, so
like leave it here and then knock, but walk away
very rarely do I. They shouldn't say that. I've encountered
a lot of the people. But you click your food well,
and then you have to take a photo of where
you left it. Yep.
Speaker 3 (52:05):
And I was loving to take the photos and stuff,
like when even the Amazon, so like Amazon makes a
delivery and I'll be like you need to take a photo,
and They're like, oh no, no, we're cool.
Speaker 2 (52:13):
I got you sure because I'm a flex and.
Speaker 3 (52:14):
I'll hold the package like doing a flex and then
they take that and my wife gets a message that
the package was delivered. I've done all these things. This
has been my life.
Speaker 2 (52:21):
Yeah, but now apparently door dash can say hey, you've
had too many.
Speaker 3 (52:25):
So any the DoorDash people ask if they could be
in the picture like I did like that and be like, hey,
I want to pose with my foot long.
Speaker 2 (52:33):
No, I have not seen anybody do that. I want to.
I want to strike a pose with my car of
the cigarettes. I try to get it over with quickly,
and you try to subtly take the picture as you're
walking away, because it's also embarrassing to be standing there
taking the picture when someone comes out in their robe
and they're picking up their their food that they requested
that you leave on their port, Well that you ask
a curtsy and to wait behind the door. Best thing
is they don't want to talk to you. That's why
(52:54):
they told you to leave it on the port. Yep.
Speaker 3 (52:56):
So I've been burned by that before, and I'm like, oh,
I think, oh, I think the word oh hi, oh.
Speaker 2 (53:00):
You forgot the two leaders in the car. And for
whatever reason, there's a shame to it. I don't know
why there's a shame about it, but there is. Like
there's a shame.
Speaker 3 (53:07):
It's because I'm too lazy to go drive to the
restaurant and get my own food.
Speaker 2 (53:10):
And that's the shame. Yes, you were willing to pay.
Speaker 3 (53:13):
I'm like twenty five extra, you know.
Speaker 2 (53:16):
No, I get it. I've I've lived it all, man,
I've I've been the door dash man. I got a
text the other day that said, it's your one year
anniversary of being on door Dash. Do you want to
start again? No? I hope not to be funny if
they send you a plaque. How many plaques do you
got from my heart? None? I don't stay around long enough.
You like it, but this is the Josie guys. I
(53:37):
have the wrong button.
Speaker 6 (53:40):
Detroit w ll Z
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