November 21, 2025 • 12 mins
Gary with Da Tea dove into Bravo chair Frances Berwick hinting that both Kenya Moore and a long-awaited Nene Leakes return to RHOA are “not off the table,” which had the cast cutting up.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
If I had to spell restaurant to this day right
to save my mama's life.
Speaker 2 (00:06):
Like if.
Speaker 1 (00:09):
Like, if somebody held my mama, hostess, you had a
gun to it, says the Spell restaurant. You know what,
I'm gonna shoot your mother in the head. I'd be
like I would look at my mother like I love you,
you know, look at me, mom, She crying, shop starling. Okay,
all right, all right, all right, all right, all right,
(00:33):
all right, all right, r e s t Oh my god,
here's where it gets.
Speaker 3 (00:39):
Oh yeah, the.
Speaker 4 (00:45):
Rest studio right riding, all right, John.
Speaker 5 (00:52):
Seven minutes after the hour, Gary has the tea in
the Colona day.
Speaker 4 (00:55):
What up, Gary, Good morning, Rigga, good morning to you.
Is Friday a beautiful day in the neighborhoo.
Speaker 3 (01:00):
And here's what's happening in celebrity news, y'all, Bravo fans,
Baby are excited, is being reported out at Bravo Chairman Honey,
the chairman, hear what I'm saying, y'all. Bravo, Miss Francis
Berwick Honey is speaking out now, They're saying Francis Honey,
who revealed that the network is not closing the door
on two of Atlanta's most legendary peaches may be come
(01:21):
to fruition.
Speaker 4 (01:22):
Now they're saying they were actually our wellther Kenya Moore
might return.
Speaker 3 (01:25):
Following her headline making exit, Miss Berwick left wiggle room
honey for comeback. She said, quote I will say so,
but I don't know, she said, She said, yes, I
would not rule that out, honey.
Speaker 4 (01:36):
So people are like, oh my god.
Speaker 6 (01:37):
Now.
Speaker 3 (01:37):
The interview then pressed about Nini Lead y'all, a cornerstone
of early y'all Real Housewives of Atlanta history and one
of reality TV's most recognizable faces, not miss Berwick, Ignowledge y'all,
that the network has continued to collaborate with her.
Speaker 4 (01:52):
They said, quote, we.
Speaker 3 (01:54):
Have had Nini on red carpet shows for e We
have worked with Nini since thenn and yes, honey, she
can be on the show again. Honey.
Speaker 5 (02:02):
Oh my god.
Speaker 3 (02:04):
Do y'all know how people are screaming and holler honey
that they said, honey, that Nini could come back. Now
they're saying for fans y'all who have been hoping for
a cast shake up, all nostalgic return to the franchise's rooms,
the possibility of Kenya and Nini coming back feels like
a major spark of hope.
Speaker 4 (02:21):
I mean, Ricky, are you gonna watch the show Nini
come back?
Speaker 2 (02:24):
I can't.
Speaker 5 (02:25):
I can't do mess. I can't do mess on no level.
I love them, I love all of my personal friends,
but my nerves get mad when they come to confusion
and mess. It's like, uh, it's like corn tortillas. I
can't eat it. I can't stand the smell of it.
Speaker 2 (02:42):
Wait.
Speaker 5 (02:43):
I like flower tortillas, but I don't like. I don't like.
I don't like to see sisters in mess. I don't
like messy messiness.
Speaker 4 (02:51):
I ain't miss dun Nini's kind of funny.
Speaker 5 (02:54):
Yes, funny. I canna watch clips, yeah and stuff, but
I don't want to see no whole the baccle of
confusion don't sit well with my spirit.
Speaker 4 (03:05):
Well, that's me and Brad Sundays the Light and we
will watch it, honey. So that's all.
Speaker 5 (03:10):
Then the minute somebody do something to Candy portioning them
personal friends, I'm ready to fight everybody.
Speaker 2 (03:17):
So I can't.
Speaker 5 (03:18):
I can't watch it, you know, I'm read. I don't
play when they comes to tiny. I don't play by Candy.
I don't play by a portion, and I definitely don't
play about to Michael Scott, I don't need there was
a personal dear friend that was my sisters.
Speaker 3 (03:34):
Yeah, well I care about all they eating their lunch
on the show.
Speaker 5 (03:37):
Go hey, just fight back now Candy Mama, Now I
watch anything with Candy Mama.
Speaker 4 (03:41):
Oh no, Mama joys.
Speaker 5 (03:42):
Yeah, Mama dressed it. Now I sit there for some reason,
that took us the hell out of me because Mama
just be pronounced pronouncing them words every I love Mama,
jeys non I love. I don't watch that now.
Speaker 3 (03:57):
Well, congratulations if they do return, Honey, you know what
I mean. The show was good, and you know when
all the stars won and when all the cast was
on it.
Speaker 4 (04:05):
So who got into her winness time? And the lady
they were picking out a way to dress something, boy,
holland baby Mama joints is too many things, but I
love her.
Speaker 3 (04:16):
So congratulations to these girls, Honey, they come back on
the show, because the show would be a great show.
I'm not gonna say it to be a better show.
Loved she loved, Yeah exactly, honey. So all right now,
so moving on and other celebrity new your baby miss
Clarissian she Als had missus Clarissa baby pronounced her name.
Speaker 4 (04:34):
Yeah, baby, say her name. She's gonna find you now.
Speaker 3 (04:37):
Oh yes, baby, this girl honey, she will pop me. Honey, honey, baby,
this girl honey is speaking out. She was recently on
y'all clubs. She honey, and she opened up about why, honey,
she's so comfortable within her body.
Speaker 2 (04:49):
Baby.
Speaker 3 (04:50):
She had the interview untouched on criticism, y'all and by
the Miss Clarissa explain y'all that she does not allow
online a tax baby to affect her self confidence.
Speaker 4 (05:00):
That his but miss She'll have to say.
Speaker 6 (05:03):
I'm built like the bodies that these girls and that
these girls are getting buying. Oh yeah, you know, I'm
thick at the bottom. I got a big butt and
nice legs. I gotta slim waist.
Speaker 3 (05:14):
Baby, And this girl said, as long as honey, she
looks in the mirror and like what she's seen, that's
what makes her happen unquote self confidence.
Speaker 4 (05:22):
Man, I just looked her up and she is what
people are buying. She ain't got that damn much that
she's butt.
Speaker 7 (05:34):
I to have that. But so I'm like.
Speaker 4 (05:43):
Child and shills girl.
Speaker 3 (05:44):
I mean you all right, girl, But girl now, but
I mean no, honey, pumped the brakes, honey, and start
reading the press, your press. You already have a nice
body and things like that, honey. Thanks God for papoos that, honey,
he's not in your life and helping you out. But
it ain't that honey now. She also discussed her childhood.
She's stay that she dealt with her mother's addiction, y'all,
her father's imprisonment and years of sexual abuse. She said
(06:05):
that the experience forced her to grow up quickly and
to act as a protector of her younger siblings, which
was nice. Now. Her rivalry with Laya Ali Hunting appeared
again during the conversation. Now I miss She'll Stadia that
a fifteen million dollar off is available for a potential
fight and said, y'all that Ali has not accepted it yet.
Now Ali recently shut down and it helps y'all of
(06:26):
them squaring off in the ring.
Speaker 4 (06:28):
She said, quote, So did her plan work?
Speaker 3 (06:31):
Did she make me mad enough to come out of
retirement after eighteen years and start training again to make
her dream of fighting me and having a big payday
courtself Leila Ali come true? Maybe Miss Lily said absolutely
not unquote. So dare you have honey? So I mean
miss Ali paper, will you know Ali, missus Leaila hunting.
This girl could come on, you know, she could probably
(06:52):
sweep Miss Clarissa girl.
Speaker 5 (06:54):
But I mean.
Speaker 4 (07:00):
We'd like to see it.
Speaker 5 (07:00):
But Honey is sweeper.
Speaker 2 (07:03):
Girl, Babe.
Speaker 3 (07:03):
She will sweep this girl, honey, and then she'll play
Miss Donald Ross song Swept Away. So girls, that should
be clear. Honey, Clorise, Honey, don't read your own prience.
Speaker 4 (07:13):
But we love you all. We all love everybody. We
love Cloris everything breath, but we love you. We love her.
Speaker 3 (07:26):
The Coladeadne is one of my favorite cold My Colodia
Cooper Crest. I should say copper Crest. On the high,
you say copper Crest, and on the lung, just say beautiful.
That's like a tannish brownish color. That's a beautiful fall
for your colure.
Speaker 4 (07:39):
Today, y'all give it up and Gary with the tea.
Speaker 5 (07:45):
Jem My, mother, you're got to work the cars in
the eighty six sixty nine I set eat right.
Speaker 2 (07:49):
Here we go.
Speaker 7 (07:56):
Because you in your house with me up?
Speaker 1 (08:01):
Wake up?
Speaker 5 (08:02):
Wait?
Speaker 8 (08:02):
Can each other written be productor you want to show
I want to know what you call him.
Speaker 7 (08:07):
Ross, Come on and Taylor and.
Speaker 2 (08:09):
John wake up.
Speaker 3 (08:10):
All right. My name is Sheln calling out of Charlott,
North Carolina, telling my family from coast to coast, from
California all the way.
Speaker 7 (08:16):
Up to New York.
Speaker 4 (08:17):
Wake up, wake up, Happy Friday.
Speaker 1 (08:18):
I'll see y'all.
Speaker 7 (08:19):
Love y'all, pieces looch just love you and why.
Speaker 1 (08:22):
Hi, it's Friday. This is Gwynn calling to wake up
my grand based.
Speaker 6 (08:26):
In Saint Louis Friday, Calias Cody wakes up, wake.
Speaker 1 (08:29):
Up, It's Friday, love you Hi.
Speaker 6 (08:32):
This is Robin Gawho's song I'm Cincinnati.
Speaker 1 (08:35):
Ohio Friday.
Speaker 4 (08:37):
Wake up, wake up, wake up.
Speaker 6 (08:39):
Back to shout out to my sister, Cindee, edrels, Ritchie,
Smelly Kelly.
Speaker 4 (08:43):
You can make me happy.
Speaker 8 (08:47):
Wake up, let's go leave me. Wake up, wake up,
wake up, wake up, wake up? Wait new with me,
Wake up, lord me, wake up, wake up, wake up,
wake up? Wait you welcome yall.
Speaker 5 (09:07):
Red Rick's amount of Money, show Chicking the Mix going
down with John Lyon on the one to two Pridday.
Speaker 4 (09:12):
What up, John, I'm good man? You do not just
geting everybody else for the week.
Speaker 7 (09:16):
Came in and of course hit me up on the
grum July you son.
Speaker 4 (09:20):
Jay age lyon, Sam, I appreciate your big dog might
pleasure over for your thumb dug. Where you boying man?
Your body? I don't want to answer while you the phone,
John Yo monitored this.
Speaker 7 (09:33):
Boy. What Johnny Aron? What's up?
Speaker 2 (09:36):
Shot?
Speaker 4 (09:36):
Everything cool? Why are you in our work.
Speaker 7 (09:41):
Boy? Shot the change somewhere the deal would be working boy,
the DEVI would be working well well god trash you
knowing right, whether the devil jump up like a like
a bag hold quarterback boy and just jumping the game.
I'm telling you, devil devil trying to do good by
he should put on hear me say, cop put me in.
(10:02):
He come on there and to step up and you
miss your whole life for a seven. That was going
on with me right.
Speaker 2 (10:07):
Now, Joe.
Speaker 4 (10:07):
That was going on, deflecting excuses for yeah good the deal,
deflecting in them.
Speaker 7 (10:15):
Get the devil shouting the devil, devil, gonna devil, the
devil bids dies the one you ever heard that sign
or they say that Mexico where you're from? The devil
busy shouting? You never heard that? Sadd the DEVI was.
Speaker 2 (10:27):
Busy, but busy.
Speaker 4 (10:30):
We all heard that.
Speaker 7 (10:32):
Got sure gonna be a word the money. I promise
you I wouldn't be a worth of money rapp. But
many night the girl.
Speaker 5 (10:40):
I spend the night over somebody house. All the time
your house work.
Speaker 7 (10:44):
I can't watch my night in my house. I sudleep
on the pallet at my grandmama house. I can't bring
no checks over the Look, see my grandmama go go
to a casino, go gambling. Then I'm right, so I
bring and go all over there. Other than that, look,
I don't want the girl. Man. I admit your that croaking,
But I'm talking about shouty got her big boot every boy.
(11:05):
I'm talking about what she may uh what's your girl
now pushed? She might my whole boy, big big old
booty boy. I'm talking about that girl, got a big
old booty boy. I'm talking about she can't eve want
no sun dress. She got to wear choir rode southing.
I done wanted the girl crib last night Monday night shouting.
I'm still here. Okay, guess what because because shoty one.
(11:28):
You know, we made to do what they do shout
and then shoty one talking about hold me, I want
to cut him, and I done.
Speaker 2 (11:34):
I done.
Speaker 7 (11:35):
Squosed up from behind him, shouting and squalled my leg
up one of her boot Her booty cheek is so heavy, shouted,
my leg don't want to sleep. I can't even move
it something. Now why I'm talking about not now? My
whole leg is just dead shut. She's some one of
her booty cheek, her left booty cheek. I promise you,
I'll take a picture of it. But boy, I think
(11:58):
I think two of her kids in here. I see
I see her foot in an arm. I think to
a her kid and I came here overnight and they
laying up under that booty cheek too.
Speaker 2 (12:07):
So I'm talking about buddy.
Speaker 5 (12:09):
I don't like them.
Speaker 2 (12:09):
That bib no, this shout of got a b B shot,
got a b b b b b b b b
b ill now she got to be beat b b
b b y Yeah, b b b b b b
b b b Yo. I can't move.
Speaker 7 (12:25):
I can't move, TI, you wake up. I got down staty,
paying out my jacket what I had got from the cleaner.
I poked in on booty like five times, shout they
ain't even move.
Speaker 4 (12:33):
Yeah, what did you tear that, though I think I.
Speaker 7 (12:39):
Did shout of her booty, so big on you know
Speaker 4 (12:42):
You alive.
If I had to spell restaurant to this day right
to save my mama's life.
Speaker 2 (00:06):
Like if.
Speaker 1 (00:09):
Like, if somebody held my mama, hostess, you had a
gun to it, says the Spell restaurant. You know what,
I'm gonna shoot your mother in the head. I'd be
like I would look at my mother like I love you,
you know, look at me, mom, She crying, shop starling. Okay,
all right, all right, all right, all right, all right,
(00:33):
all right, all right, r e s t Oh my god,
here's where it gets.
Speaker 3 (00:39):
Oh yeah, the.
Speaker 4 (00:45):
Rest studio right riding, all right, John.
Speaker 5 (00:52):
Seven minutes after the hour, Gary has the tea in
the Colona day.
Speaker 4 (00:55):
What up, Gary, Good morning, Rigga, good morning to you.
Is Friday a beautiful day in the neighborhoo.
Speaker 3 (01:00):
And here's what's happening in celebrity news, y'all, Bravo fans,
Baby are excited, is being reported out at Bravo Chairman Honey,
the chairman, hear what I'm saying, y'all. Bravo, Miss Francis
Berwick Honey is speaking out now, They're saying Francis Honey,
who revealed that the network is not closing the door
on two of Atlanta's most legendary peaches may be come
(01:21):
to fruition.
Speaker 4 (01:22):
Now they're saying they were actually our wellther Kenya Moore
might return.
Speaker 3 (01:25):
Following her headline making exit, Miss Berwick left wiggle room
honey for comeback. She said, quote I will say so,
but I don't know, she said, She said, yes, I
would not rule that out, honey.
Speaker 4 (01:36):
So people are like, oh my god.
Speaker 6 (01:37):
Now.
Speaker 3 (01:37):
The interview then pressed about Nini Lead y'all, a cornerstone
of early y'all Real Housewives of Atlanta history and one
of reality TV's most recognizable faces, not miss Berwick, Ignowledge y'all,
that the network has continued to collaborate with her.
Speaker 4 (01:52):
They said, quote, we.
Speaker 3 (01:54):
Have had Nini on red carpet shows for e We
have worked with Nini since thenn and yes, honey, she
can be on the show again. Honey.
Speaker 5 (02:02):
Oh my god.
Speaker 3 (02:04):
Do y'all know how people are screaming and holler honey
that they said, honey, that Nini could come back. Now
they're saying for fans y'all who have been hoping for
a cast shake up, all nostalgic return to the franchise's rooms,
the possibility of Kenya and Nini coming back feels like
a major spark of hope.
Speaker 4 (02:21):
I mean, Ricky, are you gonna watch the show Nini
come back?
Speaker 2 (02:24):
I can't.
Speaker 5 (02:25):
I can't do mess. I can't do mess on no level.
I love them, I love all of my personal friends,
but my nerves get mad when they come to confusion
and mess. It's like, uh, it's like corn tortillas. I
can't eat it. I can't stand the smell of it.
Speaker 2 (02:42):
Wait.
Speaker 5 (02:43):
I like flower tortillas, but I don't like. I don't like.
I don't like to see sisters in mess. I don't
like messy messiness.
Speaker 4 (02:51):
I ain't miss dun Nini's kind of funny.
Speaker 5 (02:54):
Yes, funny. I canna watch clips, yeah and stuff, but
I don't want to see no whole the baccle of
confusion don't sit well with my spirit.
Speaker 4 (03:05):
Well, that's me and Brad Sundays the Light and we
will watch it, honey. So that's all.
Speaker 5 (03:10):
Then the minute somebody do something to Candy portioning them
personal friends, I'm ready to fight everybody.
Speaker 2 (03:17):
So I can't.
Speaker 5 (03:18):
I can't watch it, you know, I'm read. I don't
play when they comes to tiny. I don't play by Candy.
I don't play by a portion, and I definitely don't
play about to Michael Scott, I don't need there was
a personal dear friend that was my sisters.
Speaker 3 (03:34):
Yeah, well I care about all they eating their lunch
on the show.
Speaker 5 (03:37):
Go hey, just fight back now Candy Mama, Now I
watch anything with Candy Mama.
Speaker 4 (03:41):
Oh no, Mama joys.
Speaker 5 (03:42):
Yeah, Mama dressed it. Now I sit there for some reason,
that took us the hell out of me because Mama
just be pronounced pronouncing them words every I love Mama,
jeys non I love. I don't watch that now.
Speaker 3 (03:57):
Well, congratulations if they do return, Honey, you know what
I mean. The show was good, and you know when
all the stars won and when all the cast was
on it.
Speaker 4 (04:05):
So who got into her winness time? And the lady
they were picking out a way to dress something, boy,
holland baby Mama joints is too many things, but I
love her.
Speaker 3 (04:16):
So congratulations to these girls, Honey, they come back on
the show, because the show would be a great show.
I'm not gonna say it to be a better show.
Loved she loved, Yeah exactly, honey. So all right now,
so moving on and other celebrity new your baby miss
Clarissian she Als had missus Clarissa baby pronounced her name.
Speaker 4 (04:34):
Yeah, baby, say her name. She's gonna find you now.
Speaker 3 (04:37):
Oh yes, baby, this girl honey, she will pop me. Honey, honey, baby,
this girl honey is speaking out. She was recently on
y'all clubs. She honey, and she opened up about why, honey,
she's so comfortable within her body.
Speaker 2 (04:49):
Baby.
Speaker 3 (04:50):
She had the interview untouched on criticism, y'all and by
the Miss Clarissa explain y'all that she does not allow
online a tax baby to affect her self confidence.
Speaker 4 (05:00):
That his but miss She'll have to say.
Speaker 6 (05:03):
I'm built like the bodies that these girls and that
these girls are getting buying. Oh yeah, you know, I'm
thick at the bottom. I got a big butt and
nice legs. I gotta slim waist.
Speaker 3 (05:14):
Baby, And this girl said, as long as honey, she
looks in the mirror and like what she's seen, that's
what makes her happen unquote self confidence.
Speaker 4 (05:22):
Man, I just looked her up and she is what
people are buying. She ain't got that damn much that
she's butt.
Speaker 7 (05:34):
I to have that. But so I'm like.
Speaker 4 (05:43):
Child and shills girl.
Speaker 3 (05:44):
I mean you all right, girl, But girl now, but
I mean no, honey, pumped the brakes, honey, and start
reading the press, your press. You already have a nice
body and things like that, honey. Thanks God for papoos that, honey,
he's not in your life and helping you out. But
it ain't that honey now. She also discussed her childhood.
She's stay that she dealt with her mother's addiction, y'all,
her father's imprisonment and years of sexual abuse. She said
(06:05):
that the experience forced her to grow up quickly and
to act as a protector of her younger siblings, which
was nice. Now. Her rivalry with Laya Ali Hunting appeared
again during the conversation. Now I miss She'll Stadia that
a fifteen million dollar off is available for a potential
fight and said, y'all that Ali has not accepted it yet.
Now Ali recently shut down and it helps y'all of
(06:26):
them squaring off in the ring.
Speaker 4 (06:28):
She said, quote, So did her plan work?
Speaker 3 (06:31):
Did she make me mad enough to come out of
retirement after eighteen years and start training again to make
her dream of fighting me and having a big payday
courtself Leila Ali come true? Maybe Miss Lily said absolutely
not unquote. So dare you have honey? So I mean
miss Ali paper, will you know Ali, missus Leaila hunting.
This girl could come on, you know, she could probably
(06:52):
sweep Miss Clarissa girl.
Speaker 5 (06:54):
But I mean.
Speaker 4 (07:00):
We'd like to see it.
Speaker 5 (07:00):
But Honey is sweeper.
Speaker 2 (07:03):
Girl, Babe.
Speaker 3 (07:03):
She will sweep this girl, honey, and then she'll play
Miss Donald Ross song Swept Away. So girls, that should
be clear. Honey, Clorise, Honey, don't read your own prience.
Speaker 4 (07:13):
But we love you all. We all love everybody. We
love Cloris everything breath, but we love you. We love her.
Speaker 3 (07:26):
The Coladeadne is one of my favorite cold My Colodia
Cooper Crest. I should say copper Crest. On the high,
you say copper Crest, and on the lung, just say beautiful.
That's like a tannish brownish color. That's a beautiful fall
for your colure.
Speaker 4 (07:39):
Today, y'all give it up and Gary with the tea.
Speaker 5 (07:45):
Jem My, mother, you're got to work the cars in
the eighty six sixty nine I set eat right.
Speaker 2 (07:49):
Here we go.
Speaker 7 (07:56):
Because you in your house with me up?
Speaker 1 (08:01):
Wake up?
Speaker 5 (08:02):
Wait?
Speaker 8 (08:02):
Can each other written be productor you want to show
I want to know what you call him.
Speaker 7 (08:07):
Ross, Come on and Taylor and.
Speaker 2 (08:09):
John wake up.
Speaker 3 (08:10):
All right. My name is Sheln calling out of Charlott,
North Carolina, telling my family from coast to coast, from
California all the way.
Speaker 7 (08:16):
Up to New York.
Speaker 4 (08:17):
Wake up, wake up, Happy Friday.
Speaker 1 (08:18):
I'll see y'all.
Speaker 7 (08:19):
Love y'all, pieces looch just love you and why.
Speaker 1 (08:22):
Hi, it's Friday. This is Gwynn calling to wake up
my grand based.
Speaker 6 (08:26):
In Saint Louis Friday, Calias Cody wakes up, wake.
Speaker 1 (08:29):
Up, It's Friday, love you Hi.
Speaker 6 (08:32):
This is Robin Gawho's song I'm Cincinnati.
Speaker 1 (08:35):
Ohio Friday.
Speaker 4 (08:37):
Wake up, wake up, wake up.
Speaker 6 (08:39):
Back to shout out to my sister, Cindee, edrels, Ritchie,
Smelly Kelly.
Speaker 4 (08:43):
You can make me happy.
Speaker 8 (08:47):
Wake up, let's go leave me. Wake up, wake up,
wake up, wake up, wake up? Wait new with me,
Wake up, lord me, wake up, wake up, wake up,
wake up? Wait you welcome yall.
Speaker 5 (09:07):
Red Rick's amount of Money, show Chicking the Mix going
down with John Lyon on the one to two Pridday.
Speaker 4 (09:12):
What up, John, I'm good man? You do not just
geting everybody else for the week.
Speaker 7 (09:16):
Came in and of course hit me up on the
grum July you son.
Speaker 4 (09:20):
Jay age lyon, Sam, I appreciate your big dog might
pleasure over for your thumb dug. Where you boying man?
Your body? I don't want to answer while you the phone,
John Yo monitored this.
Speaker 7 (09:33):
Boy. What Johnny Aron? What's up?
Speaker 2 (09:36):
Shot?
Speaker 4 (09:36):
Everything cool? Why are you in our work.
Speaker 7 (09:41):
Boy? Shot the change somewhere the deal would be working boy,
the DEVI would be working well well god trash you
knowing right, whether the devil jump up like a like
a bag hold quarterback boy and just jumping the game.
I'm telling you, devil devil trying to do good by
he should put on hear me say, cop put me in.
(10:02):
He come on there and to step up and you
miss your whole life for a seven. That was going
on with me right.
Speaker 2 (10:07):
Now, Joe.
Speaker 4 (10:07):
That was going on, deflecting excuses for yeah good the deal,
deflecting in them.
Speaker 7 (10:15):
Get the devil shouting the devil, devil, gonna devil, the
devil bids dies the one you ever heard that sign
or they say that Mexico where you're from? The devil
busy shouting? You never heard that? Sadd the DEVI was.
Speaker 2 (10:27):
Busy, but busy.
Speaker 4 (10:30):
We all heard that.
Speaker 7 (10:32):
Got sure gonna be a word the money. I promise
you I wouldn't be a worth of money rapp. But
many night the girl.
Speaker 5 (10:40):
I spend the night over somebody house. All the time
your house work.
Speaker 7 (10:44):
I can't watch my night in my house. I sudleep
on the pallet at my grandmama house. I can't bring
no checks over the Look, see my grandmama go go
to a casino, go gambling. Then I'm right, so I
bring and go all over there. Other than that, look,
I don't want the girl. Man. I admit your that croaking,
But I'm talking about shouty got her big boot every boy.
(11:05):
I'm talking about what she may uh what's your girl
now pushed? She might my whole boy, big big old
booty boy. I'm talking about that girl, got a big
old booty boy. I'm talking about she can't eve want
no sun dress. She got to wear choir rode southing.
I done wanted the girl crib last night Monday night shouting.
I'm still here. Okay, guess what because because shoty one.
(11:28):
You know, we made to do what they do shout
and then shoty one talking about hold me, I want
to cut him, and I done.
Speaker 2 (11:34):
I done.
Speaker 7 (11:35):
Squosed up from behind him, shouting and squalled my leg
up one of her boot Her booty cheek is so heavy, shouted,
my leg don't want to sleep. I can't even move
it something. Now why I'm talking about not now? My
whole leg is just dead shut. She's some one of
her booty cheek, her left booty cheek. I promise you,
I'll take a picture of it. But boy, I think
(11:58):
I think two of her kids in here. I see
I see her foot in an arm. I think to
a her kid and I came here overnight and they
laying up under that booty cheek too.
Speaker 2 (12:07):
So I'm talking about buddy.
Speaker 5 (12:09):
I don't like them.
Speaker 2 (12:09):
That bib no, this shout of got a b B shot,
got a b b b b b b b b
b ill now she got to be beat b b
b b y Yeah, b b b b b b
b b b Yo. I can't move.
Speaker 7 (12:25):
I can't move, TI, you wake up. I got down staty,
paying out my jacket what I had got from the cleaner.
I poked in on booty like five times, shout they
ain't even move.
Speaker 4 (12:33):
Yeah, what did you tear that, though I think I.
Speaker 7 (12:39):
Did shout of her booty, so big on you know
Speaker 4 (12:42):
You alive.
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