Limberlost Release New Single "Give it to Me" Redux

Limberlost Release New Single "Give it to Me(Redux)"New EP Villian Due Out Later This Year! 

Interview with Limberlost. Steve Unger is in the band. He is formerly of metal Church and Autograph

Explosive. Fierce. Unapologetic. Limberlost kicks off 2026 with a re-imagined version of their 2023 only released in Europe, fan-favorite anthem "Give it to Me", transforming it into a modern rock powerhouse that hits harder than ever. Reborn from its original roots, this version fuses high-energy guitar riffs, thunderous drums, and powerhouse vocals that redefine the band’s signature sound. 

“Give It to Me (Redux)” is a declaration of strength, passion, and pure rock ’n’ roll adrenaline — a sonic punch that dares listeners to take back their Power and Claim what’s theirs. With production that’s both cinematic and raw, it bridges classic rock intensity with a cutting-edge alternative edge, appealing to fans of Halestorm, Evanescence, Linkin Park, and The Pretty Reckless.

Lyrically, the song captures the hunger for authenticity and emotional connection in a world of noise and distraction — a cry for something real and uncompromising. Backed by their acclaimed new album Beautiful Scars, three SMR Top 50 singles, and 2 award winning videos with over a million views each, Limberlost proves once again that their fire only burns hotter with time.

Turn it up, feel the pulse, and demand it all — this is “Give It to Me” like you’ve never heard it before.

Limberlost is a powerhouse American rock band delivering a bold fusion of modern and classic rock with soaring vocals, electrifying guitar riffs, and thunderous rhythms. Known for their anthemic sound, raw energy, and emotionally charged storytelling, they create music that resonates with fans of classic rock legends and contemporary rock revivalists alike. Their songs capture themes of strength, resilience, and empowerment, making them a force in the rock scene. With a commanding stage presence and dynamic compositions, Limberlost is redefining female-fronted rock, bringing authenticity, passion, and rock authority to audiences worldwide. 

Limberlost’s rise is backed by Paul Crosby Management, led by Paul Crosby, drummer of the multi-platinum rock band Saliva. His industry expertise and strategic vision have positioned the band for massive success in today’s rock landscape.

Limberlost is known for their captivating female led vocals. Leads Brittany Lauren and Sammie Gorham both classically trained and accomplished opera singers that bring their beauty, power and precision to cut through rock’s sometimes predictable expectations.

Adding to their momentum is the recent addition of Metal Hall of Fame bass player Steve Unger, known for his work with legendary bands Metal Church and Autograph. His veteran stage presence and technical prowess bring a new depth to Limberlost’s already dynamic sound, elevating their live performances and recording capabilities to the next level.

If that’s not enough the addition of Steve’s son Devon Unger on Lead Guitar. Not only can his melodies mesmerize, and his shredding solos make you want to scream “Hell Ya!” but he will have the ladies eating out of his hands. 

Wrap it up with Anthony Ciarochi on Keys and Mike Burt (Founder) on drums. Two solid industry veterans that anchor the stage presence and the sound.  

For More Information Please Visit:
Official Website
Instagram
Facebook
TikTok
YouTube

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Episode Transcript

Speaker 1 (00:04):
Hi, you love don too.

Speaker 2 (00:06):
You censure.

Speaker 3 (00:09):
For se wow, for you young.

Speaker 4 (00:20):
Looking me into you see hiding all of the things
deep beside all the.

Speaker 5 (00:25):
Dreams of the girl you want me to me think.

Speaker 6 (00:29):
Gush.

Speaker 2 (00:30):
This is the pipe Man here on the Adventures Pipe
Man W four c Y Radio, and I'm here with
an amazing band that has some incredible new music.

Speaker 1 (00:44):
So let's welcome to a show. Limberlost. Wow.

Speaker 6 (00:50):
Thank you.

Speaker 1 (00:51):
So I gotta tell you it's actually funny.

Speaker 2 (00:55):
I mean, I'll know how funny she'll think it is
when she hears it. But so, I was just getting
my hair done similar to yours Britney, because I have
this side shaved, uh, you know down but uh and
somebody there who I know, she actually lost an arm
during COVID. So and while I'm saying your name and

(01:19):
consider it was right after that I'm like, well, that's
kind of weird because it kind of said like, oh, Limb.

Speaker 4 (01:28):
Limb, Limb is lost.

Speaker 6 (01:32):
I know, I know, Well that's been my big joke
actually being here and in a fitness camp in the
middle of nowhere. Is that my limber you know, always lost.

Speaker 7 (01:44):
All the time.

Speaker 8 (01:45):
So it's pretty great. I love I love the name
of the.

Speaker 6 (01:48):
Band, but actually it comes from the name of a forest.
And where is it?

Speaker 3 (01:51):
Georgia?

Speaker 4 (01:52):
Is that where?

Speaker 2 (01:53):
Uh?

Speaker 3 (01:54):
Indiana?

Speaker 8 (01:55):
Indiana?

Speaker 2 (01:56):
Because Georgia kind of scared me, you know, I'm a Yankee,
and like I'm thinking that it's like in the deep
woods of Georgia where they're like still lynching people or something.

Speaker 3 (02:06):
Whoa no very possible.

Speaker 9 (02:09):
Our our original guitar player, who was the guy that
I started the band with his grandparents or he's from
Georgia and his grandmother used to call the woods out
behind their house where they send him to get a
switch to get his ass beat with.

Speaker 10 (02:25):
Uh.

Speaker 3 (02:25):
He called it the Limberlost and the Room.

Speaker 9 (02:29):
But then we did the whole research of it and
it's actually a there's actually a story and a legend
of a swamp up in Indiana, and that's where the
whole thing came from.

Speaker 1 (02:38):
So I want to hear that story. Let's hear that story.

Speaker 3 (02:42):
Oh well, well, well.

Speaker 6 (02:46):
To make it real brief, it was a guy his
name was Limber GYM. Don't know how he got that name,
but that was his name. He walked himself into a
forest and he got lost, and.

Speaker 8 (02:57):
He uh Limber Jim that's right, Limber Jim.

Speaker 4 (03:10):
And he walked.

Speaker 6 (03:11):
Himself into a forest and he got lost, and he
was to the point of thinking this would be the
end for him, and he calls to a higher power
and he prayed and he got himself out. He walked
into straight lines in that moment, and he went forward.
And so the story is a funny little story when
I say it like that. But the message that we.

Speaker 4 (03:30):
Take from it is that no matter how lost you
are or how lost we feel, we have a our
mission is to just keep going and that we will
we are on our straight path, and that it will
we will find.

Speaker 8 (03:42):
Our way out, you know, and everyone.

Speaker 6 (03:44):
And that's the message we give to all of our fans,
to the lost ones we call them, because everybody gets
to a point in their life where they feel, how
am I going to get out of this? Or how
there's no way that this could move on for me,
And that's kind of where our music comes from. It
stems from that place, and it's supposed to be a
beacon of light to help you out.

Speaker 9 (04:00):
So there you go.

Speaker 1 (04:01):
See.

Speaker 2 (04:01):
I love that because eka binds both of my personalities,
like you have my music metal head personality, and then
I'm also a motivational speakers and a motivational personality all
in one. I love that, and I would never out
I would never out you brought up the story. I
wouldn't even never ask how you got your band name
because it's the stupidest question ever last Okay, but I'm

(04:27):
glad the story came out because it is a pretty
funny and good one and I like the message.

Speaker 1 (04:32):
So there you go, so tell us.

Speaker 2 (04:37):
About the new kind of formation of the band and like,
you know, you got Steve with you now, and like
just like it's being reborn into something better.

Speaker 10 (04:52):
You want to say this one all right?

Speaker 2 (04:56):
For Steve, She's pointing to the people at the fitness camp.

Speaker 10 (05:00):
Okay, for myself.

Speaker 11 (05:05):
I've known these guys for a long time, and you know,
go back twelve fifteen years, and you know, we crowsed
a lot of.

Speaker 10 (05:13):
Paths doing shows together and such, and we've always liked
each other as people.

Speaker 11 (05:18):
And I always thought they were a really good band
at the time, back in the day, wasn't really my
style of music because they were more like, you know, bluesy.
There's anything wrong with blues, just not really my thing.
But when they came back from Europe on their tour
and they decided to rebuild the band because it kept

(05:39):
tell the pieces. After that tour, they went to woodshed
and started writing some new material and they wanted to
take the band in a little bit different direction. And
when they send me the tracks of what they were
coming up with.

Speaker 10 (05:51):
I was like, damn, this ship is really really good.

Speaker 11 (05:55):
And yeah, and it's funny because they were originally to
my son Devin to play the guitar, and you know,
my son being what he is, he took like a
week to get back to him, and so Mike reached
out to me and he's like, hey, man, we're looking
for a guitar player and a bass player, and you know,
if you know, we can grab your kid and you know,

(06:16):
if you know anybody that's interested in the bass. And
that's when he sent me the material and I was like, shit, man,
I think that I got your bass player and your
guitar player and my son Devin and I listened to
it and we called him back and then dude, if
you guys are aware in and so here we are
a year later, and you know, a couple of videos
later and the songs that hit the charts and things

(06:37):
are going really good.

Speaker 10 (06:38):
All we got to do now is get her asses
out on the road and do the live show.

Speaker 2 (06:42):
There it is, there, it is. But you know what
I love about that is you got the father and
son thing going there, and like I think about it too.
So that's why I'm asking you, do you do you
think back in the eighties that you have ever imagined
playing in a band with your.

Speaker 10 (07:01):
Back in the eighties, I couldn't even imagine having a kid, right.

Speaker 11 (07:06):
I having it.

Speaker 10 (07:08):
I thought that having a kid would be.

Speaker 11 (07:12):
Like a death sentence, you know, my my career would
be done, and uh you know, I wouldn't be able.

Speaker 10 (07:19):
To tour and I'd be stuck home with a kid
and all that kind of stuff. And uh, you know,
it ended up being a dating It happened to me.

Speaker 1 (07:26):
I love it.

Speaker 11 (07:27):
But yeah, he came out of the room with a
guitar in his hand and ever since and uh, I
what I know? And then I sent him to lessons
and they now as far as there past a teacher.

Speaker 10 (07:39):
Man, he's way better than I am on it on
a guitar or a base.

Speaker 11 (07:42):
But uh, yeah, it's pretty cool looking over and watching
my son just blow people away, and.

Speaker 2 (07:48):
It's cool that we can have that nowadays. Like back then,
I've never been in a band with my dad because
whatever music he was listening to was definitely And it's
like so great now. Like I do coverage up music
festivals all over the US, UK, Europe and you see people,

(08:09):
you know, it's parents and kids at metal head shows
and like I put my son in his first mashpit
ever and two of my grandkids and it's like it's like, wow,
I would have never thought that, like I would.

Speaker 1 (08:25):
And you know, it's funny.

Speaker 2 (08:26):
Me and my bro used to always say, like, you know,
when we get older, what are our kids gonna listen to?
That makes our stuff seem like, you know, like we're old,
you know, like we're listening a Slayer and of course
metal Church and Metallica and Exous. It's like, what could

(08:46):
possibly be more rebellious that our kids would do?

Speaker 1 (08:51):
And it went the other way, it went, they're just
joining us.

Speaker 10 (08:55):
Yeah.

Speaker 11 (08:55):
We Luckily for me, my kids grew up around the
eighty stuff, so that's kind of what they fell in
love with. And then Devin's first concert was a Kiss
concert when he was five years old. Uh, my agent
ended up getting me front row tickets. I had tickets
to go to the show, but they were, you know,
somewhere back in the nosebleades probably, And he called me
up like a day or two before the show, and

(09:17):
he's like, you're.

Speaker 12 (09:18):
Gonna love me, and I'm like, nick, I already do
love you. And he's like, no, you're gonna really love
me now. I got your three front row tickets for
Kiss tomorrow night. Wow about shipped my pants, and uh
so I brought my son front row, dead center and
he ended up becoming part of the show. Paul Stanley
pulled him up on stage and gave him his guitar

(09:38):
and everything, but we still got.

Speaker 11 (09:39):
The guitar here at my in my studio and it's
uh with as experience and probably a life changing thing
for him. So uh as for him seeing Kiss his
first time and being pulled on stage and ended up
with a guitar that kind of set the hook of
what was already I was already trying to, you know,
get him to go that direction, and you know, Kiss
got the hook with them, kind of like Elvis Presley

(10:00):
for me because that was my first concert and you know,
first time you're at a show, and you see something
blow you away.

Speaker 10 (10:05):
It leaves an impression on you.

Speaker 2 (10:07):
So oh, I know that feeling, like we all have
that feeling, like, you know.

Speaker 1 (10:12):
For me, it was the first club show actually.

Speaker 2 (10:15):
Cause my dad moved me from Jersey to LA in
May of nineteen eighty. Imagine what a time to move
to LA. And I went to the Roxy to a
Motley Cruise show before they ever had an album, before
they were glam, when they were basically like horror punk,
and I remember walking out of that show, I'm like,

(10:36):
I'm never going to a real concert ever again.

Speaker 13 (10:41):
It is really cool to see big bands in a
smaller vent. You can actually get to see them, you know,
and see all the little things that they do that
you don't see when they're in a big, enormous stage
and you know, twenty thousand people in the crowd and
you happen to be back in the nosebleeds. You know,
you don't get to really be part of the show,
even though you're there exactly.

Speaker 2 (11:01):
And I love to hear that about Kiss bringing your
kid up on stage, because everybody likes to throw shade
at Kiss, but Kiss is what got me into music.
I remember being at the Jersey Shore at the Boardwalk
the first Kiss album first came out, but I didn't
know who they were. I was playing some game and
I won, and it was for record albums. I picked
the ones for record albums, and I just saw their

(11:23):
faces on the album, like, that's the one I want.
And then I became like a Kiss fanatic right after that.

Speaker 11 (11:33):
And the cool thing about that concert was that after
Paul gave him the guitar, Doc McGhee came up to
us and invited us backstage after the show, and Paul
came in and hung out with my son for about
twenty minutes. And I didn't I didn't have a camera
with me at the time, and he took a picture.
He had some buddy backstage take a picture, and he

(11:53):
took my address and he's like, hey man, this picture
turns out.

Speaker 10 (11:56):
I'll make sure you.

Speaker 11 (11:56):
Get a copy. Oh yeah, yeah sure. But like three
weeks later, a big package showed up eight by ten. Hey, Devin,
you know, it was great to see you keep rocking
with your dad, you know, Paul Stanley and you know,
wrote a letter and signed all the pictures and everything,
and he followed through and you know that, Yeah, definitely

(12:16):
blew me away because it was like.

Speaker 10 (12:17):
I've been a Kiss fan since I was my son's
age at that time.

Speaker 11 (12:21):
And you know, it just kind of like renewed my
sense of you know, I made the right choice just
as a bitch and band, you know, they actually followed
through and did something like this for a fan.

Speaker 2 (12:32):
I love hearing that because as big as they are,
you know, like some of the bands out there, when
they get that big, a ghosted or head or whatever,
and you know, it's it's good to hear when bands
are acting like that because that's going to create the
future generation that's going to be into the music, you know,
and like you made like he made your kid's life forever. Yeah,

(12:56):
you know, I had that experience with my couple of
micro children. Like one of my grandchildren his favorite band
was and he was like, I don't know, nine was
five Finger Death Punch, So I was. I used to
bring him to festivals with me, and I brought him
and he actually got interviewed by Ivan because I had

(13:18):
an interview with Ivan.

Speaker 1 (13:19):
Ivan.

Speaker 2 (13:20):
While I'm setting up his interviewing him, Ivan brought him
up on stage and then you know, we went upside
stage for Tremanney and and Mark and his other guitarists
were sitting there, coming over to him and playing guitar
to him with their back to the crowd, and like
you never forget crap like that, you know, Did.

Speaker 10 (13:39):
I haven't beat anybody up while you were with him?

Speaker 1 (13:41):
Say that again?

Speaker 10 (13:42):
Did I haven't beat anybody up while you were with him?

Speaker 2 (13:45):
Uh?

Speaker 1 (13:47):
No, he was still, he was sober.

Speaker 10 (13:53):
I seen him come back at backstage.

Speaker 11 (13:55):
I was hanging out in your bus and he came
back out stage. And so guy that was wearing his
his shirt said something that.

Speaker 10 (14:03):
He didn't like. He's like, give me that shirt. You
don't worthy wearing that shirt? You like, rip the shirt
right off the guys.

Speaker 1 (14:11):
Oh my god. Those were the drunk days though, right yeah.

Speaker 10 (14:15):
And he goes, he runs on the bus and you
went you had like picky bucks and the dude's the
guy to get back from the shirt.

Speaker 1 (14:23):
Wow?

Speaker 10 (14:24):
Yeah, kid walked off without her shirt.

Speaker 1 (14:26):
Yeah. He was a hot mess during those days, for sure.
Oh man.

Speaker 2 (14:32):
Yeah, So like this is why it's all about right here,
And like that's why it's cool that I think your
son's in the band too. And you know, how do
you guys feel about having a father and son in
the band.

Speaker 4 (14:48):
Oh, I love it. I think it's amazing.

Speaker 9 (14:51):
It's it's you know, like Steve said, Steve and I
go back probably fifteen years and what was really funny, Devin,
I don't know how old he was. He had to
be probably fourteen or something like that. Actually, his one
of his bands. I don't know if it was their
first show, but we used to have this club called
Louis G's down in Tacoma where we're all from, and

(15:12):
my eighties band was doing its thirty year reunion show
and this little band since Circus opened up for us,
and I guess, I swear to god, you had to.
I think Steve even got up and sang at that.
Weren't you singing for him back then?

Speaker 10 (15:26):
Oh? I think we got up a jam to Detroit
Rucks City or something like that.

Speaker 3 (15:29):
Yeah, something like that. Yeah.

Speaker 9 (15:31):
So I mean that's that was my first exposure to these, uh,
to Steve and his and his boys. But you know,
i'd know Steve, I think a little bit before that.
But you know, it's it was just kind of odd
how it all came. I mean, Brittany can attest this.
We're driving down the road and we're starting to figure
out how we're going to get players and doing all
this stuff, and and I, you know, we talked to
our manager, Paul Crosby, you know, from Saliva, and he's

(15:55):
and he's like, oh, yeah, dude, we can get players.

Speaker 3 (15:57):
Man, national's full of players. This ship's great. We'll get players.
Don't worry about it.

Speaker 9 (16:01):
And I'm like, yeah, but and I'm telling Brittany, I go, yeah,
but you know, there's this one kid I've been really
wanting to play with. You know, he's just such a
cool kid, and it's never worked out, and he's he's
just really professional. And I said, I'd like to throw
this at Devon. I never, in my wildest dream stopped.
The busiest man in show business was going to listen
to it and go, shit, I want in, you know.
But like Steve said, I I went about a week

(16:24):
and I didn't hear back from Devon after I text
him a couple of times, and and we're we're sitting
I think we were out shopping or something. We were
sitting in a parking lot, and I said, you know,
I'm just gonna call Steve.

Speaker 3 (16:34):
I don't want to think I'm coaching his kid. Here,
you know, and all that. So I called him.

Speaker 9 (16:38):
I called him up and he's like, well, shit, send
me the stuff. I'll listen to it and i'll get
it over to him. And what are you looking for?
And I go, guitar and bass. Okay, cool, I'll see
what I can do.

Speaker 10 (16:47):
And what was it?

Speaker 3 (16:47):
Two days later, day later, two days later.

Speaker 9 (16:50):
Something like that, he called up and and we both
were just like looking at each other when he says, well, yeah,
I want to be your bass player, and we're like, okay,
I'm wondering how that's all going to work with, you know,
the Metal Church and the autograph at the time, because
he was pretty busy and and you know, he has
his other project with his Elvis tribute. And I was like, yeah,

(17:11):
this could be interesting, but you know, the universe has
a way of shaking things up, so at least one
of those.

Speaker 3 (17:16):
Deals I don't got to deal with anymore.

Speaker 9 (17:18):
But but we're looking, uh, we're looking to you know,
get it out.

Speaker 3 (17:23):
Yeah, you know, it's just fun having them both.

Speaker 9 (17:24):
I mean, like I said, Steve and I have been
you know, throwing jabs at each other on the internet
for ship probably at least last ten or twelve years,
so it's it's now we're just doing now. We're just
doing it across the studio, you know, So it.

Speaker 10 (17:37):
Is what it is.

Speaker 11 (17:37):
Speaking of jabs, the funny thing is, if you add
my age and my son's age together, we're still.

Speaker 10 (17:43):
Younger than Mike.

Speaker 3 (17:50):
Wasn't wasn't the bad kiss short for kiss my ass?

Speaker 10 (17:56):
God? Yeah, this is.

Speaker 2 (18:00):
Why you guys are a great band right here, Like
like you're just having fun together and like each other
like bands out there that are just like pissed at each.

Speaker 1 (18:12):
Other all the time. I'm like, dude, you're a music.

Speaker 3 (18:16):
We're just getting it's early. We're gonna just get started early.

Speaker 2 (18:23):
Yeah, if you're not having fun in this industry, it's
the wrong one to be in.

Speaker 6 (18:29):
Way too hard to not have fun with it, man.

Speaker 1 (18:32):
No doubt.

Speaker 9 (18:34):
You know that was a really cool thing about Steve
coming on board too, is it's just like the the
fun factor went up because both of us are kind
of the same guy when it comes to certain ship.
So you know, I you know, we haven't turned on
each other yet because you know, there's still too many
helpless victims out there.

Speaker 2 (18:53):
But you mean one of you didn't go across stage
and try to punch the other out during the performance.

Speaker 10 (19:02):
Not even so much. It's more like the backstage antics.

Speaker 11 (19:05):
And when we're in hotels and his time, you know,
and we're just working with each other, and you.

Speaker 9 (19:11):
Know, yeah he doesn't he draws wieners on people's faces.

Speaker 3 (19:16):
I trace him. Yeah, yeah, still trying to figure out
what happened to.

Speaker 10 (19:24):
His toothbrush that one time.

Speaker 3 (19:27):
There's that my teeth that brown.

Speaker 1 (19:36):
See.

Speaker 2 (19:37):
This proves that there's still fun things that go on backstage.

Speaker 11 (19:43):
Yes, yeah, Well, the world's a fucked up place, and
this is supposed to be an escape.

Speaker 10 (19:49):
You know.

Speaker 14 (19:50):
Music for me now has always been an escape. If
I go see the concert, I don't want them preaching
politics to me. I don't want them to preach and
you know, whatever their thoughts are or whatever the bun
going off in the world, I paid money to the
show and had an escape for reality, no doubt.

Speaker 2 (20:07):
I'm with you, man, like I actually came up with
an idea of how we could solve all the world
world's problems, and that is to have one big music festival,
specifically rock metal punk, not the ones where people fight
at and uh you know where the whole world has
to attend.

Speaker 10 (20:27):
Because everybody's handed to joint.

Speaker 2 (20:31):
There you go, because that's where we were united.

Speaker 1 (20:38):
That's where there are no outsiders.

Speaker 2 (20:40):
Funny story about that is like I had somebody working
for me. She was also a co host on my show,
and she was a country girl. And one time, one weekend,
I had to cover two festivals at once, which of
course I couldn't do, and so I sent her to one.
And she had never been to a rock show in
her life. And even Danny Wimmer festival with I think

(21:01):
Slipknot was headlining, or and Bring Me the Rising and.

Speaker 1 (21:04):
Stuff like that, and she I said to her, I'm like, listen.

Speaker 2 (21:09):
She was really scared about it, you know because like
us metal heads, we scare people. Uh, And she go
I said to her, listen, you're gonna have so much
fun at this thing, Like it's not like your country shows.
You get to go to where the rednecks are getting
drunk and beating the shit out of each other. Like
you're gonna make new friends. You'll probably meet some dude.

(21:31):
And and I just paid this like picture of how
great it is. She comes back after the weekend and
she goes, oh my god, you are so right, like
I may, I had all these great new friends. I
tea bagged some guy and he's now my boyfriend. She goes,

(21:54):
I have this new favorite band. I don't think you
know them, you're called bring me the Horizon. I can't
think I kind of know who they are, and like
there you go. That's how you convert them right there,
Just send them to a festival. And like that's why
I think, like we would all get along if we
just all went to a festival, had one huge mosh

(22:16):
pit and just let all the bullshit out in the
wash pit.

Speaker 1 (22:19):
Man, that's the way it's big. Just leave it all
in the d Fuck.

Speaker 2 (22:24):
The wars, fuck the bullshit, just leave it all in
the pit and we can all have a joint and.

Speaker 1 (22:30):
A beer afterwards. That's the way it goes. You go,
and we're not beauty of music.

Speaker 2 (22:36):
It's the best therapy there is too, Like anything that's
ever been shit in my life, Man, all I have
to do is go.

Speaker 1 (22:43):
To is show and it changes things immediately.

Speaker 2 (22:46):
Yep, you know, so, yep, you got the EP coming
out later this year, and tell us about that, and
you know, tell us about the other songs, like you
have the new single, give it to me, but give
give us an idea of what other songs on there
are going to be.

Speaker 7 (23:03):
Like, oh my gosh, Okay, I'm so excited for this
next one because it's it's a bit of a continuation
on our last.

Speaker 6 (23:16):
Their last album, Beautiful Scars, was a concept album taking
on the Japanese art form of kinski or kinsigi on
as a as a person and as you grow and
gain experience and you get scars, sometimes we make them
mean negative things, but what if we made them mean
beautiful thing?

Speaker 4 (23:33):
So that was the store of Beautiful Scars is.

Speaker 6 (23:35):
Kind of coming into your own and owning everything that
is that you are and that you have done and
that you have been through. And then Villain is the
working title of our next EP, which will be a
little bit of a different release because we're not going
to release it all in one. We're going to give
it to you all slowly, so one song at a time.
And I think the first one is that, Yeah, so

(23:57):
the first one, that's.

Speaker 8 (24:00):
Right, you know, That's that's what.

Speaker 6 (24:01):
Everyone's telling us to do, So of course we're we're
gonna do it. But also it's a good thing because
it allows us to just keep ourselves on the radio.
Here's another one, here's another. We have a whole bunch,
and then there will be one special track and maybe
a hidden one on the album for you to find
that won't be released until the album. So but Villain

(24:22):
is a continuation of that, and this is where you've
not only come into your own, but you accept who
you are and everyone else's story to So like Villain,
the title track is about exactly that. I'll be the
villain of the story in your head. And the song
on the radio, give It to Me, is about owning it,
like you know what I'm not. I'm not gonna take it,
You're gonna give it to me. Having that kind of

(24:43):
confidence to walk into a room and know exactly who
you are and how you stand and how you can
and how you gain you know what? It was the
word I want to think of, But it's not independence,
but it's sort of like you gain. I guess confidence
is really just that word that's very sem powered. It
has a lot of language that's testosterone driven language sung

(25:07):
by a female, so it's just a very strong feminine
song and I love it. That's give it to Me.

Speaker 4 (25:12):
Oh my gosh. We have a lot on this album.

Speaker 6 (25:15):
We have a cover song that I.

Speaker 4 (25:16):
Don't want to give away, but I'm.

Speaker 6 (25:18):
Super excited about it because it's the one that most
people do very very slow, and we put a bit
of a heavy drive to it. We brought out a
little bit of emotion in it, and we bring in
some big guitars to it, and it's a very well
known song. So I'm excited about that one. Oh my gosh,
I did I forget amusing. We have one on our
O that we were re resurrecting, so Give It to

(25:40):
Me was a resurrection of one, and we're also going
to resurrect another one, potentially from Volume one. So again
I won't say which one. I'm gonna keep them all
a little secret, unless unless Mike says we can share.

Speaker 3 (25:54):
Oh yeah, yeah.

Speaker 7 (25:57):
Okay, yeah, okay, okay.

Speaker 9 (26:01):
I have a meeting with our radio guy next Thursday
just for the order of release. But yeah, everything's already
packaged and ready to go, so you're you're free to
move about the country.

Speaker 1 (26:15):
Nice.

Speaker 8 (26:15):
Great, Well, you.

Speaker 6 (26:16):
Will hear another redo of our song Babylon, and this
one is I'm so excited about because I took it
to a different level. It's just that total fevered dream.

Speaker 3 (26:28):
It's just amazing.

Speaker 6 (26:29):
And the cover song, which I'm very excited is a
Beatles one because I've been I love the Beatles, that
grew up on the Beatles and we're gonna do it
in my life.

Speaker 1 (26:38):
Oh I love that song.

Speaker 2 (26:40):
Interesting going back to a Kiss, like I was also
Beatles for that because right after I got that album,
some other kid I think I was like first second grade,
I don't even remember, but they came into the oral
report on the Beatles and I was like, oh, they're cool,
and you know, my my walls as a little kid

(27:03):
in my room no wall, it showed my uh, I
don't know. I guess schizophrenia or whatever because down the
middle I had Kiss on one side, Beatles on the other.

Speaker 1 (27:15):
As far as posters ball the wall.

Speaker 2 (27:18):
Yeah, but they're so similar and people don't know when
I say how similar they are, there like Beatles and
Kiss come on, and then I tell them that different things,
like you know, it was always Paul and John if
either one of them wrote a song, and just like
Gene and Paul and you and you know, whoever wrote
the song sang the song, you know, and there was

(27:39):
just the formula was pretty similar as far as that goes.
And then even the fact of branching out in different directions.
The Beatles were known for like going in so many
different areas, and I think.

Speaker 1 (27:53):
Kiss did a lot of that too throughout the years.

Speaker 10 (27:55):
Oh yeah, absolutely.

Speaker 1 (27:58):
You know, so.

Speaker 2 (28:00):
I love that you're doing that cover, and I love
that you're doing it not slow.

Speaker 10 (28:06):
Well.

Speaker 3 (28:07):
It was very interesting because she was.

Speaker 9 (28:11):
Singing it one day and it was just kind of
like I'm hearing this thing and I'm going, what is that?
And she's like in there, just belt in this song
and I go, I'm just like that is amazing, and
she's like, yeah, we should, I want to do this
and stuff, so, you know, and it was really interesting
that there's there's a little bit of a I don't

(28:32):
want to give too much away out of it, but
you know, it is what it is.

Speaker 3 (28:35):
There was, you know, just like she.

Speaker 9 (28:37):
Said, we we went and scoured and listened to all
the different covers out there, including Ossie and Slash, and
nobody ever had the I don't know if it was
the desire or the feel or the courage whatever, you know,
to take that song up a couple of notches, you
know what I'm saying I'm not talking about going full
undisturbed with it now, right, you know, But it was

(29:01):
just that there was there was a lot of power
in the emotion of that song. Can I put it
that way, Brittany. It's very, very emotionally powerful, and I
don't think the emotional power of that song ever really
got tapped.

Speaker 1 (29:15):
And that's a good point.

Speaker 3 (29:17):
And we did that.

Speaker 9 (29:18):
And there's a lot of Brian Mayish style kind of
guitar stuff coming into it. Very melodic in its sense,
but there's a lot of hit to it. There's We'll
take you to the cliff and drop you off.

Speaker 3 (29:29):
It's it's a.

Speaker 9 (29:31):
I mean, if you don't, if you don't when you're
done listening to the song, if you don't feel something,
then you either weren't listening to.

Speaker 3 (29:37):
It or you hate music.

Speaker 1 (29:39):
That's why I can't lay.

Speaker 9 (29:42):
And so there you go. But yeah, so Eric scited.
I mean, it was just kind of one of those things.
It's like, yeah, that works. You know the story of
Give It to Me, the song that we're talking about today.
You know that song actually got released in twenty twenty three,
but never got released in the United States.

Speaker 1 (30:02):
Oh that's interesting. I didn't know that.

Speaker 10 (30:04):
Yeah, it was.

Speaker 3 (30:06):
It was just kind of a thing, you know.

Speaker 9 (30:07):
Brittany and I were like coming up with all these
little marketing plans we had for our European tour with
ing Bay, and one of the things that was like,
you know, what we should be doing, and of course
I was talking to Paul too, is man, if we
had a song we could put out, then we could
hire a PR person over there, we could get some
radio spots, you know, we could build up a little
gin up some you know, obviously Ing Bay's going to
sell out, but it'd be nice to have some Limberlost

(30:28):
shirts in the crowd, right, you know, and being our
first trip to Europe, that's a tall order too. But
it was like, you know, we had some internet traction
over there, so we figured we try and get that.
So it just so happened that Give It to Me
was kind of in that almost done space, so we
kind of pushed it and produced it and got it

(30:48):
out and then released it and whitelisted all the stuff
in the Western Hemisphere, but we only released and released
it all over there. So yeah, if you were in
the UK, you could spotify this that song In twenty
twenty three to today.

Speaker 3 (31:03):
In fact, it still gets a lot of spins over there.

Speaker 9 (31:06):
But then we got back and it was kind of like,
now we've got to release it here. But then we
were kind of like, I don't know if this is
the band we want to release it with.

Speaker 3 (31:15):
This is the I don't know if this is the
direction we want to go hurt to go ahead.

Speaker 6 (31:21):
Our songs were sounding different, right, and if I remember correctly,
we were like.

Speaker 8 (31:26):
It doesn't sound like our new material now, Oh no,
you know, and so it be what.

Speaker 6 (31:30):
Do we do with this song?

Speaker 3 (31:31):
I remember that, And we had a couple of them.

Speaker 9 (31:33):
There's a song we wrote with a friend of ours
named Sammy called Rusia, and it's kind of sitting in
this nexus, like what do we do with this song?

Speaker 3 (31:39):
But you know, the.

Speaker 9 (31:42):
Then the sound changed dramatically, and so when this new
EP started to take shape, it was kind of like,
you know, if we gave this song a modern makeover,
and when I say modern to this band, to this sound, right,
this energy, this would be a good time to release
that song.

Speaker 3 (32:01):
So that's that's what you have. And it's just kind of.

Speaker 9 (32:03):
A reimagined version of what we what we wrote back
in twenty twenty three, and I personally, even though I
penned it, I personally like this version way better than
the old one.

Speaker 3 (32:16):
Nice.

Speaker 1 (32:17):
I think that's true of a love artists. Though.

Speaker 2 (32:20):
It's like I've heard Hatfield say all the time, like
I don't know why they play the old version is
seeking destroy at the San Jose Sharks Games. I can
sing a lot better now, you know. And it's like
I find that a lot of artists when they redoce
stuff for their music later, they like it better. Why
because you're a better musician at that point, Like when
you're a teenager doing this stuff, you don't really know

(32:42):
what you're doing yet, so like you want to grow
into your craft and get better at your craft. And
I think that's what happens, and that's probably what happened
with this song.

Speaker 3 (32:51):
Yeah, well we've got we've got the players, you know.

Speaker 9 (32:54):
I mean, you know Steve Is, you know, renowned metal
Hall of Fame bass player, his son as a Beat.
In fact, we just released a short out today of
him covering this, his solo in this and playing and
it's just like, you know, you listen to it and
then watch him play it, and you're.

Speaker 3 (33:09):
Just kind of like, Wow, this kid's good, you know.

Speaker 9 (33:12):
And uh, and then of course we've got you know,
Beaker the Wizard. You know that our keyboard player, Tony.
We have lots of names for Tony. There's there's Tony,
there's tea bag.

Speaker 3 (33:26):
Doctor. Yeah, I mean, and uh, well he's the coffee roaster.

Speaker 9 (33:34):
Was he won baldies now because he's roasting coffee on that.
But anyway, uh, you know, but uh, you know, and
then of course these two lovely opera singers that you know,
just are you know, top of their craft, you know,
I mean, what do you do?

Speaker 3 (33:53):
You know, what do you do with that?

Speaker 8 (33:54):
You know?

Speaker 9 (33:55):
And and uh and the material and this that has
been we've been able to write and the way we've
been able to produce it. I I don't know, it
just was kind of like one of those lightning in
a bottle moment. But I think it's definitely where we belong.
I think we are strong here and you're just seeing
the beginning of it.

Speaker 10 (34:14):
You know.

Speaker 9 (34:15):
We've took a couple of these songs that are on
the albums Sugar and Dyllaan. We actually took those out
on the road last year. We had just finished writing those.
I think about the time we were rehearsing to go
out on tour and we were like, shit, let's put
these in the mix, you know. And so we've been
playing those for a little while now and those those
haven't been released yet, but they went over really well

(34:37):
on tour. So yeah, we're really excited. You know, there's
it's it's you know, it's an interesting year. It's gonna
be uh, gonna be fun, like Steve says, you know,
our biggest challenge right now is we kind of went
through a couple situations where we don't quite have the
uh booking management that we thought we were going to have,
so we're a little slow off to start getting out

(34:58):
this year. We do have some shows coming up. Of course,
there are things we've signed that we can't talk about
yet because there's bigger names on those bills that haven't
announced yet. But you know, so we do have stuff
coming up, but you know, the fun stuff is going
to be releasing these songs of course, and then we
also I'm personally very excited about the summer when I

(35:22):
think we're going to do it. When we hit Sturgis.
We picked up a very very talented and very experienced
front of house guy.

Speaker 1 (35:31):
That's important.

Speaker 9 (35:33):
And he's worked with I don't know Steve Cot speak
to a better because we met him through Steve. But
he's dropped names like the Commodore's, Lady Gaga, Bondie. He
was just supposed to go out on tour with Ghosts,
but got got COVID right before it, so they had to.

Speaker 3 (35:47):
Find somebody else.

Speaker 9 (35:49):
You know, he's he's worked the board at Whack and
he's you know, I mean, he's he's.

Speaker 3 (35:54):
Really really good. He's actually a serial killer in our video.

Speaker 6 (36:02):
Uh actually moving on.

Speaker 9 (36:09):
Yeah, actually it's a delivery, I.

Speaker 1 (36:14):
Know, right exactly.

Speaker 9 (36:16):
Uh, but but so we're just gonna actually he is.
Actually we did this on tour and we kind of
tested the waters a little bit and it sounded pretty good.
We just didn't have the right setup for it at
this one venue. But uh, we're going to have the
right setup in Sturgis. So we're he's going to record
it and then we're gonna get together with him in
Vegas probably for a few days and uh do all

(36:38):
the mixedowns and stuff like that, and we're gonna put
out a live record probably around the just before the holidays,
and you don't know that too often from a band
like us so at our level.

Speaker 3 (36:47):
So right, so I didn't do that.

Speaker 1 (36:49):
I love it, and you know what we're gonna.

Speaker 2 (36:51):
I'm just playing the buzz out there because I promote
all their festivals. But we got a need to see
you guys at like Ladder than Life and Aftershock later.

Speaker 1 (36:59):
In the year.

Speaker 5 (36:59):
Please hello, right, line up the other one you actually
your band like with just that song alone, which by
the way, I was listening to, I'm like, man, that
song could seriously have commercial success.

Speaker 2 (37:18):
I don't say that often because I'm not into most
songs that are gonna have commercial success, you know, but
it definitely it has the components to it and I
love the message too. Like to Steve's point, you know,
fuck all other negative bullshit that people musicians are talking about.
Let's talk about stuff like this because that's what we

(37:41):
need right there.

Speaker 1 (37:42):
And yeah, and.

Speaker 2 (37:44):
I sor you know, I can also tell you and sorry,
but I could also tell you that the other wimmer festival,
Bourbon Beyond, which is not the metal hard rock one,
you guys could probably play there too, because you're the
type of band, based on what I heard, that can go.
There's some bands that play Bourbon Beyond that can be

(38:06):
in louder in life and Bourbon Beyond, you know, and
I think that's what you guys are.

Speaker 10 (38:13):
Well appreciate that.

Speaker 9 (38:14):
Yeah, if you have, if you have any tricks for
us to line up into those areas, I'm all theres
because those are those are actually big goals of ours
to get to find our way. That's one of the
reasons we're pushing so hard on radio too. And you know,
I think we're actually gonna this song might even be
going It's not gonna, Paul.

Speaker 3 (38:32):
It looks like we might even be getting up, you know.

Speaker 9 (38:35):
And again nothing's guaranteed, but we might be getting pushed
into possibly a test drive on octane with this nice
you know, at least an opportunity, you know, at least
put on the table, you know.

Speaker 3 (38:47):
But you know, but then again, like you said, we
can go you know, you know, we can go softer too.

Speaker 10 (38:54):
You know.

Speaker 9 (38:54):
It's it's how do I want to say it? I
think I think we are built for those type of deals.
That's what this band has actually been constructed for, is
the live show production.

Speaker 3 (39:09):
Energy.

Speaker 9 (39:10):
When Brittany and I sat down and put beautiful scars together.
One of the biggest conversations we had during all that
was how it was almost looking at it from a
musical theater standpoint, is how does this How does the
whole production? How does the whole stage show look per song?
And so we really put a lot of thought into that.
When we're writing and producing these songs too, it's like,

(39:30):
what are we going to do here? What are we
going to do there? Oh, we could do this with
this part, you know, and and stuff. Because at the
end of the day, with all the bs going on
out there about music and all the computers and AI
and all the stuff going on, at the end of
the day, you still have to go out and deliver it,
you know what I'm saying. You still have to be
that connection to somebody, you know, Paul Stanley to little

(39:53):
Devin Hunger. You still have to provide that, you know.
And so that's what our Those are our major goals.
So when you say things like Louder and life and
actor Shop, I'm kind of chubbing up over here. I
can't really see.

Speaker 1 (40:05):
But it's small, you know, But well that's great.

Speaker 9 (40:16):
I'm just saying, you know, that's those are our bucket
list items, right now at least on the space side thing.
And you know you you made a comment about the
positive and stuff too. I got to share one little
story with you from our last tour, sure, and we
wrote a song back in Oh God, I think we
recorded back in twenty nineteen. We had a very famous

(40:39):
producer come to town and named Timothy Eaton, and he
he took this song on and there's a whole story
how that happened, but you know the the yeah, and
he produced this song and we did a video and
it's it's a very long song. It's not a radio song.
It's like a six and a half minute song. But
it's just so impactful. It's got so much message to it.

(41:00):
And we were out on tour and we just finished
our show in Atlanta and we were, you know, we
were driving O RV and the boys were in the hotel.
But we hit this little out of like the day
of hey, let's stay here our V park and mobile Alabama, Alabama.
As we do, I pull in with our fifty three

(41:22):
foot land yacht here and I you know, I go
into the you know, check us in and of course
I talk to the person, I tell them who we are.
I give them a CD, because that's what we do.
You know, we're spreading the word right, And she goes, oh,
my daughter will love this. She listens to this kind
of stuff. And she tells me a little story about
her daughter and some trauma she'd went through and family

(41:44):
stuff that had happened, and how she was really into
music now and dah dah. So as I'm leaving this
young gal, the young gal walks in. I didn't know
it was her daughter. And then we go and park
and start setting up our stuff for the night, and
about what twenty minutes later, they roll up. They roll
up in their little golf cart and the daughter had

(42:04):
walked in as I was walking out, saw the CD
sitting on the counter and said where'd you get that?
And she goes, uh, well there's that. The drummer was
just thing there. They're staying here and you gave me
their new CD, and she goes, shut up, I have
them off my Spotify, and we're like, so they drove
down to meet us, and she's and I mean, I

(42:25):
don't want to go into the story because it's it's
well and it's not for public consumption, but you know,
she went through some heavy trauma and it was our song.

Speaker 3 (42:34):
Good Fight that got her through it.

Speaker 1 (42:36):
Wow.

Speaker 9 (42:36):
And we're a little band out of Seattle and she's
a little girl in Mobile, Alabama.

Speaker 1 (42:42):
I love that.

Speaker 2 (42:44):
That's what music's all about, right there? Yeah, oh yeah,
that's that that. It's moments like that for people like you, guys,
that that's what you do it for. That's when you
get that moment here, even if you're in the moment
of like, oh, it's so sick of this business, why
am I doing this? And then something like that happened
and you're like, that's why right then?

Speaker 9 (43:04):
Yea, every affirms it. Every you know, it brings you
back to why, you know. I think that's the whole
thing is that if you get up in the morning
and you've lost your why, well then what the hell
are you doing?

Speaker 1 (43:14):
No doubt, one hundred percent.

Speaker 9 (43:16):
But I think we're all we're all, you know, rockers,
so we're naturally immature. So I know, my grandmother says,
you're only you're only young ones, but you could be
immature forever, you know. So I think that, you know,
we have that natural immaturity that comes along with it.

Speaker 1 (43:31):
Hey, what's great about that?

Speaker 2 (43:33):
As my grandkids like me a lot better than their parents,
because I'm a lot cooler and a lot more fun.
Yeah that's right, I said, say, don't take them into
posh mosh. But I'm like, okay, whatever I'm taking I was.

Speaker 3 (43:50):
Around this way. I'm old enough that I saw the
original I waited every Friday night to see the original
Batman series.

Speaker 1 (44:00):
Yeah, me too, man, me too, all right?

Speaker 3 (44:02):
And I hate old people.

Speaker 10 (44:07):
I don't.

Speaker 3 (44:07):
I mean, I mean, I'm I'm an old. I'm just
saying I just don't want to be. I mean, I
don't want to be that.

Speaker 10 (44:12):
You know.

Speaker 9 (44:13):
It's so true though, they've lost their limber.

Speaker 3 (44:17):
I don't know that.

Speaker 1 (44:19):
Yeah, of course, that's what it is. It's so true though.

Speaker 2 (44:23):
Like I have this brother that's six years older than me,
and I swear he's like thirty years older than me.

Speaker 10 (44:28):
Right.

Speaker 2 (44:29):
He was just telling me the other day, was complain
because some kids were playing their music too loud, and
I'm like, well, that.

Speaker 1 (44:38):
Would have been fun. What the fuck are you complaining about?

Speaker 10 (44:42):
You?

Speaker 3 (44:42):
I would have been over the partying with him, right exactly,
you know.

Speaker 1 (44:47):
And it's it is. I think that's the is the.

Speaker 2 (44:50):
True thing about rockers is that, you know, we never
get to that point where it's like, like my parent
would have been, well, you and your mot like crew
turned that ship off satanic music.

Speaker 3 (45:04):
Oh yeah, it's like.

Speaker 10 (45:11):
Shit.

Speaker 1 (45:12):
Oh man, uh it was I.

Speaker 2 (45:15):
By the way, speaking of that, I figured out how
to get rid of Jehovah's witnesses when they come to
your door.

Speaker 10 (45:21):
That's a good one too.

Speaker 1 (45:25):
I'll have to try that.

Speaker 2 (45:27):
But the pizza, I think it was like I was
like sixteen years old and I had Slayer playing through
my guitar amplifier when they knocked on the door, and
I had Ozzy Diary of a Madman shirt on, and
they started their thing and I just looked at him
very dead seriously. I'm like, yeah, I'm a devil worshiper.

(45:49):
Can't you tell they freaking ran?

Speaker 10 (45:51):
Man?

Speaker 1 (45:52):
They believed me, They freaking ran.

Speaker 11 (45:57):
Yeah.

Speaker 6 (45:58):
I had a similar story like that because I used
to have a pet snake who sadly passed away. But
one time I answered the door with a pet snake
around my neck. To this was witnesses who talked for
a minute until she looked up and went, so, if
you haven't, you know, just whip out the snake.

Speaker 15 (46:17):
I think in any way, no, no, no, I think
that in general, that's probably the message we all shared.

Speaker 6 (46:35):
There was kind of wibout the Snake.

Speaker 3 (46:40):
I need you to send me that sound clip.

Speaker 2 (46:46):
I think I am going to go into serview distribute
that part as a real.

Speaker 1 (47:01):
Play that repeat, play on like without the sy.

Speaker 7 (47:08):
Oh boy, the next ep that we'll.

Speaker 1 (47:12):
Have, don't Jehovah's Witness whip out the Snake.

Speaker 3 (47:20):
That's it's funny. We actually have a song on this
mo sings.

Speaker 1 (47:27):
We There we Go, we do There we Go. So
that's perfect.

Speaker 2 (47:33):
So how do people reach out to you guys on
socials on the web? Buy your merch, check out tour dates,
get the music, all that stuff. And by way, if
they don't buy your fucking merch, they can't listen to
my fucking show.

Speaker 3 (47:47):
That there you go.

Speaker 9 (47:50):
Well, I'm gonna say you got to look at our
Limberlost music dot Com web page.

Speaker 1 (47:57):
Not to be confused with Limberlove.

Speaker 16 (48:00):
By the way, we were once called lumber Lust, you know,
because the guys that would get wood.

Speaker 9 (48:12):
Yeah yeah, so on spoted out fix that. But anyway, uh, yes,
Limberlost music dot Com is our website and we are
all over everything Facebook. We are on Instagram, TikTok YouTube
just did our first couple of YouTube lives. So we've
got a lot of stuff, a lot of independent artists

(48:33):
kind of things going on over there, and plus all
of our music and stuff, and of course all the
platforms you know, Spotify, Pandora, you know, iTunes, all you
know anywhere. We're professionally distributed, so it's it's everywhere. But
if you go to our website, there is a store
and uh it's been called the Walmart of rock and roll. Uh,

(48:55):
merchandise stores because we have just about everything you could
think of, including Steve's refreshing limber lube.

Speaker 1 (49:05):
Perfect.

Speaker 3 (49:06):
Uh, but we do have a lot.

Speaker 7 (49:08):
We have a lot of stuff that we have.

Speaker 10 (49:10):
We have dog.

Speaker 6 (49:11):
Collars, luggage and just anything you'd want on a Saturday night.

Speaker 3 (49:17):
I guess tennis shoes. You can get limber lost tennis shoes.
It's really cool.

Speaker 6 (49:20):
You can tis.

Speaker 10 (49:22):
Here's all.

Speaker 1 (49:24):
Here's what you need to do.

Speaker 3 (49:25):
Alien alien what alien g string? But no, I don't
know do we have any.

Speaker 2 (49:33):
Here's here's what you gotta do. I have a pair
of bad flower heelies. You gotta do heelis. Yeah, since
you've brought up the sneakers.

Speaker 3 (49:52):
You know, you can buy my drumsticks.

Speaker 1 (49:57):
Nice.

Speaker 6 (49:57):
Yeah, we even have instruments.

Speaker 7 (49:59):
Actually, we've got a lot.

Speaker 6 (50:00):
We have like all kinds of fun and death.

Speaker 4 (50:02):
It's definitely worth a look.

Speaker 6 (50:03):
But you can find us in all the social media
platforms where you know, Limberless music dot com. You could
just google Limberlost, Limberlost Music Shopify. We're on that, like
just all the things there. There isn't a place you
won't find us.

Speaker 1 (50:18):
How about how about this? Do you have a limber
a limber cano?

Speaker 7 (50:23):
Yes, oh my gosh, you.

Speaker 2 (50:30):
Know it's from a band that I interviewed. I think Bloodstock.
I can't remember which band, and it was a death
metal or metalcore band, so I can't read what the
band is either, right, can do?

Speaker 7 (50:47):
We do have an.

Speaker 6 (50:48):
Air freshener that can go in your car, though, and
it's our logo and it smells like coconut.

Speaker 1 (50:54):
That's so funny.

Speaker 2 (50:55):
You should say that because I like that, because I
was driving down the road just literally two days ago,
and I saw somebody with those old school look like
pine tree uh air freshers, and I'm like, man, why
are people still buying generic ones? Like like you're get
hanging that in your window like that looks stupid.

Speaker 1 (51:15):
Get something cool, you know, so right, that would be
a good one.

Speaker 6 (51:24):
Yes, we've got that on there. We got all kinds
of stuff, but there is there is Steve's limberloob, so
that's it. It really smells nice.

Speaker 4 (51:32):
It's got very nice.

Speaker 9 (51:36):
Yeah, but you all seriousness though. We also have all
of our music downloadable and for straight there on our website.
So uh we as much as we love all the
distribution platforms and you can get our music everywhere, but
if you buy it from us directly, we don't have
to share, so it really helps us as independence. If
you're gonna download our music, download our singles, uh, download

(51:59):
you know albums. You know, we have all the you know,
all the digital downloads available. We also have some physical
copies depending on how new it is, but we all
of that is on there also, so we're kind of
a self enclosed one stop shop. We also have a
VIP section on our website if somebody wants to support
us that way, it's what thirty five bucks a year

(52:20):
or something like that, and then you get all the
you know, you get all the outtakes, all the cut ups,
all the you know who got the wedgie on tour?
You know, all that kind of stuff. You know, that's
all in that little little corner there. So we call
that our VFP section. Plus you get a chance to
get things a little bit before they come.

Speaker 3 (52:36):
Out, so all on our website. So we're we're becoming
our own little country.

Speaker 1 (52:42):
Do you have a eight tracks?

Speaker 3 (52:45):
Eight tracks?

Speaker 9 (52:46):
I have eight tracks, but I don't have any limber
laws ap how do we make Yeah?

Speaker 3 (52:53):
Yeah, it's hard enough to make.

Speaker 7 (52:56):
Records, which we do have.

Speaker 4 (52:57):
We do have a way to buy.

Speaker 1 (52:58):
A record and cassettes now again too. Yeah.

Speaker 2 (53:02):
So I came back the eight track like I missed
my Blizzard of Oz eight track where I had to
put the matchbook underneath and it shifted from track two
track three in the middle of mister Crowley and.

Speaker 9 (53:14):
It fades out when you go the speed.

Speaker 3 (53:18):
Bumps would have changed automatic.

Speaker 9 (53:20):
Yeah, I wore I wore a two neck my sharonas
you know, and and my of course you know the
problem with eight tracks. The reason I had so many
is I was one of those dumbasses that did the
Columbia House.

Speaker 10 (53:31):
You know I did too.

Speaker 2 (53:32):
I let oh them probably like ten million dollars, like
because it's interesting.

Speaker 3 (53:38):
The only mark on my credit history is those guys.

Speaker 1 (53:43):
Here's a here's a big intel about me.

Speaker 2 (53:45):
I found out like later in life my father owned
one of those companies like Columbia House, like before.

Speaker 1 (53:53):
I was born, Like damn, I could have had a
lot of good ship. Man.

Speaker 3 (54:00):
Yeah, oh man.

Speaker 1 (54:02):
I think when I was a teenager, like it was great.

Speaker 2 (54:04):
I didn't have money, so I just gave my penny
and like once a week and I got all my music.

Speaker 1 (54:12):
Yeah, oh man, so say that again, say it again.

Speaker 10 (54:23):
I said what it was, like.

Speaker 14 (54:26):
That's for a dollar or for a penny, and then
you had to buy like two or three over the
next twelve months, right.

Speaker 2 (54:31):
Yeah, and they would keep sending them to you. They
would keep sending it to you. I just kept them
like I was underage, Like sure, bill me. So anything
else we haven't we touched on so much. This actually
borders on like I think my third longest interview ever

(54:53):
have like over three thousand of them.

Speaker 1 (54:56):
Yeah, that said something about you guys though, serious because
like it's just good. There was no dead air.

Speaker 2 (55:05):
There's I'm not bored like there's some bands like sometimes
you're bored hate to say it, but there's like my
worst ever. The dude is one of the best guitarist
ever wears makeup and it starts with D But I
won't say who it is, but everybody knows who it is,
even without me saying. And like, you know, it's like

(55:26):
some you're like just like artists. Some I'm like, oh,
I can't wait till his interviews over. And this one
was just a lot of fun. And that's the way
it should be. Interviews should be fun, you know. I
always say that to the other press people at the festival,
especially the ones I see that like they're boring me
and I feel like I'm sitting there doing another interview
and I want to slip my throat hearing nerves behind me.

Speaker 12 (55:50):
And U, yeah, walked up.

Speaker 2 (55:52):
Well, first of all, the ones I have scripts, I
just take them. I'm like, get rid of this shit.
No metal head wants to interview with you with your script.
I'm like, just chill out and just they're normal people.
Just have a conversation. They'll tell you everything that you
need for the interview. You don't like it takes a
life of its own that way, that's where you get

(56:14):
the stories. You know, not with how do you get
your band name? Even though we started out somehow there
fucking happens.

Speaker 6 (56:24):
Yeah, but it was unscripted.

Speaker 3 (56:31):
You know, we were getting I always give a mulligan, bean.

Speaker 2 (56:38):
I do have I do have two great stories I have
to do with that.

Speaker 1 (56:44):
That'll tell quickly.

Speaker 2 (56:45):
One of them, Like one of my best friends is
Damn Spits, and he always used to say to me,
you know, I wish they would just ask us on
when we were on tour what skin conditioner we use,
because I'm so sick of every fucking other question they're
asking us million times, you know. And then right and
then uh so I was interviewing August Burns Red and

(57:07):
I like, I used to say all the time, I'm
not gonna ask you dumb questions like how'd you get
your band name?

Speaker 1 (57:13):
Or if it's in Wikipedia.

Speaker 2 (57:14):
He goes, well, you're lucky then, because we fuck with
everybody to ask us that question. See that girl next
to you, she goes, and she was a friend of mine,
and he goes, she asked us the question. We do
it a total straight face, and we make up a
different story every time. But for her, we were like, yeah,
me and my sister we were teenagers.

Speaker 1 (57:35):
We got this dog. It was her dog.

Speaker 2 (57:37):
She named it August. We were partying out in the street.
We thought we were all high and thought it would
be funny to light August on fire and watch it
run down the street.

Speaker 1 (57:46):
Ergo.

Speaker 2 (57:47):
August was red and the look of horror on her face,
and he could not break character.

Speaker 6 (58:00):
God, there you go.

Speaker 2 (58:05):
See, there's so much you could do with that.

Speaker 1 (58:09):
You should even.

Speaker 2 (58:10):
Bring bring Steve's lube to the interviews to do to
fuck women.

Speaker 6 (58:16):
You know what we would, except somebody bought it at
one of our shows.

Speaker 3 (58:20):
So we did.

Speaker 7 (58:22):
Yes.

Speaker 2 (58:24):
Well, see now at the story from them of how
they use it, what happened, and turn that into a
song that was.

Speaker 3 (58:32):
Gone in a box of cleenex.

Speaker 1 (58:36):
Oh god, it's been a pleasure. Your music is badass.

Speaker 2 (58:42):
Everybody better listen to it and buy merch or they
can just fuck off. And but seriously, you guys are badass,
and everybody's got to check you guys out. And thanks
a lot for giving us some such great music and entertainment,
and you may my day like this is most fun
I've had all day. And thanks for being on the

(59:04):
Adventures of Pipe Man.

Speaker 6 (59:05):
Thank you very y thank you for having us, my Ben,
Thank

Speaker 11 (59:10):
You for listening to the adventures of pipemin on w
for c u I Radio.