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June 23, 2026 48 mins
THE WHISPERING DEBUT DELIVERS WICKED METAL FROM BEYOND

Introducing Lucian Fhor Featuring Dirk Verbeuren, Tobias Kellgren, & Loic Colin

THE WHISPERING is a Los Angeles-based heavy metal unit led by newcomer, LUCIAN FHOR on vocals/guitar, with elite players LOIC COLIN on bass (Scarve/One Way Mirror), TOBIAS KELLGREN (Dissection), and DIRK VERBEUREN (Soilwork) on drums.

The band has released the THE WHISPERING – PART 1 EP with four of the ten titles from the forthcoming self-titled THE WHISPERING album out in the fall of 2026.
"THE WHISPERING" self-titled song video is also available now

Watch Here:
https://www.youtube.com/watch?v=33wLNw1aFtY

As the crows fly, it’s a wild ride... From the moment one plays the first self-titled song,
"THE WHISPERING", one instantly understands by hearing the cryptic intro of whisperings decoding the album one has stepped into a dimension where metal gods flash their wicked smile, witches delight, warriors fight the good fight and the music fills the skies raging afire, swinging the heavy musical pendulum between wicked metal/alternative metal with raw power, precision, and purpose.

The album itself, was recorded at the famous Besco Recording Studios in France with industry veteran, Producer/Manager Dan McConomy at the helm during all of 2025 and exactly a year later to the day with his mixer Mohammad “Momo” Sadeghin they concluded the album. Mastering for the record is delivered by the legendary Randy Merrill at Sterling Sound.
LUCIAN FHOR on vocals and guitars, is a rare persona that carries the torch of rebellion against injustice, oppression, ignorance, and twisted hypocrisy, that burn deeply to awaken souls with lyrics that challenge the status quo.

FOHR has been flying under the radar for a while by producing and performing music with world- famous circus troops like the legendary CIRQUE Du SOLEIL, and numerous other superstars in venues and festivals in the USA, Canada, Australia, China, the UK, and Europe as both a band leader and performer, leaving nothing to the imagination about how powerful the live aspect of the concerts will be designed to deliver an immersive experience.

TOBIAS KELLGREN is a warrior on drums and Swedish cult figure who can be heard on albums by DIssection, Wolf, Soulreaper, or been seen on extensive tours in Sacramentum or In Flames since the 90’s and is the touring drummer for THE WHISPERING.

LOIC COLIN, a French bassist, key figure in the technical metal scene for decades, with a long- standing rhythmic fusion with DIRK throughout many bands, including Scarve, One Way Mirror and Watcha. LOIC is also a recording engineer in his own right who specializes in high-end audio production and is a columnist for Bass Part and Bassiste magazines.

DIRK VERBEUREN stepped into THE WHISPERING album when KELLGREN was unavailable in the window necessary to finish the album due to other commitments. When he got the call from McConomy to record he did not hesitate to reunite with LOIC his 20-year colleague throughout numerous bands.

The group has their own imprint, LAG Records, distributed digitally by The Orchard worldwide that is handled by Bigger Management. Vinyl, CD’s and Merchandise are being released through various licensing deals to be announced soon.

Written by Lucian Fhor
Recorded @ Studio Besco, Paris France
Produced by Dan McConomy
Mastered by Randy Merrill @ SterlingSound
Engineered by Mohammad Reza Sadeghin

Lucian Fhor - Vox / Guitars
Loic Colin - Bass
Dirk Verbeuren - Drums (on The Whispering & Life After God)
Tobias Kellgren - Drums (on Evil Eye & Pretty Witches)
Additional vocals - The Sisters Spellbound 

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
Hi, you love done to censure.

Speaker 2 (00:09):
For se wow, for you.

Speaker 3 (00:12):
Young it it's pipe Man here on the Adventures pipe
Man W four c Y Radio, and I'm here with
our next guest. Who oh my god. They have some
killer music we're going to talk about. So let's welcome
to the show, Lucien from the Whispering.

Speaker 1 (00:35):
Yeah, it's great to be here with you. Thanks for
having me.

Speaker 3 (00:38):
Oh my pleasure. And I'm back in Florida where it's
sweltering heat. You're in France where it's sweltering heat. And
uh but there's no global warming. It's just really hot.

Speaker 1 (00:51):
Yeah, bad luck, I guess.

Speaker 2 (00:53):
I know, right, So tell us what's going on. Let's
start there.

Speaker 1 (00:58):
Yeah, well, I'm I'm here year in a chateau in
the about four hours south of Paris, just spending a
few days soaking up the vibes here. We just came
from Healthfest. I've been in France for about a month
I'm sorry, about two weeks now, and it's been a whirlwind,
amazing trip. Healfest was amazing, really inspired, just kind of

(01:20):
here soaking it all in before I get back into
the wild world.

Speaker 3 (01:24):
It is one of my favorite festivals in the world.

Speaker 2 (01:28):
Like I saw.

Speaker 3 (01:29):
Something on Instagram somebody calling it the Disneyland of metal festivals,
and I mean that is the perfect, the perfect description
of it.

Speaker 2 (01:39):
And it's so good.

Speaker 3 (01:41):
Did you get to see because they did this year,
they did the Ozzy statues and they have Ozzy and
Lemmy there.

Speaker 2 (01:49):
Did you get to see that? How cool was that?

Speaker 1 (01:52):
It was super cool. I mean every time I see
Ozzy anywhere, it's just kind of a reminder I'm on
the right path because he was so influential me. And yeah,
it's strange that he's gone, but it feels sort of
the same because his inspiration is just always bubbling and
all the music I make. But it was super cool
to see for sure.

Speaker 3 (02:12):
Yeah, it is pretty amazing about Ozzie, the kind of
impact that he brought to the music community as a whole,
Like even his last album, just all the people he
was doing songs with or not things you would think
coming from the Prince of Darkness, which just proves his
legacy of that's not all he was.

Speaker 1 (02:35):
Yeah, I mean, he you know, I'm a big fan
and student of Randy Rhodes, Tony Iomi as well, Jakie
Lee as well, you know, and this lineage of guitarists
has the one through line, which is Ozzy of course,
And yeah, he's just been the vehicle for so much
inspiration for me. And when I was a kid hearing

(02:55):
his records, it was the first moment of danger I
felt and excite. Man, I shouldn't be listening to this,
you know, right, And I've been trying to get that
feeling back for so long, and finally the music I'm
making now is really a reflection of going back and
finding that feeling that like dangerous kind of I shouldn't
be listening to this. This is spooky, and it's largely

(03:18):
because of my experience listening to Ozzy.

Speaker 2 (03:21):
You know. It's funny you should say that because.

Speaker 3 (03:26):
Way back in the day, like I saw Randy play
with Ozzy and.

Speaker 2 (03:30):
That was bad. That was badass, Okay, amazing.

Speaker 3 (03:35):
And then I had this history class where apparently the
hit the history teacher I don't know, got sick and
wasn't there, so they had the music teacher teaching history.

Speaker 2 (03:48):
So this music.

Speaker 3 (03:50):
Teacher says one project the whole class, just do an
oral presentation on anything you want, doesn't matter what it is,
and that's your whole grade for the class. So I
did Ozzy Osbourne Satanism in his music?

Speaker 1 (04:06):
Huh uh huh? And what did you find?

Speaker 3 (04:10):
I Well, first of all, I had a lot of
fun because I got to play Ozzy to the class
and bring in all my paraphernalia and stuff like that,
and I got an A in the class.

Speaker 2 (04:22):
Best history class ever, amazing Wow.

Speaker 1 (04:27):
But you know, oddly though, the Sabbath logo has always
been this cross and the guys always wear these big crosses,
and it's sort of a confusing message to him. I
have never really totally understood that, aside from just the
protection against crazy people who are coming at them being
an anti religious band, I'm not sure you know.

Speaker 3 (04:46):
Now, you know what that's the funny thing, because Ozzy
was like a devout Christian, and you know, they never
really made it like Sabbath nor them, never made it
like they were into Satan. It was just people assuming.
That's how stupid when people look. I remember I used
to walk around high school with the Diary of the

(05:08):
Madman shirt and I think that's what it is because
he looks like, you know, he's the Exorcist on there,
and like I remember this girl walking up to me
and she was like, you worship the devil, And it's like,
it's the stupidest crap I ever heard, just because it's shirt.

Speaker 1 (05:28):
It's so yeah, but it really is a through line
of my experience as well, with even starting in high school,
when you know, you'd see the guys with the metallica
patches on and the jean jackets and long hair end
up being the nicest people you could hang with versus
you know, maybe the football players are something that are
being ready to punch you in the head behind the gym.

(05:49):
So it's it's a it's a strange juxtaposition. This this
spooky anti religious movement is largely free minded people who
don't believe in the dogma or the devil or any
of that stuff and really just enjoy the mythology of
it all.

Speaker 2 (06:09):
Well that's it. That's it.

Speaker 3 (06:11):
Like, okay, to me, the whole idea of this fictional
character called the Devil, I don't buy it, but it
is does make for interesting movies and interesting music, and
that's all it really is. It's like there's just a
fascination with it. It's not something you actually believe. In

(06:32):
my opinion, no.

Speaker 1 (06:34):
No, And I personally don't either, but I do find
the value. And I'm sure you've experienced too, where like
you dig into your fear or something in the dark
that you may think is more a bigger monster than
it actually is, and you have breakthroughs, right, and you
discover things by just peering into the dark a little bit.
And so people that are really afraid to do that,

(06:56):
I'm not sure what they're what they're hiding in there,
you know, probably nothing, I've got themselves worked up.

Speaker 3 (07:01):
Yeah, without darkness, Without darkness, there is no light.

Speaker 2 (07:06):
Yeah.

Speaker 3 (07:06):
I think you have to have both, you know, and
it makes you a well rounded person. But also, like
music is an expression of emotion, So a lot of
times that darkness that people are perceiving is not necessarily evil.
It's just how somebody maybe's feeling at that given time,

(07:26):
you know, no matter what it is.

Speaker 1 (07:29):
Yeah, and not hiding from it, right Yeah, Yeah, I
mean I don't want to hurt anyone. I don't want
to see anybody hurt, you know, where I often have
a wickaned pentagram on and I do. I love the
mythology and some of the other connective experiences to nature

(07:50):
and things like that that have nothing to do with
the devil or any kind of malicious act, maybe a
little bit of defiance against what religion has done to
our our community and our culture and what it's still
trying to do.

Speaker 2 (08:02):
You know.

Speaker 1 (08:04):
I don't care if people have their own beliefs, but
when it starts to infiltrate our lives and experiences, then
it becomes a bit more of.

Speaker 2 (08:10):
An offense, no doubt. Like that's the way I think.

Speaker 3 (08:13):
It's kind of like you do you as long as
you're not intentionally trying to hurt anybody or do anything
bad on purpose, you know, like if you are a
great human being, I don't care what you believe.

Speaker 2 (08:29):
That's all that matters to me, you know.

Speaker 3 (08:31):
And like you said, it was funny because like when
I was in high school, Yeah, the jocks used to
buy the metal heads and the punks, you know, but
yet they were the ones doing bad things and not
nice people, where we were just like one family and
like the nicest people in New Orleans.

Speaker 2 (08:51):
It's why you mentioned like with.

Speaker 3 (08:53):
The metallic at backpacks, because my eighties battle vest, like
it has some wicked shit on it, but its as
a jump in the fire back patch on it. And
that was like one of the original Metallica back patches.
So I was interviewing Winston from Parkway Drive and I

(09:14):
brought in person I like brought sometimes I'll bring it
with me at festivals to using interviews, and I just
laid it out for him to look at, and he
was like, first of all, he was totally geeking out
on it, but he was like, when did Metallica have
devil stuff? When did they have that? Like, and it's
it's funny because you don't think of them, but there

(09:36):
is jumping the fire and that's what it represented.

Speaker 2 (09:39):
But they were never devil Worshiper's slayer.

Speaker 3 (09:42):
I used to hang out with them back in the
early ages when they were in the beginning, and they
would laugh because tom was like again like Ozzie, a
devout Christian, you know, and just because you're talking about
certain things and songs doesn't mean you're promoting it.

Speaker 2 (09:58):
It just means you're rest in your art art, that's it.

Speaker 1 (10:02):
Yeah, especially back then, right, I mean, like I think
Tommy Lee had two pentagrams on his drums, and yeah,
it was really used more as an artistic thing. I
mean some of the first waves of a second wave
rather of black metal, Norwegian and Swedish music has some
undertones that they sort of again embraced a bit deeper. Yeah,

(10:25):
lyrically and all that, but even still a lot of them.
You know my friends joke. Now, one of my friends
is in a really well known Swedish band and he says,
the same guys that were, you know, like this in
the coffin now are teachers.

Speaker 2 (10:36):
Somewhere right exactly, you know, just a enjoy to music.
That's all. It's all to me.

Speaker 3 (10:47):
It's all performed, part of the performing arts. Like it
makes it even more of a show, so to speak.

Speaker 1 (10:55):
Yeah, and it breaks the listener down a little bit too.

Speaker 2 (10:57):
Right.

Speaker 1 (10:58):
If if you can create an environment, in an atmosphere
and an experience it's kind of immersive, then you can
you know, move people and you can inspire people in
that space too, because they're they're a bit more consumed
with the whole thing.

Speaker 3 (11:12):
I think my whole involvement in metal all my life
has made me less of a dark person, not more
of a dark person. Like even the Mashpitz, like people
have a misunderstand man, the Mashpitz are.

Speaker 2 (11:24):
Some of the best therapy you can ever have.

Speaker 3 (11:26):
Like there I think the mashpits have saved some people
from me kicking the shit out of them in real life,
you know, you know.

Speaker 1 (11:35):
And the perfect example is like these mosh pits, they
go extra hard and in between songs and when the
set is over, there's a lot of hugging and write
a lot of high fives and it's like, yeah, it
is a group therapy session, really.

Speaker 2 (11:47):
No doubt, no doubt.

Speaker 3 (11:49):
So tell our listeners about the new EP and what
why they should check it out, you know, like, not
not from a genre perspective, but as an artist, how
do you express your music?

Speaker 1 (12:06):
Well, it's been a long journey leading up to this
particular project for me, and expressing music hasn't always been
a natural thing, and it's been a process of shedding
my ego and my comfort to a place where I
feel like I can express it. And with this EP
and with the concept of the Whispering, really, to me,
it's just a reflection. The messaging is a reflection of

(12:30):
just the undertones of the truth. Between all the screaming
and social media and noise pollution, there's very clear truth
hiding in plain sight, whether it's the environment or even
something as simple as the truth in your heart that
you know to be there, but you wait and wait
until you're ready to finally see it. So the whispering

(12:51):
is just that subtle message that is above and below
all the madness, and the vehicle for it is this,
which metal music that I've loved since I was a kid,
since I first heard Blizzard of Oz and some Black
Sabbath records, and so it gives me kind of an
exciting vehicle to share a subtle message and have fun

(13:16):
doing it. This is one of the first records I've
made that I truly love and I truly enjoy the music,
and that's the key, I think of all the advice
I've ever been given in with music, somebody told me
if I don't feel it, nobody will.

Speaker 2 (13:31):
Right.

Speaker 1 (13:32):
I finally got to you, right, So I finally got
to that point where I really do feel this and
I enjoy it, and that's the best part. And whatever
message or feeling it conveys, we'll see. You know, everyone's
got a different perspective, but for me, I feel thrilled
to be making this music and sharing.

Speaker 3 (13:54):
Yeah, And you know, I do have to say with
that whole feeling, it's so true because like how can
can you be an artist that is writing music which
is super about passion and emotion If you don't feel it,
how is it going to be? How can you portray
it to somebody else to feel it?

Speaker 2 (14:10):
Like you know?

Speaker 3 (14:12):
And people see that, like if you're live on stage,
they can see whether you're dialing it in or if
this is really like you're in some kind of zone
with it and people don't have to get to say
meaning that you do out of it. But if you
have meaning to it, then people listen.

Speaker 1 (14:31):
Yeah, No, it is. I think it's also the ingredient
moving into the AI world right where now it's more
important than ever for people to establish an emotional center
to the art they're making. Because I don't know about you,
but you know, anytime I listen to a song or
see it painting, my mind instantly goes to the creator

(14:51):
of it. What were they thinking?

Speaker 2 (14:54):
Yeah?

Speaker 1 (14:54):
So, And that's the beauty of the connection and translation
that music can do that. I don't believe A is
quite capable of replicating.

Speaker 3 (15:02):
You know, no, because there's no human element to the AI.
And I think if you listen, like you know, people
are making songs with AI. If you listen to these songs.
There's not there's no real there's no real feeling to it.
There's it's it's like more like an algebraic equation. It's

(15:26):
like a very matter of fact with no deep dive.
Music should have a deep dive, and it takes you
somewhere else.

Speaker 1 (15:35):
Yes, and that's the key, and and then and then again,
like going back to the whispering, that is sort of
the idea is just to lean in, listen a little closer.
It's often a whisper is more compelling than a scream,
and so there's there's an opportunity for people in life
in general just to lean in a little bit, spend
more time with something for a second, you know, go deeper,

(15:57):
like you say, like a deeper dive.

Speaker 3 (16:00):
It's a true story what you're saying about the whispering,
because I'm also a public speaker, and they teach you
in public speaking that if you whisper, people aren't going
to pay more attention because they have to too, because they
in their mind it must be important and it must
be something they're not supposed to listen to, so they're

(16:20):
going to.

Speaker 4 (16:23):
And then get right and then or you can't like
hear it, so it's like you try to hear what
somebody's saying, you know, And I think that's so key,
And I think I'm a big believer in the balance too.

Speaker 3 (16:38):
There's the screaming and the whispering, and there's a balance
somewhere in between where you catch people's attention.

Speaker 1 (16:45):
Yes, that's right.

Speaker 3 (16:47):
And with everything going on with social media and the internet, man,
I'm so thankful for your music because I think something
needs to be said, like, because all this stuff it's
make us more social, that's for sure. It's the exact opposite,
and it makes us like, I don't know, non really

(17:08):
emotional about anything. That's why people become these trolls on
the internet because they just don't care, you know, and
that whole zero focks given man, like I think you
should give a fuck.

Speaker 1 (17:24):
Yeah, absolutely, I mean a man, the zero focks thing.
I you know, it's one of my main sources of
inspiration because it's very easy for me to want to
disconnect from all of that stuff like you're talking about.
I'm sure the same with you. You know, we we
have other things to do with our time. I mean,
I'd rather go for a walk with my love through
the woods here in France and not worry about any

(17:46):
of that stuff total or anybody else's mess but I
do live on this planet and I have some obligation
to stand up for the things that move me. And
so yeah, with the muse, it gives me kind of
an opportunity to engage with that public forum. And you know,

(18:06):
like the Whispering Constant, we're a heavy band, so we
play heavy music and so you know, the messaging is
kind of underneath that a little bit.

Speaker 2 (18:16):
So now just.

Speaker 1 (18:16):
Invite people to be more intentional, you know. It's it
drives me nuts. The world is just losing its intentional
direction in every way, you know, and what they eat
and what and what we do during the day. A
lot of time is wasted and missed and life's too
short to miss all that type of stuff.

Speaker 3 (18:36):
Well, even like what you said, being in France, like
people don't experience moments you know, or you know, and
even if you're doing something like I know, the one
year I did health Fest where it was two weekends,
I'm a surfer. I'm like, I looked on the map,
I'm like, oh, there's like something the most famous surfing
like an hour away from health Fest again, Airbnb there

(18:59):
and I'll metle by weekend and surf by week and
you know, go check things out. Like you know, I
think just anywhere you experience in the world, I'm all
about that. Not only that I go to places where
the people live, you know, I want to experience the culture.
I think that's a big thing that's missing in the world.

(19:21):
Everybody's like shouting on social media, but they really have
no experience of aying the places they're ever talking about,
you know, they can only go by the Internet. And
I think if you go to those places, no matter
where it is in the world, you find a very
different viewpoint than you do from just hearsay.

Speaker 1 (19:42):
And when you talk to people as well, you know,
like you're saying, I mean, I love the trip you
just described, very similar to the one I'm on now.
I was just swimming in the ocean in Saint Marlow
a few days ago. Nice, it's fantastic. But yeah, people
need to try and they need to talk to other people,
and especially Americans. I mean, you got to get out

(20:05):
of the United States and you have to see the
world and talk to people. And I don't know what
this America first nonsense to this, but it's you know,
the planet first.

Speaker 3 (20:16):
Yeah, I'm with you too, because I gotta tell you,
like I call it the big lie. The first time
I ever went to Europe, I had a very different
viewpoint of what was told to me my whole life,
you know. And it's like, I think people have to
get out of their sheltered bubble, especially here in the States.

Speaker 2 (20:36):
You know.

Speaker 3 (20:36):
It's like we like to as a perfect example, the
first place I went to was Paris, and we like
to say here, oh, the Parisians are rude. Now I
didn't have that experience. Why did I not have that
experience because before I went there, I took like a
blitz course on French, and I decided, I'm going there.

(20:56):
I need to try to speak their language. And a
lot of Americans don't do that. They go everywhere and
assume everybody speaks English. And that's when the Parisians are rude.
So I was going restaurant, said I was butchering the language,
but I was getting like the best service. And I
remember one server. I said, I don't get it, like

(21:16):
in my country, we all talk about you guys are rude,
and I have not found that at all. And he
said straight out he goes because a lot of your
you know a lot of Americans, they come over here,
they assume everybody speaks English. At least if you're you're
attempting to speak the language. Yeah, you're butchering it, but
it shows that you're you're not being some arrogant person

(21:39):
from another country assuming you're in their country, because that's
what we do. We go to other places and we
assume it's our country. Like That's why I love learning
all the different cultures, because that's what made me go,
like the big lie like that we're the only free
country out there. I was like, yeah, no, pretty much

(21:59):
every kind I've gone to I've felt free. And even
like last year, in between download and hell Fest at
three days, it's easy to get anywhere in Europe, as
you know, So I popped on an eighty dollar flight
to Morocco. Yeah, and you know what, it was a
really cool experience for three days. But if you if

(22:20):
I would have listened to what I saw on the internet,
I would.

Speaker 2 (22:23):
Be like, oh, it's so scary there, don't go there.

Speaker 1 (22:27):
Were You're in Marrakesh, yes, yeah, in the big markets
and all that stuff.

Speaker 2 (22:32):
Yeah yeah, yeah, yeah.

Speaker 3 (22:33):
I even learned something. Okay, again, going on the language thing.
You know, all those people in the market.

Speaker 2 (22:39):
Say really hockey, really hockey Agar.

Speaker 3 (22:42):
Yeah, but I found out if you say no in Arabic,
they stop, and I tried it, so I was like
low chukra and they just stopped immediately. I could say no,
I'm not interested, no thank you, no thank you, and
they're just chasing me down.

Speaker 2 (22:57):
I'd say low schukra and they just left me alone. Yeah,
So it is.

Speaker 1 (23:02):
It's spending that little moment of respect, you know, that's
that needs to be happening for me. I try to
engage that way with everybody. It's just extend the respect.
It doesn't attack my ego. In fact, it just makes
me a more open and engaging person to meet, or
at least I want to be that way, just like
you're saying. You know, any country that I go to,

(23:23):
I try to learn how to say thank you and hello,
and it goes a long way. And Americans have a
lot of work to do to break some of the
stereotypes that unfortunately we're all being clumped into right now.

Speaker 3 (23:35):
No doubt, no doubt. And that's where music comes in,
and that's where I think artists like you, because music
is the universal language. When you go and you play
in all these countries that maybe some of the people
don't speak English at all, and they're singing your lyrics.

Speaker 2 (23:51):
Back to you.

Speaker 3 (23:52):
Like what kind of feeling is that? That must like
blow your mind right, you know.

Speaker 1 (23:58):
I mean amazingly.

Speaker 2 (23:59):
You know.

Speaker 1 (24:00):
Wait, it happened to me at a club here in
Paris where I went to a gentleman's club that a
friend of mine was working at it, and one of
the dancers was singing one of my songs he played
with he was the DJ at the club. So I
played one of the songs and he had been playing them,
so the dancers knew them, and they were dancing and
singing the lyrics to me as they were dancing, you know,

(24:20):
at a French club. It's fantastic.

Speaker 3 (24:23):
I love it, like to see, that's what it's all about.
That's why I actually have a solution to all the
world's problems. Please please, I say, we have one major
music festival like that the whole world is required to attend,
except the leaders. The leaders are in a lemna, all
the politicians, leaders, you're band, but everybody else. And then

(24:50):
I think it definitely specifically has to be like a
metal festival because of the love that metal heads have
as a community, and just we could all the whole
world could work.

Speaker 2 (25:01):
All our broms out in the mosh pit. Yeah there
you go.

Speaker 1 (25:05):
Yeah, yeah, I know. I man, I'm with you.

Speaker 2 (25:07):
I mean.

Speaker 1 (25:07):
And this to go back to what you're saying about
the metal fans. We were at Helfest the other day
and we're watching d Side, which was incredible, by the way.
I don't know if you're familiar.

Speaker 3 (25:18):
With Thanks for making me Joe us go ahead, wow man, but.

Speaker 1 (25:24):
You know my love and I we walk to the
edge of the tent. We're looking and I see a
guy in the ad Jason Hockey mask, you know, yeah,
like a white beard coming out the bottom. The mask
is a little stained, and he sees us right away.
And he was one of the more spookier looking guys
I saw at the whole festival, and he'd be lined
right up to us, and he pulls out his phone
and he wants to take a selfie with the three

(25:45):
of us. He didn't know we were or anything, but
he just liked our vibe, and so of us took
a selfie and we hugged it out and went back
to death metal. It was beautiful.

Speaker 2 (25:58):
It is so amazing.

Speaker 3 (26:00):
Like I think even there proves even more what I
was saying, because to me, hell Faest is like some
of the coolest people and such the coolest vibe, you know,
and I do festivals everywhere, and it's like that one
that it truly is Disneyland to me.

Speaker 1 (26:23):
Yeah, extra special this year. You know, one of my bandmates, Dirk,
is the drummer and Megadeth, and Megadeth was one of
the headliners. Dirk also is involved with Savage Lands, which
is a nonprofit that they have, and so they had
a whole both this year, which I'm also connected with them,
and it was really nice to meet everybody on the

(26:43):
ground and then see Dirk jump up and get on
stage and do his thing. It just felt like a
very big family gathering. It was so special. I can't
wait to do it next year. I hope that you're
there next year because we're amazing.

Speaker 2 (26:57):
If you were there, I will definitely be there.

Speaker 3 (26:59):
And I love Savage Lands, okay, Like the whole concept
of what they do is amazing. Like I actually first
got introduced to them at Healfest when I was interviewing Hilung. Yeah,
and then I got connected to them and I'm like,
this is the coolest ever, like, and it's so needed

(27:24):
in this world.

Speaker 2 (27:25):
You know.

Speaker 1 (27:26):
I think they planted a thousand trees on the property
of Helfest this year.

Speaker 3 (27:29):
Yeah, yeah, Yeah, It's unbelievable. It's unbelievable. And just like
all the bands are involved, it just goes to show
too again what we were talking about before, you know,
all these dark evil bands not so much.

Speaker 1 (27:45):
You know, I think you nailed it when you said
earlier about the healthy aspect of releasing that energy and
embracing it, and it truly is a liberation of any
kind of pent up frustration, you know, young for young kids,
even up to adults. You know, we all still feel

(28:08):
that triumph and strength of coming through frustration, you know,
with Iron Maiden playing in the background, I mean, right,
what could be better than.

Speaker 2 (28:18):
That, you know, exactly exactly.

Speaker 3 (28:20):
And I think people outside the community don't understand. Like
I've had people like I'm fifty nine years old and.

Speaker 2 (28:26):
People are like, you still listen to the metal. I'm like, yeah,
I still go into mushpit too. You know.

Speaker 3 (28:32):
It's like it's funny. I had somebody that worked for me.
I had to cover two festivals in one weekend. And
she was a country girl, never been to a rock
show in her life ever. And I'm like, I need
you to cover this other festival because obviously I can't
beat two places at once. I said, listen, here's what's

(28:54):
gonna happen. It's not all scary like you think. Okay,
we're one big family. You're probably gonna make some new friends.
You're gonna have the best time of your life. And
there won't be a bunch of drunk rednecks game into fistfights.
We'll be in the mosh pit and there'll be no fights.
And she came back after that weekend she was like,

(29:16):
oh my god, you're so right. I made all these
cool new friends and everybody was so nice, and I
tea bagged this guy and now he's my boyfriend.

Speaker 2 (29:28):
And then she goes. She goes and I have this
new favorite band.

Speaker 3 (29:33):
I don't know if you know who the art called
bring Me to Rise, And I'm like, yeah, I think
I might have heard of that. But it just goes
to prove, like you know, put people in these situations
and sit down and have conversations with people different from you,
and you're gonna get a whole different viewpoint than the

(29:53):
bullshit that's being put in your head. And that goes
through every aspect of life nowadays.

Speaker 1 (29:59):
Yeah yeah, well said man. I mean there's so much
division right Everything online is either you like it or
you don't, You're with this or not. Yeah, it's just
sort of maddening. I just hope the cycle breaks. I think,
you know, as AI is approaching, it's allowing us an
opportunity to step back for a second too and disconnect

(30:20):
and go and get into nature for a minute and
listen to some music. And I know that I hope.

Speaker 3 (30:26):
So, you know, everybody needs to escape the insanity. Like
I go to Costa Rica a lot. That's how I
get off of the world.

Speaker 2 (30:34):
You know.

Speaker 3 (30:35):
In the office, Sason totally and my brother will call me.
I was like, he's like, did you see the news?
I'm like no, and I don't give a shit, and
I'm going surfing. I have a nice day. Obsessing over
that stuff that doesn't change your life in any way,
shape or form, you know, Like, you know, people obsess
on stuff that they have no control over, you know,

(30:57):
and we do have control over the attitude. You have
control over who's controlling us. And that's what I'm all about, Like,
we need to stop being one way or the other
and be human beings against everybody else that's trying and
control us.

Speaker 2 (31:14):
To me, those.

Speaker 3 (31:15):
Politicians and that leaders, and they're all on the same team.
It ain't mine, mine is the rest of the human race.

Speaker 1 (31:23):
Absolutely, Bro, that's so great to hear. I mean, I
think a lot of people feel like that too, And
maybe it's just a lack of communicating that message itself
needs to be more and it's not you dropping out
and not caring. It's just you sharing a focusing your
energy in the places like that really matter, and not
being bombarded with the madness you know.

Speaker 3 (31:46):
I mean, I don't know, because it does nothing good
for you.

Speaker 1 (31:50):
No, it doesn't. And it's confusing. I was always brought
up to think there were checks and balances in government,
you know, and these days it feels like, you know,
Donald Trump can do whatever he wants, right, I don't
know where's the checks and balances. Where are the people
that say no, you can't do that. You know.

Speaker 2 (32:09):
It blows my mind. It blows my mind.

Speaker 3 (32:11):
Some of the people who are his supporters too, because
his biggest supporters are the people he would never break
bread within a million years that he is actually against
and they're being fooled by it.

Speaker 2 (32:24):
And and it's like, I don't care it.

Speaker 3 (32:27):
Sometimes there's people I've known my whole life I can't
even talk to now because they're just stupid. I can't
even say it any other way because there's nothing you
could say to them, and they just believe everything, no
matter what is said. And like, how how could anybody,
I'm gonna say it straight out, how could anybody on
the face of the sort of think that he wasn't

(32:47):
way more involved with Epstein than you know, they want
to think, Like that's just one thing.

Speaker 2 (32:54):
Right, one thing? How could anybody disagree on that? Like,
I I don't get.

Speaker 1 (33:00):
It, you know, I mean, he's clearly involved in it.
I think at some point the supporters felt a feeling
of power, like there was a movement against the elite
and government, and I get it, like it gives them
a sense of strength and a defiance and we all
love that feeling of defiance and like totally, but now
I think it's gone too far, and it's some of

(33:23):
them a lot of jump ship and then a lot
of people are just trying to save face and quietly
right there. But they can't because we're in this situation
because of the supporters. So they have to take accountability
and they have to be a part of this change now,
just as they were a part of ushering this in
this nonsense, they're not immune to make being a part

(33:45):
of the change. Like, there is still an opportunity for
us to meet in a place where Okay, this is
beyond ridiculous now, so maybe we could kind of go
into the middle and we can move forward together.

Speaker 3 (33:57):
Well that's why I also totally one million percent disagree
with Gene Simmons when he sits there and says now
that artists should just play their music and not have
a voice, Like, of course artists should have a voice.
It's always had a voice. Music has always had a voice.
And if you have the platform, why wouldn't you use

(34:20):
it to spread.

Speaker 2 (34:21):
Good I don't get that contest.

Speaker 1 (34:24):
And Gene is one of the pioneers of using his
voice and his energy to spread excitement and rock and
roll fever. Right, Like the guy's he's a you know,
he's I mean, he's so legendary by doing that very thing.
He's a leader for us in that regard.

Speaker 3 (34:40):
Yeah, so that's why I don't understand it either, because
like first album I ever owned was a kiss album,
you know and like, and it was because of that
same rebellious nature. Or like, I know some punk bands
nowadays that are pro government, and I kind of scratched
my head. Isn't the whole idea of being punk being
anti government? Anti fascist government? Like when did punks become fascists?

Speaker 1 (35:05):
Right?

Speaker 2 (35:06):
I know, it's a little weird to be.

Speaker 1 (35:10):
Yeah, it's all confused now. I mean, I don't know
what people's agenda is. I don't know. That's why I
try to just keep it to the larger issues, like
you know, women's rights and the rights of the environment
and animal rights and things that or less uh, well
you'd think they would be less division creating.

Speaker 3 (35:31):
But oldest trick in the book, oldest trick in the
book divide and conquer. And that's why I say, forget left,
forget right, forget red, forget blue, just be humans and
and respect each other. For Like, I have a brother
Day's really judgy and he'll say something and I'm like,

(35:52):
or maybe he'll say, like they'll say something. He'll say
they ignorant and uneducated, I'll say, Or maybe they just
have a different career than you, or they come from
a different place than you, or they have a different
upbringing than you, or they have a different education than you.
And you know, the list could go on and on
and on, you know, and we need to listen to

(36:16):
each other's differences in order to work out our differences.

Speaker 2 (36:20):
I think absolutely absolutely.

Speaker 1 (36:23):
Man very Well said, well, he's lucky to have you
as a brother to give him that calm reflection.

Speaker 2 (36:30):
And yeah, he probably wouldn't agree. He said I was wrong. Yeah,
but you know, it is what it is.

Speaker 3 (36:39):
It is what it is, and like hopefully, hopefully this
pendulum will stop swinging and we'll go to some kind
of normalcy, you know, like where we like when I
grew up, where you didn't tell people who you vote for,
and you didn't treat them like rock stars their politicians,
and you knew that hey, if they were wrong, they're wrong,

(37:01):
even if you voted for them. You know, Like that's
the whole thing. I think you hit the nail on
the head. People want to save face. They invested so
much in supporting this person and defending this person that
they don't want egg on their face by saying they're wrong.

Speaker 1 (37:16):
Yeah, but I mean being wrong is the best way
to grow and admitting you're wrong, and you know, those
are the keys to becoming a greater version of yourself.
So you know, hopefully people will take this opportunity to
take responsibility. I don't know. I don't always have that
much faith in the collective movement these days, as much

(37:38):
as I want to. You know, That's why I think
just throwing music into the world so hard, like this
is the only kind of real way I can put
my hope into anything. It's just doing that, you know,
throwing it out there and shaking up something, getting people,
just getting people to stir inside a little bit, waking

(37:59):
up up them more intention Yeah, letting your wild side
out in a really healthy way and celebrating other people
doing it.

Speaker 3 (38:09):
Well, that's what's really cool about the whispering because that
is the start right there. And if it just if
it just makes people stop and think, I think that's
what we need to focus on too. Stop trying and
convert everybody, just let them think, yeah, you.

Speaker 2 (38:28):
Know, right, and.

Speaker 1 (38:31):
Put some intention into things. You know, like we we
are part of a larger sort of wick in witchy community.
And a large part of the appeal of this lifestyle
to me is just intention and doing things with intention,
whether it's the food you're eating or it doesn't have
to be a ritual, but it has to be just
a moment of intention and acknowledgment. And those little moments

(38:54):
add up to a life of intention and it's so
much richer, and you stop making bad decisions and you
start seeing the consequences of flipping decisions, and so yeah,
a little bit of intention and just like it's it
starts by waking up in the morning looking at the
person next to you, or if you're by yourself, looking

(39:15):
yourself in the mirror and just being grateful for a
minute that you're there. You have another opportunity another day
to do something.

Speaker 3 (39:21):
Like that and have some caring, you know, like you
don't have to agree with another human being to care
for them. You don't have to agree even with environmental concepts.

Speaker 2 (39:32):
To care for the place you're living.

Speaker 3 (39:34):
Like, you know, you may not believe it's ruined the environment,
but just put your trash in the garbage. It's one
simple thing it's like people are like, oh, well, you know,
but it's all a bunch of books, So who cares?

Speaker 5 (39:51):
You throw the trash on the ground too, exactly exactly
make yourself look like that, you know, no doubt and
we only have, like, you know, one planet, and we're
getting rid of most of the environment.

Speaker 3 (40:03):
You know, Listen, I live in South Florida. Look at
what we're doing to the Everglades. Don't you can't tell
me that we're not screwing shit up?

Speaker 2 (40:11):
You know we are.

Speaker 1 (40:12):
I mean, the science is there, this is this is
the you know, the whispering is more of a scream
when it comes to this, because it's very clear that
what we're doing to the planet in the environment is catastrophic.
It's not really an opinion, but it's whether people want
to ignore it or just be culpable by disassociating and

(40:34):
pretending it's not their issue.

Speaker 3 (40:37):
That's really really and what's the big deal? Like that's
what I always think to myself, what's the big deal?

Speaker 2 (40:42):
Okay, so you have to do.

Speaker 3 (40:45):
Some effort to make things look cleaner and nicer, even
if you don't believe in the environment. Don't you want
like your surroundings like don't you want Like I drive by,
I see them chopping down trees in Florida to put
up strips that are usually end up empty because they
build too many of them.

Speaker 2 (41:03):
Like what was the point? You know?

Speaker 3 (41:05):
Or you know you're saying, well, these species are being invasive. Well,
they're being invasive because they have nowhere to go because
you got rid of their environment, you know.

Speaker 2 (41:15):
And I could go on and on and on about that.

Speaker 3 (41:19):
My actually, I don't know if you noticed, but my
best brow of life who passed away a couple of
years ago, but he was a big time environmental icon
in LA. He was involved in well not involved, he
actually did. He restored the Malibu Creek and the Malbu Lagoon.
He's the one that did the Mountain overpass on the

(41:42):
one oh one.

Speaker 2 (41:43):
And like the crap he.

Speaker 3 (41:45):
Would get, even from some music artists, you know, he
would get such crap because, oh, you're ruining my view.
I guess they didn't care. That was bringing back vegetation
that hadn't been there for hundreds of years, bringing back
trout that were considered extinct. That doesn't matter. It's your
view view that matters. I mean, come on, and isn't exactly,

(42:10):
and isn't it a better view now that the Malibu
Lagoon is in good shape?

Speaker 2 (42:15):
You know?

Speaker 3 (42:16):
And he would build all those parking lots and ring
gardens all through SoCal and his name's Mark Abramson. He
was very involved with Heela Bay, Santa Monica Bay Keeper,
and sam Monica Bay Foundation. And he used to go
before Congress like in cargo shorts and yell at them.

Speaker 2 (42:38):
And he used to sue.

Speaker 3 (42:40):
Companies and stuff because people just didn't give a crap,
and he had a great philosophy about it. He used
to say, I don't care if they build the building.
I'm just saying build it here instead of here. So
he would get into these arguments with these major companies
like like uh, I think it was Washington Mutual or
wanted up Banks and they wanted to build a building.

(43:03):
He just wanted them to build it a block away
and they made a big deal about He sued him,
he won, and they couldn't build where they want. But
that was his points, like I'm not saying don't build
your building, don't run your I'm not saying don't run
your business, just don't do it here when you could do.

Speaker 2 (43:19):
It right there. And have the same benefits and save
the environment.

Speaker 1 (43:24):
Abramson, that's amazing. Thank him for everything he's done. That's
those are the type of leaders we need people like.

Speaker 2 (43:30):
That, no doubt.

Speaker 3 (43:31):
And then as soon as Trump got elected in twenty sixteen,
what did he do. He got rid of all environmental
funding in the state of California.

Speaker 1 (43:39):
Yep, and I released the missions laws and missions laws,
you know, allowing companies to prove to pollute areas again,
you know, and make more money that way. I mean,
it's it's small, it's short term thinking. And then again,
that's one of the things that we want to encourage
people to do, is just to think beyond what's directly

(44:01):
in front of them.

Speaker 3 (44:03):
You know, I'd say, and I say that out to
young people because like when I was a teenager, you
probably I'm probably at an attitude like who cares? Like,
you know, because you think that there's no going, not
going to be impact. And now here in my fifties,
I see the impact of the stupidity of what happened then,
you know, and the impact.

Speaker 1 (44:24):
I hope the teenagers now are seeing it a little bit.
You know, this is a generation that's come up having computers,
and cell phones, and they didn't get caught in the
transitional period as much. So I think they see through
a lot more of that. They know how to recognize
things that are fake online, they're used to that, they're

(44:44):
used to that filtering system. So I have faith in
the younger generations that they will have more critical thinking,
even though it seems like we've lost a pathway to that.
I do think younger kids are a little more hip
to the fact that the intern that maybe a facade.

Speaker 3 (45:01):
I'm hoping, I think on your and to your point,
I think they're less about conforming in any other generation before,
you know, and let's hope that sticks as an adult,
you know, because I always think of the hippies. The
hippies became the yuppies became the boomers, so like if
they were just stuck hippies might be all right, yeah.

Speaker 1 (45:26):
Well, and then their kids, you know, we became hippies
and and so we can carry on that, like you know,
you and I we're still hippies at heart. He maybe
we'll break the cycle.

Speaker 2 (45:39):
Yep, that's why.

Speaker 3 (45:40):
And with organizations like Savage Lands and others out there
like that, like hopefully we're on a turn in the
other direction. Maybe sometimes you just gotta My bro used
to say, like, I think we just need to break
the whole system and start over. And I think that's
what's happening now.

Speaker 2 (46:01):
Yeah, So let's hope.

Speaker 1 (46:04):
Let's hope, man. I you know, I don't know where
I find the hope because it's really hard sometimes it
really is. Yeah, But you know, being at Healths for example,
and watching Behemoth and seeing everybody united and smiling and
having so much fun watching such a wild show, it

(46:26):
was so inspired me. And it was like things people
can unite over the most interesting things, and when they do,
there's a wave of strength and it can move the needle.
You know. It just takes the right the right gathering
and the right push of momentum.

Speaker 3 (46:44):
Totally, and bands like you and your music I think
helped the cause, which is why Savage Lands connects with bands,
because you know, I think, as going back to every beginning,
music's the best therapy, and I think music sue it's
a savage beast, and that savage beast could just be
the crap we're going through right now.

Speaker 1 (47:05):
So well said Bro, it's so great. So and you
talk nationally with people all the time, and it's amazing
that you have this energy and are coming from this place.
I'm just really grateful for you. It's so refreshing and
fantastic to connect well.

Speaker 3 (47:22):
Thank you and thank you for what you do and
keep making us some great music.

Speaker 1 (47:28):
Oh I planned to, man, I got an incredible band,
so I can't help but get in there and do
that nice.

Speaker 2 (47:35):
So let's get everybody out there.

Speaker 3 (47:37):
You can't listen to my show unless you check out
the Whispering.

Speaker 2 (47:41):
You're banned for my show. But really it's some.

Speaker 3 (47:46):
Badass music that let's just all feel happy and love
each other. And that's what music does, and that's what
the Whispering is doing. And so thank you for that,
and thanks for being on the Adventures of Pipe Man.

Speaker 1 (48:00):
It's my pleasure.

Speaker 2 (48:01):
Man.

Speaker 3 (48:01):
I look forward to connecting with you again absolutely anytime.

Speaker 4 (48:05):
Thank you for listening to the Adventures of Pipemin on
w for CUI Radio.
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