FULL SHOW: Don't Get Kidnapped!

Jonesy and Amanda are back with another thought-provoking, yet funny episode.

We discuss the latest trends in technology, including the rise of Kmart "smart" glasses that can record and film people without their consent. We explore the implications of this and how it's affecting our society, making us question what it means to be in public and what we're comfortable with.

But it's not all serious business - we also tackle some lighter topics, like the age-old debate about wearing jeans at home. We discuss the results of our whip poll, which reveals some surprising insights into what Australians think about this issue.

If you're as curious as we are about the topics discussed in this episode, tune in to hear the full show.

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
Jones and Amanda.

Speaker 2 (00:01):
You're listening to the Jonesy and Amanda Podcast.

Speaker 3 (00:11):
The Jonesy and Amanda Show. George justus Amanda.

Speaker 4 (00:14):
Mistress Amanda is delivering discipline.

Speaker 3 (00:16):
It hurts, but someone's got to do ad Amanda, mad
Amanda to see.

Speaker 5 (00:21):
Jonesy and the Gerrile Jonesy heard them describe him as
a drunken idiot, stay in school.

Speaker 1 (00:27):
And learned school.

Speaker 6 (00:29):
Yeah okay jones and Amanda, those are names that you
would never forget.

Speaker 7 (00:34):
Shot.

Speaker 1 (00:36):
Hello Amanda, how are you today?

Speaker 3 (00:38):
And very well? How are you going?

Speaker 5 (00:39):
I've just been working head down, bum up on your
Logi's campaign.

Speaker 3 (00:43):
You what have you been doing while your heads down
your bums up?

Speaker 5 (00:46):
I mean just working, grinding, grinding away.

Speaker 3 (00:51):
To what purpose?

Speaker 1 (00:52):
So you win the low?

Speaker 3 (00:54):
Grinding away?

Speaker 5 (00:54):
How are just getting the word out there, taking the
word to the streets.

Speaker 3 (00:58):
Bomb in the air.

Speaker 1 (00:59):
Well, yeah that's an old saying.

Speaker 5 (01:00):
I know that you've probably not for me or with
head down and bum up for the hard working Australians they.

Speaker 3 (01:06):
Know exactly what work is involved.

Speaker 5 (01:09):
Well, look behind you at the post that I've put
in the studio. Wo see vote for a man the
best Newton Award for the most popular award.

Speaker 1 (01:19):
That's there's Bert Newton Award.

Speaker 5 (01:22):
Head to tvwee legies dot com dot follow the prompts
to it.

Speaker 1 (01:26):
How your headlines up with your head there?

Speaker 3 (01:28):
Actually, I haven't even voted yet.

Speaker 1 (01:30):
You haven't voted. No, I haven't even jem Rye has voted?

Speaker 3 (01:33):
Feel have you? Ryan? It feels unseemly to vote for myself?
Everyone does it?

Speaker 1 (01:41):
Sampang?

Speaker 3 (01:43):
Have you voted for him instead of me?

Speaker 1 (01:45):
I like Sampang. No, I'm not going to vote for Sampang,
but I love him.

Speaker 3 (01:48):
Who am I up against? Let's have a look. I'm
up against Hamish.

Speaker 1 (01:53):
Blake, yep, Julian Morris. So I've got.

Speaker 3 (01:55):
Mary Emda, Lisa Miller and Robert Right.

Speaker 5 (01:59):
These are all the things that I've learned about these people.
Hamish play taken by Big Lego. He's in Kurts with
Big Lego, Julia Morris, Big bug On, I'm a celebrity.

Speaker 1 (02:11):
Get me out here.

Speaker 3 (02:11):
I'm seeing a theme.

Speaker 1 (02:13):
Larry Emda, Big Chase, Sa Milla, What you've been doing?

Speaker 3 (02:18):
What you've had your bum in the.

Speaker 1 (02:19):
Air, big Dog? And Robert Owen, Big Croc and what
am I? You're a big deal.

Speaker 3 (02:26):
Nicely saved. Well, I'm going to start voting. How do
I do it?

Speaker 1 (02:31):
We might be sometime. Have you got the Internet on
your phone?

Speaker 3 (02:35):
Yes?

Speaker 5 (02:35):
I do have TV week Ladies dot com dot you
type that in I have to do that while Amanda
works that out. You can call us and play the
fast five if you wish. Thirteen fifty five twenty two
is our number. We'd love to hear from.

Speaker 1 (02:48):
You on Gold Jemacious Gold. Hello, there ends Jonesy Demanda
driving you home.

Speaker 5 (02:53):
So in the space of a walk, the Moon's song
and a mental has anything done it?

Speaker 3 (02:58):
You voted for yourself, voted for myself. I voted for
Andrea Lamb as best New Talent. I voted for the
piano the show. I voted for various other things along
the way that various other things. It's like it's like religion,
you don't talk about it, wages, you don't talk about it.
Some of those things are private, my medical records.

Speaker 5 (03:17):
This is a kind a bit of a Don Burke,
isn't it all those years ago when he hosted Burke's Backyard,
But he.

Speaker 3 (03:23):
Voted more than once. He'd get all the staff to
cut the coupons out allegedly from the.

Speaker 1 (03:27):
Team they send them in.

Speaker 3 (03:32):
I'm allowed to, You're allowed.

Speaker 1 (03:33):
To, customer, I want you to.

Speaker 3 (03:34):
I would be an idiot to not vote for myself.

Speaker 1 (03:37):
Don't you think you're sure you haven't voted for Julia Morris?

Speaker 6 (03:39):
No?

Speaker 3 (03:40):
No, I double checked that I was in the.

Speaker 1 (03:42):
Voted for the right person. Amanda Kelly got the spelling right.

Speaker 3 (03:45):
Well, I didn't have to spell as a pressa button?

Speaker 1 (03:49):
Good tvweek logis dot com dot are you? This is
going to happen for you? Friend?

Speaker 3 (03:54):
Look, I don't know. And to be honest, this feels
so much lighter than last time I was up for
Star worry about this time? I'm just thrilled to be
in the mix at one hundred and fifty eight years old.

Speaker 1 (04:03):
You worry your pretty little head about.

Speaker 3 (04:05):
What about the one I've got on today.

Speaker 1 (04:06):
Or that one you? Let's get into the fast five.

Speaker 2 (04:13):
Jonesy and demanders five.

Speaker 3 (04:16):
Anna is in turnstile park Hiana. Hey, how are you?

Speaker 1 (04:21):
Anna? How's things going in your world?

Speaker 8 (04:27):
Going well? Going well? Ready to go away for the weekend?

Speaker 1 (04:31):
Good? And we have your support for Amanda for the lake.

Speaker 3 (04:34):
This is under's uncomfortable.

Speaker 8 (04:37):
Absolutely, Thank you, Anna.

Speaker 1 (04:39):
You felt like I did let down when she didn't
win at that rob twice.

Speaker 3 (04:46):
No, we don't need to do your ros.

Speaker 1 (04:48):
You were and you were robbed by Shenanigans. And if
anyone's the king of Shenanigans, this.

Speaker 3 (04:52):
Little black duck here, So what does that mean?

Speaker 1 (04:55):
Meaning if we're going to do Shenanigans, let's.

Speaker 3 (04:57):
Do can we not do Shenanigans?

Speaker 1 (05:00):
Came Ada? Can you dispoke from? I?

Speaker 3 (05:03):
Thank you? He's question one. I'm not like Ryan has
written this and Ryan, I'm calling you out here just
that I don't know if the question matches the answer.
The question says, what phrase is used to describe the
failure to have two mutually exclusive things at the same time?
But sometimes this phrase can also mean you can have

(05:24):
both things at the same time. Do you know what
I'm saying?

Speaker 8 (05:28):
Ryan, I don't know what you're saying.

Speaker 3 (05:31):
No, Ryan, you read Why don't you read the question?
To Anna? Ryan? You read the question?

Speaker 9 (05:38):
No?

Speaker 3 (05:38):
You read the question?

Speaker 1 (05:39):
All right, here we go.

Speaker 10 (05:40):
What phrase is used to describe the failure to have
two mutually exclusive things at the same time?

Speaker 1 (05:47):
Okay, mate, assassinate?

Speaker 3 (05:49):
Does that make it easy for you? Anna? No? No, No,
it isn't no, and why don't you just buzz her
out as well? Thank you, Ry.

Speaker 1 (05:59):
I'm not writing the quiz. We still have us.

Speaker 3 (06:02):
Yes, we're trying to get people still.

Speaker 1 (06:05):
Laura's in Hastings. Hello, Laura, Laura. We have your support,
it's no doubt about that.

Speaker 3 (06:11):
Let's just thank you. Good now, Ryan. I always like
your questions. I know the answer to this, but I
don't know if it matches the question.

Speaker 1 (06:19):
I must say, it's good to have two other people
fighting here.

Speaker 3 (06:22):
Well, what do you think? What do you think? Render?

Speaker 1 (06:26):
I think whatever you think.

Speaker 3 (06:27):
The question here, Laura, is what phrases you used to
describe the failure to have two mutually exclusive things at
the same time. I propose that this phrase can also
mean you're trying to have both things at once and
you can can you?

Speaker 7 (06:40):
Yeah?

Speaker 10 (06:41):
But the whole thing is you can't.

Speaker 3 (06:42):
Maybe no, you can. You're trying to have this and
that and maybe you can do you know what the
phrase is, Laura, have your cake and eat it. I
say that some people can have their cake and eat
it too. It doesn't mean you can't. What does it
say you can't have cake and eat it?

Speaker 10 (06:59):
I think that's the whole that's The whole point of
the phrase is you can't have cake and eat it
at the same time.

Speaker 1 (07:02):
But I can't have two things.

Speaker 3 (07:04):
That is that That is the point. But often people
are saying they're lucky they're able to have their cake
and eat it too.

Speaker 1 (07:09):
I'm not writing a quiz anymore.

Speaker 3 (07:10):
I upset you now, it's one job. Let's go to
cover me. This want will annoy me as well.

Speaker 5 (07:20):
This is an old school computer cover of which song Laura, I.

Speaker 3 (07:30):
Can't handle this.

Speaker 1 (07:36):
My face off, Laura.

Speaker 8 (07:39):
Throwing it all away.

Speaker 1 (07:41):
I don't know.

Speaker 3 (07:44):
Oh no, that means you've got to hear it again, Laura.

Speaker 1 (07:46):
Thank you for your support.

Speaker 3 (07:47):
Thank you.

Speaker 1 (07:48):
A man is getting very tense? Is were a week
and a half?

Speaker 3 (07:51):
Oh that's not why. That's not why I'm tense.

Speaker 1 (07:54):
There's a lot of pressure on this thirteen fifty five
twenty two. But don't worry. We are your wing people.
The world is your wing people.

Speaker 3 (08:02):
Once the world is your wing people.

Speaker 1 (08:04):
The world is your wing people.

Speaker 2 (08:06):
Gam Nation story, Jonesy and Demanders.

Speaker 3 (08:13):
Five up the question two, which is cover me. Trevor
is in cabra matter. Hello Trevor, Hello, Hello Trevor. Trev
I'm sorry, but you're gonna have to listen to this.
This is an old school computer covering which song? Do

(08:42):
you know the song that was horrible?

Speaker 10 (08:45):
But I think it's quinned by him?

Speaker 5 (08:46):
And it is Freddie who in his grave?

Speaker 3 (08:54):
Again?

Speaker 5 (08:56):
What was the name given to the c I a
project in the nineteen sixties which in tended to use
cats to spy on the Kremlin and Soviet embassies?

Speaker 3 (09:04):
This actually happened?

Speaker 5 (09:05):
Was it a Project Acoustic Kitty, b Project Sneaky Kitty
or C Project Smart Kitty?

Speaker 7 (09:14):
And I listened to the last one again.

Speaker 1 (09:17):
Project smart Kitty.

Speaker 3 (09:18):
So you've got project You've got a BOC Acoustic Kitty,
Sneaky Kitty or smart Kitty.

Speaker 11 (09:24):
I will say eight.

Speaker 3 (09:26):
It is Acoustic Kitty. This is actually quite fascinating. The
CIA spent around twenty million dollars over five years surgically
turning a real cat into a listening device. It implanted
a microphone in its ear canal, a radio transmitted at
the base of its skull, and apparently the first Acoustic
Kitty mission was to eavesdrop on two men in the

(09:47):
park outside the Soviet embassy in Washington. The cat was released,
but was allegedly hit by a taxi almost immediately. No,
maybe that explains what was going on with Pinky.

Speaker 1 (10:06):
Good Old Pinky.

Speaker 5 (10:08):
Jerry Seinfeld is the creator and host of a show
called Comedians in Cars Doing What.

Speaker 7 (10:13):
Trevor Ah, Jerry, Oh god, I think thank.

Speaker 1 (10:23):
You for Amanda's tilt for the best.

Speaker 3 (10:26):
Okay, let's not I'll fill up the corralling people. Let's
just move through that.

Speaker 1 (10:29):
Sarah is in Kazurina.

Speaker 3 (10:31):
Hi, Sarah, Hi, how are you pretty well? Jerry Seinfeld
has a TV show. He's the host and creator of it,
Comedians in Cars Doing What.

Speaker 12 (10:42):
Coffee?

Speaker 3 (10:43):
Yeah, coffee.

Speaker 1 (10:44):
It's a good show.

Speaker 3 (10:45):
He picks up a guest in a car. He's a
big car head, got incredible cars. Goes to a cafe
or a restaurant and they have coffee and they talk.

Speaker 1 (10:52):
You should do that. Maybe that's a show that.

Speaker 3 (10:53):
You could do so you can hear all the famous
people just screaming in horror as I drive them around
the block.

Speaker 1 (10:59):
And you pick up the wrong people. You have Daryl
Somers in the back. No, you were.

Speaker 3 (11:04):
Supposed you're saying I shouldn't have picked.

Speaker 1 (11:06):
Up you were supposed to pick up Eddie McGuire.

Speaker 3 (11:08):
You've got Darryl, Question number five. It's been reported that
a stray piece of SpaceX rocket, this is Elon musk
Space project, A piece the size of a school bus
has officially crashed into what it's up in space? What
is it get crashed into?

Speaker 7 (11:33):
There?

Speaker 3 (11:33):
By the sound of it, we have.

Speaker 1 (11:34):
Your support, though Amanda's lady Tilt. Margaret is in Malumba.

Speaker 3 (11:38):
I'm Margaret. Margaret is a SpaceX Robert of say Sex.
Robert is my boyfriend, a SpaceX rocket owned by Elon Musk.
And at various parts of a rocket's journey, things come
off it. So a stray piece the size of a
school bus has come off.

Speaker 1 (11:54):
That's a big straight piece it is.

Speaker 3 (11:56):
It's all this space junk floating around, but it's it's crashed.
What did it crash into? It has bounced off, But
what did it crash into? I heard yesterday they were
trying to deliberately do it into the moon. Or was
it deliberate that they did?

Speaker 8 (12:10):
I thought? I thought I heard that.

Speaker 1 (12:12):
Yeah, Well there you go. Either way. I went into
the moon.

Speaker 3 (12:15):
If he has to pay damages, I don't know the moon.
The moon got third party maybe who knows.

Speaker 1 (12:20):
Comprehensively insured a man in the.

Speaker 3 (12:22):
Moon comes out and says, what's going on?

Speaker 1 (12:24):
What's happened here? Margaret, congratulations to you.

Speaker 5 (12:27):
You've won the jam Pack, a two hundred and fifty
dollars Visa gift card, and no doubt we would have
your support for Amanda's tilt at the Bert Newton Award
for Most Popular TV Presenter.

Speaker 3 (12:38):
Obviously, Oh, thank you Margaret and Brendan. I like how
you're pronouncing it correct me for the first time because
it's on the screen behind my head.

Speaker 1 (12:45):
Well, it's good. I'm looking at your face in front
of the face of your face.

Speaker 3 (12:50):
It's like a fall of mirrors.

Speaker 5 (12:56):
If you'd like to play the fast five, Jonesy demanded
dot com dot a you on gold.

Speaker 2 (13:00):
Take a peek behind the scenes. Follow Jonesy and Amanda
on Instagram and Facebook.

Speaker 1 (13:06):
Free movie. You know my theory of the free movie?

Speaker 3 (13:09):
What's your theory of the free movie? You see a
movie and it's free, even though you pay a lot
of money for your streaming services. Brendan, you would rather
even though you do pay for that and you do
have streaming services, you would rather watch a movie for free.
On what Happened in Television with.

Speaker 5 (13:25):
As free movie is the universe deems that you're going
to watch this movie. The TV's on, you're walking past.
It's starting. You see like the Columbia Pictures or Universal
or Paramount, and you think, what's this movie? And you
hear the start and you go, oh, this is whatever.
So I'm working past the sps and use the sps. Okay,

(13:46):
you know you don't get a movie of this caliber?

Speaker 1 (13:49):
What was it? The free movie? The other night was
the nineteen eighty five cinematic masterpiece?

Speaker 3 (13:57):
What was it?

Speaker 1 (13:58):
Commando with Schwartzenegger.

Speaker 7 (14:02):
They hunted him down.

Speaker 1 (14:03):
You're not gonna We went to a lot of trouble
to find you.

Speaker 2 (14:07):
They murdered his friends and they took the only thing
he would kill for.

Speaker 3 (14:12):
If he wants your kid back, then you've got to
cooperate right wrong, Somewhere, somehow someone's gonna pay. Yeah, I
did you said it was free to that?

Speaker 1 (14:28):
Have you not seen command No?

Speaker 5 (14:30):
Romantic comedies Arld Schwarzenegger, Raydor and Chong is smoking hot.

Speaker 3 (14:37):
Raydor Chong said that name for a long time, right, God,
she was everywhere.

Speaker 5 (14:41):
She is great in this and Ossie actor Vernon Wells
Mad Max two. He played Wez.

Speaker 3 (14:50):
You know he played Wez in he plays the Baddie.

Speaker 1 (14:54):
He sounds like Brian Brown actually in it, and he's
dressed a little bit.

Speaker 3 (14:58):
It's an old story for the Mardi Graph. It's an
old storyline of isn't it taken? It's all those Yeah,
it's all the same.

Speaker 1 (15:06):
You want the synopsis?

Speaker 3 (15:07):
No, I think I think I heard it in that audio.

Speaker 1 (15:09):
Before Arnie plays Matrix.

Speaker 5 (15:11):
He's a Special Forces commando and he's retired because he's
got his daughter and he's living in his secluded ranch and.

Speaker 3 (15:17):
Enjoy raydorn Chong No no, no, no, no, no.

Speaker 5 (15:21):
Anyway, Vernon Wells plays Bennett and he was supposed to
mate of Matrix, but he's gone to these mercenaries. And
the mercenaries live in some sort of Ecuadorian country and
they want to bump off this opposition leader to the dictator.
So they want to get the crack squad back together.

(15:41):
So this Bennett guy says, the only way you can
do it is get Matrix on the team.

Speaker 3 (15:45):
And Matrix will only join if you're still his kid.

Speaker 1 (15:47):
Yeah, because he's in retirement. Have you seen this movie? Wow?

Speaker 3 (15:50):
You know I can't follow these and even I could
see that.

Speaker 5 (15:53):
And it's Alyssa Milano like a nine year old of
Lissa Milano as the child.

Speaker 3 (15:58):
Anyway, where does raydorn Chong come into.

Speaker 1 (16:00):
Well, this is what happens.

Speaker 5 (16:01):
They put Arnie on the plane to fly to whatever
it's called and with a do a security guard that's
watching him, but Arnie dispatches on him before they even
take off.

Speaker 7 (16:13):
That will be showing our future. And it's our Susan
and lays and we're here to make your trip as
comfortable as possible.

Speaker 4 (16:21):
Thank you and have a safe and enjoyable flight.

Speaker 1 (16:23):
Excuse me, how long is the flight? We land and
Velvorde in exactly eleven hours? Thank you, and do me
a favor. Don't disturb my friend. He's dead tired, so
he has eleven hours. So old mate is dead on
the plane, had.

Speaker 5 (16:37):
On his to kill him because he's making sure he
doesn't get off the plane. Matrix gets off the plane
before it takes off through the nosewheel, and then that's
when he mates Raid.

Speaker 3 (16:49):
Who's also hiding in the nosewheel.

Speaker 5 (16:53):
Jesus, a hosty just come back from a long flight,
and he steals her car and then he goes abound
dispatching all the baddies to find out where he's ye.

Speaker 1 (17:04):
But he wants to find out where his door is at.

Speaker 3 (17:05):
It hasn't gone overseas.

Speaker 5 (17:07):
So he's dispatching the baddies but at the same time
delivering snappy dialogue.

Speaker 13 (17:11):
Like remember Sally, when I promised to kill your last
that's what.

Speaker 6 (17:16):
I lie.

Speaker 5 (17:19):
And drops him off a cliff and then and finally
ends with Bennett Vernon Wells as the baddie and Matrix
throws his pipe and it goes through his guts into
a big steam pot and he says.

Speaker 4 (17:36):
A.

Speaker 13 (17:39):
Let off some steam, Bannet.

Speaker 5 (17:41):
And there's a Lolissa Milano up in the wings, Dad,
and then you go. And then he gets onto the
plane with Raydor and John who goes from a stewardess
to a pilot and flies a flying boat out.

Speaker 3 (17:53):
Of there, and they romantically linked.

Speaker 5 (17:55):
You don't see it, but you see only in some
budgety spugglers, like he's quite impressive. It's a good rig.
So that's on SBS and this is what Pauline wants
to defund.

Speaker 3 (18:05):
I know, imagine Brendan if you had to, if you'd
had to pay subscription services to see that imagine to
yourself a favor, please, jam We spoke on the show
yesterday about fabulous supermodel Miranda Curve. She still looks absolutely incredible,
although she's no longer modeling, but that doesn't come easy.
She's really She said she'd had some health issues, but

(18:27):
she's very strict about what she eats. This is how
she spoke about breakfast on a podcast recently. Oh I
don't do eggs, okay, so what's a breakfast for you?

Speaker 11 (18:35):
I do protein, So I eat meats like venison, Oh yeah, bison, yeah, lamb.
I eat all the meats that aren't mass produced. So
you're not doing sushi?

Speaker 3 (18:46):
Oh never, never, parasite, parasite, I know, tonate or the
meats that aren't mass produced, like giraffe. I mean, where
do you draw the line? I don't know. I went
to a place, a restaurant in Nairobi called Carnivore and
there they farm them to eat them.

Speaker 8 (19:05):
Right.

Speaker 1 (19:05):
What did you ask for the neck?

Speaker 3 (19:08):
Why the long neck?

Speaker 1 (19:10):
What it taste like?

Speaker 3 (19:11):
I don't just taste like gamy kind of food. But
the restaurant, if you're a vegetarian, as our sound recorders was,
someone took us a long beyond two thousands. He wasn't
thrilled because everyway look there was something on a on
a rotisserie. Even at one point there's a tiny like
looked like a tiny squirrel. Everywhere you look, the space
was taking up with something spinning over some hot coals.
But the reason I'm bringing this up again is I've

(19:33):
come across some of the stuff that Bear Grills likes
to chow down on. He seems to like putting himself
in really dangerous situations. You see recently some footage of
him being weed on by mel b because an emergency,
someone's urine has to steal on my leg.

Speaker 5 (19:52):
I'm not the biggest outdoors you go in the world,
but I have spent a bit of time in the outdoors.
I've never had the need to wee or be weed
pond because of a situation.

Speaker 3 (20:02):
He seems to like doing this. Here's some of the
stuff that he's eaten.

Speaker 4 (20:05):
I've eaten loads of school things before, but they've always
been raw and discussing.

Speaker 1 (20:09):
But when you cook them, they're actually quite nice.

Speaker 4 (20:12):
I say, I've never eaten raw goats, testicles before, beetles,
a couple of moths as well.

Speaker 9 (20:23):
He'm gonna praying mantis.

Speaker 4 (20:25):
It probably easiest way of eating this is to make
a bug patty out of all.

Speaker 6 (20:31):
Of these things. See what we've gone here?

Speaker 14 (20:35):
Oh god, he's eaten raw rat brain, but he had
to eat it for calories in a survival scenario because
he hadn't had a protein shake for two hours.

Speaker 3 (20:47):
He's eaten tarantula's cooked all raw, depending on the situation. Okay, yeah,
that makes a nice difference. He's had water squeezed from
elephant dunge. He filtered that from fresh elephant droppings in
case there was some emergency hydration issues, and his own
urine once again in an emergency situation. But the latest

(21:09):
thing he's eaten is this.

Speaker 11 (21:12):
So what are we gonna do?

Speaker 9 (21:13):
Am I going to pick all the little bits of
nuts out of this bear poo, wash him off and
eat them?

Speaker 1 (21:19):
Okay, let's do this.

Speaker 9 (21:22):
Remember you only try this if you're desperate for food
or you're going.

Speaker 1 (21:26):
To wash this off.

Speaker 9 (21:28):
The brown stuff is what I want to get off,
so then you're left with those little bits like that.
It's really as clean as I can get it, and
it's only half digested by the bear. Another bit there,
Just give me a second of rinse my mouth.

Speaker 3 (21:49):
And now let's place in the bottle Nature's gakido. I'm
thinking that Bison is looking pretty good right about now.

Speaker 2 (22:00):
You're listening to the Jonesy and Demanda podcast.

Speaker 1 (22:05):
Now a by the miracle of recording and.

Speaker 3 (22:07):
Amanda, don't be an Amanda. Those are two great names.

Speaker 1 (22:11):
I'm not a scam. That's the chemistry between them.

Speaker 3 (22:13):
But how much of that realigned your own business? And
shut your pie?

Speaker 5 (22:16):
I wish you were with your show.

Speaker 1 (22:18):
I'm not happy with my shaving situations. For years, I
use the electric razor. I like the electric razor was good.

Speaker 5 (22:25):
Then one day it broke and I had to use
my wife's just razor, leg razor, yeah.

Speaker 3 (22:31):
Whatever she shaves, I don't know, and I peeling paint.

Speaker 1 (22:35):
I was using it. I thought, actually, this is a
close shave.

Speaker 5 (22:38):
It's not too bad. And then I was talking to
jim Y and Rye about this and he says every
day he shaves in the shower, and this was some
time ago.

Speaker 10 (22:48):
Yeah, well, I think you're in the shower already.

Speaker 1 (22:50):
Yeah yeah, yeah.

Speaker 10 (22:51):
You know the water is like a natural lubricant. Yep,
you can kind of use you just go through it.

Speaker 3 (22:56):
And you still use shaving cream, don't you.

Speaker 10 (22:58):
Well, if you're in the shower, you you kind of yah,
I have to.

Speaker 1 (23:02):
I don't know. I don't know how hardcore you are,
but yeah, I do get there.

Speaker 3 (23:05):
So you're taking shaving advice from Ryan who's only been
shaving for about two years.

Speaker 5 (23:09):
Well, I've been in the electric razor for so long,
but lately I don't know what's happened.

Speaker 1 (23:12):
I keep getting this.

Speaker 3 (23:13):
See around here, I've been watching you play with the
side of your mouth. What's it doing?

Speaker 1 (23:17):
I just can't get that that part explain my mouth?

Speaker 3 (23:23):
This is radio.

Speaker 1 (23:24):
Yes, what's this part of my mouth called.

Speaker 3 (23:26):
The side of your mouth? Their hair on it?

Speaker 1 (23:29):
Yeah, it's like it's a stiff bristle.

Speaker 5 (23:31):
And then I've heard as you get older that's why
old blakes grow beards. Why because they're too hard to
shave and they're just done with it. That's what happens.

Speaker 3 (23:40):
Why won't you can't get it close?

Speaker 1 (23:42):
I'm in there, I'm like, you know, I just can't.
I can't get it and all those ads you see,
you know this blade takes the.

Speaker 3 (23:50):
But you see you're five doing those.

Speaker 1 (23:53):
Bristle and all that sort of stuff. But you see
look at Ryan's face.

Speaker 3 (23:57):
It's clean face.

Speaker 10 (23:58):
Now, I can't really grow much of a beard, to
be honest.

Speaker 1 (24:00):
No, that's true. I was saying that, what have.

Speaker 3 (24:03):
You ever had a cut throat situation? Is that what
it's called? They use the strap and then they.

Speaker 6 (24:11):
No.

Speaker 3 (24:11):
But it's a very nice experience. You can go into
the city and have that. That's issue.

Speaker 5 (24:17):
And my knuckles jam right on, Goldie, Goldie, are.

Speaker 3 (24:27):
You having an out of body Goldie gold We're called
gold Hello, it's Jonesy and Demanda driving you home.

Speaker 1 (24:38):
You know what's Goldie?

Speaker 3 (24:39):
Jones and Goldie.

Speaker 1 (24:40):
You know what's Goldie? Double a chattery?

Speaker 5 (24:43):
Dack drops Today Amanda's Side Hustle podcast with forensic psychologists
slash friend Anita McGregor.

Speaker 3 (24:49):
Interesting doing a podcast with Anita who is a forensic
psychologist and forensics.

Speaker 1 (24:54):
Is a friend first, or forensic psychologists.

Speaker 3 (24:57):
Second friend first, forensics I coologist or anyone that works
in the forensic field. You can have forensic accountants. These
are for forensic psychiatrists. These are people who work within
the police system or the justice system. So for example,
an Edose's clients who are up on charges may might
be on parole. She does assessments of whether people should

(25:17):
be released, all that kind of stuff.

Speaker 1 (25:19):
I call clients.

Speaker 3 (25:20):
There's's criminals, they're clients. And that's what's interesting. It's interesting
you say that because in a way, that's what this
episode is about. This is the truth of the story,
is that we are as a society, we are better
off if people go through the justice system, are rehabilitated,
come out the other side, and rejoin society. And there

(25:42):
are many ways in which the system is trying to
help people do that because I know, looking at many
parts of the media, it's easy to think about as
a baddie and they don't stay in prison long enough.
We are better off if people are rehabilitated, certainly, and
a huge number of people who are in this forensic
and Justice City situation of mental health issues, that's not

(26:02):
a surprise. So Anita brought in a colleague that she
has who she works with through the university, and he
is a lived Experience contributor. And what that means is
his name is Andrew Pattiaci and he himself has had
mental health issues, he has been in prison, and he
has come through the system. What do you do, I

(26:24):
don't know, but he has come through the system out
the other side, and he now works in what they
call lived experience. So when a client comes in or
someone is before the justice system and they are in
the drop zone of their horror, he steps in and
there are They have access to psychologists, psychiatrists, all the

(26:44):
rest of it, but sometimes you need someone who can
say I've been there.

Speaker 13 (26:49):
I would say that I meet them at their admission
when they're acutely unwell, So I get to see them
essentially what I consider their lowest point of their mental
health health, and I get to work alongside them and
show that role modeling, that positive role modeling in a
way that by the end of three or four years

(27:11):
a transition from acutely unwell to rehabilitated.

Speaker 3 (27:17):
You're on that journey with them for that long.

Speaker 13 (27:19):
Start to finish. Mostly yes, wow. So with the length
of time that I get to spend them, I get
to know them quite well. They're just people like you
and I that have been found unwell, mentally unwell, and
have landed themselves in a forensic psychiatric facility.

Speaker 3 (27:40):
So he works with them, and that's how long this
stuff takes. This is how long rehability. Rehabilitation takes and
we are very lucky in our country to have these resources.
That's what really struck me is that they have access
to someone like Andrew, access to someone like Anita all
the way along there, and as he says, to to

(28:00):
open up to someone who's trying to assess you and
help you, you have to be really vulnerable. And if
you have mental health issues, if you've been if you've
committed a crime, you're incarcerated. Who wants to do that.
But to have someone who says, who understands where you've
been and says, come on, I can hold your hand
and I can help you here because I know what
you're going through, I know what this is like, makes

(28:21):
such a difference. And Anita said, having someone like Andrew
or these lived experienced contributors, whether they might be a
lived experience in various different ways. She has Aboriginal advisors
who help out to deal with those sorts of clients.
All these different people who work in advisory capacities help
these therapists as well learn how to deal with clients.

(28:43):
So all the way through, I just find it fascinating
sure that these people are working within the system and.

Speaker 5 (28:49):
It takes away the stigma, as you say, because I
guess when you're a criminal, if you're a murderer, then
largely there's going to be something mentally.

Speaker 1 (28:56):
Wrong with you.

Speaker 3 (28:57):
Well, there's a million crimes that people are in prison
for that aren't murdering. But yes, that may be, or
maybe maybe there were circumstances. I'm not condoning murdered duh,
But who knows.

Speaker 1 (29:10):
What How did they get to there?

Speaker 3 (29:12):
How did they how do they get to there? What
do we learn from that to nip the bud way
back here when the oil lights blinking saying something's not
right going on back here, look at what's going on
back there. It's a learning experience for everybody. And as
a society, as I said, we are all better off
when these people when this system works.

Speaker 5 (29:33):
And we see that a lot in grooming cases, which
we're seeing quite at the moment with the Alan Jones
case about grooming of young people, and that's sort of
stuff where that person feels it everything they've got is
going to be taken away from them and then it
comes back.

Speaker 1 (29:47):
To them later in life. Yeah, and that's that's There's
a million stories.

Speaker 3 (29:52):
Like that, a million stories like all of it.

Speaker 1 (29:55):
It's fascinating.

Speaker 3 (29:55):
It is fascinating, but I'm just very grateful that we
have people who are working in the city system to
help us all stay safer and help all our citizens
be better.

Speaker 5 (30:06):
Hey, do double a chattery dot com or check out
iHeartRadio podcast Cheritation.

Speaker 3 (30:11):
This is something that's I'd like to know your opinion on.
I mentioned this casually before that. I heard a podcast,
or I heard a snippet of a podcast. It's called
Staying Relevant podcast with two men's Sam Thompson and Pete Wicks,
and they were discussing wearing jeans at home or being
comfortable in jeans at home. This is part of the conversation.

Speaker 1 (30:34):
Also, relaxing in jeans. That is a weird one.

Speaker 15 (30:37):
Do you know this? Everyone knows I do.

Speaker 5 (30:38):
This is the thing because it's so I'm so used
to it that it doesn't seem weird. But then when
I think about it, I don't actually know people who
do like chill out in a pair of gene.

Speaker 15 (30:47):
Right, So this is what I'm wearing today. We've got
a long day in the office. I'll go home and
this is what I'll wear till I go to bed.
I sleep no, no, I a fresh bear of jeans.
To be honest with you, I probably want even take
the boots off.

Speaker 7 (31:02):
I'll sit.

Speaker 15 (31:03):
This is what I will wear until I go to bed.

Speaker 3 (31:05):
And when I mentioned this earlier, just as a chat
around the office, Jenna, who works with us, said she
looked at me like I'd suggested I was going to
murder people. She was going that makes her feel sick.

Speaker 1 (31:16):
What is Jenny Doe?

Speaker 3 (31:17):
She said, the minute she gets home she has to
take off her outdoor clothes because she doesn't want that
on her on a furniture. It's not just for comfort.
She does not want outdoor clothes like that.

Speaker 1 (31:28):
So what does she put on?

Speaker 3 (31:29):
Pajamas or other clothes comfort? You get home clothes, And
so that's what the debate has been. I've seen some
of the comments online. Someone said, here, my husband chills
out in jeans after his bath. It's very English, isn't it.
But many people have said the minute and I'm the same,
The minute I get home, I will put on jarmis do.

Speaker 1 (31:49):
You put on the robe?

Speaker 3 (31:51):
I put on job because I can't relax wearing a
pair of jeans. How about you, Brendan, you wear kevlarje jans,
which are even weirder to be relaxing in. Well, they're
very comfortable, are they, But they're still jeans.

Speaker 5 (32:05):
Jeans aware, you know, since we started doing these new
hours and I get home a bit later. Now I
come home and my wife has got dinner on the table.
It's like I'm living some fifties lifestyle, Martini. And in
the old days, I used to cook dinner every night.
So now I get home, dinner's on the table. So
there's no time to get changed.

Speaker 3 (32:21):
So I sit down and you watch TV for the
night in your geene YEA.

Speaker 5 (32:24):
I'll take my mate by boots off and I'll sit
there in these jeans and my work shirt.

Speaker 1 (32:29):
It's not like I'm working in a.

Speaker 3 (32:30):
Coal mine, no, but just for comfort level, it does
seem unusual, how about you, Ryan.

Speaker 10 (32:34):
Yeah, I keep my jeans on because like the jeans
kind of walk to your body a bit.

Speaker 1 (32:39):
Yeah, exactly. And he's in a sharehouse as well.

Speaker 3 (32:42):
So you're not going to put pajamas on, is what
you're saying. Yeah, yeah, no, no.

Speaker 5 (32:46):
Yeah, Because my neighbor a few years ago there was
a car accident at the front of the house at
about eight thirty at night.

Speaker 1 (32:54):
Anyway, he hit his Chumi's on and he came.

Speaker 3 (32:57):
And you've mocked him ever since. By the sound of it.

Speaker 1 (33:00):
He's jarmy. And I said, we're talking about this terrible
car Ecais. It was about five cars have been smashed.

Speaker 5 (33:06):
Are you wearing charmis greg It was wearing like fallen
fla pajamas.

Speaker 1 (33:12):
Thirty What are you up to plow a field tomorrow?

Speaker 3 (33:15):
That's what's interesting is there's a whole lot of people
who won't stay in their work clothes until they go
on a building, not just that comfort and psychologically I'm
home now, I'm relaxing. I think it's a psychological cutoff.

Speaker 1 (33:29):
I think it's a whippole.

Speaker 3 (33:31):
Let's call it this so whippole. You think staying in
your jeans at home, not staying staying in your jeans
at home, relaxing in your jeans at home? Does it
pass the part oh no, whip.

Speaker 1 (33:43):
Whip pole who come home?

Speaker 3 (33:45):
Say yes or no? Wearing your jeans all day at home,
all day, jeans, all the jeans into the.

Speaker 1 (33:52):
Evening, twenty four hours.

Speaker 3 (33:55):
You relaxing in jeans at home? Yes or no? You
formulated good Jonesy and Amanda.

Speaker 2 (34:02):
Can't shut Up on the Jonesy and Demanda podcast. Download
the free iHeart apt.

Speaker 5 (34:06):
When there are big issues to discuss, we could go
down to the Jonesy Demander Arms, but no, this is.

Speaker 1 (34:11):
More of a whippole.

Speaker 5 (34:12):
A whippole is a snapshot of what Australia thinks about
any given subject.

Speaker 3 (34:17):
And the subject we're talking about today is wearing your
jeens when you're relaxing at home. A lot of people
come in from work or if they've been out, have
to take their genes off and put on their leisure
where some in more comfy, others staying in that all
day long. With the people who put on their comfies,
go what the hell?

Speaker 5 (34:34):
Yeah, when you put your comfies on, I do think
if you had a shower or a bath or something
like that, I wouldn't be putting jeans on after that.
But I will go from here to my modest home
when my wife has got dinner waiting for me on
the table, and I won't take my pants on until later.

Speaker 3 (34:51):
Well, let's see what you think. Staying in your jeans
at home, that's what the whippole is.

Speaker 1 (34:56):
Helen's in Connell's points over to you, Helen.

Speaker 3 (34:58):
What do you think.

Speaker 11 (35:00):
I think you have to get into something comfy.

Speaker 8 (35:02):
So that's something that's got some stretch on the waist.
He's loose and we'll move with you.

Speaker 3 (35:08):
Good stretch around the waist and the crutchy bits. That's
what's required. When you get home, I.

Speaker 1 (35:12):
Think guy is in Deva Hill.

Speaker 3 (35:14):
What do you think, guy? Are you going to keep
your pat your jeans on at home?

Speaker 4 (35:19):
No?

Speaker 8 (35:19):
When I get home, I automatically change into my comfy clothes.

Speaker 1 (35:23):
Yes, And what are you comfy clothes?

Speaker 4 (35:24):
Guy?

Speaker 8 (35:26):
Just some tracksuit pants, hoodie and all that.

Speaker 5 (35:30):
I put on tracksuit pants the other night, and my
wife said, it looks like you're going into a home.

Speaker 3 (35:38):
So is that why you don't do it more often?

Speaker 6 (35:40):
No?

Speaker 1 (35:40):
I was wearing my business shirt with trash.

Speaker 3 (35:43):
That would look like you were going into a home.

Speaker 1 (35:45):
Thank you. Guy dead is in the ship?

Speaker 3 (35:47):
Hi, dare? What about you jeans at home?

Speaker 12 (35:50):
Definitely?

Speaker 7 (35:51):
Not straight home and into the army.

Speaker 3 (35:54):
Yes, even when we did breakfast radio. When I go
home in the middle of the day, I was tempted,
and often I did. I put on pajamas in the
middle of the day and Therefore, if someone came to
the door, they just thought I was an old alcoholic.

Speaker 1 (36:06):
Thank you.

Speaker 3 (36:06):
Holding the bottle was also a give thank you.

Speaker 1 (36:09):
Carry's with us.

Speaker 3 (36:10):
Hello, Kerry, what do you think about wearing jeans at home?

Speaker 2 (36:13):
Oh?

Speaker 3 (36:13):
Never?

Speaker 7 (36:14):
If you get home, the pajamas go on.

Speaker 12 (36:16):
Even on the weekend.

Speaker 11 (36:18):
I'll have a shower and change back into my pajamas
and if I'm not going out, that's what I'll stay in.

Speaker 3 (36:24):
I like that idea. You get up in the morning
to take your pajamas off, have a shower, get back
into some pajamas.

Speaker 1 (36:29):
Are they flat? And let pajamas carry?

Speaker 3 (36:32):
They are?

Speaker 12 (36:33):
They're so comfortable?

Speaker 8 (36:34):
Yeah, yeah, that's what you need.

Speaker 1 (36:37):
Yeah, that's what you need.

Speaker 3 (36:38):
Thank you, Kerry.

Speaker 1 (36:39):
Louise is in North Paramatta, Louisa.

Speaker 3 (36:40):
Jeans at home or not?

Speaker 11 (36:42):
No, go home, get into your comfies.

Speaker 7 (36:45):
And if you're a fat boomba ladder.

Speaker 3 (36:47):
Like me, you need to.

Speaker 8 (36:48):
You couldn't sit in jeans forever.

Speaker 3 (36:50):
No, It's like when you see people on international flights
wearing jeans, you go, how does that happen?

Speaker 1 (36:53):
There's a lot of seams in jeans, A lot of.

Speaker 3 (36:55):
Seams around the waist, around the crotchy bits around the lake.

Speaker 5 (36:57):
Those people that you see get it straight into the
quantus pajamas.

Speaker 3 (37:01):
I don't know about or even to they get off.
They change the second the planet takes.

Speaker 1 (37:05):
Off, like I saw the pilot do it.

Speaker 3 (37:08):
This pillow.

Speaker 1 (37:11):
Teddy bear, John will wrap this up?

Speaker 3 (37:13):
Hallo, John jeans during the when you get home or not?

Speaker 8 (37:17):
No, definitely not straighten the crag sending the planning.

Speaker 1 (37:21):
Yeah, Craggy's and Flanny.

Speaker 3 (37:23):
What happens in summer.

Speaker 8 (37:26):
Shorts and a T shirt. Yeah, but it's like a
switch off. You get home, you take your work stuff off,
and you don't think about word until the next day.

Speaker 3 (37:36):
I agree, it's psychological. It's that that part of the
day has finished.

Speaker 7 (37:40):
Well.

Speaker 5 (37:40):
Ninety nine point nine percent of respondents have said they
change it to something more comfortable. I'm the only one
that does. And Ryan and Ryan okay, so we're a
point one of a percent.

Speaker 1 (37:51):
Between the two.

Speaker 3 (37:53):
This is almost like a public service announcement to women.
As you know, when you go overseas and there's a
scam or those sorts of things taken to get robbed, kidnapped,
whatever it is.

Speaker 1 (38:03):
I've seen taken, you've seen taken.

Speaker 3 (38:06):
How did that happen.

Speaker 5 (38:07):
It's the same sort of thing. Got to abducted over
there and the overseas well.

Speaker 3 (38:12):
The thing is, we've always been told about the van,
the mask, dark alley, but.

Speaker 1 (38:18):
These are the people away from those things.

Speaker 3 (38:20):
These are the some of the new scams that might
bring you unstuck. Got pen and paper, Brendan, Yes, ma'm
Number one is the sample. Someone says, try this perfume,
smell this cologne. A stranger at a mall parking lot
a shop approaches you with a bottle one spray near
your face. This is dramatic, but it may not be perfume.

(38:42):
It can can contain chemicals at disrange you. Within seconds,
they follow you out to your car spam wow, and
it says here, never smell anything of stranger hands you ever? Interesting?
How about this one? Scheme number two? The fly would
do that? Well? Well, who would Who would kidnap? Someone?
Who would try and put something in someone's drink? Who
would try? Who are these people, Brendan? They exist? Scheme

(39:05):
number two? Okay, the flyer. There's a flyer on your
windscreen of flower yep. You reach for it and while
you're reading, your hands are down. Your hands are full,
your eyes are down. You're standing at your driver door.
Someone approaches from behind. It says, here, the flyer was
placed there ten minutes ago, and they've been watching you
come back to your car.

Speaker 1 (39:25):
It's all when it says it's on the flyer.

Speaker 3 (39:29):
Are you listening? No, what do you mean? There's a
flyer that someone's going So you come back to your car.
It's flipping around. You reach for it. You're not concentrating
on where your stuff is. You're looking down. Someone suddenly
at your car, bundles you in or bundles you out,
takes you. I'm not saying these are everyday scenario. These

(39:49):
are the new ways that things could happen. If you're
going to take.

Speaker 1 (39:51):
This seriously, I'm taking very seriously.

Speaker 3 (39:53):
Scheme number three, This one is interesting. The baby sound
a recording of a baby crying pla from a phone
or a speaker near your front door at night. You
hear a baby outside alone, of course, your instinct is
to open the door. There's no baby, someone's waiting for
you to open when you open the door. These are
terrifying scenarios. But this is what's hard is that you're

(40:16):
it goes against your instinct to say, don't do this.
I'm going to read through them all and we'll discuss
how we feel at the end. There's more.

Speaker 5 (40:21):
I got one of those frog for things than you
put from online. You know it's a frog when someone
comes to your doors and goes ribbit. Yeah, what if
they put that with the baby's out? A baby and
a frog together.

Speaker 3 (40:33):
I'm trying to save women, Brendan. Do you do what
you like? You do what you like?

Speaker 1 (40:36):
Well, men can be dupes too, you know, of God.

Speaker 3 (40:39):
Well, I think you're demonstrating that very well. Scheme number four,
the charity clipboard? Am I boring you? I saw you
look at the clock.

Speaker 1 (40:46):
Not at all. I'm not looking at the clock.

Speaker 3 (40:47):
I hope if someone is going to be attacked in
this room at.

Speaker 1 (40:50):
You go on charity clipboard?

Speaker 3 (40:52):
Can you sign this petition? A clipboard?

Speaker 6 (40:54):
A pen?

Speaker 3 (40:54):
While you're writing your name, you're giving them your full name.
You're handwriting.

Speaker 1 (40:57):
But who does this?

Speaker 7 (40:58):
I don't know.

Speaker 3 (41:00):
Oh it's mister Philip the Thorpes and his address is
If I knew that, I'd go and stop him. There's
another one, the photo requests. Can you take a photo
of us? A phone is hand both your hands and
now holding their device. Your hands are free, your phone
is in your bag, They take your bag. Who's doing
this is what's Let me get to the point of this.
And I know, I hope you're pretending to be dumb.

Speaker 1 (41:23):
No, I'm not a dumb No, I just don't let
me get to That sounds reasonable.

Speaker 3 (41:29):
Of course, and people, it's all sounding reasonable until someone
puts something in your drink. You think, you know this
is the thing, You go out for a drink. Who
would do that? People do? This is what the stuff
I find interesting. Kindness is not compliance. Someone offers you
something to smell, walk away. Someone hands you something and
walk away. And no, it's hard to say for babies crying.

(41:51):
Can you help me? We all want to be people pleases.
This was the interesting point. No to a stranger costs
you nothing. You don't oh us stranger anything. But if
we all live like that, what a cold place it
would be. But that this is what the pattern is
they want. It's all the same design. They want to
occupy your hands, lower your eyes, consume your attention four seconds.

(42:12):
You're blind, you're busy, you're positioned. That's the window they're
looking for. And I don't know who they are. All
they're saying here is trust your gut. If you're in
any of these circumstances, you do not owe a stranger anything.
Trust your gut instinct. Have you understood, Brenda? All I
heard was you talk about your frog.

Speaker 1 (42:29):
I'm going to punch one of those wildlife koalas in
the head.

Speaker 3 (42:32):
You have to go back into the eighties and try
and do it. Then they're still there. The last time
you saw a person in a koala suit collecting money,
they're still there. I'm trying to be earnest and help people.

Speaker 1 (42:47):
I don't trust you. Good.

Speaker 2 (42:50):
You're listening to the Jonesy and Demanda podcast.

Speaker 11 (42:56):
Still going to request for them to do it again.

Speaker 3 (43:00):
They should lay off the Moonshine is knocking a man.

Speaker 5 (43:03):
It's so weak. We're just talking about you don't get kidnapped.
Lists that you were talking about before.

Speaker 3 (43:13):
Don't have your stuff stolen. The new new dupe, the
new the new tropes aren't what we're used to. It's
about occupy. Things will happen that they should occupy your hands,
to deflect your attention, to feel to be left exposed.

Speaker 5 (43:28):
Another one for you, You're going to your car. You
get in it and you notice your windscreen wipers are up,
and you instantly, oh, my windscreen wipers are up. Someone's
having a laugh. You get out of your car to
put them back. In the meantime, Johnny Carthy jumps in
drives off with you on the bonnet.

Speaker 3 (43:45):
You think the name would be a giveaway.

Speaker 1 (43:47):
John Carthy, I'm just saying, beware of this stuff.

Speaker 3 (43:52):
This is what I was trying to say before. And
you said, as if who were those people? As if, as.

Speaker 1 (43:56):
If don't blame as if.

Speaker 5 (44:01):
You drive home with your windscreen wipers up anyway, you
wouldn't even know.

Speaker 3 (44:05):
It's inside my own garage. You think who did that?

Speaker 5 (44:09):
A lot of people are talking about those came out
camera glasses, the new camera glasses.

Speaker 1 (44:14):
Now they're under one hundred bucks.

Speaker 3 (44:15):
We're going to put them to the pubs they had
sold out. But what does it mean in the world
of consent?

Speaker 5 (44:20):
And also trouble at the Tour de fronts for the
ladies in the aerodynamics party department. We'll talk about that
on Gold. The padded bra cheating claim rocks Tour de
France femmes as bizarre theory swirls around cycling what is
the broad.

Speaker 16 (44:39):
Gate controversy in cycling? Some teams at the Tour de
France farm are concerned that riders are putting padding in
their suits to improve their times, which you might think
doesn't make sense, But adding extra padding in the chest
area actually smooth the airflow around the body and reduces
drag and so riders can move faster. Adding padding to
improve aerodynamics isn't allowed under international cycling rules.

Speaker 3 (45:02):
Is now why Lance Armstrong had one testicle?

Speaker 1 (45:06):
I can't answer that question.

Speaker 3 (45:08):
I would have thought that having a flattered chest would
be more aerodynamic.

Speaker 5 (45:13):
Well you would think so, You would think so. And
what they've said as that lady has said that the
wind swirls round, so there's like a an aerodynamic effect
that takes place. So and they do this for ski
jumpers as well.

Speaker 3 (45:29):
Do they pad their bras?

Speaker 1 (45:30):
They pad their bras?

Speaker 3 (45:31):
Really so.

Speaker 5 (45:32):
There have been several complaints from cycling's World team to
a teams alleging that padded sports bras are being.

Speaker 1 (45:40):
Used for aerodynamic advantage. They claim riders.

Speaker 5 (45:43):
Are faking a larger cup size to reduce their drag
through the air.

Speaker 3 (45:48):
To make Brendan Jones pay attention, not at all not
at all.

Speaker 5 (45:52):
Teams reportedly called for inspectors to be introduced to check
riders in a closed tent just to make for everything's
tiggitty boo. There's a professor, a professor of aerodynamics.

Speaker 1 (46:04):
His name is Bert Blocken, seriously Professor.

Speaker 3 (46:09):
Blockenlock him on social He's.

Speaker 5 (46:11):
Published the theory that around a chess is advantageous when
it comes to aerodynamics. He labeled the concept of placing
an object inside a jersey or skin suit to reduce
aerodynamic drag and improve airflow around the body chest faring
as it were, and said it can reduce drag by
three point six percent. Professor block And said, we are

(46:35):
talking about a chess fairing which orders the airflow around
the body, therefore reducing over pressure on the thighs. As
a result, the writer experience is less air. I've taken
the liberty of just doing a quick drawing. So there
that's my drawing.

Speaker 3 (46:53):
Oh, that's a good drawing.

Speaker 1 (46:55):
Thank you.

Speaker 3 (46:55):
Who's that what's his name?

Speaker 5 (46:56):
No, that's a that's a lady, right, So that's her
with her bosoms packed down. Okay, So if I augment
this picture and put bigger situation.

Speaker 3 (47:09):
Understand and then the wind flow.

Speaker 1 (47:11):
As you can see, the wind flow is coming through here.
Show me so now instead.

Speaker 5 (47:16):
Of foiling into that area, it blocks around here and
goes around the wider.

Speaker 1 (47:23):
Part of the body.

Speaker 3 (47:24):
Is that what you want?

Speaker 1 (47:25):
That's what you want?

Speaker 3 (47:26):
So is that why? Next year we'll see a whole
lot of Dolly Partner impersonators taking part in the Tour
de Front's femme.

Speaker 1 (47:33):
Talk to Professor Blockin.

Speaker 3 (47:36):
Into the tent.

Speaker 1 (47:37):
His wife comes comes home. How is your day? It worked?
Do you what do?

Speaker 3 (47:42):
Your wife will say, You've just drawn pictures of bosoms.

Speaker 1 (47:46):
I've done better and there's big it'sues to discuss. Where
do we go.

Speaker 3 (47:53):
We go down to the Jonesy and Amanda Arms for
the pub test.

Speaker 1 (47:55):
The good old fashioned hub test.

Speaker 5 (47:58):
True, thank you, Sam. Kmart glasses do they pass the
pub tech?

Speaker 3 (48:02):
Not just Kmart glasses, Kmart camera glasses?

Speaker 1 (48:04):
Yes, I should should. This is actually they sell a
great range.

Speaker 3 (48:11):
This is actually a big issue because we've seen the
meta smart glasses. They're around four are they're four hundred
and fifty dollars in Australia. They have a camera recording device.
They can record you and apparently read light goes on,
but people already have problems with those, but those have
other technological advantages that people use for AI, auditory assistance,

(48:35):
a whole lot of other things. The ones that kmart
is selling that have just sold out sell for about
eighty nine bucks and all they have is a camera facility.
So it looks like a pair of dark rimmed glasses
and people are buying them for what purpose? To film unobtrusively?
But what does this mean? I've seen some people some

(48:57):
usually it's men going up and just saying to women, hey,
can I have your phone number, and watching their response
and uploading that as content to whatever response. So people
don't have consent in how their image is being used anymore.
On socials, you don't know you're being filmed. As I said,
there are provocative questions being asked, not just in sexual context,
but just out in the public blah blah blah, and

(49:18):
then suddenly your image and your response to that is
on someone's socials.

Speaker 1 (49:22):
Yeah. Yeah, I remember the early days of radio. We
used to take our.

Speaker 5 (49:26):
Little mini disc recorder and go out and get there
Johnny on the street opinion. But you had the radio
station logo on, you had a microphone, and we also.

Speaker 3 (49:35):
Used to have to ask are you happy to be
recorded and used on radio? We had to ask people's
approval for that.

Speaker 5 (49:42):
But also that used to have a bit of gravitas
as well, because people like go, oh, hang on, you're
a professional. My point is, now these guys are just
doing that and they're using whatever.

Speaker 1 (49:53):
Reaction they get its content.

Speaker 5 (49:55):
Yeah, so we wanted an opinion about I don't know
what you think of what a football team, and then
they went into that we were.

Speaker 3 (50:04):
Just provoking people for the sake of getting clickbait. I
saw an interesting thing that said women are being advised
to play Disney songs when they notice a man is
recording them with these kinds of glasses, because apparently music
is more protected than women in twenty twenty six. Interesting,
isn't it?

Speaker 1 (50:20):
Is that a joke or is that real?

Speaker 3 (50:21):
That's real? And I've seen the petition. There's already a
petition that's up trying to ban the sale of these
cheap AI glasses. I don't they're not AI, they are
just cameras.

Speaker 5 (50:31):
I don't like banning technology, you know. It sure is
like the Luddites or the people that wanted to ban
the car. It's progress but how costs.

Speaker 3 (50:38):
At what costs? The cost is consent. The cost is
control over how your image is used. The cost is
you're not even aware, let alone give permission sometimes that
you're being filmed.

Speaker 1 (50:48):
What do you think?

Speaker 3 (50:49):
But as you say, Brendan, maybe that maybe women are
using them too for a holida of reasons. And it's
not all manky kmart camera glasses. These cheap versions of
the meadaglasses only record. They're not there's no other.

Speaker 1 (51:03):
You know to them video ref in your life.

Speaker 3 (51:06):
It'd be like a dash It'd be like a dash.

Speaker 5 (51:08):
Can for your whole life, and you just run if
and you go to a bunker and they play it back, well,
clearly you were in the right.

Speaker 3 (51:16):
Well what do you think does it pass the pub test?

Speaker 1 (51:18):
Thirteen fifty five twenty two. We'd love to hear from
you on gold.

Speaker 2 (51:21):
You can see a whole lot more of Jonesy and
Amanda on our socials. Follow us on Instagram and Facebook.
Everybody That's Money Extra Character eight Jonesy and Amanda's.

Speaker 5 (51:32):
Hire and Hire ten questions sixty seconds on the clock.
You can pass if you don't know an answer. We'll
come back to that question of time permits. You get
all the questions right, one thousand dollars.

Speaker 3 (51:41):
You could make it two thousand dollars by answering a
bonus question, but it is double or nothing.

Speaker 1 (51:45):
Lookie, here, it's Kylie and Caroline Springs.

Speaker 3 (51:48):
Kylie, Hello, very well, you sound stunned that it's you.

Speaker 11 (51:54):
Oh my god, I am actually a bite.

Speaker 8 (51:57):
I'm very excited.

Speaker 1 (51:58):
Well it's you, Pikachuu.

Speaker 3 (52:00):
It is you, and let's hope that the gods are
on your side today. We've got ten questions. We've got
sixty seconds. Say past if you're not sure, because we
might have time to come back. Okay, Kylie, good luck,
Here we go. Question number one, how many corners are
on a triangle?

Speaker 8 (52:16):
Great?

Speaker 3 (52:17):
Question two? Green and gold are the sporting colors of
which country? A Question three? In which sport would you
perform a slam dunk?

Speaker 8 (52:25):
Basketball?

Speaker 3 (52:26):
Question four? What fruit has varieties called? Pink? Lady and
Grannie Smith apples? Question five? Which vitamin is produced when
skin is exposed to sunlight?

Speaker 11 (52:38):
See?

Speaker 3 (52:39):
Oh, vitamin D. I thought you were going to do it.
Oh it's D.

Speaker 7 (52:46):
It is too I since I said I knew it
was D damps.

Speaker 3 (52:51):
Kylie, you are powering through there. Oh my goodness, Kylie,
thank you for playing.

Speaker 11 (52:57):
Ah, thank you so much.

Speaker 1 (52:58):
Good on you, Kylie. Thank you.

Speaker 3 (53:00):
We'll play again tomorrow.

Speaker 5 (53:01):
Jonesydemanda dot com dot you if you would like to
register cheritation, let's get on down to the Jonesy no
matter of arms.

Speaker 1 (53:07):
For the pub test. The pub test, pup test passed.

Speaker 2 (53:09):
The pub test is from something sounds unlikely, then it
should fail of the pub test.

Speaker 1 (53:14):
Yeah, the pub test doesn't pass the sniff test.

Speaker 13 (53:16):
And stop it.

Speaker 1 (53:17):
It's not helpful.

Speaker 5 (53:18):
Kmart camera glasses do they pass the pub test.

Speaker 3 (53:21):
They've sold out at around eighty dollars. We've had the metaglasses,
which have a far more sophisticated use of.

Speaker 1 (53:28):
And they're more expensive.

Speaker 3 (53:29):
Well, that's the thing, and they have a variety of uses.
To my knowledge, all these ones are is a camera.
But the bigger picture here is where if you're outside,
it's deemed that you're offering consent. That's what's so hard.
We've lost the power of consent. There's a number of
sites where girls have just been pinged with guys saying, oh,
do you want to go out with me, and then

(53:50):
just filming their response, and that's all being used as content.
You don't know when you're being used as content. I
just took to the girls here work with us, and
they were saying that if you saw some one needing help,
you think am I being filmed for for content that
I'm not helping? What you Suddenly you see the world
around you as an Instagram reel? What's where do you

(54:14):
fit in? You just can't go about living your life
without feeling you being observed. Situations in our singers maybe
they're set up because people are going to be filming you.
It's stop young people going out for the fear of
being filmed getting drunk, having There's statistics that show people
aren't drinking as much when they're outing clubs, all that
kind of stuff.

Speaker 1 (54:31):
But not because of being filmed.

Speaker 3 (54:33):
Film. It's surveillance. If it's your own friends filming it
and putting it on socials, there's not a private moment anymore.

Speaker 1 (54:42):
George Orwell wrote Big Brother.

Speaker 5 (54:44):
He was saying that Big Brother would be filming us,
it's more of us filming each other.

Speaker 3 (54:49):
Well, we thought that would be a horror and now
that's an aspect our reality. So how do you feel
these kmart camera glasses? Do they pass the pub test.

Speaker 12 (54:56):
No, they do not. I think it's anyone's privacy is protected,
and it's inshite.

Speaker 11 (55:02):
It's mad.

Speaker 12 (55:03):
It makes people can see to be filmed seven almost
without being consent.

Speaker 11 (55:08):
I don't like it.

Speaker 7 (55:09):
Well, we're walk is your arm around my neck and
what you do is you pull up in the one
hundred and twenty Decibel's not going to torch around my
neck as well. They are shine it in their eyes
and wearing a mask that covers some of my face
and glasses and already for fid or fight all the time.

Speaker 11 (55:22):
When you're in public and people are just you know,
going around with these glasses, they should have some type
of warning that you can see, like something on it,
to just warn you that people are filming you. It's
just so wrong.

Speaker 12 (55:36):
I'm a bit on the fence about them. I was
looking at these last night. They were still available for
sale in store last night, but they're all sold out now.
But I just wanted to as a correct Amanda. They're
not just the camera. They have Blue Cheet connectivity for
music and taking calls. They do have image recognition and
chat features with the Companion apps, so they dare kind

(55:59):
of steel fun can has a bit like AI. But yeah,
I think it's dodgy. I don't know if they've got
the red light the way the medaglasses are. But yeah,
it's pretty scary for women.

Speaker 6 (56:09):
I'm sort of all for it. I actually had some
meta glasses, but I bought them so that I could
piss the button if only Evan needed them for safety
and someone attacks you or you see something illegal. I
saw a guy that rammed into another carry them to
drive off, you know. And it's a one click press,
so you can actually get the evidence.

Speaker 3 (56:30):
Well, that's interesting that they are more than just make.

Speaker 5 (56:32):
Them more obvious, like those big novelty Dame Ignau.

Speaker 3 (56:38):
But having said that, even if they are more obvious,
if someone comes up to you and they are filming, yeah,
you're already pinged. You're already filmed.

Speaker 1 (56:47):
You know what I mean, I know exactly.

Speaker 3 (56:49):
Suddenly being in public means well, you asked for it.
You're in public.

Speaker 1 (56:52):
Maybe you should just run around the street swearing at
the top of your lung.

Speaker 3 (56:56):
Yeah, or as they say, women have been told to
sing Disney tunes because nothing can be played if you're
singing a Disney tune. Disney has more rights of women.

Speaker 1 (57:04):
Unfortunately, Amanda's not joking now.

Speaker 3 (57:06):
And I'd be singing so of keno and we'll recognize
it as a Disney tune. Let it go Friday.

Speaker 12 (57:11):
That's enough.

Speaker 1 (57:12):
Well Friday tomorrow. You know what that means?

Speaker 3 (57:16):
Friday Field Sessions.

Speaker 1 (57:18):
Should we say who it is?

Speaker 14 (57:19):
Here?

Speaker 3 (57:19):
Go on?

Speaker 1 (57:20):
I feel like, have we announced who we've got tomorrow?

Speaker 6 (57:23):
Right?

Speaker 1 (57:25):
We have? People are not it's bachelor Girl. Okay, I
was going to do a big you do it? What's
that point now?

Speaker 3 (57:32):
Bachelor girl, it's so through.

Speaker 1 (57:34):
Bachelor Girl are coming into the studio. Friday Field Session.

Speaker 3 (57:37):
Please join us.

Speaker 5 (57:38):
Instagram will be back and vote for Amanda for the best.

Speaker 1 (57:42):
But you present TV week logis dot com toda are you?

Speaker 3 (57:46):
If you'd like to hear any more of the show,
go to Jones and Amanda dot com tod are you
indeed see tomorrow?

Speaker 7 (57:50):
Good dad?

Speaker 1 (57:51):
You well? Thank god that's over.

Speaker 2 (57:54):
Catching up on the Jonesy and Amanda podcast. Download the
free iHeart aut Now time, let's skip the hell.

Speaker 1 (58:01):
Out of here.

Speaker 2 (58:03):
Here Every second of Jonesy and Demander on demand. Search
for us now on the iHeart app