FULL SHOW: Fame On A Train

Let's talk about fame on a train!

From Ed Sheeran to Tom Hanks, we share stories of celebrities spotted on public transport. Who have you seen? Join in!

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Episode Transcript

Speaker 1 (00:00):
Jon and Amanda.

Speaker 2 (00:01):
You're listening to the Jonesy and Amanda podcast.

Speaker 3 (00:11):
Alian Radios.

Speaker 2 (00:12):
Jonesy and Amanda.

Speaker 4 (00:15):
Jones Yeah, personal friends, bit of a tyry, twists.

Speaker 5 (00:18):
Legendary Burrow, Josie, he's a zenius.

Speaker 1 (00:20):
That's what the day stands for. And Amanda the actress.

Speaker 6 (00:23):
You have no empathy for anyone but your selfie giant too.

Speaker 5 (00:26):
That good radios and Amanda, and you're on the same show, Amanda.

Speaker 1 (00:34):
Shot, well, hello, Amanda, Hi.

Speaker 5 (00:37):
Did you have a nice weekend?

Speaker 1 (00:39):
And I know you?

Speaker 5 (00:39):
Sorry? Sorry. You don't like it when people ask you that.
If I see people in the office asking you that,
I can see your lips quiver in your eyes twitch.
You don't like it.

Speaker 1 (00:48):
Of course I like it. Of ogre.

Speaker 5 (00:51):
You've said before you don't like a small talk. I've
seen you talk the biggest drivel. You're the person who
does more drivel than anybody.

Speaker 1 (01:01):
I only do big talk, big talk, big be a
big talk.

Speaker 5 (01:05):
Remember late last week and I spilled hot chocolate all
over my only white trousers. Ye, well, chatchpt was full
of great advice. It said, obviously take them off, and
I couldn't do that. So it said if you're in
a position where you can't take them off, rub soap
into them and wet them, which I did, and now
they're still stained brown with white yellow bits from the soap.

Speaker 7 (01:24):
What about some hydrochloric acid or something like that.

Speaker 1 (01:26):
I use that to clean the lime scale out of
my toilet on the weekend.

Speaker 5 (01:30):
An inside toilet, inside toilet. Why would it have lime scale?
Isn't it just like outside toilets that don't get flushed much?

Speaker 1 (01:37):
Limescale toilets happens inside.

Speaker 7 (01:42):
It happens inside.

Speaker 1 (01:44):
Although I will say, I will say the person that
uses that toilet as a twenty three year old male,
my son, and who knows. If you're in a ever
actually hit the water, I'd be amazed. So anyway, that's
what I did on the.

Speaker 5 (01:59):
Wind well, hands were destroyed.

Speaker 1 (02:01):
There's my big talk for it.

Speaker 5 (02:03):
The same situation we had some quirky it's not quirky.
But here's let me just read you what we're going
to be discussing today. Go on, how about this. We
are going to be talking about maths. We're going to
be talking about Jonesy and the universe is signed to him.

Speaker 1 (02:16):
Well, I asked you a question afternoon when I came
into work about the.

Speaker 5 (02:21):
Way it was a sign from the universe, and you.

Speaker 7 (02:23):
Answered the question exactly how I wanted you to answer.

Speaker 5 (02:26):
I stortdn't understand what the question was. We're going to
talk fame on a train. We're going to talk about
the fact that Shakespeare was on drugs.

Speaker 1 (02:32):
Okay, good? Are we doing this now? So we're doing
a whole thing at the start of the shape, I
like it?

Speaker 5 (02:36):
Do you not?

Speaker 1 (02:37):
It's all right?

Speaker 5 (02:38):
I like it. It's like a million.

Speaker 7 (02:40):
So when you get and they.

Speaker 5 (02:41):
Pare and and you also want to see what you're
getting for dessert.

Speaker 1 (02:44):
Oh, what's for dessert?

Speaker 5 (02:45):
Well, you have to choose from those. It might be
a little bit of dyspepsia.

Speaker 1 (02:51):
I hope it's something sexy for dessert.

Speaker 5 (02:54):
What restaurants are you going to? Dirty dick still open?

Speaker 1 (02:57):
Never mind about that. And we can't do any until
we do the fast far would.

Speaker 5 (03:01):
You like to play? Why don't you give us a call?

Speaker 1 (03:03):
And jeremi right? How are you right? Good? Put on
some down breath right, everyone likes let me say the note.

Speaker 7 (03:09):
Actually put on some LRB.

Speaker 3 (03:11):
Just did the.

Speaker 5 (03:11):
LRB and also give us a call. Thirteen fifty five
twenty two.

Speaker 1 (03:15):
Yeah, this is patter.

Speaker 5 (03:16):
I'm now doing your job for you.

Speaker 2 (03:18):
Gem Nation, Jonesy and Demanders.

Speaker 1 (03:25):
Far Fast five is here. Sure you can get question
five right, but it's all about getting all five questions
right in the Jade Dogs book.

Speaker 5 (03:33):
Or you only have to answer question five correctly. He's
the prize a five hundred dollars out. You a to
Hijinks Hotel. Why don't you pull in into hyjick Hotel?
I'm scand it incorrectly. We has had to go something
service at the ring of a bell?

Speaker 1 (03:48):
Yes, yes, the modern tracks? Were you DJing on the
weekend at any.

Speaker 5 (03:52):
H I had my reel to reels going.

Speaker 1 (03:56):
Sharon is in Haberfield, Hello.

Speaker 5 (03:58):
Sharon, Hi, Hello, you know that song, don't you? Why
don't you pull in a heartbreak or tell if you
heard of that song? No, with a Jonesy's.

Speaker 1 (04:08):
Face, it was so what we're trying to do.

Speaker 7 (04:11):
Let's get in the huddles.

Speaker 1 (04:12):
We're trying to be more modern. Okay, and they yes,
quoting his song that was called along Straight and it's
a great song by the way, Sharon, you know he
did a really good version of it. Keith Urban our
boy Keith Urban did a fan version.

Speaker 5 (04:27):
Of Oh What's happened to You?

Speaker 7 (04:34):
What you find?

Speaker 1 (04:34):
Keith Urban used to love us as well until someone
in this room asked you many questions about his missus.

Speaker 5 (04:40):
Well, she was his missus at the time. She was
his muse and he writes songs about her and talks
about her, and I thought I'd ask him about her,
and suddenly he shut up.

Speaker 1 (04:46):
That interview now has fifty million views hand count.

Speaker 5 (04:49):
How was I to know that by that point they'd
already separated, Sharony, you're still with us?

Speaker 8 (04:54):
I am.

Speaker 5 (04:55):
Here's question one for you, Sharon. When changing a tire,
is this too old brand really to talk about cars
having tires? Or when you're going to get flying cars?
When changing a tire, what device do you use to
lift the vehicle? Jack? That's why I had a son
called that so it can be useful.

Speaker 1 (05:12):
Let's play the not so secret sound, Shure.

Speaker 5 (05:17):
I hope it's a new sound for what is this sound?

Speaker 7 (05:27):
Any ideas the show?

Speaker 6 (05:30):
I'm gonna say the one it is one?

Speaker 5 (05:33):
What a shame about?

Speaker 7 (05:35):
I was watching it.

Speaker 1 (05:36):
On the weekend and Melbourne really put on a great
show and pull on Oscar Piastre, crosty. What's happened? It's
Oscar Piastre.

Speaker 9 (05:43):
This is what Albert Parker did not want to see.
Oscar Piastre on the lap of the gridge has lost
it and sustained significant damage to his car.

Speaker 1 (05:56):
Did you see the plastic thing that fell onto the
track and the stud ran a How many bits did
that fall apart into?

Speaker 5 (06:03):
Yeah? What was it?

Speaker 7 (06:04):
I don't know.

Speaker 1 (06:04):
It looked like a cup holder.

Speaker 7 (06:06):
I think it was part of the car.

Speaker 10 (06:07):
Was it?

Speaker 1 (06:07):
That probably was worth it at eight million dollars?

Speaker 5 (06:09):
I don't think f ones have cup holders.

Speaker 1 (06:11):
Well, they might get a drink and.

Speaker 5 (06:14):
They put urine in on the second lack. Anyway, he
would go to question number three, Sharon, this is multiple
choice for you. Which country's sewage system contains millions of
dollars worth of gold and silver? Get pannin? Is it
a Luxembourg, B, Singapore or C Switzerland?

Speaker 11 (06:34):
Hmm, I'm going to say it's Switzerland.

Speaker 5 (06:38):
It is Switzerland. It's a major gold refining hub, so
I think the refineries. It's in the runoff. I don't
think it's coming out of people's bodies.

Speaker 1 (06:46):
Okay, what was the welcome stranger in your toilet.

Speaker 5 (06:52):
I always like to go in a sieve when I'm there.

Speaker 7 (06:55):
What was the last state to join the United States
of America?

Speaker 1 (06:58):
Sharon?

Speaker 5 (07:03):
Come on, Sharon, it's a bit like pulling chin hairs.
Come on a sorry, Sharon.

Speaker 1 (07:09):
We'll put on some flavorod back and then we'll come
back and you can play if you'd like to hear.

Speaker 2 (07:13):
Every second of Jonesy and Demander on demand. Search for
us now on the iHeart app Fast the Street of Light,
Jonesy and Demanders five.

Speaker 1 (07:26):
Where into the fast five?

Speaker 7 (07:27):
And we find ourselves in question number four?

Speaker 5 (07:29):
It's going to Anthony and Epping. Hi, Anthony, how are
you okay?

Speaker 7 (07:33):
How is anthey?

Speaker 1 (07:33):
You epping epping or epping epping in Victoria?

Speaker 7 (07:40):
And you've got the public holiday today?

Speaker 1 (07:41):
How's that going?

Speaker 11 (07:43):
Actually?

Speaker 1 (07:43):
I work today, good man.

Speaker 7 (07:44):
You're keeping the state of Victoria alive.

Speaker 5 (07:46):
What's your public holiday for? Is this the work of
the eight hour working day or something?

Speaker 6 (07:52):
I think it's labor Day.

Speaker 1 (07:55):
Did you go to the Grand Prix?

Speaker 5 (07:56):
He's not a holiday because of the Grand Prix, but.

Speaker 1 (07:58):
It's perfect dovetails nicely.

Speaker 5 (08:00):
I think you also get a dow for Melbourne copt.

Speaker 1 (08:03):
And remember when we used to go to the Grand Prix.
That was the greatest event in the world. I'll tell
you what that was so good?

Speaker 5 (08:09):
Are you interested in it, Anthony.

Speaker 12 (08:12):
Not at all.

Speaker 1 (08:13):
It's not for everybody. Well, I got a hot lap
around the track in one of the cars. That's what
happens when they leave him running and you've had a
few pas.

Speaker 5 (08:22):
And you went fast because you were chased by the police.
He's question number four for you. What was the last
state to join the United States of America.

Speaker 13 (08:30):
I believe that's Hawaii.

Speaker 1 (08:31):
It is which Oscar nominated actor sparked sparked backlash after
dismissing ballet and opera as art forms audiences don't really
care about it.

Speaker 5 (08:42):
Yes, he said some really spiky words.

Speaker 6 (08:44):
Do you know who it was, miss l It was.

Speaker 5 (08:48):
Yes, here's what he said.

Speaker 14 (08:49):
And I don't want to be working in ballet or
opera or you know things where it's like, hey, keep
this thing alive, even though at all respect.

Speaker 15 (08:58):
To the ballet and opera people out there, I just
lost fourteen cents in viewership.

Speaker 5 (09:03):
Lost fourteen cents in viewership. Apparently over in the last
twenty four hours, he's lost something like fifty thousand Instagram followers,
and there's talk that he may no longer be in
the running. In the eyes, I think.

Speaker 1 (09:14):
He's clearly just joking.

Speaker 5 (09:15):
Well he said it a few times and also he
knows his words have power, and why he's a member
of the PUNSI arts to start with, just because he
just he thinks people love cinema and they love those
other art forms. He should shut his pile.

Speaker 1 (09:29):
Well, what do you think, Anthony do that? I think
he's just joking. I don't think he should be hung
from the well.

Speaker 5 (09:33):
No one's hanging in from the rafters. But people are
had to say, you're out of line. What do you think, Anthony?

Speaker 8 (09:39):
Honestly, I don't know, Like I think, I think he
is an artist, but he should rag on other artists.

Speaker 1 (09:47):
Quite right, true, quite right out the wisdom from Anthony.
That's why you're running the Great State of Victoria. Mate,
and you get the prize.

Speaker 5 (09:53):
You do get the prizes. Five hundred dollars about you
to hijinks.

Speaker 1 (09:56):
Hotel where fun checks in and boredom checks out. Search
Hijik's Hotel, Anthony, Thank you.

Speaker 5 (10:02):
Oh thanks, Anthony. Guess he is going to be joining
us next up hour. It's not Timothy Charlomagne, who incidentally
spells his name t I m O t H double e,
but he doesn't like the other fine arts.

Speaker 7 (10:17):
How would that guy Montgomery spell his name.

Speaker 5 (10:19):
Well guy double ee, No he doesn't. He's just a
guy and a genuine man is going to be joining us.

Speaker 7 (10:25):
Very funny guy.

Speaker 1 (10:25):
He's coming up on Gold Gama, Gold's Jonesy Devanda's jam Nation,
Driving you Home Monday, the ninth of March.

Speaker 7 (10:32):
Hell of a year.

Speaker 5 (10:33):
Hell of a year and it's only March.

Speaker 7 (10:36):
What about maretith first sight?

Speaker 5 (10:38):
We're still going with that. I think he should have
got boring.

Speaker 1 (10:40):
This show it just gets better and better.

Speaker 5 (10:44):
You said it had got.

Speaker 7 (10:44):
The jeopardy for.

Speaker 1 (10:45):
The contestants is how long they can stay on the show.

Speaker 5 (10:48):
So how much drama they can have, and how much
they can hate each other while still find just finding
justification to stay on exactly.

Speaker 1 (10:57):
And that's it, because if you have natural chemistry with someone,
you'll stay there and do it.

Speaker 7 (11:01):
But if you don't like each other, then you have.

Speaker 5 (11:03):
To find some reason to stay on.

Speaker 7 (11:06):
How are you going to be relevant?

Speaker 1 (11:07):
Joel and Juliet are a classic.

Speaker 5 (11:09):
See the one with the face here that goes all
the way.

Speaker 1 (11:11):
It needs a plimsal line. He was the one that
was playing a drum kit with sex choys. He was like,
I call him the dualdo drummer. He wasn't playing with
a bass guitarist and guitarist. That's what the drummer of
police used to call the band. Anyway, that's a musician
Jack drummers appreciate that. So he's paired with Juliet, who
I first kind of liked at first, but then there

(11:32):
was this massive miscommate miscommunication last week.

Speaker 10 (11:36):
Why did you come here?

Speaker 3 (11:37):
It's for love and for something real.

Speaker 6 (11:39):
I'm not getting either of that from you. I'm getting
a performance.

Speaker 10 (11:44):
You don't understand I'm going to give you. You don't
see the star in me, you don't see.

Speaker 1 (11:48):
The lights in me?

Speaker 10 (11:49):
Yeah, literally, moment you know what a metaphor is.

Speaker 16 (11:55):
I'm done right now, I'm done.

Speaker 3 (11:57):
I'm done.

Speaker 1 (11:58):
I think you could question a lot of the merrit
at first sight people and they wouldn't know what a
metaphor is. Anyway, She's gone to the dinner party and
she's totally got it wrong.

Speaker 16 (12:08):
And then he kind of cracked and looked at me
like deadpanned me in the eyes and said, well, I'm
the star. And I at that point was.

Speaker 10 (12:21):
Like, she's totally twisted my words and used it against
me and made it out like I am sort of
this egotistical guy who's like claiming the limelight and saying
I'm the star.

Speaker 3 (12:31):
Of the show.

Speaker 1 (12:33):
I think he's an egotistical guy that wants the limelight.

Speaker 5 (12:36):
But she's rom under the bus certainly, and what happens now.

Speaker 1 (12:39):
You know what I like more than anything when John
Aken gets really cranky and does the stern talking to
and he gave it to her full behavior last night
towards Joel was ugly and it goes on for some time,
but he really tore her a new one, which I
thought was pretty good because.

Speaker 7 (12:58):
She kind of got to come up. And then she
had to make an apology.

Speaker 5 (13:02):
Too to Joel been to us.

Speaker 1 (13:05):
Well, firstly, she apologized to the group and they said,
hang on, you know, Juliette should be apologizing to the
man your husband, hair face, hair face, have a listen
to this apology?

Speaker 7 (13:17):
And what do you think have a listen?

Speaker 16 (13:19):
I have always said definitely, and I don't feel that
much hatred towards you.

Speaker 5 (13:31):
That's beautiful. She's getting a job at Hallmark anytime soon.
I don't feel that much hatred towards you. Happy Valentine's Day?
And are they staying on? Did they vote to stay
under what? Under what circumstance?

Speaker 7 (13:43):
And this is the beauty of this show.

Speaker 1 (13:45):
So Joel says leave, Yes, of course he does.

Speaker 7 (13:48):
Juliet says she wants to work.

Speaker 5 (13:50):
On their relationship. Is that why a reason for staying.

Speaker 1 (13:56):
To continue her relevance?

Speaker 5 (13:57):
But what did she have to for the sake of camera?
Find a reason?

Speaker 1 (14:02):
I like the way you shave your face, that's what
he said to her. Certainly can't be the way he
plays drums.

Speaker 5 (14:08):
Oh so they're in for another week.

Speaker 7 (14:10):
Yeah, I want you to say, you don't have to You.

Speaker 5 (14:13):
Certainly got rhythm method.

Speaker 1 (14:16):
Boo. Yeah, there's a drummer I think going right.

Speaker 5 (14:19):
On She's and people love reproductive jokes.

Speaker 1 (14:23):
Dimondgomery. He certainly does very funny guy. And i'd like
to say a friend of the show. He's coming to
town with his guy mont Gody's spelling Bee.

Speaker 7 (14:33):
We'll be talking to him.

Speaker 1 (14:34):
Next on Gold Jam Jam Nation Gold.

Speaker 7 (14:36):
It's Jonesy Demanda's Jam Nation.

Speaker 5 (14:39):
Well, life has changed dramatically since the last time we
spoke to Guy Montgomery, he's been on tour, he's won
a LOGI and he's welcomed a baby. Didn't just have one,
he welcomed it. Quite the underachiever. Well, in an effort
to make this year even bigger, he's taking his hilarious
news show. Now if I got this right, guys, guy
Mont's Guymont's Spelling Bee or is that a time?

Speaker 1 (14:59):
And you've got to say he I'm not about to hello.

Speaker 5 (15:01):
Here is Guy Montgomery himself here.

Speaker 4 (15:03):
He is okay now as Sindy Amanda, thank you so
much for having me and might I say what a
pleasure is to see you both again. It's been a
matter of years, you know. And that's not written on
anyone's faces. That's just information, you know. I'm not here
to put anyone down, but yeah, no, it's been a
big few years. And to correct your your your title,
the title is Guy Montgomery's GYMNT Spelling Bee. Is the

(15:28):
official working title of the show.

Speaker 5 (15:30):
Why does it have to be so that?

Speaker 16 (15:33):
So?

Speaker 3 (15:33):
The reason it has to be so that there isn't
it is that?

Speaker 4 (15:36):
And that is a non negotiable is I started doing
this just on YouTube as a lark.

Speaker 13 (15:41):
You know.

Speaker 4 (15:41):
This was this was like off off off Broadway, just
to muck around with friends. And then from there it
became a live show in New Zealand. Then it became
a TV show in New Zealand. And along the way,
I kept pitching the title because it was so daft
and waiting for literally anyone to push back and say,
I'm sorry, but we've got to give it a bit
title than that didn't happen in New Zealand, brought to Australia,

(16:03):
didn't happen in Australia, and now I'm saddled with this
sort of non functioning pun that works.

Speaker 1 (16:10):
It works. I did a show called RPM and they said, oh,
we want to do a little bit. It was about
cars and motor racing, had Alan Jones, the Formula One champion,
and they said, we wanted a little bit of a
video thing if someone guys riding lorn and I was
doing stuff and what do we call it? And I said, well,
we're going to get some sort of snappy title, some
snappy titled video, and then they just went that's what

(16:31):
it'll be. So I became an STV.

Speaker 5 (16:34):
Snappy titled video.

Speaker 1 (16:35):
That was it. So on the screen, it just said
STV snappy titled video.

Speaker 4 (16:39):
STV perilously close to the aircronym for a much more
famous st consonant.

Speaker 5 (16:45):
Yes, that's right, and no one wants that full screen
under your face.

Speaker 7 (16:48):
And that segment doesn't exist anymore.

Speaker 5 (16:50):
No, No, fair enough to well tell us that your
life has just exponentially exploded. LOGI baby, which one is
on the shelf more often? Which one do you value
the most?

Speaker 3 (17:03):
Well?

Speaker 4 (17:03):
On the shelf? To be fair on the shelf as
the LOGI. But if it was, you know, if it
was to come down to it, if there was a
house fire, I would be taking the baby. But yeah, no,
I mean it's been you know, it's totally it's been amazing.
It's totally realigned. You know, my world.

Speaker 3 (17:19):
I just have so much. I felt so connective.

Speaker 4 (17:22):
To the universe after our baby was born, Like I
just was like I was crying at the birth. I
was like crying to my partner, going you were a baby.
And then I was looking around there at my midwife,
I was going, you were a baby. And for about
a week all I could do was say to people,
you were a baby.

Speaker 3 (17:36):
I just felt completely overwhelmed.

Speaker 5 (17:38):
Had you sucked on the gas guy.

Speaker 4 (17:41):
Actually, when the midwife was out of the room, my
partner did offer me some of the guests, but I
wanted to keep my head on a swivel. How about
this though, When we were there, it was an early
morning or not the early morning, so regular morning birth.
And we'd been there for four hours or so, and
the midwife came up to me and said if you
had anything to eat? And I said no, So she
went out into the little kitchen it and brought me

(18:02):
back some toast and tea and gave that to me,
said you.

Speaker 1 (18:04):
Go, you have that.

Speaker 3 (18:05):
You've got to keep your energy up, and I said
thank you.

Speaker 4 (18:08):
And as soon as I sort of was next to
the birthing pool holding my toast and tea, she took
our camera out and just took a fight. Well, my
partner's laboring. There's a photo of me holding a piece
of toast up to my mouth with a cup of tea.
It's the most like, you know, it's such an incriminating photograph.

Speaker 5 (18:28):
And up himself is he?

Speaker 1 (18:29):
She said you up?

Speaker 3 (18:30):
And she did.

Speaker 1 (18:32):
She should have brought you a kebab.

Speaker 4 (18:35):
I will also say, you know, it's crazy. The first
like two weeks or three weeks, you're just riding so high,
hormone surgeon, just absolutely riding a wave of love for
everyone and thing, and then the hormones drop and your
exhaustion kicks it. Like anything that was asked with me,
I was happy to do. And then of course the exhaustion,
you know, catches up and you come you sort of

(18:57):
plunge back into reality where anything that I was letting
slide previously, I was like, hey, you know, you know,
I know, I know we've got a new baby and
needed all the work, but I'm going to need someone
else to put these spoons in the dish wash.

Speaker 7 (19:11):
I don't even mention the sex word.

Speaker 1 (19:16):
Don't even I'm just saying, I'm just saying to you,
I've been down to the way the.

Speaker 4 (19:20):
Way you presented it. You mentioned the sex word explicitly.
It was like it was the most prominent.

Speaker 3 (19:27):
In the sentence.

Speaker 5 (19:28):
You're supposed to say the S word. Maybe that's true,
that's true.

Speaker 1 (19:33):
To say the S word. There was no anyway I misspoke. Guy.

Speaker 7 (19:41):
It's so great to talk to you for tickets and
tour information.

Speaker 1 (19:43):
Did to live nation dot com today, You go, Montgomery,
thank you for joining us.

Speaker 3 (19:48):
Thank you so much for having me.

Speaker 2 (19:50):
You're listening to the Jonesy and Amanda podcast now about
the miracle of recording.

Speaker 1 (19:59):
Amanda great needs.

Speaker 5 (20:01):
I'm not act the chemistry between them, but how much
of mind your own business and shut your pile.

Speaker 13 (20:06):
I wish you were with you, Jo.

Speaker 1 (20:08):
Monday afternoon. Some of us in the country are enjoying
a public holiday today.

Speaker 7 (20:12):
Not that I'm being a big wingy.

Speaker 5 (20:14):
Paine enjoying being here. You enjoying it. I've got something
for you. It's a story about the calendar. And I
know that doesn't sound interesting, but not much calendar. Remember
the mind calendar. It was all supposed to end in
twenty twelve, and we thought that that meant extinction. The
minds were saying no, it's beginning of a new cycle
in the way, said my mistake. I thought we'd be.

Speaker 1 (20:32):
They were still sacrificing people into the finding. Come on,
what about the Gregorian calendar?

Speaker 5 (20:39):
This is about our calendar. And I've actually we've got
some music. It's not conspiracy, but it's kind of like
controversial and interesting and intriguing.

Speaker 1 (20:50):
What have we got?

Speaker 5 (20:53):
It's bad?

Speaker 1 (20:54):
The X five?

Speaker 5 (20:55):
What would you suggest?

Speaker 1 (20:56):
I know it isn't what about this?

Speaker 7 (21:01):
What about that's incredible?

Speaker 1 (21:02):
Incredible, we'll do had.

Speaker 5 (21:06):
My story lives up to all of that and more.
Twenty twenty six has the exact same calendar as a
nineteen fourteen. Oh, the year the world the First World
War began, so we're in for great times. The calendar
is identical to that, meaning that every date falls on
the exact same day of the week. My birthday in
nineteen fourteen was on a Wednesday. If anyone's interested, this happens,

(21:28):
actually it is because of the Gregorian calendar. We have
the We are part of the Gregorian calendar.

Speaker 1 (21:33):
We like the chance, we like the Canary gous.

Speaker 5 (21:36):
So the calendar. This is how their cycles work. In
most cases, calendars repeat every twenty eight years, but leap
years and century rules occasionally shift the cycle. Oh I know,
I feel it in my ankles. But both nineteen fourteen
and twenty twenty six start on a Thursday, non leap years,
so their calendars line up perfectly. And in nineteen fourteen,
if there's any prophecy, I propheceers, I'm making up words now.

(22:00):
If they're listening, nineteen fourteen was the year the First
World War started with the assassination as we know of
Franz Ferdinand. That's right, So the matching calendars are a
mathematical coincidence. Some people may read more into that. What
I would say, though, if you've kept an old calendar
from nineteen fourteen, maybe with a pinup of the girls

(22:20):
of the day, Mary Pickford and Lillian Gish happy Days,
you don't have to buy a new calendar that might
have a cocker spaniel on it or something.

Speaker 1 (22:30):
Forget that Lilian showing a bit of ankle. Wow, it'll
serve this sailor.

Speaker 5 (22:35):
Well, they posed in a lot of hats.

Speaker 3 (22:38):
You know.

Speaker 1 (22:38):
It's funny you bring this up because I had a
sign from the universe. You know, that manifesting stuff that
people go on about.

Speaker 5 (22:44):
You don't You don't believe in any of it?

Speaker 1 (22:45):
Well, I don't, but it kind of happened to me.
Jamnious Gold. It's Jonting Amanda driving you home for jam nation. Man, yay,
I'm not into that can do stuff. You know, you're
manifesting all those.

Speaker 5 (23:04):
No, and even though I think you're a thoughtful person,
I don't think you're a particularly spiritual person.

Speaker 7 (23:09):
I read the stars.

Speaker 5 (23:10):
Yeah, that's weird. You reach your stars every day. That's
that's so not in keeping with who you are normally.
And if I say to you, do you believe them?
You go no, But I have to read them.

Speaker 7 (23:19):
I read them, but I kind of believe in them
a little bit.

Speaker 5 (23:22):
I read my friend who did the stars for a
trucking magazine because her boyfriend was editing it, Nestra's Guide
to Trucking by the Stars. She had a picture of
her with a headband on, and we're working together on
Beyond two thousands. So before we'd go on along film shoot,
she just write the months in advance, get your loved
on a peg basket, you know, stuff like that.

Speaker 7 (23:40):
People look at that sort of stuff.

Speaker 1 (23:42):
But I'm not going to get my astrological information from
a trucking magazine.

Speaker 5 (23:46):
Where you're getting it from You're getting it from the
Daily Telegraph.

Speaker 1 (23:48):
I do like the ones in the in the papers.
I like to read them from time to time. But
I'll just say this, I'm not a manifestor. But one
thing I am is an enthusiast of motorcycles. You know that, Yes,
And over the years, I've collected a few motorcycles and
I've you know, it's like having kids.

Speaker 7 (24:05):
Once you get past having.

Speaker 5 (24:06):
One mode sathful for your wife.

Speaker 1 (24:08):
Once you get past having one motorcycle and you get two,
then all of a sudden, you've got heaps of them.

Speaker 5 (24:14):
Well, I think with kids, like kids, two is one thing.
Three means a new car and family of four. Three
is an exponential growth, right, and you're.

Speaker 1 (24:23):
Going to have space. But also I find as you
get older, you just have too much stuff and it
gets too hard.

Speaker 5 (24:28):
Well, what's this got to do with manifesting?

Speaker 1 (24:30):
Well, my mother, I've got this one particular motorcycle. It's
a Yamaha FJR thirteen hundred, you know, the black one,
the one that the you know that one?

Speaker 7 (24:42):
Did you what did you walk past today?

Speaker 5 (24:45):
Do you mean in the car pass?

Speaker 1 (24:46):
Yes?

Speaker 5 (24:48):
I did notice a bike, but the only reason I
noticed it because there weren't two bikes, and normally someone
else brings a bike.

Speaker 1 (24:53):
I'm not running two bikes, no.

Speaker 5 (24:54):
But someone else they didn't. They didn't, they're not in today,
was how I thought about it. So I saw that
you had a bike there.

Speaker 1 (25:00):
Yeah, yeah, So anyway, that particular bike my father left
me when he passed away in twenty fourteen. This is
a bike that I wouldn't have not necessarily bought. I
really appreciate it. I think it's a really great bike.

Speaker 5 (25:13):
Do you do ride it?

Speaker 7 (25:14):
I do? But I'm a Harley guy.

Speaker 1 (25:15):
On my first I bleed Harley David to colors whatever
they are, black and gold, but I black and orange,
I should say. But I just you know this particular
bike I've had since twenty fourteen, I'd ride it to
work every day and you don't ride that one to
it not every day.

Speaker 7 (25:30):
But it's good for rain. It's a because I don't
drive a car. I like a wet weather bike because
it's got the fulfairing.

Speaker 1 (25:35):
And yeah, okay, sorry is boring?

Speaker 5 (25:37):
No, no, no, but I'm wondering where the matter.

Speaker 1 (25:39):
Anyway, as I went to bed last night, what had
happened over the weekend, the engine warning light came on?
And as Jim I Rye will tell you, what do
you do when an engine warning light comes on? You
have to go to the mechanics immediately.

Speaker 5 (25:52):
Did you do that with your car?

Speaker 1 (25:54):
No, I just know it's just dead. Just put tape
over it. I left it in his front.

Speaker 5 (25:58):
Yeah, so did you go to the mechanic?

Speaker 1 (26:00):
And yes, I rang my mates at the shop and
I said, look, the engine lights come on. Can you
have a look? And they went, yeah, yeah, bringing them today.
And so I went to bed last night I thought,
our dad's bike. I've put a billion k's on it.
You know, maybe it's time.

Speaker 5 (26:14):
You weren't seeing that as a sign to let it go.
It's time to move it on an engine light and
put a band aid on it.

Speaker 1 (26:19):
It could be you know, valves, it could be anything.

Speaker 7 (26:21):
It could be a mirroad of things.

Speaker 1 (26:23):
And anyway, as I went to sleep last night, I said,
you know what if they've got another FJR thirteen hundred
black one in their shop, then perhaps I'll trade it.
I go into to their shop today. I walk into
their shop. There is one there, a twenty ten model.
Winds are two thousand and seven twenty ten model. Like
it's pretty much the same bike.

Speaker 5 (26:46):
Is it unusual to see one?

Speaker 1 (26:47):
You don't see them anywhere. They're a very good bike.
And I'm just thinking, has my dad I'm going to
ask you this question.

Speaker 7 (26:55):
Has my dad sent me a sign?

Speaker 5 (26:57):
As he said, what is the sign it's.

Speaker 7 (26:59):
Time to move that bike on? Trade it in, get
this one?

Speaker 5 (27:03):
How do you feel about doing that.

Speaker 1 (27:05):
I don't know.

Speaker 7 (27:06):
I was asking you for advice.

Speaker 5 (27:08):
How do you feel, well? Is the one is your
dad's one?

Speaker 1 (27:12):
Safe? Yeah, of course it's safe, just going to cost
me a lot of money to fix junk on it.

Speaker 5 (27:17):
Well then why do you think your dad was telling
you to get a new one?

Speaker 1 (27:19):
Well, he's probably thinking you move on from this thing.
It's got to be in case on it. Why don't
you take this one?

Speaker 5 (27:24):
But would you feel bad for sentimental reasons losing your
dad's one?

Speaker 1 (27:28):
Well then I've got two of exactly the same bike,
which I already have two of the other same bikes.

Speaker 5 (27:35):
Well, then why don't you so what sign? Do you
think your dad's giving you the sign of hold onto
this bike? Or because you went to bed thinking if
there's one the same election?

Speaker 7 (27:45):
That's why I said as I went to bed, I
said that out loud.

Speaker 5 (27:48):
And do you think your dad was a practical man?
Do you think he'd be saying, mate, stay safe, good
a new one?

Speaker 1 (27:53):
Well, I wish you could be a bit more direct. Debut.

Speaker 5 (27:55):
That's what they say, isn't it that send a sign?
And it's the sound of a drum or a fish flopping?
Do you think don't you just tell me what's the afterlife?
Give me some something big, what.

Speaker 1 (28:04):
You need to do?

Speaker 7 (28:05):
More worn in and get this one?

Speaker 1 (28:07):
That's right?

Speaker 7 (28:07):
I just don't know, And then I feel incredibly Okay.

Speaker 1 (28:11):
So if I didn't, if dad didn't leave me that bike,
and I saw this bike, would you buy it? Of
course it would. I would just trade it on. So
that's that's that's great. But the thing that's stopping me
from doing is.

Speaker 5 (28:20):
Being sentimental about the bike. How about you do this?
You keep this bike and buy the new one, so
you end up being safe as your dad apparently want
apparently wants you to be, and you can still be
sentimental without the angst of losing the bike.

Speaker 1 (28:38):
Then I was it's too many. I've got too many.

Speaker 5 (28:40):
Now, well, let's have a telephone for Branda.

Speaker 1 (28:44):
Can you buy Why don't you buy it for me? Anyway?

Speaker 5 (28:49):
Is that where this conversation was going. I'm going to
manifest a kick in the nuts.

Speaker 7 (28:55):
Birthdays coming up?

Speaker 5 (28:57):
Well, coming up? There was a famous face that popped
up on the City to Melbourne train. Look at you
looking at me? It wasn't your father?

Speaker 1 (29:08):
Whose face?

Speaker 5 (29:09):
Whose face was it? And what's it all about? We'll
talk about it next on gold Jonesy and Amanda.

Speaker 2 (29:15):
Listen to the podcast Whenever you want with the free
iHeart app.

Speaker 1 (29:19):
Gold Is Jonesy Demand and driving you home for jam Nation.
Isn't it great? Ed Sheeran catching the train from Sydney
to Melbourne.

Speaker 5 (29:27):
We were going to say, who do you think it was?
And do a big bill.

Speaker 7 (29:30):
Ruined for you?

Speaker 5 (29:31):
Yeah? It's Ed Shearon.

Speaker 7 (29:32):
I think you'd be Johnny Dumbo not to know.

Speaker 5 (29:34):
How would you know? How would you know? Could have
been big rules, could have been Andrew Mountbatten, Windsor or
windsor Mount Patton's me.

Speaker 1 (29:42):
He go a plane or a chopper, a chopper and
a plane together.

Speaker 7 (29:47):
That's what I like about Ed Sheeran.

Speaker 5 (29:48):
Oh, look, we've said this before. He's worth seven hundred
million dollars and he is. Have you seen the stuff
he's been doing. He's been feeding people, he's been working
in food banks, he's been visiting children's hospitals and here
he is traveling eleven hours overnight on the city to
Melbourne train. They're saying that maybe he's done this. His
wife is a consultant in sustainability and encourages him to

(30:12):
save emissions right on.

Speaker 7 (30:13):
It was the XPT, the express train.

Speaker 1 (30:16):
Which I will say this. They put a bit of
mail on how fast it goes. Like if you go
up to Europe and you get on one of their
fast trains, that's fast, and then you get on the
bullet train here, that's fast.

Speaker 5 (30:28):
If you get on a train overseas for eleven hours,
you've gone into space exactly.

Speaker 1 (30:32):
You've got across the continent here. The dopes that run
the country have been how long have you. I've been
in this business for thirty odd years more now, and
the idea of the maglev extremely fat.

Speaker 5 (30:44):
I looked to beyond two thousand. I've seen a number
of the maglev.

Speaker 7 (30:48):
Lie to us that was going to happen.

Speaker 5 (30:49):
It's like the TV show Utopia. It's all brochure, no substance.

Speaker 1 (30:53):
But I just like the idea of him on the train.
He's wearing what it looks to be prison green.

Speaker 5 (31:00):
Well, I guess you know he does. He doesn't want
to be a big show.

Speaker 1 (31:03):
Look you do all right in jailer, Reckon Edward. What
do you mean he's got the tats.

Speaker 5 (31:08):
This little cherubic face.

Speaker 3 (31:10):
Ye?

Speaker 1 (31:15):
Okay, music boy, you sing a song?

Speaker 14 (31:17):
Yeah?

Speaker 5 (31:18):
I don't know how we go in prison. A tat
doesn't make you a toughye. Sounds like I'm talking to
the school. Okay, kids, listen up.

Speaker 1 (31:27):
But I just you know, and we just recently saw
Tom Hanks on the Metro in Sydney. Yes, he was
catching the train. There's a great thing on the internet.
Have you seen that one of Tom Cruise? He's on
the train. Do I believe I know why? Okay, but anyway,
just like the story and no one else is noticing it.
And this one girl knowses Tom Cruise and just is

(31:47):
discreetly filming and Tom just goes puts his finger to
his lips. You know, I keep it to Yourself's a
bit like what I'm on public Transportuse me, sir? Have
you got a.

Speaker 5 (31:57):
Sponge for that?

Speaker 1 (31:58):
You have you tapped?

Speaker 5 (32:00):
Don you're jumping over the turnstile. I follow that Instagram
site Hot guys reading on public trains. Okay, yeah they're
not famous. That is hot and that's enough. Sometimes I
feature on that as well, reading inside of a sick bucket.

Speaker 1 (32:17):
You really go to town today? But I was thinking maybe
the travel drum could beat beat for this fame on
a train.

Speaker 5 (32:28):
Fame fame on a train, except other forms of public
transport as well. I know you like a rhyme.

Speaker 7 (32:35):
Idea, I'd fame on a train.

Speaker 5 (32:37):
No fuss on a bus.

Speaker 1 (32:38):
Okay? I saw I saw Tom Eggs on an omnibus.
Have you got an intrude from that? I saw Casher
on a tram. Yeah, okay. It doesn't even rhyme When
we just say fame on a train.

Speaker 5 (32:53):
You know, you get the gist. Who have you seen?
What were they doing?

Speaker 1 (32:56):
We'd love to hear from you. Thirteen fifty five twenty
two on Gold Gold It's Jonesy Demander's gem Nation Driving
you Home.

Speaker 7 (33:03):
Ed Sheeran on a train from Sydney to Melbourne, the.

Speaker 1 (33:06):
XPT, which is not that fast really, it gets up
to a fair clip.

Speaker 5 (33:11):
It's slightly faster than walking, which could have been another option.

Speaker 1 (33:14):
We were in the middle of this country town and
the local publicans said, oh, you boys want you want
to see something great? And we said yeah, or what
the train the XPT comes through here? I went yeah,
really how quick? It gets up to about one hundred
and seventy and sounds fast. Yeah. So we all got
chairs and sat down by the train tracks. Waiting for
this thing to.

Speaker 5 (33:33):
Come through so fast you didn't see it.

Speaker 7 (33:35):
They slow it down to twenty case.

Speaker 5 (33:37):
When it goes through towns. That's why it's the Publican laughed,
Oh did he get you with beauty?

Speaker 11 (33:41):
Was?

Speaker 1 (33:41):
Yeah, because we're sitting there with our chairs and our
beer waiting for the trainer.

Speaker 5 (33:45):
I used to take it up to Bathist, which is
about probably in those days was a four hour train trip.
I used to get to feel a bit castick on it.
I'd prefer the old rattler.

Speaker 7 (33:54):
The XPT.

Speaker 5 (33:54):
Yeah, because there's a bit too much move movement.

Speaker 1 (33:57):
How would you do you want a zig zag railway?

Speaker 5 (34:00):
No, you mean.

Speaker 1 (34:02):
Anyway?

Speaker 5 (34:03):
No, you mentioned it.

Speaker 1 (34:04):
It was a boat x year, not a train.

Speaker 5 (34:07):
This is leading us to frame it like this fame
on a train.

Speaker 1 (34:14):
It's very good. Ryan Tracy has joined us.

Speaker 5 (34:17):
Hello Tracy, who'd just see and Amanda?

Speaker 12 (34:22):
I saw Shane Potier from a country practice every afternoon
on my way.

Speaker 10 (34:27):
Can still amount of.

Speaker 5 (34:28):
Station sounds like you're on a train now, are you?

Speaker 11 (34:33):
No?

Speaker 1 (34:33):
I mean.

Speaker 5 (34:35):
On the train tracks. Dangerous Tracy. Shane Portius, who was
the doctor in a country Prayers. I remember he famously Yeah,
this is when he was met the height of his fame,
he would take the train every day. I read it
in TV week.

Speaker 7 (34:48):
Was that Shane the one that played Brendan Jones.

Speaker 5 (34:50):
No, that's Shane Witherington.

Speaker 7 (34:52):
He's on Home and Away.

Speaker 5 (34:53):
Yes, No, Shane Portius, the one he played the doctor.
You don't remember, No, I do.

Speaker 7 (34:58):
I just it's not that remarkable you see him on
the train?

Speaker 8 (35:01):
It was he was.

Speaker 5 (35:02):
You remember how huge that show was. For him to
be in public every day for a trip, quite a
substantial trip on the train was a big deal.

Speaker 7 (35:10):
Sorry, Tracy, thank you. Cheryl has joined us.

Speaker 5 (35:13):
Oh Cheryl, who did you see?

Speaker 12 (35:15):
Oh?

Speaker 6 (35:15):
Hi James and Amanda. I saw metwife on the monorail
in the nineteenth.

Speaker 1 (35:21):
We have a went wow?

Speaker 5 (35:23):
And was he being mobbed?

Speaker 3 (35:26):
No?

Speaker 6 (35:27):
I don't think Michael. I didn't really recognize him.

Speaker 13 (35:29):
Mind.

Speaker 6 (35:30):
My husband said to me, do you know who that is?
And it was meatloads?

Speaker 5 (35:34):
Did he look meat loafish like?

Speaker 6 (35:36):
Did he His hair looked a bit greasy, But yeah,
giveaway that's him. And I had a look though I
could see him that I wouldn't have looked at him
twice otherwise.

Speaker 1 (35:47):
And was it just you meet loaf and your husband
on the on the monoracus. As infrastructure go, it was
the most useless piece of infrastructure in this country ever.

Speaker 6 (35:57):
It was that one and only time I ever went
on it.

Speaker 5 (36:00):
Answers are he was going on for the Novelty as well.
He's telling everyone that he saw Cheryl. Cheryl, thank you
and take more of your calls.

Speaker 1 (36:08):
That is so good, gem Gold.

Speaker 7 (36:10):
It's Joncy demanded driving you home.

Speaker 1 (36:12):
The tribal drama has been beating on the siding of
Ed Sheeran on a train from Sydney to Melbourne.

Speaker 5 (36:18):
We also saw Tom Hanks on the metro train in Sydney.

Speaker 1 (36:23):
Tom Cruise on the subway in New York.

Speaker 5 (36:25):
City, Meatloaf on the monorail.

Speaker 1 (36:29):
The tribal dramas beating fame on a train.

Speaker 7 (36:36):
Monorail and train are technically.

Speaker 5 (36:38):
Form of transport. Remember somebody I knew saw Rutger Hower
the spinning teacup Disneyland. That's a form of transport. Slow
moving from.

Speaker 1 (36:49):
What was that thing that incredibly long movie with Harrison.

Speaker 5 (36:52):
Ford Blade Runner?

Speaker 1 (36:54):
Blade Runner? Who's the baddie in that theme?

Speaker 12 (36:58):
There?

Speaker 5 (36:58):
He was spinning in a tea cup with a middle
kids I had they were his own see look what
the world has done to you. M Nicole, Hi, how
are you going?

Speaker 3 (37:09):
Well?

Speaker 5 (37:10):
Who did you see on a form of transport?

Speaker 12 (37:12):
Kate Blanchette on the Barra Ferry?

Speaker 5 (37:15):
All right, she was she just sitting there minding your
own business.

Speaker 12 (37:19):
No, she was with us, three kids and probably about
eight other people. And I looked at an Indian lady
who was like, yes, yes it's her and going me
this sort of nod like yeah, yeah. So I pretended
to take a selfie of myself and my three kids
and took a puttle of her.

Speaker 5 (37:37):
Yeah, she must be used to that. Move over, kids,
so I can pretend you're in this shop. I would
have loved to have seen that Nicole Jonah has joined
Hi Jonah, Who did you see?

Speaker 13 (37:49):
I saw boy George.

Speaker 6 (37:51):
This call is being recorded, okay?

Speaker 12 (37:54):
Was it was he?

Speaker 5 (37:55):
On transport of some kind?

Speaker 13 (37:57):
Yes, the XPT from Sydney to Melbourne.

Speaker 1 (38:00):
Oh when was that?

Speaker 13 (38:03):
That's where it would have been back in the nineties.
I was traveling back to Melbourne and my friend had
turned around and kept turning around and he said, I
think it's boy George sitting behind us, and I said, oh,
you're kidding me, And it took me for about two minutes.
He said, look, look, look it is, it.

Speaker 8 (38:23):
Is it is.

Speaker 13 (38:24):
So I finally turned around and I look, I'm just
like it was boy George, and make one no, boy
George is looking like boy George, like just like a
normal citizen. Yeah, not in makeup, no hats, no anything.

Speaker 5 (38:41):
And that would have been the height of his fame
in the nineties.

Speaker 13 (38:44):
Oh, absolutely, one hundred percent. And I just I was
just grabbing for anything I could, and I said, can
you please sign the napkin for my sister? So he
signed a napkin for me.

Speaker 5 (38:58):
Actually, you know, he's fame was the eighties, wasn't it.

Speaker 1 (39:00):
Why don't you get it signed for yourself? Jonah?

Speaker 13 (39:03):
Because I was into him, but not intoo much, that
makes sense. I liked him, Yeah, yeah, sorry, I liked him,
but not enough to get out.

Speaker 5 (39:12):
No, it's easy to ask for somebody else, I guess so.

Speaker 1 (39:14):
But also you got busted because your friends go I
turn around, turned around, and you were around now and
then bang boom o.

Speaker 5 (39:21):
Now it's easy to get that sort of stuff for
somebody else. Thank you, Jonah.

Speaker 7 (39:24):
Christina is joined us.

Speaker 5 (39:25):
Who did you see Christine? Hello?

Speaker 8 (39:27):
Jamesy and Amanda.

Speaker 5 (39:28):
Hello, Christine, who'd you see?

Speaker 8 (39:32):
I saw? This is a back in the day story. Okay,
about nineteen eighty. We're on the Manly Faerry a group
of ust young girls and there was a couple and
we were checking out the guy, thinking how gorgeous he was,
and then we realized it was Matt Latanzi and Olivia
Newton John.

Speaker 5 (39:50):
Wow.

Speaker 13 (39:51):
Wow, So that was that was pretty good?

Speaker 1 (39:54):
Yeah, yeah, that's pretty good.

Speaker 5 (39:55):
That is pretty good.

Speaker 7 (39:57):
Manly Fairy cuts its way to Circular Key and.

Speaker 5 (39:59):
Matt Latanzi was a handsome young man sixteen.

Speaker 8 (40:02):
My god, it was gorgeous. And then we saw the
Don Lane show the next night and she was on
Don Lane saying she'd been on the Manly Ferry the
day before over for fish and chips. So she was
going she was so underwearth wasn't she?

Speaker 2 (40:15):
So?

Speaker 5 (40:15):
Actually she was? She absolutely was.

Speaker 7 (40:17):
We miss her whenever we spoke to us.

Speaker 1 (40:18):
She's always like she was lovely.

Speaker 5 (40:20):
She never lost that common touch. Thank you, Christine, Thank
you for all your course.

Speaker 1 (40:24):
Coming up, the pub test is on the way. Timothy Charlamade.
He's upset a lot of heat.

Speaker 5 (40:29):
Well and opera folk, and he's sort of been elitist
amongst the arts. What do we make of it? We'll
put him to the pub.

Speaker 1 (40:35):
Test Instagram as well. That's coming up, your chance to
win two thousand dollars on gold.

Speaker 2 (40:40):
You're listening to the Jonesy and Amanda podcast.

Speaker 3 (40:45):
Yeah, I saw in a request for them to do
it again?

Speaker 5 (40:50):
Should lay off the moonshine a man's week.

Speaker 1 (40:58):
Ninth of March. I guess these New year is officially done,
isn't it.

Speaker 5 (41:02):
We've got one more fortune cookie in this shop, the
one I got the other day? Where is it? Life's
not fair?

Speaker 3 (41:09):
Get used to it.

Speaker 5 (41:10):
Since when a fortune cookie is reflective of the state
of the world, they're supposed to be slightly optimistic.

Speaker 1 (41:15):
You're going to say that you were going to put
your little twee in bed.

Speaker 5 (41:19):
So that's what you do at the end of the
Life's not fair. Get used to it in bed talk
to the people from married at first sight. The last
fortune cookie is ready, I've split it in half. Terrible.
Your success will be improved each year in bed?

Speaker 1 (41:40):
Right, got any others for us? Come on?

Speaker 5 (41:44):
Let us celebrate family love today. No family love today,
not family loved anyway. Maybe you shouldn't put that on
all of them. That's the last of them.

Speaker 1 (41:54):
Now, okay, well, thank god until next year.

Speaker 7 (41:56):
Now we just have to get into Ramadah.

Speaker 5 (41:59):
And I'm actually going to eat it.

Speaker 1 (42:01):
Oh great. People would appreciate that noise coming up to
they Charla May he's upseta a lot of ballet dancers
and opera singer.

Speaker 5 (42:10):
Yes, even though he's a member of the arts, he's
punched down in another form of the arts and people
are outraged. We might put it to the pub tech.

Speaker 1 (42:17):
Instagram makes its return and we pay tribute to the
late great Jamie Dunn on Gold jam Nation Gold. It's
Jonesy Demanda's jam Nation driving you home sad about Jamie
Dunn passing away on the weekend.

Speaker 7 (42:30):
Did you know Jamie?

Speaker 5 (42:31):
It all not as well as you did. But I
knew him not but not very well.

Speaker 1 (42:35):
I work with him back in the nineties in Brisbane
on radio. Yeah, he hosted the Breakfast Shower b W
and I find very successful. It was raiding through the roof.
It was huge.

Speaker 5 (42:44):
Try you this when it because he hosted with himself
and Agro.

Speaker 1 (42:48):
Yeah.

Speaker 5 (42:48):
So would he just obviously do the voice.

Speaker 1 (42:51):
Well, sometimes he'd just do the You're just in the studio.
He just do the voice and he just have his
hand and I'd say naked.

Speaker 5 (42:56):
Agro, so he'd actually still move the hand.

Speaker 1 (42:58):
Yeah, he sort of put it there, and you know.

Speaker 5 (43:00):
Did he put it there for himself or for others?

Speaker 1 (43:03):
But then he'd always treated Agro with a lot of reverence.
Came a little bag and pulled him out. And you know,
I never I remember often wanting to have a go
that gro and did he say no, No, I never,
I don't think you know, I didn't want to cross
that line. No, he hosted the radio show. But also
you might remember Agro's cartoon connection.

Speaker 2 (43:24):
Looks like it it looks like a stencil of an
Anne Marie Doll.

Speaker 11 (43:27):
Stop it all right, you go now the letter, but.

Speaker 2 (43:30):
That one's been distorbed.

Speaker 3 (43:30):
That one's got hips.

Speaker 4 (43:33):
Talking, okay, all right?

Speaker 11 (43:37):
Otherwise you know what happens when you get naughty, don't you?

Speaker 4 (43:41):
Yes, the ratings go up?

Speaker 1 (43:43):
Or is that The Kyl and Jackie O Show does
sound good like it?

Speaker 7 (43:46):
But Jamie was just you know, he was a character.

Speaker 5 (43:48):
But he didn't tolerate fools from what I know, And
he was how did you go?

Speaker 1 (43:53):
I think he liked me. I remember the day as
clear as anything. When I first met him, i'd been
there for about a week at the radio stage to
Boo one O five, and I was just standing in
the kitchen making small talk with another chap who it
was his first week as well, so much to the
kitchen said oh this is great, we're here. Jamie walks
in and on the kitchen cupboard there's a box of
wheat picks, grabs the wheat picks, looks into him and

(44:17):
looks at both of us. Somebody's been eating my wheat picks.
And we you know, so this is Jamie, not Agro,
but that's how Jamie anger just sounds the same.

Speaker 5 (44:25):
But this was him off here, it's James.

Speaker 1 (44:28):
Somebody's been eating my wheatbix. Wasn't you two blakes? And
we said, oh no, we just got here made anyway.
He walks off, so we continue our chat over our cups.
Tea comes back with a brand new box of weak picks,
and while we're chatting, he says, right open, opens the
lid up and takes out one, digs right into the
middle of the box, takes out one wheat pick, and

(44:49):
then with his loose Trackie dacks puts it down the back.

Speaker 5 (44:52):
Of his trackie dacks into his bottom.

Speaker 1 (44:54):
Well, you don't, I didn't know it wasn't having a
forensic examination of it close proxss. And then he puts
it back meticulously into the middle of the box. And
then he looks at us too, and he says, right,
only three of us know where the golden brick is. No,
And then we pondered over because every week take they're

(45:15):
getting closer to the golden brick.

Speaker 5 (45:17):
We have attempted play Russian Roulette with the golden brick. Yummy,
I've had some wheat pigs today, says Brendan. I didn't
even pay for that.

Speaker 7 (45:27):
I didn't touch his cocoa pops. Rest in peace, mate.

Speaker 1 (45:31):
What a story, true legend. Yes, indeed gold is jonesy
Amanda's gem Nation. Driving you home where there's big issues
to talk about. How we go straight down to the
jonesy Amanda arms, I know it's Monday, it doesn't matter.

Speaker 2 (45:43):
The pub test test.

Speaker 1 (45:44):
Does not past the pub test, Hub test test doesn't pass.

Speaker 12 (45:50):
The Swift test.

Speaker 3 (45:51):
Stop it, it's not helpful.

Speaker 5 (45:53):
Let's talk about the actor Timothy Charlemaye. He was he
recently has one stacks of Awards for portraying Bob Dylan
in The Complete Unknown. Very good in that he's been
in Dune or Dune, he was in Williwonka. He's a
very and he's done a lot of sort of eclectic,
smaller films as well. One of the best actors of
his generation is what he's been called. Recently. He was
on a podcast I think with Matthew McConaughey and he

(46:17):
said this.

Speaker 14 (46:18):
And I don't want to be working in ballet or
opera or you know things where it's like, hey, keep
this thing alive. Even though about this, all respect to
the ballet and opera people out there, I.

Speaker 15 (46:29):
Just lost fourteen cents in viewership, but I just took
shots for no reason.

Speaker 5 (46:37):
He lost more than fourteen cents overnight. He's lost something
like fifty thousand followers. Wow, these people are reacting very big,
in a very big way to this. He is on
track to win maybe his first Oscar and he may
have upset the Apple Cart. All the voting isn't completed
and people are outraged with him. There's a huge backlash
about it. A few people have said, look, it doesn't

(46:58):
matter what he thinks about ballet, not but to say
that's not for me. It's one thing, but to say
that no one cares about them is just ignorant. And
to think his opinion doesn't matter is ignorant. His voice
means something, and for him to give an opinion like
this has upset a lot of people, saying, you're involved
in the arts, why it rushed down at other forms.

Speaker 7 (47:18):
Of the art, you can't punch down.

Speaker 5 (47:19):
And I've seen all these great memes over the weekend
of these really hot, strong male ballet dancers on top
of balancing balls on the tip of their toes doing
these incredible poses, saying this stuff isn't easy and people
love it. And I saw also that I think it
might be the Seattle opera they're putting on Carmen, And
if you use the code Timothy, you can say fourteen

(47:41):
percent of tickets. People are leaning into their saying let's
celebrate these arts. Let's take the mickey out of him.

Speaker 1 (47:48):
But it's his opinion. It's a free country. He can
you know, it's not like he's saying cancel ballet.

Speaker 5 (47:53):
No, but he's he is saying that because the whole
conversation was about how people don't have attention span, and
he's saying, well, I don't want to work in a
ballet or an opera, where as he said, let's keep
this alive even no one no one cares about it,
so it does get funded. Would care for him to
say no one cares about it is ignorant. That's the
point to say, it's not for me, I don't like

(48:15):
it one thing. To say no one cares is wrong.
And for someone of influence like him, who works in
the arts, he knows that's wrong.

Speaker 7 (48:22):
But still I think he should be allowed to say
whatever he wants.

Speaker 5 (48:25):
Well, yeah and so, and therefore have the repercussions, which
are a whole lot of people turning on him. He's
become sort of the butt of the joke for the week.
He may have lost his oscar because of it. That's
how people are reacting to me. Right, So what he
said does that pass pub to Timothy Charlomagne. You may
agree with him, You may think he can say anything
he likes. This isn't the first time he said that either,

(48:45):
by the way, other examples of him saying something very similar.
So Timothy Charlemagne and what he has said, does it
pass the pub test?

Speaker 7 (48:52):
We'd love to hear from you thirteen fifty five twenty two.

Speaker 2 (48:54):
On Gold you can see a whole lot more of
Jonesy and Demand or on our socials. Follow us on
Instagram and Facebook.

Speaker 7 (49:00):
It's Jonesy Demanda driving you home for jams everybody.

Speaker 2 (49:04):
That's money, extra cash m Jonesy and amandas.

Speaker 1 (49:08):
It is here at thirteen fifty five twenty two is
the number you need if you call us right now.
Another one, another way you can get through Jonesydemanda dot
com dot au. That's right, and you can put your
name on a little waiting list. And what happens to
the girls here, They just have a little bit of
a like a Melbourne Cup sweep and they pull out
a name.

Speaker 5 (49:26):
And we may get a call and say, hey, do
you want to do this today?

Speaker 7 (49:29):
That can happen?

Speaker 5 (49:29):
Do you want to win two thousand dollars today? Maybe
the call?

Speaker 1 (49:32):
There are many many options for you. Ten questions, sixty
seconds on the clock you can pass. If you don't
know an answer, will come back to that question of
time permits. If you get all the questions right, you
win one thousand dollars.

Speaker 5 (49:42):
You can make it two thousand dollars by answering a
bonus question, but there is jeopardy involved because it's double
or nothing.

Speaker 1 (49:47):
You can call us any time like Nicole has done. Hello,
n cole, Hi, how are you right?

Speaker 5 (49:53):
Well, Nicole, we haven't given money away for a while.
Lets see if it can be you.

Speaker 6 (49:57):
I'm looking forward to just doing to be olive.

Speaker 5 (50:00):
You're ready to receive.

Speaker 6 (50:03):
I am very receptive.

Speaker 5 (50:05):
All right, Well, we've got ten questions.

Speaker 1 (50:07):
Enough of this saucy talking too.

Speaker 5 (50:09):
Ten questions. We've got sixty seconds. If you're not sure,
say passed, because we might have time to come back. Okay, yep,
got it, Nicole, Good luck, because here we go. He
comes to question number one, what's the main ingredient in
an omelet? Question two? In which city was the F
one held over the weekend? Past question three? OPI is

(50:31):
a brand of what.

Speaker 9 (50:34):
Makeup?

Speaker 5 (50:38):
I'm sorry, I'm sorry.

Speaker 1 (50:40):
We only do so much.

Speaker 5 (50:41):
I wanted to give that to you, but there was
too much of it. You know it is now polish.
But you said makeup, went makeup and F one was
in Melbourne on the weekend.

Speaker 6 (50:50):
To say Melbourne, I was going to say Melbourne, but
it just sounded so obvious.

Speaker 1 (50:55):
Well, that's because it's true the goal we want this
money to be won by you.

Speaker 5 (51:00):
Never assume that they're never trick questions.

Speaker 7 (51:03):
Do you can I ask you this question, Nicole, while
we've got you. Do you like the ballet?

Speaker 6 (51:09):
I love for ballet?

Speaker 1 (51:11):
So you would be at odds with what Timothy Charlemaye
has said about supporting ballet or their bit opera.

Speaker 5 (51:20):
Okay, so you well, if we've asked for your opinion, Timothy,
if you're across the story and will we we reset
the story for you shortly, that's coming. Timothy Charlemaye does
what he said past the pup.

Speaker 1 (51:33):
We're going to put that to the pub test next
on Gold Nation.

Speaker 4 (51:37):
The pub test to test does not past the pub test,
hub test test.

Speaker 1 (51:42):
The pub test doesn't pass the stiff test.

Speaker 8 (51:44):
Stop it.

Speaker 2 (51:45):
It's not helpful.

Speaker 5 (51:46):
We're putting Timothy with two double e's actually just one
double Timothy Charlemaye to the pub test. He recently was
talking to Matthew McConaughey on some kind of podcast and
he said.

Speaker 14 (51:56):
This, and I don't want to be working in ballet
or opera or or you know things where it's like, hey,
keep this thing alive, even though no one cares about this.

Speaker 15 (52:05):
All respect to the ballet and opera people out there.
I just lost fourteen cents in viewership.

Speaker 5 (52:10):
A lot of people do care. He lost about fifty
thousand listeners overnight. And as this comment summed it up
for me, they said, how ignorant If he doesn't like
ballet op if he says they're not for me, that's
one thing to say. No one cares when he's in
the arts as well. It's punching down on other forms
of the course.

Speaker 1 (52:25):
But I feel that that's taken out and the problem
with all social.

Speaker 5 (52:28):
Media, it's not taken out of context. This is the
third or fourth He said this a few times about
ballet and about and about opera and how small they are,
and no one really gives a rats. He said that
a couple of times. So how do you feel Timothy
Charlemagne and what he said? Does it pass the pub test?

Speaker 11 (52:47):
No, No, it's not.

Speaker 12 (52:48):
Cal's just got a lot to learn, that's all.

Speaker 6 (52:51):
He's only young and he just doesn't have to just
spear away. He's in the arts, so you can't turn
a I don't know.

Speaker 1 (52:56):
I just think not well, I don't know.

Speaker 6 (52:58):
I think he should just be more offensive, like you know,
it's the opera and the ballet, like I don't know.

Speaker 11 (53:03):
About the ballet comments.

Speaker 8 (53:04):
So for me, it's just unnecessary.

Speaker 6 (53:06):
They didn't come for him. I'm not sure why he's
feeling the need to come for them.

Speaker 11 (53:11):
Look, it probably does. He's going to write to say
what he wants and personally, I don't know the god.
You could put him in a line up with Scooby
Doo and Squeaky the Space He and or pick Scooby Doo,
but wouldn't know the difference with the other two.

Speaker 6 (53:23):
No, absolutely not. And he's you know, dot in one
of those cut ash ins. So I guess he's not busy.

Speaker 8 (53:30):
No, not at all.

Speaker 3 (53:32):
He's just annoying.

Speaker 5 (53:33):
I don't know.

Speaker 6 (53:35):
He just rubs me the wrong way.

Speaker 5 (53:36):
I like that comment. You can put him with Scooby Doo,
Squeaky the Space House. I know Scooby Doo, but I
don't know the other two. You know, why bring up Squeaky?

Speaker 12 (53:45):
This two.

Speaker 1 (53:47):
Figures and one's a human, but.

Speaker 5 (53:49):
One he doesn't know. Why would he bring up one
he doesn't know?

Speaker 7 (53:52):
You know, down at the Jonesy's man of arms. There's
no judgment.

Speaker 5 (53:54):
It's no judgment.

Speaker 1 (53:55):
No judgment gem Gold, it's Jonesy demanded driving you with
jam nation.

Speaker 5 (54:01):
Well tomorrow is Tuesday.

Speaker 10 (54:03):
Now.

Speaker 5 (54:03):
When I first mooted tinhat Tuesday, I thought we'd do
it as a one off and get some interesting and
funny conspiracy theories. It has gone crazy. Every week we
are getting more and more of these. Last week we
got two and a half million views on the conversation
we had that I'd read a conspiracy theory. I don't

(54:25):
believe this that Ann Hesh who had been the partner
of Ellen DeGeneres, that when Ane Hash they'd broken up Hash,
when she'd passed away, when she'd burnt in a fire,
that Ellen had eaten her, had cannibalized her, and a
lot of some of the comments are saying, I'd believe anything.

(54:46):
Some of the comps are saying, thank goodness people are
now talking about this.

Speaker 7 (54:49):
But there's some people saying that she stashed her in
the in the fridge? Are they in table? We're all
labeled GYDA.

Speaker 1 (54:55):
Really all labeled, well, it would be labeled, you know,
it doesn't off.

Speaker 5 (55:01):
Is that an Oliver and I you'd like to know?
So anyway, that got two and a half million views
the world is indeed cooked. But I'm leaning into it.

Speaker 1 (55:09):
Why are we leaning into it?

Speaker 5 (55:10):
So tomorrow we've got our tin hats, We've got our
theme tune.

Speaker 7 (55:16):
Can I go early?

Speaker 5 (55:17):
It's early we're going to do?

Speaker 1 (55:18):
Is it just me? What's with the Apple iPhone? Most
recent update? It's just mucking my phone up? There's all
these little glitches that have come through. Texting is all strange.
What's going on is.

Speaker 5 (55:29):
Your conspiracy theory that it's built in obsolescence so you
have to buy another?

Speaker 1 (55:32):
Yeah, because people say, oh, you got to do your update,
You've got to do your update. But here I am
what's going on?

Speaker 5 (55:39):
You haven't said what you think is going on?

Speaker 1 (55:40):
Well, that's what the conspiracy is. I don't know.

Speaker 5 (55:43):
Rather like Steve jobs to you, but that's like saying, oh,
into the shop and you have any pies. Where's the conspiracy?

Speaker 1 (55:50):
No, what's going on?

Speaker 7 (55:51):
It's a conspiracy?

Speaker 1 (55:52):
So you buy? Do you have to give us the conspiracy?

Speaker 7 (55:59):
Well formulated better argument to him?

Speaker 5 (56:01):
I'd appreciate it. Please, We're not going to get two
point five million views for.

Speaker 1 (56:07):
We'll see you then, good day to you. Well, thank
god that's over.

Speaker 2 (56:12):
Catch up on the jonesy and Demanda podcast. Download the
free iHeart.

Speaker 1 (56:16):
App Now, Let's skip the hell out of here.

Speaker 2 (56:21):
Here every second of Jonesy and Demanda on demand. Search
for us now on the iHeart app