August 6, 2025 • 30 mins
Jello again. Today we take a small break from Buck Benny, but what we do not get a break from is the feud between Jack Benny and Phil Harris. It really seems to be getting out of control.
Episode 235 of The Jack Benny Show. The program originally aired on on December 6, 1936.
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Episode 235 of The Jack Benny Show. The program originally aired on on December 6, 1936.
Please email questions and comments to host@classiccomedyotr.com.
Like us on Facebook at facebook.com/classiccomedyotr. Please share this podcast with your friends and family.
You can also subscribe to our podcast on Spreaker.com, Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.
This show is supported by Spreaker Prime.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:16):
Welcome to classic comedy of old time radio. I'm your host,
Ron Ecklbarger. Jello again. Today we take a small break
from Buck Benny. But what we do not get a
break from is the feud between Jack Benny and Phil Harris.
It really seems to be getting out of control. This episode,
(00:36):
entitled Money Ain't Everything, is the two hundred and thirty
fifth Jack Bennie Show and it originally aired on December sixth,
nineteen thirty six.
Speaker 2 (00:47):
Dank Hello, The Jello Program starring Jack Benny with Mary
Livingston and Phil Harris and his orchestra. The orchestra opens
a program with I Am in a dancing mode from
the picture This'll make you whistles. Only sixteen more shopping
(01:15):
days from now till Christmas. Sixteen busy days, each day
busier than the one before. Sixteen days with little time
for planning or preparing your daily menus. So stock up
on Jello right now, because with Jello in your kitchen,
you'll never be at a loss for a delicious, easily
prepared dessert. You'll save time and trouble whenever you serve
Jello and its refreshing taste, its bright, cheerful color are
(01:37):
a happy prelude to Christmas time. Jello is always welcome,
for Jello is always enjoyable with its fine, fresh fruit taste,
more of the flavor of real ripe fruit, more skillfully blended.
These are the reasons for Jello's added richness. No other
gelatin dessert has Jello's extra rich fruit flavor, so make
sure you get the real thing. Insist on genuine in Jello.
(02:32):
That was I'm in a dancing mood, played by the orchestra.
And now, ladies and gentlemen, we bring you that a jack. Yeah,
what's the matter with your eye?
Speaker 3 (02:40):
Nothing?
Speaker 2 (02:40):
Why, well, it looks kind of swollen and discolored.
Speaker 4 (02:43):
It's nothing. Go on and introduce me, will you. This
is in television, okay.
Speaker 2 (02:48):
And now, ladies and gentlemen, we bring you that genial
fellow with a gray suit and the black eye, Jack Benny.
Speaker 4 (02:58):
H thank you Gellow again. This is a smiling Jack
Benny coming to you and his usual good spirits and
never felt better in his life. And tonight phone no
kidding me, Jack, what happened to your eye?
Speaker 3 (03:11):
Well?
Speaker 4 (03:12):
Don if you must know, I was my way over
tonight in a great hurry, and I drove into a
filling station to get some gas and got into an
argument with the attendant. I finally lost my temper knocked
him down.
Speaker 3 (03:21):
He did, Yeah.
Speaker 4 (03:22):
Then I got up and he knocked me down again.
Well this went on for about three minutes, and then
I took a terrific swing at him, hit him on
the jaw, and he went out like a light.
Speaker 5 (03:39):
Well, well then what happened?
Speaker 4 (03:41):
I finally got away without having my windshield clean? Love,
don look, all I wanted was a little gas, that's all.
Is that asking too much?
Speaker 5 (03:54):
No? No, of course not.
Speaker 4 (03:56):
I didn't want my fenders manicured or any rose water
in my eight eator. I just wanted a little gas.
Speaker 5 (04:03):
There's nothing wrong with that.
Speaker 4 (04:04):
Of course, I'll admit I shouldn't have lost my temper
amidst such glamorous surroundings. You know what these California gas
stations are like?
Speaker 5 (04:11):
Oh, for heaven's sake, what kind of a gas station
was it?
Speaker 3 (04:14):
What kind?
Speaker 4 (04:15):
Don Have you ever seen the taj mahal by moonlight
with its marble pillars and sunken gardens. Yes, we'll just
put three gas pumps in front of it and you've
got it.
Speaker 3 (04:30):
Well it tell of truth.
Speaker 4 (04:31):
I didn't mind so much when the man when the
man insisted on cleaning my windshield, but when he started
to wash my face, that was going gus.
Speaker 3 (04:38):
A little as.
Speaker 2 (04:39):
No, I don't blame me, Jack. You know I must
drop in there.
Speaker 4 (04:42):
For gas sometime if it's not swanky by all means.
And if you do, don be sure to ask for Oscar.
He's the major delubrication.
Speaker 5 (04:51):
Meanwhile, Jack, you better have your eye attended to. It's
getting worse.
Speaker 4 (04:54):
Oh it'll go away.
Speaker 6 (04:55):
Hello, jackiela good.
Speaker 3 (04:57):
I do.
Speaker 5 (04:58):
Take a look at his eye.
Speaker 6 (04:59):
Mary, Hello Jackie, you look bad. What happened?
Speaker 5 (05:04):
Oh?
Speaker 4 (05:04):
Nothing.
Speaker 3 (05:04):
I had an argument with a guy who was telling
me something. That's all.
Speaker 6 (05:07):
There's some stap to buy a black eye.
Speaker 4 (05:10):
I didn't buy it. It was given to me.
Speaker 6 (05:12):
Hey, I wouldn't have it for a gift.
Speaker 3 (05:14):
Don't be comical anyway.
Speaker 4 (05:16):
You ought to see the other guys say I can
always take care of myself.
Speaker 2 (05:18):
Well, then why do you let that Phil Harris bulldoze
you all the time?
Speaker 5 (05:21):
That guy gets away with murder?
Speaker 4 (05:23):
Oh no he doesn't. After what I told him last week,
he's plenty worried. Believe me, Don, there's not room on
this program for both me and Phil Harris is there, Mary.
Speaker 6 (05:31):
I'm not talking to laughter Christen.
Speaker 5 (05:40):
Oh you know Jack. Phil's late again today.
Speaker 4 (05:43):
I know it. And I'm just waiting for him to
get here, that's all. And you'll hear the well, just
waitill he gets there.
Speaker 3 (05:49):
Don't do anything, rise Jack, don't worry, he won't. Oh no, here.
Speaker 5 (05:53):
Trumps filled now and Kenny's with it.
Speaker 4 (05:54):
Oh he's got Kenny that way too.
Speaker 3 (05:57):
Yeah.
Speaker 4 (05:57):
And then I stuff to pill under my shirt and
made off like I was fat.
Speaker 3 (06:01):
Oh see, that's good.
Speaker 6 (06:02):
You're funnier than Jack, who isn't.
Speaker 4 (06:09):
Hello? Buck Hm hire Jack? Now, come here, Kenny. What's
the idea of walking in here ten minutes late?
Speaker 5 (06:15):
Well, I was with Phil.
Speaker 4 (06:16):
Now, I don't change the subject. I've had enough of
your actions coming in here late every week.
Speaker 3 (06:22):
This is the first time it's Phil, that's all.
Speaker 4 (06:24):
Furthermore, I don't like your attitude one bit, neglecting your
work and running around with girls. I don't have any girls.
That's Phil has got it out, that's all.
Speaker 6 (06:35):
I'll leave him alone. Jackie's a lovable dope.
Speaker 3 (06:38):
Yeah.
Speaker 4 (06:38):
Now, look, Kenny, you're just a.
Speaker 3 (06:39):
Kid, and you've got your whole life before you. You
ought to watch your step.
Speaker 4 (06:44):
See do you want to grow up to be like
Phil Harris?
Speaker 6 (06:46):
Do? I?
Speaker 4 (06:47):
Wow, Well you can't do it on this program.
Speaker 3 (06:56):
Either straighten yourself out, or I'll do.
Speaker 4 (06:57):
It for you.
Speaker 6 (06:58):
Hey Jack, it's still fault. Don't you ball him out.
Speaker 4 (07:01):
Listen, Mary, I'm just ignoring him. That hurts a lot
more than a bawling out.
Speaker 5 (07:05):
Believe me.
Speaker 6 (07:06):
Well, he's standing there kidding with the orchestra. He doesn't
look hurt.
Speaker 4 (07:09):
Say, a smile covers many a broken heart. Oh, Don,
while you're over there, asked mister Harris to play the
next number, But don't drast you herself. I don't want
to talk to him the first thing, you know, we'll
get into an argument. And after all, I've only got
one good.
Speaker 6 (07:22):
Eye and you want to keep that open.
Speaker 4 (07:25):
Yeah, fills a type to take advantage of my condition.
Tell him to play. Don Hey Jack, while you're acting
like a kid, Come on, snap out of it. What's
the matter with you anyway? If I did anything wrong,
I'm sorry. Let's shake hands and make up.
Speaker 6 (07:47):
Go on, Jack, shake hands with him.
Speaker 4 (07:49):
Oh no, it's probably a trick to break my arm.
I wasn't born yesterday.
Speaker 5 (07:58):
Todd.
Speaker 3 (07:58):
He catched me off my guard Jack.
Speaker 5 (08:00):
That's ridiculous.
Speaker 3 (08:01):
That's the dirtiest trick yet, the big bully.
Speaker 5 (08:04):
You better play Phil.
Speaker 4 (08:05):
Okay, imagine breaking a guy's on when he can only
see out of one eye. That's the most brutiful thing.
Speaker 3 (08:10):
Look at him.
Speaker 4 (08:11):
Look at him now, picking up that stick.
Speaker 7 (08:12):
He's going to hip back his baton. He's getting ready
to leave the orchestra.
Speaker 4 (08:16):
Oh, I bet he's got a full of left things.
Speaker 5 (09:23):
At the.
Speaker 8 (09:42):
Back.
Speaker 3 (09:45):
I see.
Speaker 4 (10:15):
That was I'm in Love with a brand New Baby
played by Strangler Lewis and his orchestra, which would have
been rendered much more effectively if their leader got to
bed nights. Mary, get a load of Phil pretending to
be busy over that sheet of music. I bet he's
got a phone number written on at someplace.
Speaker 6 (10:34):
I bet it's a good one.
Speaker 4 (10:36):
Yeah, he brags plenty. I've seen some of those girls
he goes out with. They're not so hot.
Speaker 6 (10:42):
You said it. I saw him out with a girl
last night. She wasn't a bit better looking than Loretta Young.
Speaker 3 (10:50):
He don't care who he goes out with as long
as she splits the check.
Speaker 4 (10:53):
Hey, funny man, was that last crack meant for me?
Speaker 5 (10:57):
Huh?
Speaker 4 (11:03):
Well was it? It wasn't meant for Paul Whiteman. So
the shoe fits.
Speaker 3 (11:08):
Put it where it belongs.
Speaker 6 (11:11):
John tempton Jack, So he talks a great fight.
Speaker 4 (11:19):
Now wait a minute, Jack, I've tried to be a
regular fellow, but you've gone a little too far. Enough
is enough? Oh you've had enough? Huh you see, Mary,
he gives up the coward. That's what he is.
Speaker 3 (11:30):
Coward.
Speaker 4 (11:31):
Why you swell headed? You swell headed punk, you swell
headed punk. I'll take care of you, Oh you will. Ah, well,
if I had the use of both of my eyes,
I give you something to write home about.
Speaker 3 (11:41):
Oh yeah, yeah, yeah yeah.
Speaker 2 (11:44):
For sikes, fellows, what's the matter with you? Ladies and gentlemen?
When you ordered jello for your dessert? Insists on genuine jello.
Look for the big red letters on the box, and
remember it comes in six delicious flavors strawberry, raspberry, cherry, orange, lemon,
and lime.
Speaker 3 (11:58):
Yeah, look at that, silly goo.
Speaker 4 (12:07):
Now wait a minute. You're not talking to Kenny Baker.
You know I'll say you're not. You'll keep out of that.
You're here, don't worry. Kenny I'll take care of him.
You and who else top that one, big boy? Say Mary?
Look at him standing there with a chip.
Speaker 3 (12:24):
On his shoulder.
Speaker 6 (12:25):
Quiet it might be muscle.
Speaker 3 (12:28):
Yeah, it would be just like him to hide muscle
under his coat.
Speaker 4 (12:32):
The sneak.
Speaker 3 (12:35):
I'm so mad.
Speaker 4 (12:36):
My ears are ringing.
Speaker 6 (12:37):
That's the phone.
Speaker 4 (12:38):
Oh hello, who's for you?
Speaker 3 (12:46):
Mary?
Speaker 4 (12:46):
Plainfield calling plain Field?
Speaker 5 (12:47):
Yeah?
Speaker 9 (12:48):
Hello?
Speaker 6 (12:49):
Oh hello, mama? How did you happen to call? What?
Speaker 10 (12:54):
Oh?
Speaker 6 (12:54):
They're fighting as usual.
Speaker 4 (12:56):
Everybody knows the phone.
Speaker 6 (12:59):
Nah, no, don't worry about me. I'll be all right.
Oh it isn't that bad, mama. I don't have to
get onto the piano.
Speaker 9 (13:05):
Is he Phil?
Speaker 7 (13:07):
No, Mama, Jack didn't break Phil's arm? Still broke Jackson?
Speaker 4 (13:10):
I did not.
Speaker 7 (13:11):
I don't want to disappoint mama's so yes, yes, mama's
too bad about Jacks. I. Why well, I give my
love to everybody.
Speaker 6 (13:30):
Goodbye?
Speaker 4 (13:32):
What are you laughing at?
Speaker 6 (13:34):
Mama said, if you kept your mouth shut your I'd
be open.
Speaker 4 (13:42):
Oh she did?
Speaker 6 (13:43):
Uh?
Speaker 4 (13:44):
Well, why don't she join this program? We're short of comedians,
say Jack, Why Kenny wants to sing your song now
and he's afraid to mention it. Well let him sing,
why ask me? Nobody around here seems to worry much
about what I think?
Speaker 9 (13:56):
Should I sing?
Speaker 4 (13:56):
Noo, yes, Kenny, go ahead. Doesn't bother asking me. I'm
just a stooge around here anyway. Oh no, you're not
jan Oh not much. No, I'm surprised I'm allowed to talk.
Sing Kenny, go ahead, Your pal Harris will cooperate with you.
Go ahead, Kenny. Yes, anytime in the middle of one
(14:18):
of my jokes, if you want to, don't mind me.
Speaker 3 (14:20):
Nobody else does.
Speaker 4 (14:22):
The next ork salda Hire is either going to be
a gentleman or smaller than I am, Sing, Kenny, what
are you waiting for?
Speaker 9 (14:44):
I find my left meeting.
Speaker 10 (14:47):
You'll leave until the talm. I find my arm holding
your time.
Speaker 9 (15:04):
On a weself could not low to me.
Speaker 10 (15:16):
You're so close to me, and I canty your.
Speaker 9 (15:28):
Your very wish would be my command. I hold my
breath when.
Speaker 6 (15:38):
I hold your hand.
Speaker 9 (15:44):
Lows to me. You're so close to me, and somehowy
sopaw upon.
Speaker 10 (15:58):
A coldly to the pole a mountain.
Speaker 9 (16:06):
On hoy past par the s you are so close
stoy and can read beyond.
Speaker 4 (16:57):
That was close to me? Sung by Kenny Baker accompanied
by the Jello Orchestra. And now, ladies and gentlemen. As
you all know, we were supposed to continue our cereal
Buck Benny rides again. As you will remember last Sunday night,
the play ended with Buck Benny having just cornered Cactus
(17:17):
Faith Elmer, the outlaw in Ike Mueller's saloon. But Cactus Face,
using unfair tactics, like some other people I'm associated with,
made good his escape. Meanwhile, up at this very moment,
we have been unable to locate Cactus Face, so tonight
we will have to discontinue Buck Benny. Aw it hurts
(17:38):
me too, fellas kind of had my heart and not
the character. But anyway, not to disappoint our listeners altogether,
Tonight we are going to present an original Society drama
entitled Money Ain't Everything?
Speaker 3 (17:52):
Or Oh Yeah.
Speaker 4 (17:57):
I will play the part of Jay Stuyvesant Schnorer, an
American minsionaire who is cruising the Mediterranean on his luxurious yacht.
Speaker 6 (18:09):
I will be his daughter, I imagine.
Speaker 5 (18:11):
Yes.
Speaker 3 (18:12):
Don Wilson will play the captain of the boat.
Speaker 4 (18:16):
And as a special added attraction, he will not mention
our product, not at all, Jack, not one single flavor shirks.
Kenny Baker will play the part of a bogus prince,
and owing to the shortage of actors, our orchestra leader
will play the part of Kenny's brother, who is also bogus.
(18:36):
And I don't mean only in the play. This will
go on immediately after the next number, which will be
rendered by that vine Street playboy and his yes man Mary.
Take a quick look and see if Phil is burning
up with him?
Speaker 8 (19:01):
Then said that, said Sam, say.
Speaker 4 (20:43):
That the vote for mister Rhythm from the big broadcast
of nineteen thirty seven, and all for our play. Money
ain't everything. The scene takes place on the palatial yacht
of that well known millionaire Jay Stuyvesant Schnores, which is
cruising the peaceful Mediterranean with a gay party of moochers aboard.
(21:03):
We now take you to the yacht bad Check, which
is bouncing all over the Mediterranean curtains music Wayne, Oh,
(21:26):
missus vandevere, missus vandervie. Yes, mister, you'll have to ask
you a little boy, to put back the steering wheel.
We've been going around in a circle for three days.
Speaker 3 (21:39):
How do you know we just bumped into the back
of the bowl very well with the snow. Look, we're
heading straight for an iceberg.
Speaker 4 (21:47):
An iceberg? Where right ahead of you that's Wilson and
these coals. Oh, captain, Yes, mister snore, I wish you'd
put a bottom in our swimming pool. I've lost three
of my best friends.
Speaker 3 (21:59):
And all the way.
Speaker 4 (22:00):
Have you seen my daughter?
Speaker 2 (22:01):
She's about someplace, sir, Well, I must find her, begging
your pardon, Sir, I must warn you about your daughter,
her fortune hunters of board, and now that she's twice
as rich as ever before. Everyday millions of people proposed
to her.
Speaker 4 (22:13):
Now, Captain, now you sure it's my daughter's emphas you
have a.
Speaker 2 (22:15):
Hard yes, And I hope the man she marries will
be half as true as the extra rich true fruit
flavor of my favorite dessert.
Speaker 4 (22:23):
Thank you, captain. I'm glad you think as much of
my daughter as you do of your job. Ah. Here
she comes. Now, Hello, Peter, that's Peter.
Speaker 3 (22:39):
Daughter.
Speaker 4 (22:40):
Uh tell me, daughter, where have you been up on
a post drinking pot?
Speaker 3 (22:57):
That's a pip, you said it, pat My child?
Speaker 4 (23:04):
You look worried tonight? What's on your mind?
Speaker 7 (23:06):
Prince Boris and Prince Morris have asked me to marry them,
and I don't know which one to accept.
Speaker 4 (23:10):
You mean, those bogus noblemen, Why they're nothing but fortune hunters.
Where are they now?
Speaker 6 (23:14):
Down in the cold and playing shovel board?
Speaker 4 (23:18):
That's calling a spade a spade.
Speaker 3 (23:20):
But now, my dear.
Speaker 4 (23:21):
Child, why do you want to marry either one of
those designing schemers?
Speaker 3 (23:23):
They're only after my money.
Speaker 6 (23:25):
That's not true.
Speaker 4 (23:25):
It is true, And you know that such a marriage
cannot last.
Speaker 6 (23:28):
Oh you say that every time I get married.
Speaker 4 (23:31):
And I'm always right. You've had enough right thrown at
you to fill the Hollywood Bowl weddings husbands every year,
a new honeymoon. Why do you get married so often?
Speaker 6 (23:42):
I got a boyfriend in Niagara Falls.
Speaker 4 (23:51):
Well, one thing you can be sure of, young lady,
I won't stand for either one of those fake princes.
Speaker 3 (23:56):
Pardon me, missus snorer. Yes, there's no always a complaining
about the food. Well tell them to throw it overboard.
They did in the shocks, threw it back. What's the score?
Speaker 10 (24:14):
Oh what, Peter?
Speaker 6 (24:15):
Here come the two princes now, ah, Prince.
Speaker 4 (24:22):
Boris, Mademoiselle Prince Morris, Mademoiselle quiet Prince, Oh what Peter?
Speaker 7 (24:30):
I want you to meet Boris Morris. They've been on
your yacht for three months.
Speaker 4 (24:33):
Oh, so that's who they are. I saw them in
the dining room so often I thought they were the waiters.
Speaker 3 (24:38):
Give me back my tips? Pooy on you.
Speaker 9 (24:43):
It goes for me too, you.
Speaker 4 (24:44):
I'm not worried about now, Your Highness. Is I understand
that both of you bums are in love with my daughter?
Is that right?
Speaker 9 (24:55):
Yes?
Speaker 4 (24:56):
And you want to marry my daughter? Yes?
Speaker 3 (24:58):
And if I was broke, would you.
Speaker 4 (24:59):
Still want to marry Yes? That's what I thought. I
won't stand for this daughter. You can't marry either one
of them.
Speaker 6 (25:08):
Oh, but I love him? Father? Which one the one
in the middle?
Speaker 2 (25:11):
Right?
Speaker 4 (25:12):
You need glasses? Where did he come from?
Speaker 6 (25:14):
The pop decks?
Speaker 4 (25:17):
Well, let's get down the fact. Even if I should
permit this marriage, your Excellency is only one of you
tramps can be her husband. I have an idea. We'll
toss a coin to decide. Have you a coin, brother?
Speaker 6 (25:26):
No?
Speaker 9 (25:27):
Have you no?
Speaker 5 (25:28):
Then we'll find a duel.
Speaker 3 (25:29):
Good daughter. Leave the yacht.
Speaker 7 (25:31):
Leave the yacht, I say, okay.
Speaker 2 (25:38):
Dog gone it.
Speaker 3 (25:39):
I meant leave the room.
Speaker 4 (25:46):
Oh, captain, captain, my daughter fell overboard picture out of
the water.
Speaker 5 (25:49):
What I use for baits a mink coat?
Speaker 4 (25:51):
She'll snap at that, and I'm not kidding a fellow.
Speaker 3 (26:04):
Oh yeah, oh yeah.
Speaker 4 (26:07):
Well, let's go on with the duel, gentlemen. Here are
the pistols. Mine's okay, Hey, wait a minute, mine isn't loaded.
You're telling me. I'll stand back to back, pistols in
right hand, march ten paces, turn and fire. Understand?
Speaker 3 (26:20):
Yes, all right?
Speaker 4 (26:21):
Ready?
Speaker 3 (26:22):
One? Who three? Mister snorer, mister Snorer. Yes, a cablegram
for you.
Speaker 4 (26:30):
Sir, A cable gram.
Speaker 3 (26:31):
Let's have it.
Speaker 2 (26:33):
Hmm hold everything, Hey, fellas.
Speaker 4 (26:36):
Listen to this.
Speaker 3 (26:37):
It's from Frank Harson.
Speaker 5 (26:38):
What does it say?
Speaker 4 (26:39):
Says dear buck have just located taxis faith Elmer returned one.
I'm holding the passever you get here? Well, what do
you know about that?
Speaker 6 (26:47):
Come on, boys, let's go.
Speaker 4 (26:48):
We ain't got a minute to lose.
Speaker 3 (26:54):
What Benny rights again? Watch out?
Speaker 4 (26:58):
Then, don't get the horses wet.
Speaker 2 (27:04):
This will continue next Sunday night. We'll Buck get cactus face?
Will the horses get wet? We'll Phil Harris.
Speaker 4 (27:09):
Get here on time. These and many more questions will
be answered next Sunday night.
Speaker 6 (27:13):
Yet are you scruly tune.
Speaker 4 (27:14):
In next Sunday night and find out play fair.
Speaker 2 (27:56):
For year's chocolate pudding has been one of the most
popular desserts, but it's more popular than ever and all
because of Jello chocolate pudding. The new way to make
that grand old fashioned favorite jello chocolate pudding is smoother,
creamier or chocolate e It's amazingly easy to make too,
and it brings you delicious, real homemade flavor. Just follow
these simple directions. Mix the contents of a package of
(28:19):
jello chocolate pudding with some milk in the top of
your double boiler and let it cook for about ten minutes,
when the mixture will be thick and lushious. Wait for
it to cool, and then serve your prize pudding in
shervet glasses.
Speaker 5 (28:29):
It's no trouble to make, and.
Speaker 2 (28:31):
Once you've tasted jello chocolate pudding, I know you'll agree
that it's one of the swellest desserts you ever served.
Your family and friends will tell you so too. Get
some Jellow chocolate pudding in the morning. It sells for
the same low price as jello, and one package makes
enough for six happy servings. If your grocer hasn't put
the Jello chocolate pudding in stock yet.
Speaker 5 (28:51):
Be sure he orders it for you.
Speaker 4 (29:13):
This is the last number of the tenth program in
the new Jello series. And we'll be with you again
next Sunday night at the same time. And I'll be
glad to be see that is Mary, and I will
be glad to see all of our Phoenix, Arizona friends
Tuesday night.
Speaker 3 (29:26):
Say Mary, I'm giving a little party to night at
the Crocadero. You want to join me?
Speaker 10 (29:29):
Oh?
Speaker 4 (29:30):
Sure, Jack, how about you? Don Thanks Jack, I'll be
glad to are you too, Kenny? Okay, Well, I guess
that's about all.
Speaker 6 (29:39):
Didn't you forget someone? Jack?
Speaker 4 (29:40):
Oh? I don't think so. No, good night, folks.
Speaker 2 (30:02):
The tune just one of those things is from the
production Jubilee. The Jello Program starring Jack Benny has come
to you from the NBC studios in Hollywood.
Speaker 4 (30:10):
This is the Red Network of the National Broadcasting Company.
Speaker 1 (30:16):
Please send your questions and comments to host at classiccomedyotr
dot com. Until next time. In the words of Amy
kraus Rosenthal, pay attention to what you pay attention to.
Welcome to classic comedy of old time radio. I'm your host,
Ron Ecklbarger. Jello again. Today we take a small break
from Buck Benny. But what we do not get a
break from is the feud between Jack Benny and Phil Harris.
It really seems to be getting out of control. This episode,
(00:36):
entitled Money Ain't Everything, is the two hundred and thirty
fifth Jack Bennie Show and it originally aired on December sixth,
nineteen thirty six.
Speaker 2 (00:47):
Dank Hello, The Jello Program starring Jack Benny with Mary
Livingston and Phil Harris and his orchestra. The orchestra opens
a program with I Am in a dancing mode from
the picture This'll make you whistles. Only sixteen more shopping
(01:15):
days from now till Christmas. Sixteen busy days, each day
busier than the one before. Sixteen days with little time
for planning or preparing your daily menus. So stock up
on Jello right now, because with Jello in your kitchen,
you'll never be at a loss for a delicious, easily
prepared dessert. You'll save time and trouble whenever you serve
Jello and its refreshing taste, its bright, cheerful color are
(01:37):
a happy prelude to Christmas time. Jello is always welcome,
for Jello is always enjoyable with its fine, fresh fruit taste,
more of the flavor of real ripe fruit, more skillfully blended.
These are the reasons for Jello's added richness. No other
gelatin dessert has Jello's extra rich fruit flavor, so make
sure you get the real thing. Insist on genuine in Jello.
(02:32):
That was I'm in a dancing mood, played by the orchestra.
And now, ladies and gentlemen, we bring you that a jack. Yeah,
what's the matter with your eye?
Speaker 3 (02:40):
Nothing?
Speaker 2 (02:40):
Why, well, it looks kind of swollen and discolored.
Speaker 4 (02:43):
It's nothing. Go on and introduce me, will you. This
is in television, okay.
Speaker 2 (02:48):
And now, ladies and gentlemen, we bring you that genial
fellow with a gray suit and the black eye, Jack Benny.
Speaker 4 (02:58):
H thank you Gellow again. This is a smiling Jack
Benny coming to you and his usual good spirits and
never felt better in his life. And tonight phone no
kidding me, Jack, what happened to your eye?
Speaker 3 (03:11):
Well?
Speaker 4 (03:12):
Don if you must know, I was my way over
tonight in a great hurry, and I drove into a
filling station to get some gas and got into an
argument with the attendant. I finally lost my temper knocked
him down.
Speaker 3 (03:21):
He did, Yeah.
Speaker 4 (03:22):
Then I got up and he knocked me down again.
Well this went on for about three minutes, and then
I took a terrific swing at him, hit him on
the jaw, and he went out like a light.
Speaker 5 (03:39):
Well, well then what happened?
Speaker 4 (03:41):
I finally got away without having my windshield clean? Love,
don look, all I wanted was a little gas, that's all.
Is that asking too much?
Speaker 5 (03:54):
No? No, of course not.
Speaker 4 (03:56):
I didn't want my fenders manicured or any rose water
in my eight eator. I just wanted a little gas.
Speaker 5 (04:03):
There's nothing wrong with that.
Speaker 4 (04:04):
Of course, I'll admit I shouldn't have lost my temper
amidst such glamorous surroundings. You know what these California gas
stations are like?
Speaker 5 (04:11):
Oh, for heaven's sake, what kind of a gas station
was it?
Speaker 3 (04:14):
What kind?
Speaker 4 (04:15):
Don Have you ever seen the taj mahal by moonlight
with its marble pillars and sunken gardens. Yes, we'll just
put three gas pumps in front of it and you've
got it.
Speaker 3 (04:30):
Well it tell of truth.
Speaker 4 (04:31):
I didn't mind so much when the man when the
man insisted on cleaning my windshield, but when he started
to wash my face, that was going gus.
Speaker 3 (04:38):
A little as.
Speaker 2 (04:39):
No, I don't blame me, Jack. You know I must
drop in there.
Speaker 4 (04:42):
For gas sometime if it's not swanky by all means.
And if you do, don be sure to ask for Oscar.
He's the major delubrication.
Speaker 5 (04:51):
Meanwhile, Jack, you better have your eye attended to. It's
getting worse.
Speaker 4 (04:54):
Oh it'll go away.
Speaker 6 (04:55):
Hello, jackiela good.
Speaker 3 (04:57):
I do.
Speaker 5 (04:58):
Take a look at his eye.
Speaker 6 (04:59):
Mary, Hello Jackie, you look bad. What happened?
Speaker 5 (05:04):
Oh?
Speaker 4 (05:04):
Nothing.
Speaker 3 (05:04):
I had an argument with a guy who was telling
me something. That's all.
Speaker 6 (05:07):
There's some stap to buy a black eye.
Speaker 4 (05:10):
I didn't buy it. It was given to me.
Speaker 6 (05:12):
Hey, I wouldn't have it for a gift.
Speaker 3 (05:14):
Don't be comical anyway.
Speaker 4 (05:16):
You ought to see the other guys say I can
always take care of myself.
Speaker 2 (05:18):
Well, then why do you let that Phil Harris bulldoze
you all the time?
Speaker 5 (05:21):
That guy gets away with murder?
Speaker 4 (05:23):
Oh no he doesn't. After what I told him last week,
he's plenty worried. Believe me, Don, there's not room on
this program for both me and Phil Harris is there, Mary.
Speaker 6 (05:31):
I'm not talking to laughter Christen.
Speaker 5 (05:40):
Oh you know Jack. Phil's late again today.
Speaker 4 (05:43):
I know it. And I'm just waiting for him to
get here, that's all. And you'll hear the well, just
waitill he gets there.
Speaker 3 (05:49):
Don't do anything, rise Jack, don't worry, he won't. Oh no, here.
Speaker 5 (05:53):
Trumps filled now and Kenny's with it.
Speaker 4 (05:54):
Oh he's got Kenny that way too.
Speaker 3 (05:57):
Yeah.
Speaker 4 (05:57):
And then I stuff to pill under my shirt and
made off like I was fat.
Speaker 3 (06:01):
Oh see, that's good.
Speaker 6 (06:02):
You're funnier than Jack, who isn't.
Speaker 4 (06:09):
Hello? Buck Hm hire Jack? Now, come here, Kenny. What's
the idea of walking in here ten minutes late?
Speaker 5 (06:15):
Well, I was with Phil.
Speaker 4 (06:16):
Now, I don't change the subject. I've had enough of
your actions coming in here late every week.
Speaker 3 (06:22):
This is the first time it's Phil, that's all.
Speaker 4 (06:24):
Furthermore, I don't like your attitude one bit, neglecting your
work and running around with girls. I don't have any girls.
That's Phil has got it out, that's all.
Speaker 6 (06:35):
I'll leave him alone. Jackie's a lovable dope.
Speaker 3 (06:38):
Yeah.
Speaker 4 (06:38):
Now, look, Kenny, you're just a.
Speaker 3 (06:39):
Kid, and you've got your whole life before you. You
ought to watch your step.
Speaker 4 (06:44):
See do you want to grow up to be like
Phil Harris?
Speaker 6 (06:46):
Do? I?
Speaker 4 (06:47):
Wow, Well you can't do it on this program.
Speaker 3 (06:56):
Either straighten yourself out, or I'll do.
Speaker 4 (06:57):
It for you.
Speaker 6 (06:58):
Hey Jack, it's still fault. Don't you ball him out.
Speaker 4 (07:01):
Listen, Mary, I'm just ignoring him. That hurts a lot
more than a bawling out.
Speaker 5 (07:05):
Believe me.
Speaker 6 (07:06):
Well, he's standing there kidding with the orchestra. He doesn't
look hurt.
Speaker 4 (07:09):
Say, a smile covers many a broken heart. Oh, Don,
while you're over there, asked mister Harris to play the
next number, But don't drast you herself. I don't want
to talk to him the first thing, you know, we'll
get into an argument. And after all, I've only got
one good.
Speaker 6 (07:22):
Eye and you want to keep that open.
Speaker 4 (07:25):
Yeah, fills a type to take advantage of my condition.
Tell him to play. Don Hey Jack, while you're acting
like a kid, Come on, snap out of it. What's
the matter with you anyway? If I did anything wrong,
I'm sorry. Let's shake hands and make up.
Speaker 6 (07:47):
Go on, Jack, shake hands with him.
Speaker 4 (07:49):
Oh no, it's probably a trick to break my arm.
I wasn't born yesterday.
Speaker 5 (07:58):
Todd.
Speaker 3 (07:58):
He catched me off my guard Jack.
Speaker 5 (08:00):
That's ridiculous.
Speaker 3 (08:01):
That's the dirtiest trick yet, the big bully.
Speaker 5 (08:04):
You better play Phil.
Speaker 4 (08:05):
Okay, imagine breaking a guy's on when he can only
see out of one eye. That's the most brutiful thing.
Speaker 3 (08:10):
Look at him.
Speaker 4 (08:11):
Look at him now, picking up that stick.
Speaker 7 (08:12):
He's going to hip back his baton. He's getting ready
to leave the orchestra.
Speaker 4 (08:16):
Oh, I bet he's got a full of left things.
Speaker 5 (09:23):
At the.
Speaker 8 (09:42):
Back.
Speaker 3 (09:45):
I see.
Speaker 4 (10:15):
That was I'm in Love with a brand New Baby
played by Strangler Lewis and his orchestra, which would have
been rendered much more effectively if their leader got to
bed nights. Mary, get a load of Phil pretending to
be busy over that sheet of music. I bet he's
got a phone number written on at someplace.
Speaker 6 (10:34):
I bet it's a good one.
Speaker 4 (10:36):
Yeah, he brags plenty. I've seen some of those girls
he goes out with. They're not so hot.
Speaker 6 (10:42):
You said it. I saw him out with a girl
last night. She wasn't a bit better looking than Loretta Young.
Speaker 3 (10:50):
He don't care who he goes out with as long
as she splits the check.
Speaker 4 (10:53):
Hey, funny man, was that last crack meant for me?
Speaker 5 (10:57):
Huh?
Speaker 4 (11:03):
Well was it? It wasn't meant for Paul Whiteman. So
the shoe fits.
Speaker 3 (11:08):
Put it where it belongs.
Speaker 6 (11:11):
John tempton Jack, So he talks a great fight.
Speaker 4 (11:19):
Now wait a minute, Jack, I've tried to be a
regular fellow, but you've gone a little too far. Enough
is enough? Oh you've had enough? Huh you see, Mary,
he gives up the coward. That's what he is.
Speaker 3 (11:30):
Coward.
Speaker 4 (11:31):
Why you swell headed? You swell headed punk, you swell
headed punk. I'll take care of you, Oh you will. Ah, well,
if I had the use of both of my eyes,
I give you something to write home about.
Speaker 3 (11:41):
Oh yeah, yeah, yeah yeah.
Speaker 2 (11:44):
For sikes, fellows, what's the matter with you? Ladies and gentlemen?
When you ordered jello for your dessert? Insists on genuine jello.
Look for the big red letters on the box, and
remember it comes in six delicious flavors strawberry, raspberry, cherry, orange, lemon,
and lime.
Speaker 3 (11:58):
Yeah, look at that, silly goo.
Speaker 4 (12:07):
Now wait a minute. You're not talking to Kenny Baker.
You know I'll say you're not. You'll keep out of that.
You're here, don't worry. Kenny I'll take care of him.
You and who else top that one, big boy? Say Mary?
Look at him standing there with a chip.
Speaker 3 (12:24):
On his shoulder.
Speaker 6 (12:25):
Quiet it might be muscle.
Speaker 3 (12:28):
Yeah, it would be just like him to hide muscle
under his coat.
Speaker 4 (12:32):
The sneak.
Speaker 3 (12:35):
I'm so mad.
Speaker 4 (12:36):
My ears are ringing.
Speaker 6 (12:37):
That's the phone.
Speaker 4 (12:38):
Oh hello, who's for you?
Speaker 3 (12:46):
Mary?
Speaker 4 (12:46):
Plainfield calling plain Field?
Speaker 5 (12:47):
Yeah?
Speaker 9 (12:48):
Hello?
Speaker 6 (12:49):
Oh hello, mama? How did you happen to call? What?
Speaker 10 (12:54):
Oh?
Speaker 6 (12:54):
They're fighting as usual.
Speaker 4 (12:56):
Everybody knows the phone.
Speaker 6 (12:59):
Nah, no, don't worry about me. I'll be all right.
Oh it isn't that bad, mama. I don't have to
get onto the piano.
Speaker 9 (13:05):
Is he Phil?
Speaker 7 (13:07):
No, Mama, Jack didn't break Phil's arm? Still broke Jackson?
Speaker 4 (13:10):
I did not.
Speaker 7 (13:11):
I don't want to disappoint mama's so yes, yes, mama's
too bad about Jacks. I. Why well, I give my
love to everybody.
Speaker 6 (13:30):
Goodbye?
Speaker 4 (13:32):
What are you laughing at?
Speaker 6 (13:34):
Mama said, if you kept your mouth shut your I'd
be open.
Speaker 4 (13:42):
Oh she did?
Speaker 6 (13:43):
Uh?
Speaker 4 (13:44):
Well, why don't she join this program? We're short of comedians,
say Jack, Why Kenny wants to sing your song now
and he's afraid to mention it. Well let him sing,
why ask me? Nobody around here seems to worry much
about what I think?
Speaker 9 (13:56):
Should I sing?
Speaker 4 (13:56):
Noo, yes, Kenny, go ahead. Doesn't bother asking me. I'm
just a stooge around here anyway. Oh no, you're not
jan Oh not much. No, I'm surprised I'm allowed to talk.
Sing Kenny, go ahead, Your pal Harris will cooperate with you.
Go ahead, Kenny. Yes, anytime in the middle of one
(14:18):
of my jokes, if you want to, don't mind me.
Speaker 3 (14:20):
Nobody else does.
Speaker 4 (14:22):
The next ork salda Hire is either going to be
a gentleman or smaller than I am, Sing, Kenny, what
are you waiting for?
Speaker 9 (14:44):
I find my left meeting.
Speaker 10 (14:47):
You'll leave until the talm. I find my arm holding
your time.
Speaker 9 (15:04):
On a weself could not low to me.
Speaker 10 (15:16):
You're so close to me, and I canty your.
Speaker 9 (15:28):
Your very wish would be my command. I hold my
breath when.
Speaker 6 (15:38):
I hold your hand.
Speaker 9 (15:44):
Lows to me. You're so close to me, and somehowy
sopaw upon.
Speaker 10 (15:58):
A coldly to the pole a mountain.
Speaker 9 (16:06):
On hoy past par the s you are so close
stoy and can read beyond.
Speaker 4 (16:57):
That was close to me? Sung by Kenny Baker accompanied
by the Jello Orchestra. And now, ladies and gentlemen. As
you all know, we were supposed to continue our cereal
Buck Benny rides again. As you will remember last Sunday night,
the play ended with Buck Benny having just cornered Cactus
(17:17):
Faith Elmer, the outlaw in Ike Mueller's saloon. But Cactus Face,
using unfair tactics, like some other people I'm associated with,
made good his escape. Meanwhile, up at this very moment,
we have been unable to locate Cactus Face, so tonight
we will have to discontinue Buck Benny. Aw it hurts
(17:38):
me too, fellas kind of had my heart and not
the character. But anyway, not to disappoint our listeners altogether,
Tonight we are going to present an original Society drama
entitled Money Ain't Everything?
Speaker 3 (17:52):
Or Oh Yeah.
Speaker 4 (17:57):
I will play the part of Jay Stuyvesant Schnorer, an
American minsionaire who is cruising the Mediterranean on his luxurious yacht.
Speaker 6 (18:09):
I will be his daughter, I imagine.
Speaker 5 (18:11):
Yes.
Speaker 3 (18:12):
Don Wilson will play the captain of the boat.
Speaker 4 (18:16):
And as a special added attraction, he will not mention
our product, not at all, Jack, not one single flavor shirks.
Kenny Baker will play the part of a bogus prince,
and owing to the shortage of actors, our orchestra leader
will play the part of Kenny's brother, who is also bogus.
(18:36):
And I don't mean only in the play. This will
go on immediately after the next number, which will be
rendered by that vine Street playboy and his yes man Mary.
Take a quick look and see if Phil is burning
up with him?
Speaker 8 (19:01):
Then said that, said Sam, say.
Speaker 4 (20:43):
That the vote for mister Rhythm from the big broadcast
of nineteen thirty seven, and all for our play. Money
ain't everything. The scene takes place on the palatial yacht
of that well known millionaire Jay Stuyvesant Schnores, which is
cruising the peaceful Mediterranean with a gay party of moochers aboard.
(21:03):
We now take you to the yacht bad Check, which
is bouncing all over the Mediterranean curtains music Wayne, Oh,
(21:26):
missus vandevere, missus vandervie. Yes, mister, you'll have to ask
you a little boy, to put back the steering wheel.
We've been going around in a circle for three days.
Speaker 3 (21:39):
How do you know we just bumped into the back
of the bowl very well with the snow. Look, we're
heading straight for an iceberg.
Speaker 4 (21:47):
An iceberg? Where right ahead of you that's Wilson and
these coals. Oh, captain, Yes, mister snore, I wish you'd
put a bottom in our swimming pool. I've lost three
of my best friends.
Speaker 3 (21:59):
And all the way.
Speaker 4 (22:00):
Have you seen my daughter?
Speaker 2 (22:01):
She's about someplace, sir, Well, I must find her, begging
your pardon, Sir, I must warn you about your daughter,
her fortune hunters of board, and now that she's twice
as rich as ever before. Everyday millions of people proposed
to her.
Speaker 4 (22:13):
Now, Captain, now you sure it's my daughter's emphas you
have a.
Speaker 2 (22:15):
Hard yes, And I hope the man she marries will
be half as true as the extra rich true fruit
flavor of my favorite dessert.
Speaker 4 (22:23):
Thank you, captain. I'm glad you think as much of
my daughter as you do of your job. Ah. Here
she comes. Now, Hello, Peter, that's Peter.
Speaker 3 (22:39):
Daughter.
Speaker 4 (22:40):
Uh tell me, daughter, where have you been up on
a post drinking pot?
Speaker 3 (22:57):
That's a pip, you said it, pat My child?
Speaker 4 (23:04):
You look worried tonight? What's on your mind?
Speaker 7 (23:06):
Prince Boris and Prince Morris have asked me to marry them,
and I don't know which one to accept.
Speaker 4 (23:10):
You mean, those bogus noblemen, Why they're nothing but fortune hunters.
Where are they now?
Speaker 6 (23:14):
Down in the cold and playing shovel board?
Speaker 4 (23:18):
That's calling a spade a spade.
Speaker 3 (23:20):
But now, my dear.
Speaker 4 (23:21):
Child, why do you want to marry either one of
those designing schemers?
Speaker 3 (23:23):
They're only after my money.
Speaker 6 (23:25):
That's not true.
Speaker 4 (23:25):
It is true, And you know that such a marriage
cannot last.
Speaker 6 (23:28):
Oh you say that every time I get married.
Speaker 4 (23:31):
And I'm always right. You've had enough right thrown at
you to fill the Hollywood Bowl weddings husbands every year,
a new honeymoon. Why do you get married so often?
Speaker 6 (23:42):
I got a boyfriend in Niagara Falls.
Speaker 4 (23:51):
Well, one thing you can be sure of, young lady,
I won't stand for either one of those fake princes.
Speaker 3 (23:56):
Pardon me, missus snorer. Yes, there's no always a complaining
about the food. Well tell them to throw it overboard.
They did in the shocks, threw it back. What's the score?
Speaker 10 (24:14):
Oh what, Peter?
Speaker 6 (24:15):
Here come the two princes now, ah, Prince.
Speaker 4 (24:22):
Boris, Mademoiselle Prince Morris, Mademoiselle quiet Prince, Oh what Peter?
Speaker 7 (24:30):
I want you to meet Boris Morris. They've been on
your yacht for three months.
Speaker 4 (24:33):
Oh, so that's who they are. I saw them in
the dining room so often I thought they were the waiters.
Speaker 3 (24:38):
Give me back my tips? Pooy on you.
Speaker 9 (24:43):
It goes for me too, you.
Speaker 4 (24:44):
I'm not worried about now, Your Highness. Is I understand
that both of you bums are in love with my daughter?
Is that right?
Speaker 9 (24:55):
Yes?
Speaker 4 (24:56):
And you want to marry my daughter? Yes?
Speaker 3 (24:58):
And if I was broke, would you.
Speaker 4 (24:59):
Still want to marry Yes? That's what I thought. I
won't stand for this daughter. You can't marry either one
of them.
Speaker 6 (25:08):
Oh, but I love him? Father? Which one the one
in the middle?
Speaker 2 (25:11):
Right?
Speaker 4 (25:12):
You need glasses? Where did he come from?
Speaker 6 (25:14):
The pop decks?
Speaker 4 (25:17):
Well, let's get down the fact. Even if I should
permit this marriage, your Excellency is only one of you
tramps can be her husband. I have an idea. We'll
toss a coin to decide. Have you a coin, brother?
Speaker 6 (25:26):
No?
Speaker 9 (25:27):
Have you no?
Speaker 5 (25:28):
Then we'll find a duel.
Speaker 3 (25:29):
Good daughter. Leave the yacht.
Speaker 7 (25:31):
Leave the yacht, I say, okay.
Speaker 2 (25:38):
Dog gone it.
Speaker 3 (25:39):
I meant leave the room.
Speaker 4 (25:46):
Oh, captain, captain, my daughter fell overboard picture out of
the water.
Speaker 5 (25:49):
What I use for baits a mink coat?
Speaker 4 (25:51):
She'll snap at that, and I'm not kidding a fellow.
Speaker 3 (26:04):
Oh yeah, oh yeah.
Speaker 4 (26:07):
Well, let's go on with the duel, gentlemen. Here are
the pistols. Mine's okay, Hey, wait a minute, mine isn't loaded.
You're telling me. I'll stand back to back, pistols in
right hand, march ten paces, turn and fire. Understand?
Speaker 3 (26:20):
Yes, all right?
Speaker 4 (26:21):
Ready?
Speaker 3 (26:22):
One? Who three? Mister snorer, mister Snorer. Yes, a cablegram
for you.
Speaker 4 (26:30):
Sir, A cable gram.
Speaker 3 (26:31):
Let's have it.
Speaker 2 (26:33):
Hmm hold everything, Hey, fellas.
Speaker 4 (26:36):
Listen to this.
Speaker 3 (26:37):
It's from Frank Harson.
Speaker 5 (26:38):
What does it say?
Speaker 4 (26:39):
Says dear buck have just located taxis faith Elmer returned one.
I'm holding the passever you get here? Well, what do
you know about that?
Speaker 6 (26:47):
Come on, boys, let's go.
Speaker 4 (26:48):
We ain't got a minute to lose.
Speaker 3 (26:54):
What Benny rights again? Watch out?
Speaker 4 (26:58):
Then, don't get the horses wet.
Speaker 2 (27:04):
This will continue next Sunday night. We'll Buck get cactus face?
Will the horses get wet? We'll Phil Harris.
Speaker 4 (27:09):
Get here on time. These and many more questions will
be answered next Sunday night.
Speaker 6 (27:13):
Yet are you scruly tune.
Speaker 4 (27:14):
In next Sunday night and find out play fair.
Speaker 2 (27:56):
For year's chocolate pudding has been one of the most
popular desserts, but it's more popular than ever and all
because of Jello chocolate pudding. The new way to make
that grand old fashioned favorite jello chocolate pudding is smoother,
creamier or chocolate e It's amazingly easy to make too,
and it brings you delicious, real homemade flavor. Just follow
these simple directions. Mix the contents of a package of
(28:19):
jello chocolate pudding with some milk in the top of
your double boiler and let it cook for about ten minutes,
when the mixture will be thick and lushious. Wait for
it to cool, and then serve your prize pudding in
shervet glasses.
Speaker 5 (28:29):
It's no trouble to make, and.
Speaker 2 (28:31):
Once you've tasted jello chocolate pudding, I know you'll agree
that it's one of the swellest desserts you ever served.
Your family and friends will tell you so too. Get
some Jellow chocolate pudding in the morning. It sells for
the same low price as jello, and one package makes
enough for six happy servings. If your grocer hasn't put
the Jello chocolate pudding in stock yet.
Speaker 5 (28:51):
Be sure he orders it for you.
Speaker 4 (29:13):
This is the last number of the tenth program in
the new Jello series. And we'll be with you again
next Sunday night at the same time. And I'll be
glad to be see that is Mary, and I will
be glad to see all of our Phoenix, Arizona friends
Tuesday night.
Speaker 3 (29:26):
Say Mary, I'm giving a little party to night at
the Crocadero. You want to join me?
Speaker 10 (29:29):
Oh?
Speaker 4 (29:30):
Sure, Jack, how about you? Don Thanks Jack, I'll be
glad to are you too, Kenny? Okay, Well, I guess
that's about all.
Speaker 6 (29:39):
Didn't you forget someone? Jack?
Speaker 4 (29:40):
Oh? I don't think so. No, good night, folks.
Speaker 2 (30:02):
The tune just one of those things is from the
production Jubilee. The Jello Program starring Jack Benny has come
to you from the NBC studios in Hollywood.
Speaker 4 (30:10):
This is the Red Network of the National Broadcasting Company.
Speaker 1 (30:16):
Please send your questions and comments to host at classiccomedyotr
dot com. Until next time. In the words of Amy
kraus Rosenthal, pay attention to what you pay attention to.
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