December 4, 2025 • 30 mins
Jello again. Jack and the gang are headed back to Hollywood aboard a train. During their train ride, they are attended to by a most interesting train porter.
Episode 251 of The Jack Benny Show. The program originally aired on on March 28, 1937.
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Episode 251 of The Jack Benny Show. The program originally aired on on March 28, 1937.
Please email questions and comments to host@classiccomedyotr.com.
Like us on Facebook at facebook.com/classiccomedyotr. Please share this podcast with your friends and family.
You can also subscribe to our podcast on Spreaker.com, Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.
This show is supported by Spreaker Prime.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:16):
Welcome to classic comedy of old time radio. I'm your
host Ron Ecklbarger. Jelo Again. Jack and the gang are
headed back to Hollywood aboard a train. During their train ride,
they are attended to by a most interesting train porter.
This episode, entitled The Train Porter, is the two hundred
(00:37):
and fifty first Jack Benny Show and it originally aired
on March twenty eight, nineteen thirty seven.
Speaker 2 (00:44):
Hey the Tello Program starrying Jack Benny with Mary Livingson
and Phil Harrison his auchestra. The August opens the program
with I'm bubbling over from the motion picked show, Wake Up.
Speaker 3 (00:56):
And Live.
Speaker 2 (01:13):
Game You hats, bright use suits, ripe spring flowers. Those
are some of the sites that makes the Easter Parade
the frightened colorful scene.
Speaker 3 (01:20):
It is the theme that you can see only once
a year.
Speaker 2 (01:23):
But here's the delight of the eye that thrills the
taste that you can enjoy the year round.
Speaker 4 (01:27):
Jello for dessert.
Speaker 2 (01:29):
Yes, indeed, when you bring on a colorful mold of jello,
you certainly give your family a treat or dessert should
look as good as a taste. And that's one of
the many grand things about jello. It looks delicious, and
it is delicious and refreshing for the flavor of real
fresh fruit. Jello has that extra rich fruit flavor, which
makes it the most popular jellous and dessert.
Speaker 3 (01:49):
In the world.
Speaker 2 (01:50):
So frighten up your menus with a gay yellow dessert
water Jello and any of its six delicious flavors tomorrow
from your dealer. Look for the big red letters on
the box they sell jello. That was I'm Bubbling over
(02:26):
played by Phil Harrison his orchestra in Hollywood. And now,
ladies and gentlemen, we take you to the Durburn Street
station in Chicago, where we find Jack and the rest
of the gang about the board.
Speaker 4 (02:35):
The trains for California. Take it away, Chicago Homony transfer, baggage.
Speaker 3 (02:47):
Transfer, Hey, redcap carry, my grip's a little higher. There's
some things hanging out, yester.
Speaker 5 (02:53):
Oh board train weaving on track seven, ar Kansas City,
Dot City, Till City, Rushton City, Salt Lake City, and Potscom.
Speaker 3 (03:06):
Let's lock the grips down here and I get my
crowd together.
Speaker 4 (03:09):
Yes, mister Bunny, the name's Benny.
Speaker 3 (03:11):
Well, this is easter.
Speaker 6 (03:19):
Coming on you lit the team.
Speaker 7 (03:21):
We'll be leading any minute.
Speaker 8 (03:22):
Oh, look, Moby's Jack, Danny, I want to autograph.
Speaker 7 (03:25):
Wait till we get to Hollywood and you can get
a good one.
Speaker 3 (03:28):
They done? If there have you seen Mary and Kenny?
We haven't got much time.
Speaker 2 (03:31):
Let's saw Mary standing in front of the hotel a
little while ago.
Speaker 3 (03:34):
That's fine. Why don't she get over here? She's waiting
for a cab to match her new easter half hope
the depot matches her dress. Stevie and find her and
Kenny too.
Speaker 5 (03:42):
Okay, Oh, a board scream weaving for San Peegro, San Diego,
Sannath and San Francisco, starting park table and Jeannette.
Speaker 3 (03:53):
But hello, Jack, Hello Mary?
Speaker 6 (03:58):
All set?
Speaker 8 (03:59):
Yeah, where's the train for San Hollywood?
Speaker 3 (04:02):
Right over there? S gee, but you're all bundle up.
I bet you're glad you're leaving all his ice and snow.
Speaker 8 (04:06):
You said it, I shall gold. I'm all goeese temples.
Speaker 3 (04:09):
That's goose well.
Speaker 8 (04:10):
I got more than one.
Speaker 3 (04:11):
Oh hey, redcap, yes, sir, take my grips to car
twenty four drawing room made.
Speaker 4 (04:17):
I did that three times all day, and the lady
keith ol the mouth.
Speaker 3 (04:27):
That's right. I'm in lower seven. I was thinking of
taking a drawing room, folks as a conduct Where does
I train leave from the one to Los Angeles? Tracks eight, nine, ten, eleven,
and twelve. It's a pretty long train, isn't it now?
The engineer brought it in sideway.
Speaker 5 (04:40):
O the fine depot, all the board train living for
one two Carama Zoo three four Baltimore five feet Battle
French seven.
Speaker 6 (04:55):
They don't be late four.
Speaker 3 (05:01):
I'll have to take that trip sometimes.
Speaker 6 (05:04):
Can we better get to our car.
Speaker 3 (05:06):
I'm not getting handle. Kenny, get there, say Marry. Run
over the newstand and buy me a magazine? Will you
which one? Oh? Anything? Get me a copy of the
newdist I like those outdoors scene Okay? Oh, I gotta
send a wire, say information clerk, Yes, where can I
send a telegram to my wife? It's sir birthday?
Speaker 7 (05:22):
Bangs bang, Oh, mister Benny. Yes, my daughter insists upon
giving your autographs. You mind, Oh, not at all.
Speaker 3 (05:29):
I'm so sad you're going to.
Speaker 7 (05:30):
Be on the train here you are, Dolly.
Speaker 8 (05:33):
Thanks, mister Penny.
Speaker 3 (05:34):
Well, well, so you're the little girl who wants my autograph?
Speaker 8 (05:38):
Yeah, ain't nice. Crewey.
Speaker 3 (05:43):
Listen, pardon me, lady. I'm looking for my gang or
married to get me that magazine.
Speaker 8 (05:48):
Here it is Jack the newdist Thanks, and here's some
smoke glasses.
Speaker 3 (05:51):
Small glasses? What are they for?
Speaker 8 (05:53):
When do you get the page?
Speaker 3 (05:54):
Ten? Give me that I'm reading a continued story.
Speaker 6 (05:58):
Oh Turk.
Speaker 3 (05:58):
Here's Jimmy, Hello, and Boddy, Hey, Kenny, wherever you've been?
The train leaves in two minutes. Well, I was singing
a bath and you picked a fine time. What's that
towel sticking out of your shirt? I'm not dry here?
Now you're not dryinget, but you got in that bucket.
Speaker 9 (06:13):
I'm taking some snow to California. My mother never saw any.
Speaker 3 (06:16):
No, isn't that silly Mary? It'll be water by the
time we get there.
Speaker 9 (06:19):
My mother will believe me, now, no doubt.
Speaker 3 (06:28):
Well go on, let's get on the train. Well, let's see.
We haven't got much time.
Speaker 5 (06:34):
Oh, Fort Bring leaving on press nine for Fort Madison,
Kansas City.
Speaker 6 (06:40):
Crawberry Rasberry with your tar, hurry.
Speaker 4 (06:43):
Orange swimming in for thirty and wine.
Speaker 3 (06:48):
That's us, Say don if you bride that announcer, No,
but I'll rewarding all. Let's go. Our car's up.
Speaker 7 (06:54):
Forward coming only listen, you can get the fireman's autograph.
Speaker 3 (06:57):
Let see where's car twenty four?
Speaker 10 (06:58):
Oh?
Speaker 3 (06:59):
Here we are, Mary.
Speaker 8 (07:00):
Cat, I'll come. Let's be off the crowded. Why look
at those three men riding under it?
Speaker 3 (07:04):
Well, they're probably fresh air feeding. Come on here, Mary,
I'll help you up, You too, Don and Kenny. Don't
still that bucket of snow.
Speaker 4 (07:10):
I will here.
Speaker 3 (07:11):
You are a red cap here fifty ten. This is
a dome. Look at your script, not the coin. Good
Bye Chicago, the bo od check? What do you think of?
For God? Why?
Speaker 8 (07:31):
Why smoke you?
Speaker 3 (07:32):
What do you want with snow shoes on the train?
Speaker 8 (07:34):
I bet he wants to s for a pike in
the bucket?
Speaker 11 (07:36):
Yell, I'll get in the car.
Speaker 12 (08:00):
The the.
Speaker 3 (09:42):
She's a long ride, isn't it done?
Speaker 4 (09:44):
Yeah?
Speaker 13 (09:45):
Yeah?
Speaker 3 (09:45):
Where are we now?
Speaker 10 (09:46):
Jack?
Speaker 3 (09:46):
I don't know. It looks like New Mexico. Our dress
last night? Oh not so good? Not so good.
Speaker 2 (09:51):
I'm not built for an upper berth.
Speaker 3 (09:53):
Now you look more like as some partsman must have
slept on your back. You were snoring yellow all night.
Speaker 2 (10:02):
Yes, I had a conscientious knifemare, say, gass, are.
Speaker 8 (10:05):
There any windows in a nupper berth? No? And who
is our waiting ass?
Speaker 3 (10:12):
You got me. How'd you sleep? Mary?
Speaker 8 (10:15):
How was that pass the night? Riding on east?
Speaker 3 (10:16):
Your poems?
Speaker 8 (10:17):
Do you want to hear it? Not?
Speaker 12 (10:18):
Now?
Speaker 3 (10:18):
Married a your only say? Porter, Porter Elvia?
Speaker 6 (10:22):
Uh?
Speaker 3 (10:22):
What time do we get to Albuquerque?
Speaker 10 (10:24):
Who?
Speaker 3 (10:26):
Albuquerque? I don't know?
Speaker 7 (10:28):
Do we stop there?
Speaker 3 (10:31):
Well, certainly we stopped there, Mama.
Speaker 5 (10:38):
Mm I I've been all end me about that.
Speaker 3 (10:41):
Yeah, yeah, I do that. Oh what's the name of
that town of jim Albuquerque? Elbow cookie?
Speaker 4 (10:49):
What's gonna drink up?
Speaker 8 (10:51):
Me?
Speaker 6 (10:54):
Mm?
Speaker 3 (10:54):
Fine, Porter?
Speaker 6 (10:55):
We got or maybe we don't stop there, Jake.
Speaker 3 (10:57):
Go on. I've made this trip a thousand times.
Speaker 8 (11:00):
Do you wanna hear my poem now?
Speaker 3 (11:01):
A thousand times?
Speaker 12 (11:02):
No?
Speaker 3 (11:02):
I'm going into lunch. Pardon me, mister Benny. Yes, ma'am,
I'm the lady who thought her.
Speaker 7 (11:06):
What is your authographic station?
Speaker 3 (11:08):
Oh? The little girl is going to Hollywood.
Speaker 8 (11:10):
Yes, she's going into Pickrelic.
Speaker 6 (11:12):
Dear mister Benny wants.
Speaker 3 (11:13):
To miss you. Well I was going to lunch, really.
Speaker 7 (11:16):
But we've just had ours. Oh, just come here milicin.
You know she sings just like Lily Ponds.
Speaker 3 (11:21):
Well I heard miss Pond, so don't bother with milicine.
Speaker 8 (11:24):
I must she's so modest.
Speaker 7 (11:26):
I always have to force her. Not for us, you
don't married, come milicen, sing for missa Benny or don't bother.
Speaker 3 (11:33):
She's probably nervous. No, look no I don't know. No, don't.
Speaker 6 (11:49):
Very good, very good.
Speaker 3 (11:51):
Oh really she has great possibilities.
Speaker 7 (11:53):
Thank you, and take your hands off her necks.
Speaker 3 (11:56):
Oh pardon me, I'm on lunch. Who can eat now?
Speaker 14 (12:00):
Oh?
Speaker 3 (12:02):
Conductor? Conductor, yes, sir? What time do we get to Albuquerque? Albuquerque?
Is that on? This line? Always has been what time
do we get there? What term is it? Now? Twell? Twenty?
Thank you?
Speaker 8 (12:15):
Lala la la la lal. I bet he's going in
a picture too. Oh, listen to my poemer you.
Speaker 3 (12:23):
Oh Mary, I'm so tired.
Speaker 8 (12:25):
Dear old Easter, dear old Easter, you are with us
once again.
Speaker 7 (12:29):
Where do you know, mister Billy, my old lady? Please
my don't you want to contest? And that's why she's
going into pictures.
Speaker 3 (12:35):
Oh so you're going to be in pictures, milicine.
Speaker 8 (12:37):
Yeah, until a director gets fresh with me. What a
long career.
Speaker 3 (12:42):
You'll have, Mary Millican. Millican's want a contest?
Speaker 8 (12:49):
Contest? He looks like a water buffalo.
Speaker 3 (12:52):
You've never seen a water buffalo.
Speaker 8 (12:54):
I've never seen anything like melicine e. Why, dear Old Easter,
dear Old.
Speaker 3 (12:58):
Easter, you are with fell well? Hello, Kennedy, I just
leave last night, Kenny.
Speaker 9 (13:03):
Oh, I had more trouble every time I hung my
pants from the rope of trains top.
Speaker 3 (13:14):
That kind of a train? Where have you been all morning?
Speaker 9 (13:16):
See when a porter closed my apple broak? You think
he's wait until I got out?
Speaker 6 (13:21):
An?
Speaker 3 (13:21):
You mean he polled you opping it? Yeah, wanted to
do something about it.
Speaker 9 (13:24):
Before I could think of anything, I fell asleep. See,
I sure do need air.
Speaker 3 (13:28):
Sit down and open the window. They're all helping Kenny,
And don't stick your head.
Speaker 8 (13:32):
Out, say Kenny, you want to hear my eat your poem?
Speaker 6 (13:35):
Sure?
Speaker 12 (13:36):
Mary?
Speaker 8 (13:36):
Oh boy, an audience, Dear Old Easter, dear Old Easter,
you are.
Speaker 12 (13:40):
With us once again, with your boys to Eastern Lily
and your products from the hen Wow, how I love
your Easter.
Speaker 3 (13:46):
Balls, lunges, magazines and programs.
Speaker 6 (13:49):
Get your programs here.
Speaker 5 (13:50):
You can't tell one pasture from another without a program.
Speaker 3 (13:55):
And what kind of a train is that? Hey boy,
what time do we get to Albuquerque? We certainly do.
I pulls one. Isn't that awful?
Speaker 12 (14:05):
How I love your eat your bunny summer while in
summer change and the yellow so delicious.
Speaker 8 (14:10):
Howard bobbles on the train.
Speaker 3 (14:13):
Hey, I've noticed that? Hey Porter, Yes, when I got
on the train yesterday, I gave you a super press.
Where is it? Gee?
Speaker 6 (14:20):
I'm lezy?
Speaker 10 (14:21):
Don't I remind you.
Speaker 6 (14:22):
Of seven buses?
Speaker 3 (14:23):
Yeah? What did you find out about Albuquerque?
Speaker 4 (14:25):
He kept president it better than I here.
Speaker 3 (14:30):
Albuquerque is a town.
Speaker 6 (14:32):
You better check on this.
Speaker 3 (14:37):
I better get off this train, too, say Jack. Yeah,
what's this hanging around my neck? That's a mail bag?
And I told you to keep your head in I'll
look at you. What are you laughing at? Mary?
Speaker 8 (14:51):
I guess I'll take care of a water buffalo.
Speaker 3 (14:55):
I'm with. He answered, Well, Kenny, what are you gonna
sing on the program when we get to Hollywood? Oh?
I don't I think I'll sing?
Speaker 6 (15:01):
Trust in me?
Speaker 3 (15:02):
Well, rehearse it now and brush up a little bit.
That's a clever way of getting into a song while
we're on a train.
Speaker 4 (15:06):
Isn't the folks your fooled me?
Speaker 3 (15:08):
I thought I would. Yeah, I think, Kenny, where we
get me?
Speaker 14 (15:12):
All go?
Speaker 15 (15:22):
You doll my addlagecit abd loveing bt.
Speaker 3 (15:36):
Come to me with all most have.
Speaker 10 (15:40):
You, mocky, give me mighty whatsting me in all you?
(16:03):
Why the faith I have in you? Love will see.
Speaker 16 (16:09):
Us through if only you trusting me. Come to me
when things along, Cling to me, and I'll be spawn.
We can get along.
Speaker 10 (16:29):
As long as you trusting me. Why there's a moon on?
Speaker 11 (16:38):
Why a bird to fly?
Speaker 10 (16:42):
Why every you and by you can be sure? Come
the hide me all the wild.
Speaker 16 (17:04):
Sufa with a smile, rusting me, and I'll be worthy of.
Speaker 10 (17:12):
You lost me?
Speaker 3 (17:20):
Oh very good, Kenny, I'm sure your song will be
(17:48):
a big hit Sunday. I'll say it was.
Speaker 8 (17:52):
Hey, Jack, looks like we're pulling into the station.
Speaker 2 (17:54):
That's right, we're slowing down.
Speaker 3 (17:55):
Hey, Kenny, look out of the window and see what
town this is?
Speaker 8 (17:58):
Okay, it's Jack.
Speaker 3 (18:00):
Where are we? What does the signs say? Kenny? What
town is this? Waiting room? Waiting room, New Mexico. It's fine,
I mean, let me look out there. Hey, don we're
in Albuquerque. I know the train stop here. Oh I'm
going out just they tell me too, Wait for me,
hey porter, Yeah, how long do we stop here? Well
(18:24):
in Albuquerque. There you go here. Well, there's no use
talking to him. Come on, Mary, I gotta send a wire.
Watch the stiff, Hey, Jack, what are those Indian selling
thing where right there? I'm going over and buy a
Tommy Rock. That's a Tommy Hawk. Go ahead, Kenny, don't
(18:47):
be late for the train. Don send that wire for me,
will you?
Speaker 6 (18:50):
Okay?
Speaker 8 (18:50):
Oh Jack? Look at Kenny buying something from that Indian
said hello?
Speaker 3 (18:54):
And then prib Engley what Oh? Tell him what you want?
Speaker 8 (19:02):
Kenny and me want Tommy Hawk all a custom white Boyce.
I'm dope.
Speaker 4 (19:09):
Who you said it?
Speaker 3 (19:11):
Come on, Mary, we haven't much time. I want to
go in that little novelty shop and buy the moccasins.
Speaker 8 (19:15):
And I gotta attempting for my mother.
Speaker 3 (19:16):
Yeah, let's go over, Hey, Mary, look at that sign
heat big bargains. Let's go in.
Speaker 6 (19:25):
The customers, step into my big boom and look it up.
Amaya Hindian? She's asking.
Speaker 3 (19:38):
He's an Indian, all right? And what can I do
for you, my fell faced lunch mom? I want to
get a pair of moccasins like pizza or left fie,
one of each, sorr even, don't split him up.
Speaker 8 (19:52):
Hey, Papa, give me a nikol.
Speaker 6 (19:54):
But that's my little poops.
Speaker 8 (19:58):
Yeah, look at those places. I'd like to buy one.
That's tomma.
Speaker 3 (20:00):
He's this bag here, it's that eel rettlesnake point it's pity.
Hey wait a minute, this one is moving day test.
That will be dead by sun dog. Better not handle that. Mary.
I like to see a pair of moccasin here.
Speaker 6 (20:14):
You are the finest moccasins made by our tribes.
Speaker 3 (20:17):
Now what tribe is that?
Speaker 6 (20:18):
The pointies Shappies.
Speaker 3 (20:21):
Well i've heard of them. Say these moccasins aren't bad.
You haven't got much of a selection here?
Speaker 4 (20:25):
Who am I floor? Sha?
Speaker 3 (20:31):
Well, well i'll take this bear, wrap him up?
Speaker 6 (20:35):
Would you like him at that? Can I blend it
or rush me?
Speaker 3 (20:38):
I just want moccasins, that's all, Papa.
Speaker 6 (20:40):
I want a nickels fire rain in the faith.
Speaker 3 (20:46):
It could be nose in the faith.
Speaker 6 (20:47):
So here you are, sir, This will be two ninety eight.
Is that anything else?
Speaker 10 (20:52):
No?
Speaker 3 (20:52):
Thanks?
Speaker 6 (20:53):
Vade them in a tender foot. Could you use a
couple of igloos?
Speaker 3 (20:56):
Cheap iglos? What's an Indian doing with an iglo? I
used to be on that.
Speaker 6 (21:00):
Come on, I'm stuck with him.
Speaker 3 (21:03):
Never mind, calm Mary o Jack.
Speaker 8 (21:05):
Look at that totem Paul.
Speaker 6 (21:06):
That's my vife. I'm stuck with her.
Speaker 3 (21:08):
Dude.
Speaker 5 (21:14):
Well welcomebye, thank you, call again. He's not hurry up
with me, portray be right with you? Come on, everybody,
or John? Did you send that wire to Phil hair you?
Speaker 3 (21:29):
He got.
Speaker 14 (22:14):
The PARTI.
Speaker 3 (22:46):
Name name? Thank here? That was Swing High Swing Loaf
(23:35):
from the motion picture of the same name late by
yours truly Phil Harris and his artist.
Speaker 4 (23:39):
And I want to say that it.
Speaker 3 (23:40):
Sure is a pleasure to be back on this program again.
Thanks Phil. How frugal buck? Get here? Why?
Speaker 6 (23:46):
Hello, Andy, you'll be here any minute now.
Speaker 3 (23:49):
I wish you'd get here.
Speaker 4 (23:50):
I got a swell present for him if he brought
me one.
Speaker 14 (23:53):
All right, Hey, oh.
Speaker 3 (24:14):
Well, well, well go that's what I'm sure.
Speaker 4 (24:18):
Glad to see you.
Speaker 3 (24:19):
Yeah, I'm glad to see you.
Speaker 8 (24:20):
Fail you too, Andy, give me a kiss, Sail.
Speaker 4 (24:24):
How was that married?
Speaker 8 (24:25):
A blind is better? But you're a change.
Speaker 11 (24:30):
They married?
Speaker 3 (24:30):
Don't I get a kiss?
Speaker 8 (24:32):
I kissed you when I came in.
Speaker 11 (24:33):
We'll do it again.
Speaker 3 (24:34):
Before I cool down.
Speaker 6 (24:38):
Oh, insur it's good to be home again.
Speaker 3 (24:40):
Yeah, I'm going right out and kissing orange. Say then
you know that watch you gave me for Christmas? Well,
I showed her everybody, and it's the talk of New York.
Speaker 6 (24:48):
No, kiddy, what happened in New York? Jack?
Speaker 3 (24:50):
What did you do all this time? Yeah? Give us
the loaddown, buck Well, I'll tell you. You tell him,
don I want to say a lord of the boys
in the band?
Speaker 2 (25:00):
Well, Fellas, the attack was out night after night, and
he practically slept in his dress suits.
Speaker 8 (25:05):
At least it looked that way.
Speaker 4 (25:06):
It was just one night club after another, parties and seeing.
Speaker 5 (25:10):
Burless shoals and burless shows and burlest shoulder.
Speaker 8 (25:16):
And then he went home to his hometown walk Egan,
and they gave him a great, big celebration. Do you
think he was leaving town instead of comming in some excitement?
Speaker 5 (25:23):
Hunh, Say buck, Andy, I bet you were stuck up
when you did that broadcast from the World Office.
Speaker 10 (25:29):
Saw your hotel.
Speaker 3 (25:32):
From the war? Say that again, Andy, I love it
from the World Office. Yes, that sure is a swaggy plate.
And look, Fellas, I saved a menu from the dining room.
Speaker 6 (25:47):
Is that class?
Speaker 3 (25:48):
Hey? Look at this Andy?
Speaker 2 (25:49):
Gee whiz two eights yep?
Speaker 6 (25:54):
Stay fuck.
Speaker 3 (25:55):
Can I take this home?
Speaker 11 (25:56):
I want to show it to my chicken.
Speaker 3 (26:02):
Go ahead, Andy, but break it to him gently. Here.
Speaker 6 (26:04):
Let me see that man you in a minute here,
yard down.
Speaker 3 (26:06):
I know what you're looking for at at the bottom
of the page under dessert.
Speaker 2 (26:10):
Yep, there it is, right between the coconut custard pie
and the chocolate fudding.
Speaker 3 (26:13):
Yes, sir, and it looks just as tempting as ever.
I wonder if they mean jelly oh, Kenny, you're spoiled head.
Speaker 6 (26:22):
Hey Jack, you sure did a lot of stepping in
New York, didn't you.
Speaker 2 (26:24):
Did?
Speaker 3 (26:25):
I come here Phil, you too, Andy? Listen, I got
some stuff to say. You wait, you know we gotta
be listen. You can talk all your wanta boys, So
let me tell you something that there are plenty.
Speaker 8 (26:33):
Of rooms in New York too.
Speaker 3 (26:35):
There are certainly, Listen. I kipped the waiter at the
Waldorf Pastoria and he told me it was the first
dime he'd ever seen. Jack tell us about those nightclubs. Yeah,
how about those chorus girls? Were they pretty well? I
don't know. Wilson was always in front of me. I
(26:56):
don't know, say fellas, No, and I got so much
have you. It'll take days. Hey, come on over, come
on over here in the corner. Okay, you know what
to do? Boys, Yeah, you have no idea white cold time.
Speaker 2 (27:47):
Here's a tip on how to get the spirit of
the new season. Do something different, get a little gay
with your main use, and serve this new and exciting
salad yellow fruit bold.
Speaker 10 (27:56):
It's attractive, delicious, and easy to make.
Speaker 2 (27:59):
You simply to solve one package of orange jello and
one pint of hot water.
Speaker 4 (28:03):
Chill until slightly.
Speaker 2 (28:04):
Thickened, then pulling in one and one half cups of
dice fruit whatever kind of fruit you like best, apples, pears, oranges,
canned pineapple, or berry.
Speaker 3 (28:13):
Then mold and serve.
Speaker 2 (28:15):
Everybody will make a big fuss over this grand springtime salad,
So try it and try it reensume, be sure that
you make the jello fruit mold with genuine jello, because
genuine jello has that extra rich fruit flavor flavor from
fresh ripe fruit. Ask your dealer tomorrow for jello, but
be sure you get the real thing, genuine jello.
Speaker 3 (29:08):
This is the last number of the twenty sixth program
in the New Jello series, and we'll be with you
again next Sunday night at the same time. And I
want to thank all my friends in New York and Walkegan,
those two big towns for their hospitality. And Kenny, I
want to wish you success is coming Thursday when you
open up the Paramount Theater.
Speaker 9 (29:25):
Thank you, Jack, say Jack?
Speaker 8 (29:27):
Can I say something?
Speaker 3 (29:28):
Sure? Mary? Go ahead if that's cute, Tella.
Speaker 8 (29:30):
I gave my autograph too, and Kansas City is listening in.
Will you please return my gold pencil in person?
Speaker 3 (29:37):
Oh, it couldn't have been that good looking? Good night folks, happy.
Speaker 13 (29:46):
Than oh, puss list as a turtle program that I's
to the curtture of water Brothers.
Speaker 4 (29:58):
If you'll t marvels for.
Speaker 2 (29:59):
Words on the pictures, ready, willing Enaghbor. This is the
Red Network and an actual broadcasting company.
Speaker 4 (30:10):
Hey Fi, I los Angelessa.
Speaker 1 (30:12):
The name of the actor who played the train porter
was Eddie Rochester Anderson. We will be hearing him a
lot more on the Jack Benny Show in days to come.
As we do, I'll talk a little bit more about him.
Please send your questions and comments to host at classiccomedyotr
(30:33):
dot com. Until next time, In the words of baseball
great Ken Griffey, Jr. As long as I have fun playing,
the stats will take care of themselves.
Welcome to classic comedy of old time radio. I'm your
host Ron Ecklbarger. Jelo Again. Jack and the gang are
headed back to Hollywood aboard a train. During their train ride,
they are attended to by a most interesting train porter.
This episode, entitled The Train Porter, is the two hundred
(00:37):
and fifty first Jack Benny Show and it originally aired
on March twenty eight, nineteen thirty seven.
Speaker 2 (00:44):
Hey the Tello Program starrying Jack Benny with Mary Livingson
and Phil Harrison his auchestra. The August opens the program
with I'm bubbling over from the motion picked show, Wake Up.
Speaker 3 (00:56):
And Live.
Speaker 2 (01:13):
Game You hats, bright use suits, ripe spring flowers. Those
are some of the sites that makes the Easter Parade
the frightened colorful scene.
Speaker 3 (01:20):
It is the theme that you can see only once
a year.
Speaker 2 (01:23):
But here's the delight of the eye that thrills the
taste that you can enjoy the year round.
Speaker 4 (01:27):
Jello for dessert.
Speaker 2 (01:29):
Yes, indeed, when you bring on a colorful mold of jello,
you certainly give your family a treat or dessert should
look as good as a taste. And that's one of
the many grand things about jello. It looks delicious, and
it is delicious and refreshing for the flavor of real
fresh fruit. Jello has that extra rich fruit flavor, which
makes it the most popular jellous and dessert.
Speaker 3 (01:49):
In the world.
Speaker 2 (01:50):
So frighten up your menus with a gay yellow dessert
water Jello and any of its six delicious flavors tomorrow
from your dealer. Look for the big red letters on
the box they sell jello. That was I'm Bubbling over
(02:26):
played by Phil Harrison his orchestra in Hollywood. And now,
ladies and gentlemen, we take you to the Durburn Street
station in Chicago, where we find Jack and the rest
of the gang about the board.
Speaker 4 (02:35):
The trains for California. Take it away, Chicago Homony transfer, baggage.
Speaker 3 (02:47):
Transfer, Hey, redcap carry, my grip's a little higher. There's
some things hanging out, yester.
Speaker 5 (02:53):
Oh board train weaving on track seven, ar Kansas City,
Dot City, Till City, Rushton City, Salt Lake City, and Potscom.
Speaker 3 (03:06):
Let's lock the grips down here and I get my
crowd together.
Speaker 4 (03:09):
Yes, mister Bunny, the name's Benny.
Speaker 3 (03:11):
Well, this is easter.
Speaker 6 (03:19):
Coming on you lit the team.
Speaker 7 (03:21):
We'll be leading any minute.
Speaker 8 (03:22):
Oh, look, Moby's Jack, Danny, I want to autograph.
Speaker 7 (03:25):
Wait till we get to Hollywood and you can get
a good one.
Speaker 3 (03:28):
They done? If there have you seen Mary and Kenny?
We haven't got much time.
Speaker 2 (03:31):
Let's saw Mary standing in front of the hotel a
little while ago.
Speaker 3 (03:34):
That's fine. Why don't she get over here? She's waiting
for a cab to match her new easter half hope
the depot matches her dress. Stevie and find her and
Kenny too.
Speaker 5 (03:42):
Okay, Oh, a board scream weaving for San Peegro, San Diego,
Sannath and San Francisco, starting park table and Jeannette.
Speaker 3 (03:53):
But hello, Jack, Hello Mary?
Speaker 6 (03:58):
All set?
Speaker 8 (03:59):
Yeah, where's the train for San Hollywood?
Speaker 3 (04:02):
Right over there? S gee, but you're all bundle up.
I bet you're glad you're leaving all his ice and snow.
Speaker 8 (04:06):
You said it, I shall gold. I'm all goeese temples.
Speaker 3 (04:09):
That's goose well.
Speaker 8 (04:10):
I got more than one.
Speaker 3 (04:11):
Oh hey, redcap, yes, sir, take my grips to car
twenty four drawing room made.
Speaker 4 (04:17):
I did that three times all day, and the lady
keith ol the mouth.
Speaker 3 (04:27):
That's right. I'm in lower seven. I was thinking of
taking a drawing room, folks as a conduct Where does
I train leave from the one to Los Angeles? Tracks eight, nine, ten, eleven,
and twelve. It's a pretty long train, isn't it now?
The engineer brought it in sideway.
Speaker 5 (04:40):
O the fine depot, all the board train living for
one two Carama Zoo three four Baltimore five feet Battle
French seven.
Speaker 6 (04:55):
They don't be late four.
Speaker 3 (05:01):
I'll have to take that trip sometimes.
Speaker 6 (05:04):
Can we better get to our car.
Speaker 3 (05:06):
I'm not getting handle. Kenny, get there, say Marry. Run
over the newstand and buy me a magazine? Will you
which one? Oh? Anything? Get me a copy of the
newdist I like those outdoors scene Okay? Oh, I gotta
send a wire, say information clerk, Yes, where can I
send a telegram to my wife? It's sir birthday?
Speaker 7 (05:22):
Bangs bang, Oh, mister Benny. Yes, my daughter insists upon
giving your autographs. You mind, Oh, not at all.
Speaker 3 (05:29):
I'm so sad you're going to.
Speaker 7 (05:30):
Be on the train here you are, Dolly.
Speaker 8 (05:33):
Thanks, mister Penny.
Speaker 3 (05:34):
Well, well, so you're the little girl who wants my autograph?
Speaker 8 (05:38):
Yeah, ain't nice. Crewey.
Speaker 3 (05:43):
Listen, pardon me, lady. I'm looking for my gang or
married to get me that magazine.
Speaker 8 (05:48):
Here it is Jack the newdist Thanks, and here's some
smoke glasses.
Speaker 3 (05:51):
Small glasses? What are they for?
Speaker 8 (05:53):
When do you get the page?
Speaker 3 (05:54):
Ten? Give me that I'm reading a continued story.
Speaker 6 (05:58):
Oh Turk.
Speaker 3 (05:58):
Here's Jimmy, Hello, and Boddy, Hey, Kenny, wherever you've been?
The train leaves in two minutes. Well, I was singing
a bath and you picked a fine time. What's that
towel sticking out of your shirt? I'm not dry here?
Now you're not dryinget, but you got in that bucket.
Speaker 9 (06:13):
I'm taking some snow to California. My mother never saw any.
Speaker 3 (06:16):
No, isn't that silly Mary? It'll be water by the
time we get there.
Speaker 9 (06:19):
My mother will believe me, now, no doubt.
Speaker 3 (06:28):
Well go on, let's get on the train. Well, let's see.
We haven't got much time.
Speaker 5 (06:34):
Oh, Fort Bring leaving on press nine for Fort Madison,
Kansas City.
Speaker 6 (06:40):
Crawberry Rasberry with your tar, hurry.
Speaker 4 (06:43):
Orange swimming in for thirty and wine.
Speaker 3 (06:48):
That's us, Say don if you bride that announcer, No,
but I'll rewarding all. Let's go. Our car's up.
Speaker 7 (06:54):
Forward coming only listen, you can get the fireman's autograph.
Speaker 3 (06:57):
Let see where's car twenty four?
Speaker 10 (06:58):
Oh?
Speaker 3 (06:59):
Here we are, Mary.
Speaker 8 (07:00):
Cat, I'll come. Let's be off the crowded. Why look
at those three men riding under it?
Speaker 3 (07:04):
Well, they're probably fresh air feeding. Come on here, Mary,
I'll help you up, You too, Don and Kenny. Don't
still that bucket of snow.
Speaker 4 (07:10):
I will here.
Speaker 3 (07:11):
You are a red cap here fifty ten. This is
a dome. Look at your script, not the coin. Good
Bye Chicago, the bo od check? What do you think of?
For God? Why?
Speaker 8 (07:31):
Why smoke you?
Speaker 3 (07:32):
What do you want with snow shoes on the train?
Speaker 8 (07:34):
I bet he wants to s for a pike in
the bucket?
Speaker 11 (07:36):
Yell, I'll get in the car.
Speaker 12 (08:00):
The the.
Speaker 3 (09:42):
She's a long ride, isn't it done?
Speaker 4 (09:44):
Yeah?
Speaker 13 (09:45):
Yeah?
Speaker 3 (09:45):
Where are we now?
Speaker 10 (09:46):
Jack?
Speaker 3 (09:46):
I don't know. It looks like New Mexico. Our dress
last night? Oh not so good? Not so good.
Speaker 2 (09:51):
I'm not built for an upper berth.
Speaker 3 (09:53):
Now you look more like as some partsman must have
slept on your back. You were snoring yellow all night.
Speaker 2 (10:02):
Yes, I had a conscientious knifemare, say, gass, are.
Speaker 8 (10:05):
There any windows in a nupper berth? No? And who
is our waiting ass?
Speaker 3 (10:12):
You got me. How'd you sleep? Mary?
Speaker 8 (10:15):
How was that pass the night? Riding on east?
Speaker 3 (10:16):
Your poems?
Speaker 8 (10:17):
Do you want to hear it? Not?
Speaker 12 (10:18):
Now?
Speaker 3 (10:18):
Married a your only say? Porter, Porter Elvia?
Speaker 6 (10:22):
Uh?
Speaker 3 (10:22):
What time do we get to Albuquerque?
Speaker 10 (10:24):
Who?
Speaker 3 (10:26):
Albuquerque? I don't know?
Speaker 7 (10:28):
Do we stop there?
Speaker 3 (10:31):
Well, certainly we stopped there, Mama.
Speaker 5 (10:38):
Mm I I've been all end me about that.
Speaker 3 (10:41):
Yeah, yeah, I do that. Oh what's the name of
that town of jim Albuquerque? Elbow cookie?
Speaker 4 (10:49):
What's gonna drink up?
Speaker 8 (10:51):
Me?
Speaker 6 (10:54):
Mm?
Speaker 3 (10:54):
Fine, Porter?
Speaker 6 (10:55):
We got or maybe we don't stop there, Jake.
Speaker 3 (10:57):
Go on. I've made this trip a thousand times.
Speaker 8 (11:00):
Do you wanna hear my poem now?
Speaker 3 (11:01):
A thousand times?
Speaker 12 (11:02):
No?
Speaker 3 (11:02):
I'm going into lunch. Pardon me, mister Benny. Yes, ma'am,
I'm the lady who thought her.
Speaker 7 (11:06):
What is your authographic station?
Speaker 3 (11:08):
Oh? The little girl is going to Hollywood.
Speaker 8 (11:10):
Yes, she's going into Pickrelic.
Speaker 6 (11:12):
Dear mister Benny wants.
Speaker 3 (11:13):
To miss you. Well I was going to lunch, really.
Speaker 7 (11:16):
But we've just had ours. Oh, just come here milicin.
You know she sings just like Lily Ponds.
Speaker 3 (11:21):
Well I heard miss Pond, so don't bother with milicine.
Speaker 8 (11:24):
I must she's so modest.
Speaker 7 (11:26):
I always have to force her. Not for us, you
don't married, come milicen, sing for missa Benny or don't bother.
Speaker 3 (11:33):
She's probably nervous. No, look no I don't know. No, don't.
Speaker 6 (11:49):
Very good, very good.
Speaker 3 (11:51):
Oh really she has great possibilities.
Speaker 7 (11:53):
Thank you, and take your hands off her necks.
Speaker 3 (11:56):
Oh pardon me, I'm on lunch. Who can eat now?
Speaker 14 (12:00):
Oh?
Speaker 3 (12:02):
Conductor? Conductor, yes, sir? What time do we get to Albuquerque? Albuquerque?
Is that on? This line? Always has been what time
do we get there? What term is it? Now? Twell? Twenty?
Thank you?
Speaker 8 (12:15):
Lala la la la lal. I bet he's going in
a picture too. Oh, listen to my poemer you.
Speaker 3 (12:23):
Oh Mary, I'm so tired.
Speaker 8 (12:25):
Dear old Easter, dear old Easter, you are with us
once again.
Speaker 7 (12:29):
Where do you know, mister Billy, my old lady? Please
my don't you want to contest? And that's why she's
going into pictures.
Speaker 3 (12:35):
Oh so you're going to be in pictures, milicine.
Speaker 8 (12:37):
Yeah, until a director gets fresh with me. What a
long career.
Speaker 3 (12:42):
You'll have, Mary Millican. Millican's want a contest?
Speaker 8 (12:49):
Contest? He looks like a water buffalo.
Speaker 3 (12:52):
You've never seen a water buffalo.
Speaker 8 (12:54):
I've never seen anything like melicine e. Why, dear Old Easter,
dear Old.
Speaker 3 (12:58):
Easter, you are with fell well? Hello, Kennedy, I just
leave last night, Kenny.
Speaker 9 (13:03):
Oh, I had more trouble every time I hung my
pants from the rope of trains top.
Speaker 3 (13:14):
That kind of a train? Where have you been all morning?
Speaker 9 (13:16):
See when a porter closed my apple broak? You think
he's wait until I got out?
Speaker 6 (13:21):
An?
Speaker 3 (13:21):
You mean he polled you opping it? Yeah, wanted to
do something about it.
Speaker 9 (13:24):
Before I could think of anything, I fell asleep. See,
I sure do need air.
Speaker 3 (13:28):
Sit down and open the window. They're all helping Kenny,
And don't stick your head.
Speaker 8 (13:32):
Out, say Kenny, you want to hear my eat your poem?
Speaker 6 (13:35):
Sure?
Speaker 12 (13:36):
Mary?
Speaker 8 (13:36):
Oh boy, an audience, Dear Old Easter, dear Old Easter,
you are.
Speaker 12 (13:40):
With us once again, with your boys to Eastern Lily
and your products from the hen Wow, how I love
your Easter.
Speaker 3 (13:46):
Balls, lunges, magazines and programs.
Speaker 6 (13:49):
Get your programs here.
Speaker 5 (13:50):
You can't tell one pasture from another without a program.
Speaker 3 (13:55):
And what kind of a train is that? Hey boy,
what time do we get to Albuquerque? We certainly do.
I pulls one. Isn't that awful?
Speaker 12 (14:05):
How I love your eat your bunny summer while in
summer change and the yellow so delicious.
Speaker 8 (14:10):
Howard bobbles on the train.
Speaker 3 (14:13):
Hey, I've noticed that? Hey Porter, Yes, when I got
on the train yesterday, I gave you a super press.
Where is it? Gee?
Speaker 6 (14:20):
I'm lezy?
Speaker 10 (14:21):
Don't I remind you.
Speaker 6 (14:22):
Of seven buses?
Speaker 3 (14:23):
Yeah? What did you find out about Albuquerque?
Speaker 4 (14:25):
He kept president it better than I here.
Speaker 3 (14:30):
Albuquerque is a town.
Speaker 6 (14:32):
You better check on this.
Speaker 3 (14:37):
I better get off this train, too, say Jack. Yeah,
what's this hanging around my neck? That's a mail bag?
And I told you to keep your head in I'll
look at you. What are you laughing at? Mary?
Speaker 8 (14:51):
I guess I'll take care of a water buffalo.
Speaker 3 (14:55):
I'm with. He answered, Well, Kenny, what are you gonna
sing on the program when we get to Hollywood? Oh?
I don't I think I'll sing?
Speaker 6 (15:01):
Trust in me?
Speaker 3 (15:02):
Well, rehearse it now and brush up a little bit.
That's a clever way of getting into a song while
we're on a train.
Speaker 4 (15:06):
Isn't the folks your fooled me?
Speaker 3 (15:08):
I thought I would. Yeah, I think, Kenny, where we
get me?
Speaker 14 (15:12):
All go?
Speaker 15 (15:22):
You doll my addlagecit abd loveing bt.
Speaker 3 (15:36):
Come to me with all most have.
Speaker 10 (15:40):
You, mocky, give me mighty whatsting me in all you?
(16:03):
Why the faith I have in you? Love will see.
Speaker 16 (16:09):
Us through if only you trusting me. Come to me
when things along, Cling to me, and I'll be spawn.
We can get along.
Speaker 10 (16:29):
As long as you trusting me. Why there's a moon on?
Speaker 11 (16:38):
Why a bird to fly?
Speaker 10 (16:42):
Why every you and by you can be sure? Come
the hide me all the wild.
Speaker 16 (17:04):
Sufa with a smile, rusting me, and I'll be worthy of.
Speaker 10 (17:12):
You lost me?
Speaker 3 (17:20):
Oh very good, Kenny, I'm sure your song will be
(17:48):
a big hit Sunday. I'll say it was.
Speaker 8 (17:52):
Hey, Jack, looks like we're pulling into the station.
Speaker 2 (17:54):
That's right, we're slowing down.
Speaker 3 (17:55):
Hey, Kenny, look out of the window and see what
town this is?
Speaker 8 (17:58):
Okay, it's Jack.
Speaker 3 (18:00):
Where are we? What does the signs say? Kenny? What
town is this? Waiting room? Waiting room, New Mexico. It's fine,
I mean, let me look out there. Hey, don we're
in Albuquerque. I know the train stop here. Oh I'm
going out just they tell me too, Wait for me,
hey porter, Yeah, how long do we stop here? Well
(18:24):
in Albuquerque. There you go here. Well, there's no use
talking to him. Come on, Mary, I gotta send a wire.
Watch the stiff, Hey, Jack, what are those Indian selling
thing where right there? I'm going over and buy a
Tommy Rock. That's a Tommy Hawk. Go ahead, Kenny, don't
(18:47):
be late for the train. Don send that wire for me,
will you?
Speaker 6 (18:50):
Okay?
Speaker 8 (18:50):
Oh Jack? Look at Kenny buying something from that Indian
said hello?
Speaker 3 (18:54):
And then prib Engley what Oh? Tell him what you want?
Speaker 8 (19:02):
Kenny and me want Tommy Hawk all a custom white Boyce.
I'm dope.
Speaker 4 (19:09):
Who you said it?
Speaker 3 (19:11):
Come on, Mary, we haven't much time. I want to
go in that little novelty shop and buy the moccasins.
Speaker 8 (19:15):
And I gotta attempting for my mother.
Speaker 3 (19:16):
Yeah, let's go over, Hey, Mary, look at that sign
heat big bargains. Let's go in.
Speaker 6 (19:25):
The customers, step into my big boom and look it up.
Amaya Hindian? She's asking.
Speaker 3 (19:38):
He's an Indian, all right? And what can I do
for you, my fell faced lunch mom? I want to
get a pair of moccasins like pizza or left fie,
one of each, sorr even, don't split him up.
Speaker 8 (19:52):
Hey, Papa, give me a nikol.
Speaker 6 (19:54):
But that's my little poops.
Speaker 8 (19:58):
Yeah, look at those places. I'd like to buy one.
That's tomma.
Speaker 3 (20:00):
He's this bag here, it's that eel rettlesnake point it's pity.
Hey wait a minute, this one is moving day test.
That will be dead by sun dog. Better not handle that. Mary.
I like to see a pair of moccasin here.
Speaker 6 (20:14):
You are the finest moccasins made by our tribes.
Speaker 3 (20:17):
Now what tribe is that?
Speaker 6 (20:18):
The pointies Shappies.
Speaker 3 (20:21):
Well i've heard of them. Say these moccasins aren't bad.
You haven't got much of a selection here?
Speaker 4 (20:25):
Who am I floor? Sha?
Speaker 3 (20:31):
Well, well i'll take this bear, wrap him up?
Speaker 6 (20:35):
Would you like him at that? Can I blend it
or rush me?
Speaker 3 (20:38):
I just want moccasins, that's all, Papa.
Speaker 6 (20:40):
I want a nickels fire rain in the faith.
Speaker 3 (20:46):
It could be nose in the faith.
Speaker 6 (20:47):
So here you are, sir, This will be two ninety eight.
Is that anything else?
Speaker 10 (20:52):
No?
Speaker 3 (20:52):
Thanks?
Speaker 6 (20:53):
Vade them in a tender foot. Could you use a
couple of igloos?
Speaker 3 (20:56):
Cheap iglos? What's an Indian doing with an iglo? I
used to be on that.
Speaker 6 (21:00):
Come on, I'm stuck with him.
Speaker 3 (21:03):
Never mind, calm Mary o Jack.
Speaker 8 (21:05):
Look at that totem Paul.
Speaker 6 (21:06):
That's my vife. I'm stuck with her.
Speaker 3 (21:08):
Dude.
Speaker 5 (21:14):
Well welcomebye, thank you, call again. He's not hurry up
with me, portray be right with you? Come on, everybody,
or John? Did you send that wire to Phil hair you?
Speaker 3 (21:29):
He got.
Speaker 14 (22:14):
The PARTI.
Speaker 3 (22:46):
Name name? Thank here? That was Swing High Swing Loaf
(23:35):
from the motion picture of the same name late by
yours truly Phil Harris and his artist.
Speaker 4 (23:39):
And I want to say that it.
Speaker 3 (23:40):
Sure is a pleasure to be back on this program again.
Thanks Phil. How frugal buck? Get here? Why?
Speaker 6 (23:46):
Hello, Andy, you'll be here any minute now.
Speaker 3 (23:49):
I wish you'd get here.
Speaker 4 (23:50):
I got a swell present for him if he brought
me one.
Speaker 14 (23:53):
All right, Hey, oh.
Speaker 3 (24:14):
Well, well, well go that's what I'm sure.
Speaker 4 (24:18):
Glad to see you.
Speaker 3 (24:19):
Yeah, I'm glad to see you.
Speaker 8 (24:20):
Fail you too, Andy, give me a kiss, Sail.
Speaker 4 (24:24):
How was that married?
Speaker 8 (24:25):
A blind is better? But you're a change.
Speaker 11 (24:30):
They married?
Speaker 3 (24:30):
Don't I get a kiss?
Speaker 8 (24:32):
I kissed you when I came in.
Speaker 11 (24:33):
We'll do it again.
Speaker 3 (24:34):
Before I cool down.
Speaker 6 (24:38):
Oh, insur it's good to be home again.
Speaker 3 (24:40):
Yeah, I'm going right out and kissing orange. Say then
you know that watch you gave me for Christmas? Well,
I showed her everybody, and it's the talk of New York.
Speaker 6 (24:48):
No, kiddy, what happened in New York? Jack?
Speaker 3 (24:50):
What did you do all this time? Yeah? Give us
the loaddown, buck Well, I'll tell you. You tell him,
don I want to say a lord of the boys
in the band?
Speaker 2 (25:00):
Well, Fellas, the attack was out night after night, and
he practically slept in his dress suits.
Speaker 8 (25:05):
At least it looked that way.
Speaker 4 (25:06):
It was just one night club after another, parties and seeing.
Speaker 5 (25:10):
Burless shoals and burless shows and burlest shoulder.
Speaker 8 (25:16):
And then he went home to his hometown walk Egan,
and they gave him a great, big celebration. Do you
think he was leaving town instead of comming in some excitement?
Speaker 5 (25:23):
Hunh, Say buck, Andy, I bet you were stuck up
when you did that broadcast from the World Office.
Speaker 10 (25:29):
Saw your hotel.
Speaker 3 (25:32):
From the war? Say that again, Andy, I love it
from the World Office. Yes, that sure is a swaggy plate.
And look, Fellas, I saved a menu from the dining room.
Speaker 6 (25:47):
Is that class?
Speaker 3 (25:48):
Hey? Look at this Andy?
Speaker 2 (25:49):
Gee whiz two eights yep?
Speaker 6 (25:54):
Stay fuck.
Speaker 3 (25:55):
Can I take this home?
Speaker 11 (25:56):
I want to show it to my chicken.
Speaker 3 (26:02):
Go ahead, Andy, but break it to him gently. Here.
Speaker 6 (26:04):
Let me see that man you in a minute here,
yard down.
Speaker 3 (26:06):
I know what you're looking for at at the bottom
of the page under dessert.
Speaker 2 (26:10):
Yep, there it is, right between the coconut custard pie
and the chocolate fudding.
Speaker 3 (26:13):
Yes, sir, and it looks just as tempting as ever.
I wonder if they mean jelly oh, Kenny, you're spoiled head.
Speaker 6 (26:22):
Hey Jack, you sure did a lot of stepping in
New York, didn't you.
Speaker 2 (26:24):
Did?
Speaker 3 (26:25):
I come here Phil, you too, Andy? Listen, I got
some stuff to say. You wait, you know we gotta
be listen. You can talk all your wanta boys, So
let me tell you something that there are plenty.
Speaker 8 (26:33):
Of rooms in New York too.
Speaker 3 (26:35):
There are certainly, Listen. I kipped the waiter at the
Waldorf Pastoria and he told me it was the first
dime he'd ever seen. Jack tell us about those nightclubs. Yeah,
how about those chorus girls? Were they pretty well? I
don't know. Wilson was always in front of me. I
(26:56):
don't know, say fellas, No, and I got so much
have you. It'll take days. Hey, come on over, come
on over here in the corner. Okay, you know what
to do? Boys, Yeah, you have no idea white cold time.
Speaker 2 (27:47):
Here's a tip on how to get the spirit of
the new season. Do something different, get a little gay
with your main use, and serve this new and exciting
salad yellow fruit bold.
Speaker 10 (27:56):
It's attractive, delicious, and easy to make.
Speaker 2 (27:59):
You simply to solve one package of orange jello and
one pint of hot water.
Speaker 4 (28:03):
Chill until slightly.
Speaker 2 (28:04):
Thickened, then pulling in one and one half cups of
dice fruit whatever kind of fruit you like best, apples, pears, oranges,
canned pineapple, or berry.
Speaker 3 (28:13):
Then mold and serve.
Speaker 2 (28:15):
Everybody will make a big fuss over this grand springtime salad,
So try it and try it reensume, be sure that
you make the jello fruit mold with genuine jello, because
genuine jello has that extra rich fruit flavor flavor from
fresh ripe fruit. Ask your dealer tomorrow for jello, but
be sure you get the real thing, genuine jello.
Speaker 3 (29:08):
This is the last number of the twenty sixth program
in the New Jello series, and we'll be with you
again next Sunday night at the same time. And I
want to thank all my friends in New York and Walkegan,
those two big towns for their hospitality. And Kenny, I
want to wish you success is coming Thursday when you
open up the Paramount Theater.
Speaker 9 (29:25):
Thank you, Jack, say Jack?
Speaker 8 (29:27):
Can I say something?
Speaker 3 (29:28):
Sure? Mary? Go ahead if that's cute, Tella.
Speaker 8 (29:30):
I gave my autograph too, and Kansas City is listening in.
Will you please return my gold pencil in person?
Speaker 3 (29:37):
Oh, it couldn't have been that good looking? Good night folks, happy.
Speaker 13 (29:46):
Than oh, puss list as a turtle program that I's
to the curtture of water Brothers.
Speaker 4 (29:58):
If you'll t marvels for.
Speaker 2 (29:59):
Words on the pictures, ready, willing Enaghbor. This is the
Red Network and an actual broadcasting company.
Speaker 4 (30:10):
Hey Fi, I los Angelessa.
Speaker 1 (30:12):
The name of the actor who played the train porter
was Eddie Rochester Anderson. We will be hearing him a
lot more on the Jack Benny Show in days to come.
As we do, I'll talk a little bit more about him.
Please send your questions and comments to host at classiccomedyotr
(30:33):
dot com. Until next time, In the words of baseball
great Ken Griffey, Jr. As long as I have fun playing,
the stats will take care of themselves.
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