We mark the birth on July 5, 1918 – 103 years ago today – of the American composer George Rochberg (pronounced ROCK-berg). He died at the age of 86 on May 29, 2005. Rochberg was of that generation of composers who, having served in the military during World War Two, found himself a radically changed person and artist by the war’s end in 1945. Like other composers of his generation – Milton Babbitt, Pierre Boulez, Karlheinz Stockhausen, Iannis Xenakis, and György Ligeti – to name but a few – Rochberg’s aesthetic and world view were altered forever. Like the composers named above, he sought a modernist musical language relevant to what appeared to be an entirely new world. We’ll talk about the nature of much post-war modernism in just a bit; suffice it for now that it is music of daunting compositional complexity and sadly, far more often than not, unremitting ugliness. But then personal tragedy forced Rochberg to re-examine the roots and premises of his musical modernism. In 1972, with the composition of his String Quartet No. 3, Rochberg, musically reborn, re-emerged as a composer of a different sort of music with an entirely new aesthetic behind it. George […]
The post Music History Monday: George Rochberg and the Great Dilemma first appeared on Robert Greenberg.
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