The Writing on the Wall

Henry David Thoreau is known for Walden Pond, his writings on solitude and nature, and his staunch, even strident, abolitionism. He is not known for his pencils. But it’s his pencils, writes the historian Augustine Sedgewick in our Autumn issue, that have been overlooked by scholars for so many years, along with one particularly damning detail that Sedgewick discovered for the first time: the cedar in those pencils, which the Thoreau family manufactured to great success, was logged by enslaved laborers. That a connection to slavery was “discovered” in the unlikeliest of places—on the desk of an iconic American abolitionist—speaks to how limiting this idea of discovery is. Connections to slavery in 19th-century America, after all, were everywhere and rarely hidden. Sedgewick's essay has already been making waves in Thoreauvian circles, and it has the real potential to change the narrative not only about Thoreau, but also about how we talk about racial justice and reparations in this country.

Go beyond the episode:

• Augustine Sedgewick’s essay “Thoreau’s Pencils”
• Henry David Thoreau’s “Civil Disobedience”
• Ralph Waldo Emerson’s “Self-Reliance”

Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.

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