Daniel-François-Esprit Auber (1782-1871) was one of the most famous composers of the 19th century. Working with his lifelong collaborator, the renowned dramatist and librettist Eugéne Scribe, he gave definitive form to the uniquely French genres of grand historical opera (La Muette de Portici) and opéra-comique (Fra Diavolo). His overtures were famous all over the world, as much for their engaging titles (The Bronze Horse, The Black Domino, The Crown Diamonds) as for their dancing elegance and fluent melodies. Raymond Bisha introduces a new programme of overtures and entr’actes from Auber’s stage works conducted by Dario Salvi, a specialist in the restoration and performance of rare works, in particular those of Meyerbeer and Auber.
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We’re at our most vulnerable when we go to our doctors. We trust the person at the other end of that scalpel. We trust the hospital. We trust the system. Christopher Duntsch was a neurosurgeon who radiated confidence. He claimed he was the best in Dallas. If you had back pain, and had tried everything else, Dr. Duntsch could give you the spine surgery that would take your pain away. But soon his patients started to experience complications, and the system failed to protect them. Which begs the question: who - or what - is that system meant to protect? From Wondery, the network behind the hit podcast Dirty John, DR. DEATH is a story about a charming surgeon, 33 patients and a spineless system. Reported and hosted by Laura Beil.
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