This week on Podcast Like It’s the 2000s, Phil and Emily kick off a brand-new Valentine’s miniseries on the films of Wong Kar-wai with one of the most celebrated movies of the century: In the Mood for Love. Joining them are Katie McGrath and Tom Mison, making their first appearance on the main feed after many beloved appearances on Podcast Like It’s the 90s (the Patreon-exclusive show).
The conversation explores why In the Mood for Love has become the defining cinematic text of longing, memory, and restraint. The group digs into Wong Kar-wai’s sensual, dialogue-light approach; the role of ambiguity and audience interpretation; the film’s obsession with time, repetition, and missed connection; and how Tony Leung and Maggie Cheung deliver one of the most emotionally charged screen romances ever filmed without ever fully consummating it.
They also discuss the film’s slow critical “glow-up,” its influence on filmmakers like Sofia Coppola and Barry Jenkins, the role of Criterion in canon-building, and why this movie works as pure cinema something that couldn’t exist in any other medium. Along the way: conversations about memory, performance without dialogue, and what it means for a film to trust its audience completely.
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Podcast Like It’s the 2000s
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