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May 29, 2025 73 mins

Host Jason Blitman talks to Jonathan Van Ness and Julie Murphy (Let Them Stare) about astrology, the names of their teenage cars, and early inspirations for their book. And Crock Pots. And British accents. And Nobu. They talk about a lot. Jason is then joined by queer icon Alison Bechdel who shares what she's been reading and talks about her new graphic novel, Spent.   

Julie & JVN Publisher's Weekly Article

Jonathan Van Ness is an Emmy-winning television personality, 3x New York Times bestselling author, podcaster, comedian, celebrity hairstylist, and founder of JVN Hair. He stars on Netflix’s Emmy Award–winning reboot series Queer Eye, where he shines as the hair guru and self-care advocate; and he hosts the popular podcast Getting Better with Jonathan Van Ness.

Julie Murphy splits her time between North Texas and Kansas with her husband, who loves her, and her cats, who tolerate her. When Julie isn’t writing, she can be found watching movies so bad they're good, hunting for the perfect slice of cheese pizza, or planning her next great travel adventure. She is the author of the middle grade novels Dear Sweet Pea and Camp Sylvania as well as the young adult novels Ramona Blue, Side Effects May Vary, the Faith series, Pumpkin, Puddin’, and Dumplin’ (now a Netflix original film).

Alison Bechdel’s cult following for her early comic strip Dykes to Watch Out For expanded wildly for her family memoirs, the New York Times bestselling and Time magazine #1 Book of the Year graphic memoir Fun Home, adapted into a Tony Award–winning musical, and Are You My Mother? Most recently, The Secret to Superman Strength was named a New York Times Best Graphic Novel of 2021. Bechdel has been named a MacArthur Fellow, among many other honors.

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:04):
Gaze reading where the greatsdrop by trendy authors.
Tell us all the who, what andwhy.
Anyone can listen Comes we arespoiler free.
Reading from stars to book clubpicks we're the curious minds
can get their picks.
Say you're not gay.

(00:24):
Well that's okay there somethingeveryone.
Hello and welcome to GA'sReading.
I'm your host Jason Blitman, andin the almost two years that
I've been hosting GA's reading,this is the very first time I'm
recording an introduction withmy husband in the room, and I'm

(00:46):
feeling very self-consciousright now, but that's okay.
We're all in this together.
Each guest on today's episode isa, doesn't need an introduction
sort of guest, and I am elatedthat they are all here with me
today.
First up, I have Jonathan VanNess and Julie Murphy talking
about their book, let ThemStare.
And my guest, gay reader todayis Queer Icon, Allison Bechtel,

(01:10):
uh, who shares what she's beenreading, but also talks about
her new.
Graphic novel spent.
All of their bios are in theshow notes.
It's fun to share that on thegaze reading Substack.
I just dropped a pride guide fora non exhaustive list of my top
picks for pride.

(01:31):
Top picks for pride.
It's a lot of plosives into themicrophone.
Sorry about that.
The guide is free online, and ifyou subscribe to the Substack,
you could download a PDF of theguide.
So the link to that is in theshow notes and also in the Link
tree on Instagram.
So you could follow us onInstagram.
We are at Gaze Reading.
We're on Blue Sky, we are onYouTube.

(01:53):
You could watch this episodeover on YouTube.
And as always, if you like whatyou're hearing.
Please share us with yourfriends.
Follow us on social media, uh,and like, and subscribe to Gay's
Reading wherever you get yourpodcast.
So you will be the first to knowwhen a new episode drops, just
like this one right now.
And so all of that said, pleaseenjoy Jonathan Ness, Julie

(02:16):
Murphy and Allison Bechdel.

Julie Murphy (02:19):
a very small gay world,

Jason Blitman (02:21):
It's a very small gay world.
Speaking of gay world, who I'm,I'm in Idlewild at an Airbnb
right now.

JVN (02:27):
what a sentence.

Jason Blitman (02:28):
There has never been a gay person who has stayed
in this room because thelighting would not be this.

Julie Murphy (02:34):
So bad

Jason Blitman (02:35):
I am so mad about it.
Anyway, I'm gonna talk to youboth like this.

Julie Murphy (02:40):
Okay, perfect.

Jason Blitman (02:42):
welcome to Gay's Reading.
I'm so happy to have you

JVN (02:46):
Thanks for having us.

Julie Murphy (02:47):
Yay.

Jason Blitman (02:48):
to talk about your delightful, delicious
novel.
Let Them Stare by Julie Murphyand Jonathan Ness, um, your
debut together.

Julie Murphy (03:00):
Yeah.

JVN (03:01):
that's what I mean.

Jason Blitman (03:02):
Yes, I know.
'cause you both are esteemed,

JVN (03:05):
and authors.

Julie Murphy (03:06):
Yeah.

JVN (03:07):
have we skated before independently?
Yes.
But it's like our debut as ateam,

Julie Murphy (03:12):
Exactly.

JVN (03:13):
a

Jason Blitman (03:13):
tense.

Julie Murphy (03:14):
along the lines of like, like two, like divorce a
coming together and having likethat first child in like a new
marriage.
You know what I mean?

JVN (03:24):
You know what's more coming up for me, for some reason I
think it's'cause it's the end ofour,

Jason Blitman (03:29):
To her.

JVN (03:29):
end of our book tour.

Julie Murphy (03:30):
Uh.

JVN (03:31):
I think what's coming up for me is like blades of glory,
but us and we're figure skatersand writers

Julie Murphy (03:37):
Yes.

JVN (03:38):
we are like novelists and Paris figure skaters, and we are
just like skating the house downand

Julie Murphy (03:46):
Yes, exactly.

Jason Blitman (03:49):
You said recent divorcees and my mind
immediately went to First WivesClub and the finale where you're
both in your white dancing downthe street.

JVN (04:00):
That's

Julie Murphy (04:00):
Oh my God.

JVN (04:01):
about your knee from this.
Like before we started recordingyou guys, we learned that Julie
took a mbo and that's why I wasworried about the needs.
It's like, what about our figureskating?
What

Jason Blitman (04:10):
figure skating, the finale.
I know.

JVN (04:12):
We got this.

Julie Murphy (04:13):
You know what?
Here's the thing.
My airport pickup was at 4:30 AMthis morning brutal, and I
almost fell like six times atthe airport, so I knew it was
coming for

Jason Blitman (04:24):
Mm.

Julie Murphy (04:25):
and at least I fell in the privacy of my own
hotel room.

JVN (04:28):
Four 30 is find that anytime I have to do a car
before 5:00 AM is when I feel.
Like much.
Ouch.
Like even if

Jason Blitman (04:39):
Uh,

JVN (04:40):
five, it's like fine.
Like I got this like after fiveit's like fine.
But it's like when it's like,when it's like those three 40
fives, like four 30, it's like,ow.

Jason Blitman (04:50):
This is a safe space.
We can be tired on gay'sreading.
It's fine.

Julie Murphy (04:54):
Yay.

JVN (04:55):
didn't have that really call today.
I was,

Jason Blitman (04:57):
well, Julie did, she could be tired on the.

JVN (05:00):
I had a I o'clock flight, so I.

Jason Blitman (05:05):
Yes.

Julie Murphy (05:06):
Yeah.
Yeah.

Jason Blitman (05:08):
is, is on the verge of falling normal for you,
Julie?

Julie Murphy (05:11):
No,

Jason Blitman (05:12):
Oh.

Julie Murphy (05:14):
I was just like stumbling around, like I had a,
like an O'Hare layover today,also.
Awful.

JVN (05:21):
What a.

Julie Murphy (05:22):
Yeah.
I had a connection today I waslike just stumbling around, like
reading a book on my phone justlike,

Jason Blitman (05:32):
Okay.
Well,

Julie Murphy (05:33):
I know, well this is also maybe the problem, but I
like could not function.
I could, I didn't know how tohave four limbs today.
I just didn't.

Jason Blitman (05:42):
all right, but you have a beautiful wallpaper
behind you

JVN (05:46):
the windbreaker is

Jason Blitman (05:47):
and the win.

JVN (05:49):
I dunno if we're using this video, but this windbreaker is
like gorgeous.

Jason Blitman (05:53):
are folks, head on over to YouTube if you're
listening.
And you could see Julie'sfabulous.
Yes.
What does it say?
What is, what are, what are thewords on the shirt underneath?

Julie Murphy (06:01):
oh, well,

Jason Blitman (06:03):
Oh,

Julie Murphy (06:03):
mean to brand place, but this is my, this is
my company.
Bittersweet.

JVN (06:09):
Who actually did this book?

Julie Murphy (06:12):
it's true.
It's

Jason Blitman (06:13):
bittersweet.com.
I assume?
No.

Julie Murphy (06:16):
Something like

Jason Blitman (06:17):
I was giving you a plug.
Google Julie Murphy.
Bittersweet everyone.
Um, I'm upset.
So, Jonathan, we're both Ariesand I did a, I'm, I've been on
this like.
Astrology kick recently.
I don't know why.
So Julie, I saw that you're aScorpio and I was so curious to
look at the professionalrelationship just because you
guys did this fantasticPublisher's Weekly article about

(06:39):
working together.
So I'm gonna stick that in theshow notes of this so everyone
can go read about what theworking relationship was like.
But it says, Aries and Scorpioprofessionals are generally well
suited to work together.
Due to their complimentarystrengths.
S energetic and enthusiasticleadership along with Scorpio's
strategic and analyticalapproach can create a powerful
team.
And I was

JVN (07:01):
Oh.

Jason Blitman (07:01):
gagged'cause that's what you basically said
in the article.

JVN (07:04):
Oh my God.

Jason Blitman (07:07):
I.

JVN (07:07):
astrological like convert, like I used to like look like.
I like because.
My ultra religious upbringing.
I used to think that astrologywas like a doorway for the
enemy.
Like to come and, you know, justlike take your soul like

Jason Blitman (07:21):
Oh

JVN (07:22):
But now I'm like, I had this like amazing astrologist on
the podcast a few weeks ago andshe like.
I had one before and like, Ireally like, I mean, I like I, I
like, I like, I was like, I waslike into it,

Jason Blitman (07:35):
sure.

JVN (07:36):
like Elisa, I was like, and also Chanie, Chanie, Nichols and
Elisa, both of them together.
Just like, but it's like Elisawas a cute, and Chanie was like
working me on Instagram forlike, not personally, but just
like,'cause I follow, you

Jason Blitman (07:49):
Interesting.
Mm-hmm.
Mm-hmm.

JVN (07:51):
I wait, I don't wanna like commandeer, but.
And you can tell me to shut up,but this is like, but do you
know about the whole, like thedifference between like your
sun, your moon, and your rising?

Jason Blitman (08:01):
So I only recently did my, like, full
chart, like literally two weeksago.
I had a guest who was like, youhave to do it right now.
So I did, and she sort of likedid a little reading for me and
I don't really fully understandall of it, but we need to, like,
there's, I'm, I'm excited to doa deep dive.

JVN (08:17):
my neurodivergence really wants me to tell you.

Jason Blitman (08:19):
Yeah.

JVN (08:20):
okay, I'll just tell you guys really quick because I'm
like obsessed.
I just

Jason Blitman (08:22):
Tell me, tell us.

JVN (08:24):
so you're rising.
Or excuse me.
So your sun is like the thingthat everybody talks about.
So, but that's like how theworld sees you.

Jason Blitman (08:32):
Mm mm

JVN (08:33):
Then your moon is like, your moon side is like how you
feel on the inside, like.
And then your rising is like howyou interpret or like relate to
the world.
So it's kind of like how youlike

Jason Blitman (08:50):
Oh.

JVN (08:51):
'cause it's like different than how you feel on the inside.
It's like how you relate

Jason Blitman (08:54):
Like the compatibility of you and the
world.
I.
Right.

JVN (08:58):
you relate to like the way I understood.
It's like how you relate to yoursun and your moon as well.

Jason Blitman (09:04):
Oh, this is very helpful.
Thank you, Jian.

Julie Murphy (09:06):
Jonathan.

Jason Blitman (09:07):
Yes,

JVN (09:08):
I was like, I'm like an Aries Sun something, something.
I

Jason Blitman (09:14):
right.
I, yeah, yeah, I know.
Me too.
I have it like downloadedsomewhere and I'll, I know,
Julie, you need to like, youneed your, you need what time
you were born.
It's like a whole thing.

Julie Murphy (09:25):
No, I've got it.
I've done this so many times.
So many of my friends are likewoo woo bitches.
You know what I mean?
So I've done many times.

Jason Blitman (09:34):
JV n it's funny you say once you had someone on
the podcast is when you sort offully converted.
For me it was the same withtarot.
I was sort of like, oh, cute.

JVN (09:44):
I am kind of scared of that.

Jason Blitman (09:45):
Well, I, I know I had a very positive experience,
so maybe that's, that's why.
But then I had Michelle t on thepodcast and she read my, she
read my vibe check and it like,sort of changed my life.
So

JVN (09:58):
What

Jason Blitman (09:59):
it you, part of it was like, you have a lot of
ideas, but that's okay.
Run with, run with them.
That was like one of the things,there was, there were other
things that were so succinct andtrue to that moment.

JVN (10:14):
Wait, what's your birthday again?

Jason Blitman (10:15):
April 6th.

JVN (10:16):
Oh my God.
So yeah, we really are justlike, we're so Aries.
Ugh.

Jason Blitman (10:20):
I know.
I'm like very Aries.

JVN (10:22):
So

Julie Murphy (10:22):
I like super Scorpio, like,

Jason Blitman (10:26):
Julie's looking.
JVN, why don't you give theelevator pitch for Let them
Stare?

Julie Murphy (10:30):
yeah, yeah.
Okay.
Sorry, sorry, sorry.

Jason Blitman (10:32):
We could talk.
I we're gonna take this on somany journeys, but I also want
people to know about the book.

Julie Murphy (10:35):
Yeah.

JVN (10:36):
was, when I was doing a live the other day, I was like,
wow, Julie, this is soembarrassing.
that cute thing called on theinside of the flap of the book
again?

Jason Blitman (10:46):
The jacket

Julie Murphy (10:47):
The jacket copy.

JVN (10:48):
like the thing that we write on it.

Jason Blitman (10:50):
or the copy.

JVN (10:51):
Oh yeah, the jacket copy.
Oh yeah, yeah, yeah.
Totally.
Uh, um, yeah, I was like, I waslike, oh, I'm just gonna read
the jacket copies, elevatorpitch.
'cause this is like way betterthan what happens to like my
neurodivergence, where Iaccidentally like say the whole
like first six chapters.
But basically this

Julie Murphy (11:03):
Mm-hmm.

JVN (11:04):
it's Sully is this like fierce, non-binary, gender
non-con confirming, uh, kidfrom.
Hers, Pennsylvania, and they'relike kind of giving like a more
self-actualized 18-year-oldversion of me, like now.
But like, I wasn't that cool.
Um, but like I wish I would'vebeen.
And so, uh, solely wants to getoutta their hometown.
At their graduation party thenight before they're getting

(11:25):
ready to leave, they, they dealwith their last indiscretion
from their family and they kindof tell everybody to kick rocks
'cause they're leaving this dumbold town and they never have to
see any of you people ever againwe do.
But then the next day, theirinternship that they had, like
put all the eggs in that basketfor gets pulled out from under
them.
They're stuck in their hometownwith no backup plans and no
money.
Uh, then the little money thatthey do have, they go back to

(11:49):
their old job at the store totry to like get their jo their
job back.
But they find this pricelessbag, which could be worth like a
quarter of a, like, so muchmoney.
No even knows to be honest.
it's a lot.
Uh, and uh, and, but, but, uh,they can't tell if it's like
real or not.
And, uh, so it's like my brainis not working right now, but
anyway.

Julie Murphy (12:08):
Ghost.
Ghost,

JVN (12:10):
Take it back

Jason Blitman (12:11):
They have the purse.
Have the bag,

JVN (12:13):
today, and it's haunted by a drag queen from the fifties.
So that's the elevator

Jason Blitman (12:17):
dot, dot dot.
Chaos ensues.

JVN (12:19):
It's major.
We love

Jason Blitman (12:20):
Yes.

Julie Murphy (12:21):
an elevator pitch.
Like I only got to like floorsix.
That's how fast your elevatorpitch was.
Yeah, it was good.

JVN (12:28):
good.
It was so fast

Julie Murphy (12:28):
Like a slow

JVN (12:29):
couldn't

Julie Murphy (12:29):
elevator, but

Jason Blitman (12:30):
Yes.

Julie Murphy (12:30):
floor seconds, floor.

Jason Blitman (12:31):
Right, right, right.
It was a, it was crank

Julie Murphy (12:34):
Yeah,

JVN (12:35):
Oh my God.
It's interesting that you saythat because we were just
talking about like drugs on thepodcast that we like hadn't
heard of for a long time and Iwas like, crank.
Do you remember like

Jason Blitman (12:45):
where did go?

JVN (12:46):
everyone was so scared of it.
And I

Jason Blitman (12:48):
Yes.

JVN (12:48):
like 10, 12.
Yeah.
Just being like, oh, what isthis stuff?
But I feel like one ever talksabout that anymore.

Julie Murphy (12:55):
Yeah.
Yeah.

JVN (12:56):
Thank God.
Maybe it's been eradicated.

Jason Blitman (12:58):
Maybe do, did you get the crank vaccine?

JVN (13:01):
I got the,

Jason Blitman (13:02):
Yeah.
Woo.
Thankfully.
Uh, okay.
Uh, the, the note at thebeginning, I don't know if this
is in the finished copy of thebook, but it's in the, the
advanced copy, the note from thetwo of you.

Julie Murphy (13:16):
in the back of the book for the finished copy,

Jason Blitman (13:18):
Oh, great.
Okay.
It exists, right?
Um, you say that grow where youplanted was sort of your mantra
for the beginning, for like yourwhole journey.
Where did that come from?

JVN (13:28):
I mean.
I think we both have likerelationships to that phrasing
from like growing up in salt ofthe Earth places where we grew
up.
But in my family, that wassomething that my stepdad used
to say to me a lot, and it justwas this, this idea of like, you
go, there you are.
And you can, just because youleave a place doesn't mean it's
necessarily gonna be better.

Jason Blitman (13:50):
Mm.

JVN (13:51):
I, I think that was something that was so important
for me to.
That I wanted to tell in thisstory is like, create an
interesting story where like,you do have a life that's even
better than you thought it couldbe in your hometown.

Julie Murphy (14:04):
Yeah.

JVN (14:04):
thought that like remaining in my hometown would've been
like the worst thing that couldhappen and my, you know, actual
story, like I, I did like haveto move home a few times and
with each time I did it, wasnot.
fun of an experience.
And when I look back on it fromthis vantage point in my life, I
missed out on some like reallygood moments with like

(14:27):
grandparents and family membersbecause I was so like, yuck out
by me being there.
And so I just was like, how dowe make it cool to like, maybe
not wanna leave where you'refrom, or at least that's not
like the end of the world.
And I was like, I'm gotta writea, a fiction novel about it,

Jason Blitman (14:42):
Yeah.
Julia, is it the same for you?

Julie Murphy (14:45):
yeah.
I think that, uh, you know,like.
Places for sure, but also liketrying to get to this point
where like, I thought that mylife would start if I looked
like this, or I thought my lifewould start if I was in this
kind of relationship, or if Ihad like these kind of
belongings if I dressed acertain way.

(15:06):
uh, I don't know, just somepoint in my mid twenties I just
woke up and realized like, holyshit, this is it.
This is what I've got.
I've, you know, I'm like a.
away through my life if all goeswell, and, uh, this is, this is
what I have and I, this could bethe last day that I have any
single day.

(15:27):
so.
Um, you know, my senior year ofhigh school, I, my family lost
our home and like my life wasessentially uprooted and all of
my friends went off to collegeand did bigger things and went
to like or New York and allthese places, and I was just
stuck in Texas.
And, uh, I just kept waiting forthat moment.

Jason Blitman (15:49):
Mm-hmm.

Julie Murphy (15:50):
it never came because the moment never comes.
The moment is fake.
It's not real.

Jason Blitman (15:55):
Yeah.
We're also all from places.
I grew up in Florida and sowe're all from places that like
you might not want to go back to

Julie Murphy (16:03):
Yeah.
Yeah.

Jason Blitman (16:04):
for all sorts of reasons.
I feel this very deeply.
Um, it's funny, not funny, butinteresting that you bring up.
This is who you are and youknow, why do you, you're never
going to become somethingdifferent.
Um, some BTS, this is, this is amakeup recording we were
supposed to record a few weeksago, and I.

(16:26):
Uh, what came out of, of thatnot happening at the last minute
was me having a reallyinteresting conversation about
prepping for that conversation.
I felt this crazy, weird need tolike shower and shave and put on
face cream'cause like, I'm gonnabe in front of JVNI was.
I had this thing in my mind todo that, and then I was like
brushing my teeth, being like, Ishould be wanting to do this for

(16:47):
myself.
I should be, I should think thatI'm gonna talk to JB N every
day, but, but Right, Julie, it'ssort of a version of what you're
talking about, of just like,this is, for me, I only have
the, I only have this skin Ishould be putting on sunscreen
every day for me.
So it was a really interestinglike mantra moment and I talked
to lots of people about thatafterwards and how we do so many

(17:10):
things for other people.

Julie Murphy (17:12):
It's so true.
I, uh, just have to say thatJonathan and I worked on this
book for three years and we hadlike weekly, sometimes biweekly
zooms, and Jonathan has seen meas a real grease ball.

Jason Blitman (17:24):
Yes, that's okay.

Julie Murphy (17:25):
I do put on my, uh, my face for Jonathan and I
do make my, make sure my hair islike a shampoo commercial.
But then also Jonathan has seenthe worst of it too.

JVN (17:38):
I mean, I feel it's.
I like, I love that we're likegoing here because I was like
also thinking about this likerandom thing this morning about
this very thing which like asQueer Eye has evolved and it's
like been so long.
I was thinking about like when Ifirst got the show and how I
really wanted to like not dosuch dramatic makeovers and I've
always tried to like see beautyin people, make sure that people

(18:01):
already knew that they like werebeautiful, like, and they didn't
need a makeover to be celebratedand they like were already
stunning and I really wanted tolike.
the whole of beauty in like adifferent way, in like a way
that I hadn't seen.
And even though I did that andstill do that for nine seasons,
I still every day got many.
Were like, oh my God, I was sonervous to meet you'cause, and I

(18:22):
was like, do I seem like ajudgmental bitch on the show?
I do try to seem really likenonjudgmental.
'cause I always want so.

Jason Blitman (18:30):
Honestly, I,

JVN (18:33):
I get from people like the, they feel this pressure when
they're like gonna meet me and Ijust wanna go on the record and
say, I always think people areso cute,

Jason Blitman (18:40):
it's actually funny'cause iry

JVN (18:41):
unless you're a Republican.
And then you have like,

Jason Blitman (18:43):
and then you're not cute.
Yeah, yeah, right.

JVN (18:45):
but even then sometimes I'm like.

Jason Blitman (18:47):
Well, but,

Julie Murphy (18:48):
don't lie.
Sometimes you

Jason Blitman (18:50):
but, but there, their soul is.

JVN (18:54):
but that's a different story.

Jason Blitman (18:55):
That's a what?

JVN (18:56):
true.
You know what I mean?
But like, I, I more mean like,just like the kind of frumpy
ones.
Like, I'm like, oh, like you'vejust been exposed to
misinformation.

Jason Blitman (19:04):
Sure.

JVN (19:05):
you know, so even, because like sometimes I gotta work with
them

Julie Murphy (19:09):
Yeah.

JVN (19:09):
oh,

Jason Blitman (19:09):
yeah.

JVN (19:11):
poor thing.
Like you

Jason Blitman (19:12):
No, I have to, I have to say it is, it is less
about feeling judged and moreabout like proving that I was
listening.

Julie Murphy (19:21):
Yes.
Like I.

Jason Blitman (19:23):
Yes.
I listened to you when you saidto, you know, trim the mustache
every day.
It's about like,

JVN (19:29):
that you wanted to wear sunscreen.
That part's really good.
So I

Jason Blitman (19:31):
yes.
Right.
Exactly.
That's my point.
It's like, you know, I waslistening.
I took what you were saying and,and almost like a teacher, I
wanted to prove myself.

JVN (19:40):
and you're so cute.
So you're doing so

Jason Blitman (19:41):
Stop it.
No, it's not about, it wasn'tabout judgment.
It was about proving that I wasa good student.

JVN (19:47):
about when people say that.
I'm like, do they think that I'mgonna like, I think they're so
cute.

Jason Blitman (19:51):
No.

JVN (19:52):
like coming in with like full Kelly Y.
Conway,

Jason Blitman (19:54):
Right.

JVN (19:55):
interesting.
Where's she been?
Much quieter thisadministration.

Julie Murphy (20:00):
Yeah.
Yeah.

JVN (20:01):
God.
But now we have like CarolineLevitt, which is like, that's
like, oh you guys,

Julie Murphy (20:09):
What?

JVN (20:09):
it's like the substance is Caroline.
Love it.
Conway on the substance.

Julie Murphy (20:17):
Oh my God.

JVN (20:18):
we ever seen any of them in the same room at the same

Jason Blitman (20:22):
I don't know that we have

Julie Murphy (20:23):
Yeah.

Jason Blitman (20:25):
You're onto something.

Julie Murphy (20:26):
Yeah.

JVN (20:26):
that down.
I think that's.

Jason Blitman (20:28):
Wait, this is a hilarious segue because you, I
was gonna say you're likeSherlock Holmes, but really what
you are is like Harry the Spy.
Bye.
Everyone needs to watch this onYouTube because the face that
the both of you just made.
Um, okay.
So I read that Harriet, the spyin your note that Harriet, the

(20:48):
Spy was one of the things thatYouTube bonded over.
The amount of people that I'vehad on the show who have talked
about Harriet, the spy as aformative experience, especially
as a young, queer person and howqueer coded it is, blew my
brain.
Was that true for you?

Julie Murphy (21:02):
Jonathan was the one that like brought we, a lot
of the things we talked aboutwere like Harriet, the Spy Now,
and then Casper.
Those were like some of like theearly inspirations for this for
sure.

Jason Blitman (21:13):
Yeah,

JVN (21:14):
I think because like that for me with Harry, the spy is
like gully.
Like Gully was like just, Imean, I always like had a soft
spot for a babysitter.
Like I always like loved a, agood babysitter and gully just
like, oh my God.
And rip our little young

Jason Blitman (21:28):
I know.

JVN (21:30):
leaves and like we'll even come back

Julie Murphy (21:33):
Hi.

JVN (21:33):
to move under her next family.

Jason Blitman (21:35):
I know I just had Rosie O'Donnell on the show and
I was like, Goey.

JVN (21:41):
Wait, can I not to just, this is kind of like the
meetings when me and Julie wouldjust have been like, duking it
out, like

Jason Blitman (21:46):
Yeah.

JVN (21:47):
just like the Neurodivergence is just on 20,
but

Jason Blitman (21:50):
JVN.
Do not apologize for yourself.

JVN (21:52):
such a good story.
Julie Murphy, I think youremember the day that this
happened.
Are you ready for this story?

Julie Murphy (21:57):
I'm ready.

JVN (21:58):
I wonder if you will know what it is before I tell you.
Unless I never told you this, inwhich case you will know.

Julie Murphy (22:03):
Okay.

JVN (22:04):
Okay, so it's like of 2024.
I'm in Malibu.
I was there like, I was like intown.
'cause like I have to like,whatever.
I'm in LA for like work.
I go to Nobu because I never goto Nobu.
Who goes to Nobu.
But this one day I'm like withmy husband and like me and my
best, my other best friend.
Were like, let's go to Nobu.

(22:24):
So we go to Nobu.

Julie Murphy (22:26):
I love.

JVN (22:28):
I, we never go to Nobu.
Like, I'm like, who do I think Iam?
Kendall Jenner.
I don't go to Nobu.

Jason Blitman (22:32):
They're not sponsoring this episode.

JVN (22:33):
So I look up and Ricky Lake and Rosie O'Donnell walk in
right past me, and they go tosit down at like three tables
away.
And like, I don't really loveit.
Like I, I just it's fine if youwanna come up to me when I'm
eating whatever.
Like, I, but like, it's likekind of a, you know, it's like
when you're eating with likefriends, it's like whatever.
But I'm like, fuck, it's RosieO'Donnell.
Like, I'm gonna have to go sayhi.

(22:54):
I'm like, not gonna ask for apicture, but I'm definitely
gonna have to

Jason Blitman (22:56):
Yeah.

JVN (22:57):
play the like, oh yeah, I'm like that girl from

Jason Blitman (22:59):
Do you know what would've happened if you did ask
her for a picture?

JVN (23:02):
I was just too scared to

Jason Blitman (23:04):
No.
Do you know what would'vehappened?
She would've said No, boo.

JVN (23:07):
Oh, thank God.
So, thank God I didn't ask.
I go

Julie Murphy (23:10):
You get it.

JVN (23:12):
oh my God.
I don't get it.
I don't get it.
I didn't get it.
I, didn't,

Jason Blitman (23:17):
Thank you, Julie.
Thank you.

JVN (23:20):
I was like, so, I was like, so I was like.
I was like, hi, nice to meetyou, whatever.
So they were really nice.
So then I'm walking back and Ilook up and I see all these like
secret service agents around ourtable and I'm like, that's like,
what are all these like peopletalking in their wrists for?
And then I turn to my right andwho's standing there?
Hunter Biden Honey Hunter Bidenand his like 2-year-old.

(23:45):
And nice woman whose nameescapes me.
Whose name I wish I knew off thetop of my

Jason Blitman (23:52):
Mrs.
Hunter Biden,

JVN (23:53):
Yes.

Jason Blitman (23:54):
right?

JVN (23:55):
so, yeah, so it's me, hunter Biden and Rosie
O'Donnell, all and Ricky Lake,all at Nobu on the same day in
July.
It was like so crazy.

Jason Blitman (24:03):
Oh my God.

JVN (24:04):
I was like, I'm never gonna be the same.
Like, that was the craziestlunch of all time.
Like Hunter Biden, RosieO'Donnell, Ricky Lake, at Noble
at the same time.
Isn't that wild?

Julie Murphy (24:14):
That is wild.
And Ricky Lake, honestly is theone that I would be like Love,
but, uh, Ricky Lake would've hadme

Jason Blitman (24:23):
What, what was it about Ricky Lake that does it
for you?

Julie Murphy (24:26):
Oh, hairspray.

Jason Blitman (24:27):
Yeah, yeah.
I didn't wanna assume, but youknow, we do love,

Julie Murphy (24:32):
I'm a fat girl who loves queer shit.

Jason Blitman (24:35):
right?
Yeah, yeah.
And mean, I just, were they, didthey both have their microphones
at the table?
Is that how they and theirlittle cue cards?
That's so cute.
Oh, I love that.

JVN (24:49):
You really never know who you're gonna see.

Jason Blitman (24:51):
And here I am.
My mouth is watering.
Being like, okay, what did youorder?
That's what I want to know.
I don't Who cares about the restof it?

JVN (24:57):
like having like a really nice tea.
Like there

Jason Blitman (24:59):
Oh,

JVN (25:00):
delicious like tea.
And then after like two ofthose, I was like, who am I
kidding?
And then I did get a cocktail.
I can't

Jason Blitman (25:06):
oh yeah.
Good for you.

Julie Murphy (25:07):
like this crazy crispy tuna appetizer

Jason Blitman (25:12):
Ooh.

Julie Murphy (25:12):
and die for.

Jason Blitman (25:14):
Is it like on Crispy Rice with Yes.
Mm,

Julie Murphy (25:17):
I think it's a crispy tuna.
I dunno.
It's really good.
You just

Jason Blitman (25:20):
okay.

Julie Murphy (25:20):
to Nobu so I can make sure that we order it.
That's all.

Jason Blitman (25:23):
Oh,

Julie Murphy (25:23):
So that's how you find out what it.

Jason Blitman (25:25):
that's right.
Uh, food.
It comes up a lot in this book.
I'm obsessed.
What?
There's a chili bar at Sully'sGraduation party.
I have never been to a chili barbefore.
I've never had a chili barbefore.
What is, what do you serve?
Tell me everything.
Please educate me.

JVN (25:44):
It's like a build your own chili bar.
Like obviously the chili islike, like the chili is like the
chili, but you have like yourbowl of like cheese, your raw
onions.
You have like an assortment ofcheeses.
You have like some gorgeouscrackers.
You could have like some dicedjalapenos.

Jason Blitman (25:58):
Um.

JVN (25:58):
also think.
Like, I love like a baked, Ilove like a, yeah.
Sour cream, of course.
I also love like chili, a top ofa baked potato, like there's
probably like a bowl of likebaked potatoes that you could
like put in the bottom of thebowl, you know, to

Jason Blitman (26:13):
But

JVN (26:13):
on top of,

Jason Blitman (26:15):
this is why I was asking if there's like, is there
like a special secret thing?
What is your family like?
Cornbread.
I don't

Julie Murphy (26:20):
just,

JVN (26:21):
shoot, cornbread.

Julie Murphy (26:23):
corn Road.

Jason Blitman (26:24):
Come on.
I'm not messing around.

Julie Murphy (26:27):
I just moved from Texas to Kansas last year and I
didn't expect for there to be somany like cultural differences,
but the way that these people inthe Midwest live and die by a
crockpot.
Like, just, I didn't, I don'trealize how many, how many meals
I was missing out on that Justsimmer on your countertop.

Jason Blitman (26:46):
get one?

Julie Murphy (26:47):
Well, yeah.
We have one now because

Jason Blitman (26:50):
Have you used it?

Julie Murphy (26:51):
yeah, I

Jason Blitman (26:52):
Okay.

Julie Murphy (26:52):
haven't used it 'cause I don't cook, but the
people in my house have used itmy behalf.

JVN (26:58):
your favorite Crock Pot meal?

Julie Murphy (27:01):
Okay.
So one of my friends makes likea Ruben dip,

Jason Blitman (27:05):
What?

Julie Murphy (27:06):
Yeah, and you can use the dip, just like put the
dip on like a sandwich too andjust make it like a little rubin
dip sandwich thing.
It's so delicious.

Jason Blitman (27:16):
Wait, can you describe it?
What is the, what is in theRuben Dip?

Julie Murphy (27:20):
Well, everything has cream cheese in it'cause
it's the Midwest so there's acream cheese base.
I think.
we make a lot of queso'cause allof the restaurants in the
Midwest are Mexican restaurant.

JVN (27:32):
cheese case, like white queso and Midwestern Tex
restaurants.
It's

Julie Murphy (27:35):
I know

JVN (27:35):
favorite food.

Jason Blitman (27:36):
Hmm.

Julie Murphy (27:37):
all the, all the like restaurants in Kansas that
have Mexican food don't havequeso, they call it espan dip.
it's like this weird spinachartichoke situation, which is
good.
But I also miss just likeregular queso.
So we've

Jason Blitman (27:54):
Hmm.

Julie Murphy (27:54):
a lot of regular que o too.

Jason Blitman (27:56):
Okay.
I had a crockpot under my deskat work for about a year, and
then I brought it home and Iowned it for like 10 years and I
think I used it three times, sothat's why I ask about using it.
I like had aspirations.

Julie Murphy (28:11):
had to repurchase one when we moved to Kansas
because we were like, we'remissing out on so much.

Jason Blitman (28:18):
wait.
What happened to the first one?

Julie Murphy (28:20):
I mean, we, we lived in Texas.
We donated it like we

Jason Blitman (28:23):
no.

Julie Murphy (28:23):
ate hot food under duress.

Jason Blitman (28:25):
But did, oh, so you rarely used it.
I, I wanted to make sure that Iwas not alone in my rare
crockpot using,

Julie Murphy (28:31):
No, no.

JVN (28:32):
been able to assimilate one into like our regular, but we
wanted to, but it just

Julie Murphy (28:36):
Yeah,

Jason Blitman (28:37):
no, it doesn't happen.
I don't know why.
It seems so easy in theory.
You're just so popular.

Julie Murphy (28:42):
No, I thought I turned on do not disturb and
it's disturbing.

Jason Blitman (28:46):
was not listening.

Julie Murphy (28:47):
No.
Oh my God.
I

Jason Blitman (28:50):
so another food item that comes up in the book
that I had to know more about isa cheeseburger egg roll.

JVN (28:56):
Oh yeah,

Jason Blitman (28:57):
Uh, where does that come from?

Julie Murphy (29:00):
at a cheesecake.

JVN (29:01):
it's like, it's like

Jason Blitman (29:02):
Oh my God,

JVN (29:03):
It's like a southwestern egg roll, a cheeseburger egg
roll.

Jason Blitman (29:06):
I've had a Ruben egg roll before actually in New
York.

JVN (29:10):
I've never had that.

Jason Blitman (29:11):
That was very good.
But a cheeseburger egg roll.
I have been to a CheesecakeFactory.
Have I had it before?
I don't know.

JVN (29:19):
really makes me wanna have a lava cake.
Now that we brought up chilies.
I really love their lava cake.

Julie Murphy (29:25):
There was a Chili's in the O'Hare airport
this morning people were eatingit at like eight 30 in the
morning, and I was like, I couldfuck it up.

Jason Blitman (29:33):
What would you order?

Julie Murphy (29:34):
that.
What would, I've awarded atChili's, this is hard, but I
feel like in my heart of hearts,it would've gone for a Triple
Dipper.
You know, so boneless wings,little mini burgers and
southwest egg rolls.

Jason Blitman (29:49):
This way you didn't have to commit.

Julie Murphy (29:51):
Exactly.

Jason Blitman (29:52):
Yeah.

Julie Murphy (29:52):
if I could make every meal tapas I would, but
yeah, I love chilies.
I

Jason Blitman (29:58):
Interesting.

Julie Murphy (29:58):
Like I saw a TikTok the other day of someone
who had gone all the way to likeand was like near the pyramids,
like right on the Nile, and theyfound like a Chili's that you
could eat at on the Nile River.
And I was like, take me there.
go there.

JVN (30:15):
Wow.
I wonder if they have like aunique Egyptian menu.

Julie Murphy (30:18):
I doubt it.
That might make.

JVN (30:20):
I feel like they do like yelling.
McDonald's like has likeslightly different like local
things, like

Jason Blitman (30:24):
Yeah.

JVN (30:26):
I wonder like what the chilies, like, I feel like they
must have like a something

Julie Murphy (30:30):
What if they call the lava cake?
A lava pyramid?

Jason Blitman (30:34):
Oh my God.
I just, I'm gonna look it upright now.
Chili's in Egypt.
Let's see what comes up.
Um,

Julie Murphy (30:43):
Yeah.

Jason Blitman (30:46):
oh, wow.
They have an Instagram.
It's Chili's, Egypt Official.
FYI.

Julie Murphy (30:53):
Amazing.

Jason Blitman (30:54):
Oh my God.
Okay.
I'll, we'll do some exploringlater, but.
It looks very similar.

Julie Murphy (31:01):
this podcast.

Jason Blitman (31:02):
I talk about food on every episode.
Don't worry.
I also talk about RosieO'Donnell on every episode.
So we're like on par with everyother gays reading episode.
We're fine.
Um, speaking of food, thishappens in the book.
The, we're all roughly the sameage, and this is maybe me being,
um.

(31:23):
An asshole to a youngergeneration, and I feel like I
don't want to get stones thrownat me.
The chef's kiss that everyonedoes right now and the heart
hands I'm like allergic to, andI don't know if it's because of
when I grew up this, am Italking to the wrong people?
Are you both like, no, this,this is, you need to assimilate.

JVN (31:42):
to do this.

Julie Murphy (31:43):
Yeah, do like a chef's kiss and a heart hand.
But this is like, this is themillennial heart hand.

JVN (31:50):
Yeah, so I

Julie Murphy (31:51):
another heart hand.
Well, that, and then there'slike a, there's another, there
you go.
That's the, that's the youngin'sheart hand.
I'm not allergic to thosethings, but there are things
that I am allergic to,

Jason Blitman (32:03):
Like what

Julie Murphy (32:03):
so I get it.
Oh man.
Like,

Jason Blitman (32:06):
we, if you don't wanna get, if that might cancel
you, that's okay.
This I'm, I might get cancel.
This might be it for me.

JVN (32:11):
Okay.
How pretty was this when I didthis?

Jason Blitman (32:13):
It is like cute.
The mask of it all is very cute.
Jam N but like I, I can, it'slike cilantro to me.
I can, I mean, I like cilantro,but it's like cilantro to other
people.
I just get,

Julie Murphy (32:23):
cilantro either.

Jason Blitman (32:25):
know why this is cilantro to me.

Julie Murphy (32:28):
but I hate when people say, like you were
talking about the other day,

JVN (32:33):
Yeah.

Julie Murphy (32:33):
Jonathan, I

Jason Blitman (32:34):
What is chuge?

JVN (32:35):
it.

Julie Murphy (32:36):
what people call it when like millennials are
cringey.

Jason Blitman (32:40):
Oh,

JVN (32:40):
I just thought of men generally cringey.
I didn't realize you had to bemillennial.

Julie Murphy (32:44):
Yeah, yeah,

Jason Blitman (32:46):
okay.

JVN (32:46):
like, I can't believe that I'm gonna be 40.
That's

Julie Murphy (32:53):
I know.

JVN (32:54):
crazy.

Julie Murphy (32:56):
I know.

Jason Blitman (32:56):
It's so cringe

JVN (32:58):
so fast.

Julie Murphy (32:59):
social media manager this weekend was having
like a little bit of like aspiral and she kept calling it a
crash out and she's super Cuban,and I was like, maybe this is
like a, like a language barrierthing.
And then I keep seeing iteverywhere on the internet that
like the youngins are calling ita crash out when you have like a
mental health dilemma orsomething like that.

Jason Blitman (33:21):
Interesting.

JVN (33:22):
I just can't even believe that.
Wow.
I just can't believe I'm notlike 23 anymore.

Jason Blitman (33:26):
I know, I know.
It's depressing.

Julie Murphy (33:29):
Do you

Jason Blitman (33:30):
I.

Julie Murphy (33:30):
40 this year, Jonathan?

JVN (33:31):
No.

Jason Blitman (33:34):
That's a 2026 problem,

JVN (33:38):
I know.
I'm so sorry.
No, that like, but that'samazing and I love that.
Um, yeah.
No, but I, I'll turn 40 the yearafter next.

Julie Murphy (33:44):
Okay.

JVN (33:45):
just for clarity's sake,

Julie Murphy (33:46):
Yeah.

JVN (33:47):
anyone cared, but you'll be fine.

Jason Blitman (33:49):
and, and I'm the youngest on the call.
I just have to say it out loud.

JVN (33:52):
No,

Julie Murphy (33:53):
Yeah,

JVN (33:53):
good.
That's really good.
That's really

Julie Murphy (33:54):
yeah, yeah.

JVN (33:55):
That's really good.

Jason Blitman (33:56):
Just by a little bit.
It's fine.
Um, what were your car's namesgrowing up?

JVN (34:05):
Betsy.

Julie Murphy (34:07):
Betsy.

Jason Blitman (34:07):
Actually,

JVN (34:08):
Yes.

Jason Blitman (34:10):
I asked because Olivia Newton John is the car is
the star car of the book.

JVN (34:14):
Yes, yes, but that was just because we like her.

Jason Blitman (34:17):
Sure.

Julie Murphy (34:18):
Mine was to be the Toyota.

Jason Blitman (34:21):
What the Toyota.

Julie Murphy (34:23):
I drove a 1983 Toyota Camry.
That was my first car.
This was in like 2004.
This car was old and, uh, no,not 2004.
Probably like 2002.
And um, it was a navy blueToyota, like Toyota Camry,
Toyota Corolla, whatever it is.
And um, it had like the seatbelts, like the automatic seat
belts that like buckle you in.

(34:45):
And someone had painted a racingstripe along the side that was
yellow with house paint.
She was, she was great.
Uh, she lasted me, um, a goodlong while until I realized that
you have to get the oil changedin your car

Jason Blitman (35:01):
Oh,

JVN (35:02):
Hmm.

Jason Blitman (35:04):
RIP.
Um, I had a grand marqueeLincoln Mercury, and her name
was Ethel Merman.

JVN (35:10):
Oh,

Jason Blitman (35:11):
was like a little old lady.
She was green and at some pointher AC stopped working and I
grew up in Florida and so I waslike, she's gotta go.

Julie Murphy (35:19):
Yeah.
Swamp pass.

Jason Blitman (35:20):
Yeah, and my dad sold it to one of my cousins who
like a second cousin, and the,the windows also stopped rolling
down, so the cousin like droveit around in the Florida heat
without the window.
It was

JVN (35:33):
nightmare.

Jason Blitman (35:36):
Anyway, Olivia Newton John made me think about
Ethel Merman, and I was veryexcited.

Julie Murphy (35:39):
Yeah.

Jason Blitman (35:40):
I know.
All right, Peter, her too.
Um, speaking of Olivia NewtonJohn, there is fabulous queer
history throughout the wholebook.
I feel like you need like a,like a coloring book follow up
that has all of the key peoplefrom the book.

Julie Murphy (35:56):
Love it.

Jason Blitman (35:59):
I told you my tarot card told me I'm full of
ideas.

Julie Murphy (36:02):
Yeah, I love it.

Jason Blitman (36:04):
Um.
What was, what was that, uh,what was the importance of that
for you?
Of sort of educating thechildren?

Julie Murphy (36:12):
pitched.
Okay.
So Jonathan had this originalidea for the book

Jason Blitman (36:15):
Yeah.

Julie Murphy (36:16):
was like, and then I want it to be full of queer
history.
And I was like, baby, that'syou.
Um, because I am familiar withMusical six, and that's about as
far as my history goes.

Jason Blitman (36:26):
What.

Julie Murphy (36:27):
Um, I just never dialed in on history, and I know
that Jonathan like.
You like.
That's what I mean.
Okay.
So now your podcast is calledGetting Better, but it was
called Getting Curious and likeso much of your podcast, like
starting out was just thingsthat you were excited and
curious about and a lot of thatwas history.
So Jonathan had like, likeinterviewed so many queer

(36:49):
historians.

JVN (36:50):
I mean, I've literally interviewed like I think dozens
of them over the years, but Ithink overall it was like I
didn't know that there was somuch splendid queer history
until I was like in my earlythirties,

Jason Blitman (37:02):
Mm.

JVN (37:02):
like I really didn't know.
And I was shocked to find outthat there was so much like just
right in our backyard.
Like it just was like coded andlike called different things.
And think that was one of thebiggest challenges is for me
with.
Well for us with Rufuss is, butit was really me.
'cause Julie was having to likefigure out how to like harness,
uh, the Neurodivergence.

(37:23):
But Rufuss really could havebeen from so many places in so
many different times and theywere like, rufuss changed forms
so many times as we were writingthis book.
'cause Rufus could have beentrans mask from like the early,
like, from like the UnitedKingdom.
Rufuss could have been transfemme

Jason Blitman (37:39):
Ru Rufuss, the, the ghost who comes out of the
bag.
Just for context.
Yeah, yeah.

JVN (37:45):
the the purse, um, the haunted handbag.

Jason Blitman (37:48):
Yeah.

JVN (37:48):
that was really fun, was like kind of just figuring out
like, when did we want Rufuss tocome from and

Jason Blitman (37:53):
Hmm

JVN (37:54):
to be and who do we want rufuss to represent?
But Rufuss, a story is based offof like a few different stories
that really different thatreally happened from, um, drag
performers.
Drag performers from like thenortheast in the nine, in the 19
hundreds.

Jason Blitman (38:07):
Hmm.
Was there anything in partthat's the third accent we've
gotten today so far.
I.

JVN (38:14):
Ugh.
That must mean that I really amout of it.

Jason Blitman (38:19):
Is that not normal?
What

JVN (38:20):
Well, no, I do love a little accent, but I think our

Jason Blitman (38:24):
is has one right?

JVN (38:26):
actually, you guys, I will tell you this, when we got
married it, we got married inlike June of 2020, and then it
was like August of 2021 where Iwas like.
Wait a minute.
Have I been speaking in aBritish accent with you
exclusively at the house for thelast year and a half?
And Mark was like, yes.
And like, when is it gonna beover?
And I was like, oh my God.
I can't believe I've beentalking like this nonstop and

(38:49):
every, yeah.
And like I, I really had to likeforce and relearn my like, like
stop talking in a Britishaccent.
And every time we play Fortnitewith our British friends, I slip
into it.
Like I just, and it's not goodand

Jason Blitman (39:03):
Yeah.

JVN (39:04):
And the worst thing a British person can do, like a
new British person can do islike, tell me that it's good
because

Jason Blitman (39:10):
Then you keep doing it.

JVN (39:11):
Yes.

Julie Murphy (39:13):
I'm so like self-conscious of my British
accent.

JVN (39:17):
Oh, can we hear?
I don't think you've ever heardit.

Julie Murphy (39:18):
No, that's why you're never gonna hear

Jason Blitman (39:20):
Mm.

Julie Murphy (39:22):
because I dunno, like my husband's family is all
in like Scotland and some, orlike in

Jason Blitman (39:26):
Oh,

JVN (39:27):
They're not gonna listen to this podcast.
Just fucking whip it out.
Just try it.

Jason Blitman (39:31):
you know what I, I do.
Listen, I pretend I am Dick VanDyke in Mary Poppins, and so I
just that'cause that's howterrible my British accent is.
So I'm like, hello?
Mary Poppins?

JVN (39:42):
sounds

Julie Murphy (39:44):
hello Mary Poppins.

JVN (39:46):
that's.

Jason Blitman (39:47):
Yes.

Julie Murphy (39:48):
nice.

JVN (39:50):
You should say, say like, say, um.
Can I have a portion of beans,please?

Julie Murphy (39:55):
Could I have portions of, could I have a
portion of beans, please?

JVN (40:00):
That's nice.

Jason Blitman (40:01):
Yeah.

JVN (40:02):
I've never seen you blush before.

Julie Murphy (40:05):
right now.

JVN (40:06):
feel like Julie's literally blush.
I've never seen you fall blush.
You're

Jason Blitman (40:09):
Listen, fun things happen on gays reading.

Julie Murphy (40:11):
Yeah.

Jason Blitman (40:13):
We do British accents.
Oh my God.
Mark is so cute too.
Yes, yes.
Um, okay.
Julie, you, you said six wasthe, your, your most queer
history ness that you knew.
Um, we love six Great good carsinging.
Is there something in particularthat you remember learning

(40:35):
through the process that wasinteresting to you?
I.

Julie Murphy (40:38):
Oh yeah.
I mean, so originally when wetalked about, um, this book, we
had talked about the cons oflike working in, uh, the concept
of female husbands.
And I had no idea what femalehusbands were, and I think that
most people don't.
So I think that Jonathan shouldtell everyone what female
husbands are.
Um, but before we do that, Ishould just.
Like clarify that like I went tolike a really super crazy

(41:01):
Christian religious schoolgrowing up, so like my history
was like the Bible and thenwhenever I could piece together,
once I started going to school,like I remember I took a geology
class in college and I was like,what are you telling me?
We've had dinosaurs for so long.
What's going on?

JVN (41:18):
10,000 years old.

Julie Murphy (41:20):
Yeah.

JVN (41:20):
crazy.

Jason Blitman (41:23):
Listen, we're never, it's never too late.

Julie Murphy (41:27):
Exactly.
Exactly.
Okay.
Jonathan, female husbands.

JVN (41:30):
Um.
Female husbands were like theselike, well, but Julie, what was
it?
What?
What is something that I waslike spewed off to you about
queer history that you thought,but you thought that the whole
female husband story wasinteresting.

Julie Murphy (41:41):
I did think the whole female husband story was
interesting, but what's crazyabout female husbands is it's
just like such like a nichething that like really did exist
in a really specific window oftime.
So.

JVN (41:52):
like, basically was like from, it was like the long 19th
century.
Like you would find like thesearticles about like female
husbands.
And it happened in the UnitedKingdom in the US and it would
be like a straight couple wherethe man was found out to really
be a woman.
Um, and so it was like theselike men.
Or these like women who werelike transgender.

(42:13):
They like the historians who Italked to about that were like,
we don't really assign them liketrans.
'cause like they didn't callthemselves that then so, but
they will say that they werelike transgender.
Um.
that was from an episode that wedid on getting Curious with Jen
Manion, who's an incrediblehistorian and writer who I think
is an like, amazing.
Um, but then I, but then therewas like episodes that I did on

(42:35):
like World War II era queers,like gay navy men from like the
18 hundreds.
Like there was like a, thenthere was like, uh.
There's just been like literallyqueers from all like from
different centuries, differentdecades, like in American and
European culture that I've hadon the PO or from that I've
learned about on the pod where Iwas like, ah, Rufus could be

(42:56):
from so many places, but femalehusbands really intrigued me.
But then really hard for me.
I.
To write from like theperspective of a trans mask
person and like understand it aswell.
And it was like hard for me toconnect with his character like
that.

Jason Blitman (43:10):
Hmm.

JVN (43:10):
And so then I was like, let me do a queen from the fifties.
'cause McCarthyism and thelavender scare is like rich and

Jason Blitman (43:18):
Yeah.

JVN (43:18):
and there was like so much there.
Um, so that's kind of why wedecided to go rufuss and make,
um, them be from the 1950s andbe a female impersonator.

Jason Blitman (43:27):
Yeah.

Julie Murphy (43:28):
thing I really loved that you talk about
sometimes is when you had ahistorian on you told the
historian that you thought youwere like the only gay person
that had come out of likeQuincy, Illinois,

Jason Blitman (43:39):
Hmm.

Julie Murphy (43:40):
that historian brought like, like some sort of
like magazine or something likethat to their interview with you
and there was like a littlewanted ad sort of in this
magazine that was like, yeah,

JVN (43:53):
from the

Julie Murphy (43:53):
yeah.

JVN (43:55):
and

Julie Murphy (43:55):
Well,

JVN (43:55):
my hometown,

Jason Blitman (43:56):
Yeah,

JVN (43:57):
like a date basically.

Jason Blitman (43:58):
that's, it's so interesting because a, I went to
school in Chicago and, um, anadministrator, the one of the.
Deans, uh, was never in arelationship and then retired,
comes out of the closet, meetsthis guy and they move to
Quincy, Illinois and they'relike retired little old gays in

(44:23):
Quincy, Illinois, which is sointeresting.
Yeah.
So not only is their history,but there's also future.
Yeah.
Love.
Okay.
In our last little bit together.
Let them stare the title of thebook.
it's the opposite of beingafraid to be seen for who you
are.

(44:43):
And I can imagine the three ofus on this call at some point in
our lives, were afraid to beseen for who we were and, let
them stare.
Is this like declaration?
And I'm just curious to hearwhat it means for each of you.

Julie Murphy (45:00):
Yeah.
Oh, I can jump in Jonathan,

JVN (45:03):
No,

Julie Murphy (45:03):
if you, um, so for me, let them stare.
Uh.
It is sort of like people aregonna look anyways, so why not
let them stare?
Because the more that we letpeople look, and the more that
we normalize like differenttypes of people, the more
normal, just in general, itbecomes to people.
Um, so really that's what letthem stare means to me.

(45:25):
Like the more we let peoplestare, the more like, the more
they'll find that there'snothing really to stare at.

Jason Blitman (45:31):
Right.
I was gonna say, you, you said,I, I think the idea of it's not
about more normal, it's aboutthat we're all just individual.
Yeah.

Julie Murphy (45:40):
I think, like I always think back about how like
when I go places and do liketalks about body positivity and
fat positivity, I'm constantlytelling people to diversify
their social media feeds.
'cause

Jason Blitman (45:52):
Mm.

Julie Murphy (45:53):
just the, the more types of people you see, the
less unusual it feels to you tosee different types of people.

Jason Blitman (46:02):
Yeah, that's a great piece of advice.
BRB Gonna go follow a gajillion,different looking people.

Julie Murphy (46:09):
Yeah.

Jason Blitman (46:10):
Yeah.
I love that.
Jonathan, what about you?

JVN (46:13):
I think, I mean, I think it's Julie said and how she
spoke to litter I think is sogood.
I think one thing that reallyrings out for me in in Sully's
story who's like, I meancharacter of the book is their
relationship with their mom,Eleanor, and I think that part
of what.
Is so special and was so specialto write in.
This story is like theirrelationship.
And I think so much of howsolely was able to kind of know

(46:35):
who they were is because theyhave such a supportive mom or
like such a

Jason Blitman (46:38):
Mm-hmm.

JVN (46:38):
parent.
You know, it doesn't matter ifit's like a mom, just a parent.
and so I think that's reallywhat I would like.
I.
That just like stands up for mewith like, or stands out to me
about let them stare is likepart of while why Silly could
withstand the intense scrutinyof their hometown is because
they had a good support systemand just how important that is.
And many queers don't have thatat home.

(47:00):
And I think I.
The more that we can besupportive of each other.
'cause we never know like whatother queers are going through.
Like let's be each other'sfamily in a time when just have
like less allies.
And so I think it's even moreimportant for queers to like
stick together and show up foreach other.
'cause it is like icky out thereright now.

Jason Blitman (47:18):
Yeah.
Yeah.
And I think sort of to piggybackon that, a huge, uh, the heart
of the book is this concept of,of do something about it, right?
So it's let them stare, but alsoif, if, if you want to change
something in the world.
Don't just sit around and waitfor it.

JVN (47:36):
Yes.
You better crack that case.

Jason Blitman (47:38):
Yes.
Crack that case.
Write in your speckled notebookand figure it out.
Oh my God.
Did.

JVN (47:44):
I mean, and also it's like, it really, I feel like we didn't
talk about the book that much.
Whoops.
But this is so fun.
But it really is like, if youwant like a fun little
mysterious, like queer history,like fun, easy read, like this
is like a fun, like mygirlfriend Dylan is obsessed
with it a lot.
Like my, a little inner circlethat Reddit before it came out
was like obsess.
So it is ya.

(48:05):
But like, I think if you're amillennial queer, you'll enjoy
this book too.

Julie Murphy (48:09):
Mm-hmm.

Jason Blitman (48:10):
there.
Also for me as a youngmillennial queer, the book was
How I Paid For College by Markato.
Um, it has a lot of musicaltheater references.
It came out like in the twothousands.
That was my.
Let them stare.
Um, and yes, it is sodelightful.
Every episode has a guest, gayreader as a second segment, and
Dylan was a guest gay reader ongay's reading and shouted out,

(48:31):
let them stare.
So that's, this has been in thegay's reading world for a long
time.
We love Dylan Lavay.
Um, and today's guest, gayreader is Alison Bechtel.
So.

Julie Murphy (48:43):
Shut up.
Oh my God.
Sorry.
Like the

Jason Blitman (48:48):
The Allison Bechtel?
Yes.

Julie Murphy (48:51):
Well,

Jason Blitman (48:52):
Coming up after this, after this session.
I've already talked.
I've already talked to her.
Otherwise I would ask if you hadanything you wanted to ask.

Julie Murphy (49:00):
I mean, I might have to like, I,

JVN (49:03):
obsessed.

Julie Murphy (49:05):
oh my God.

Jason Blitman (49:06):
Yeah.
No, she's amazing.
Um, do you know her musical funhome?

Julie Murphy (49:10):
yeah.

Jason Blitman (49:12):
Okay.
You don't only know six.

Julie Murphy (49:14):
Okay.

Jason Blitman (49:15):
Okay.
Okay.
This has been so fun everyone.

JVN (49:19):
other day.
We love you and we're so gladthat had us

Jason Blitman (49:22):
That's okay.
I had so much fun talking to youtoo, and honestly, like truly
the false alarm was a reallygreat conversation starter and
so needed, so truly everyone goget Let Them Stare by Jonathan
VanNess and Julie Murphy.
It is so delightful.
You're going to love it.
And now stay tuned for AlisonBechtel.

Harper! (49:44):
Guest Gay Reader time!

Jason Blitman (49:46):
I don't

Alison Bechdel (49:47):
But Jason, this is like a new incarnation for
you.
Last I, I've met you, you, youused to work for Mandy Hackett,
right?

Jason Blitman (49:54):
You did your research.
Look at you.

Alison Bechdel (49:55):
I was like, that's a familiar name.
And I looked in my email andthere was all these emails with
you about showing up for certainthings at the public theater.

Jason Blitman (50:02):
That is so funny.
So I gave you, and I assumeHolly, a tour of the building
after the very first workshop ofFun Home.

Alison Bechdel (50:16):
Yeah, that was a very intense day.
I'm amazed I remember anythingfrom that man.

Jason Blitman (50:22):
That's so funny.
I know.
I like very distinctly rememberthat.
And I was like, n to now see youin this context is very odd to
me because at the time I wasn'treally a reader.
I'm excited that our paths arecrossing again.

Alison Bechdel (50:39):
Yeah, me too.
I just listened to a coupleepisodes to see what you're
doing.
It's a great show.

Jason Blitman (50:44):
Thank you.
I'm glad you liked it.
well.
Allison Bechtel, you are here asmy guest gay reader.
I am.
It is an honor.
It is a pleasure.
It is hilarious to me because ofthe the way that fun home has
come in and out of my life insuch important ways, how you
have weirdly come in and out ofmy life at different times as
well.
Allison, I have to know.

(51:04):
What are you reading?

Alison Bechdel (51:06):
Well, I've been thinking about this and the sad
truth is I, my reading life hasbeen very curtailed lately.

Jason Blitman (51:17):
Yeah,

Alison Bechdel (51:17):
I started teaching fall.
And who knew how hard that was?

Jason Blitman (51:23):
what are you teaching?

Alison Bechdel (51:24):
smokes.
I'm teaching comics, Teaching,two classes of how to draw
comics,

Jason Blitman (51:32):
it would've been really awkward if you
accidentally were teachingstandup comics.

Alison Bechdel (51:37):
yes,

Jason Blitman (51:37):
You were like, wait a minute.
Wrong person.

Alison Bechdel (51:41):
very much the wrong person, but it was a
crazy.
Experience.
I started teaching for the firsttime ever, like in my sixties
last fall at the same time thatI was finishing this, my new
book, Which I suppose

Jason Blitman (51:57):
Which we'll talk about in a second.

Alison Bechdel (51:59):
and it was the most.
Intense pressure I have everexperienced in my life.
Like learning this New thingabout how to teach, how to every
day have to invent a new classand all these, like I have to
have a website for each classand I have to keep track of the
students and their assignmentsand keep thinking of more
assignments.
It was insane and every spareminute that I wasn't teaching, I

(52:21):
was working on this book, I wasrushing back to my little
Garrett.
That's where I am now.
Like a monk on my little slantboard, and week into September I
had to stop reading anything atall except necessary stuff.
I was in the middle of thisgreat biography of William James

(52:41):
that came out

Jason Blitman (52:42):
Oh

Alison Bechdel (52:42):
years ago.

Jason Blitman (52:43):
yeah.

Alison Bechdel (52:44):
think of the author's name.
It's a great biography, but Ihad gotten to this point.
I was about three quarters ofthe way through, and Henry,
James William's brother.
Had a nervous breakdown in thebook.
His New York edition of all hisworks had just been published,
like Beautifully bound volumes,and they weren't selling, and

(53:07):
Henry just felt like a failfailure and he had a breakdown,
and I myself, felt so close to abreakdown in that moment that I
had to set the book aside and Ihave not read anything purely
for fun since then, seven monthsago.

Jason Blitman (53:24):
How do we rectify that?
That's okay.

Alison Bechdel (53:27):
There read a lot I don't wanna say it's
compulsory reading, but I readfor my classes, I read for my
work, and I also do a lot ofreading for.
Writing blurbs, this issomething

Jason Blitman (53:42):
Uhhuh.

Alison Bechdel (53:42):
hear writers talk about, but a lot of the
stuff I read is stuff thathasn't even come out yet.
So I have read a couple reallygreat books that I Want me to
talk about those?

Jason Blitman (53:51):
Sure.
I also, you can talk aboutthose.
It's good for people to addthings to their TBR list or I
also am fascinated by thingsthat people are reading that are
not books, right?
If you also wanted to.
What are you what are youscrolling through that brings
you joy or, because we're allreading on a daily basis,
whether it's our emails or, butno, tell me what is something

(54:14):
that you've read that we shouldlook forward to?

Alison Bechdel (54:18):
The cartoonist, Mimi Pond has written an amazing
biography of the Mitford Sistersthat will be

Jason Blitman (54:24):
Oh,

Alison Bechdel (54:25):
in the fall.

Jason Blitman (54:26):
Uhhuh.

Alison Bechdel (54:27):
Do you know about the Mitford sisters?
Oh my God, I didn't either, butwhoa, there are these six
sisters born

Jason Blitman (54:36):
see.

Alison Bechdel (54:37):
around the time of World War I.
By the time World War II rolledaround, they were all adults and
they were nuts.
They were just crazy.
They were socialites.
And one of them became a fascistand one of them became a, not a
socialite, but a socialist, acommunist in fact, and went off
to fight with the Republicans inSpain.

(54:59):
And

Jason Blitman (54:59):
Oh, how fascinating.

Alison Bechdel (55:00):
were amazing and.
Between the six of them, theylike interacted with every major
figure of the 20th century fromHitler.
One of them hung out with Hitler

Jason Blitman (55:12):
Oh my God.

Alison Bechdel (55:13):
JFK, to Martin Luther King.
It was incredible.
Anyhow Mimi Pond has abeautiful, drawn, a beautiful
graphic biography of this crazyfamily.

Jason Blitman (55:23):
Fascinating.
Amazing.

Alison Bechdel (55:27):
In a way, I think maybe that as a comic
book, like as a visual narrativeis the only way to wrangle so
many characters and Time spans.
But that

Jason Blitman (55:37):
Do you, you talked about the imminent mental
breakdown being the thing thatmade you put a book down seven
months ago.
Has reading for blurbing.
Brought any sort of joy ordistracted you in a positive
way, or does that also feel likework?
Because I know lots of authorswho read for Blurbing and

(55:57):
they're like, oh my God, I justhave so many blurb books to get
through.

Alison Bechdel (56:01):
Yeah, I certainly did take pleasure in
this book, but it's differentwhen you have to do it.
You're not reading it at yourown pace.
That

Jason Blitman (56:06):
Yeah.
Yeah.

Alison Bechdel (56:09):
it somehow.
So I'm trying to figure out howto make time for free range
reading of stuff.
I just.
I do on my own.
And I, that's just been a bigstruggle for a

Jason Blitman (56:19):
When you are reading for fun, regardless of
when that's happening, what doyou like to read?

Alison Bechdel (56:27):
for pure fun.
I guess I like detectivestories.

Jason Blitman (56:31):
Oh, this was not where I thought this was going.
Tell me more.

Alison Bechdel (56:36):
What did you think I was gonna say?

Jason Blitman (56:37):
You brought up the biography and that feels
very well.
No, sure.
That doesn't surprise me, butlike for you to, like you very
specifically said detectivestories is what you go to for
pure fun, which is funny thatyou say pure fun versus like
fun.
What was, what's the differencewith me saying fun and pure fun?

Alison Bechdel (56:58):
I, it, life is so difficult these days.
It's a

Jason Blitman (57:02):
I know.

Alison Bechdel (57:04):
time and

Jason Blitman (57:04):
Yes.

Alison Bechdel (57:05):
Hard to find ways to completely like
decompress, just

Jason Blitman (57:09):
Yeah.

Alison Bechdel (57:09):
brain, crossword puzzles only take you so far.

Jason Blitman (57:12):
Drugs.

Alison Bechdel (57:14):
yeah, I'm trying to stay away from the drugs.
I'm reading this sort of guiltypleasure right now for my
bedtime reading'cause I can'tread anything at bedtime that is
at all substantive or God knowsI would never sleep.
and this is a book, it's a wholeseries that I only, it's been
happening for 30 years.
It's by Lori King.
She writes about this woman whobecomes the apprentice of

(57:40):
Sherlock Holmes.

Jason Blitman (57:43):
Okay.

Alison Bechdel (57:44):
And solves all these cases with him and they're
just, it's just fun and crazyand I love Sherlock Holmes homes
as a kid, so it's a fun,

Jason Blitman (57:52):
I love Sherlock Holmes stories too.
That's so fun.
I love a good detective story.
Okay, so you are readingsomething, you're bedtime
reading.

Alison Bechdel (58:00):
Yeah, that's my bedtime reading.

Jason Blitman (58:02):
Are you like a read three pages and pass out
immediately kind of person?
I.

Alison Bechdel (58:05):
Here's the thing.
I.
I have been, but our troubledtimes, it's taking me a lot
longer to zone out.
But I discovered this new thingat the school where I'm
teaching.
They give us this app calledCalm,

Jason Blitman (58:20):
Oh,

Alison Bechdel (58:20):
it's much cheaper than having to provide
therapy for all the employees.
Have you ever explored this?
It's one of those like mental

Jason Blitman (58:28):
like the, I think I've done the seven day free
trial.

Alison Bechdel (58:31):
Okay.

Jason Blitman (58:31):
Yes.

Alison Bechdel (58:32):
pretty pricey, but I get it for free.
And they tell you these bedtimestories, these sleep stories as
they call them, and I havediscovered that they really
knock me out.

Jason Blitman (58:43):
Perfect.

Alison Bechdel (58:44):
I'm not trying to read, I don't have my eyes
open looking at a,

Jason Blitman (58:47):
Yeah.

Alison Bechdel (58:47):
read on a Kindle at night.
I used to read on books, butthose are quite cumbersome in
bed, so onto the Kindle and nowI don't even need the Kindle.
I just have my phone next to myhead

Jason Blitman (58:58):
Yes.
Oh, you don't even putheadphones in.
You just have it playing next toyou.

Alison Bechdel (59:02):
alone, if I'm with my partner, I have to put
on

Jason Blitman (59:05):
Yeah.

Alison Bechdel (59:06):
up in them.

Jason Blitman (59:06):
Yeah.

Alison Bechdel (59:07):
I have a separate apartment at this place
where I'm teaching, so I canjust take the whole bed up.
Anyhow, do we really need to gointo all that?
Sorry,

Jason Blitman (59:15):
I'm obsessed.
This is the joy of the podcastis we can go fall down whatever
rabbit holes we want to.
I love imagining you likestarfish on a bed by yourself in
your apartment, with your phonenext to your head, listening to
a calm sleep story, zonking out.

Alison Bechdel (59:32):
yeah.
Someone figured something outwith these stories and I, and
the beauty is I can listen tothe same one over and over and
over.
one of my favorite sleep storiesis about a train journey from
Trondheim, Norway.
Up the coast and back and I justkeep listening to it.

Jason Blitman (59:51):
Because you don't know what happens at the end
'cause you keep falling asleep.

Alison Bechdel (59:53):
can make it through to the

Jason Blitman (59:54):
So it's a mystery every time.

Alison Bechdel (59:57):
but it's a funny kind of, it's, is it reading?
I don't know if it counts asreading, but.
It's a, you can't write anythinginteresting or compelling in Or
it will keep people awake.

Jason Blitman (01:00:09):
Yeah.
That's interesting.

Alison Bechdel (01:00:10):
to be dull.
And I it's a very curious form.

Jason Blitman (01:00:15):
That is a such a specific niche market and like I
feel like I could do that.

Alison Bechdel (01:00:20):
Oh, you could you have a soothing voice.

Jason Blitman (01:00:24):
Oh, thank you.

Alison Bechdel (01:00:25):
yeah.

Jason Blitman (01:00:25):
I just mean like I could tell racket write
stories that are boring.
It.
The stakes are low.
As the story writer.

Alison Bechdel (01:00:31):
You could write them and read them, and then
you'd get double

Jason Blitman (01:00:33):
Yes.
Ah, genius.
You'll now you have to get 10%.

Alison Bechdel (01:00:39):
That's 15,

Jason Blitman (01:00:41):
Oh, she drives a hard bargain.
Allison, I'm like holding thisin my hand is very special.
I'm obsessed.
And also I have this, the littlecompanion piece that, that shows
you what the color is gonna be.
'cause the color is spectacularin the book.
So you, your new book spent acomic novel.

(01:01:04):
I want to hear your elevatorpitch and then I will complain
to you.
What's your,

Alison Bechdel (01:01:11):
Okay.
a sort of auto fictionalproject.
It's about

Jason Blitman (01:01:15):
I.

Alison Bechdel (01:01:15):
named Alison Bechtel.
runs a pygmy goat sanctuary inVermont.
So in some ways it's true.
And about my real life, I am acartoonist named Alison Beto,
who lives in Vermont, but I donot run a pygmy goat sanctuary.
I don't own one pygmy goat.
So it's this very fun experimentin about myself, but in a
disguised way that's just purelyfun and silly.

Jason Blitman (01:01:39):
Yeah.

Alison Bechdel (01:01:41):
I don't know, like Curb Your Enthusiasm is a
riff on.
Larry David, but moreexaggerated,

Jason Blitman (01:01:46):
Yeah.
And so it's this sort of likeepisodic journey through this
time of this cartoonist.

Alison Bechdel (01:01:55):
Yeah.
It's about,

Jason Blitman (01:01:56):
Yeah.

Alison Bechdel (01:01:56):
it's about the recent present.
Uh,

Jason Blitman (01:02:00):
Mm-hmm.

Alison Bechdel (01:02:01):
Place over the past couple years.
And the really fun part of thebook for me is that it
incorporates.
The characters from my old comicstrip that I used to do in my
youth.
I, for many years wrote thiscomic strip called Thanks to
watch out for this community offriends.
And in this book, those peoplereappeared and they're all in

(01:02:25):
their sixties now, like me, andthey're my friends who live down
the hill in Burlington, Vermont.
It's this funny of my comicstrip career and my memoir
career, so It's part true andpart up in a really fun way,

Jason Blitman (01:02:40):
And that is so funny to read as a reader who is
very familiar with fun home.
Because

Alison Bechdel (01:02:51):
right?

Jason Blitman (01:02:53):
I'm wait, I know this isn't true, but I know this
is true, but I know this isn'ttrue.
But does Allison have a sisterin real life?
I don't think she does.
But what's hap the dialoguethat's being said in the book
would totally happen if she didhave a sister, her.

Alison Bechdel (01:03:09):
I know.
I feel like I've, I havesuffered this late in life
realization that, oh my God,I've just told the world like my
most intimate.
Secrets.
It's all out there.
It's in these books.
It's in this musical.

Jason Blitman (01:03:23):
Right.

Alison Bechdel (01:03:23):
on some level I'm trying to cover my tracks a
bit.
I think trying to call intoquestion what exactly is true
and what isn't.

Jason Blitman (01:03:31):
That's a hundred percent what the experience of
reading it was like I was secondguessing everything I already
knew about you.
In fact, I like literallyflipped to the cover multiple
times to like, make sure it saidnovel.

Alison Bechdel (01:03:45):
That's funny.

Jason Blitman (01:03:47):
But it is fun and it is stressful because it, as
you said, takes place roughlynow-ish in the last couple of
years, and the world is fallingapart and burning.

Alison Bechdel (01:03:58):
Yeah, and I finished it.
I finished the it's hard to saywhen I finished the writing
versus the drawing, but Icompleted Book like in November,
like just before the election.

Jason Blitman (01:04:09):
Oh, cool.
Cool, cool.
Cool.
Cool.
Cool.

Alison Bechdel (01:04:11):
Had to leave open the possibility for what
actually did happen which ismaking me excited for the
sequel.

Jason Blitman (01:04:18):
Is there gonna be a sequel?

Alison Bechdel (01:04:19):
I hope so.
'cause it, I, it's the onlything that's gonna keep me sane
in, in this current landscape.

Jason Blitman (01:04:26):
I fully agree and appreciate that.
What is your process like?
You said finish drawing versusfinish writing.
What's, how do you work?
I.

Alison Bechdel (01:04:37):
It's funny'cause I work in different ways
depending on what I'm doing.
When I was writing.
Memoirs fun home.
And then I wrote a couple morememoirs

Jason Blitman (01:04:45):
Mm-hmm.

Alison Bechdel (01:04:46):
It's this very, it's a very much a process of
discovery and you don't knowwhat's gonna happen.
I can't like schedule it, it'sjust doing the work and hoping
it comes together.
But this book spent is much morelike my comic strip I was just
building a narrative like afiction writer would.

(01:05:06):
Just telling a story and makingsure it fit together, which was
in some ways much easier.
And kind of schedule it like,okay, I'm gonna write this
chapter this month, I'm justgonna do it.
But that's the writing and adI'm writing, I'm also
envisioning the.
Images I write in a drawingprogram, so I'm like playing
around with the page and whatgoes where on the And then comes

(01:05:27):
the fun part at the end where Iactually do the drawing and
bring it all to life.

Jason Blitman (01:05:33):
So the drawing always happens after you've
written words.

Alison Bechdel (01:05:36):
Yeah.
I wouldn't know what to draw ifI hadn't plotted it out,

Jason Blitman (01:05:41):
yeah.
I think with with some writersin theater, they'll pull
together a group of actors andgive them a scenario and just
have them act things out and youfigure it out in three
dimensions and then you put pento paper.
So I didn't know, if you were toever doodle something and see
what your pen did that theninspired something.

Alison Bechdel (01:05:59):
people do that.
I was

Jason Blitman (01:06:00):
Yeah.

Alison Bechdel (01:06:01):
on a panel with Peter Cooper who just wrote an
amazing graphic memoir aboutinsects and

Jason Blitman (01:06:08):
Cool.

Alison Bechdel (01:06:08):
He was talking about how he sometimes didn't
know what was even gonna happenon the next page.
He would Drawing it.
so some people do that.
I can't work like that.

Jason Blitman (01:06:16):
Was it fun?

Alison Bechdel (01:06:18):
It was fun, which is really a change of pace
for me.
Normally, my work is quiteexcruciating.

Jason Blitman (01:06:23):
Say more.
Why?

Alison Bechdel (01:06:27):
I don't know because I don't know what's
where it's going.
I think that that's a excitingprocess, trying to learn
something about myself or learnsomething about the other
writers and thinkers I'mbringing into my memoir work.
It's it's all unknown and that'sstressful.

(01:06:47):
I.
never found a way to just beeasy with that.
And this, to a certain extentthat was true of this book too.
You never know what's gonnahappen if you're gonna be able
to figure out how to landanything.
But it was and funny.
It was basically just like acomic strip, like a, an

Jason Blitman (01:07:04):
Yeah.

Alison Bechdel (01:07:05):
comic strip.
And I really enjoyed it.

Jason Blitman (01:07:09):
I'm so glad to hear that.
Did it, do you, are you inspiredto raise goats?

Alison Bechdel (01:07:15):
They're very cute.
They're very appealing.
But my partner Holly, actuallycan't abide goats.
She part of the inspiration forthe goats was my grandfather was
a goat herd and Holly, mypartner, was a goat herd in her
youth.
So it was just this funny kinda,

Jason Blitman (01:07:32):
What

Alison Bechdel (01:07:32):
a slight autobiographical.
Connection,

Jason Blitman (01:07:38):
I.

Alison Bechdel (01:07:38):
Holly learned from that experience that she
really cannot abide goats.

Jason Blitman (01:07:43):
I can't believe this is happening.
Live on a recording.
Hi.
On a hill was a lonely goatherd.
In my mind it was a herd ofgoats.
But you are saying a goat herdis the person who is herding the
goats.

Alison Bechdel (01:08:00):
Yeah, but actually I saw the sound of
music with my grandfather I wasfour and he was 70 and he sobbed
at that scene high on a hill wasa lonely goat herd.

Jason Blitman (01:08:15):
Because he was the lonely goat herd.

Alison Bechdel (01:08:17):
he grew up in the owls herding goats.
And he hadn't been back since.
He was a, he'd never gone back.

Jason Blitman (01:08:23):
Oh my God.
In my mind, like a herd of Nn.
Hill was a lonely goat herd is agroup of goats, but I never
thought about it as being aperson.
Your grandfather is the lonelygoat herd.

Alison Bechdel (01:08:34):
Yes.
Yes.
Did you have any idea this wasgonna come around to the sound
of music?

Jason Blitman (01:08:39):
I didn't, and funnily enough, my episode that
released today, also, the soundof music comes up.

Alison Bechdel (01:08:47):
I was recently watching the Sound of Music one
night, not so long ago,desperately trying to find
something that was gonna calm medown, and it is terrifying.
You

Jason Blitman (01:08:58):
Terrifying.
No, the Nazis come at the end.
Allison.

Alison Bechdel (01:09:03):
come

Jason Blitman (01:09:06):
No.

Alison Bechdel (01:09:07):
it.
Yeah,

Jason Blitman (01:09:08):
Or you know what?
Maybe it's important to watch itso that we know what to do

Alison Bechdel (01:09:12):
yeah.
Maybe it is.

Jason Blitman (01:09:14):
right?
We're gonna just sing our wayoutta town.
Oh God.
A new question that I've beenasking everybody because this to
me is important and is a time toamplify people that we love, who
are important to us.
If you were to die tomorrow, whois deleting?

(01:09:36):
Your search history on yourcomputer,

Alison Bechdel (01:09:38):
Wait.

Jason Blitman (01:09:39):
it can, it can't be.
Holly, who are you entrusting Todelete your search history?
In this moment?
Who is so special to us that wetrust with our lives and our
secrets?

Alison Bechdel (01:09:52):
How about Fran Liebowitz?
I would

Jason Blitman (01:09:54):
Do you,

Alison Bechdel (01:09:54):
Her.

Jason Blitman (01:09:54):
you know f or are you just gonna ask her?

Alison Bechdel (01:09:56):
I don't know her, but I.
I just saw her per perform and Iwas so impressed.
She is like sharp as a whip.

Jason Blitman (01:10:06):
I am obsessed with her.

Alison Bechdel (01:10:07):
and I would totally trust she could have the
whole keys to everything I.

Jason Blitman (01:10:11):
I hear you.
You're not wrong.
My issue with her, it is a veryreal high stakes logistical
problem.
She doesn't own a computer and Idon't know that she would know
how to do it

Alison Bechdel (01:10:28):
my God.
You're right.
She would have no idea how to dothat.

Jason Blitman (01:10:31):
right.

Alison Bechdel (01:10:32):
She'd probably it off to the Doge people.

Jason Blitman (01:10:37):
But the instinct is good.
I appreciate it.
We could amplify Fran Lebowitz.
She's doing important work inother ways though.
I

Alison Bechdel (01:10:46):
helper.

Jason Blitman (01:10:47):
Yes, a hundred percent.
That's a great, right.
Fran Lebowitz is intern, is whowe're asking.

Alison Bechdel (01:10:53):
Yes.

Jason Blitman (01:10:55):
It's probably like Steven or something, or
like Lin Linda.
Yeah, I could see her intro namebeing Linda.
Anyway Allison, I'm so excitedfor you.
I'm so excited for everyone tocheck out.
Spent the new Allison Bechtelcomic novel, not memoir.

Alison Bechdel (01:11:16):
comic get it comic in both senses.

Jason Blitman (01:11:18):
Yes.
Don't be confused.
She does not have a sister inreal life.
I did have moments I like, IGoogled it twice.

Alison Bechdel (01:11:27):
That's great.

Jason Blitman (01:11:28):
I was like, I am a hundred percent sure, but I
need to be 110% sure.
Because there is this moment inthe book where you're like, this
is why I didn't put you in mymemoir.
And I was like, oh my God.
Does she actually have a sisterthat no one knows about?
You sent me on a journey,Allison.

Alison Bechdel (01:11:50):
I'm so glad Jason.

Jason Blitman (01:11:52):
Congratulations.
I'm so happy that you're here.
Thank you for being my guest gayreader today.

Alison Bechdel (01:11:56):
I think it was a delight, and I'm gonna keep
listening.
Jonathan, Julie Allison, thankyou all so much for being here
today.
Thanks for listening, everyone.
Have a wonderful weekend.
Go check out the Pride Guide onthe Gays Reading Substack, and I
will see you next week.
Bye.
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