November 30, 2025 • 38 mins
Welcome to the replay of Blonde Intelligence. I am your host Ms. Roni and I always seek to give you exquisite cranial repertoire. A talkative kid who got in trouble for speaking too much grew into a host, actress, and certified TV producer who gets paid to use her voice. We sit down with Mz. Sipp to map out how she built a multi-hyphenate career across radio, reality TV, film, and music—and why saying no can be the sharpest tool in your kit. From choir stands and gospel roots to opening for legends and landing on major TV sets, she shows how to test ideas, raise your standards, and scale your platform without waiting for permission.
We go deep on the realities women face in entertainment: the split between business and flirtation, the cost of distraction, and the quiet power of a boundary. Mz. Sipp doesn’t sugarcoat it—strong women aren’t hard to work with; they’re hard to derail. She breaks down why some men respect strength and others run, how upbringing shapes partnership, and how to refocus on outcomes that actually pay. Her anthem “Superwoman Not Today” becomes a framework for burnout prevention: take a day, reset, and return better. Add her management playbook—find leaders who match your pace, assign by strengths, and cross-train—and you’ve got a system for sustainable growth.
We also explore Sip On Radio’s soul-first curation and the decision to get certified in television production after gatekeepers said no. Along the way, she offers a nuanced take on how women are portrayed in music—what’s changed, what hasn’t, and why social media makes it louder. If you’re building a creative career, leading a team, or just learning to protect your energy, this conversation delivers practical steps and a mindset you can use today.
If this resonates, follow the show, share it with a friend who needs the push, and leave a review with your favorite insight so we can keep amplifying voices like Mz. Sipp’s.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
SPEAKER_01 (00:09):
Hello everyone.
Welcome to this week's BlondeIntelligence.
This week we have a very specialguest.
We got Miss Sip from Silph OnRadio, straight out of Atlanta.
And when I say this lady gotpersonality, she got
personality.
Hey, Miss Sip, how are youdoing?
What's up?
What's up?
What's going on, sis?
(00:30):
Nothing at all.
Nothing at all.
Just trying to trying to makeit, trying to make it.
Ain't nothing wrong with that.
Okay, we're gonna start off.
I appreciate it.
Thank you for having me.
Appreciate it, huh?
Thank you for coming.
We're gonna start off with youtelling everybody a little bit
(00:50):
about your background and radio.
Okay.
Well, basically I'm a radiohost.
Uh, like she said, Miss Sip withSimpo Radio.
Uh, I've been doing radio nowfor like seven years, but I also
have a reality show calledLiving Your Drinks with Rosita.
You know, and basically I'vebeen doing that for like nine
(01:11):
years.
And it's it's awesome.
You know, I love interviews.
I don't too much uh let peopleinterview me.
So this is like special righthere, you know, uh that you know
you at, you know, I can't comeon people.
So, but I'm I'm so used tointerviewing people, you know,
(01:33):
to whereas when people ask tointerview me, I'd be like, okay,
let me give back with you andbut I'm cool, though.
(02:16):
Um I act mall sing, I writemovies, stage plays, I'm a
certified television producer,and I just became the uh
president slash CMO of a recordlabel.
So that's a record label ofMonth Platinum Media.
All right.
(02:41):
I remember, I can't remember whosaid it, but they were talking
about that there were not manyblack female radio disc jockeys
to help pave the way for I guessfemales now.
How well how and what, not howwho and how influenced you in
(03:07):
radio and paved the way for you?
Well, um didn't nobody reallyinfluence me in radio for
inspiring me to do it.
It's like uh as a little girl, Iwas the kid that got in trouble
for talking all the time.
And it was just one thing that Iknew that I wanted to do was
(03:30):
being radio and television, youknow.
So uh it just came along.
Now, first me for doing musicand stuff, it was like family
members.
My mom and dad, they travel thesame gospel.
You know, my dad was a preacher,and so looking at that and other
family members that is famous inmy family for music and stuff,
(03:52):
uh just that inspired me to bein entertainment.
Okay.
Uh me just being a talkerinspired me to want to get paid
to talk.
I feel you on that one too.
So, what has been the hardeststruggle for you as a woman, not
(04:15):
just as a black woman, but as awoman in the entertainment
business?
A woman in the entertainmentbusiness, you have to go through
the people that plan and thepeople that really want to work.
So there's guys that, you know,and I hate to say this on the
(04:36):
show, but think with their bighead instead of their smile.
I mean think with their smileinstead of big.
So they're not.
I don't just say they don't knowhow to keep it business.
And there's, and I've said thisso many times on my Facebook
page and as well as my show,that us women, we are so
(05:00):
powerful at what we do.
We're so talented.
And a lot of people admit thatgetting that strong woman to
being in their corner, you know,that they really need, you know,
it's men out here that's reallytalented too.
But that's you know, as women,we we think of all angles how to
make it look good and be good atthe same time, you know.
(05:26):
It's a little bit different.
It's a whole lot different.
So therefore, it's like we putthat touch on everything that we
do, you know, not just beinggood at it, but making it
everything worse, looking at allangles and stuff.
And and um a lot of women missout on opportunities.
Well, I'm gonna say you miss,but at the same time, like you
(05:49):
know, I grew up in church andstuff, and they said there's no
missed opportunities, just Godsend you up for something else.
But at the same time, in thisindustry, and then you're just
looking at things one way, it'slike opportunities come all the
time, but we can't takeadvantage of those opportunities
because the man be focused ontrying to get us in the bed
(06:10):
instead of focusing on what weactually are there for.
Right.
And he realized that he willaccomplish a whole lot more if
he stays focused on what we'rethere for.
You know, stop making womenuncomfortable and start staying
focused on it if you really likeher, help her make some money
(06:34):
because that's what we're tryingto do, provide for our families
and stuff.
We we want things and stuff.
We're trying to make money, sostay focused on what the purpose
is at hand instead of trying toget us in the bedroom and stuff,
because you can get a whole lotmore out of us and accomplish
for yourself if they actuallystay focused on what we're there
(06:57):
for, right?
So that brings me to my nextquestion.
How do you feel?
Because I've seen this over andover again, that it will be a
woman that is good to a man, theman knows that the woman likes
him and everything, and he willdo everything in his willpower
(07:21):
to dog her out, but he'll go andshow respect to these thoughts
out here in these courts in thestreets.
That's what they respect go to,not to the, I guess I would say
the woman that you could bringhome to your mama.
So, what are your thoughts onthat?
Well, the thing is, uh I I don'tnever really use the word
(07:44):
thought, but since you used it,I'm gonna say a thought attracts
thoughts.
Uh therefore, even though youdon't let a nice woman, you
gotta look at his character andhe likes what he is, basically.
It's like the thug chick, eventhough we can get classy, we
still like the undercover thugman.
(08:06):
You say the gangster chick, eventhough we're classy and we know
how to handle business, we canbe the business one, but at the
same time, that chick that don'tplay, we want that boss dude
that doesn't play but stilldress up and look good and have
class.
You see what I'm saying?
So people tell me this then.
(08:31):
Why do men say they want astrong woman that can bounce up,
but when she has to put him inhis place, he has an issue with
it.
Because he don't really wantthat.
What do you want then?
He wants somebody he can runover.
That's just what he thinks hewants because he sees it working
(08:54):
for somebody else.
See, he sees his friends andstuff with the strong woman, but
his friend is actually a strongman.
So a strong man can handle astrong woman, a weak man can't.
And he don't know how weak he isuntil he actually gets with a
strong one.
Well, a lot of them can't handleit.
They become they become runners.
(09:16):
Exactly.
Because he can't handle it.
But the thing is, I'm gonna tellyou something.
That's why I like the men thatactually got the strong mothers.
A lot of men that had got strongmothers and stuff, and they used
to a woman popping a certainkind of way, but they can tell
that it's out of love, then theywon't be intimidated by it.
(09:38):
See, a lot of women they startbabying these men, these little
boys, and they'll raise them upto be men, and they still they
grown boys now.
You see what I'm saying?
So they get intimidated, butintimidated by strong women, and
so a woman uh with a certaintone is like in turning their
feathers.
So tell me this then.
(10:01):
I wrote a blog on black womenand how society always expects
the black woman to be strongeven when she can't.
So, what type of advice wouldyou give to other black women
(10:23):
when you're feeling down?
Okay, I have a song calledSuperwoman Not Today, and
basically it's letting peopleknow in at the beginning of the
song, actually talking a littlebit, and it explained that uh
women, we are expected to bestrong.
You know, we hold a householdtogether and everything.
(10:46):
But in all in the song, it'sexplaining that the reason why I
named it superwoman, not today,is because I'm letting people
know it's okay to be weaksometimes.
We all fall weak.
You know what I'm saying?
Don't get discouraged to thepoint that you're gonna give up.
Take a day out for yourself.
(11:09):
We as women, we go from day today to 365 days of a year, and
we and the song is explainingit's okay to say no, it's okay
to say this is my day.
And recoup and then start itback up tomorrow.
But like I said, everybody'sgonna get weak sometimes.
(11:32):
We get tired and rest when youget tired.
You know what I'm saying?
Don't try to keep going becausepeople expect for you to be a
supermarket.
I know that I'm a strong woman,but it's days that as much as I
do, I'm gonna take a day out formyself.
And like I tell folks, I don'tcare if I'm sitting around
(11:55):
twirling my thumbs.
That's what I want to do forthat day.
SPEAKER_02 (11:59):
Right.
SPEAKER_01 (12:00):
You get what I'm saying?
So every woman needs that dayfor themselves to just relax,
and they realize how much justbeing relaxed and taking and
powering themselves and lovingon themselves and dating
themselves, and you know uh howmuch it would actually help out.
(12:20):
Standing in the mirror, standingin the mirror, standing in the
mirror saying, bit you, my boo.
Exactly.
Sure.
What?
That ain't gonna ever happen.
We might as well break her rightnow, Potton.
Right, right, right.
(12:40):
Singer, tell me a little bitabout your music because I know
you sang for me.
I want everybody to know she hasa beautiful, beautiful voice.
I want to say she sung Selena tome over the phone.
Was it Selena?
Was it Selena?
Okay.
So tell me a little bit aboutthe music.
Well, uh, I've been singingsince I was a little girl.
(13:04):
Like I said, sitting up watchingmy mom and dad sing and being
that little girl sitting on thefront row.
And so um, my first Tylena songin the choir, I was six years
old.
Then I got in the school choir,and in the ninth grade, I end up
being the first freshman to getinto this group that traveled
(13:26):
and uh competed with the choir.
You know, six six girls thatthey choose at the choir to
travel and compete.
So I'm the first freshman ofthat school, Hollis Friends High
School, to get in that um choir.
And this is just something Ialways wanted to do.
Like I said, inspired by my momand dad and people in my family
(13:47):
and stuff, my granddad, and youknow, just yeah.
You have any any projects out?
Have you released any projects?
No, but I actually performed.
I have let here stuff, but thenI pulled it back.
Like the Super Woman NightToday, I um put it on YouTube.
Just I wanted to hear people'sreaction to it.
(14:10):
So it was people sharing itsaying new best art and that,
you know, and all this stuff,but I knew I recorded it myself.
So it wasn't professionalbecause I'm not a producer, I
just knew to get it recorded.
That I put it in and I justwanted to hear the responses and
stuff, and it was awesomeresponses, radio stations will
(14:31):
send me up on play it, but Iactually want my stuff
professionally done.
But I do have music that Iperform, so I do open up for
celebrities.
I you know, I have you open forhi.
Who have you opened for?
Uh Denise LaSalle.
Um, I opened, well, actually, Igot stage plays where my song,
(14:54):
my gospel song was the themesong for stage plays twice.
Uh singing, Tony Terry, otherpeople that was, you know,
performing and stuff, but it'sgood that, you know, I'm honored
that my song was the theme song.
And like I said, that's been twodifferent topics.
(15:14):
And I got an RB song for umthat's on the soundtrack of a
movie, and I'm the lead ex inthat.
Uh it's a lot, it's a lot.
Um you already moved into mynext question.
Because I when you meant youmentioned that you were an
actress too.
(15:35):
So I know that you mentioned tome earlier some of the roles
that you have played in, but letpeople know some of the roles
that you played in.
Well, I've been on Hell onEarth.
I'm the lead actress in that.
I'm actually an assassin and GWarrior.
So that I'm the police.
(15:56):
Uh I'm a police officer on thehave and have not.
Um police officer multiple timeson uh Black Lightning.
Um I'm a correctional officer inanother project I can't mention
right now, but it's uh like amajor project, uh kind of like
on the level of Black Lightningand all that stuff.
(16:18):
It's here, you know.
So just it's not out, I can'tmention it right now.
And um I'm actually a choirsinger for another big project
that getting ready to come out.
I can't mention it.
Okay.
Because the virus shut down awhole bunch of stuff that was
(16:39):
going on.
Right.
So I'm in making major projectsthat I cannot mention their
name, you know, because of thecontracts and stuff, but you
know, so just be looking at me.
So out of all the roles that youhave played, what has been your
favorite?
(17:01):
Um police officer.
Well, a lot of people calling mefor the police roles and stuff.
Because they say I've beenlooking like, you know, uh one
of my other friends, he calledme for um a detective role.
Well, I'm actually over thedetectives.
(17:21):
I'm getting ready to shootanother movie where uh actually
Selena Johnson Mug is supposedto play my mother.
Okay.
Um is playing my boss, but I'mlike the female, it's like in a
prison, and I'm the female incharge over the prisons, and so
(17:44):
I'm over all the you know theguards.
Oh, okay.
Okay.
Well so you like playing apolice officer.
What role that you haven'tplayed that you would love to
play that you haven't had thechance to do yet?
(18:05):
Oh, I was getting ready to sayit, but then I don't know if I
should say it because it's gonnabe a triple.
Is that what it is?
Uh uh.
Hey, actually, in a movie thatthat's gonna come out, it is
like um uh Snoop from uh Loveand Hip Hop, um Mama Jones.
(18:28):
It's a lot of folks in thismovie, but I'm playing the
female that's over the stripersin the strip club.
So I'm like them.
You're playing the madam.
I heard that.
I heard that now from a previousconversation that we've had, you
told me that you start writingearly in life.
(18:51):
So what are some of your earlyprojects that you still have
from that time that you have notreleased yet that you plan on
releasing?
Oh, talking about as far assongs, as far as anything that
you have ever done.
You know how they redosomebody's song and stuff?
(19:15):
Um well when I was younger, whenI first started writing raps and
songs and stuff, L hit that Ineed love, and I actually
rewrote it.
You got the female version to Ineed love, yeah, yeah.
It's kind of different, but Iwas going by that that beat and
(19:36):
that feel, you know.
And we work for a record label,right?
Yeah, so it's a lot of folksthat yeah, yeah.
Yeah, definitely.
So so so are we gonna be lookingat some some some future
projects and music now?
Oh yes, definitely, because wecan ready to work on my music.
(20:01):
Um manager, he's on point.
Because you know we gotta uhhave the right person with us
because sometimes managers whenyou're doing a lot of things,
and I'm gonna say likemulti-talent and different
actions.
SPEAKER_00 (20:17):
This is Marlett with Classic Glam by Marlette.
Well, classic never goes out ofstyle.
We're based here in Palm Bluff,Arkansas, but you can reach us
on our website atclassicglamgirl.com or Facebook
and Instagram at Classic Glam byMarlette.
SPEAKER_01 (20:34):
Angles and stuff.
You need a manager that can keepup with you or know how to place
people to where this person isgonna take care of this, this
person is gonna take care ofthat, and we're good, you know,
we all working as a team to makesure that all angles is okay.
Um, I have had inexperiencedmanagers funds, what I'm trying
(20:59):
to do, because they was used tosimplify and just dealing with
one thing.
So I had So you have to findmanagement that thinks on your
level.
Exactly.
So talking to him, it was likebouncing ideas off each other's
head and stuff, and he was like,So I'm like, okay, since you're
(21:20):
gonna have me do this thing, whynot be my manager?
I need somebody like you thatthink like me, you know what I'm
saying, and can keep up withwhat I'm doing because he's just
as hyper as I am.
Tell me about the personality,Miss Sip, and how is Miss Sip
(21:41):
separate from Rosita?
Well, actually, you always getMiss Sip.
You never turn off Miss Sip.
I am Miss Sip.
The thing is, I didn't just pickthat name for the radio.
(22:01):
That's what people have beencalling me like for years.
You know, uh, I'm fromMississippi, you know what I'm
saying?
So Mississippi, I'm fromArkansas.
Um, when I moved to Memphis at19, the people in Memphis, they
was like, What's up, Miss Sip?
(22:23):
What's up, Miss Sip?
You know, and then I'm fromMississippi.
Okay, I get you.
SPEAKER_00 (22:29):
Exactly.
SPEAKER_01 (22:30):
All right, but Miss Sipp.
I'm so slow today.
I got you, Mim.
So tell me about the actualsiphone radio.
What do you do there?
I mean, how what what type ofpeople do you have on?
I mean, what do you do there?
(22:51):
Symphon radio, I I like I willplay any type of music.
But everybody knows I like souland blues and stuff.
I like gospel soul blues.
For the most part, on the show Iplay like old school, legendary,
soul and blues.
Um, but you know, I have a uhrap artist that's a guest and
(23:14):
stuff.
I play their music.
I throw something in thereaccording to the topic, and then
you know, throw the song inthere that fits the topic and
stuff.
But for the most part, I like myold school.
And um, I interviewed like likeum one guy, Robbie Wells.
I interviewed him.
He was uh presidentialcandidate.
(23:35):
Um I interviewed congressmen,um, Hall of Famers, Walk of
Famers, Wall of Famers, MultiPlanum Grammy Award winners, and
I also went interviewedUpcoming, you know, as well.
And I do the same thing for myreality show as well.
So that's what I was gonna getinto next.
I want you to tell us about thereality show.
(23:57):
And I know that you said thatthe radio station came after the
reality show.
So, what made you make atransition?
Not a transition, I would say umexpand your platform to radio.
Okay, well, like I said, as alittle girl, I always wanted to
(24:18):
do radio anyway.
That was one thing I knew thatit the thing is, I had a list
when I was younger of my goals,everything that I wanted to do.
You know, and uh so thateverything that I'm doing is a
part of that list.
You know, uh it's like settingthe goal reaching it, setting a
(24:39):
higher one, reaching that.
And me getting in the industry,I realized how important it was
to accomplish everything thatwas on that list.
Because everything is oneumbrella, if you really look at
it, you know, because I knowthat like me uh managing
artists, me uh as a performer,me as an artist, and what better
(25:06):
way than have my own radio shop?
Yeah, that's true too.
You see what I'm saying?
Uh being into television, uh, Iwent by the radio, I mean the
television station multipletimes for years, trying to get
somebody to help me for it likeuh producing my television
shows.
Uh couldn't get nobody to do itbecause everybody too busy.
(25:30):
You know what I'm saying?
The uh producer was too busy.
So guess what I did?
Get got certified to be atelevision producer.
Now I work at the state, I canproduce my own shows as well as
help other people that's tryingto produce shows.
So my dad always taught methere's a will, there's a way.
So what you do is learn how tocut out the middleman that's
(25:53):
trying to stop and block youfrom achieving certain things
and learn how to get it doneyourself.
That's what I always say.
So if you don't want to do it ordon't have time to do it, but I
can supervise the hell out ofyou, on it.
Exactly.
Right.
So if I know if I got youputting in a shower and I know
(26:15):
that you need to be puttingthese kinds of screws and using
those kinds of screws, I'm like,hey, hey, hey, hey, hey, hey.
Exactly.
And see, I don't just want to doa few things and stuff.
My point, I want to build anempire.
And so me learning everything isit's just like me working on a
job, a corporate job.
(26:36):
I was always supervisor andmanager and uh lead on jobs and
stuff ever since I was 16 yearsold.
And I was the person, and plus Iwas the safety manager in the
part of trainer, you know, theperson that certified people.
You just do it all, you just doit all.
So what I would do was Irealized that a lot of people
(27:00):
get comfortable on the jobs andand they feel as though that,
you know, well, they hide andstuff, and they just there.
There's a lot of people on theassembly lines that's very hard
workers and need to be onanother level, but don't get to
the next level.
Well, I was that person thatsince I was in a position to
(27:21):
choose who I want to work on myteam because I'm running my own
department, then why not watchthe people that's doing a good
job and dedicated and on timeand working hard every single
day?
I'm gonna tap them on theirshoulder and say, Hey, you want
to learn how to drive aforklift?
You know, uh, you want to be ininventory?
(27:43):
Because most of the time I'm aninventory specialist, so I'm
running the inventorydepartment.
You know, uh, I'm gonna teachyou how to drive the forklift,
you know.
And I give them in my departmentand stuff, so giving them people
that you see have potential, youwant to give them advancement
within the power that you have.
Because some people try to keepother people down because that
(28:04):
makes them feel up exactly,exactly.
And I like to cross-train too.
So I'm one of those people thatwill start somebody off that
don't know how to do anythingand teach them everything.
What do you think about themessage that's being sent out to
(28:30):
the world about women in music,particularly hip hop?
About what in music women, howwomen are portrayed in music.
What do you think about that?
Well, the thing is, for the mostpart, they're not really uh uh
well, some people are beingguided to do certain things and
(28:51):
stuff, but um it is what it is,you know what I'm saying?
That is what I Well I I I say itlike that because I would say
when I was coming up, the thewomen were clean Latifa, MC
Light, uh Lauren Hill.
I mean, I just I mean, there Iknow that talent evolves, time
(29:18):
evolves, clothes evolve, andeverything, but I mean, I don't
think that the respect isevolving.
So, I mean, even like with olderpeople, young when I was in
school, we learned that olderpeople were to be respected,
that you uh revere them.
You know what I'm saying?
(29:39):
They're special to the society.
But it's like these days it'snot the same respect anymore.
And I don't think it's the samerespect as far as in the music
either.
So what do you think about that?
Well, it's a lot of things thatthey're doing now that they did.
(30:00):
Back in the day, it's just uh wegot social media is seeing so
much of the stuff.
Yeah, I know the drugs andeverything.
The drugs has always been there.
I mean, they just it's just anew drug of choice now.
Exactly.
But I know it's we're talkingabout the women and how they're
dressing and stuff like that.
(30:21):
No, no, no, not how the womenare dressing, how are they being
portrayed?
So, say for instance, you listento a song, and I'm not gonna say
what artist it is, but he waslike, Yeah, you know, the
beautiful and the light-skinnedgirl with the such and such and
such.
And that was the way that hedescribed it in the video, and I
don't think that he meant anyharm by it, but basically,
(30:42):
you're you know, it's already astigmatism with dark-skinned
women.
So I'm just saying that as awhole, how do you think that
it's being portrayed?
And that's what I was saying.
That the same thing that isgoing on now with back then,
(31:02):
it's just more social media towhereas we're seeing it.
You see what I'm saying?
Even more.
Um, the songs that they did backin the day, if you listen to a
lot of songs, the women wasnasty.
You listen to them blues, girl,you be listening to them.
(31:24):
I listen to blues.
And some women saying that somestuff, you'll be like, oh my
god, if you could tell thatwoman sounds like she's about 50
something.
You know what I'm saying?
So, where's that 50 to have a13, 14, 20-something kid back in
the day?
Okay, like the song standing.
I'm gonna leave it in thecloset, I'm gonna leave it in
the closet.
You see what I'm saying?
(31:45):
Like that song stand up in it.
See, the thing is, they're usingcertain words now that they
didn't use back then.
Back in the day, they weresaying the same thing they
really saying right now in a lotof ways, but it's the way they
worded it.
(32:07):
Now it's the B word, the the W,the the, you know, the you know.
But that's what I'm saying.
The way that they worded it wasmore respectful.
You had to sit down and thinkabout what they were saying.
They wasn't just blatantly putit out there the way that they
do it now.
I had an interview with anartist, and he was like, Well, I
think it's acceptable becausethat's what sales.
(32:30):
But the same thing, like I said,it's the same thing.
It wasn't more respectable, itwas just that.
It was chemical, it waschemical.
We even went out like that.
We didn't have, I didn't get abeep until I was 14, 13, 14.
Did you say a beeper?
(32:50):
Did you say a beeper?
Oh, you know, we didn't havecell phones.
We started off with the beepers.
You get what I'm saying?
I had a cell phone, but I didn'tuse it.
Look, I had a cell, I had a cellphone.
I just didn't use it because itwas the big block phone, and you
only got like 30 minutes of use,and you could do after nine, and
(33:13):
then the and maybe the weekendif you pay the extra$50 and all
that.
So I had a cell phone, just tosay I had a cell phone, but I
used my house phone.
I had one later, but in 13, 14,just turning 14, I had a beeper.
You see what I'm saying?
So therefore, we I couldn't geta beeper until I got older
(33:36):
because my mama thought thatbeepers was for drug dealers.
My mama was a missionary.
And see, but see, at the sametime, at 12 years old, I had a
computer.
A lot of my friends didn't havecomputers.
My dad brought me and mybrothers a computer.
I was 12.
You know, a lot of kids in theneighborhood didn't have
(33:59):
computers and stuff.
There's a lot of kids in theneighborhood don't have
computers now because that's theissue that's going on with this
with the school stuff, and theydoing like partial days at home,
and and then what they did was,and I don't mean to cut you off,
but what they did was gavecomputers to the kids that
didn't have them at home.
(34:20):
Not thinking about if you don'thave a computer at home, then
you probably let probably don'thave Wi-Fi either.
These are the four kids.
Yeah, I'm not even gonna ask youabout the educational system.
We're just gonna leave all ofthat in the closet.
(34:41):
Because um let's just not, let'sjust go back to the music,
honey.
So tell me, is there anythingelse that you want anybody to
know about Miss Sip?
Any new projects that Miss Sipcan talk about?
Where you can find Miss Sip onsocial media, how does she
(35:02):
follow you, how to follow you,anything, Miss Sip.
Well, you can Google me.
No, just like Google.
We can Google you.
No, I'm on Facebook, Instagram,LinkedIn, Twitter, everything.
Rosita Cooper, R-O-S-I-T-A, C OO P-E-R-R, uh, M, Kevin M, Small
(35:29):
Z, period.
S-S-I-P-P.
That's Miss Simps, simple onradio.
Living your dreams to Rosita.
So if you just look up thosethings, Rosita Cooper.
I'm I'm basically on a lot ofsocial media sites and stuff.
I try to make myself availableon different sites, meet
different people, and basicallyartists, that's what you need to
(35:53):
do.
Uh network, network, network.
Um, wherever you get it.
Yeah, she be everywhere too.
If you just look at herInstagram page, when I say this
lady is everywhere, this lady beeverywhere.
Even with COVID.
With the mask on, with the maskon.
Living your dreams and Rosinamask.
(36:16):
Yeah, I like talking to Ms.
Cooper because when you talk toMiss Cooper, you always leave
the conversation with more thanyou came in with.
That's the reason why I reallyenjoy talking to her.
She is really an extraordinaryperson.
And if you don't follow her,follow her.
You y'all heard that.
(36:38):
Follow me.
All right, thank you for coming.
I love talking to you.
Um it's been awesome, and thisis an awesome lady right here.
Like I said, I don't do too manyinterviews at all.
I got like a lot of people.
But we interview on the phoneall the time.
(36:59):
I know.
I tell my certain people, ifpeople that know me know I love
business and stuff, but for us,people that I consider as a
friend, and people that Iactually talk to besides the
business, is very few.
Uh right, because you can'ttrust people.
Yeah, she's one of those peoplethat actually would talk to, and
(37:22):
we can talk for hours, laughing,talking, business.
And I be laughing too.
But I thank you for coming.
I really, really do.
I enjoyed it, and I look to hopeto look to see you in some stuff
that you couldn't tell us about,but we're gonna be looking out
for it.
Thank you.
(37:42):
Thank you so much.
I appreciate you having me.
All right, I really appreciateit, sir.
All right, bye-bye.
Advertise with BlondeIntelligence, where our
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(38:03):
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(38:48):
Blood Intelligence.
Hello everyone.
Welcome to this week's BlondeIntelligence.
This week we have a very specialguest.
We got Miss Sip from Silph OnRadio, straight out of Atlanta.
And when I say this lady gotpersonality, she got
personality.
Hey, Miss Sip, how are youdoing?
What's up?
What's up?
What's going on, sis?
(00:30):
Nothing at all.
Nothing at all.
Just trying to trying to makeit, trying to make it.
Ain't nothing wrong with that.
Okay, we're gonna start off.
I appreciate it.
Thank you for having me.
Appreciate it, huh?
Thank you for coming.
We're gonna start off with youtelling everybody a little bit
(00:50):
about your background and radio.
Okay.
Well, basically I'm a radiohost.
Uh, like she said, Miss Sip withSimpo Radio.
Uh, I've been doing radio nowfor like seven years, but I also
have a reality show calledLiving Your Drinks with Rosita.
You know, and basically I'vebeen doing that for like nine
(01:11):
years.
And it's it's awesome.
You know, I love interviews.
I don't too much uh let peopleinterview me.
So this is like special righthere, you know, uh that you know
you at, you know, I can't comeon people.
So, but I'm I'm so used tointerviewing people, you know,
(01:33):
to whereas when people ask tointerview me, I'd be like, okay,
let me give back with you andbut I'm cool, though.
(02:16):
Um I act mall sing, I writemovies, stage plays, I'm a
certified television producer,and I just became the uh
president slash CMO of a recordlabel.
So that's a record label ofMonth Platinum Media.
All right.
(02:41):
I remember, I can't remember whosaid it, but they were talking
about that there were not manyblack female radio disc jockeys
to help pave the way for I guessfemales now.
How well how and what, not howwho and how influenced you in
(03:07):
radio and paved the way for you?
Well, um didn't nobody reallyinfluence me in radio for
inspiring me to do it.
It's like uh as a little girl, Iwas the kid that got in trouble
for talking all the time.
And it was just one thing that Iknew that I wanted to do was
(03:30):
being radio and television, youknow.
So uh it just came along.
Now, first me for doing musicand stuff, it was like family
members.
My mom and dad, they travel thesame gospel.
You know, my dad was a preacher,and so looking at that and other
family members that is famous inmy family for music and stuff,
(03:52):
uh just that inspired me to bein entertainment.
Okay.
Uh me just being a talkerinspired me to want to get paid
to talk.
I feel you on that one too.
So, what has been the hardeststruggle for you as a woman, not
(04:15):
just as a black woman, but as awoman in the entertainment
business?
A woman in the entertainmentbusiness, you have to go through
the people that plan and thepeople that really want to work.
So there's guys that, you know,and I hate to say this on the
(04:36):
show, but think with their bighead instead of their smile.
I mean think with their smileinstead of big.
So they're not.
I don't just say they don't knowhow to keep it business.
And there's, and I've said thisso many times on my Facebook
page and as well as my show,that us women, we are so
(05:00):
powerful at what we do.
We're so talented.
And a lot of people admit thatgetting that strong woman to
being in their corner, you know,that they really need, you know,
it's men out here that's reallytalented too.
But that's you know, as women,we we think of all angles how to
make it look good and be good atthe same time, you know.
(05:26):
It's a little bit different.
It's a whole lot different.
So therefore, it's like we putthat touch on everything that we
do, you know, not just beinggood at it, but making it
everything worse, looking at allangles and stuff.
And and um a lot of women missout on opportunities.
Well, I'm gonna say you miss,but at the same time, like you
(05:49):
know, I grew up in church andstuff, and they said there's no
missed opportunities, just Godsend you up for something else.
But at the same time, in thisindustry, and then you're just
looking at things one way, it'slike opportunities come all the
time, but we can't takeadvantage of those opportunities
because the man be focused ontrying to get us in the bed
(06:10):
instead of focusing on what weactually are there for.
Right.
And he realized that he willaccomplish a whole lot more if
he stays focused on what we'rethere for.
You know, stop making womenuncomfortable and start staying
focused on it if you really likeher, help her make some money
(06:34):
because that's what we're tryingto do, provide for our families
and stuff.
We we want things and stuff.
We're trying to make money, sostay focused on what the purpose
is at hand instead of trying toget us in the bedroom and stuff,
because you can get a whole lotmore out of us and accomplish
for yourself if they actuallystay focused on what we're there
(06:57):
for, right?
So that brings me to my nextquestion.
How do you feel?
Because I've seen this over andover again, that it will be a
woman that is good to a man, theman knows that the woman likes
him and everything, and he willdo everything in his willpower
(07:21):
to dog her out, but he'll go andshow respect to these thoughts
out here in these courts in thestreets.
That's what they respect go to,not to the, I guess I would say
the woman that you could bringhome to your mama.
So, what are your thoughts onthat?
Well, the thing is, uh I I don'tnever really use the word
(07:44):
thought, but since you used it,I'm gonna say a thought attracts
thoughts.
Uh therefore, even though youdon't let a nice woman, you
gotta look at his character andhe likes what he is, basically.
It's like the thug chick, eventhough we can get classy, we
still like the undercover thugman.
(08:06):
You say the gangster chick, eventhough we're classy and we know
how to handle business, we canbe the business one, but at the
same time, that chick that don'tplay, we want that boss dude
that doesn't play but stilldress up and look good and have
class.
You see what I'm saying?
So people tell me this then.
(08:31):
Why do men say they want astrong woman that can bounce up,
but when she has to put him inhis place, he has an issue with
it.
Because he don't really wantthat.
What do you want then?
He wants somebody he can runover.
That's just what he thinks hewants because he sees it working
(08:54):
for somebody else.
See, he sees his friends andstuff with the strong woman, but
his friend is actually a strongman.
So a strong man can handle astrong woman, a weak man can't.
And he don't know how weak he isuntil he actually gets with a
strong one.
Well, a lot of them can't handleit.
They become they become runners.
(09:16):
Exactly.
Because he can't handle it.
But the thing is, I'm gonna tellyou something.
That's why I like the men thatactually got the strong mothers.
A lot of men that had got strongmothers and stuff, and they used
to a woman popping a certainkind of way, but they can tell
that it's out of love, then theywon't be intimidated by it.
(09:38):
See, a lot of women they startbabying these men, these little
boys, and they'll raise them upto be men, and they still they
grown boys now.
You see what I'm saying?
So they get intimidated, butintimidated by strong women, and
so a woman uh with a certaintone is like in turning their
feathers.
So tell me this then.
(10:01):
I wrote a blog on black womenand how society always expects
the black woman to be strongeven when she can't.
So, what type of advice wouldyou give to other black women
(10:23):
when you're feeling down?
Okay, I have a song calledSuperwoman Not Today, and
basically it's letting peopleknow in at the beginning of the
song, actually talking a littlebit, and it explained that uh
women, we are expected to bestrong.
You know, we hold a householdtogether and everything.
(10:46):
But in all in the song, it'sexplaining that the reason why I
named it superwoman, not today,is because I'm letting people
know it's okay to be weaksometimes.
We all fall weak.
You know what I'm saying?
Don't get discouraged to thepoint that you're gonna give up.
Take a day out for yourself.
(11:09):
We as women, we go from day today to 365 days of a year, and
we and the song is explainingit's okay to say no, it's okay
to say this is my day.
And recoup and then start itback up tomorrow.
But like I said, everybody'sgonna get weak sometimes.
(11:32):
We get tired and rest when youget tired.
You know what I'm saying?
Don't try to keep going becausepeople expect for you to be a
supermarket.
I know that I'm a strong woman,but it's days that as much as I
do, I'm gonna take a day out formyself.
And like I tell folks, I don'tcare if I'm sitting around
(11:55):
twirling my thumbs.
That's what I want to do forthat day.
SPEAKER_02 (11:59):
Right.
SPEAKER_01 (12:00):
You get what I'm saying?
So every woman needs that dayfor themselves to just relax,
and they realize how much justbeing relaxed and taking and
powering themselves and lovingon themselves and dating
themselves, and you know uh howmuch it would actually help out.
(12:20):
Standing in the mirror, standingin the mirror, standing in the
mirror saying, bit you, my boo.
Exactly.
Sure.
What?
That ain't gonna ever happen.
We might as well break her rightnow, Potton.
Right, right, right.
(12:40):
Singer, tell me a little bitabout your music because I know
you sang for me.
I want everybody to know she hasa beautiful, beautiful voice.
I want to say she sung Selena tome over the phone.
Was it Selena?
Was it Selena?
Okay.
So tell me a little bit aboutthe music.
Well, uh, I've been singingsince I was a little girl.
(13:04):
Like I said, sitting up watchingmy mom and dad sing and being
that little girl sitting on thefront row.
And so um, my first Tylena songin the choir, I was six years
old.
Then I got in the school choir,and in the ninth grade, I end up
being the first freshman to getinto this group that traveled
(13:26):
and uh competed with the choir.
You know, six six girls thatthey choose at the choir to
travel and compete.
So I'm the first freshman ofthat school, Hollis Friends High
School, to get in that um choir.
And this is just something Ialways wanted to do.
Like I said, inspired by my momand dad and people in my family
(13:47):
and stuff, my granddad, and youknow, just yeah.
You have any any projects out?
Have you released any projects?
No, but I actually performed.
I have let here stuff, but thenI pulled it back.
Like the Super Woman NightToday, I um put it on YouTube.
Just I wanted to hear people'sreaction to it.
(14:10):
So it was people sharing itsaying new best art and that,
you know, and all this stuff,but I knew I recorded it myself.
So it wasn't professionalbecause I'm not a producer, I
just knew to get it recorded.
That I put it in and I justwanted to hear the responses and
stuff, and it was awesomeresponses, radio stations will
(14:31):
send me up on play it, but Iactually want my stuff
professionally done.
But I do have music that Iperform, so I do open up for
celebrities.
I you know, I have you open forhi.
Who have you opened for?
Uh Denise LaSalle.
Um, I opened, well, actually, Igot stage plays where my song,
(14:54):
my gospel song was the themesong for stage plays twice.
Uh singing, Tony Terry, otherpeople that was, you know,
performing and stuff, but it'sgood that, you know, I'm honored
that my song was the theme song.
And like I said, that's been twodifferent topics.
(15:14):
And I got an RB song for umthat's on the soundtrack of a
movie, and I'm the lead ex inthat.
Uh it's a lot, it's a lot.
Um you already moved into mynext question.
Because I when you meant youmentioned that you were an
actress too.
(15:35):
So I know that you mentioned tome earlier some of the roles
that you have played in, but letpeople know some of the roles
that you played in.
Well, I've been on Hell onEarth.
I'm the lead actress in that.
I'm actually an assassin and GWarrior.
So that I'm the police.
(15:56):
Uh I'm a police officer on thehave and have not.
Um police officer multiple timeson uh Black Lightning.
Um I'm a correctional officer inanother project I can't mention
right now, but it's uh like amajor project, uh kind of like
on the level of Black Lightningand all that stuff.
(16:18):
It's here, you know.
So just it's not out, I can'tmention it right now.
And um I'm actually a choirsinger for another big project
that getting ready to come out.
I can't mention it.
Okay.
Because the virus shut down awhole bunch of stuff that was
(16:39):
going on.
Right.
So I'm in making major projectsthat I cannot mention their
name, you know, because of thecontracts and stuff, but you
know, so just be looking at me.
So out of all the roles that youhave played, what has been your
favorite?
(17:01):
Um police officer.
Well, a lot of people calling mefor the police roles and stuff.
Because they say I've beenlooking like, you know, uh one
of my other friends, he calledme for um a detective role.
Well, I'm actually over thedetectives.
(17:21):
I'm getting ready to shootanother movie where uh actually
Selena Johnson Mug is supposedto play my mother.
Okay.
Um is playing my boss, but I'mlike the female, it's like in a
prison, and I'm the female incharge over the prisons, and so
(17:44):
I'm over all the you know theguards.
Oh, okay.
Okay.
Well so you like playing apolice officer.
What role that you haven'tplayed that you would love to
play that you haven't had thechance to do yet?
(18:05):
Oh, I was getting ready to sayit, but then I don't know if I
should say it because it's gonnabe a triple.
Is that what it is?
Uh uh.
Hey, actually, in a movie thatthat's gonna come out, it is
like um uh Snoop from uh Loveand Hip Hop, um Mama Jones.
(18:28):
It's a lot of folks in thismovie, but I'm playing the
female that's over the stripersin the strip club.
So I'm like them.
You're playing the madam.
I heard that.
I heard that now from a previousconversation that we've had, you
told me that you start writingearly in life.
(18:51):
So what are some of your earlyprojects that you still have
from that time that you have notreleased yet that you plan on
releasing?
Oh, talking about as far assongs, as far as anything that
you have ever done.
You know how they redosomebody's song and stuff?
(19:15):
Um well when I was younger, whenI first started writing raps and
songs and stuff, L hit that Ineed love, and I actually
rewrote it.
You got the female version to Ineed love, yeah, yeah.
It's kind of different, but Iwas going by that that beat and
(19:36):
that feel, you know.
And we work for a record label,right?
Yeah, so it's a lot of folksthat yeah, yeah.
Yeah, definitely.
So so so are we gonna be lookingat some some some future
projects and music now?
Oh yes, definitely, because wecan ready to work on my music.
(20:01):
Um manager, he's on point.
Because you know we gotta uhhave the right person with us
because sometimes managers whenyou're doing a lot of things,
and I'm gonna say likemulti-talent and different
actions.
SPEAKER_00 (20:17):
This is Marlett with Classic Glam by Marlette.
Well, classic never goes out ofstyle.
We're based here in Palm Bluff,Arkansas, but you can reach us
on our website atclassicglamgirl.com or Facebook
and Instagram at Classic Glam byMarlette.
SPEAKER_01 (20:34):
Angles and stuff.
You need a manager that can keepup with you or know how to place
people to where this person isgonna take care of this, this
person is gonna take care ofthat, and we're good, you know,
we all working as a team to makesure that all angles is okay.
Um, I have had inexperiencedmanagers funds, what I'm trying
(20:59):
to do, because they was used tosimplify and just dealing with
one thing.
So I had So you have to findmanagement that thinks on your
level.
Exactly.
So talking to him, it was likebouncing ideas off each other's
head and stuff, and he was like,So I'm like, okay, since you're
(21:20):
gonna have me do this thing, whynot be my manager?
I need somebody like you thatthink like me, you know what I'm
saying, and can keep up withwhat I'm doing because he's just
as hyper as I am.
Tell me about the personality,Miss Sip, and how is Miss Sip
(21:41):
separate from Rosita?
Well, actually, you always getMiss Sip.
You never turn off Miss Sip.
I am Miss Sip.
The thing is, I didn't just pickthat name for the radio.
(22:01):
That's what people have beencalling me like for years.
You know, uh, I'm fromMississippi, you know what I'm
saying?
So Mississippi, I'm fromArkansas.
Um, when I moved to Memphis at19, the people in Memphis, they
was like, What's up, Miss Sip?
(22:23):
What's up, Miss Sip?
You know, and then I'm fromMississippi.
Okay, I get you.
SPEAKER_00 (22:29):
Exactly.
SPEAKER_01 (22:30):
All right, but Miss Sipp.
I'm so slow today.
I got you, Mim.
So tell me about the actualsiphone radio.
What do you do there?
I mean, how what what type ofpeople do you have on?
I mean, what do you do there?
(22:51):
Symphon radio, I I like I willplay any type of music.
But everybody knows I like souland blues and stuff.
I like gospel soul blues.
For the most part, on the show Iplay like old school, legendary,
soul and blues.
Um, but you know, I have a uhrap artist that's a guest and
(23:14):
stuff.
I play their music.
I throw something in thereaccording to the topic, and then
you know, throw the song inthere that fits the topic and
stuff.
But for the most part, I like myold school.
And um, I interviewed like likeum one guy, Robbie Wells.
I interviewed him.
He was uh presidentialcandidate.
(23:35):
Um I interviewed congressmen,um, Hall of Famers, Walk of
Famers, Wall of Famers, MultiPlanum Grammy Award winners, and
I also went interviewedUpcoming, you know, as well.
And I do the same thing for myreality show as well.
So that's what I was gonna getinto next.
I want you to tell us about thereality show.
(23:57):
And I know that you said thatthe radio station came after the
reality show.
So, what made you make atransition?
Not a transition, I would say umexpand your platform to radio.
Okay, well, like I said, as alittle girl, I always wanted to
(24:18):
do radio anyway.
That was one thing I knew thatit the thing is, I had a list
when I was younger of my goals,everything that I wanted to do.
You know, and uh so thateverything that I'm doing is a
part of that list.
You know, uh it's like settingthe goal reaching it, setting a
(24:39):
higher one, reaching that.
And me getting in the industry,I realized how important it was
to accomplish everything thatwas on that list.
Because everything is oneumbrella, if you really look at
it, you know, because I knowthat like me uh managing
artists, me uh as a performer,me as an artist, and what better
(25:06):
way than have my own radio shop?
Yeah, that's true too.
You see what I'm saying?
Uh being into television, uh, Iwent by the radio, I mean the
television station multipletimes for years, trying to get
somebody to help me for it likeuh producing my television
shows.
Uh couldn't get nobody to do itbecause everybody too busy.
(25:30):
You know what I'm saying?
The uh producer was too busy.
So guess what I did?
Get got certified to be atelevision producer.
Now I work at the state, I canproduce my own shows as well as
help other people that's tryingto produce shows.
So my dad always taught methere's a will, there's a way.
So what you do is learn how tocut out the middleman that's
(25:53):
trying to stop and block youfrom achieving certain things
and learn how to get it doneyourself.
That's what I always say.
So if you don't want to do it ordon't have time to do it, but I
can supervise the hell out ofyou, on it.
Exactly.
Right.
So if I know if I got youputting in a shower and I know
(26:15):
that you need to be puttingthese kinds of screws and using
those kinds of screws, I'm like,hey, hey, hey, hey, hey, hey.
Exactly.
And see, I don't just want to doa few things and stuff.
My point, I want to build anempire.
And so me learning everything isit's just like me working on a
job, a corporate job.
(26:36):
I was always supervisor andmanager and uh lead on jobs and
stuff ever since I was 16 yearsold.
And I was the person, and plus Iwas the safety manager in the
part of trainer, you know, theperson that certified people.
You just do it all, you just doit all.
So what I would do was Irealized that a lot of people
(27:00):
get comfortable on the jobs andand they feel as though that,
you know, well, they hide andstuff, and they just there.
There's a lot of people on theassembly lines that's very hard
workers and need to be onanother level, but don't get to
the next level.
Well, I was that person thatsince I was in a position to
(27:21):
choose who I want to work on myteam because I'm running my own
department, then why not watchthe people that's doing a good
job and dedicated and on timeand working hard every single
day?
I'm gonna tap them on theirshoulder and say, Hey, you want
to learn how to drive aforklift?
You know, uh, you want to be ininventory?
(27:43):
Because most of the time I'm aninventory specialist, so I'm
running the inventorydepartment.
You know, uh, I'm gonna teachyou how to drive the forklift,
you know.
And I give them in my departmentand stuff, so giving them people
that you see have potential, youwant to give them advancement
within the power that you have.
Because some people try to keepother people down because that
(28:04):
makes them feel up exactly,exactly.
And I like to cross-train too.
So I'm one of those people thatwill start somebody off that
don't know how to do anythingand teach them everything.
What do you think about themessage that's being sent out to
(28:30):
the world about women in music,particularly hip hop?
About what in music women, howwomen are portrayed in music.
What do you think about that?
Well, the thing is, for the mostpart, they're not really uh uh
well, some people are beingguided to do certain things and
(28:51):
stuff, but um it is what it is,you know what I'm saying?
That is what I Well I I I say itlike that because I would say
when I was coming up, the thewomen were clean Latifa, MC
Light, uh Lauren Hill.
I mean, I just I mean, there Iknow that talent evolves, time
(29:18):
evolves, clothes evolve, andeverything, but I mean, I don't
think that the respect isevolving.
So, I mean, even like with olderpeople, young when I was in
school, we learned that olderpeople were to be respected,
that you uh revere them.
You know what I'm saying?
(29:39):
They're special to the society.
But it's like these days it'snot the same respect anymore.
And I don't think it's the samerespect as far as in the music
either.
So what do you think about that?
Well, it's a lot of things thatthey're doing now that they did.
(30:00):
Back in the day, it's just uh wegot social media is seeing so
much of the stuff.
Yeah, I know the drugs andeverything.
The drugs has always been there.
I mean, they just it's just anew drug of choice now.
Exactly.
But I know it's we're talkingabout the women and how they're
dressing and stuff like that.
(30:21):
No, no, no, not how the womenare dressing, how are they being
portrayed?
So, say for instance, you listento a song, and I'm not gonna say
what artist it is, but he waslike, Yeah, you know, the
beautiful and the light-skinnedgirl with the such and such and
such.
And that was the way that hedescribed it in the video, and I
don't think that he meant anyharm by it, but basically,
(30:42):
you're you know, it's already astigmatism with dark-skinned
women.
So I'm just saying that as awhole, how do you think that
it's being portrayed?
And that's what I was saying.
That the same thing that isgoing on now with back then,
(31:02):
it's just more social media towhereas we're seeing it.
You see what I'm saying?
Even more.
Um, the songs that they did backin the day, if you listen to a
lot of songs, the women wasnasty.
You listen to them blues, girl,you be listening to them.
(31:24):
I listen to blues.
And some women saying that somestuff, you'll be like, oh my
god, if you could tell thatwoman sounds like she's about 50
something.
You know what I'm saying?
So, where's that 50 to have a13, 14, 20-something kid back in
the day?
Okay, like the song standing.
I'm gonna leave it in thecloset, I'm gonna leave it in
the closet.
You see what I'm saying?
(31:45):
Like that song stand up in it.
See, the thing is, they're usingcertain words now that they
didn't use back then.
Back in the day, they weresaying the same thing they
really saying right now in a lotof ways, but it's the way they
worded it.
(32:07):
Now it's the B word, the the W,the the, you know, the you know.
But that's what I'm saying.
The way that they worded it wasmore respectful.
You had to sit down and thinkabout what they were saying.
They wasn't just blatantly putit out there the way that they
do it now.
I had an interview with anartist, and he was like, Well, I
think it's acceptable becausethat's what sales.
(32:30):
But the same thing, like I said,it's the same thing.
It wasn't more respectable, itwas just that.
It was chemical, it waschemical.
We even went out like that.
We didn't have, I didn't get abeep until I was 14, 13, 14.
Did you say a beeper?
(32:50):
Did you say a beeper?
Oh, you know, we didn't havecell phones.
We started off with the beepers.
You get what I'm saying?
I had a cell phone, but I didn'tuse it.
Look, I had a cell, I had a cellphone.
I just didn't use it because itwas the big block phone, and you
only got like 30 minutes of use,and you could do after nine, and
(33:13):
then the and maybe the weekendif you pay the extra$50 and all
that.
So I had a cell phone, just tosay I had a cell phone, but I
used my house phone.
I had one later, but in 13, 14,just turning 14, I had a beeper.
You see what I'm saying?
So therefore, we I couldn't geta beeper until I got older
(33:36):
because my mama thought thatbeepers was for drug dealers.
My mama was a missionary.
And see, but see, at the sametime, at 12 years old, I had a
computer.
A lot of my friends didn't havecomputers.
My dad brought me and mybrothers a computer.
I was 12.
You know, a lot of kids in theneighborhood didn't have
(33:59):
computers and stuff.
There's a lot of kids in theneighborhood don't have
computers now because that's theissue that's going on with this
with the school stuff, and theydoing like partial days at home,
and and then what they did was,and I don't mean to cut you off,
but what they did was gavecomputers to the kids that
didn't have them at home.
(34:20):
Not thinking about if you don'thave a computer at home, then
you probably let probably don'thave Wi-Fi either.
These are the four kids.
Yeah, I'm not even gonna ask youabout the educational system.
We're just gonna leave all ofthat in the closet.
(34:41):
Because um let's just not, let'sjust go back to the music,
honey.
So tell me, is there anythingelse that you want anybody to
know about Miss Sip?
Any new projects that Miss Sipcan talk about?
Where you can find Miss Sip onsocial media, how does she
(35:02):
follow you, how to follow you,anything, Miss Sip.
Well, you can Google me.
No, just like Google.
We can Google you.
No, I'm on Facebook, Instagram,LinkedIn, Twitter, everything.
Rosita Cooper, R-O-S-I-T-A, C OO P-E-R-R, uh, M, Kevin M, Small
(35:29):
Z, period.
S-S-I-P-P.
That's Miss Simps, simple onradio.
Living your dreams to Rosita.
So if you just look up thosethings, Rosita Cooper.
I'm I'm basically on a lot ofsocial media sites and stuff.
I try to make myself availableon different sites, meet
different people, and basicallyartists, that's what you need to
(35:53):
do.
Uh network, network, network.
Um, wherever you get it.
Yeah, she be everywhere too.
If you just look at herInstagram page, when I say this
lady is everywhere, this lady beeverywhere.
Even with COVID.
With the mask on, with the maskon.
Living your dreams and Rosinamask.
(36:16):
Yeah, I like talking to Ms.
Cooper because when you talk toMiss Cooper, you always leave
the conversation with more thanyou came in with.
That's the reason why I reallyenjoy talking to her.
She is really an extraordinaryperson.
And if you don't follow her,follow her.
You y'all heard that.
(36:38):
Follow me.
All right, thank you for coming.
I love talking to you.
Um it's been awesome, and thisis an awesome lady right here.
Like I said, I don't do too manyinterviews at all.
I got like a lot of people.
But we interview on the phoneall the time.
(36:59):
I know.
I tell my certain people, ifpeople that know me know I love
business and stuff, but for us,people that I consider as a
friend, and people that Iactually talk to besides the
business, is very few.
Uh right, because you can'ttrust people.
Yeah, she's one of those peoplethat actually would talk to, and
(37:22):
we can talk for hours, laughing,talking, business.
And I be laughing too.
But I thank you for coming.
I really, really do.
I enjoyed it, and I look to hopeto look to see you in some stuff
that you couldn't tell us about,but we're gonna be looking out
for it.
Thank you.
(37:42):
Thank you so much.
I appreciate you having me.
All right, I really appreciateit, sir.
All right, bye-bye.
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