In this episode of Music Is My Business, Clint shares wins from the Sync Producer Hub community and answers live viewer questions about managing workload, following up with libraries, breaking through creative blocks, and the role of AI in sync licensing. He also discusses building a consistent track output system, pitching effectively, and staying top-of-mind with publishers.
If you’re working to grow your catalog, maintain industry relationships, and adapt to changes in the sync world, this episode is packed with insights you can use.
- Tips for turning down work while maintaining relationships
- How to handle a library that goes radio silent when and how to follow up
- Logic Pro project file sizes vs. Ableton why they differ and how to manage space
- How many tracks to send to increase your chances with a library
- Do production libraries plan to use more AI music and phase out human producers?
- Have you had overlaps on SoundExchange with publishers?
- Does signing a Schedule A with a library like Tune Edge usually lead to placements?
- How to break writer’s block as a producer
- If I’m emailing five libraries a day, when should I slow down outreach?
- Licensing tracks before sending them to a library how it works
- Are there staff producer opportunities for someone proficient in Logic Pro?
Join Sync Producer Hub – https://www.syncproducerhub.com
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