Girl, You Know It's Fado: Milli Vanilli, Live Vocals, and Rough Riders

Kevin and Corey are back for Part Two with hosts Sean and Todd, diving into the hilariously chaotic world of music and pop culture. This episode is all about the wild ride of Milli Vanilli and the shady practices behind their rise and fall in the music industry. We explore how image sometimes trumps talent, and the absurdity of a world where looks can get you further than your vocal cords. With plenty of laughs, playful banter, and even a few jabs at the music biz, we cover everything from the duo’s lip-syncing scandal to the surprising cultural expectations in Portugal’s music scene. So grab your headphones, kick back, and join us for a fun-filled discussion that promises to keep you entertained and maybe even a little enlightened!

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Takeaways:

• In this episode, we dive deep into the Milli Vanilli scandal and how their story reflects the music industry's obsession with image over talent.
• The hosts share hilarious anecdotes about their personal experiences with karaoke, emphasizing the wild and unpredictable nature of live performances.
• We discuss the cultural differences in music performances, especially how Portugal's fado tradition demands live singing, contrasting with modern pop's reliance on backing tracks.
• There's a lighthearted debate about the impact of AI on music today and whether listeners truly care about who the artist is anymore.

Episode Transcript

(00:00):
Listen to the Sean.
Sean and Geek.
Sean, Geek and Crash podcast.
Yeah, you got it, folks.
It's me again with a littleaptitude for all you out here in
white bread land.
Let's see, we're on 92fm andit feels like a nice, clean little
band so far.
No one else is using it.

(00:21):
The price is right.
Don't you find you Crusty Dave?
This is bigger than friendship.
This is what you call cousin.
And the Buddhist is called,let me see.
Reincarnation.
Musi Mushi.

(00:43):
Hey, wait a minute.
Since when is Pismo beachinside a cave, I wonder.
You know, I just think weshould have turned left at Albuquerque
and then maybe a right turn atLa Jola.
Hmm?

(01:08):
Shush.
Hush, please.
Are we talking about how muchAnne Marie sucks?
We haven't done that yet.
No, we haven't covered that yet.
Okay, she sucks hands.
A pass or go, Anne Marie.
I gotta apologize in advance,Sean, because I had to mention Anne
Marie on a podcast that hasn'tdropped yet, but me and Scott Haskett

(01:28):
are doing a WKRP rewatchpodcast called as God Is My Witness.
And one of the segments on theshow is, we revisit what the number
one song in the nation waswhen the show aired.
And we just did episode seven,the Thanksgiving turkey episode.
And the number one song inAmerica was you Needed Me by Anne
Marie.
She had a number one in the.
U.S. oh, yeah, she did several.

(01:50):
Really?
Yeah.
Can you believe it?
It's unbelievable.
She.
She's the first crossover.
She was.
Wait, She a first crossover?
Canadian, Right?
It was Guess who after her.
Right?
She's just boring.
That's true.
Yeah.
Just like, why am I listeningto this?
I would rather hear mom singHouse of the Rising sun with all
the fucking grit and ballsthat she had.

(02:12):
She would just pull it, like,from her toes, like an end.
We need your mom on the phone.
Can she sing that for us?
Because we should.
I think.
I think Mom's hammered by now,isn't she?
She got a Tuesday.
Well, no, our cousin came in,and when the two of them get together,

(02:34):
it's entertaining as hell.
Well, I just read a reportthat 8% of all deaths in Quebec last
year were from assisted dying.
So I'm wondering if AnneMurray's moved to Montreal or something.
I would explain a lot.
I would explain a lot.
Has anyone correlated that?
I don't know.
That's great.
Okay, wait.
All right, let's move on.
We're supposed to go back to the.

(02:55):
One thing I wanted to bring up,.
And I think Kevin and I, maybewe talked about.
I wanted to bring up like thewhole Milli Vanilli thing, right?
Because the Milli Vanillithing back in the day for backing
Drax, I mean, it was the mostegregious, like worst, because.
And here's the bit ofinformation a lot of people don't
know, but the guy behind MilliVanilli was also the guy behind Boney.

(03:19):
Mr.
But in that case, they let thesingers sing in bony m. So it's the
same guy.
And he's the guy who said,look, you guys are ugly as fuck.
We're not gonna put your faceson the album, we're not gonna get
you to tour, but you guyssound good.
So it was Frank Farian's planto bring two good looking guys and

(03:42):
have them lip sync everythingand pay them a lot of money to not
say anything.
But the only bad guy that cameout of this was Millie and Vanilli
or whatever.
Robin Fab or whatever they're called.
Why was Frank Farian themastermind behind all this?
Like, why didn't he get more heat?
Boney, I'm still making tonsof money and it's all him making

(04:04):
the money.
Like he's the mastermindbehind it all.
He's the Machiavellianwhatever guy.
Maybe he's not the Face though.
No one knows his name.
Yeah, I'd never heard of hisname until you said it.
Mindy Vanilli is them to.
They're in the videos.
They're the ones singing.
They're the ones who got in trouble.
When they threatened to go public.

(04:24):
Frank Ferrian forced them not to.
He said, no, you're gonna bein breach of contract.
We signed a contract.
They, after a while it's like,well, we should.
This is wrong, we can't do this.
And he said, nope, you'reunder contract.
So even though they wanted to,and they said, look, on the second
album, we'll sing ourselves now.

(04:45):
Which they did.
And the guy who's still alive,he puts out music today.
Even today, right?
So the thing is, if MilliVanilla had come out now.
Wow, Don is really enjoying.
Someone's having a party.
Yeah, well, you can hear that,can you?
She had the boyfriend overbecause Todd's in the basement podcasting.

(05:09):
Don't worry, he'll be downthere for hours.
So if they came out now.
So back then it's like, look,you guys can't fucking sing to save
your lives, right?
So they're like, okay, youknow what?
We get someone else Singing.
If it had been approacheddifferently, they said, look, we
need two looking guys.
We had Boney M, three hotpeople, Disco Arrow.

(05:32):
Boney M goes bonkers.
The three really attractivepeople, right?
The two ladies and the guy.
Three very attractive people.
Appeal to the disco crowd,appeal to the straight crowd, appeal
to the, you know, to the, tothe gay crowd.
They appealed to everyone.
It was a perfect fit and theycould sing perfect.
I want to do something else.

(05:52):
What are we going to do?
He writes, you know, he putsthe music together, puts the album
out, puts everything togetherand goes, I can't sell this.
The image is not there.
So he hires the two guys, putsMilli Vanilli together.
But do you think now, if itwas done now, he would have brought
the good looking people infirst, used auto tune?

(06:14):
There's a million things in studio.
Like half the singers nowadaysdon't need to hold the tune.
Do you think if he'd done itthat way and they came out and they're
playing the backing tracks ala Dua Lipa and everyone else, do
you think it would have gonedown in a different way?
Well, what was the.
So what's the background?
So he had this, the original slot.

(06:34):
The actual singers, were theyactually a touring act or did he.
Did he put together.
Did he make minimalism?
They were studio people that they.
Okay, so basically, right, sohe just.
He wanted two voices for thislatest quote unquote project.
Right.
My guess is he probably neverintended on.
He just wanted the two bestvoices and the two best looking people.
Let's see if we can sell thisand makes it.

(06:56):
Let's see if we can make itwork would be my guess.
He made a fortune off Bony M.So he was trying to.
Okay, what am I going to do now?
Fortune off Milli Vanilli.
They were big, right?
I mean, yeah.
So when the tour started, wasit just a matter of putting the backing
tracks in when they're playinglive in a.
In an arena?
Yeah, it was all back andeveryone, everyone knew about it

(07:17):
except for the audience, obviously.
I remember I watched adocumentary on Milli Vinili and there
was one time where the guyeither triggered the wrong song or
the song skipped or somethingand they had to try and cover it
up in the performance.
Like that happens all the timewhen you're, when you're miming,
when you're Jon Bon Jovi,you're trying to pass it off.
Or when you're Vince Neil andyou forget to sing but the vocals
happening like, yeah, this iswhy we just came out and said, hey,

(07:40):
guess what I'm miming to.
You know, spend your money wisely.
The people will go, okay.
If it really bugged you, youwouldn't go.
If you didn't care, you'dprobably still go.
Nowadays, doesn't matter.
Like, the matter.
Yeah.
Jessica Simpson.
Same thing.
She.
She lip synced when she wason, what, Saturday Night Live.
Or I think that was her sister.
Not Jessica was the other one.
Ashley.
Ashley.
And the.
The tracks didn't line up, andthen she just started doing a hoedown.

(08:02):
Yeah.
Stage.
Yeah, yeah.
And then she was like, forever back.
I'm out of here.
Saturday Night Live.
Because you have to play liveon Saturday Live.
So, like, do you think MillieVanilli now, do you think the approach
would have been different?
And do you think people wouldhave give, like, even cared?
Well, I mean, the tolerancehas changed because, I mean, if you've
got AI stuff hitting thecharts now, right?

(08:24):
And that's going to.
It's going to keep happeninguntil someone regulates that.
But.
So in a Tik Tok generation,does anyone actually really care
who the artist even is?
In some cases, if it's just, I.
Don't know, not even listeningto the full song.
Right.
They're listening to their32nd Tik Tok and then moving on.
There she goes, you know.
Oh, good song.

(08:45):
That's not Milli Vanilli.
That's a different.
That was from.
So I Married an Axe Murder.
Yes.
Yeah.
I love that movie.
The Laws.
I think it is, isn't it?
I'm not really.
I can't remember now.
Yeah, the Laws.
So I, I just, I. I just thinkit's interesting because those, they
were hated so bad that, youknow, the one guy killed himself

(09:06):
was like, I can't go anywherewithout, like.
Oh, did he really?
Oh, yeah, yeah.
He just couldn't.
Oh, wow.
He tried to make a go at it.
Like, I'm going to become a singer.
I'm.
They both went for vocal,like, vocal lessons.
They're both trying to dosomething like, they're trying to
solve their career issues andno one's letting them.
And it's like, but what aboutFrank Farion, the guy who made the

(09:31):
contracts that prevented them from.
Like, these two guys weredestitute and had no money.
Here, I'm gonna pay you guys amillion dollars to do this.
And you don't have a roof overyour head.
You don't have, like, you'restarving and you get offered this,
of course you're gonna do it.
And they're the bad guys.

(09:53):
I think the bad guys.
The way it's painted is just wrong.
Frank Ferrian had a PR firm tohelp him.
Millie and Vanilli had no one.
Yeah.
Disgusting.
So the reason this whole topiccame up.
So I was at the in laws placeand I had Artepe on, which is their.
The Portuguese channel, right?

(10:14):
And in Portugal, they havesomething called festas.
So they're basically festivalsthat run in every city.
Every city has one at somepoint with, I think, the month of
July and August.
So it's kind of like atraveling festival.
And then they set up like aconcert stage.
There's food, there's lots ofseats, lots of.
There's lots of music, there'sfireworks, a whole bunch of things,

(10:35):
right?
And it literally hits everysingle town, village, like through
the whole of Portugal, right?
And they televise, likethrough July and August, they televise
all these things.
So you get to see, you know,they'll show like 15 minutes in Porto,
another 15 minutes here,another, you know, and show all this
stuff.
And all of the performers thatperform at these events, everything

(10:57):
is backing track, everything is.
There's no live instruments,there is no.
The singer doesn't sing.
It's all.
And so I'm like, well, that'sreally odd.
I thought it was strange.
So I did a deep dive into it.
And it's because of television.
So they have all their morningshows, and the morning shows are

(11:19):
going to report from everysingle festa that's going on through
Portugal.
And the bits have to be concise.
You have 3 minutes and 22seconds for this bit with this singer.
And it has to be.
You can't have the persondeciding to sing an extra verse or
whatever.
Like, everything has to besuper, super, super tight.

(11:40):
So it's expected within thePortuguese in Portugal that that's.
None of this stuff is evergoing to be live.
And we don't want it to belive because we all have a schedule
to keep.
So none of these svestas havelive bands.
None of them.
Not a single one.
But I thought that was odd.
So then I was watching aseries of these and sometimes it's

(12:03):
like, okay, well, you can heara bass, you can hear keyboard, and
you can hear a mandolin, andthen you can hear like an accordion,
right?
But there's only two musicianson stage, like all the time, right?
It's like, well, we couldn'tafford to pay the guy to come here.
And, you know, he's on Zoom, right?
And so all the time.
And I was like watching these,going, like, what?
But these.

(12:24):
They sound so talented.
I'd love to see what theysound like live.
And then all of a suddensomebody comes on.
They're out there with a pianoand they're playing this beautiful
classical piece.
Just beautiful.
And I'm watching the fingers.
It's like, no, this person's playing.
This is not mimed.
And I thought, well, that's odd.
Why does this piano player getto get away with it and play live

(12:46):
like, when no one else is?
They're not actually allowed to.
So then I looked into it a bitfurther and there's a style of music
in Portugal called fado.
You guys familiar with fado?
So it's basically.
It's the equivalent of.
It's not opera music, but interms of class, it's the same level

(13:07):
as opera down there.
So it's usually a singer withan amazing range.
Sounds like fantastic.
And it's usually minimal instrumentation.
It's usually maybe three,maybe four other instruments.
You'll get like a guitar, butthen you'll get like a really short

(13:28):
guitar of some kind.
Like something that.
Unique to Portugal or something.
It won't be a mandolin, butit'll be like something, some other
weird thing, like almost likea lute or whatever.
And then you have anotherperson with another stringed instrument.
And then you have someone whomight be playing like a hand drummer
or whatever.
Now, that music is always live.
And what.
Everything I looked up said,if this was ever not performed live

(13:50):
or ever performed without abacking track, that person would
be ran out of the industry.
So for some reason the fadohas to be live, cannot have backing
track under any circumstance.
But the pop is fine.
Yeah.
I wonder if that's, like yousaid, if that's getting broadcast
live, because I know the SuperBowl, Corey.

(14:12):
Right.
I think they have.
That's all their preference.
Their preference is that it'spre recorded because then at least
they know there's technical issues.
We've still got a show.
Yeah, right.
We can still blare everything.
And I'm sure that, you know,even the live bands they might have
now, they might have backingtracks that'll come in just in case
everything cuts out.
So they can for thebroadcaster, they don't lose out
all the advertising dollars.

(14:32):
Right.
So I wonder if that plays intoit with like.
Well, with the pop acts,there's more variables in there.
Maybe with this, this fado,maybe just culturally there's more
tolerance for something going wrong.
Or maybe, I don't know, it's.
But I wonder if that playsinto it, that sort of.
That reliability of the.
Of the actual performancewe've got.
Because like you said, we'vegot three and a half minutes.

(14:52):
We know it's in the can, weknow it's solid.
Go out there and dance.
We're good.
Yeah.
I'm curious.
The bands where something goeswrong, like Metallica at the Grammys,
they're the bands that, oh,no, we're going to play live.
We're not doing any of thisbacking shit.
And then they forget to turnJames Mike on for the first chorus
of the song.
I think the only artist inrecent memory that actually told

(15:13):
the Super Bowl, I either playlive or nothing, and I'm not recording
a backup is Bruce Springsteen.
Didn't.
Prince did too, didn't he?
Prince did.
Petty and the Heartbreakers did.
There's been a bunch theyplayed live, but I think they also
recorded safety tracks andbackups just in case.
Because now, like, the.
You do a lot of, like, livestuff, right, Corey?
Like, a lot of, like, you dothe telethons and stuff.

(15:34):
Yep.
So.
One thing that I was told.
So I was talking to a bunch ofPortuguese people about this weird
phenomena, that nothing'sallowed to be alive unless it's fado.
And he said, well, why wouldyou want it to be live?
And I'm like, well, whywouldn't I want it to be live?
So then he explained, look, doyou know how big these stadiums are?
They're fucking massive.

(15:55):
So when someone is, you know,hitting the strings on the stage,
and then, you know, it's100,000 people or whatever, the person
at the back, there's a delayon the sound.
Like you're.
They're not.
The sound travels and ittravels slowly.
Right.
So when in these big venues,he said, why would you want.
Like, the sound doesn't travelat the same velocities, so maybe

(16:17):
the bass and the drums aren'tgoing to be synced up.
You're going to get, like,fucked up audio.
No.
Do they not have.
They have delay towers in stadiums?
Yeah.
That's why you see thosetowers going on.
Yeah.
Delay towers so that when you want.
You're watching the video onthe screen and you're way in the
back, like I'm gonnaexperience in a few weeks at Foo
Fighters.
I'm still.
It's.
Everything's gonna be synced perfectly.
Case.
They have delay towers.

(16:38):
Okay.
So that delays some of the signals.
All of the signals.
How does it work?
Yeah, yeah.
It's taking that main mix feedand it's just delaying it.
However far between.
However many feet the delaytowers are between each other.
So.
So that guy in the very, veryback of the stadium is watching Dave
Grohl singing, and his voiceis perfectly matched.
But like you said, if it wasjust coming through the shit that

(16:59):
was on stage, the ampsonspeakers, there'd be a. Yeah, there'd
be a massive delay.
So is there these big delay towers?
Are the delay towers?
Are they like speakers?
Yeah, so.
Okay, okay, that.
Okay, that.
So the argument to me was,we're not going to fuck up a football
game just for some musician.

(17:20):
A soccer game.
Sorry.
Like, there wouldn't be delaytowers for a soccer game.
Right.
Because soccer.
Football.
Well, soccer.
He was very clear.
What did Todd call it?
Todd has a new name for it.
We will Wobble Wobble in America.
It's called Weeble Wobble Ball.
Because they don't have anoriginal thought in their fucking

(17:40):
heads that they can't come upwith a name for their own fucking
sport.
No, we're just going to borrowfrom over there.
Sorry.
I was like the Rough Riders.
Well, if you want me to talk.
About our rough Fighters came first.
Ottawa stole our name.
You want context on that?
It's called football.
Not because it was kicked withthe foot.
Because it was played on footrather than on horseback.

(18:02):
Yes, yes.
So, you know, and it wasassociation football, rugby football.
There's many different typesof football.
So people who've got to stickup their ass about it just need to
calm down.
Call it whatever you like.
As long as everything diveball, fine, it's dive ball.
Because you watch, very wellpaid millionaires dropped to the
ground like they were shot bya sniper because they got kicked
in a shoelace.
Okay, Corey, I'm bored.

(18:23):
Can I log off?
This is.
This is the thing my daughter said.
She goes, how come when Iwatch the women play, none of that
stuff happens?
Yeah, they're tougher.
They're better.
Women are better.
More integrity.
We have more integrity.
Yeah, when you got to push abowling ball out of your body, you
can.
You can take a little bit of,you know, abuse.

(18:43):
He almost touched me.
I'm going to fall down.
I pressed a bowling ball, motherfucker.
Okay, Corey, you got to tellme, do you know the history on the
Rough Rider name?
Why one province, you know,took it and then another province
went, what should we call ourselves?

(19:04):
The Rough Riders?
Well, that one's already taken.
So.
I used to know.
I used to know the entire story.
But yeah, Ottawa's was a roughRiders with a space in between.
And it was.
It wasn't their football team,it was their rugby team.
And then Saskatchewan changedtheir rugby team.
They were the Rough Riders altogether.
And Ottawa was a differentname for the football team.

(19:26):
Then they decided to co opRough Riders with a space in between.
And they said, saskatchewan,you should change.
Saskatchewan said, no, we were first.
Go fuck yourselves.
So we ended up with two teams.
For the longest time, I namedRough Riders.
And then Ottawa said, okay,we'll just change our name to the
worst possible football namein the history of the planet.
We'll call ourselves the RedBlacks because they're lazy.
Name.

(19:47):
Yeah, they're predominantlyblack and white with a little bit
of.
A little tinge of red everyonce in a while, but they're the
Red Blacks.
So back in the day, did theyplay each other?
Oh, yeah.
When they're both in theCanadian Football League.
Yeah, it was Rough Ridersversus Rough Riders.
One had a space, one didn't.
So how did the announcersdifferentiate between the teams when

(20:07):
they were calling the game?
Well, fortunately, Todd, andif you knew your Canadian football
history, you would know thatwhoever covered the CFL usually did
so very poorly.
Currently TSN is currentlybutchering it.
CBC used to butcher it before that.
So it was not done well, butit blended right in because nothing
was done well.
Camera angles, graphics.
A lot of times you'd see likea handheld guy just shooting like

(20:29):
butterflies and they'd cut tothat, like terrible.
It's like 10 year olds when,when they're playing soccer and it's
just, you look over andthey're sitting on the ground playing
with flowers or something.
Then there's that like uncoangle where that guy's just watching
that girl in the crowd and hewon't leave.
There's quite a few of those.
Yeah.
Are we live?
That's the thing, whateveryone observes, right?

(20:49):
There's never any ugly womenat the World cup ever.
You never.
Well, you never see themanyway, right?
They're.
They're in there somewhere.
They're just never, never getany FaceTime.
I just wanted to commendthough, I think that, you know, one
thing that gets overlookedwith the naming of the.
The Rough Riders is, you know,because it was 1940s, 50s.
When did.
When were they formed, Corey?
Oh, it was earlier than that.
Yeah.
Really.
So, I mean to, you know, it'svery progressive to name a big, manly,
masculine football team aftera gay porn franchise.

(21:11):
I think that's, that's pretty co.
I thought that was a gay porn franchise.
At the time.
Is that a rap band?
I don't know.
Rough Riders.
Yeah.
You know what that is?
It was not a Rough Riders orthey changed their name in 1942.
Origin of the name is thenorthwest model, please.
Because of course RCMP depotis in Regina, Saskatchewan.
So that's where they derivetheir name.

(21:32):
So there's actually makes sense.
Regina, the city that rhymeswith fun.
Whereas the Ottawa RoughRiders, they say Their name originated
1898 when a newspaper writerused to describe the team's rough
play drawing a comparison toTeddy Roosevelt's military regiment,

(21:53):
which is just dumb as fuck.
So yeah, we're going to takethe name.
West reference.
Yeah.
Yep.
Teddy Roosevelt.
That people ragging on the CFOand calling it a joke league.
Well, just because you got two.
Two team, second name 80.
Go ahead.

(22:13):
Go ahead, Kevin.
Here's your rant music herefor you.
My favorite joke, I think ofall time.
You ever watched Futurama?
Yeah.
He had a character named Dr. Zoidberg.
He was like this lobster creature.
Yes.
Yeah.
He was gonna fight somebody inhis home planet and now they're in
a stadium.
He said now please rise forthe playing of our national anthem.
And it's that song.

(22:33):
Everyone's got their hand overtheir heart.
Oh, that was great.
That's so funny.
Okay, so let's.
I don't know what time is it?
What time you guys got to record?
At 9, 8:30 or.
I don't know what time is it?
Yeah, 9.
9.
As long as we're done in the next.
I know, half hour.
Corey, you want to be done byabout eight?
All right, can we do.
Can we do another pass or go.

(22:55):
Hell yeah.
Don't show us what it is this time.
No, no, no, no.
Well, I'm just gonna playClose your eyes.
By the way, the, The.
The sax slander is going to continue.
Prick.
Okay, I'm going to play.
I'm going to play a song.
I'm not going to say who itis, but it's related to something
we've talked about in the lasthour and 15 or whatever.

(23:18):
We've covered the whole gamut.
Jeez, that's going toencompasses a lot of potential music.
Okay, you know what?
When I was.
When I. I do.
Okay, maybe I'm just going tohave to play this now.
I got to find it.
When I made that comment aboutthe toilet flushing and then recording
it and then somebody turningit to beat, that's something I actually
did in my Cyberlove project.
So if you listen to cybershopping, there's a moment in there

(23:41):
where it's the flush and it goes.
But then we put it through thekeyboard so you could play different,
like, keys.
Like, different notes of.
Of the flush.
That was.
How come I don't know this?
I never knew this.
You didn't know this?
No.
And just very faintly, ifyou've listened to it too faintly
in the background, you canhear it won't go down again.
Get the puncher.

(24:02):
How do you get the tape measure?
This might be a world record.
Like, you need to stop eatingso much cheese,.
Sam.

(24:46):
It.

(25:14):
Talk about the worst castingcall of all time.
Like, I'm looking for a singerand a dancer for my dance music project.
I'm like, I can do it.
Okay.
And then that was it.
Then I was in.
And she's like, oh, fucking.
What a fucking mess this guy is.
You can't dance at all.

(25:35):
No, I couldn't, but that'swhen I had a lot of hair.
And I was actually kind of ahandsome fella because I see my face
behind the hair.
But black actors put on their cvs.
I can horse ride.
I can definitely horse a sword fight.
I can sword fight.
Yeah, definitely.
Okay, so.
So now you have to put apicture of you with your long hair.
All right.
Yes.

(25:55):
As the.
I got to find portrait forthis podcast.
Pictures of myself because I'mnot the.
I'm not the prettiest man inthe room.
Well, at least take your.
Take your Sean Geek and fastrat logo here and the one that's
two feet smaller.
Put a lot of long hair on itat least.
There you go.
I could just draw, like, witha marker or whatever.
Like, last week, you had the.
You had the saxophone.
Did you guys see this one?
Oh, yeah, right.

(26:15):
The saxophone in the.
Yeah, we can't see because yougot stupid zoom backgrounds on.
Oh, yeah, yeah.
So.
God damn it, Abby.
Own it, Abby.
Abby drew me a poster.
She said, you need this inyour studio.
So she drew a poster of mewith my.
I'll assume it looks great.
Yeah, it looks awesome.
If only I wasn't using zoom.
Okay, so we're gonna play thissong, and, you guys.

(26:39):
It's not in English.
Oh, fuck.
See?
Okay, so can you enjoy?
Can't understand the words.
Not.
Not usually.
Not if it's.
If it's instrumental, I don'tneed lyrics.
But if it's in a foreignlanguage, it's usually.
Yeah, we'll see.
See, I listen to melody.
I could care less about the words.
The words are less importantthan the intent of the well, yeah.
Your kiss.
Fun.

(27:00):
Yeah, like the.
Was it that Icelandic band?
What was the one that raisedto listen to.
It was never words.
It was just all.
Why.
Throw singing?
What the hell were theycalled, Todd?
Something Icelandic.
Something.

(27:20):
I can't.
I'm gonna find it.

(28:24):
Sam.

(28:50):
You.
It's you.

(29:14):
It's you.
It's you.
You were called.
A flute is a pipe.

(29:35):
If what A flute is a pipe.
Okay, here we go.
Flute is the pap.
The pap.
Okay, I'm just gonna randomlypick this.
I, I, I don't know enough, buthere we go.
Here we go.
So professional on this show.
I love it.
I'm just gonna randomly pick a.

(30:17):
Josh.
Is all over this, by the way.
It's got a bit of that feel to it.
Yeah,.
With some Charlotte.

(30:43):
Great.
You saw our plane.
Fantastic.
No backing tracks.
There's your hint.

(31:17):
So are we supposed to beguessing who this is?
Like Esmeralda Gonzalez.
I just want to know.
Like, it's like, this sucks.
Turn it off or.
Wow, this is really good.
It's fine.
It's fine.
I'd never really particularlywant to listen to it again.
Does that.
What does that land?
I'm not sure.
It's the Fantastic four FirstSteps movie.
Oh, Jesus Christ.
Watch the Fox movie again.

(31:39):
Have you, have you been to theForks Kite and Caboodle?
Well, they don't even knowwhat a Forks is.
I know what those words are,in that order.
I'm not sure what it means.
Okay, so I've used a Fork.
It's a store that sells kitesand other stuff.
Yeah.
And when you walk in there,they've got.
At the cash register.
Have you ever gone to a storein the cash register?

(32:00):
I've been to a bunch of CDs.
They've got a bunch of CDs ofpeople that you've never heard of
before.
Yeah.
And it's like pan pipes.
Yeah.
And then they've got like asticker on the one that's currently
playing.
You're like, what are they playing?
So is this place right next tothe missile silo you work at, Todd?
No, no.
One block down.

(32:20):
Missiles are us.
Winnipeg is a strange town.
Yeah.
Nice.
And the guitar was great, but.
Yeah, I don't think I'd rushto put it back on my.
So that, that was some.
That was some fado, Fado typeof music.
In Portugal, she is one of thelargest selling, like.

(32:41):
So, for example, thisparticular Taylor Swift of Fado.
I thought it was Italian.
No, no, it's Portuguese.
I thought it was Jewish.
This song here, thisparticular song is Yiddish.
Plays just on YouTube music.
Wow.
So she's.
She's huge.
Is it current?
Like this is modern?

(33:02):
Yeah.
Oh yeah.
Okay.
I will tell you.
Even though me and my fatherin law barely speak the same language
or any language as the samelanguage, we put a concert on of
this artist.
Her name is Marissa.
He put this on and we watchedthe whole fucking thing.
It was an hour long fado concert.

(33:24):
Neither one of us said afucking thing through the whole thing.
We just sat there and watched it.
And I think we're both like, look.
At Todd, stop fingering that pussy.
Just like, just like a pro.
It's awesome.
He's so disinterested in whatyou're saying right now about your
father in law.
He's fingering that pussy.

(33:45):
Oh my God.
Oh.
Comments Either.
I was engrossed in your story.
So anyway, it was like one of.
The people who can't see.
Yeah, one of those weirdbonding moments between a Canadian
and a Portuguese guy.
I don't speak much Portuguese.
He doesn't speak much English.
But he put this on because Iknow Sean is a musician.

(34:07):
Okay, fine.
Puts it on.
I watch this and I'm like enamored.
The guitar playing.
Three different guitarplayers, one guy.
And each guy kept switchingthe instrument.
Watching this for an hour andwatching the.
A fado concert is like a veryintimate concert.
The lights are low.
This.
Whoops, sorry.
The lights are low.
The stage is small.

(34:28):
Yeah, I know, old man with whatever.
But it was, it was so cool.
And we.
He.
He looked at me, goes, did youlike that?
I said, I really like that.
He goes, good.
She's a very sexy woman andI've been.
I. I actually own some of herstuff in my, in my CD collection.

(34:48):
She is huge in the fadocommunity and if she ever fucking
back and tracked anything, shewould no longer be the best selling.
Like one of the best sellingfado artists in the world.
So that was some fado soPastor Go.
Yeah, pass me.
Yeah.
Just doesn't spin my donutstoo much.

(35:10):
One song.
I'd give it a go.
Yeah, very well done.
But I got to correct you one thing.
Your father in law and youwere sitting there in silence watching
this.
The whole time.
He's thinking his fucking sonin law might won't fucking say a
word.
What the hell.
Say something, prick.
I'm not going to talk first.
You talk first.
What an asshole.
But now he'll pop.
Like I bought him a couple ofCDs because he didn't have any CDs.

(35:33):
So I bought him a couple CDsof Marisa.
And he's like, oh, this is good.
Kiss and say, play this now.
This is a kiss for my land.
The Portuguese, Anne Marie.
Oh, Jesus.
You know, my father in law,you know what he made me do?
He was like.
He was like, oh, Sylvie, yourhusband, he's a drummer and a singer.

(35:56):
Yeah.
I'm going to take advantage.
So he brings me as a.
He brings me to this.
We're in Lac to Bonnie, andthen there's this house.
They're having a big karaokeparty, right?
And I go in, he drags me there.
Sean, come, come, come to this party.
And where are we going?

(36:16):
We go into this party and it'sa karaoke party.
And they're.
It's whatever.
Default Nickelback, whatever.
Everyone's horribly mimingthese horrible bands, right?
Or horrible.
Doing a horrible job on great songs.
And then he's like.
He's just smiling like, youknow, I got a ringer here.
I got a ringer here.
He makes me go up and sing.
Like, I don't want to sing.

(36:37):
Look, these people are havinga good time.
They're all hammered or stoned.
They're singing.
They're having a good timedoing karaoke.
I'm not gonna go and sing up.
I'm not gonna upstage anyone.
I'm not gonna.
I'm just gonna sit.
That's when Sean got up andsang this.
Oh, my God.

(36:57):
So the guy whose house it wasknew who I was.
He'd actually bought my CD and stuff.
He goes, oh, we're gonna gethim to sing at my karaoke party.
And I'm not gonna pay him.
He was all excited, right?
He was all excited.
So he says, can you do theSounds of Silence?
Can go up there and sing the sounds?
I'm like, in hell.
I'm gonna sing Derek.

(37:18):
Derek.
Or David was his fucking name.
David Draiman.
Disturbed.
That shithead from Disturbed.
Oh, not that one.
Not that version.
For fuck's sake, do the real version.
I'm like, fine.
And I was trying my father in law.
I'm trying to, you know, havea good, you know, son in law, father
in law.
Fuck that.
Just get remarried, man.
Fucking hell, no.

(37:40):
So too much work.
I rolled the dice and I. Isang it.
And then they're all like,after that, nobody wanted to do karaoke
anymore.
Good, man.
It was that bad.
You chased them all out of the room.
Oh, my God.
I. I did a good job.
It's not A hard song to sing.
Well, that from Disturbed cando it.
So anybody.
Anybody could do it.

(38:01):
I. I even brought the dog in.
He did a good job, but so Idid that.
And then I was like, oh,fucking hell.
Fucking lack the Bonnie, like,weird stories.
Did I tell you their storywhere I sat in with another band?
So there's a band playing.
I'm gonna tell the storybecause it's my show.
So y' all went down the street.
I could hear a bunch of musicplaying, right?

(38:21):
So there's a big show playingat, like, the big event place, right?
And man, he's like, fuck that guy.
We're gonna go to this party.
I'm like, okay, fine.
So we go to this party andthere's a band playing.
He had.
The guy actually built a stageon the side of his fucking cottage.
And he's got big fuckingMarshall amps and everything.
He's playing a Stratocaster.

(38:42):
And him and the bass player up there.
And he's up there.
Cocaine.
Because he didn't know the words.
And he's singing along.
And I'm like, you got afucking drum set up there?
Nobody's playing.
So, like, I wait through thesong, and no drummers coming up.

(39:02):
I've had like seven or eightdrinks by this point.
So I'm like, you fucking losers.
You got a drum set?
You know, So I just walk up on stage.
They're halfway through, sosong, the Foo Fighters, they playing
Everlong or something.
So I get up on stage and I sitbehind the drum set, grab the sticks,
and I start playing like, hey,this is a private show.

(39:23):
Who the are you playing on?
He's like, follow my lead.
And they're like, oh, it.
Whatever.
And then he's like.
And then, you know, the song ends.
I play half the song and thenI get up, he goes, no, no, sit back
down.
I played the whole fucking night.
And Manny, the whole time, myfather in law's got his arms crossed,

(39:44):
going, that's my son in law.
That's my son in law.
Don't tell anyone else.
I'm ashamed.
I'm just curious, Sean, do youonly ever speak to your father in
law when you're climbing up a mountain?
Because he sounds out ofbreath quite a lot of the time.
Whether you sort of.
Yeah, he is.
How does your father in lawsound, Kevin?
Yeah.
Yeah.
Let's get an impersonation ofyour father in law.

(40:05):
Well, very flat and quitemonotone and quite quiet.
And so when there's a lothappening in the house, I have to
ask him to speak up and thenhe raises his volume to about this
level.
But it's all the same.
Is he, Is he.
He's.
He's Saskatchewan.
Right?
He's like Saskatchewan Saskatchewanian.
From Prince Albert.

(40:25):
Oh, Pops used to work up there.
I used to live up there.
Oh, I'm sorry.
Shit's all.
That's what dad said, right?
Todd Prince Albert, this guest.
Huh?
Saskatchewan.
Saskatchewan.
That was that guy in the movie.
Was it?
Hey, I'm from Saskatchewan by.

(40:46):
Yeah, grown ups.
I think it is.
Yeah, yeah.
One of those.
One of the sons of the movies.
Okay, well now we're, we'regoing to do the gamut.
So Corey, my father in law.
Oh he's awesome.
He's from Ontario and he's anatural storyteller.
But if you're talking about asubject he finds boring, you'll just
break in with something tocreate a whole new topic of conversation.
So you and I could be talkingabout music and out of nowhere he'd

(41:08):
go, you know that Dolly Bartonhad some big breasts.
And then he would break into astory about Dolly Parton and her
tits.
And you just had to kind of gowith it.
And it'd be like a 20 minute conversation.
And he would just be captivated.
He never buttons up his shirt.
He has it unbuttoned to thenavel to show off his man main on
his chest.
Love that.
And he will just approachanybody and just strike up a conversation.

(41:29):
About half Portuguese or byany chance.
No, he's not.
He's just.
He's a dairy farmer fromLucknow, Ontario.
I was gonna ask if he playsdrums and guitar at the same time.
We should have him on as a guest.
You know what?
For Albuquerque.
I wouldn't get a word in edgewise.
It'd be great.
Yeah.
Knew I should have made a left joint.

(41:51):
Albert.
So I have, I have.
Okay.
So that, the button down shirt thing.
So when I was, I was in Portugal.
When I went to Portugal.
We're totally off the fucking rails.
It's.
It's Cory's fault.
We'll just blame it on him.
Sure.
So when I went to Portugal, Ithink, see my buttons?
You know, rather tight.

(42:12):
I don't like being naked.
I have we talked about thistwo episodes that were.
Todd, I don't like being naked.
Are you a never nude?
Kind of a never nude.
Yeah.
You don't like to be naked.
When do we have this?
See, Todd doesn't listen toour show.
He's not paying attention whenwe're recording the show.
I'M on this fucking show.
I never heard that before.

(42:34):
I don't like being naked infront of people.
It makes me nervous.
It makes me uncomfortable.
I'm not one of these, youknow, these.
These jocks, like, hey, lookat my chest.
You know, they're like, neverwear a shirt.
They're rollerblading aroundtown, you know, That's.
Kevin when he's walking.
Hey, it's got this littleSpeedo on.
This is what I call dressed.
Usually when I get home, HughHefner comes out.

(42:54):
House coat.
Here we go.
Slippers.
No pipe.
That's it.
That's it.
No pipe.
So thank goodness you'rewearing pants and a shirt today.
Look at this fucking thing.
Yes.
Look at this pipe.
It's pretty impressive.
Corey, what's going on?
Pipe for what?
I don't know.

(43:14):
Why is the thing flipped upwards?
It's not my podcast.
He's got a.
He's got a.
He's got an erection.
Like, why is your pipe.
Why is your thing upward?
Do you realize it's like a clam?
When you pull a clam and it'sgot the.
Like the little tail thatcomes out and you look at the.
Yeah, drill some holes in it.
Yeah, drill some holes in it.
It's a flute.
Someone gifted this to me.

(43:35):
What do they mean?
Why would they.
Why would this be gifted to me?
I would take great offense.
Yeah, me too.
You used to have a beard.
Maybe even Umbridge.
Yeah, Umbridge.
Yeah.
Maybe they think I'm an investigator.
Oh, God, no.
No.
You don't have the IQ for that.
I'm not sure.
Oh, I definitely don't havethe IQ for that.

(43:56):
I think people think I'm likethis big pothead.
I would explain.
Is that what that is?
Todd, you remember we went tothat Jimi Hendrix thing?
Was it Jimi Hendrix?
No.
We went to.
You know he's dead, right?
Here we go.
We went to that back in 72.
No, we went.
How old are you guys?

(44:17):
We went.
We went to that fringe Play,and that was the.
It was the guitar guy who'sgoing through, like, the different
stages of guitar through theyears and whatever.
Yes.
And I had my Jimi Hendrix T shirt.
I love Jimmy.
Okay.
Okay.
Fantastic.
Right?
Remember now?
Yeah.
And he's like.
He looks at the crowd likethis guy over there, big pot smoker.
He's pointing at me.
I'm like, dude, I'm so square.

(44:40):
You know what?
You know.
You know when my wife and Italk about a good night of drinking,
we're having coffee at 9 o'.
Clock.
I'm the least interestingperson in the room.
I take umbrage for that, sir.
I'm not a pothead.
No.
I don't even have sugar andcoffee, sir.
Do you?
No.
No sugar in your.
Oh, I guess you can't havesugar in your coffee.
No sugar tonight in my coffee.

(45:01):
No sugar tonight in my tea.
Yeah, me and Todd run the samewavelength because we're both really
old classic rock fans.
Shitty Guess who song is it or something.
Yeah, it's a really bad one.
Yeah, I have a clip for that, too.
I did play one on my radioshow, which I'm gonna plug unnecessarily
now.
But I played Running Back to Saskatoon.
I do like that song.
I actually like that song Passyou mentioned.

(45:24):
I thought it.
Was.
I've been hanging around gas stations.
I've been learning about tires.
I've been talking to grease monkeys.

(45:46):
I've been working on cars.
Boost.
I saw you booze them intorunning back to Saskatoon.
Sing another prayer or two.

(46:14):
I did play April Wine for you, Todd.
That's good.
Oh, and Triumph.
I played.
No, Triumph is what you wanted.
Fight the good Fight.
I played that one for you.
Yeah.
Sean asked for New Meaningsand I couldn't find a good clean
copy of New Meanie, so Iwasn't able to play it.
Do you have a Dropbox, Corey?
No.
Dropbox is evil.
It is kind of evil.
I can share them.
I have.

(46:34):
I have everything.
Like, I have all.
Okay, send me the song youwant me to play.
I'll play it next week.
Sure.
They're.
They're great, but they.
They backed out of the record deal.
They had a record deal with Virgin.
Virgin.
I think it was Virgin.
And they were the.
Like, the biggest unsignedband out of Winnipeg.
Then they finally got fucking signed.
And then they came in.
I told this story on the showbefore, but they said the band has

(46:58):
three singers, right?
So the label said, okay, toomany singers in this band.
Nobody likes that.
So only one person is allowedto sing.
You can sing.
So they picked their singerout of the three.
They also said, okay, the singer.
You're kind of too fat.
You gotta lose some weight.
So they started every.

(47:18):
Every shot of them was like, up.
Like shooting from up to downto slim him down.
Drone shot.
Yeah.
And then they were like, youhave to shave.
Like, he was always kind oflike rough shaven, sort of like,
you know, not very clean shaven.
So, like, you got to shavemore often.
You got to do your hair.
Like, they made him do allthese things to aesthetically physically

(47:42):
look handsome.
Why don't they just Photoshopthem then, at that point?
Well, they had to shoot videosand stuff and it was hire a good.
Looking guy in Millie Vanillum.
Yeah, exactly.
So they had a lot of pressureand they also said, look, there's
too much hard rock in your songs.
Too much guitar.
Can you bring the guitar back?
And stuff.
So they.
They basically just kind oftried, like, try to neuter them,

(48:03):
like.
Yeah.
You're not.
Not a fan of the artist, are you?
If you keep trying to changeeverything about them.
Can you just be a differentband, please, altogether?
Yeah, yeah.
With different people in it.
Yeah.
Making different music.
Completely different music.
And yeah.
Rhymes with orange.
I think they're trying to makehim sound like that.
I think that was the band, thebig band at the time.
So anyway, so they release analbum and then they're like, this
is fucking ridiculous.

(48:24):
Like, we can't.
They're, they're.
They're.
They're restricting everythingwe do.
So they actually paid to getout of their record contract.
So the album they did with anactual major label.
You should look this up, Kevin.
New New Meanies or Blue Meanies.
I know, because Randy was.
Oh, Randy would be one or moreof them.
Yeah.
Oh, yeah.
Friends with a couple of them.

(48:45):
Yeah.
Are you serious?
Yeah.
That's who I'm trying to geton the show for like years.
Oh, I'll speak to all Nick and Hope.
See Ronnie can get your contacts.
I would love put them on theball tonight.
We're recording the 200th seaside.
No, that just happened.
Or else we're not goingForward with the 200th it.
Okay.
I love that it's a crime thatthat band is not like in everyone's

(49:07):
mouth like Will Smith andwhatever, Chris Rock.
But.

(49:34):
Yeah, I'm on fire.

(50:04):
You take away my pride.
I want stronger, man.
Get stronger.
You put your wing.

(50:31):
Shadows start to call.
When you take away thesilence, the shadow and the fire.

(51:03):
In the haste of the unknownwhy do I embrace the.
Sam, I brought your d. Forgetyour past.

(51:52):
When you die become realbecause you're not the only one.
How it feel?

(52:20):
I'm on fire.
Oh, baby, I'm on fire.

(52:52):
Will Smith is in whose mouth?
What's happening?
We, we.
We.
Take your wife's name.
But they should be a band thateverybody talks about.
Like when people talk aboutbig Canadian bands, somehow they're
not.
But it's because they told therecord label, go fuck yourselves.

(53:13):
We're not going to deal withthis anymore.
They went independent afterthey had to pay to get out of their
contract.
And then they went andreleased one album after that that
was independently produced.
But they're fantastic.
They're so good.
If you want a good, likeblues, fast blues band.
Fantastic.
I'll.
I can send you files anyway.
Corey.
Yeah, do it.

(53:33):
Give me a place.
Send it to.
Then I'll send them to you.
I have them all.
Well, you know how to work the Facebooks.
Just send me a link and I'lldownload them.
But I did play a song for youa couple shows ago.
Killer Dwarves.
Familiar with them.
Are you ready?
Played that one for you.
Oh, thank you for playing that.
I like that tune a lot.
That band's great.
I gotta get.
So I. I may lean on you guys.
I want to get Daryl back onthe show to talk about his new book.

(53:56):
I just thought his new book.
We're gonna try to get him on again.
He was great.
All right, you guys,.
It was great.
I listened to that episode.
He re.
Released it.
Yeah, yeah, he was awesome.
He's like, why did you do our show?
I had nothing better to do.
Was Covid.
That's all it was.
He actually had a free nightto record with us.
Right, Todd?

(54:17):
Then when he came throughWinnipeg, I said, daryl, it's Sean.
Geek.
Oh, my God.
Sean Geek.
Hey, how you doing?
Nicest guy.
Nicest guy.
But anyway, all right, youguys got.
To go do your show.
Say hi to Randy for me.
Randy doesn't remember who Iam, even though I've actually gone
out and reached out to him andsaid, hey, Randy, I like your shit.
I played your shit on our show.

(54:37):
I think I know.
Does he?
Okay.
Oh, yeah.
Randy doesn't remember whoKevin is, so I wouldn't take no.
He just.
Just doesn't like me.
That's true.
That's a difference.
But honestly, I think Randy islike one of the most talented musicians
in Canada, period.
You got to see him live.
You got to see him.
Such a good show.
If I can get the kids to be alittle bit older and I can do a road

(55:00):
trip and actually have afunctioning car that I could go and
take a road trip toSaskatchewan I like.
Yes.
The central Canadianpodcasting convention happens in
December in Saskatoon everyyear, and we record a show.
Three or four guys in a pedovan swimming around Saskatoon, getting
stuck everywhere.
Just fucking old.

(55:22):
It's when van actually hadsides to them.
The sliding door doesn't openfrom the inside.
It's just old.
Bring it short.
Just old.
Poor Heath was like, I can'tget out.
I don't feel safe.
Well, that's because he hadtoo much to drink.
Yeah, you get a little.
You overindulge on thesetrips, that's for sure.
Because Kevin doesn't drinkanymore, so he gets to DD for us.
So.

(55:42):
Yeah.
Yeah.
Which is a lot of fun hangingover these two drunk idiots.
I don't know how you do it.
I don't know how you do it.
Go to bar.
Go to Mexican restaurants.
Say, do you have anythingbesides Mexican food?
Besides Mexican food?
That joke never gets old.
So, okay, go pimp your stuff.
Who wants to go first?
Gavin, you can check out TomPetty Project.

(56:03):
That's my project.
Going through the podcast.
Going through the entire TomPetty catalog.
Queen Seaside Pod review, aQueen podcast that I do with Randy
you talked about.
And then Ultimate CatalogClash that I do with my good friend
Corey Morissette, known in excess.
Sometimes they're not good friends.
No, sometimes we do shows.
We haven't done one in acouple of weeks.
So those are my three shows.
Yep.

(56:24):
Simple Ca, apparently is whatyou're calling in now.
The CMPU CA shows.
And the podcast will rockseason six.
Oh, Sean, you're going to lovethis because we're going big deep
into Van Halen again.
We're doing a tournament.
I'm supposed to be on one ofthose episodes.
I know.
You got to be one of.
The.
One of the guest judges.
I want to do it.
That's going to be a lot of fun.
Mark Meyer is coming back.
Not this week, but next.
What?
From his big breaking news.

(56:47):
Yes, I'm breaking it right here.
Yeah.
Awesome.
Yeah, he's had enough of mebastardizing Kill Switch Engage and
complaining about it.
That he's playing every songon his wheel.
No, I like some of them, butKill Switch Engage.
I don't get it, man.
That's just noise.
They were in Saskatoon thispast weekend.
Did you know that, Kevin?
Yeah, I don't get that whole show.
Do you think I want to beshouted out?

(57:07):
Let's go wipe my on the curtains.
There's just no need for it.
I don't.
You should say again.
Actually, it's happened morethan once, but,.
Kevin,.
Ultimate Catalog Clash,Mixtapes from Hell, Cinderella.
We're bringing on a Cinderellatribute band this week called Night
Songs.
Are you serious?

(57:28):
Oh, you got him.
Four members of Night Songsare going to be on the next episode?
Yep.
Oh, my God.
So did.
Did.
Did.
Sorry.
Did Dan cream his panties or.
No, Dan had to give a lot ofhandies out to make sure that they
all came on the show, so hiswrist is tired.
But, you know, shaking herhead like fucking Dan again.

(57:48):
On the last show, we saidPeg's got to get a haircut.
Like the girl in the Nobody'sfull video.
Yeah, she's got good hair.
Stylist.
Apparently, so.
Apparently, yeah.
Dan knows her.
They know every.
It's like cheers over there.
Everybody knows your name, apparently.
But what else?
Oh, power.
Positive geeking.
I gotta edit this thing.
But Kevin Brown joined me foran episode where we talked about
the Odyssey.
First time I talked about acurrent movie.

(58:10):
I would ask you to come on andtalk about Fantastic Four, but once
we cover all the positivethings we're gonna have, like, that's
only gonna take, like, five minutes.
Do you want.
Do you want to do theChristian Slater pump up the volume
or not?
Is that.
Is that a good.
You don't have to re.
Watch it.
Actually, I haven't seen itin, like 30 years.
Or Encino Man.
Either one.
I'll do either one.
Well, Encino man is definitelynot a good movie, but it's a guilty

(58:31):
pleasure movie.
It's a guilty pleasure movie.
Yeah, I like.
I could talk about that one.
I like squeezing.
Who doesn't like squeezing the juice?
Exactly.
That'll be the tagline forthat one.
And the WKRP show is gonna bedropping in October.
October 9th.
The first episode drops.
So lots happening.
And I'm hosting the seasidepod review 200th, which I'm hoping
to make a huge mess of in just.

(58:54):
I hope so.
It's not gonna be good.
They're.
They're never gonna ask me again.
Okay, Todd, where can you find us?
Todd?
Because I'm too lazy to do thewhole thing.
You can find us atseanmcginnity.ca that's S E A N M
C G I N I T Y CA and.
Remember, a flute is just a pipe.

(59:18):
I love it.
Join the Patreon 5, 10, 25.
There's a $75 tier for the.
I saw there was a $500 one.
What's that?
Sean's gonna come to yourhouse and disrobe and mow your lawn.
What's happening?
I'm gonna vacuum your lawn.
Actually, it's my new serviceI'm offering.
I can vacuum lawns.
Mighty K will get that.
The Mighty K. Yes.

(59:39):
Yes.
She vacuums her lawn.
What does that even mean?
I don't know.
For a thousand dollars, Toddwill tell you where he works and
why you should be very afraidif you live in Canada.
And I will give you the.
The missile codes.
Canada's new.
The launch codes.
Yeah.
I can't get the parking garageopen, but I can annihilate Uzbekistan

(01:00:03):
if I wanted to.
Canada.
You know what the code is, right?
1, 2, 3, 4.
No, it's 99 for Gretzky and 66for Lemieux.
69 for Anne Murray.
There you go.
All right, enough of that baloney.
All right.
Okay.
Well, that was the perfect outright there in 69 for Anne Murray.

(01:00:24):
And then just.
Yeah, there you go.
Bring up the music.
I'll make sure I edit.
I'll stop it right there.
Thank you for listening, andwe'll see you next week.
And bye.
Have a good day.