This week on The Rad Revival House, we take a visit to the surrealistically simplistic world of Louis Malle’s MY DINNER WITH ANDRE!
Returning to the RRH is frequent Special Guest Lecturer, Frank Mandosa of the great cinematic podcast, Reels of Cinema. Together, Frank and our host, Professor Cesare Augusto, analyze this deceptively simple, yet brilliant film from 1981.
On the surface, MY DINNER WITH ANDRE appears experimental. Its premise, a rather bizarre one: two old friends (Wallace Shawn and Andre Gregory, portraying artistic versions of their real selves), meet for dinner, and chat. And chat they do, for two hours. But these are no ordinary men. These two men are artists: Wally is an actor, and Andre is a playwright. Wally dreads seeing his old friend after years apart. And Andre has supposedly undergone a midlife crisis. They reunite at a fancy Manhattan restaurant, and what follows is a discussion for the ages. Andre reveals during his midlife crisis, he visited the world, met with strange characters, performed in strange rituals in different countries, and found decidedly new looks on reality, which he is more than happy to reveal to his old friend Wally. Wally, on the other hand, is relatively content on his simple life as a New York actor, and is stunned by his friend’s revelations.
Shot in the low budget of $450,000, MY DINNER WITH ANDRE looks sparse and may look dull to the untrained eye. But what the film may lack in action, exaggeration, or rapid pace, it makes up with great acting, interesting dialogue, sharp wit, and Malle’s tight direction. Both Shawn and Gregory light the screen with their individual enthusiasms for their topics, enhancing the film with their emotional convictions towards their beliefs.
The film looks like a play, shot in only one major setting, and zeroing in on the tiny cast’s dynamite performances. Anyone interested in creating intelligent, character-rich material should explore MY DINNER WITH ANDRE immediately!
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