This week CFX switches gears to evaluate the pop culture impact of the world’s most innovative maker of toilets, the Japanese company, Toto LTD. Just kidding! We are of course talking about the band Toto. Started in the late ‘70s by a bunch of San Fernando Valley high school friends who also happened to be some of the most accomplished studio musicians in the world, Toto would peak in 1982, creating one of the biggest selling albums of that year in Toto IV, and, arguably, one of the most popular songs of all time in “Africa”. They won every Grammy in sight and then played a huge part in the recording of THE biggest selling album of all time, Michael Jackson’s Thriller. The members of Toto would split their time between the band and continued session work for just about every major artist in the late ‘70s and early ‘80s and beyond. That said, we’re not going to focus on the session work other than in passing. No, this week CFX puts the entire discography of Toto under the Evaluato-scope and we decide whether it has and will continue to “rise like Olympus above the Serengeti” or “become frightened by this thing” they’ve become. We decide that, and along the way we also learn…
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