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April 19, 2024 47 mins

In this episode of Disrupting Death hosts Kathy and Keri have the distinct pleasure of speaking with Ruth Steinberg about her exhibition, The Leave-Taking, which tells the story of the photo-based artist’s friend and neighbour Alma as she lives her life in the time before her medically assisted death. The subtitle of the exhibition is: What is Given and What is Left: Ruth Steinberg’s Exploration of Living and Dying Authentically. Listen how she discusses her relationship to her subject within the context of both spaces as well as in the liminal space in between. 

Trigger warning: Themes of death, dying and suicide

Ruth Steinberg is a photo-based artist who uses the camera as a tool to open doors of conversation, uplifting the voices of her subjects. Through visual storytelling she examines facets of dignity, resilience, and presence within marginalised communities, particularly with the elderly. Her work has been shown across North America and internationally including the Karsh-Masson Gallery in Ottawa, LACP: Centre of Photography in California, PhotoPlace Gallery in Vermont, and FotoNostrum, Mediterranean House of Photography in Barcelona. In 2017, as part of an intergenerational chain of mentorship, Steinberg was selected to exhibit in Continuum: Karsh Award artists welcome a new generation. In 2022 she received the first place for the Figureworks Award and in 2023 she was a Photolucida Critical Mass 200 finalist. Steinberg’s exhibition, The Leave-Taking, discussed in this episode, is a finalist for the Project X photography prize in Ottawa, results of which will be announced May 21.

Music for Disrupting Death was created by Sarah McInnis. Sarah is a music therapist, a songwriter, a multi-instrumentalist, and End-of-Life Doula. In 2021, Sarah began The Legacy Song Project, writing original songs for folks at the end-of-life, and for folks who have lost loved ones. To learn more about Sarah, visit her website https://sarahmcinnis.com.

This episode of Disrupting Death was produced by Sadie Mallon.

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