January 11, 2026 • 48 mins
So because we're contractually bound to give you great New Zealanders some "fresh" content while we're on holiday, we thought it would be fun to look back at the top 5 most listened to podcasts of 2025!
Today we're up to #2, and Jerry and Manaia are presented with just the title of the podcast... "Mash Get Out (ft.Matt Heath) - The Podcast"...
I'M NOT CRYING! YOU'RE CRYING!!!
WE'RE BACK ON MONDAY JAN 19 - AND THE RADIO SHOW NOW GOES FROM 6-10AM WEEKDAYS!
(yes we also do a radio show)
See omnystudio.com/listener for privacy information.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Welcome along to the podcast how's your holiday going?
Speaker 2 (00:06):
How's your holiday? Do you remember when the Irish touring
traveling family were getting about There's a guy that waited.
They were getting about in Bunning's hats. That's where I
go for all of my supplies. And they were not
try for something. It's like public nuisance or lettering or something.
They were they were lettering. Yeah, and then they came
out and there was just some battler standing outside the
(00:28):
courtroom with his phone wristed on his gut gun.
Speaker 3 (00:30):
How's your holiday?
Speaker 2 (00:34):
Mine's going about as good as theirs? Was the second
most popular podcast we did in the calendar year twenty
twenty five. Was featured dear friends of the show, Matt
Heath you may remember him, and he came into fire Mesh. Yeah,
it was messhes last year.
Speaker 1 (00:48):
Let's have a listen number two?
Speaker 3 (00:51):
That is what the list Keep busy, bro, how does
it go? I don't know how to do it?
Speaker 1 (00:58):
Good?
Speaker 4 (01:01):
There's something before let's do something. It doesn't it start music?
Speaker 2 (01:07):
You all of the si.
Speaker 3 (01:09):
Let's get busy? How do you?
Speaker 4 (01:12):
Doesn't it start with some music and then we.
Speaker 1 (01:13):
Go, let's get and then we go Okay, okay, okay,
there we go.
Speaker 5 (01:21):
Let's get buzzard that again.
Speaker 2 (01:25):
But that was when do we come in?
Speaker 3 (01:27):
And then as soon as he goes bus the music
comes in and then.
Speaker 2 (01:30):
We go, oh yeah, I'll just follow you. Okay, good.
Speaker 3 (01:47):
We go.
Speaker 1 (01:47):
We need to wait for the music before we do
the Oh yeah, right, so does it have a few
beats and it goes here goes Oh yeah, just like
riding a bike.
Speaker 5 (02:01):
Yes, just like writing it again, because I've also got
to come in on the right note on the music
as well.
Speaker 6 (02:08):
Go by.
Speaker 1 (02:26):
It's Friday, the twenty eighth of March twenty twenty five.
Special guest on the podcast mad Heath Maddie Stewart's here.
She's last podcast.
Speaker 5 (02:37):
Oh yeah, oh yeah, no, great to be here. And
can I just on the roses I gave you? Can
I just have a warning they've got prickles.
Speaker 3 (02:46):
Yes, I've already taken one off.
Speaker 4 (02:48):
I gave him ten read roses and I pricked myself,
is it tin?
Speaker 3 (02:51):
There?
Speaker 2 (02:51):
What is tin?
Speaker 4 (02:52):
I'm just making that out.
Speaker 3 (02:53):
Okay, let's count of look like tender one? There is?
Speaker 4 (02:58):
I asked for tin, you got ten asked for tin?
Speaker 5 (03:01):
But I don't know what the meaning of ten, you'd
know Jarry because you used to make those awesome bouquets
and you'd give them names.
Speaker 1 (03:06):
Yes, so I did, but I didn't often work with
red roses or roses.
Speaker 3 (03:11):
I didn't.
Speaker 1 (03:11):
I normally worked with lilies and chrysanthemums, aga panthers, never
an aga panther.
Speaker 2 (03:18):
Do you build a.
Speaker 4 (03:19):
Based around it? Because when I just got raw, I
feel like a raw dog.
Speaker 5 (03:22):
Those that bouquet to you mesh because I think you
need to build some other kind of foliage around it
for it to really work well.
Speaker 1 (03:30):
What the red roses say is that I love you
and I want to make love to you. That's what
red roses say, so.
Speaker 4 (03:35):
That a message got through themselves.
Speaker 1 (03:39):
They say I just want to fuck you.
Speaker 4 (03:41):
Yeah right, as long as they got through yeah so, But.
Speaker 1 (03:43):
If you put other flowers around it, it complicates the message, right,
complict it.
Speaker 2 (03:47):
But what I would say is they wrapped in twine
and brown paper, which is quite an aggressive I want
to make love to you, in my books.
Speaker 4 (03:55):
Is to say unprotected.
Speaker 3 (03:57):
Yeah, that's what it feels like. I think maybe we're
going out today at some point and no doubt.
Speaker 5 (04:01):
Yeah, so to you getting squeezed like you hurting yourself
on the prickles. That says unprotected sex, doesn't it. So
the message is clear and the messages every rose has
its thorn.
Speaker 1 (04:13):
And I think that's a nice message to give a
twenty five year old as he goes to work with Gulane,
because you know, you might think Julane is a rose.
But I'll tell you what, that rose has got some thorns.
Speaker 5 (04:25):
I like to look at it a different way, Jimmy.
I like to I like to think every thorn has
its rose.
Speaker 4 (04:29):
See, that's beautiful, and that's why we miss you. Yeah,
I like to go the other way.
Speaker 3 (04:32):
It's a glass halful approach to the rose before.
Speaker 4 (04:35):
It doesn't work in the case of Gulane.
Speaker 1 (04:38):
I think every thorn has more thorns would be the situation. Yeah,
once you get under the no, that's a good thing
about a gorse bush. You see it, you know it's
a gorse bush, and you stay the funk away from us.
You know you're give it a you give it a
white birth, whereas the rose lures you in.
Speaker 4 (04:54):
Same with a BlackBerry bush.
Speaker 2 (04:56):
That will lure you in with berries.
Speaker 5 (04:58):
With the berries, a lot of drunk people have gone
in for berries and ended up wrapped up in thauns.
Speaker 1 (05:03):
Yeah, where's Glane. You just see that bloody horrific big
gorse washing and say I'm not going anywhere near that.
Speaker 3 (05:09):
Well, there's warnings.
Speaker 5 (05:10):
It's just like you can if you get embroiled with
Gla and that's your own fault, you fence, you've stripped
off and jumped into some gorse.
Speaker 3 (05:17):
Basically, the horse.
Speaker 1 (05:18):
Was originally brought over here as a fence stop you
from going, and that's exactly what Lane does.
Speaker 2 (05:23):
It's like in nature, they'll always give you a warning,
like a brightly colored frog is often poisonous. And when
you hear or see Glaan and you'll be like, steer
clear of him. He's probably poisonous. He's a fence. He's
an offensive fence. But I think you'll go, well there,
I think you'll fit in. It's not like it's an
unknown quantity.
Speaker 3 (05:44):
Do you know what I'm excited about.
Speaker 2 (05:45):
I grew up.
Speaker 3 (05:46):
I remember when the sec fist started. It was when
I first started taking you know.
Speaker 4 (05:50):
Drugs, acid, yes, and sick days also sick days, sleeping,
started taking notice of what was going on around the place.
Speaker 3 (05:57):
It feels quite bizarre to be a part of it now,
Like I remember you guys. It's quite strange that it's
the same ACC because you would have been fifteen or fourteen.
First started fifteen when you guys have out that caravan
for the first time. So who was that at the
time that you guys had it would have been was
mana Were you working at Radio Hadeki at that time?
On that now prim night that's prim and easy. So
it was you guys, and then it was Lee Hart
(06:18):
was involved a Ford, Yeah, Lee Baker.
Speaker 2 (06:21):
Yeah, Leehart, Jace Lee Hart and Jace, Terry Salamanderman And
that's it.
Speaker 4 (06:28):
All those people are still involved, don't they.
Speaker 3 (06:29):
Yeah? Sweet?
Speaker 4 (06:31):
Yeah, So you haven't got rid of anyone.
Speaker 3 (06:32):
That's good.
Speaker 1 (06:33):
No, it's like Hotel California. You can you can check
out anytime. You were like, but you can't leave.
Speaker 7 (06:38):
I was.
Speaker 5 (06:38):
I was in a meeting the other day and someone
was an a SEC fan but they'd worked with Paul
Stuart Ford and and then one day, like after all
these years, they just were in a meeting and they went.
Speaker 4 (06:51):
You're not the fucking Paul Ford on the ACC, are you?
Speaker 3 (06:56):
Wow?
Speaker 4 (06:56):
That would have been amazing because he's quite so he.
Speaker 5 (06:58):
Was a fan but he could he was working with Paul,
but he could never put the two personalities together because
Paul was.
Speaker 2 (07:04):
Such a superstar.
Speaker 3 (07:05):
He's a high powered operator.
Speaker 5 (07:09):
Doctor Jekyll missed the Hyde situation, you know, operating in
plain sight of the world.
Speaker 3 (07:15):
Yeah. I think that happens quite a lot though than this,
because you you ham up to whatever you lean into
or whatever. Like, I remember people quite often because when
you're on the show, especially meeting Ninety percent of my
job was just being a psarchiastic fuck in the corner,
and then you'd meet people and they'd be like, oh,
you're actually quite nice, okay, sweet, and yeah, well this
is kind of how it goes. But Paul Ford is
a great example because he's a high level individual.
Speaker 7 (07:36):
Hi.
Speaker 1 (07:36):
That just reminds me remember when we had you on
the chod table, because I think Banga was pushing the buttons,
that's the and we had Meshi was learning how to
press the buttons, but we didn't want them getting too
close to the show.
Speaker 3 (07:47):
I think that was what it was.
Speaker 1 (07:48):
So you're allowed to be on a chow table inside
the studio. Do you have your own microphone as well?
Speaker 3 (07:52):
At the show? I think we might up because of
Mike set up here.
Speaker 1 (07:55):
Yeah, and you were just behind being on this weird
little metal table.
Speaker 3 (08:01):
No table.
Speaker 5 (08:02):
I remember when we were negotiating the percentage that you
were taught, and we floated like five percent, and then
Texas was like, I think two percent has a been
another just.
Speaker 3 (08:13):
To start with, Well, there were allegations two percent of
the timeline. There were allegations after a while that there
might have been an eighteen percent show, and that was a.
Speaker 4 (08:19):
Disaster, was too much.
Speaker 3 (08:23):
I also got a text last night from someone and
it was about a time where and I had actually
minister e raise it from my memory, but when I
was single at the time, I'd gone through a breakup
after I'd moved up here from Crash.
Speaker 4 (08:33):
So Lauren didn't have a boyfriend for a while. Whatn't
someone bloody.
Speaker 3 (08:38):
About that? This was before I met Lauren.
Speaker 4 (08:41):
Thankfully, Actually, now I think about it, I don't think
there was a bit Monday, and I.
Speaker 3 (08:45):
Remember it might have been a bit, and I remember
we was even fucking going with that. I got districted.
You didn't have a girlfriend, and I remember you guys,
you were worried about the fact that I was going
out on the weekends on my own and you were
embarrassed about the fact that there might be someone broadcasting
on your show that perhaps had an STI and you
and you said that it's not it's not fear on
(09:06):
the listeners to be at risk of being infected. So
every time you speak, you please ring a doorbell and
then repeat unclean, unclean, and clean three times before speaking.
That's right. And then I think that evolved into the doorbell.
There was about a year there, ye.
Speaker 5 (09:22):
When we were trying to manage and get out, well,
we started kicking you out of the studio because I
had to ring the doorbell to come out. Yeah, yeah, yeah,
and you come welco because we were actually educating you
and broadcasting and you there's a line in broadcasting that
you know, long term broadcasters like us. I think Jerry's
had fifty years in the business or something, you.
Speaker 4 (09:45):
Know the line.
Speaker 5 (09:45):
And you didn't know the line, so you're he was
often going over the line. Yeah, and we had to
and so we had to kick him out. You're arguing me, Yeah,
that was you.
Speaker 3 (09:53):
Me arguing me. Yeah, yeah, you you were. You're getting
me to scrub the deck of our podcast for a while,
which just or slam and focused.
Speaker 4 (10:03):
So Edmond focused?
Speaker 1 (10:04):
Have you got the have you got that? The collection
of people giving messages to your mesh farewell messages?
Speaker 3 (10:11):
Let me have a look. Got that on the wall anyway,
put it on there. I like to hear that.
Speaker 1 (10:17):
There's some, there's some, there's some great missas. There's one
particularly from the notorious pants Man Joel Harrison, which covers
off some really important.
Speaker 4 (10:29):
Oh god, lest we forget the notorious.
Speaker 3 (10:33):
Do you know that his message was the closest I
got the hearing up on today? Same here. I don't
know why that the Pantsman has never said anything that.
Speaker 4 (10:44):
Just throw them out when you leave Mesh. Don't worry
about that.
Speaker 3 (10:47):
What one is this? What are you showing me?
Speaker 4 (10:49):
Dark blue?
Speaker 3 (10:50):
Okay? Thanks? Ready, all right, there's this one here. Shall
we skip through the other ones and just get to
the pants.
Speaker 2 (10:55):
Karen read first.
Speaker 3 (10:57):
Congratulations on completing the internship, mate, Jesus.
Speaker 4 (10:59):
Probably the longest internship of I've seen five years.
Speaker 2 (11:03):
Very impressive or maybe not so impressive, But anyway.
Speaker 1 (11:06):
Mate, I know you're going to take all these lessons
and go well on that next chapter for you, mate,
So enjoy that been good to see you finally got
to see the real mash in the last week, the
juggler and unicyclist.
Speaker 3 (11:18):
So mate, all the best, go well.
Speaker 8 (11:20):
Hi guys, Lasim of Gold is here. Look, I just
wanted to ring and this isn't ringing, and this is
a voice recording. I just wanted to send a voice
recording into wish Mesh. You're the very best of luck
and it's next Endeavors. I think he's making a massive mistake.
But that's neither here nor there. Mashie. We love you,
you know, I particularly love you seeing as you look
so much like my husband. But go well, my friends,
(11:42):
everything you want it to be. You've done a great
job with Matt and Jerry and now Jerry and Maniah.
You're a good human. Still look a lot like my husband.
But anyway, that's neither here. Wanted to go well, Mesh,
that's a love er.
Speaker 6 (11:55):
Mashi Diahim when he had wade to Town Primary School,
just wanted to say cond greats on your last day. Mate.
I knew from the minute I saw you with Click
me as a sort of mid forties guy, you as
a young twenty year old boy really coming into your
own you know, I just wanted to climb in like
a curtain and be a mate and mat twe became.
And it's beautiful to see You've been under the wing
(12:17):
of Radio had Aki, the acc every time you've delivered.
That's why they call you the dairy as a postman.
Speaker 7 (12:27):
Hey, Yido Mashi, it's the notorious pants man Joel Harrison here. Look,
I just wanted to congratulate you, mate, on a great
career you've had so far at Radio Hodarchy six years,
only twenty five, majority of that time in the hot
seat on breakfast as well. It's a pretty cool accomplishment.
A lot of people would kill for that job.
Speaker 3 (12:44):
You've earned it as well. You kill it every single.
Speaker 7 (12:46):
Day and I'm looking forward to seeing what's next for you.
I'll always cherish those moments we had together at hod Aki.
I mean, you think back to the bamboo tiger bed,
you think back to gravy, you think back to the
Ajax Paatel ten wickets create day Jeremy Wells. How you
think of all those crimes you committed and the didneed and.
Speaker 3 (13:02):
Be fast last year? What a time it was, mate.
I wish it could be with you celebrating tonight.
Speaker 7 (13:06):
Watch out pray go watch out for those cubicles round
pomps and be watch out.
Speaker 3 (13:10):
Caro'd love you, Mashie, all the.
Speaker 9 (13:12):
Best, Massie Ben Hurley here. Look, we're going to miss
you very very much. You are very much a part
of all of our lives. I just remember this very pale,
slightly chubby country boy coming to the big city with
stars in his eyes and a cardboard suitcase and a
heart full of dreams, and soon enough you were just
all a part of the furniture. And I remember, you know,
(13:36):
one time, dancing till to Jimmy Barnes after the Pie
Awards until dawn, and then you went home with some
girl called Lauren, leaving me there like Cinderella. Just so
many good times. You producing the Mad Monday podcast out
every Wednesday these days, and you know me there in
the morning when I've been filling in on the Hodaky Breakfast.
(13:59):
So you know, I just feel like we've shared so
much and I'm so close to you, but you know
we've shared all that. I still have absolutely no idea
what your real name is.
Speaker 3 (14:11):
Mashy, my boy.
Speaker 5 (14:12):
Congratulations on one now of a shift pushing the buttons
on the hood.
Speaker 3 (14:17):
Ducky breakfast mate. I don't know how you've done it.
Speaker 9 (14:20):
Put up with Jerry Wells, Matt Heath and now min
I a shield for so bloody long and even me
pisting year drums for the odd week here and there.
Speaker 3 (14:28):
Love your work mate.
Speaker 2 (14:30):
Hopefully in the new role that you're going into, they
teach you how to one scull of campus and two
pull them off, mate, keep.
Speaker 3 (14:39):
It on, go well to on.
Speaker 4 (14:42):
It's unfair to say that you couldn't pull them up.
Speaker 3 (14:45):
I think a previous voicemail there I proved that you could.
Speaker 4 (14:48):
Yeah, yeah, shout out to the Laura on my goldtrip.
By the way, there was the one before that. Oh yeah,
anyway was it Candy, Oh Candy? Yeah, yeah yeah.
Speaker 3 (14:58):
The message in there though that I agree with you
on Laura. The old that's going to cause an issue
as old as I'm not sure why pants Man felt
like you had to have such a direct and intentional
throwback to Gravy for some reason. I think Gravy just
that he threw that away beautifully.
Speaker 4 (15:17):
And we've had some great times on the bed at Bamboo,
We've had some great times. Pamboo Tiger, it.
Speaker 3 (15:24):
Was a go to for Yeah, we had a couple
of seasons at Bamboo Tiger. There are a couple of
seasons there.
Speaker 1 (15:28):
Well, it came off the back of our to Your
Face Off specials. We'd often go to Your Face Off,
specially on a Friday, and then you know, you'd immediately
start thinking, oh jeez, it's the dance falls ok, and.
Speaker 5 (15:39):
The Natroy's Pantsman. Being a member of the d Auckland
dance community, didn't have had any ends.
Speaker 4 (15:45):
All we never ended up was that.
Speaker 3 (15:52):
I've just found it.
Speaker 10 (15:54):
It's time for Matt and Jerry's to Your Face Off Fridays.
This is where we put songs that have been submitted
by you to the panel, all with the aim to
make the official to your Face Off fails. You can
submit songs for future episodes by sliding into the Matt
and Jerry Show in box or email us at Matt
(16:15):
and Jerry at yahoo dot com, search radio how Rocky
on the songs that have made the cards so far,
so long's that.
Speaker 3 (16:28):
Was the first thing you've ever made? That was the
first thing.
Speaker 1 (16:31):
It was the first thing you've ever made, and it
was so long?
Speaker 4 (16:34):
Can I can I bring the whole chap around to me?
Speaker 3 (16:36):
Please do it?
Speaker 4 (16:37):
No, please do do you know what I've missed.
Speaker 5 (16:38):
Most so I've lift d It's it's you guys, But
it's also how do I put this baby belly? Floroughly
miss baby them? And I think man I would probably
know the manirahs in the and the bis seat really
and there we go.
Speaker 1 (16:56):
Yeah said they don't have a baby belly up at news.
Speaker 4 (16:59):
No, we're on the We're up in the air. I
actually up in the air.
Speaker 2 (17:03):
I actually arranged this for Mesh's last day for the
podcast Little Special podcast Traders are cooking a couple of
babes into the alley, please be honest.
Speaker 1 (17:09):
Belly has really been firing in the last Yeah, a
couple of weeks particularly.
Speaker 4 (17:14):
See it's because because you, Mesh, like you.
Speaker 5 (17:18):
When I was here, you'd see me look up and
then your head would whip around at such a pace
that Jeremy talking about something and then or I'd be
talking about something and I'd stopped talking.
Speaker 4 (17:28):
I'll be looking out the window and then mashing it.
It was like mere cats. Everything froze and.
Speaker 3 (17:34):
Then mid break, Jury's out there floundering on his own
because we having a perb out the window here, I.
Speaker 1 (17:38):
Like God, desperately seeking Susan out here that we've.
Speaker 2 (17:40):
Got drop something off peacock. I I'm liking it so
particularly in the three seats that we're sitting in the
heath at the moment in mesh, it's like the clowns
at the carnival with the mouth open.
Speaker 4 (17:55):
I even missed the non babes from Baybelly. Actually, you
know you do this once.
Speaker 5 (17:59):
You see every at certain times and they're like your
little your little sad little vaping friends.
Speaker 2 (18:04):
We have given them all, don't know.
Speaker 4 (18:08):
Oh, here we go a couple of as.
Speaker 2 (18:12):
Our bosses bosses.
Speaker 3 (18:18):
You away from a microphone.
Speaker 5 (18:19):
I'm in a bit of trouble for where for When
me and and I are won the Super Bowl film,
I decided to go and fall z b regalia, you
know merch, and then I celebrated by just drinking out
of the the you know, about eight cans of beer
out of the trophy and pouring.
Speaker 2 (18:36):
It right down the front, destrimental to the brand.
Speaker 4 (18:38):
Apparently it's not on brand for Really, it's because it's
on brand for its brand for me, and it's on
brand for the A C. C. Apparently not on brand
for a lot of beer down your front.
Speaker 1 (18:48):
Would thought there's some drinkers out there.
Speaker 3 (18:52):
Surely wine Like maybe it would have been more appropriate
if you just box wind it. You know that if
you just goooned it, if just getting it, if youre
guilty of anything, it's not girning.
Speaker 2 (19:02):
I would also say you've now got dirt on your
boss because he's just wandered up babelly for no good reason.
Speaker 3 (19:07):
Yeah, I see what are you saying? And he operates
some babelly.
Speaker 4 (19:09):
You're saying he doesn't deserve to be in babelly.
Speaker 3 (19:11):
You have no right to be in babelly.
Speaker 2 (19:13):
Mate, I think we can all agree he's got no right.
Speaker 3 (19:16):
He's doing a bit of a drive by baby. Yeah, God, okay,
well cannet guy funk off. I don't know what he's
doing there.
Speaker 2 (19:26):
You get out, Well, there's always a guy out there.
You need to get to the meshes off.
Speaker 1 (19:31):
You guys have got babelly.
Speaker 3 (19:32):
I've got my own baby belly going on out the
other window.
Speaker 2 (19:34):
That's not bad.
Speaker 1 (19:38):
I wonder trust rooted a sneak And as soon as
baby Belly's going off, like when I was.
Speaker 4 (19:44):
When I was working here, I really wanted to get
at like some kind of intercom out there. So you
can move people on.
Speaker 1 (19:52):
Walking you were walking occupying space.
Speaker 3 (19:55):
Keep going with the touch of the meshes. Please move
on anyway, it's this guy here.
Speaker 4 (20:02):
People see in from Baybelly and.
Speaker 3 (20:06):
To find out we could give this lady a wave. Yeah, okay,
we got no no one's waving.
Speaker 2 (20:12):
I guess yes, they can't see us. No, we don't
want you to do anything.
Speaker 3 (20:18):
Not Mess two point oh are you too? Fucking's getting uncomfortable.
Speaker 5 (20:28):
Let's a break because someone so much to have told
me that about ten years ago that they could see
it here.
Speaker 4 (20:31):
Let's take a break anyway, Let's make it more about Mesh.
Speaker 3 (20:35):
Thanks, and where do you want to start.
Speaker 5 (20:37):
Well, let's start back with a young man who was
teamed up with a legendary broadcaster going one of the greats.
You know what a way to cut your teeth in broadcasting,
fain Curd. I mean, if you've got a young guy,
you know who's come up from the South Island, he's
got dreams, he's he's done very well at broadcasting school,
(20:59):
very well whenever you talk to it. And they knew
that Mess was the star just was. He was great
on the min and they thought we need to put
him with the best of the absolute best. You know,
you could just put him with some useless piece of
ship that's got fired from everywhere he's work, and thank
god they didn't. You could do that like like you know,
less of people would have done that, less of people
(21:20):
would have but but no, they put you with an
absolute legend the crap.
Speaker 3 (21:27):
And then I worked there and then thank god for
Gelane yanking me off that thing.
Speaker 4 (21:31):
Yeah, for Glane yanking you off at what about?
Speaker 1 (21:35):
So you remember that that first gig that you had
the Radiohatockie where you were working with that broadcasting Lenjard
Dane Kirby and.
Speaker 2 (21:43):
Brought in to replace me when I got sacked my
sack and.
Speaker 4 (21:46):
I that's the fucking irony of the whole thing. I
forgot about that piece of the.
Speaker 1 (21:52):
Just the full circle, so the circles being completed.
Speaker 9 (21:55):
So what.
Speaker 4 (21:58):
What was wrong with Manya?
Speaker 5 (21:59):
Then that isn't wrong with him now, it's not like
he's got better, It's not like we haven't learned more
about Manyah.
Speaker 3 (22:06):
Love, I've regressed if anything.
Speaker 1 (22:08):
But now yeah, well that's the Yeah, that's actually you're right.
So if I wonder if Maniah, so I'm going back
because The reason that Matt and I started was because
Ian Stables punched a person in the face at a
chicken on the way going a Jetstar employee on the
(22:28):
way at an airport, and he was meant to be
coming doing the Hdocky Drive Show.
Speaker 2 (22:32):
That was the flight to come and do this show.
Speaker 1 (22:34):
It was at the Sunday night and he was meant
to do it on the Monday afternoon, the first Drive Show.
He's signed a contract, everything done.
Speaker 4 (22:40):
And then it was just a but in the contract
about putting the company into distribute.
Speaker 1 (22:44):
Heired before he even did a show, which is remarkable.
Matt got called and to do that show, and then
blah blah blah dah. We ended up doing breat and
then Matt started doing Breakfast with me. I was brought
into a that situation. Now, Maniah, you were doing the
Drive Show and then fired.
Speaker 4 (23:02):
And I came in to do one of those weird
prime jobs.
Speaker 2 (23:06):
I was doing promos out there and Joe Jury and I.
This was back in the day when you used to
talk about how you were on a registry and you
were allowed to be sent tramadoles and then immediately a
million people would send tramadols into the studio and as
a service to you, Joe and I would steal those tramadoles.
We'd pull the lazy boys up to our desk on
a Friday afternoon and have tram me Fridays.
Speaker 4 (23:26):
So that's a real service because I do have a
problem with prescription jokes. So that wasn't great for hoteching productivity,
but it was great for my drug addiction.
Speaker 2 (23:35):
We did that for you and on a Monday morning
you come in and read the emails you send on
a Friday afterday.
Speaker 3 (23:39):
But what the fuck was that?
Speaker 2 (23:41):
And then when Jace lift, I sat closest to the door,
so they brought me into the air. Yeah, right, And
then they sacked me for a bit of broadcaster.
Speaker 1 (23:50):
And then they bought k Then they brought Kirby on, yes,
and then so but what I'm saying is if it
wasn't for the series events where you were taking the
tramadoles and then really found your voice through that tremadol addiction,
through taking that and through.
Speaker 5 (24:03):
The lovely people of Hadaki that were trying to continue
that addiction by sending their excess tremadol so much is
beautiful thing to do, isn't it.
Speaker 3 (24:10):
Yeah, and then if you.
Speaker 1 (24:12):
Weren't fired, and then thank Kirby didn't arrive, then what
would Mash have ever been put on as his.
Speaker 2 (24:18):
No, because I would have no, because I would have
made sure that Mash was let go. Yeah, and so
that's he never would have been brought on as a producer.
And at that point then he so that that started
that year, Domino.
Speaker 5 (24:31):
And then and then the reason why Mash ended up
on our shows because we did a cross with him
and when you were traveling up and down the country
for some wounding radio humiliator, that's right, and then we
got on well on the mic and then we're like, yeah,
we like that guy, Mashi. So it's all sliding doors, Hey?
Speaker 3 (24:48):
Is that? Why?
Speaker 1 (24:49):
Is that why stories like that are so cool and
so interesting is because you when you go back and
you started a particular point, you realize that the connections
that occur and the events that happen and the randomness
of this crazy universe are so cool when you look
back on them.
Speaker 2 (25:06):
But that it gets even crazy because Lane created the
role of the ACC as a way of bringing me
back from the mainstream sports media after firing it. Then
when you left after firing me, Yes, maybe as a
way of trying to absolve his own guilt. Yes, then
when you leave cancer at the time, he did have
cancer at the time, giants on his head. Then you left,
(25:27):
and then I came in here, thereby freeing up the
role at the ACC for Mash to go over there.
Speaker 1 (25:33):
Another part of that, if Lane hadn't have got that
cancer and warn those massive tits on his head, you
wouldn't have been potentially fired on the first place. Minn
maybe not, which would have meant that Dane Kirby never
would have come in, which would have meant that in
the space time continuum, Mash never would have come into
that production role, which couldn't have enabled you to then
(25:54):
go to the ACC, which wouldn't have enabled Mash to
then come into this role, which wouldn't have enabled you
to then come into the roll, and then Mesh to
leave back to the A C C.
Speaker 2 (26:03):
I would have been okay with not been fired though,
to be fair, Yeah, so I wouldn't have a forklift license.
Speaker 3 (26:09):
So who did it work out well for me? I
was the winner in that situation. You guys had to
suck it. Yeah, Yeah, you spent some time at at
a brewery intimately.
Speaker 2 (26:18):
Around a warehouse for a brewery. Yeah, that's why I've
got a a forklift license. And I also unloaded ships.
Speaker 3 (26:23):
At the Wolf.
Speaker 1 (26:26):
Who wouldn't want to be a Steve Adore.
Speaker 2 (26:29):
Anyone that does a steved Probably?
Speaker 3 (26:31):
No, that's fair, all right, Well it's been a place. Boys.
Speaker 1 (26:34):
Are you happy where you are now?
Speaker 3 (26:36):
Ah?
Speaker 1 (26:36):
Look because if you aren't there, If you are, then
all of the events that happened before that, you've got
to say we're good events.
Speaker 2 (26:43):
I will say, Heath, is there any truth of the
allegations that all of the people that have left have
been fired by Jerry? And should I be worried about?
Maybe my role on this show seemed to be.
Speaker 1 (26:52):
The last I'm the last, I'm the last thing.
Speaker 4 (26:55):
I don't know if I was fired by Jerry, But
I'm pretty sry I find myself.
Speaker 5 (27:01):
But you never know what's you know, what's lurking in
the background, you know what kind of Maybe he's a
bit of a frank undwood of a guy that operates
behind the scenes.
Speaker 4 (27:09):
And I felt like I left for Zebbie on my
own volition.
Speaker 5 (27:12):
But maybe maybe what you thought, that's what you're going
to make people think maybe Jerry was undermining Cybarnett's confidence
in the background and engineering a spot.
Speaker 3 (27:24):
For me to go to.
Speaker 1 (27:25):
I'm sick of people leaving. Actually, I'm sick of people.
I'm sick of people leaving. Now I realized as I
was doing that last break today, I'm like, I'm tearing
up again. I'm like, I'm sick. I'm sick of tearing
up again.
Speaker 5 (27:37):
People are always leaving, people always leaving. Gravy she left
that time. Else gravy, gravy.
Speaker 1 (27:46):
Gravy, the ones, the ones that have cut me up
the most. And the other one is Mark Clampert. Those
two are huge losses.
Speaker 4 (27:57):
Mark Clambert, Oh, my huge.
Speaker 1 (27:59):
Losses to the station in many ways, many ways not
always obvious.
Speaker 5 (28:06):
When the first well with mash leaving, is there now
sliding door opportunity for Mark Clampett to come down?
Speaker 1 (28:14):
I say, because people brings clamp It up.
Speaker 2 (28:16):
With me a lot.
Speaker 5 (28:17):
It's Ma Clamper, not Mark Clampe. Yeah, no, Ma, I
have heard about this before, like Grandma clamp the Beverly hillbilly,
Mark Mark Clampet. But who Mark Clampert is is another
I'll take that to my grave. Who Mark Clampitt actually
(28:37):
is so also Banger Left. I sent an apology to Banger.
Speaker 3 (28:42):
Yesterday. You last week you I've got no concept of time.
Speaker 9 (28:46):
What? Uh?
Speaker 4 (28:48):
Well, Sorry for for always making fun of you, for
enjoying if one.
Speaker 5 (28:54):
Sorry for the time I said it was just a
stupid slot car set. Sorry for saying that your Ferrari
jacket looked dumb. Sorry for calling it a precision Yeah, because.
Speaker 3 (29:05):
He was early Formula one, wasn't he?
Speaker 2 (29:06):
Yeah, big time?
Speaker 4 (29:07):
Because now I'm so obsessed with Formula one and I
fucking totally get it. Yeah, I just needed the key
we in.
Speaker 3 (29:13):
Do you know the thing about?
Speaker 4 (29:14):
And now the key we in? And I'm happy to
be a bandwagon jumper and on it.
Speaker 3 (29:18):
But then the reaminations, now you take it now he's out.
Speaker 4 (29:22):
Well, he's going to be in Red bull racing. He's
still in the race. Do you think I think it's good.
Speaker 5 (29:28):
Let's not get into it. It's ninety percent of the
talk on news if one. It's the only sport that
ZB listeners care about. One hundreds insist if you ever
mentioned if one.
Speaker 3 (29:40):
It's like.
Speaker 4 (29:42):
You mentioned rugby. Yeah, yeah, you mentioned the Warriors.
Speaker 3 (29:46):
Oh yeah, but more than the rugby.
Speaker 1 (29:48):
Yeah, that's fandom, mate, that's actually that rugby doesn't have
the fandom anymore.
Speaker 5 (29:53):
No, the thing about rugby is, I notice, and this
is the kind of shit we talked about on the gender.
It doesn't have the drama. And for sport to be
really fucking great, it has to have for the personalities
and the drama and the dynasties and the companies and
the bad guys and the good guys.
Speaker 4 (30:08):
And what we've tried to do with rugby in New
Zealand and even League to a certain extent, it's just
sanitized the ship out of it. But you can't do
that and IF one because it's just these egos with
shitloads of money and the nepotism, and there's there's skullduggery
and and there's fidelity and fidelity. There's favoring high fidelity. Yeah,
this high fidelity, there's.
Speaker 1 (30:29):
A few people that with it pends a little bit
too high, which is always good to have in an organization.
Speaker 4 (30:34):
Yeah, oh, absolutely, get him right up there.
Speaker 3 (30:36):
Do you boys think that the issue with Banger and
Formula one though, was he made it sound far more
confusing than what it was because he'd watched the season
on about a five week delay pre record them.
Speaker 4 (30:46):
And rescind my apology to Banger. Yeah, that guy because
he had a complete media blanket blackout on Formula one, because.
Speaker 2 (30:56):
He was so far behind.
Speaker 4 (30:57):
Yeah that we were allowed to know anything about it.
Just we slipped up. I'm going to text him back
and say changing he wanted all to himself.
Speaker 3 (31:06):
Yeah.
Speaker 1 (31:07):
The other thing is he never explained what was good
about it.
Speaker 2 (31:11):
He couldn't, But I reckon.
Speaker 5 (31:13):
I'm like, you know Springfield on The Simpsons, they all
run often think of New Zealand like that.
Speaker 4 (31:18):
We all get to get it.
Speaker 5 (31:20):
We'll say, like when there's a problem at the observatory,
everyone in the sea, Captains down Smothers is down there,
mister Burns, Scanner, they all go one place.
Speaker 4 (31:29):
And because Liam Lawson was if one, the entire country
just have gone. We're now fucking if one tip the
country over into the sea. And then some yachting turns
up and we're like, fucking yachting.
Speaker 3 (31:40):
Yes, we love yachting.
Speaker 2 (31:41):
Remember when we were kids growing up, Tuesdays and Thursdays training,
Saturday regatta?
Speaker 4 (31:46):
Are you going to be a coming?
Speaker 3 (31:49):
We're all.
Speaker 2 (31:51):
You're optimists. Never gone down to the gattern.
Speaker 4 (31:55):
I remember putting on the tie and going down for wines.
Speaker 3 (31:57):
As the.
Speaker 1 (32:00):
Squadron.
Speaker 4 (32:02):
What are your associations with you're going to be going forward, Meshing.
Speaker 3 (32:05):
I'm no sure, mate, I'm not too sure. Not a lot,
I think, to be honest, doing it.
Speaker 2 (32:09):
What did when I do?
Speaker 5 (32:12):
All I ever saw them doing was like traveling around
the country having expert ultras A.
Speaker 3 (32:16):
Yeah, I feel like that's what it might turn into.
Is that. I think it's going to turn into that.
But the contract I signed said something which, by the way,
the contract I signed, Oh no, lucrative. Lucrative.
Speaker 1 (32:26):
Oh wow, yeah, well, I think because you've been an
intern on the show for so long and you only
just got paid this year. It was the first time,
and we put you on the lucrative for Meshing's lucrative.
Speaker 4 (32:40):
He goes into you know, social welfare and goes, is
this what you're talking about?
Speaker 3 (32:44):
Luc will not that lucrative. But I did say sports,
sports commentating and podcast hosting.
Speaker 4 (32:51):
Apparently you will. You will travel around the country and
get your points so you will eventually get call to excess.
Speaker 3 (32:58):
So you know that as the genuine excitement for me,
but not true.
Speaker 2 (33:03):
I accrued thirty air points dollars over my two years
on the cheap.
Speaker 4 (33:09):
Budget flights that don't get the fucking probably.
Speaker 2 (33:11):
No, they just don't accrue. They don't accrue like they
use the.
Speaker 1 (33:15):
Motherfucker got fully flixy refund and you get like if
you book fully for these sorts of gigs corporate gags,
you won't won't book the flight. What mesh your partner's
booking the flights?
Speaker 3 (33:27):
Didn't you.
Speaker 1 (33:29):
Fully flexy refund? And basically if you go from walkingand
to christ Church fully fleixy refund. Here's a little tip
for for people who are you are who are dining
out on the company dime, get fully flexy refund because look,
you might need to change who knows.
Speaker 4 (33:43):
Anyway, it's very easy to go. I'm pretty sure I
can do that. Just book it now. There's a few
moving parts, yep, and then they go flexi and then
you get the airpoints.
Speaker 3 (33:52):
How many points?
Speaker 1 (33:53):
So if you'll get you get more air points for
going a walking to christ Church fully flixy refund, then
you do like works, you know, going from.
Speaker 5 (34:03):
Auckland fifteen Auckland to dned and probably on fully flicks
you wouldn't you at least.
Speaker 4 (34:08):
I reckon yeah, more like thirty yeah, and.
Speaker 3 (34:10):
Is that dollars Like that converts the dollars.
Speaker 5 (34:12):
And this is the problem with the carew lounge, and
this is this fucks me off with it. And look,
this may seem elitist, but a lot of people are
just getting in there on their credit card points nowadays. Ah,
because you just run it through. You're on your gas
and everything through your credit card and that's the best
way to get get ye, don't go into it. But
airlines aren't really about traveling people around. They make their
money on their association with their airpoints.
Speaker 2 (34:31):
Dollars right there.
Speaker 4 (34:32):
They're they're they're neutral and making money from flying planes,
but they actually make their money. They're kind of like, weird,
Why don't they.
Speaker 2 (34:39):
Gouge my eyes out when I want to take a
bag on them?
Speaker 1 (34:41):
Well, that's just that's craft. That's just to cover their
costs of aviation fuel and stuff and then tissue.
Speaker 2 (34:49):
And then some dude is one hundred and sixty care
of those gets on you're well you're gonna Yeah.
Speaker 1 (34:53):
The deals that they have with like BP and all
of the other people that they do their airports working
supermarkets are huge because the supermarkets.
Speaker 3 (35:01):
Want all of the people using the Can I make
a complain about this podcast? Yeah? Please?
Speaker 5 (35:06):
So I was in a on a plane recently. Three
times recently, I've been on a plane and as I'm
walking in, someone said, oh, you're not going to destroy
the toilet. And then the next plane someone said, stay
in your seat. I hope you've been in the COREW.
Speaker 3 (35:23):
These are all from rumors that a fear.
Speaker 1 (35:26):
One time I was on a plane with you, I'd
be thinking the same thing. Yeah, you're going to drag
that thing all the way back to row twenty two one.
One time after brutal weekend on the pork belly.
Speaker 4 (35:37):
Yeah, backfired a little bit.
Speaker 3 (35:39):
It was a second time.
Speaker 4 (35:40):
There was a second time.
Speaker 3 (35:41):
You're sort of a defender.
Speaker 2 (35:42):
I had someone open the emergency exit at thirty thousand
feet because the smells that it.
Speaker 5 (35:46):
I like, I just want to push back on this.
If anyone's listening. Still, you don't know, because people say
why don't you go in the COREW, But you don't
necessarily know when you're going to go. Yeah, and the thing,
the whole bowels quiet, and then you get on the plane.
I think it's something about the altitude that loosens things up.
Speaker 4 (36:05):
A little bit, the cabin pressure an we're angle of
the planer, And why do they have the ability to
shit on a plane if you're not supposed to do it,
you know what I mean? Although equally people that are
in mobile homes, Yes, because I got a caller on
z B the other day for a guy that when
he went away, they had a toilet in the mobile home.
And this guy that it was a couple that just met,
(36:27):
and the husband kept on just using the toilet while
everyone was in there. So people were sitting down for dinner,
and it's you know, it's a really small, chemical chemical toilet.
That's about as far as I am from hum and
I the guy was just going in there during dinner time.
Speaker 3 (36:41):
And you don't even use those toilets.
Speaker 1 (36:44):
Like when we went on our campventing to the guy goes,
there's got a toilet that's just so use it. It
sloshes around in there and it will sometimes overflow. Use
the camping ground toilets.
Speaker 3 (36:54):
If you can.
Speaker 2 (36:55):
That's all I can think about when I see one
of those, is that they're driving around with a bucket
full of their own shirt any given time.
Speaker 4 (37:00):
Is there a lever you can pull that just dumps
in on the road oils like they should be used.
The Mario cards button, I've got rid of that. Now,
can we address before we knock this thing on the
head for the second time. You're now going to be
working with your partner. This isn't interesting dynamic.
Speaker 2 (37:19):
This is something we didn't address when she was on
the show this morning.
Speaker 4 (37:22):
No, she didn't touching my downstairs? How biggy button that
happened downstairs?
Speaker 1 (37:27):
We got we got a couple of mystery guests on
and then we blindfolded Mesh. You can listen to this
on the radio highlights pod and blindfolded Mash and then
we said.
Speaker 4 (37:37):
This was already, Oh that was the previous.
Speaker 1 (37:39):
This is a mystery guest came into the studio, Mash
and I said, normally you know, and this is your life?
They say, do you remember this voice? And then there's
the voice that comes over Lances And then.
Speaker 5 (37:51):
The lance Kins one was the worst because he was
deaf and dumb. He could remember, he couldn't he couldn't
hear or remember anyone.
Speaker 1 (37:58):
This is your life, Lance, I gave birth to you
all these years ago. And then because you couldn't hear her.
But anyway, Lauren came around the back and I said,
instead of saying do you remember this voice, I said,
do you remember these hands? And Lauren started touching me
and she goes, no, I got dangerous, and then I
(38:19):
pointed as dounsairs and then Lauren went down and grabbed
his cock and so.
Speaker 2 (38:24):
And he went.
Speaker 4 (38:24):
Jeremy he went, and then that was but he was
he was also small hands, I guess compared to Jerry's
got quite big hands.
Speaker 2 (38:34):
But he was also between a rock and a hard place.
Because that's a tough guest to get wrong. Yeah, so
I just grabbed his car and he's just like boulders.
Speaker 3 (38:45):
I was thinking to myself, like, just don't say your
name so you don't get wrong.
Speaker 2 (38:49):
That's right.
Speaker 4 (38:50):
Yeah you did do that, But how did you did
you feel? And I say, turned on, yeah, just some
blood rush down there.
Speaker 3 (38:57):
She went down there.
Speaker 1 (38:57):
I think the blood had already rushed down and he's
a five is running a constant raga and so he
was running trigger down there, so small breeze. She just
brushed by him at the beginning and immediately went hard
and then she she was straight down there, and.
Speaker 3 (39:12):
So did it go.
Speaker 4 (39:13):
Did you did it continue on mat? Did you move nowhere?
Speaker 2 (39:16):
Did you cop?
Speaker 3 (39:16):
Did you have sex on the dip?
Speaker 2 (39:17):
Yeah? They did? Yeah, it was full like full Howard's goined.
Speaker 3 (39:23):
Nineties. She read a sybian machine. Anyway.
Speaker 4 (39:28):
That's the bit that everyone remembers because.
Speaker 2 (39:32):
Because that was the only time I've ever heard or
seen it before. The saddle, the vibrating saddle. Basically, Yeah, anyway,
so your messes, you're going to be working with either
of you two ever worked with your partners before?
Speaker 5 (39:45):
I used to tour and support of my partner's band. Yeah,
we used to open. I used to open for her.
That sounds weird.
Speaker 3 (39:53):
How did that go? Yeah? I used to open for you. No,
I used to open for her. Was it degrading?
Speaker 4 (40:03):
I think that's part of it.
Speaker 2 (40:05):
That was part of the attraction.
Speaker 3 (40:08):
I don't know how that's going to go. But never
I've worked with.
Speaker 2 (40:12):
My missus ones on the On Your Appearance Farm and
we were wrapping silent and I was throwing tires that
were filled with three year old rainwater at her. Oh
and she stormed off. So I can vouch for the
fact that it doesn't go well, does it?
Speaker 4 (40:28):
Do you kind of work with your partner.
Speaker 5 (40:29):
When you're living with them, you kind of are working
with them in a way on a kind of sort
of dysfunctional project.
Speaker 4 (40:36):
Is life imagine project. It's like like like a project
that needs a massive audit.
Speaker 2 (40:44):
It's glearing we need a Canadian billionaire.
Speaker 4 (40:47):
Structural problems in this project terrible, But you kin'd are
working with them on your life. Yeah, it's just a
fucking massive lost leader of a situation.
Speaker 2 (40:56):
How's the work. I mean, I suppose you guys already
sort of work pretty adjacent to each other anyway.
Speaker 3 (41:00):
We try not to talk about work too much at home,
so we'll just probably keep it to work. It's not
going to I mean, that is weird to think about
working with your partner, but it'll be fine.
Speaker 4 (41:08):
But she knows where you're going. I think it's an
event because she books the tickets right.
Speaker 3 (41:12):
Yeah, oh my god, book the fully flexy refunds. Fully
Flexi refunds will be booked.
Speaker 5 (41:17):
But but what I'm saying with that is it's not
like where you go, because the main problem I get
in my life is I never know where I'm going. Yeah,
Like this week, I had two EMC gigs on at
the same time, and one was in a different city and.
Speaker 3 (41:28):
I had no idea. That's impressive.
Speaker 5 (41:29):
And then I got a call from the CEO saying,
you're supposed to do this. You can't be going off
to one and chriss you know, but she would know
that she's a woman. Tracy came to me and she goes,
you're fucking more on. Can you just work out your calendar?
But she's she will always know where you're going to be,
so she won't be annoyed when you're going away because
because it's her fault.
Speaker 9 (41:47):
Yeah.
Speaker 1 (41:47):
Sure, but then he's not going to be able to
run every part came here. She'll know exactly where he's
meant to be at every given time, and they're at work.
Speaker 3 (41:55):
With her or at home.
Speaker 4 (41:57):
But you could get like a prosy into your hotel room.
Speaker 1 (42:00):
I don't think you could because she'll be She'll be
there with her.
Speaker 3 (42:05):
She might not be up there with you though, will
she probably?
Speaker 1 (42:08):
Well?
Speaker 3 (42:09):
Maybe sometimes wow, But if she's not. Jerry, Jesus, real
inside of your life here looking at you? What are
you trying to do?
Speaker 1 (42:15):
Five?
Speaker 3 (42:16):
I mean everyone should be running a woman in the.
Speaker 5 (42:17):
Report when you're this is the pretty much Jerry and
I'm sure it's come up on the show since I left.
But he has huge amountual regret because he was faithful
to his girlfriends in this heyday.
Speaker 2 (42:26):
Yeah, any hard regrets, it you can tell, you can tell.
Speaker 5 (42:28):
It's just so much regret, probably because it wreaks up.
What is so stupid about that there was no phones
or social media back then? He could have just got
away with anything like someone might. Maybe someone might have written.
Speaker 4 (42:41):
Like a worded letter to his partner, or was the
only way, the only way that you'd get caught.
Speaker 2 (42:48):
A day that goes by that.
Speaker 4 (42:49):
I don't think what the why Madi observer might have
written the advertiser advertiser took a lady back to the motel.
Speaker 2 (43:03):
The only way hotel.
Speaker 3 (43:07):
I have regrets, that's understandable.
Speaker 5 (43:10):
Yeah, But what might happen is when you're away with
Lauren because she books the ACM, you might be put
on the executives or honeymoon.
Speaker 3 (43:17):
That's what I'm hoping for.
Speaker 4 (43:17):
Because right now, because with the prosy though, you're not
getting out of six with the prozy every time you
go away. No, let's get that out in the open now,
let's just get that. But what I will say to you, though,
mesh is that when I was working there, she would
book the executive.
Speaker 2 (43:38):
Suite for me and her.
Speaker 4 (43:39):
Right, Okay, so there is a street, there's president.
Speaker 2 (43:42):
I imagine she'll keep doing that.
Speaker 3 (43:43):
Yeah, I'm sure she will. So are you telling me?
I just can't believe you're telling me that that I
can't have sex with THEROI on every work trip.
Speaker 1 (43:50):
Not every work trip, Yeah, I don't think many at
all work trips, I mean, and the other things you
maybe one and five. Well, because you've also got a
big in a place that has prozis and good not
every not every place you'll be going to his prosies
like where now, like Tim for example, no prois in.
Speaker 3 (44:07):
Yeah, everyone's a prosy.
Speaker 4 (44:13):
Twenty five. You offer them a way out.
Speaker 2 (44:19):
How do you think I got here?
Speaker 4 (44:22):
You're too good. I didn't just book a ticket. He
had to sleep his way out of that offer.
Speaker 1 (44:28):
The offer of a way out, And then you have
six and then that office sort of starts over the
next three or four hours.
Speaker 3 (44:36):
Yeah.
Speaker 4 (44:37):
Well, this sort of clarity comes in.
Speaker 1 (44:39):
Promise you may he promised me bright lights in the future.
Speaker 4 (44:43):
He would have meant it in the mentor, Yeah, he
meant it at the time and then he got some clarity. Yeah,
and sobriety.
Speaker 2 (44:49):
But you gotta take that up with doctor Jack.
Speaker 3 (44:53):
I look forward to those.
Speaker 5 (44:54):
Just don't put the Prozzy on. I'll put it on
g Lane's credit cat because that massage and it's just
credit cases all roaded with crime.
Speaker 2 (45:02):
He knows that hide.
Speaker 4 (45:02):
It would just be it's too much, too much to
do it on GLA. Yeah, terrible, misogenous, it's just the worst.
Speaker 3 (45:10):
Yeah. Oh well, thanks boys, I've got to go and
apparently record it an a gender podcast whatever.
Speaker 1 (45:14):
They also because also for people who are listening, how
do keep you know, listeners, you're still going to be
doing the the the Morning Mesty from five point thirty
to six I don't think I am.
Speaker 3 (45:29):
What what do you mean? What's every of the Morning
Mesty all the three breaks that I get between five
and six am.
Speaker 1 (45:34):
Yeah, well, surely you're still doing the mornings.
Speaker 3 (45:37):
No, No, the Morning Mesha didn't come up and negotiating.
Speaker 4 (45:40):
Back for the Mastery Jay Reeves not.
Speaker 2 (45:47):
It's not probably doing then you're doing the masty, not
doing the.
Speaker 3 (45:55):
Called the Morning Ruder, Morning Ruder, the Rude to Rise.
I think I think it might be prebs. Actually no,
Pixie Campbell said that he wanted a shot on it.
Speaker 1 (46:07):
You can't Campbell.
Speaker 4 (46:08):
The Pixie missed it.
Speaker 1 (46:09):
You can't doing that that first five thirty to six, right,
the touch can't.
Speaker 3 (46:16):
Have the toucher.
Speaker 1 (46:19):
Okay, that's that sits the table for the dangerous president.
Speaker 3 (46:22):
That sits the table for the shape. Yeah.
Speaker 5 (46:25):
Anyway, MESHI, can I just say please, love you, love you, mate,
and glad you're only moving about just down the five
meters to the five left.
Speaker 2 (46:34):
Stuff we said about the machinations and ramifications of how
we ended up here, is it just the case that
they never hire anyone else and they just keep hiring
the same people the.
Speaker 4 (46:41):
Same I don't know. They tried a lot of people
before they.
Speaker 2 (46:49):
Just went.
Speaker 3 (46:53):
Yeah, I'll be back in about six.
Speaker 2 (46:57):
Thank you for every Okay, I don't wan the podcast
because then that's MESHI done.
Speaker 4 (47:02):
For Oh I've been holding on.
Speaker 3 (47:04):
It's forty eight minutes, but I do want to go
to Meshi. You hang it. Big shout out to the
podcast listeners. I think as you left medi as well,
you said that it's this twenty five to thirty minutes
each day that I think I'm definitely gonna miss the most,
so I.
Speaker 2 (47:15):
Can come back in and do it if you want.
Speaker 4 (47:17):
Okay, sweet, well might as well delete this pot.
Speaker 1 (47:20):
Then it's maybe realized listening to that that we should
fire Mesh every year.
Speaker 3 (47:39):
Yeah, that's right, I think.
Speaker 2 (47:40):
I mean, as we can only go after numbers, and
the numbers are people loved when we fired Mesh. This
is the second most popular podcast that we had. It
actually eclipsed Joe Rogan that week.
Speaker 1 (47:51):
It's a bit like Haga Ginger Day, you know. It's
that kind of thing that, well, I think more people
should call up, more people should he ends up getting
fired by a whole nation every year.
Speaker 3 (48:03):
It means that you can get a little bit of.
Speaker 1 (48:04):
Your frustration out for people that you want to fire,
but you just fire mass. So everyone just fires Mash
like burning Man.
Speaker 2 (48:10):
Yeah, burning Man, it's just burning burning Mesh.
Speaker 1 (48:13):
And you just everyone fires him every year. He can
He's got some sturdy shoulders, he can take it. Yeah.
Speaker 2 (48:19):
And then people call in and they don't use the name,
but then they just go through all the lists of
why they want to fire that person, and then we
ceremonially fire them.
Speaker 3 (48:27):
Yeah.
Speaker 1 (48:27):
It's also I think it's a lot of frustration out
for people who employers out there who are dealing with
really difficult employment situations. But you've got to go through
processes and all that crap.
Speaker 2 (48:36):
Hard to sack someone in New Zealand, doesn't it so hard?
Speaker 3 (48:39):
And so instead you just sack mash every year, burning mesh.
Speaker 2 (48:42):
It's a great idea.
Speaker 3 (48:43):
I think we should sack mash every year. Be good
for the numbers.
Welcome along to the podcast how's your holiday going?
Speaker 2 (00:06):
How's your holiday? Do you remember when the Irish touring
traveling family were getting about There's a guy that waited.
They were getting about in Bunning's hats. That's where I
go for all of my supplies. And they were not
try for something. It's like public nuisance or lettering or something.
They were they were lettering. Yeah, and then they came
out and there was just some battler standing outside the
(00:28):
courtroom with his phone wristed on his gut gun.
Speaker 3 (00:30):
How's your holiday?
Speaker 2 (00:34):
Mine's going about as good as theirs? Was the second
most popular podcast we did in the calendar year twenty
twenty five. Was featured dear friends of the show, Matt
Heath you may remember him, and he came into fire Mesh. Yeah,
it was messhes last year.
Speaker 1 (00:48):
Let's have a listen number two?
Speaker 3 (00:51):
That is what the list Keep busy, bro, how does
it go? I don't know how to do it?
Speaker 1 (00:58):
Good?
Speaker 4 (01:01):
There's something before let's do something. It doesn't it start music?
Speaker 2 (01:07):
You all of the si.
Speaker 3 (01:09):
Let's get busy? How do you?
Speaker 4 (01:12):
Doesn't it start with some music and then we.
Speaker 1 (01:13):
Go, let's get and then we go Okay, okay, okay,
there we go.
Speaker 5 (01:21):
Let's get buzzard that again.
Speaker 2 (01:25):
But that was when do we come in?
Speaker 3 (01:27):
And then as soon as he goes bus the music
comes in and then.
Speaker 2 (01:30):
We go, oh yeah, I'll just follow you. Okay, good.
Speaker 3 (01:47):
We go.
Speaker 1 (01:47):
We need to wait for the music before we do
the Oh yeah, right, so does it have a few
beats and it goes here goes Oh yeah, just like
riding a bike.
Speaker 5 (02:01):
Yes, just like writing it again, because I've also got
to come in on the right note on the music
as well.
Speaker 6 (02:08):
Go by.
Speaker 1 (02:26):
It's Friday, the twenty eighth of March twenty twenty five.
Special guest on the podcast mad Heath Maddie Stewart's here.
She's last podcast.
Speaker 5 (02:37):
Oh yeah, oh yeah, no, great to be here. And
can I just on the roses I gave you? Can
I just have a warning they've got prickles.
Speaker 3 (02:46):
Yes, I've already taken one off.
Speaker 4 (02:48):
I gave him ten read roses and I pricked myself,
is it tin?
Speaker 3 (02:51):
There?
Speaker 2 (02:51):
What is tin?
Speaker 4 (02:52):
I'm just making that out.
Speaker 3 (02:53):
Okay, let's count of look like tender one? There is?
Speaker 4 (02:58):
I asked for tin, you got ten asked for tin?
Speaker 5 (03:01):
But I don't know what the meaning of ten, you'd
know Jarry because you used to make those awesome bouquets
and you'd give them names.
Speaker 1 (03:06):
Yes, so I did, but I didn't often work with
red roses or roses.
Speaker 3 (03:11):
I didn't.
Speaker 1 (03:11):
I normally worked with lilies and chrysanthemums, aga panthers, never
an aga panther.
Speaker 2 (03:18):
Do you build a.
Speaker 4 (03:19):
Based around it? Because when I just got raw, I
feel like a raw dog.
Speaker 5 (03:22):
Those that bouquet to you mesh because I think you
need to build some other kind of foliage around it
for it to really work well.
Speaker 1 (03:30):
What the red roses say is that I love you
and I want to make love to you. That's what
red roses say, so.
Speaker 4 (03:35):
That a message got through themselves.
Speaker 1 (03:39):
They say I just want to fuck you.
Speaker 4 (03:41):
Yeah right, as long as they got through yeah so, But.
Speaker 1 (03:43):
If you put other flowers around it, it complicates the message, right,
complict it.
Speaker 2 (03:47):
But what I would say is they wrapped in twine
and brown paper, which is quite an aggressive I want
to make love to you, in my books.
Speaker 4 (03:55):
Is to say unprotected.
Speaker 3 (03:57):
Yeah, that's what it feels like. I think maybe we're
going out today at some point and no doubt.
Speaker 5 (04:01):
Yeah, so to you getting squeezed like you hurting yourself
on the prickles. That says unprotected sex, doesn't it. So
the message is clear and the messages every rose has
its thorn.
Speaker 1 (04:13):
And I think that's a nice message to give a
twenty five year old as he goes to work with Gulane,
because you know, you might think Julane is a rose.
But I'll tell you what, that rose has got some thorns.
Speaker 5 (04:25):
I like to look at it a different way, Jimmy.
I like to I like to think every thorn has
its rose.
Speaker 4 (04:29):
See, that's beautiful, and that's why we miss you. Yeah,
I like to go the other way.
Speaker 3 (04:32):
It's a glass halful approach to the rose before.
Speaker 4 (04:35):
It doesn't work in the case of Gulane.
Speaker 1 (04:38):
I think every thorn has more thorns would be the situation. Yeah,
once you get under the no, that's a good thing
about a gorse bush. You see it, you know it's
a gorse bush, and you stay the funk away from us.
You know you're give it a you give it a
white birth, whereas the rose lures you in.
Speaker 4 (04:54):
Same with a BlackBerry bush.
Speaker 2 (04:56):
That will lure you in with berries.
Speaker 5 (04:58):
With the berries, a lot of drunk people have gone
in for berries and ended up wrapped up in thauns.
Speaker 1 (05:03):
Yeah, where's Glane. You just see that bloody horrific big
gorse washing and say I'm not going anywhere near that.
Speaker 3 (05:09):
Well, there's warnings.
Speaker 5 (05:10):
It's just like you can if you get embroiled with
Gla and that's your own fault, you fence, you've stripped
off and jumped into some gorse.
Speaker 3 (05:17):
Basically, the horse.
Speaker 1 (05:18):
Was originally brought over here as a fence stop you
from going, and that's exactly what Lane does.
Speaker 2 (05:23):
It's like in nature, they'll always give you a warning,
like a brightly colored frog is often poisonous. And when
you hear or see Glaan and you'll be like, steer
clear of him. He's probably poisonous. He's a fence. He's
an offensive fence. But I think you'll go, well there,
I think you'll fit in. It's not like it's an
unknown quantity.
Speaker 3 (05:44):
Do you know what I'm excited about.
Speaker 2 (05:45):
I grew up.
Speaker 3 (05:46):
I remember when the sec fist started. It was when
I first started taking you know.
Speaker 4 (05:50):
Drugs, acid, yes, and sick days also sick days, sleeping,
started taking notice of what was going on around the place.
Speaker 3 (05:57):
It feels quite bizarre to be a part of it now,
Like I remember you guys. It's quite strange that it's
the same ACC because you would have been fifteen or fourteen.
First started fifteen when you guys have out that caravan
for the first time. So who was that at the
time that you guys had it would have been was
mana Were you working at Radio Hadeki at that time?
On that now prim night that's prim and easy. So
it was you guys, and then it was Lee Hart
(06:18):
was involved a Ford, Yeah, Lee Baker.
Speaker 2 (06:21):
Yeah, Leehart, Jace Lee Hart and Jace, Terry Salamanderman And
that's it.
Speaker 4 (06:28):
All those people are still involved, don't they.
Speaker 3 (06:29):
Yeah? Sweet?
Speaker 4 (06:31):
Yeah, So you haven't got rid of anyone.
Speaker 3 (06:32):
That's good.
Speaker 1 (06:33):
No, it's like Hotel California. You can you can check
out anytime. You were like, but you can't leave.
Speaker 7 (06:38):
I was.
Speaker 5 (06:38):
I was in a meeting the other day and someone
was an a SEC fan but they'd worked with Paul
Stuart Ford and and then one day, like after all
these years, they just were in a meeting and they went.
Speaker 4 (06:51):
You're not the fucking Paul Ford on the ACC, are you?
Speaker 3 (06:56):
Wow?
Speaker 4 (06:56):
That would have been amazing because he's quite so he.
Speaker 5 (06:58):
Was a fan but he could he was working with Paul,
but he could never put the two personalities together because
Paul was.
Speaker 2 (07:04):
Such a superstar.
Speaker 3 (07:05):
He's a high powered operator.
Speaker 5 (07:09):
Doctor Jekyll missed the Hyde situation, you know, operating in
plain sight of the world.
Speaker 3 (07:15):
Yeah. I think that happens quite a lot though than this,
because you you ham up to whatever you lean into
or whatever. Like, I remember people quite often because when
you're on the show, especially meeting Ninety percent of my
job was just being a psarchiastic fuck in the corner,
and then you'd meet people and they'd be like, oh,
you're actually quite nice, okay, sweet, and yeah, well this
is kind of how it goes. But Paul Ford is
a great example because he's a high level individual.
Speaker 7 (07:36):
Hi.
Speaker 1 (07:36):
That just reminds me remember when we had you on
the chod table, because I think Banga was pushing the buttons,
that's the and we had Meshi was learning how to
press the buttons, but we didn't want them getting too
close to the show.
Speaker 3 (07:47):
I think that was what it was.
Speaker 1 (07:48):
So you're allowed to be on a chow table inside
the studio. Do you have your own microphone as well?
Speaker 3 (07:52):
At the show? I think we might up because of
Mike set up here.
Speaker 1 (07:55):
Yeah, and you were just behind being on this weird
little metal table.
Speaker 3 (08:01):
No table.
Speaker 5 (08:02):
I remember when we were negotiating the percentage that you
were taught, and we floated like five percent, and then
Texas was like, I think two percent has a been
another just.
Speaker 3 (08:13):
To start with, Well, there were allegations two percent of
the timeline. There were allegations after a while that there
might have been an eighteen percent show, and that was a.
Speaker 4 (08:19):
Disaster, was too much.
Speaker 3 (08:23):
I also got a text last night from someone and
it was about a time where and I had actually
minister e raise it from my memory, but when I
was single at the time, I'd gone through a breakup
after I'd moved up here from Crash.
Speaker 4 (08:33):
So Lauren didn't have a boyfriend for a while. Whatn't
someone bloody.
Speaker 3 (08:38):
About that? This was before I met Lauren.
Speaker 4 (08:41):
Thankfully, Actually, now I think about it, I don't think
there was a bit Monday, and I.
Speaker 3 (08:45):
Remember it might have been a bit, and I remember
we was even fucking going with that. I got districted.
You didn't have a girlfriend, and I remember you guys,
you were worried about the fact that I was going
out on the weekends on my own and you were
embarrassed about the fact that there might be someone broadcasting
on your show that perhaps had an STI and you
and you said that it's not it's not fear on
(09:06):
the listeners to be at risk of being infected. So
every time you speak, you please ring a doorbell and
then repeat unclean, unclean, and clean three times before speaking.
That's right. And then I think that evolved into the doorbell.
There was about a year there, ye.
Speaker 5 (09:22):
When we were trying to manage and get out, well,
we started kicking you out of the studio because I
had to ring the doorbell to come out. Yeah, yeah, yeah,
and you come welco because we were actually educating you
and broadcasting and you there's a line in broadcasting that
you know, long term broadcasters like us. I think Jerry's
had fifty years in the business or something, you.
Speaker 4 (09:45):
Know the line.
Speaker 5 (09:45):
And you didn't know the line, so you're he was
often going over the line. Yeah, and we had to
and so we had to kick him out. You're arguing me, Yeah,
that was you.
Speaker 3 (09:53):
Me arguing me. Yeah, yeah, you you were. You're getting
me to scrub the deck of our podcast for a while,
which just or slam and focused.
Speaker 4 (10:03):
So Edmond focused?
Speaker 1 (10:04):
Have you got the have you got that? The collection
of people giving messages to your mesh farewell messages?
Speaker 3 (10:11):
Let me have a look. Got that on the wall anyway,
put it on there. I like to hear that.
Speaker 1 (10:17):
There's some, there's some, there's some great missas. There's one
particularly from the notorious pants Man Joel Harrison, which covers
off some really important.
Speaker 4 (10:29):
Oh god, lest we forget the notorious.
Speaker 3 (10:33):
Do you know that his message was the closest I
got the hearing up on today? Same here. I don't
know why that the Pantsman has never said anything that.
Speaker 4 (10:44):
Just throw them out when you leave Mesh. Don't worry
about that.
Speaker 3 (10:47):
What one is this? What are you showing me?
Speaker 4 (10:49):
Dark blue?
Speaker 3 (10:50):
Okay? Thanks? Ready, all right, there's this one here. Shall
we skip through the other ones and just get to
the pants.
Speaker 2 (10:55):
Karen read first.
Speaker 3 (10:57):
Congratulations on completing the internship, mate, Jesus.
Speaker 4 (10:59):
Probably the longest internship of I've seen five years.
Speaker 2 (11:03):
Very impressive or maybe not so impressive, But anyway.
Speaker 1 (11:06):
Mate, I know you're going to take all these lessons
and go well on that next chapter for you, mate,
So enjoy that been good to see you finally got
to see the real mash in the last week, the
juggler and unicyclist.
Speaker 3 (11:18):
So mate, all the best, go well.
Speaker 8 (11:20):
Hi guys, Lasim of Gold is here. Look, I just
wanted to ring and this isn't ringing, and this is
a voice recording. I just wanted to send a voice
recording into wish Mesh. You're the very best of luck
and it's next Endeavors. I think he's making a massive mistake.
But that's neither here nor there. Mashie. We love you,
you know, I particularly love you seeing as you look
so much like my husband. But go well, my friends,
(11:42):
everything you want it to be. You've done a great
job with Matt and Jerry and now Jerry and Maniah.
You're a good human. Still look a lot like my husband.
But anyway, that's neither here. Wanted to go well, Mesh,
that's a love er.
Speaker 6 (11:55):
Mashi Diahim when he had wade to Town Primary School,
just wanted to say cond greats on your last day. Mate.
I knew from the minute I saw you with Click
me as a sort of mid forties guy, you as
a young twenty year old boy really coming into your
own you know, I just wanted to climb in like
a curtain and be a mate and mat twe became.
And it's beautiful to see You've been under the wing
(12:17):
of Radio had Aki, the acc every time you've delivered.
That's why they call you the dairy as a postman.
Speaker 7 (12:27):
Hey, Yido Mashi, it's the notorious pants man Joel Harrison here. Look,
I just wanted to congratulate you, mate, on a great
career you've had so far at Radio Hodarchy six years,
only twenty five, majority of that time in the hot
seat on breakfast as well. It's a pretty cool accomplishment.
A lot of people would kill for that job.
Speaker 3 (12:44):
You've earned it as well. You kill it every single.
Speaker 7 (12:46):
Day and I'm looking forward to seeing what's next for you.
I'll always cherish those moments we had together at hod Aki.
I mean, you think back to the bamboo tiger bed,
you think back to gravy, you think back to the
Ajax Paatel ten wickets create day Jeremy Wells. How you
think of all those crimes you committed and the didneed and.
Speaker 3 (13:02):
Be fast last year? What a time it was, mate.
I wish it could be with you celebrating tonight.
Speaker 7 (13:06):
Watch out pray go watch out for those cubicles round
pomps and be watch out.
Speaker 3 (13:10):
Caro'd love you, Mashie, all the.
Speaker 9 (13:12):
Best, Massie Ben Hurley here. Look, we're going to miss
you very very much. You are very much a part
of all of our lives. I just remember this very pale,
slightly chubby country boy coming to the big city with
stars in his eyes and a cardboard suitcase and a
heart full of dreams, and soon enough you were just
all a part of the furniture. And I remember, you know,
(13:36):
one time, dancing till to Jimmy Barnes after the Pie
Awards until dawn, and then you went home with some
girl called Lauren, leaving me there like Cinderella. Just so
many good times. You producing the Mad Monday podcast out
every Wednesday these days, and you know me there in
the morning when I've been filling in on the Hodaky Breakfast.
(13:59):
So you know, I just feel like we've shared so
much and I'm so close to you, but you know
we've shared all that. I still have absolutely no idea
what your real name is.
Speaker 3 (14:11):
Mashy, my boy.
Speaker 5 (14:12):
Congratulations on one now of a shift pushing the buttons
on the hood.
Speaker 3 (14:17):
Ducky breakfast mate. I don't know how you've done it.
Speaker 9 (14:20):
Put up with Jerry Wells, Matt Heath and now min
I a shield for so bloody long and even me
pisting year drums for the odd week here and there.
Speaker 3 (14:28):
Love your work mate.
Speaker 2 (14:30):
Hopefully in the new role that you're going into, they
teach you how to one scull of campus and two
pull them off, mate, keep.
Speaker 3 (14:39):
It on, go well to on.
Speaker 4 (14:42):
It's unfair to say that you couldn't pull them up.
Speaker 3 (14:45):
I think a previous voicemail there I proved that you could.
Speaker 4 (14:48):
Yeah, yeah, shout out to the Laura on my goldtrip.
By the way, there was the one before that. Oh yeah,
anyway was it Candy, Oh Candy? Yeah, yeah yeah.
Speaker 3 (14:58):
The message in there though that I agree with you
on Laura. The old that's going to cause an issue
as old as I'm not sure why pants Man felt
like you had to have such a direct and intentional
throwback to Gravy for some reason. I think Gravy just
that he threw that away beautifully.
Speaker 4 (15:17):
And we've had some great times on the bed at Bamboo,
We've had some great times. Pamboo Tiger, it.
Speaker 3 (15:24):
Was a go to for Yeah, we had a couple
of seasons at Bamboo Tiger. There are a couple of
seasons there.
Speaker 1 (15:28):
Well, it came off the back of our to Your
Face Off specials. We'd often go to Your Face Off,
specially on a Friday, and then you know, you'd immediately
start thinking, oh jeez, it's the dance falls ok, and.
Speaker 5 (15:39):
The Natroy's Pantsman. Being a member of the d Auckland
dance community, didn't have had any ends.
Speaker 4 (15:45):
All we never ended up was that.
Speaker 3 (15:52):
I've just found it.
Speaker 10 (15:54):
It's time for Matt and Jerry's to Your Face Off Fridays.
This is where we put songs that have been submitted
by you to the panel, all with the aim to
make the official to your Face Off fails. You can
submit songs for future episodes by sliding into the Matt
and Jerry Show in box or email us at Matt
(16:15):
and Jerry at yahoo dot com, search radio how Rocky
on the songs that have made the cards so far,
so long's that.
Speaker 3 (16:28):
Was the first thing you've ever made? That was the
first thing.
Speaker 1 (16:31):
It was the first thing you've ever made, and it
was so long?
Speaker 4 (16:34):
Can I can I bring the whole chap around to me?
Speaker 3 (16:36):
Please do it?
Speaker 4 (16:37):
No, please do do you know what I've missed.
Speaker 5 (16:38):
Most so I've lift d It's it's you guys, But
it's also how do I put this baby belly? Floroughly
miss baby them? And I think man I would probably
know the manirahs in the and the bis seat really
and there we go.
Speaker 1 (16:56):
Yeah said they don't have a baby belly up at news.
Speaker 4 (16:59):
No, we're on the We're up in the air. I
actually up in the air.
Speaker 2 (17:03):
I actually arranged this for Mesh's last day for the
podcast Little Special podcast Traders are cooking a couple of
babes into the alley, please be honest.
Speaker 1 (17:09):
Belly has really been firing in the last Yeah, a
couple of weeks particularly.
Speaker 4 (17:14):
See it's because because you, Mesh, like you.
Speaker 5 (17:18):
When I was here, you'd see me look up and
then your head would whip around at such a pace
that Jeremy talking about something and then or I'd be
talking about something and I'd stopped talking.
Speaker 4 (17:28):
I'll be looking out the window and then mashing it.
It was like mere cats. Everything froze and.
Speaker 3 (17:34):
Then mid break, Jury's out there floundering on his own
because we having a perb out the window here, I.
Speaker 1 (17:38):
Like God, desperately seeking Susan out here that we've.
Speaker 2 (17:40):
Got drop something off peacock. I I'm liking it so
particularly in the three seats that we're sitting in the
heath at the moment in mesh, it's like the clowns
at the carnival with the mouth open.
Speaker 4 (17:55):
I even missed the non babes from Baybelly. Actually, you
know you do this once.
Speaker 5 (17:59):
You see every at certain times and they're like your
little your little sad little vaping friends.
Speaker 2 (18:04):
We have given them all, don't know.
Speaker 4 (18:08):
Oh, here we go a couple of as.
Speaker 2 (18:12):
Our bosses bosses.
Speaker 3 (18:18):
You away from a microphone.
Speaker 5 (18:19):
I'm in a bit of trouble for where for When
me and and I are won the Super Bowl film,
I decided to go and fall z b regalia, you
know merch, and then I celebrated by just drinking out
of the the you know, about eight cans of beer
out of the trophy and pouring.
Speaker 2 (18:36):
It right down the front, destrimental to the brand.
Speaker 4 (18:38):
Apparently it's not on brand for Really, it's because it's
on brand for its brand for me, and it's on
brand for the A C. C. Apparently not on brand
for a lot of beer down your front.
Speaker 1 (18:48):
Would thought there's some drinkers out there.
Speaker 3 (18:52):
Surely wine Like maybe it would have been more appropriate
if you just box wind it. You know that if
you just goooned it, if just getting it, if youre
guilty of anything, it's not girning.
Speaker 2 (19:02):
I would also say you've now got dirt on your
boss because he's just wandered up babelly for no good reason.
Speaker 3 (19:07):
Yeah, I see what are you saying? And he operates
some babelly.
Speaker 4 (19:09):
You're saying he doesn't deserve to be in babelly.
Speaker 3 (19:11):
You have no right to be in babelly.
Speaker 2 (19:13):
Mate, I think we can all agree he's got no right.
Speaker 3 (19:16):
He's doing a bit of a drive by baby. Yeah, God, okay,
well cannet guy funk off. I don't know what he's
doing there.
Speaker 2 (19:26):
You get out, Well, there's always a guy out there.
You need to get to the meshes off.
Speaker 1 (19:31):
You guys have got babelly.
Speaker 3 (19:32):
I've got my own baby belly going on out the
other window.
Speaker 2 (19:34):
That's not bad.
Speaker 1 (19:38):
I wonder trust rooted a sneak And as soon as
baby Belly's going off, like when I was.
Speaker 4 (19:44):
When I was working here, I really wanted to get
at like some kind of intercom out there. So you
can move people on.
Speaker 1 (19:52):
Walking you were walking occupying space.
Speaker 3 (19:55):
Keep going with the touch of the meshes. Please move
on anyway, it's this guy here.
Speaker 4 (20:02):
People see in from Baybelly and.
Speaker 3 (20:06):
To find out we could give this lady a wave. Yeah, okay,
we got no no one's waving.
Speaker 2 (20:12):
I guess yes, they can't see us. No, we don't
want you to do anything.
Speaker 3 (20:18):
Not Mess two point oh are you too? Fucking's getting uncomfortable.
Speaker 5 (20:28):
Let's a break because someone so much to have told
me that about ten years ago that they could see
it here.
Speaker 4 (20:31):
Let's take a break anyway, Let's make it more about Mesh.
Speaker 3 (20:35):
Thanks, and where do you want to start.
Speaker 5 (20:37):
Well, let's start back with a young man who was
teamed up with a legendary broadcaster going one of the greats.
You know what a way to cut your teeth in broadcasting,
fain Curd. I mean, if you've got a young guy,
you know who's come up from the South Island, he's
got dreams, he's he's done very well at broadcasting school,
(20:59):
very well whenever you talk to it. And they knew
that Mess was the star just was. He was great
on the min and they thought we need to put
him with the best of the absolute best. You know,
you could just put him with some useless piece of
ship that's got fired from everywhere he's work, and thank
god they didn't. You could do that like like you know,
less of people would have done that, less of people
(21:20):
would have but but no, they put you with an
absolute legend the crap.
Speaker 3 (21:27):
And then I worked there and then thank god for
Gelane yanking me off that thing.
Speaker 4 (21:31):
Yeah, for Glane yanking you off at what about?
Speaker 1 (21:35):
So you remember that that first gig that you had
the Radiohatockie where you were working with that broadcasting Lenjard
Dane Kirby and.
Speaker 2 (21:43):
Brought in to replace me when I got sacked my
sack and.
Speaker 4 (21:46):
I that's the fucking irony of the whole thing. I
forgot about that piece of the.
Speaker 1 (21:52):
Just the full circle, so the circles being completed.
Speaker 9 (21:55):
So what.
Speaker 4 (21:58):
What was wrong with Manya?
Speaker 5 (21:59):
Then that isn't wrong with him now, it's not like
he's got better, It's not like we haven't learned more
about Manyah.
Speaker 3 (22:06):
Love, I've regressed if anything.
Speaker 1 (22:08):
But now yeah, well that's the Yeah, that's actually you're right.
So if I wonder if Maniah, so I'm going back
because The reason that Matt and I started was because
Ian Stables punched a person in the face at a
chicken on the way going a Jetstar employee on the
(22:28):
way at an airport, and he was meant to be
coming doing the Hdocky Drive Show.
Speaker 2 (22:32):
That was the flight to come and do this show.
Speaker 1 (22:34):
It was at the Sunday night and he was meant
to do it on the Monday afternoon, the first Drive Show.
He's signed a contract, everything done.
Speaker 4 (22:40):
And then it was just a but in the contract
about putting the company into distribute.
Speaker 1 (22:44):
Heired before he even did a show, which is remarkable.
Matt got called and to do that show, and then
blah blah blah dah. We ended up doing breat and
then Matt started doing Breakfast with me. I was brought
into a that situation. Now, Maniah, you were doing the
Drive Show and then fired.
Speaker 4 (23:02):
And I came in to do one of those weird
prime jobs.
Speaker 2 (23:06):
I was doing promos out there and Joe Jury and I.
This was back in the day when you used to
talk about how you were on a registry and you
were allowed to be sent tramadoles and then immediately a
million people would send tramadols into the studio and as
a service to you, Joe and I would steal those tramadoles.
We'd pull the lazy boys up to our desk on
a Friday afternoon and have tram me Fridays.
Speaker 4 (23:26):
So that's a real service because I do have a
problem with prescription jokes. So that wasn't great for hoteching productivity,
but it was great for my drug addiction.
Speaker 2 (23:35):
We did that for you and on a Monday morning
you come in and read the emails you send on
a Friday afterday.
Speaker 3 (23:39):
But what the fuck was that?
Speaker 2 (23:41):
And then when Jace lift, I sat closest to the door,
so they brought me into the air. Yeah, right, And
then they sacked me for a bit of broadcaster.
Speaker 1 (23:50):
And then they bought k Then they brought Kirby on, yes,
and then so but what I'm saying is if it
wasn't for the series events where you were taking the
tramadoles and then really found your voice through that tremadol addiction,
through taking that and through.
Speaker 5 (24:03):
The lovely people of Hadaki that were trying to continue
that addiction by sending their excess tremadol so much is
beautiful thing to do, isn't it.
Speaker 3 (24:10):
Yeah, and then if you.
Speaker 1 (24:12):
Weren't fired, and then thank Kirby didn't arrive, then what
would Mash have ever been put on as his.
Speaker 2 (24:18):
No, because I would have no, because I would have
made sure that Mash was let go. Yeah, and so
that's he never would have been brought on as a producer.
And at that point then he so that that started
that year, Domino.
Speaker 5 (24:31):
And then and then the reason why Mash ended up
on our shows because we did a cross with him
and when you were traveling up and down the country
for some wounding radio humiliator, that's right, and then we
got on well on the mic and then we're like, yeah,
we like that guy, Mashi. So it's all sliding doors, Hey?
Speaker 3 (24:48):
Is that? Why?
Speaker 1 (24:49):
Is that why stories like that are so cool and
so interesting is because you when you go back and
you started a particular point, you realize that the connections
that occur and the events that happen and the randomness
of this crazy universe are so cool when you look
back on them.
Speaker 2 (25:06):
But that it gets even crazy because Lane created the
role of the ACC as a way of bringing me
back from the mainstream sports media after firing it. Then
when you left after firing me, Yes, maybe as a
way of trying to absolve his own guilt. Yes, then
when you leave cancer at the time, he did have
cancer at the time, giants on his head. Then you left,
(25:27):
and then I came in here, thereby freeing up the
role at the ACC for Mash to go over there.
Speaker 1 (25:33):
Another part of that, if Lane hadn't have got that
cancer and warn those massive tits on his head, you
wouldn't have been potentially fired on the first place. Minn
maybe not, which would have meant that Dane Kirby never
would have come in, which would have meant that in
the space time continuum, Mash never would have come into
that production role, which couldn't have enabled you to then
(25:54):
go to the ACC, which wouldn't have enabled Mash to
then come into this role, which wouldn't have enabled you
to then come into the roll, and then Mesh to
leave back to the A C C.
Speaker 2 (26:03):
I would have been okay with not been fired though,
to be fair, Yeah, so I wouldn't have a forklift license.
Speaker 3 (26:09):
So who did it work out well for me? I
was the winner in that situation. You guys had to
suck it. Yeah, Yeah, you spent some time at at
a brewery intimately.
Speaker 2 (26:18):
Around a warehouse for a brewery. Yeah, that's why I've
got a a forklift license. And I also unloaded ships.
Speaker 3 (26:23):
At the Wolf.
Speaker 1 (26:26):
Who wouldn't want to be a Steve Adore.
Speaker 2 (26:29):
Anyone that does a steved Probably?
Speaker 3 (26:31):
No, that's fair, all right, Well it's been a place. Boys.
Speaker 1 (26:34):
Are you happy where you are now?
Speaker 3 (26:36):
Ah?
Speaker 1 (26:36):
Look because if you aren't there, If you are, then
all of the events that happened before that, you've got
to say we're good events.
Speaker 2 (26:43):
I will say, Heath, is there any truth of the
allegations that all of the people that have left have
been fired by Jerry? And should I be worried about?
Maybe my role on this show seemed to be.
Speaker 1 (26:52):
The last I'm the last, I'm the last thing.
Speaker 4 (26:55):
I don't know if I was fired by Jerry, But
I'm pretty sry I find myself.
Speaker 5 (27:01):
But you never know what's you know, what's lurking in
the background, you know what kind of Maybe he's a
bit of a frank undwood of a guy that operates
behind the scenes.
Speaker 4 (27:09):
And I felt like I left for Zebbie on my
own volition.
Speaker 5 (27:12):
But maybe maybe what you thought, that's what you're going
to make people think maybe Jerry was undermining Cybarnett's confidence
in the background and engineering a spot.
Speaker 3 (27:24):
For me to go to.
Speaker 1 (27:25):
I'm sick of people leaving. Actually, I'm sick of people.
I'm sick of people leaving. Now I realized as I
was doing that last break today, I'm like, I'm tearing
up again. I'm like, I'm sick. I'm sick of tearing
up again.
Speaker 5 (27:37):
People are always leaving, people always leaving. Gravy she left
that time. Else gravy, gravy.
Speaker 1 (27:46):
Gravy, the ones, the ones that have cut me up
the most. And the other one is Mark Clampert. Those
two are huge losses.
Speaker 4 (27:57):
Mark Clambert, Oh, my huge.
Speaker 1 (27:59):
Losses to the station in many ways, many ways not
always obvious.
Speaker 5 (28:06):
When the first well with mash leaving, is there now
sliding door opportunity for Mark Clampett to come down?
Speaker 1 (28:14):
I say, because people brings clamp It up.
Speaker 2 (28:16):
With me a lot.
Speaker 5 (28:17):
It's Ma Clamper, not Mark Clampe. Yeah, no, Ma, I
have heard about this before, like Grandma clamp the Beverly hillbilly,
Mark Mark Clampet. But who Mark Clampert is is another
I'll take that to my grave. Who Mark Clampitt actually
(28:37):
is so also Banger Left. I sent an apology to Banger.
Speaker 3 (28:42):
Yesterday. You last week you I've got no concept of time.
Speaker 9 (28:46):
What? Uh?
Speaker 4 (28:48):
Well, Sorry for for always making fun of you, for
enjoying if one.
Speaker 5 (28:54):
Sorry for the time I said it was just a
stupid slot car set. Sorry for saying that your Ferrari
jacket looked dumb. Sorry for calling it a precision Yeah, because.
Speaker 3 (29:05):
He was early Formula one, wasn't he?
Speaker 2 (29:06):
Yeah, big time?
Speaker 4 (29:07):
Because now I'm so obsessed with Formula one and I
fucking totally get it. Yeah, I just needed the key
we in.
Speaker 3 (29:13):
Do you know the thing about?
Speaker 4 (29:14):
And now the key we in? And I'm happy to
be a bandwagon jumper and on it.
Speaker 3 (29:18):
But then the reaminations, now you take it now he's out.
Speaker 4 (29:22):
Well, he's going to be in Red bull racing. He's
still in the race. Do you think I think it's good.
Speaker 5 (29:28):
Let's not get into it. It's ninety percent of the
talk on news if one. It's the only sport that
ZB listeners care about. One hundreds insist if you ever
mentioned if one.
Speaker 3 (29:40):
It's like.
Speaker 4 (29:42):
You mentioned rugby. Yeah, yeah, you mentioned the Warriors.
Speaker 3 (29:46):
Oh yeah, but more than the rugby.
Speaker 1 (29:48):
Yeah, that's fandom, mate, that's actually that rugby doesn't have
the fandom anymore.
Speaker 5 (29:53):
No, the thing about rugby is, I notice, and this
is the kind of shit we talked about on the gender.
It doesn't have the drama. And for sport to be
really fucking great, it has to have for the personalities
and the drama and the dynasties and the companies and
the bad guys and the good guys.
Speaker 4 (30:08):
And what we've tried to do with rugby in New
Zealand and even League to a certain extent, it's just
sanitized the ship out of it. But you can't do
that and IF one because it's just these egos with
shitloads of money and the nepotism, and there's there's skullduggery
and and there's fidelity and fidelity. There's favoring high fidelity. Yeah,
this high fidelity, there's.
Speaker 1 (30:29):
A few people that with it pends a little bit
too high, which is always good to have in an organization.
Speaker 4 (30:34):
Yeah, oh, absolutely, get him right up there.
Speaker 3 (30:36):
Do you boys think that the issue with Banger and
Formula one though, was he made it sound far more
confusing than what it was because he'd watched the season
on about a five week delay pre record them.
Speaker 4 (30:46):
And rescind my apology to Banger. Yeah, that guy because
he had a complete media blanket blackout on Formula one, because.
Speaker 2 (30:56):
He was so far behind.
Speaker 4 (30:57):
Yeah that we were allowed to know anything about it.
Just we slipped up. I'm going to text him back
and say changing he wanted all to himself.
Speaker 3 (31:06):
Yeah.
Speaker 1 (31:07):
The other thing is he never explained what was good
about it.
Speaker 2 (31:11):
He couldn't, But I reckon.
Speaker 5 (31:13):
I'm like, you know Springfield on The Simpsons, they all
run often think of New Zealand like that.
Speaker 4 (31:18):
We all get to get it.
Speaker 5 (31:20):
We'll say, like when there's a problem at the observatory,
everyone in the sea, Captains down Smothers is down there,
mister Burns, Scanner, they all go one place.
Speaker 4 (31:29):
And because Liam Lawson was if one, the entire country
just have gone. We're now fucking if one tip the
country over into the sea. And then some yachting turns
up and we're like, fucking yachting.
Speaker 3 (31:40):
Yes, we love yachting.
Speaker 2 (31:41):
Remember when we were kids growing up, Tuesdays and Thursdays training,
Saturday regatta?
Speaker 4 (31:46):
Are you going to be a coming?
Speaker 3 (31:49):
We're all.
Speaker 2 (31:51):
You're optimists. Never gone down to the gattern.
Speaker 4 (31:55):
I remember putting on the tie and going down for wines.
Speaker 3 (31:57):
As the.
Speaker 1 (32:00):
Squadron.
Speaker 4 (32:02):
What are your associations with you're going to be going forward, Meshing.
Speaker 3 (32:05):
I'm no sure, mate, I'm not too sure. Not a lot,
I think, to be honest, doing it.
Speaker 2 (32:09):
What did when I do?
Speaker 5 (32:12):
All I ever saw them doing was like traveling around
the country having expert ultras A.
Speaker 3 (32:16):
Yeah, I feel like that's what it might turn into.
Is that. I think it's going to turn into that.
But the contract I signed said something which, by the way,
the contract I signed, Oh no, lucrative. Lucrative.
Speaker 1 (32:26):
Oh wow, yeah, well, I think because you've been an
intern on the show for so long and you only
just got paid this year. It was the first time,
and we put you on the lucrative for Meshing's lucrative.
Speaker 4 (32:40):
He goes into you know, social welfare and goes, is
this what you're talking about?
Speaker 3 (32:44):
Luc will not that lucrative. But I did say sports,
sports commentating and podcast hosting.
Speaker 4 (32:51):
Apparently you will. You will travel around the country and
get your points so you will eventually get call to excess.
Speaker 3 (32:58):
So you know that as the genuine excitement for me,
but not true.
Speaker 2 (33:03):
I accrued thirty air points dollars over my two years
on the cheap.
Speaker 4 (33:09):
Budget flights that don't get the fucking probably.
Speaker 2 (33:11):
No, they just don't accrue. They don't accrue like they
use the.
Speaker 1 (33:15):
Motherfucker got fully flixy refund and you get like if
you book fully for these sorts of gigs corporate gags,
you won't won't book the flight. What mesh your partner's
booking the flights?
Speaker 3 (33:27):
Didn't you.
Speaker 1 (33:29):
Fully flexy refund? And basically if you go from walkingand
to christ Church fully fleixy refund. Here's a little tip
for for people who are you are who are dining
out on the company dime, get fully flexy refund because look,
you might need to change who knows.
Speaker 4 (33:43):
Anyway, it's very easy to go. I'm pretty sure I
can do that. Just book it now. There's a few
moving parts, yep, and then they go flexi and then
you get the airpoints.
Speaker 3 (33:52):
How many points?
Speaker 1 (33:53):
So if you'll get you get more air points for
going a walking to christ Church fully flixy refund, then
you do like works, you know, going from.
Speaker 5 (34:03):
Auckland fifteen Auckland to dned and probably on fully flicks
you wouldn't you at least.
Speaker 4 (34:08):
I reckon yeah, more like thirty yeah, and.
Speaker 3 (34:10):
Is that dollars Like that converts the dollars.
Speaker 5 (34:12):
And this is the problem with the carew lounge, and
this is this fucks me off with it. And look,
this may seem elitist, but a lot of people are
just getting in there on their credit card points nowadays. Ah,
because you just run it through. You're on your gas
and everything through your credit card and that's the best
way to get get ye, don't go into it. But
airlines aren't really about traveling people around. They make their
money on their association with their airpoints.
Speaker 2 (34:31):
Dollars right there.
Speaker 4 (34:32):
They're they're they're neutral and making money from flying planes,
but they actually make their money. They're kind of like, weird,
Why don't they.
Speaker 2 (34:39):
Gouge my eyes out when I want to take a
bag on them?
Speaker 1 (34:41):
Well, that's just that's craft. That's just to cover their
costs of aviation fuel and stuff and then tissue.
Speaker 2 (34:49):
And then some dude is one hundred and sixty care
of those gets on you're well you're gonna Yeah.
Speaker 1 (34:53):
The deals that they have with like BP and all
of the other people that they do their airports working
supermarkets are huge because the supermarkets.
Speaker 3 (35:01):
Want all of the people using the Can I make
a complain about this podcast? Yeah? Please?
Speaker 5 (35:06):
So I was in a on a plane recently. Three
times recently, I've been on a plane and as I'm
walking in, someone said, oh, you're not going to destroy
the toilet. And then the next plane someone said, stay
in your seat. I hope you've been in the COREW.
Speaker 3 (35:23):
These are all from rumors that a fear.
Speaker 1 (35:26):
One time I was on a plane with you, I'd
be thinking the same thing. Yeah, you're going to drag
that thing all the way back to row twenty two one.
One time after brutal weekend on the pork belly.
Speaker 4 (35:37):
Yeah, backfired a little bit.
Speaker 3 (35:39):
It was a second time.
Speaker 4 (35:40):
There was a second time.
Speaker 3 (35:41):
You're sort of a defender.
Speaker 2 (35:42):
I had someone open the emergency exit at thirty thousand
feet because the smells that it.
Speaker 5 (35:46):
I like, I just want to push back on this.
If anyone's listening. Still, you don't know, because people say
why don't you go in the COREW, But you don't
necessarily know when you're going to go. Yeah, and the thing,
the whole bowels quiet, and then you get on the plane.
I think it's something about the altitude that loosens things up.
Speaker 4 (36:05):
A little bit, the cabin pressure an we're angle of
the planer, And why do they have the ability to
shit on a plane if you're not supposed to do it,
you know what I mean? Although equally people that are
in mobile homes, Yes, because I got a caller on
z B the other day for a guy that when
he went away, they had a toilet in the mobile home.
And this guy that it was a couple that just met,
(36:27):
and the husband kept on just using the toilet while
everyone was in there. So people were sitting down for dinner,
and it's you know, it's a really small, chemical chemical toilet.
That's about as far as I am from hum and
I the guy was just going in there during dinner time.
Speaker 3 (36:41):
And you don't even use those toilets.
Speaker 1 (36:44):
Like when we went on our campventing to the guy goes,
there's got a toilet that's just so use it. It
sloshes around in there and it will sometimes overflow. Use
the camping ground toilets.
Speaker 3 (36:54):
If you can.
Speaker 2 (36:55):
That's all I can think about when I see one
of those, is that they're driving around with a bucket
full of their own shirt any given time.
Speaker 4 (37:00):
Is there a lever you can pull that just dumps
in on the road oils like they should be used.
The Mario cards button, I've got rid of that. Now,
can we address before we knock this thing on the
head for the second time. You're now going to be
working with your partner. This isn't interesting dynamic.
Speaker 2 (37:19):
This is something we didn't address when she was on
the show this morning.
Speaker 4 (37:22):
No, she didn't touching my downstairs? How biggy button that
happened downstairs?
Speaker 1 (37:27):
We got we got a couple of mystery guests on
and then we blindfolded Mesh. You can listen to this
on the radio highlights pod and blindfolded Mash and then
we said.
Speaker 4 (37:37):
This was already, Oh that was the previous.
Speaker 1 (37:39):
This is a mystery guest came into the studio, Mash
and I said, normally you know, and this is your life?
They say, do you remember this voice? And then there's
the voice that comes over Lances And then.
Speaker 5 (37:51):
The lance Kins one was the worst because he was
deaf and dumb. He could remember, he couldn't he couldn't
hear or remember anyone.
Speaker 1 (37:58):
This is your life, Lance, I gave birth to you
all these years ago. And then because you couldn't hear her.
But anyway, Lauren came around the back and I said,
instead of saying do you remember this voice, I said,
do you remember these hands? And Lauren started touching me
and she goes, no, I got dangerous, and then I
(38:19):
pointed as dounsairs and then Lauren went down and grabbed
his cock and so.
Speaker 2 (38:24):
And he went.
Speaker 4 (38:24):
Jeremy he went, and then that was but he was
he was also small hands, I guess compared to Jerry's
got quite big hands.
Speaker 2 (38:34):
But he was also between a rock and a hard place.
Because that's a tough guest to get wrong. Yeah, so
I just grabbed his car and he's just like boulders.
Speaker 3 (38:45):
I was thinking to myself, like, just don't say your
name so you don't get wrong.
Speaker 2 (38:49):
That's right.
Speaker 4 (38:50):
Yeah you did do that, But how did you did
you feel? And I say, turned on, yeah, just some
blood rush down there.
Speaker 3 (38:57):
She went down there.
Speaker 1 (38:57):
I think the blood had already rushed down and he's
a five is running a constant raga and so he
was running trigger down there, so small breeze. She just
brushed by him at the beginning and immediately went hard
and then she she was straight down there, and.
Speaker 3 (39:12):
So did it go.
Speaker 4 (39:13):
Did you did it continue on mat? Did you move nowhere?
Speaker 2 (39:16):
Did you cop?
Speaker 3 (39:16):
Did you have sex on the dip?
Speaker 2 (39:17):
Yeah? They did? Yeah, it was full like full Howard's goined.
Speaker 3 (39:23):
Nineties. She read a sybian machine. Anyway.
Speaker 4 (39:28):
That's the bit that everyone remembers because.
Speaker 2 (39:32):
Because that was the only time I've ever heard or
seen it before. The saddle, the vibrating saddle. Basically, Yeah, anyway,
so your messes, you're going to be working with either
of you two ever worked with your partners before?
Speaker 5 (39:45):
I used to tour and support of my partner's band. Yeah,
we used to open. I used to open for her.
That sounds weird.
Speaker 3 (39:53):
How did that go? Yeah? I used to open for you. No,
I used to open for her. Was it degrading?
Speaker 4 (40:03):
I think that's part of it.
Speaker 2 (40:05):
That was part of the attraction.
Speaker 3 (40:08):
I don't know how that's going to go. But never
I've worked with.
Speaker 2 (40:12):
My missus ones on the On Your Appearance Farm and
we were wrapping silent and I was throwing tires that
were filled with three year old rainwater at her. Oh
and she stormed off. So I can vouch for the
fact that it doesn't go well, does it?
Speaker 4 (40:28):
Do you kind of work with your partner.
Speaker 5 (40:29):
When you're living with them, you kind of are working
with them in a way on a kind of sort
of dysfunctional project.
Speaker 4 (40:36):
Is life imagine project. It's like like like a project
that needs a massive audit.
Speaker 2 (40:44):
It's glearing we need a Canadian billionaire.
Speaker 4 (40:47):
Structural problems in this project terrible, But you kin'd are
working with them on your life. Yeah, it's just a
fucking massive lost leader of a situation.
Speaker 2 (40:56):
How's the work. I mean, I suppose you guys already
sort of work pretty adjacent to each other anyway.
Speaker 3 (41:00):
We try not to talk about work too much at home,
so we'll just probably keep it to work. It's not
going to I mean, that is weird to think about
working with your partner, but it'll be fine.
Speaker 4 (41:08):
But she knows where you're going. I think it's an
event because she books the tickets right.
Speaker 3 (41:12):
Yeah, oh my god, book the fully flexy refunds. Fully
Flexi refunds will be booked.
Speaker 5 (41:17):
But but what I'm saying with that is it's not
like where you go, because the main problem I get
in my life is I never know where I'm going. Yeah,
Like this week, I had two EMC gigs on at
the same time, and one was in a different city and.
Speaker 3 (41:28):
I had no idea. That's impressive.
Speaker 5 (41:29):
And then I got a call from the CEO saying,
you're supposed to do this. You can't be going off
to one and chriss you know, but she would know
that she's a woman. Tracy came to me and she goes,
you're fucking more on. Can you just work out your calendar?
But she's she will always know where you're going to be,
so she won't be annoyed when you're going away because
because it's her fault.
Speaker 9 (41:47):
Yeah.
Speaker 1 (41:47):
Sure, but then he's not going to be able to
run every part came here. She'll know exactly where he's
meant to be at every given time, and they're at work.
Speaker 3 (41:55):
With her or at home.
Speaker 4 (41:57):
But you could get like a prosy into your hotel room.
Speaker 1 (42:00):
I don't think you could because she'll be She'll be
there with her.
Speaker 3 (42:05):
She might not be up there with you though, will
she probably?
Speaker 1 (42:08):
Well?
Speaker 3 (42:09):
Maybe sometimes wow, But if she's not. Jerry, Jesus, real
inside of your life here looking at you? What are
you trying to do?
Speaker 1 (42:15):
Five?
Speaker 3 (42:16):
I mean everyone should be running a woman in the.
Speaker 5 (42:17):
Report when you're this is the pretty much Jerry and
I'm sure it's come up on the show since I left.
But he has huge amountual regret because he was faithful
to his girlfriends in this heyday.
Speaker 2 (42:26):
Yeah, any hard regrets, it you can tell, you can tell.
Speaker 5 (42:28):
It's just so much regret, probably because it wreaks up.
What is so stupid about that there was no phones
or social media back then? He could have just got
away with anything like someone might. Maybe someone might have written.
Speaker 4 (42:41):
Like a worded letter to his partner, or was the
only way, the only way that you'd get caught.
Speaker 2 (42:48):
A day that goes by that.
Speaker 4 (42:49):
I don't think what the why Madi observer might have
written the advertiser advertiser took a lady back to the motel.
Speaker 2 (43:03):
The only way hotel.
Speaker 3 (43:07):
I have regrets, that's understandable.
Speaker 5 (43:10):
Yeah, But what might happen is when you're away with
Lauren because she books the ACM, you might be put
on the executives or honeymoon.
Speaker 3 (43:17):
That's what I'm hoping for.
Speaker 4 (43:17):
Because right now, because with the prosy though, you're not
getting out of six with the prozy every time you
go away. No, let's get that out in the open now,
let's just get that. But what I will say to you, though,
mesh is that when I was working there, she would
book the executive.
Speaker 2 (43:38):
Suite for me and her.
Speaker 4 (43:39):
Right, Okay, so there is a street, there's president.
Speaker 2 (43:42):
I imagine she'll keep doing that.
Speaker 3 (43:43):
Yeah, I'm sure she will. So are you telling me?
I just can't believe you're telling me that that I
can't have sex with THEROI on every work trip.
Speaker 1 (43:50):
Not every work trip, Yeah, I don't think many at
all work trips, I mean, and the other things you
maybe one and five. Well, because you've also got a
big in a place that has prozis and good not
every not every place you'll be going to his prosies
like where now, like Tim for example, no prois in.
Speaker 3 (44:07):
Yeah, everyone's a prosy.
Speaker 4 (44:13):
Twenty five. You offer them a way out.
Speaker 2 (44:19):
How do you think I got here?
Speaker 4 (44:22):
You're too good. I didn't just book a ticket. He
had to sleep his way out of that offer.
Speaker 1 (44:28):
The offer of a way out, And then you have
six and then that office sort of starts over the
next three or four hours.
Speaker 3 (44:36):
Yeah.
Speaker 4 (44:37):
Well, this sort of clarity comes in.
Speaker 1 (44:39):
Promise you may he promised me bright lights in the future.
Speaker 4 (44:43):
He would have meant it in the mentor, Yeah, he
meant it at the time and then he got some clarity. Yeah,
and sobriety.
Speaker 2 (44:49):
But you gotta take that up with doctor Jack.
Speaker 3 (44:53):
I look forward to those.
Speaker 5 (44:54):
Just don't put the Prozzy on. I'll put it on
g Lane's credit cat because that massage and it's just
credit cases all roaded with crime.
Speaker 2 (45:02):
He knows that hide.
Speaker 4 (45:02):
It would just be it's too much, too much to
do it on GLA. Yeah, terrible, misogenous, it's just the worst.
Speaker 3 (45:10):
Yeah. Oh well, thanks boys, I've got to go and
apparently record it an a gender podcast whatever.
Speaker 1 (45:14):
They also because also for people who are listening, how
do keep you know, listeners, you're still going to be
doing the the the Morning Mesty from five point thirty
to six I don't think I am.
Speaker 3 (45:29):
What what do you mean? What's every of the Morning
Mesty all the three breaks that I get between five
and six am.
Speaker 1 (45:34):
Yeah, well, surely you're still doing the mornings.
Speaker 3 (45:37):
No, No, the Morning Mesha didn't come up and negotiating.
Speaker 4 (45:40):
Back for the Mastery Jay Reeves not.
Speaker 2 (45:47):
It's not probably doing then you're doing the masty, not
doing the.
Speaker 3 (45:55):
Called the Morning Ruder, Morning Ruder, the Rude to Rise.
I think I think it might be prebs. Actually no,
Pixie Campbell said that he wanted a shot on it.
Speaker 1 (46:07):
You can't Campbell.
Speaker 4 (46:08):
The Pixie missed it.
Speaker 1 (46:09):
You can't doing that that first five thirty to six, right,
the touch can't.
Speaker 3 (46:16):
Have the toucher.
Speaker 1 (46:19):
Okay, that's that sits the table for the dangerous president.
Speaker 3 (46:22):
That sits the table for the shape. Yeah.
Speaker 5 (46:25):
Anyway, MESHI, can I just say please, love you, love you, mate,
and glad you're only moving about just down the five
meters to the five left.
Speaker 2 (46:34):
Stuff we said about the machinations and ramifications of how
we ended up here, is it just the case that
they never hire anyone else and they just keep hiring
the same people the.
Speaker 4 (46:41):
Same I don't know. They tried a lot of people
before they.
Speaker 2 (46:49):
Just went.
Speaker 3 (46:53):
Yeah, I'll be back in about six.
Speaker 2 (46:57):
Thank you for every Okay, I don't wan the podcast
because then that's MESHI done.
Speaker 4 (47:02):
For Oh I've been holding on.
Speaker 3 (47:04):
It's forty eight minutes, but I do want to go
to Meshi. You hang it. Big shout out to the
podcast listeners. I think as you left medi as well,
you said that it's this twenty five to thirty minutes
each day that I think I'm definitely gonna miss the most,
so I.
Speaker 2 (47:15):
Can come back in and do it if you want.
Speaker 4 (47:17):
Okay, sweet, well might as well delete this pot.
Speaker 1 (47:20):
Then it's maybe realized listening to that that we should
fire Mesh every year.
Speaker 3 (47:39):
Yeah, that's right, I think.
Speaker 2 (47:40):
I mean, as we can only go after numbers, and
the numbers are people loved when we fired Mesh. This
is the second most popular podcast that we had. It
actually eclipsed Joe Rogan that week.
Speaker 1 (47:51):
It's a bit like Haga Ginger Day, you know. It's
that kind of thing that, well, I think more people
should call up, more people should he ends up getting
fired by a whole nation every year.
Speaker 3 (48:03):
It means that you can get a little bit of.
Speaker 1 (48:04):
Your frustration out for people that you want to fire,
but you just fire mass. So everyone just fires Mash
like burning Man.
Speaker 2 (48:10):
Yeah, burning Man, it's just burning burning Mesh.
Speaker 1 (48:13):
And you just everyone fires him every year. He can
He's got some sturdy shoulders, he can take it. Yeah.
Speaker 2 (48:19):
And then people call in and they don't use the name,
but then they just go through all the lists of
why they want to fire that person, and then we
ceremonially fire them.
Speaker 3 (48:27):
Yeah.
Speaker 1 (48:27):
It's also I think it's a lot of frustration out
for people who employers out there who are dealing with
really difficult employment situations. But you've got to go through
processes and all that crap.
Speaker 2 (48:36):
Hard to sack someone in New Zealand, doesn't it so hard?
Speaker 3 (48:39):
And so instead you just sack mash every year, burning mesh.
Speaker 2 (48:42):
It's a great idea.
Speaker 3 (48:43):
I think we should sack mash every year. Be good
for the numbers.
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