June 11, 2026 • 15 mins
Today on the Pod the guys chat about houses through the years.
Plus, Rooda trauma dumps around the (0:11:17) mark...
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Daily Us spoke content that you won't find on the
radio show The DARKI Breakfast Podcast.
Speaker 2 (00:05):
Welcome along to the first part of the Cherry, the
first podcast to see the sun, the first to see
in a new day, the day of our Lord, the
eleventh of June. No, it's not the twelfth of twelth
n twenty twenty six.
Speaker 3 (00:15):
This doesn't work.
Speaker 2 (00:17):
Bloody hell. That's touchscreen though.
Speaker 3 (00:19):
Bear in mind, beer in mind July.
Speaker 2 (00:22):
Beer in mind July.
Speaker 3 (00:25):
I'm here, Thank you. That's good. Tap MANA are yeah,
you are here.
Speaker 2 (00:29):
I am here.
Speaker 4 (00:29):
I am here to prove I'm here and it's live.
It is five point forty five and fourteen fifteen sixteen
seconds currently eleven point one lower nine point four high
of eleven point one.
Speaker 2 (00:41):
We've had the high already today.
Speaker 5 (00:42):
It's supposed to be freezing cold this morning, Jerry.
Speaker 4 (00:45):
Lie to us, and I know I thought that when
I got up this morning at five o'clock instead of
sleeping through my arm.
Speaker 2 (00:51):
Did you see what I've seen through to the group
chat their thoughts and press for Aucklander's as the temperature
could dip as low as plus three morning. I don't
think it did. I don't think it didn't. My first
point of evidence.
Speaker 4 (01:06):
Would be that I slept with the air con on
all night.
Speaker 2 (01:12):
I have sleep with the air con on every night
this year.
Speaker 4 (01:16):
If you yeah, just because I live in one of
those new Belds, you can't call them down. The focus
so much, the government focuses so much on these rules
for insulating houses for the coldest, most vulnerable members of
our community. But insulations come quite a long way, and
we don't need to be doing that for news.
Speaker 2 (01:36):
These new Belds were real hot. You cannot call them down.
So are you saying that even so yesterday you obviously
had sun all day because it was not a single
club in the sky, So your house just got so
much sun all day that you then couldn't cool the
house down in the winter.
Speaker 4 (01:53):
Uh no, no, because once the sun said, it did
cool down, and then we'll leave the window is open
if we can, and so that'll cool down. It's just
it's just you generate enough heat in there and lets
it that.
Speaker 2 (02:06):
Well, they can't call the bastard down.
Speaker 4 (02:08):
Wow, Yeah, it doesn't matter if you started at zero degrees.
You know, you can't call the bastard down.
Speaker 2 (02:15):
Can't call the busts down quite a common thing on
these new belts. Ah, Okay, that's super interesting because my
place is a very temperate house. I've got to say.
It doesn't get too hot in the summer and it
doesn't get cold in the winter as long as there's
some sun. If there's no sun in Auckland, say if
(02:36):
it's a let's just say it's a thirteen degree day,
fourteen degree day, which is cold in Auckland cold and
Aukland it's not actually cold, but it's cold for Auckland
because the average in the winter is fifteen the day
high in Auckland in the winter, but there's no sun,
then the house will be cold. But as long as
there's some sun, it warms it up and it's okay.
(02:56):
In the winter. Well, it's just so big it's hard
to heat up. I think it's got something to do
with the stud heights. Yeah, heels are enormous. If you've
got highest if you have a highest stud then you
in your houses hard to heat up. Yeah.
Speaker 4 (03:12):
Yeah, and you've got those cabinists, dining halls and such that.
Speaker 2 (03:16):
Well, villas are like that. But also villa's notoriously freezing
in the winter. Back in the day when they went
unsulated freezing. Yeah.
Speaker 4 (03:25):
Yeah, do you know that whoever built we sucked at
building houses here in New Zealand. For I reckon right
up until about twenty thirty years ago, and even now
I think we're still a little bit shit.
Speaker 2 (03:37):
We build houses.
Speaker 4 (03:39):
You will go down to like the most beautiful beach
you've ever seen, and walk along it and lock up,
and there will be like a Bavarian forest house, you know,
set up on the on the and it's facing away
from the beach, and it'll be like the bathroom window
has the only view of the beach that he's seen.
Speaker 2 (03:55):
We are a shocker for that here in New Zealand.
Are you saying that? I don't look, I know exactly
what you mean. I don't know why we've seen in
the Bavaria and treehouse ski lodge, yeah, yeah, an a
frame ski lodge there a little bit of just a
touch of Switzerland. Yeah, and in Touns of the Blood
just right. Yeah. Well, the view of the most beautiful
(04:18):
Harvey the iconic like the New Zealand if you think
of New Zealand architecture, Apparently New Zealand architecture is quite
widely considered to be quite good around. Yeah, apparently, what
do you mean, do you mean like public buildings and no? No,
Like you know New Zealand, there's a there's a particular
New Zealand style.
Speaker 4 (04:35):
I think of those rectangle weather board state houses. That's
what I think of as the well they are. They
are around the world.
Speaker 2 (04:46):
They are much laudered. So those ones that were built
in the nineteen fifties, the weather board, or you've got
the brook and they've got the brick and tile that
were built in the thirties, right, Yeah, those are all right.
They look very Coronation Street to me. Yeah they do.
But they were in their they were quite good because
they were the cost efficient. But then the fifties you've
got the weather board and tile. Yeah, it's a pretty
(05:06):
good I mean those houses are still standing, they are. Yeah.
The weather borders in New Zealand. Thing, isn't it. Do
other countries have weather boards? Can't think of them.
Speaker 5 (05:15):
I love hearing the phrase good bones about houses as well.
It means I can just rip that thing up it's
got good bones, it's got good bar and wrap everything
out of it and replace everything. But I don't need
to replace the bones.
Speaker 2 (05:25):
Bones are good well, then going back in the nineteen tens,
you had the villas, I mean they are still standing.
That's like, that's like all the stuff around your area. Yeah,
and Devenport, good Bones, Herne Bay, Herne Bay, Ponsmbe, Mount Eden. Yeah,
all the old houses built in the nineteen tens. And
then in the nineteen twenties you had the bungalows. That
(05:47):
was good California bungalows.
Speaker 4 (05:48):
You get a little art deco action around there around
there too, it's a bit of art decappe are really
nning out on that well, because obviously they had a
bit of building.
Speaker 2 (05:56):
To do around there. Then we went brack and tile.
Then we went we the board and tile, and.
Speaker 4 (06:02):
And then there was a period of nearly two thousands
when we went monolithic cladding.
Speaker 2 (06:05):
That's where the leaky homes came. That's where the problems came, yes,
big time. Before then, even in the even the classic seventies,
you know house that's got the breeze block bottom or
the concrete block bottom, and then the and then what
some kind of clanding on the top. What is that
it's but it's basically on stilts and it's got a
garage underneath. It. You see heaps around your your neighborhood.
Speaker 4 (06:27):
Actually, well ours was like it was like a rough
cast with the breeze blocks down the bottom and then
break up the top.
Speaker 2 (06:32):
As break up the top, yeah, break up the top,
and then you had the alumum joinery with a with
a deck that kind of wrapped around the top. Yeah, potentially,
but it was it was a rectangle. Yeah.
Speaker 3 (06:42):
Yeah. They were good, like outrageous the outrageous fortune.
Speaker 2 (06:45):
Yeah.
Speaker 3 (06:45):
Yeah, yeah, just like that we're talking about.
Speaker 2 (06:46):
Yeah, that was a New Zealand kind of I don't know,
I think we've got I think I think those things there,
they they got real hot in the summer and they
got real cold in the winter. Yeah. And then in
the eighties that's where we who we lost it. We
lost it in the eighties and then we lost it
in the nineties with the leaka. But the leakers, yeah,
(07:07):
the leak of Heli Semas are an absolute shocker. Yeah.
And you see down go down to the mountain. We
got all weird. James Hardy turned up with that weird
would good good product and we used it sometimes. I
remember my friends had a place and it looked like
it was plaster stucco, and then a friend of mine
(07:27):
accidentally put his car in reverse instead of sorry ford,
instead of reversed, and he went straight into it. And
it turns out, no, you could you could boot a
hole through that.
Speaker 4 (07:36):
Oh no, it's just a board with like the thrones
and plaster that It's basically all it is. Yeah, and
that made the board even more brittle. What were people
thinking with that? I think I don't know what.
Speaker 3 (07:48):
Was my idea would be that back in the day.
Speaker 5 (07:52):
Because I know my cousin used to work at organd
Grammar and they had a house there and around the
outside they had a lot of rendered concrete, and so
maybe they thought, instead of rendered concrete, which is fucking expensive,
why don't we just put this fucking plaster on it.
It looks the same. No one know the difference.
Speaker 2 (08:08):
But we will know the difference. I think your boot
a hole, it's a completely different thing.
Speaker 4 (08:13):
I think that hardy board stuff is one of those
innovations and building where like, well, this affected everything, let's
just use it for everything.
Speaker 2 (08:19):
And then it went everywhere, and then they hang on,
hang on. It has its limitations. I'd like to I'd
love to chat to someone with a builder in the
nineties and that went that thought that that was just
to be honest and go, oh you know, I did.
I thought that that was going to be the new
innovation and building that was going to make everything really light, structural,
still strong, but still strong because your boot a hole
(08:42):
in it brittle. And then I think in the in
the two thousands we went because of the nineties, we
went back to that kind of mono pitch roof style,
you know, with and then and then it was a
weather board around the art because I went, no, no,
we've got to go back to weather boards. And it
(09:02):
was a mono pitch with the weather board. And I
think that's kind of it's like a batch, like the
great Kiwi Batch kind of style, you know that you know,
based on that, and I think that is kind of
our asthetic. Now.
Speaker 4 (09:15):
Yeah, well, the one that annoys me because we're filming
on a beach yesterday and there's always annoys been. There's
some really flash beaches around Auckland, and every now and
then you go there and you see the houses all
the full span of the beach, not a single person
on a lawn, not a single person on a deck,
a barbecue that doesn't look like it's been turned on
in decades.
Speaker 2 (09:36):
And the best houses in our country are wasted.
Speaker 4 (09:38):
On the most boring people because the only people that
can afford those are to be honest boomers who either
bought the land back when it was worth you know,
six thousand shillings yep, and now they just don't use it.
Speaker 2 (09:51):
It seems like such a waste.
Speaker 4 (09:52):
You look at it, these houses like is this I
know this is going to sound very communist, but if
you looked at the entire country and then assign people
to where they would have the most fun, you'd people
in their twenties on those houses.
Speaker 2 (10:01):
Isn't the definitely word?
Speaker 3 (10:03):
Yeah?
Speaker 2 (10:03):
I think looking at some of those houses, because yeah,
we're down at her Bay Beach and that is the
most expensive real estate.
Speaker 3 (10:08):
Basically thinks out there.
Speaker 2 (10:10):
That the houses there. Did you see some of the
cliffs had come away though down the end. I sort
of walked down the other end of the beach and
it was.
Speaker 4 (10:18):
I saw that you took our boss down there. We
all thought you were about that this was a hit.
We thought you were about to drown them.
Speaker 2 (10:24):
I did think about it. I thought you were about
to hold his head into a rock pool, could feel
the energy of please do something.
Speaker 3 (10:31):
We had a spade, you could have really taken care
of it, the whole thing.
Speaker 2 (10:36):
Yeah, no, I consider it.
Speaker 4 (10:38):
But you found that beaches aren't a great place to
bury bodies.
Speaker 2 (10:44):
I wonder what would have happened in that situation. Two
one came back, did the shirt? We all go home?
Speaker 3 (10:51):
Did the shoot?
Speaker 2 (10:52):
It sounds like kind of thing that you have in
a nightmare, Actually, isn't it. It's exactly and then you
bury the body and then.
Speaker 4 (10:57):
It washes back up A Yeah, there's a heavy rain
on the run, but you can't run very fast than
your dreams.
Speaker 2 (11:02):
Also can't fight very hard in your dream. No, and
you never think to change countries? No, well I don't. Yeah,
like get out go to bloody Indonesia in that situation.
Speaker 1 (11:12):
Kerry and Manaia joined the complay the Hodaki Breakfast discussion
group on Facebook. For more cheering me Wells and Mania
Stuet find them on Instagram at Hodarki Breakfast.
Speaker 5 (11:23):
The other thing about dream out, which probably applies to
you yesterday minight, is when you sleep in and your
dream and you can't fucking get to work.
Speaker 2 (11:31):
Because you yeah, because it's.
Speaker 5 (11:32):
So weird, like you go, Oh, I remember very clearly
having a dream about running late for the show wake
up at seven, and I was like, oh, I should
I should be able to get there by about seven
forty with traffic, and I didn't get there.
Speaker 3 (11:44):
Kept ringing all day gown. Sorry, guys, I'm just I can't.
Speaker 2 (11:46):
Is that real or was it in a dream? No?
Speaker 3 (11:48):
That was in a dream.
Speaker 2 (11:49):
It feels real. Yeah, it feels really in a weekday, yep,
So you did them wake up and it was actually
four o'clock.
Speaker 5 (11:55):
Yeah, but I think it was six to nine weekdays.
It's not six to ten weekdays. So I think it
got to the point I was like, probably no point
in going in now because I'm stuck at home.
Speaker 2 (12:03):
Is that real? Was in a dream? No?
Speaker 3 (12:05):
That was in a dream.
Speaker 5 (12:06):
I have not lost I have not three years in
I have not had a sleep, and yet I'm not
looking at anything. All right, No, you haven't, right, I
haven't yet. I have I'm sorry, all right, all I
had when you.
Speaker 2 (12:23):
Uh, no it was.
Speaker 4 (12:25):
But when you wake up after a dream like that,
you you logically rationally know that it's not true, but
you still feel the same way that you felt.
Speaker 2 (12:34):
In that dream, the feeling lingers.
Speaker 4 (12:35):
Yeah, the feeling that same with when someone enters into
your dream and you and then they are in your
dream and then you wake up and you feel a
bit differently about that person. You're like, even though I
know I don't, but the feeling I did. I did
have a memory of it.
Speaker 2 (12:51):
I haven't. We had a whole thing, we lived, We
lived a life together. And what is the difference between
that memory and memory.
Speaker 4 (12:58):
And your actual real life way memories and well, in
your mind nothing, No, it's nothing.
Speaker 2 (13:04):
And that's why the feeling remains.
Speaker 5 (13:06):
There's our number two of the people I'm in love
with God on the list because I had a dream
about her.
Speaker 2 (13:10):
Yeah, okay, and then what somehow she fell in love
with it? Okay, So you had a dream.
Speaker 5 (13:18):
Yeah, I had a dream. It was a very simple dream.
It wasn't dirty that little boys and little girls. No, no, no,
I just I remember it very could one day dance last.
Speaker 3 (13:27):
Now.
Speaker 5 (13:27):
We were sitting on the back seat of a car,
someone else was driving us, and I lay my head
on her lap.
Speaker 2 (13:33):
Hold on, is this the dream?
Speaker 3 (13:34):
Yeah? This is the dream. Nothing nothing happened in real life.
Speaker 2 (13:39):
And then hold on, nothing ever happened in real life.
Speaker 5 (13:41):
I wrote it love letters and stuff and a song
maybe two and and how old were you sexteen?
Speaker 2 (13:51):
Okay, this is where it all started, isn't it?
Speaker 3 (13:52):
And then this is where it all started, you mean
where it was?
Speaker 2 (13:58):
This is where all these sixteen love interests.
Speaker 3 (14:01):
Yeah, and there's a lot. Man, that's a lot.
Speaker 2 (14:05):
I want to uge. That's a lot of people to
fall in love with. Times you've been in love.
Speaker 3 (14:09):
I don't want to judge, but that's a lot of I.
Speaker 2 (14:12):
Don't want to judge, but that is way too many.
Don't want to judge, but I'm forced too here.
Speaker 5 (14:16):
And then she just stroked my hair and I was like, fuck,
you're lovely. And then I woke up and I was like,
I like.
Speaker 2 (14:22):
To be right.
Speaker 5 (14:23):
No, I like this girl, thatt me right lovely? Yeah,
I think I like this girl. I think you're lovely.
Your brain gonna come up with anything. I just want
to be told I'm lovely.
Speaker 2 (14:34):
Oh you're lovely?
Speaker 3 (14:35):
No, no, no, no, no, lovely.
Speaker 2 (14:37):
I thought it was lovely to just have.
Speaker 5 (14:38):
My head on her lap and have my hair stroked
and wake up and think, fuck you're lovely. Anyway, nothing happened, No,
we were the ones that wait into the ball together,
and then she sucked off with the detail she was
that one, that one.
Speaker 4 (14:52):
So I figured out that it's sixteen minutes into the
podcast is when Ruder digs up as deep trauma every morning.
So maybe this podcast needs to to cut at fourteen.
Speaker 5 (15:00):
It's been the first five minutes trying to figure out.
Speaker 2 (15:02):
What we call it.
Speaker 4 (15:03):
Trauma revisited yea a certain point, it's just the trauma.
Speaker 2 (15:07):
Do't love trauma twelve visited? Yeah?
Speaker 4 (15:10):
Can we just put a timestamp in the podcast, like, hey,
just just you know it happened fourteen minutes in today.
I just so you know it was twelve minutes today,
and then that way people know when they get to
that point, they can just.
Speaker 2 (15:22):
Yeah, or even just call the podcast the time stamp
when Rudas starts a trauma.
Speaker 3 (15:27):
It was good.
Speaker 2 (15:28):
Just always know, it doesn't even need to capture it
captured it. It doesn't even need that name.
Speaker 4 (15:31):
The name is just, hey, it happens at twelve forty
three today.
Speaker 5 (15:35):
Yesterday was good because we came in and then I
didn't find my trauma listening to her stories.
Speaker 3 (15:41):
So maybe that maybe.
Speaker 2 (15:43):
When I find your trauma, maybe we need.
Speaker 3 (15:46):
Oh shit, we already the TROLLMA.
Speaker 2 (15:48):
Thank god.
Speaker 1 (15:51):
Jerry and Maniah catch the radio show from six to
ten weekdays. The Hadarcky Breakfast
Daily Us spoke content that you won't find on the
radio show The DARKI Breakfast Podcast.
Speaker 2 (00:05):
Welcome along to the first part of the Cherry, the
first podcast to see the sun, the first to see
in a new day, the day of our Lord, the
eleventh of June. No, it's not the twelfth of twelth
n twenty twenty six.
Speaker 3 (00:15):
This doesn't work.
Speaker 2 (00:17):
Bloody hell. That's touchscreen though.
Speaker 3 (00:19):
Bear in mind, beer in mind July.
Speaker 2 (00:22):
Beer in mind July.
Speaker 3 (00:25):
I'm here, Thank you. That's good. Tap MANA are yeah,
you are here.
Speaker 2 (00:29):
I am here.
Speaker 4 (00:29):
I am here to prove I'm here and it's live.
It is five point forty five and fourteen fifteen sixteen
seconds currently eleven point one lower nine point four high
of eleven point one.
Speaker 2 (00:41):
We've had the high already today.
Speaker 5 (00:42):
It's supposed to be freezing cold this morning, Jerry.
Speaker 4 (00:45):
Lie to us, and I know I thought that when
I got up this morning at five o'clock instead of
sleeping through my arm.
Speaker 2 (00:51):
Did you see what I've seen through to the group
chat their thoughts and press for Aucklander's as the temperature
could dip as low as plus three morning. I don't
think it did. I don't think it didn't. My first
point of evidence.
Speaker 4 (01:06):
Would be that I slept with the air con on
all night.
Speaker 2 (01:12):
I have sleep with the air con on every night
this year.
Speaker 4 (01:16):
If you yeah, just because I live in one of
those new Belds, you can't call them down. The focus
so much, the government focuses so much on these rules
for insulating houses for the coldest, most vulnerable members of
our community. But insulations come quite a long way, and
we don't need to be doing that for news.
Speaker 2 (01:36):
These new Belds were real hot. You cannot call them down.
So are you saying that even so yesterday you obviously
had sun all day because it was not a single
club in the sky, So your house just got so
much sun all day that you then couldn't cool the
house down in the winter.
Speaker 4 (01:53):
Uh no, no, because once the sun said, it did
cool down, and then we'll leave the window is open
if we can, and so that'll cool down. It's just
it's just you generate enough heat in there and lets
it that.
Speaker 2 (02:06):
Well, they can't call the bastard down.
Speaker 4 (02:08):
Wow, Yeah, it doesn't matter if you started at zero degrees.
You know, you can't call the bastard down.
Speaker 2 (02:15):
Can't call the busts down quite a common thing on
these new belts. Ah, Okay, that's super interesting because my
place is a very temperate house. I've got to say.
It doesn't get too hot in the summer and it
doesn't get cold in the winter as long as there's
some sun. If there's no sun in Auckland, say if
(02:36):
it's a let's just say it's a thirteen degree day,
fourteen degree day, which is cold in Auckland cold and
Aukland it's not actually cold, but it's cold for Auckland
because the average in the winter is fifteen the day
high in Auckland in the winter, but there's no sun,
then the house will be cold. But as long as
there's some sun, it warms it up and it's okay.
(02:56):
In the winter. Well, it's just so big it's hard
to heat up. I think it's got something to do
with the stud heights. Yeah, heels are enormous. If you've
got highest if you have a highest stud then you
in your houses hard to heat up. Yeah.
Speaker 4 (03:12):
Yeah, and you've got those cabinists, dining halls and such that.
Speaker 2 (03:16):
Well, villas are like that. But also villa's notoriously freezing
in the winter. Back in the day when they went
unsulated freezing. Yeah.
Speaker 4 (03:25):
Yeah, do you know that whoever built we sucked at
building houses here in New Zealand. For I reckon right
up until about twenty thirty years ago, and even now
I think we're still a little bit shit.
Speaker 2 (03:37):
We build houses.
Speaker 4 (03:39):
You will go down to like the most beautiful beach
you've ever seen, and walk along it and lock up,
and there will be like a Bavarian forest house, you know,
set up on the on the and it's facing away
from the beach, and it'll be like the bathroom window
has the only view of the beach that he's seen.
Speaker 2 (03:55):
We are a shocker for that here in New Zealand.
Are you saying that? I don't look, I know exactly
what you mean. I don't know why we've seen in
the Bavaria and treehouse ski lodge, yeah, yeah, an a
frame ski lodge there a little bit of just a
touch of Switzerland. Yeah, and in Touns of the Blood
just right. Yeah. Well, the view of the most beautiful
(04:18):
Harvey the iconic like the New Zealand if you think
of New Zealand architecture, Apparently New Zealand architecture is quite
widely considered to be quite good around. Yeah, apparently, what
do you mean, do you mean like public buildings and no? No,
Like you know New Zealand, there's a there's a particular
New Zealand style.
Speaker 4 (04:35):
I think of those rectangle weather board state houses. That's
what I think of as the well they are. They
are around the world.
Speaker 2 (04:46):
They are much laudered. So those ones that were built
in the nineteen fifties, the weather board, or you've got
the brook and they've got the brick and tile that
were built in the thirties, right, Yeah, those are all right.
They look very Coronation Street to me. Yeah they do.
But they were in their they were quite good because
they were the cost efficient. But then the fifties you've
got the weather board and tile. Yeah, it's a pretty
(05:06):
good I mean those houses are still standing, they are. Yeah.
The weather borders in New Zealand. Thing, isn't it. Do
other countries have weather boards? Can't think of them.
Speaker 5 (05:15):
I love hearing the phrase good bones about houses as well.
It means I can just rip that thing up it's
got good bones, it's got good bar and wrap everything
out of it and replace everything. But I don't need
to replace the bones.
Speaker 2 (05:25):
Bones are good well, then going back in the nineteen tens,
you had the villas, I mean they are still standing.
That's like, that's like all the stuff around your area. Yeah,
and Devenport, good Bones, Herne Bay, Herne Bay, Ponsmbe, Mount Eden. Yeah,
all the old houses built in the nineteen tens. And
then in the nineteen twenties you had the bungalows. That
(05:47):
was good California bungalows.
Speaker 4 (05:48):
You get a little art deco action around there around
there too, it's a bit of art decappe are really
nning out on that well, because obviously they had a
bit of building.
Speaker 2 (05:56):
To do around there. Then we went brack and tile.
Then we went we the board and tile, and.
Speaker 4 (06:02):
And then there was a period of nearly two thousands
when we went monolithic cladding.
Speaker 2 (06:05):
That's where the leaky homes came. That's where the problems came, yes,
big time. Before then, even in the even the classic seventies,
you know house that's got the breeze block bottom or
the concrete block bottom, and then the and then what
some kind of clanding on the top. What is that
it's but it's basically on stilts and it's got a
garage underneath. It. You see heaps around your your neighborhood.
Speaker 4 (06:27):
Actually, well ours was like it was like a rough
cast with the breeze blocks down the bottom and then
break up the top.
Speaker 2 (06:32):
As break up the top, yeah, break up the top,
and then you had the alumum joinery with a with
a deck that kind of wrapped around the top. Yeah, potentially,
but it was it was a rectangle. Yeah.
Speaker 3 (06:42):
Yeah. They were good, like outrageous the outrageous fortune.
Speaker 2 (06:45):
Yeah.
Speaker 3 (06:45):
Yeah, yeah, just like that we're talking about.
Speaker 2 (06:46):
Yeah, that was a New Zealand kind of I don't know,
I think we've got I think I think those things there,
they they got real hot in the summer and they
got real cold in the winter. Yeah. And then in
the eighties that's where we who we lost it. We
lost it in the eighties and then we lost it
in the nineties with the leaka. But the leakers, yeah,
(07:07):
the leak of Heli Semas are an absolute shocker. Yeah.
And you see down go down to the mountain. We
got all weird. James Hardy turned up with that weird
would good good product and we used it sometimes. I
remember my friends had a place and it looked like
it was plaster stucco, and then a friend of mine
(07:27):
accidentally put his car in reverse instead of sorry ford,
instead of reversed, and he went straight into it. And
it turns out, no, you could you could boot a
hole through that.
Speaker 4 (07:36):
Oh no, it's just a board with like the thrones
and plaster that It's basically all it is. Yeah, and
that made the board even more brittle. What were people
thinking with that? I think I don't know what.
Speaker 3 (07:48):
Was my idea would be that back in the day.
Speaker 5 (07:52):
Because I know my cousin used to work at organd
Grammar and they had a house there and around the
outside they had a lot of rendered concrete, and so
maybe they thought, instead of rendered concrete, which is fucking expensive,
why don't we just put this fucking plaster on it.
It looks the same. No one know the difference.
Speaker 2 (08:08):
But we will know the difference. I think your boot
a hole, it's a completely different thing.
Speaker 4 (08:13):
I think that hardy board stuff is one of those
innovations and building where like, well, this affected everything, let's
just use it for everything.
Speaker 2 (08:19):
And then it went everywhere, and then they hang on,
hang on. It has its limitations. I'd like to I'd
love to chat to someone with a builder in the
nineties and that went that thought that that was just
to be honest and go, oh you know, I did.
I thought that that was going to be the new
innovation and building that was going to make everything really light, structural,
still strong, but still strong because your boot a hole
(08:42):
in it brittle. And then I think in the in
the two thousands we went because of the nineties, we
went back to that kind of mono pitch roof style,
you know, with and then and then it was a
weather board around the art because I went, no, no,
we've got to go back to weather boards. And it
(09:02):
was a mono pitch with the weather board. And I
think that's kind of it's like a batch, like the
great Kiwi Batch kind of style, you know that you know,
based on that, and I think that is kind of
our asthetic. Now.
Speaker 4 (09:15):
Yeah, well, the one that annoys me because we're filming
on a beach yesterday and there's always annoys been. There's
some really flash beaches around Auckland, and every now and
then you go there and you see the houses all
the full span of the beach, not a single person
on a lawn, not a single person on a deck,
a barbecue that doesn't look like it's been turned on
in decades.
Speaker 2 (09:36):
And the best houses in our country are wasted.
Speaker 4 (09:38):
On the most boring people because the only people that
can afford those are to be honest boomers who either
bought the land back when it was worth you know,
six thousand shillings yep, and now they just don't use it.
Speaker 2 (09:51):
It seems like such a waste.
Speaker 4 (09:52):
You look at it, these houses like is this I
know this is going to sound very communist, but if
you looked at the entire country and then assign people
to where they would have the most fun, you'd people
in their twenties on those houses.
Speaker 2 (10:01):
Isn't the definitely word?
Speaker 3 (10:03):
Yeah?
Speaker 2 (10:03):
I think looking at some of those houses, because yeah,
we're down at her Bay Beach and that is the
most expensive real estate.
Speaker 3 (10:08):
Basically thinks out there.
Speaker 2 (10:10):
That the houses there. Did you see some of the
cliffs had come away though down the end. I sort
of walked down the other end of the beach and
it was.
Speaker 4 (10:18):
I saw that you took our boss down there. We
all thought you were about that this was a hit.
We thought you were about to drown them.
Speaker 2 (10:24):
I did think about it. I thought you were about
to hold his head into a rock pool, could feel
the energy of please do something.
Speaker 3 (10:31):
We had a spade, you could have really taken care
of it, the whole thing.
Speaker 2 (10:36):
Yeah, no, I consider it.
Speaker 4 (10:38):
But you found that beaches aren't a great place to
bury bodies.
Speaker 2 (10:44):
I wonder what would have happened in that situation. Two
one came back, did the shirt? We all go home?
Speaker 3 (10:51):
Did the shoot?
Speaker 2 (10:52):
It sounds like kind of thing that you have in
a nightmare, Actually, isn't it. It's exactly and then you
bury the body and then.
Speaker 4 (10:57):
It washes back up A Yeah, there's a heavy rain
on the run, but you can't run very fast than
your dreams.
Speaker 2 (11:02):
Also can't fight very hard in your dream. No, and
you never think to change countries? No, well I don't. Yeah,
like get out go to bloody Indonesia in that situation.
Speaker 1 (11:12):
Kerry and Manaia joined the complay the Hodaki Breakfast discussion
group on Facebook. For more cheering me Wells and Mania
Stuet find them on Instagram at Hodarki Breakfast.
Speaker 5 (11:23):
The other thing about dream out, which probably applies to
you yesterday minight, is when you sleep in and your
dream and you can't fucking get to work.
Speaker 2 (11:31):
Because you yeah, because it's.
Speaker 5 (11:32):
So weird, like you go, Oh, I remember very clearly
having a dream about running late for the show wake
up at seven, and I was like, oh, I should
I should be able to get there by about seven
forty with traffic, and I didn't get there.
Speaker 3 (11:44):
Kept ringing all day gown. Sorry, guys, I'm just I can't.
Speaker 2 (11:46):
Is that real or was it in a dream? No?
Speaker 3 (11:48):
That was in a dream.
Speaker 2 (11:49):
It feels real. Yeah, it feels really in a weekday, yep,
So you did them wake up and it was actually
four o'clock.
Speaker 5 (11:55):
Yeah, but I think it was six to nine weekdays.
It's not six to ten weekdays. So I think it
got to the point I was like, probably no point
in going in now because I'm stuck at home.
Speaker 2 (12:03):
Is that real? Was in a dream? No?
Speaker 3 (12:05):
That was in a dream.
Speaker 5 (12:06):
I have not lost I have not three years in
I have not had a sleep, and yet I'm not
looking at anything. All right, No, you haven't, right, I
haven't yet. I have I'm sorry, all right, all I
had when you.
Speaker 2 (12:23):
Uh, no it was.
Speaker 4 (12:25):
But when you wake up after a dream like that,
you you logically rationally know that it's not true, but
you still feel the same way that you felt.
Speaker 2 (12:34):
In that dream, the feeling lingers.
Speaker 4 (12:35):
Yeah, the feeling that same with when someone enters into
your dream and you and then they are in your
dream and then you wake up and you feel a
bit differently about that person. You're like, even though I
know I don't, but the feeling I did. I did
have a memory of it.
Speaker 2 (12:51):
I haven't. We had a whole thing, we lived, We
lived a life together. And what is the difference between
that memory and memory.
Speaker 4 (12:58):
And your actual real life way memories and well, in
your mind nothing, No, it's nothing.
Speaker 2 (13:04):
And that's why the feeling remains.
Speaker 5 (13:06):
There's our number two of the people I'm in love
with God on the list because I had a dream
about her.
Speaker 2 (13:10):
Yeah, okay, and then what somehow she fell in love
with it? Okay, So you had a dream.
Speaker 5 (13:18):
Yeah, I had a dream. It was a very simple dream.
It wasn't dirty that little boys and little girls. No, no, no,
I just I remember it very could one day dance last.
Speaker 3 (13:27):
Now.
Speaker 5 (13:27):
We were sitting on the back seat of a car,
someone else was driving us, and I lay my head
on her lap.
Speaker 2 (13:33):
Hold on, is this the dream?
Speaker 3 (13:34):
Yeah? This is the dream. Nothing nothing happened in real life.
Speaker 2 (13:39):
And then hold on, nothing ever happened in real life.
Speaker 5 (13:41):
I wrote it love letters and stuff and a song
maybe two and and how old were you sexteen?
Speaker 2 (13:51):
Okay, this is where it all started, isn't it?
Speaker 3 (13:52):
And then this is where it all started, you mean
where it was?
Speaker 2 (13:58):
This is where all these sixteen love interests.
Speaker 3 (14:01):
Yeah, and there's a lot. Man, that's a lot.
Speaker 2 (14:05):
I want to uge. That's a lot of people to
fall in love with. Times you've been in love.
Speaker 3 (14:09):
I don't want to judge, but that's a lot of I.
Speaker 2 (14:12):
Don't want to judge, but that is way too many.
Don't want to judge, but I'm forced too here.
Speaker 5 (14:16):
And then she just stroked my hair and I was like, fuck,
you're lovely. And then I woke up and I was like,
I like.
Speaker 2 (14:22):
To be right.
Speaker 5 (14:23):
No, I like this girl, thatt me right lovely? Yeah,
I think I like this girl. I think you're lovely.
Your brain gonna come up with anything. I just want
to be told I'm lovely.
Speaker 2 (14:34):
Oh you're lovely?
Speaker 3 (14:35):
No, no, no, no, no, lovely.
Speaker 2 (14:37):
I thought it was lovely to just have.
Speaker 5 (14:38):
My head on her lap and have my hair stroked
and wake up and think, fuck you're lovely. Anyway, nothing happened, No,
we were the ones that wait into the ball together,
and then she sucked off with the detail she was
that one, that one.
Speaker 4 (14:52):
So I figured out that it's sixteen minutes into the
podcast is when Ruder digs up as deep trauma every morning.
So maybe this podcast needs to to cut at fourteen.
Speaker 5 (15:00):
It's been the first five minutes trying to figure out.
Speaker 2 (15:02):
What we call it.
Speaker 4 (15:03):
Trauma revisited yea a certain point, it's just the trauma.
Speaker 2 (15:07):
Do't love trauma twelve visited? Yeah?
Speaker 4 (15:10):
Can we just put a timestamp in the podcast, like, hey,
just just you know it happened fourteen minutes in today.
I just so you know it was twelve minutes today,
and then that way people know when they get to
that point, they can just.
Speaker 2 (15:22):
Yeah, or even just call the podcast the time stamp
when Rudas starts a trauma.
Speaker 3 (15:27):
It was good.
Speaker 2 (15:28):
Just always know, it doesn't even need to capture it
captured it. It doesn't even need that name.
Speaker 4 (15:31):
The name is just, hey, it happens at twelve forty
three today.
Speaker 5 (15:35):
Yesterday was good because we came in and then I
didn't find my trauma listening to her stories.
Speaker 3 (15:41):
So maybe that maybe.
Speaker 2 (15:43):
When I find your trauma, maybe we need.
Speaker 3 (15:46):
Oh shit, we already the TROLLMA.
Speaker 2 (15:48):
Thank god.
Speaker 1 (15:51):
Jerry and Maniah catch the radio show from six to
ten weekdays. The Hadarcky Breakfast
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