November 13, 2025 • 31 mins
Lola Brooke on Life Lessons, Staying Real + New Album!
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Speaker 1 (00:09):
Lola in the building today.
Speaker 2 (00:14):
It is celebration season because Lola's new album is dropping
tomorrow tomorroo Yeah motto, how you say tomorrow and spend myana?
Oh you by lingual? Let me find out.
Speaker 1 (00:27):
I'm just from Brooklyn. I try.
Speaker 2 (00:31):
You probably know a few Spanish words. Yeah, like if
you went to the Spanish restaurant, what do you order?
I just I just let I order? What do you water?
Speaker 1 (00:43):
I ain't getting a lot? I get grilled. I see
I ordered it like this in Brooklyn. I'll be like,
can I get half a chicken with yellow rice and beans?
Speaker 2 (00:51):
Yellow rice and beans?
Speaker 1 (00:53):
But how you say beings?
Speaker 2 (00:54):
They taught me do you get do you get motherhood?
Speaker 1 (00:59):
That's the so planting? Yeah?
Speaker 2 (01:01):
Yeah, see you be knowing? Yeah? I know something high Lola.
Speaker 1 (01:05):
Hey, how you feel baby? I feel good?
Speaker 2 (01:09):
It's excited for you.
Speaker 1 (01:10):
I'm excited. I can't wait. I'm not gonna hold you.
Speaker 2 (01:14):
What do you think people are gonna like be most
surprised about about the album? You think they'd be surprised happy.
I don't know what are they gonna be.
Speaker 3 (01:23):
They're gonna be like, yeah, Lola, this is what I'm
talking about. They're gonna be happy. They're gonna be excited.
I'm gonna get them the energy that they need.
Speaker 2 (01:31):
But what what what we have cameos? We have surprises?
What do we got?
Speaker 1 (01:35):
Okay, so I have one feature. She go by the
name New York La. She's a singer.
Speaker 2 (01:44):
And everybody loves you. You could have flooded the album
with cameos if you wanted to.
Speaker 3 (01:48):
I could have, But you know what I felt like
this time around, I was like, it's about me, you know,
I just wanted to flood it flooded up with Lola Brook.
Speaker 1 (02:00):
Mm hmmm.
Speaker 2 (02:01):
What do people need to know about Lola Brook? Who
don't know yet?
Speaker 1 (02:06):
They don't what they don't know?
Speaker 2 (02:08):
Like, I mean, we know a lot of things about you,
but I feel like as you grow and as the
music comes out, we're going to start to see other
sides of you and you in a I mean, you know,
like what season of your life are you in right now?
I'm in because you're not like first it was like
new Artists, firecracker out the box. Still a firecracker, by
(02:29):
the way, but you're give it a little like you
see some things you've experienced, some things you mess some
people you had, some success.
Speaker 3 (02:38):
You you very mature. I'm very mature, but I'm still
I'm reasonable. A reasonable crash out right now? You know
what I'm saying, Like like if you see me wildly
now you like she got a point though, That's where
I'm at right now?
Speaker 2 (02:56):
Got it? Like a fair crash out?
Speaker 1 (02:59):
Yes, like I'm supposed to be crashing out?
Speaker 2 (03:04):
What causes the crash out these days?
Speaker 1 (03:07):
A lot?
Speaker 3 (03:07):
Like people just irritate you know, everything irritates us. You
walk too slow, you don't know how to drive?
Speaker 2 (03:14):
But how dare you? How dare you do that?
Speaker 3 (03:19):
Right?
Speaker 1 (03:19):
But right now it's.
Speaker 3 (03:22):
If we can't agree to disagree, that's what's gonna make
me crash out because it's like it's all right.
Speaker 2 (03:28):
You can't crash out so much no more people know
you now like you got.
Speaker 1 (03:30):
No no, no, I don't crash out.
Speaker 3 (03:33):
No. But if see reasonable crash out, is not you
really crashing out?
Speaker 1 (03:38):
It's just you standing on business.
Speaker 2 (03:40):
Yes understood. You still got to be very careful. Yes,
you're a famous person. Now you're a celebrity now, yes
you operate a little different.
Speaker 1 (03:50):
But I put it in the music. My crash out
is going in the music.
Speaker 2 (03:55):
What do you like in the studio session? What's your
sessions like?
Speaker 1 (03:59):
I like tequila, I like honey. I like honey and.
Speaker 3 (04:02):
Tea in tequila, water, hookah, I love hookah.
Speaker 2 (04:09):
Not good for your throat? Why are you about to
do vocals? But you know?
Speaker 3 (04:12):
Hey, no, okay, So look that's why I got the
tea in the honey, got it up to balance, balance
it out, some good grubs and some good energy in
the room.
Speaker 2 (04:22):
Yeah, but are you like one taking done? Do you overanalyze?
You stay mad hours on the song? Like how are
you in the studio?
Speaker 3 (04:29):
I used to overanalyze. I used to stay take too
much time on songs. But as I continue to grow
in the booth, I noticed that a record is not
gonna work if you take too much time on it.
Speaker 1 (04:44):
That means you don't like it. Move forward.
Speaker 2 (04:47):
Yeah, what's your favorite record up right now? On the
pet project?
Speaker 3 (04:53):
I like invest, I like get money, and what those
are my favorites?
Speaker 1 (05:00):
Invest get money, investing in Yes, invest in me my
mental spiritually? You know what I'm saying?
Speaker 3 (05:11):
Good energy invest is basically a song where I I
do acknowledge that being financially stable in a relationship is
a good thing, but it's not the only good thing.
And I feel like you have to be out of
hour with your partner. You have to know when your
partner having a bad day, even when they don't tell you.
Speaker 1 (05:32):
You know what I'm saying is this is love Lola.
Speaker 2 (05:34):
Yeah, Oh, this is love Lola. Because love Lola maker,
she loves Lola, make a song and love love Lola
makes Like I feel like there's different versions of you right,
Like I don't know, scratch out music.
Speaker 1 (05:52):
But then there's like it's motivational.
Speaker 2 (05:55):
Music, motivational music, love ever music.
Speaker 3 (05:59):
It's a bunch of everything. I feel like the project
that I just put out is a manual on life.
So if you feel like your back is against the wall,
you listen to the record What's up with It? If
you want to feel motivated, you listen to get Money.
Speaker 1 (06:13):
If you feel like your mind is clutted and you
can't you overthinking, you.
Speaker 3 (06:18):
Go listen to excuse me, Like everybody get out the way,
like I gotta think clear.
Speaker 1 (06:25):
You know what I'm saying.
Speaker 2 (06:25):
You want to be in love, go to invest Yeah,
and invest in me beyond the money.
Speaker 1 (06:30):
Beyond money.
Speaker 2 (06:31):
Yes, that's the song.
Speaker 1 (06:33):
Yes?
Speaker 2 (06:33):
Is it like a radio sounding song or like it
feels like it, I think.
Speaker 1 (06:38):
So that's why I love it so much.
Speaker 3 (06:40):
And I love pain too, because pain and invest is
like it's they both.
Speaker 2 (06:45):
What's the pain?
Speaker 1 (06:47):
Oh? Shout out to Mary for Clint. What camera is me?
Speaker 2 (06:51):
Any of them?
Speaker 1 (06:51):
You want?
Speaker 2 (06:52):
Yo? Mary?
Speaker 1 (06:53):
I love you girl? Thank you?
Speaker 2 (06:54):
Who's that?
Speaker 1 (06:55):
Mary j Blige?
Speaker 2 (06:56):
Oh? My girl married?
Speaker 3 (06:59):
Wait?
Speaker 2 (07:00):
Mary? This is on? This is it's on pain on pain?
Speaker 1 (07:04):
Yes, she's on it?
Speaker 2 (07:05):
Or you sample?
Speaker 1 (07:06):
She she cleared the sample?
Speaker 2 (07:09):
She fucks with you? How could she not?
Speaker 1 (07:11):
I love her? I appreciate her so much.
Speaker 2 (07:13):
Did you have to talk to her and have this
conversation about the song where your people just sent it
to her people?
Speaker 3 (07:17):
No, I didn't get them. I didn't have the conversation
about the song yet. I got something coming to you,
little girl.
Speaker 2 (07:24):
No, I mean to clear it though, to clear it?
You didn't talk to her about it?
Speaker 1 (07:27):
I didn't get it.
Speaker 2 (07:28):
Yeah, but she could have, you know, not cleared it.
Speaker 1 (07:31):
Yeah?
Speaker 2 (07:32):
She must. She must fuck with you.
Speaker 1 (07:34):
I feel specially of love.
Speaker 2 (07:37):
What did you sample in that one?
Speaker 1 (07:40):
No more pain, no more drama? So good? Oh?
Speaker 2 (07:44):
And that's yes.
Speaker 3 (07:46):
So invest is like you know, I'm here boot, And
then pain is like the last, not the last, not
mean well, not the last, because I any one of
them before you this high I get.
Speaker 1 (08:01):
This is how you got here. I got cleaned up.
I cleaned house up.
Speaker 2 (08:06):
How are you in your relationship? Love you? Are you
hard or do you soften up? In girly up?
Speaker 1 (08:12):
I I'm very soft. I'll souffing up a lot, really,
like one hundred percent. I'm not.
Speaker 2 (08:18):
Look even when you talk about it, Look, you just
change your whole demeanor.
Speaker 1 (08:21):
Just changed, Yeah, because I don't.
Speaker 3 (08:24):
The only time I got to be hard is when
something the waitress get my man order wrong. That's when
I'd be like, excuse me, miss a problem?
Speaker 1 (08:32):
Yeah, what's up? Other than that? As softy, Yeah, that's
so cute, that's very cute. I mean I was born
in February. That's the month of love, right, that counts.
Speaker 2 (08:45):
Because Valentine's Day. I heard you, I guess. So I
don't don't know.
Speaker 1 (08:48):
I'm just I'm trying to figure it out for you.
Speaker 2 (08:52):
All right, So what do we need to know about
this album? Baby? Let's get let let's let's get the
people focused and excited, and then let's go through your
real life questionnaire.
Speaker 3 (09:00):
Okay, So I bet is This project is a lot
of energy, right. Yes, That's why I keep calling it
a project because it's whatever.
Speaker 1 (09:11):
It's whatever you feel it needs to be for you.
You know what I'm saying.
Speaker 3 (09:14):
I'm just putting out a body of work, and I
just know that as an artist, I need to be
consistent and I.
Speaker 1 (09:20):
Love to do what I do, so it's like, why
not just put it out?
Speaker 2 (09:24):
Do you ever feel like like, do you still feel
like a new artist or do you feel like you're
still proving anything? Do you still feel like that underdog
kind of spirit?
Speaker 1 (09:31):
I feel underdog. I feel like the underdog for sure. Yes, still.
Speaker 2 (09:35):
Yeah, what is the thing you're trying? Like? What are
you trying to be?
Speaker 1 (09:41):
I'm trying to.
Speaker 3 (09:41):
Be where I dream to be. That's everywhere besides just.
Speaker 1 (09:46):
New York City. You know what I'm saying.
Speaker 3 (09:49):
I want to represent my city so well that everywhere
else open doors for us even more. I know they
respect our handle already, but I just want to extend
it even more.
Speaker 1 (09:59):
You want to Yeah, I want to grow?
Speaker 2 (10:01):
What is that like? When you go to different towns
in different cities, It's like, are you feeling the love
and other places like you feel here yet or somewhat
see me.
Speaker 3 (10:09):
I feel like I'm feeling the love, but I don't
know if everybody in New York City get the same love.
So I'm trying to open doors for that because I
just I got a lot of energy. So even if
I walk in the room and the energy is bad, shift,
I shifted, right.
Speaker 2 (10:23):
I love that. You know that about yourself?
Speaker 1 (10:25):
Yeah, I had to learn that.
Speaker 3 (10:27):
That's something that I learned about myself in the past
few months.
Speaker 2 (10:32):
The past few months. Really, I never knew that before.
Speaker 1 (10:35):
I know, because I just was doing my thing. And
now that.
Speaker 3 (10:41):
Now that I'm an artist that you know, got to
where I never thought I would be. I look back,
like all the materials that I put out, I look
back on it and I get to see because before
I was just living in it.
Speaker 1 (10:53):
But now I get to see how I was moving
in those moments.
Speaker 2 (10:56):
But it's your energy too. I was talking who was
I talking to about the other day? There was a
clip that I put up about like how you treat
people and how your energy around people like really prolongs
your career or could lift you up. It makes people
want to want to support you. Does everybody's career go
like this. If you're lucky enough and you have a
(11:17):
long ass career, that shit goes like this. No, I
don't care if you Beyonesce like whoever you are, your
shit is all all me and nor we're talking about that.
It is always like this.
Speaker 1 (11:27):
It goes up and down, and it be the ones.
Speaker 2 (11:29):
It's like that. People don't want to be around that
when your shit go like this. Nobody wants to be like, Yo,
I got you, come on, let's keep, Let's keep. You know,
there's something about that that really, I don't know, it
really does make a difference.
Speaker 1 (11:41):
It makes a huge difference.
Speaker 2 (11:42):
Yeah, And I think you're one of those type of artists,
Like your energy is good. People want to be around you,
like you're good people. You could just tell your energy
is good. People want to help you no matter what,
Like they want to support you, they want they want
to ride out for you, whatever it is. And I
think that's going to be a real big thing for
you in terms of like the longevity of your career.
I think that's gonna really matter a lot. Yeah, you
(12:04):
know what I'm saying.
Speaker 3 (12:05):
I feel like that's very important though, because I feel
like everybody is here to help each other, you know.
Speaker 1 (12:09):
What I'm saying. And then I'm small, So anybody want
to protect me because.
Speaker 2 (12:13):
You know, you're like everybody.
Speaker 3 (12:14):
I'm like, yay, hi, So I'm like everybody's cabbage patch doll.
Speaker 2 (12:21):
Is that annoying sometimes?
Speaker 1 (12:23):
Or sometimes it is?
Speaker 2 (12:24):
But when you're trying to be dead ass serious on
your I'm like, excuse me, but you've never had a
complex about that, right you?
Speaker 1 (12:36):
Or no? You embrace it. Yeah, it's a good thing.
Speaker 2 (12:40):
It's a it's an adorable thing.
Speaker 3 (12:41):
And I have no siblings, so I'm like, at least
somebody over here acting like Bix's big brother.
Speaker 2 (12:47):
You're only child, Yeah, my moms did me. My mom
did to. So yeah, talking about your only children's syndrome
right here. Oh my god, Mam must be so proud
of everything that's been happening.
Speaker 3 (13:02):
Yes, she's more happy than me, really, which is a
good thing, you know, because sometimes I do catch myself
doing it for her as well, because I know I'm
supposed to be doing it for myself.
Speaker 1 (13:12):
But when she's happy, I'm happier. I love that.
Speaker 2 (13:17):
So you grew up together right like it was just
a two of you, right yep. So in those early
moments of like even you thinking that this is what
you wanted to do, your mother was probably witnessing every
second of.
Speaker 3 (13:29):
It, right, Yeah, I told her before I even knew
exactly what it was like. I was in studio and
rapping and stuff like that, but I didn't know if
this was something that I wanted to make as a career.
But I think I was on my way to school
or work, one of the two, and I came to
her room and I was like, ma, I'm like, I'm special,
Like I feel like I'm supposed to be important to
(13:51):
the world. I don't know what that is right now,
but I'm gonna figure it out. I said, I'm going
to go to school because she wanted me to go
to school. I said, I'm going to go to school,
but it's not right now.
Speaker 1 (14:00):
I'm gonna go.
Speaker 3 (14:00):
Oh, that's what it was. Because I said I'm gonna
go next year. I was working. I said, I just
want to go make some money and then I'll go
back to school.
Speaker 2 (14:07):
Where are you working again? I know we talked about
this before, but I.
Speaker 1 (14:09):
Was working at the time.
Speaker 3 (14:11):
It might have it was before I got to school.
I think TJ Max it had to be TJ Max.
Speaker 1 (14:17):
I didn't know that. I loved TJ Max on six aves.
Speaker 2 (14:20):
Love TJ Max, especially when they get that little designer section.
Speaker 3 (14:23):
They yo, they they had, yo, we have a little
they got they got true, they had true religion in it.
Speaker 1 (14:31):
When I was growing up, I was getting them for
eighty dollars because it was the kids section.
Speaker 2 (14:35):
So you know, you gotta know which is the good
ones too. Some of the tea not every TJ Max
is the same. You gotta know which is the good one.
What neighborhoods that they run through, the whole stash already?
Speaker 1 (14:43):
What they got some stuff in the juicy contol.
Speaker 2 (14:46):
I always wanted people who worked there. Do you get
like the fly? Do you put like the fly stuff
on the side when it came Yes, I got coworkers.
Speaker 3 (14:54):
Coming up to me like, yo, package just came in.
They got truly juicy contour. I'd be like, put it
to the side. Side twelve.
Speaker 1 (15:01):
That's when I was really little.
Speaker 2 (15:04):
When you say size twelve kids, I'm like, oh, size twelfth,
juicy guitar is crazy, just like this big so cute.
That is so cute. Anyway, So you told your mother
he was working there. You tell your mother, you wanted to.
Speaker 1 (15:20):
Do this, and yeah, she was like she was cool
with it. She was like all right.
Speaker 3 (15:24):
I think she was a little stunned, like because I
came out of nowhere and said it, and she was like,
all right, well, whenever that time come.
Speaker 2 (15:31):
And how old are you? Oh?
Speaker 1 (15:34):
I was eighteen.
Speaker 3 (15:36):
I had just got out of high school because she
I didn't go straight into college after high school.
Speaker 2 (15:40):
But the fact that you're eighteen and you're telling your mother,
I know I'm special. Yeah, I was just kind of dope.
Speaker 1 (15:46):
Yeah, I'm looking in the mirror at her.
Speaker 3 (15:48):
I'm looking in the mirror talking to her like, I
don't know, but it's a feeling I'm supposed to be somebody.
Speaker 1 (15:54):
MOD just don't know what it is yet, but I'm
gonna figure it out. And she was like, okay, Like,
but I'm gonna go to school, that's what you want
me to do. I'm gonna go to school. I don't
know how long i'm gonna stay, but i'm gonna go.
I'm gonna try it.
Speaker 2 (16:06):
And how was that?
Speaker 3 (16:07):
I dropped out? Sorry, don't drop the drop out of college.
Y'all try to go as far as you can.
Speaker 2 (16:14):
Yeah, but for you it wasn't. It ain't for everybody.
Speaker 1 (16:15):
It wasn't for me.
Speaker 2 (16:16):
It ain't for everybody.
Speaker 1 (16:17):
What'd you try to study business?
Speaker 3 (16:20):
And I think I just picked any major just so
I could say, mom, and I'm in school, just when.
Speaker 2 (16:25):
People don't know they always pick business anyway.
Speaker 1 (16:28):
Yes, so business.
Speaker 2 (16:30):
You know what it worked out for you?
Speaker 3 (16:31):
Bobo?
Speaker 4 (16:32):
Yes?
Speaker 2 (16:32):
All right? In real life questionnaire, Lola, last thing you
ate seafood?
Speaker 1 (16:36):
Yeah?
Speaker 2 (16:38):
Last go to karaoke song? I don't know why this
does not.
Speaker 3 (16:43):
I used to pray for times like this, Blake, I
get the voice ring. I used to pray.
Speaker 2 (16:49):
Yeah, yeah, yeah, Lola, you know every single word?
Speaker 1 (16:53):
Right, yup?
Speaker 2 (16:55):
The ad lives too, and you probably you probably kill
the performance too.
Speaker 3 (16:59):
When that's song coming on in the club, all my
friends put their cameras on me because they already know
what's happen.
Speaker 2 (17:06):
Has seen it? Have you ever been somebody.
Speaker 3 (17:08):
Say yeah, I got your son, chill outs down, I
got it.
Speaker 2 (17:15):
What's your superpower? Read people at first? Link up? Yeah?
About that?
Speaker 3 (17:21):
As soon as I like, if one of my friends
try to bring somebody new in the circle, I'd be like, Nope,
she ain't good, and they'd be like, just give it
a try. Then the next few months you were right.
Speaker 2 (17:33):
I know, but how do you know? What are the signs?
Speaker 3 (17:39):
It's just the energy like it just it'll shift. Like
I could tell when somebody's uncomfortable. Then I'm like, yeah.
Speaker 1 (17:50):
It's not gonna work out.
Speaker 3 (17:51):
You could just tell ye, like when I could tell
you trying to fit in, then you already fake yeah,
funk out of.
Speaker 1 (17:58):
Here, fuck here, pack them up.
Speaker 2 (18:04):
Your celebrity crush, you could say, I just say it's
celebrity crush is dope, boy, it's dope.
Speaker 1 (18:12):
Easy.
Speaker 2 (18:16):
My man, my man, my man.
Speaker 1 (18:18):
No, No, I'm not one of those girls.
Speaker 2 (18:19):
You are such a my man, my man.
Speaker 1 (18:22):
No, no, no, I don't.
Speaker 2 (18:23):
Know your face even blushed just now right now.
Speaker 1 (18:25):
No, no, and gee, I'm not my man, my man,
my man, you like to make a song.
Speaker 2 (18:33):
If she called you to be.
Speaker 3 (18:35):
My baby, my baby, yeah, I mean, but I won't
say that out loud.
Speaker 2 (18:40):
You'd have a verse for it. If you call for yeah,
you'd have a verse for that bunch of man.
Speaker 3 (18:44):
But you don't say those how many times that is
four times? You don't say that out loud.
Speaker 1 (18:49):
Four times? That's like saying Freddy cool, who you saying
the mirror.
Speaker 3 (18:54):
Candy man. That's like saying candy man in the mirror.
You don't do that because you bring the demon out
of him. You don't, Oh girl, you can't do that.
You gotta be cool, call collective and just flow.
Speaker 1 (19:07):
That's sick.
Speaker 2 (19:09):
So when you say you're not a my man, my man,
my man, what does that mean that you don't tell
people your business or that you just don't you just
what does that mean?
Speaker 1 (19:17):
I feel like I'm not a ma man, my ma
and my man because it's about me too, you.
Speaker 3 (19:23):
Know what I'm saying, Like I love him, but he
wouldn't love me if I ain't love me.
Speaker 2 (19:30):
So you just got all types of shit. You just
dropping all types of shit on today, Loacker said I
love me too. Yeah, me, me, me me.
Speaker 3 (19:43):
Now you can say that out loud, for you know
your real demons. You know the demons you'll be fighting
when you look in the MARRORLD you could say you.
Speaker 2 (19:50):
And it's so funny. Okay, So he's your celebrity crush.
Yeah you also your man, your man, your man. Whatever. Uh,
you don't want to say it, I'll say it. Uh,
what is one thing on your bucket list? To have
at least three houses. Where are they going to be?
What have one in New York?
Speaker 1 (20:06):
Yes, New York, Atlanta, in.
Speaker 2 (20:11):
LA and one out of the country.
Speaker 1 (20:13):
It says London, mm hmm.
Speaker 2 (20:15):
You like it there? Yeah, it's been a lot.
Speaker 1 (20:18):
I love London. Every time I go. Oh my god,
the energy is just great out there.
Speaker 3 (20:21):
If you depressed, go to London. I know, the skuys
be great, yeah, but the energy be lit.
Speaker 2 (20:28):
What do you do when you go there? Like, where
did you go?
Speaker 1 (20:31):
Well, when I was out there, I'm not going front.
I was working. Bugiy brought me out there.
Speaker 3 (20:35):
Then I went out there for wireless so I got
to feel the fans' energy and it was really great.
So I'm like I can only oh.
Speaker 1 (20:43):
I've been I went out. I went out too. I
went to the club out there.
Speaker 2 (20:46):
He was in the streets.
Speaker 1 (20:47):
Yes.
Speaker 3 (20:48):
And then when it was time to go home, the
people didn't want to go home.
Speaker 1 (20:51):
You know how New York we get out of the
thirty minutes before closing. Nothing. No, not in the UK.
The light is on and they don't want to go home.
Speaker 2 (20:58):
They're like, we were staying right here. Yes, wait, you
said you brought you out there.
Speaker 1 (21:02):
Yeah, on his tour.
Speaker 2 (21:04):
That must be dope for two New Yorkers, for him,
especially to bring you out there in the UK. To
be in the UK, I don't know. It must feel
like a vibe.
Speaker 1 (21:12):
Yes, because you're super supportive of you too, right.
Speaker 3 (21:14):
Yes, Boogie is very super supportive. And when he go
out on the stage and he was doing his thing
or whatever, I was like, yeah, get him sun because
when I go out there, I ain't got to do
all the.
Speaker 2 (21:23):
Work like that. Are you saying he went out first?
Speaker 1 (21:27):
Yeah, he will bring me on his set. So I
had a set on his set.
Speaker 2 (21:31):
In the middle of his show, middle and you will
come out with a little firecracker, ass yup, come out
there and light it up.
Speaker 1 (21:37):
And he'd be like your muscus, your musters, little book about.
Speaker 2 (21:39):
To come out, and I'd be like, I love that.
Speaker 1 (21:44):
I love that.
Speaker 2 (21:45):
Okay, uh, pet Peeve.
Speaker 3 (21:48):
When people leave mayo on utensils, rinse it off.
Speaker 2 (21:55):
Explain to me this problem.
Speaker 1 (21:57):
Because the smell of mayo drives me crazy.
Speaker 2 (22:00):
You know how mayonnaise girl.
Speaker 1 (22:01):
No, it didn't. I feel like if you leave it
on a butter knife or whatever.
Speaker 2 (22:05):
You use, it gets like almost see through. It gets
like that color changes. It's not white anymore, right, it
becomes like clear and nasty and exactly what you see
the problem.
Speaker 3 (22:16):
And then in my head, even if it gets washed,
I'm like, is this the one that you use?
Speaker 1 (22:21):
Because I don't want to use. It's a mental thing
with you.
Speaker 3 (22:25):
You know, when people go with Maury and they be
running from pickles, I'll be running from seeing that you.
Speaker 1 (22:30):
Never seen when they dumb people? Is it?
Speaker 2 (22:33):
Is it morial Jerry, it's Maury.
Speaker 3 (22:34):
Right. He'd be like, she has a fear of pickles,
let's bring her out, and then they bring the pickles
out and they be running.
Speaker 2 (22:45):
I have never in my life seen no never, I've
never clearly not watching enough television. Yes, so if the
mayonnaise came out here, you're running for your life. Yes.
Last thing that sents you down a rabbit hole.
Speaker 3 (23:00):
Serial Killers it's every other day, So every other day,
why do you watch this? Because I need because they
got traits. I'd be like, what's serial killer traits and stuff.
Speaker 1 (23:15):
I need to know?
Speaker 2 (23:16):
Like he's trying to arm yourself with information. Yesh, Yeah,
I understand, but.
Speaker 3 (23:22):
It'd be interesting because I'd be like, all jokes are
not even to be funny though, some of these people
they do the things they do because they be mentally gone,
and not not just being sick. They sick people too,
But their childhood has a lot to do with who
they become as an adult. And I pay attention to
people upbringing because that's you know.
Speaker 2 (23:44):
You want to know who the future serial killer is?
Speaker 1 (23:46):
Yes, yes, like, oh you about to You're about to tweak,
Get the fuck away from me.
Speaker 2 (23:52):
This is preventative research. Yes, so she went down that road,
and then you're supposed to enjoy your favorite emoji here.
But I don't know what any of these are.
Speaker 1 (24:01):
It is medieval though, medieval ever mhm, it is me.
It is medieval.
Speaker 3 (24:11):
It is when they have no no toilet system, right, medieval.
Speaker 1 (24:15):
That's I went in the rabbit hole with that.
Speaker 3 (24:17):
Medieval times, yes, because they said the smell outside was bad.
Speaker 1 (24:21):
Two pasts didn't exist.
Speaker 2 (24:26):
Yeah, when was this? This was back in the I
don't know the I don't know the You never thought
about that. It was stinky back then.
Speaker 1 (24:32):
Yes, that's why they got what's that song? Ashes? Ashes?
We all thought that's from medieval times? All right, my bad, y'all.
I told you I went down a rabbit hole.
Speaker 2 (24:47):
This sounds like you were smoking some weed or something. No, no, no,
all right. We have a little game, right were playing,
check it or let it slide? Let's do it, check
it and let it slide with Lula Brook.
Speaker 1 (25:00):
Check it? All right, let's go.
Speaker 2 (25:01):
Is this a little segment we do? We tell you
a scenario. Okay, you tell us if you would check
the situation.
Speaker 1 (25:09):
Or I think I'm familiar Taraji? Did this?
Speaker 3 (25:13):
Check it?
Speaker 2 (25:14):
Let it slide? This? Yes, you check it? Or will
you let it slide?
Speaker 1 (25:18):
Okay? She said, check that? Hope, I remember.
Speaker 2 (25:23):
You're familiar with the segment?
Speaker 1 (25:25):
Perfect?
Speaker 2 (25:25):
Yes, all right, Brittany, you start one.
Speaker 4 (25:29):
Your man says he loves your music but hasn't posted
a single link.
Speaker 2 (25:33):
Check that, nigga, I feel low's gonna check everything.
Speaker 1 (25:39):
Check like what you ain't being supportive? You have support?
Support it, you have ass need to go.
Speaker 2 (25:45):
That's very important to you in a relationship. Support it supported?
Speaker 1 (25:48):
Yes, what's your love language? He was talking about investing me?
Speaker 3 (25:52):
Yeah, touch, touch, touch, touch affection.
Speaker 2 (25:59):
You share some good news with one of your homegirls
and she hits you with a dry sounds cool. Do
you check that or you let it slide? You're excited.
You bring her the news, the big news, and she's like,
sounds cool. It's a very weird, very weird question.
Speaker 1 (26:17):
But I gave it to you, okay, So.
Speaker 2 (26:22):
I like that you're taking your time with us.
Speaker 3 (26:24):
Yeah, because not a crash out just yet, you know
what I'm saying.
Speaker 2 (26:28):
Look, this is okay, a couple of years ago media
crash out.
Speaker 1 (26:33):
So I won't check it on a spot. I keep
it going.
Speaker 2 (26:37):
To see you're gonna watch.
Speaker 3 (26:40):
Yeah, i'mna observe. I'm not gonna check. That's just certain things.
If that's your friend, it's like some things you just
don't check because they should be checking themselves on it.
Speaker 1 (26:51):
Like you should be telling me like, oh that's dope.
Speaker 3 (26:54):
But I ain't gonna front a friend like I'm having
a f up day. I'm proud of you though, So
if I come off a little weird, it's because such
and such happened. But this about you, and I don't
want to interfere, you know what I'm saying. So I
do community, Catholic communicy. I shouldn't have to check you to.
Speaker 2 (27:12):
You're a good friend. Yeah, you give her a little grace, Yeah,
you get crazy.
Speaker 3 (27:18):
I let it I'll let this become reoccurring. Yes, but
I will check it later.
Speaker 2 (27:23):
Because maybe she's going through sets.
Speaker 1 (27:27):
I like it.
Speaker 2 (27:27):
I like it too, Okay, letting it slide. Letting it's
like letting that slide. Look at you, letting ship slide.
Speaker 1 (27:33):
Come on, somebody calls you little Kim for gen z.
M Oh, that's the new that's.
Speaker 2 (27:40):
The version of the Yeah, why.
Speaker 1 (27:43):
Would I check it?
Speaker 2 (27:46):
Thank you?
Speaker 1 (27:46):
Thank you? Good answer.
Speaker 2 (27:48):
Excellent answer. A rapper. A male rapper says he wants
to collab, but he keeps flirting with you in your
d m Let me.
Speaker 3 (27:58):
Check, right, yeah, no, how much?
Speaker 1 (28:03):
Check them? Send a check, mister, send a check.
Speaker 3 (28:08):
Let's get it to that, because if you like me,
you you for sure send a check.
Speaker 1 (28:13):
I ain't with all that. I'm a business woman. You
bugging the fuck out? Yeah? Like that means you don't
want to work with me. You're trying to hit. You
aren't trying to get it hit, You're trying to hit. Like,
please rethink this.
Speaker 2 (28:29):
M Okay, she's checking that.
Speaker 1 (28:31):
Go britt.
Speaker 4 (28:33):
Yeah, you invite your man over for Thanksgiving to your
family's house and he shows up with plus two to
his homeboys.
Speaker 2 (28:44):
After polit.
Speaker 1 (28:47):
Yeah, because they don't got no family.
Speaker 3 (28:53):
I would know that if they don't, then I wouldn't.
I wouldn't trip. I already would know if he pop
up with two friends that unexpected friends, unexpected friends, not
the friends, friends that I don't know, just popping.
Speaker 2 (29:05):
Up on the holiday.
Speaker 1 (29:06):
What's gonna If you're fighting with your family on the holidays,
you gotta fucked up. So something going on.
Speaker 3 (29:15):
Because you if you If I'm mad at my family,
I don't want to be around nobody else family.
Speaker 1 (29:18):
I'm mad, I'm miserable. I'm gonna stay home. I'm not
about to rub that off for somebody else. Check it.
Speaker 2 (29:27):
She really checked that. I felt that she checked the
friends and she checked. Yeahbody got checked.
Speaker 1 (29:33):
What's going on?
Speaker 2 (29:34):
You're gonna be a really good actress? Are you gonna
do movies and TV? Like? Have you? Have you? Have
you been researching this? And not yet? But because I
see the way you just went into like a full
range of emotions in one little story.
Speaker 1 (29:49):
Yeah, that's the only child syndrome.
Speaker 2 (29:51):
Mm hmm.
Speaker 1 (29:52):
You got acting in you too?
Speaker 2 (29:54):
So no, I mean, you know, I know you might
see me. You might see me in Brown Sugar Cell.
You know what I'm saying you might have seen me
in a flicker too. You know what I mean. I'm
just saying, we can see you in a flicker too.
Speaker 1 (30:10):
I would love that. I'm definitely working towards that too.
I'm not gonna hold you, I am. I'm excited.
Speaker 2 (30:15):
Is it something in the works right right now?
Speaker 3 (30:18):
The only thing that's doing the works? Yeah, it's just ideas.
But in the works is the music right now?
Speaker 2 (30:23):
Yeah? Yeah? Focus, Yeah, I see what you did, brought
it off, pulled back there? Yeah, you see that all right?
So tell people, give them, give them a last little
you know what I mean. Let them know what they're
about to get, so they get this album. Oh, come on,
give them the cell. Yo.
Speaker 3 (30:36):
Look, listen, you feeling down, you feeling sad, You need
some motivation, You feeling like you woke up and you
ain't drink no coffee yet.
Speaker 2 (30:43):
You gotta drink the coffee.
Speaker 1 (30:45):
Just go listen to I Bet and it's lit. You
know what I'm saying. I'm holding it down for everybody.
Go get that. It's out tomorrow, tomorrow. Please be nice
and listen to it.
Speaker 2 (30:55):
She just gave you like four personality in one cell,
in one pitch. She gave me. You know what I mean.
She gave you humble queens. She gave you you know,
I'll cut you. She gave you all the things. I
will crash out if you don't get my album.
Speaker 3 (31:07):
You know, it's so many, it's so many different coaches
in Brooklyn, So I think I tap into so much.
Speaker 1 (31:13):
I love that for you.
Speaker 2 (31:14):
Congrats, baby, thank you. We'll see you after it comes out,
and you know what I mean, and we'll regroup.
Speaker 1 (31:21):
Yes on your.
Speaker 2 (31:22):
Film and that's gonna get ready to come out at
some point. Yes, and all the things.
Speaker 1 (31:27):
Gonna make sure I come back update you on everything.
Speaker 2 (31:31):
Lord of brook Everybody's Power five point one
Lola in the building today.
Speaker 2 (00:14):
It is celebration season because Lola's new album is dropping
tomorrow tomorroo Yeah motto, how you say tomorrow and spend myana?
Oh you by lingual? Let me find out.
Speaker 1 (00:27):
I'm just from Brooklyn. I try.
Speaker 2 (00:31):
You probably know a few Spanish words. Yeah, like if
you went to the Spanish restaurant, what do you order?
I just I just let I order? What do you water?
Speaker 1 (00:43):
I ain't getting a lot? I get grilled. I see
I ordered it like this in Brooklyn. I'll be like,
can I get half a chicken with yellow rice and beans?
Speaker 2 (00:51):
Yellow rice and beans?
Speaker 1 (00:53):
But how you say beings?
Speaker 2 (00:54):
They taught me do you get do you get motherhood?
Speaker 1 (00:59):
That's the so planting? Yeah?
Speaker 2 (01:01):
Yeah, see you be knowing? Yeah? I know something high Lola.
Speaker 1 (01:05):
Hey, how you feel baby? I feel good?
Speaker 2 (01:09):
It's excited for you.
Speaker 1 (01:10):
I'm excited. I can't wait. I'm not gonna hold you.
Speaker 2 (01:14):
What do you think people are gonna like be most
surprised about about the album? You think they'd be surprised happy.
I don't know what are they gonna be.
Speaker 3 (01:23):
They're gonna be like, yeah, Lola, this is what I'm
talking about. They're gonna be happy. They're gonna be excited.
I'm gonna get them the energy that they need.
Speaker 2 (01:31):
But what what what we have cameos? We have surprises?
What do we got?
Speaker 1 (01:35):
Okay, so I have one feature. She go by the
name New York La. She's a singer.
Speaker 2 (01:44):
And everybody loves you. You could have flooded the album
with cameos if you wanted to.
Speaker 3 (01:48):
I could have, But you know what I felt like
this time around, I was like, it's about me, you know,
I just wanted to flood it flooded up with Lola Brook.
Speaker 1 (02:00):
Mm hmmm.
Speaker 2 (02:01):
What do people need to know about Lola Brook? Who
don't know yet?
Speaker 1 (02:06):
They don't what they don't know?
Speaker 2 (02:08):
Like, I mean, we know a lot of things about you,
but I feel like as you grow and as the
music comes out, we're going to start to see other
sides of you and you in a I mean, you know,
like what season of your life are you in right now?
I'm in because you're not like first it was like
new Artists, firecracker out the box. Still a firecracker, by
(02:29):
the way, but you're give it a little like you
see some things you've experienced, some things you mess some
people you had, some success.
Speaker 3 (02:38):
You you very mature. I'm very mature, but I'm still
I'm reasonable. A reasonable crash out right now? You know
what I'm saying, Like like if you see me wildly
now you like she got a point though, That's where
I'm at right now?
Speaker 2 (02:56):
Got it? Like a fair crash out?
Speaker 1 (02:59):
Yes, like I'm supposed to be crashing out?
Speaker 2 (03:04):
What causes the crash out these days?
Speaker 1 (03:07):
A lot?
Speaker 3 (03:07):
Like people just irritate you know, everything irritates us. You
walk too slow, you don't know how to drive?
Speaker 2 (03:14):
But how dare you? How dare you do that?
Speaker 3 (03:19):
Right?
Speaker 1 (03:19):
But right now it's.
Speaker 3 (03:22):
If we can't agree to disagree, that's what's gonna make
me crash out because it's like it's all right.
Speaker 2 (03:28):
You can't crash out so much no more people know
you now like you got.
Speaker 1 (03:30):
No no, no, I don't crash out.
Speaker 3 (03:33):
No. But if see reasonable crash out, is not you
really crashing out?
Speaker 1 (03:38):
It's just you standing on business.
Speaker 2 (03:40):
Yes understood. You still got to be very careful. Yes,
you're a famous person. Now you're a celebrity now, yes
you operate a little different.
Speaker 1 (03:50):
But I put it in the music. My crash out
is going in the music.
Speaker 2 (03:55):
What do you like in the studio session? What's your
sessions like?
Speaker 1 (03:59):
I like tequila, I like honey. I like honey and.
Speaker 3 (04:02):
Tea in tequila, water, hookah, I love hookah.
Speaker 2 (04:09):
Not good for your throat? Why are you about to
do vocals? But you know?
Speaker 3 (04:12):
Hey, no, okay, So look that's why I got the
tea in the honey, got it up to balance, balance
it out, some good grubs and some good energy in
the room.
Speaker 2 (04:22):
Yeah, but are you like one taking done? Do you overanalyze?
You stay mad hours on the song? Like how are
you in the studio?
Speaker 3 (04:29):
I used to overanalyze. I used to stay take too
much time on songs. But as I continue to grow
in the booth, I noticed that a record is not
gonna work if you take too much time on it.
Speaker 1 (04:44):
That means you don't like it. Move forward.
Speaker 2 (04:47):
Yeah, what's your favorite record up right now? On the
pet project?
Speaker 3 (04:53):
I like invest, I like get money, and what those
are my favorites?
Speaker 1 (05:00):
Invest get money, investing in Yes, invest in me my
mental spiritually? You know what I'm saying?
Speaker 3 (05:11):
Good energy invest is basically a song where I I
do acknowledge that being financially stable in a relationship is
a good thing, but it's not the only good thing.
And I feel like you have to be out of
hour with your partner. You have to know when your
partner having a bad day, even when they don't tell you.
Speaker 1 (05:32):
You know what I'm saying is this is love Lola.
Speaker 2 (05:34):
Yeah, Oh, this is love Lola. Because love Lola maker,
she loves Lola, make a song and love love Lola
makes Like I feel like there's different versions of you right,
Like I don't know, scratch out music.
Speaker 1 (05:52):
But then there's like it's motivational.
Speaker 2 (05:55):
Music, motivational music, love ever music.
Speaker 3 (05:59):
It's a bunch of everything. I feel like the project
that I just put out is a manual on life.
So if you feel like your back is against the wall,
you listen to the record What's up with It? If
you want to feel motivated, you listen to get Money.
Speaker 1 (06:13):
If you feel like your mind is clutted and you
can't you overthinking, you.
Speaker 3 (06:18):
Go listen to excuse me, Like everybody get out the way,
like I gotta think clear.
Speaker 1 (06:25):
You know what I'm saying.
Speaker 2 (06:25):
You want to be in love, go to invest Yeah,
and invest in me beyond the money.
Speaker 1 (06:30):
Beyond money.
Speaker 2 (06:31):
Yes, that's the song.
Speaker 1 (06:33):
Yes?
Speaker 2 (06:33):
Is it like a radio sounding song or like it
feels like it, I think.
Speaker 1 (06:38):
So that's why I love it so much.
Speaker 3 (06:40):
And I love pain too, because pain and invest is
like it's they both.
Speaker 2 (06:45):
What's the pain?
Speaker 1 (06:47):
Oh? Shout out to Mary for Clint. What camera is me?
Speaker 2 (06:51):
Any of them?
Speaker 1 (06:51):
You want?
Speaker 2 (06:52):
Yo? Mary?
Speaker 1 (06:53):
I love you girl? Thank you?
Speaker 2 (06:54):
Who's that?
Speaker 1 (06:55):
Mary j Blige?
Speaker 2 (06:56):
Oh? My girl married?
Speaker 3 (06:59):
Wait?
Speaker 2 (07:00):
Mary? This is on? This is it's on pain on pain?
Speaker 1 (07:04):
Yes, she's on it?
Speaker 2 (07:05):
Or you sample?
Speaker 1 (07:06):
She she cleared the sample?
Speaker 2 (07:09):
She fucks with you? How could she not?
Speaker 1 (07:11):
I love her? I appreciate her so much.
Speaker 2 (07:13):
Did you have to talk to her and have this
conversation about the song where your people just sent it
to her people?
Speaker 3 (07:17):
No, I didn't get them. I didn't have the conversation
about the song yet. I got something coming to you,
little girl.
Speaker 2 (07:24):
No, I mean to clear it though, to clear it?
You didn't talk to her about it?
Speaker 1 (07:27):
I didn't get it.
Speaker 2 (07:28):
Yeah, but she could have, you know, not cleared it.
Speaker 1 (07:31):
Yeah?
Speaker 2 (07:32):
She must. She must fuck with you.
Speaker 1 (07:34):
I feel specially of love.
Speaker 2 (07:37):
What did you sample in that one?
Speaker 1 (07:40):
No more pain, no more drama? So good? Oh?
Speaker 2 (07:44):
And that's yes.
Speaker 3 (07:46):
So invest is like you know, I'm here boot, And
then pain is like the last, not the last, not
mean well, not the last, because I any one of
them before you this high I get.
Speaker 1 (08:01):
This is how you got here. I got cleaned up.
I cleaned house up.
Speaker 2 (08:06):
How are you in your relationship? Love you? Are you
hard or do you soften up? In girly up?
Speaker 1 (08:12):
I I'm very soft. I'll souffing up a lot, really,
like one hundred percent. I'm not.
Speaker 2 (08:18):
Look even when you talk about it, Look, you just
change your whole demeanor.
Speaker 1 (08:21):
Just changed, Yeah, because I don't.
Speaker 3 (08:24):
The only time I got to be hard is when
something the waitress get my man order wrong. That's when
I'd be like, excuse me, miss a problem?
Speaker 1 (08:32):
Yeah, what's up? Other than that? As softy, Yeah, that's
so cute, that's very cute. I mean I was born
in February. That's the month of love, right, that counts.
Speaker 2 (08:45):
Because Valentine's Day. I heard you, I guess. So I
don't don't know.
Speaker 1 (08:48):
I'm just I'm trying to figure it out for you.
Speaker 2 (08:52):
All right, So what do we need to know about
this album? Baby? Let's get let let's let's get the
people focused and excited, and then let's go through your
real life questionnaire.
Speaker 3 (09:00):
Okay, So I bet is This project is a lot
of energy, right. Yes, That's why I keep calling it
a project because it's whatever.
Speaker 1 (09:11):
It's whatever you feel it needs to be for you.
You know what I'm saying.
Speaker 3 (09:14):
I'm just putting out a body of work, and I
just know that as an artist, I need to be
consistent and I.
Speaker 1 (09:20):
Love to do what I do, so it's like, why
not just put it out?
Speaker 2 (09:24):
Do you ever feel like like, do you still feel
like a new artist or do you feel like you're
still proving anything? Do you still feel like that underdog
kind of spirit?
Speaker 1 (09:31):
I feel underdog. I feel like the underdog for sure. Yes, still.
Speaker 2 (09:35):
Yeah, what is the thing you're trying? Like? What are
you trying to be?
Speaker 1 (09:41):
I'm trying to.
Speaker 3 (09:41):
Be where I dream to be. That's everywhere besides just.
Speaker 1 (09:46):
New York City. You know what I'm saying.
Speaker 3 (09:49):
I want to represent my city so well that everywhere
else open doors for us even more. I know they
respect our handle already, but I just want to extend
it even more.
Speaker 1 (09:59):
You want to Yeah, I want to grow?
Speaker 2 (10:01):
What is that like? When you go to different towns
in different cities, It's like, are you feeling the love
and other places like you feel here yet or somewhat
see me.
Speaker 3 (10:09):
I feel like I'm feeling the love, but I don't
know if everybody in New York City get the same love.
So I'm trying to open doors for that because I
just I got a lot of energy. So even if
I walk in the room and the energy is bad, shift,
I shifted, right.
Speaker 2 (10:23):
I love that. You know that about yourself?
Speaker 1 (10:25):
Yeah, I had to learn that.
Speaker 3 (10:27):
That's something that I learned about myself in the past
few months.
Speaker 2 (10:32):
The past few months. Really, I never knew that before.
Speaker 1 (10:35):
I know, because I just was doing my thing. And
now that.
Speaker 3 (10:41):
Now that I'm an artist that you know, got to
where I never thought I would be. I look back,
like all the materials that I put out, I look
back on it and I get to see because before
I was just living in it.
Speaker 1 (10:53):
But now I get to see how I was moving
in those moments.
Speaker 2 (10:56):
But it's your energy too. I was talking who was
I talking to about the other day? There was a
clip that I put up about like how you treat
people and how your energy around people like really prolongs
your career or could lift you up. It makes people
want to want to support you. Does everybody's career go
like this. If you're lucky enough and you have a
(11:17):
long ass career, that shit goes like this. No, I
don't care if you Beyonesce like whoever you are, your
shit is all all me and nor we're talking about that.
It is always like this.
Speaker 1 (11:27):
It goes up and down, and it be the ones.
Speaker 2 (11:29):
It's like that. People don't want to be around that
when your shit go like this. Nobody wants to be like, Yo,
I got you, come on, let's keep, Let's keep. You know,
there's something about that that really, I don't know, it
really does make a difference.
Speaker 1 (11:41):
It makes a huge difference.
Speaker 2 (11:42):
Yeah, And I think you're one of those type of artists,
Like your energy is good. People want to be around you,
like you're good people. You could just tell your energy
is good. People want to help you no matter what,
Like they want to support you, they want they want
to ride out for you, whatever it is. And I
think that's going to be a real big thing for
you in terms of like the longevity of your career.
I think that's gonna really matter a lot. Yeah, you
(12:04):
know what I'm saying.
Speaker 3 (12:05):
I feel like that's very important though, because I feel
like everybody is here to help each other, you know.
Speaker 1 (12:09):
What I'm saying. And then I'm small, So anybody want
to protect me because.
Speaker 2 (12:13):
You know, you're like everybody.
Speaker 3 (12:14):
I'm like, yay, hi, So I'm like everybody's cabbage patch doll.
Speaker 2 (12:21):
Is that annoying sometimes?
Speaker 1 (12:23):
Or sometimes it is?
Speaker 2 (12:24):
But when you're trying to be dead ass serious on
your I'm like, excuse me, but you've never had a
complex about that, right you?
Speaker 1 (12:36):
Or no? You embrace it. Yeah, it's a good thing.
Speaker 2 (12:40):
It's a it's an adorable thing.
Speaker 3 (12:41):
And I have no siblings, so I'm like, at least
somebody over here acting like Bix's big brother.
Speaker 2 (12:47):
You're only child, Yeah, my moms did me. My mom
did to. So yeah, talking about your only children's syndrome
right here. Oh my god, Mam must be so proud
of everything that's been happening.
Speaker 3 (13:02):
Yes, she's more happy than me, really, which is a
good thing, you know, because sometimes I do catch myself
doing it for her as well, because I know I'm
supposed to be doing it for myself.
Speaker 1 (13:12):
But when she's happy, I'm happier. I love that.
Speaker 2 (13:17):
So you grew up together right like it was just
a two of you, right yep. So in those early
moments of like even you thinking that this is what
you wanted to do, your mother was probably witnessing every
second of.
Speaker 3 (13:29):
It, right, Yeah, I told her before I even knew
exactly what it was like. I was in studio and
rapping and stuff like that, but I didn't know if
this was something that I wanted to make as a career.
But I think I was on my way to school
or work, one of the two, and I came to
her room and I was like, ma, I'm like, I'm special,
Like I feel like I'm supposed to be important to
(13:51):
the world. I don't know what that is right now,
but I'm gonna figure it out. I said, I'm going
to go to school because she wanted me to go
to school. I said, I'm going to go to school,
but it's not right now.
Speaker 1 (14:00):
I'm gonna go.
Speaker 3 (14:00):
Oh, that's what it was. Because I said I'm gonna
go next year. I was working. I said, I just
want to go make some money and then I'll go
back to school.
Speaker 2 (14:07):
Where are you working again? I know we talked about
this before, but I.
Speaker 1 (14:09):
Was working at the time.
Speaker 3 (14:11):
It might have it was before I got to school.
I think TJ Max it had to be TJ Max.
Speaker 1 (14:17):
I didn't know that. I loved TJ Max on six aves.
Speaker 2 (14:20):
Love TJ Max, especially when they get that little designer section.
Speaker 3 (14:23):
They yo, they they had, yo, we have a little
they got they got true, they had true religion in it.
Speaker 1 (14:31):
When I was growing up, I was getting them for
eighty dollars because it was the kids section.
Speaker 2 (14:35):
So you know, you gotta know which is the good
ones too. Some of the tea not every TJ Max
is the same. You gotta know which is the good one.
What neighborhoods that they run through, the whole stash already?
Speaker 1 (14:43):
What they got some stuff in the juicy contol.
Speaker 2 (14:46):
I always wanted people who worked there. Do you get
like the fly? Do you put like the fly stuff
on the side when it came Yes, I got coworkers.
Speaker 3 (14:54):
Coming up to me like, yo, package just came in.
They got truly juicy contour. I'd be like, put it
to the side. Side twelve.
Speaker 1 (15:01):
That's when I was really little.
Speaker 2 (15:04):
When you say size twelve kids, I'm like, oh, size twelfth,
juicy guitar is crazy, just like this big so cute.
That is so cute. Anyway, So you told your mother
he was working there. You tell your mother, you wanted to.
Speaker 1 (15:20):
Do this, and yeah, she was like she was cool
with it. She was like all right.
Speaker 3 (15:24):
I think she was a little stunned, like because I
came out of nowhere and said it, and she was like,
all right, well, whenever that time come.
Speaker 2 (15:31):
And how old are you? Oh?
Speaker 1 (15:34):
I was eighteen.
Speaker 3 (15:36):
I had just got out of high school because she
I didn't go straight into college after high school.
Speaker 2 (15:40):
But the fact that you're eighteen and you're telling your mother,
I know I'm special. Yeah, I was just kind of dope.
Speaker 1 (15:46):
Yeah, I'm looking in the mirror at her.
Speaker 3 (15:48):
I'm looking in the mirror talking to her like, I
don't know, but it's a feeling I'm supposed to be somebody.
Speaker 1 (15:54):
MOD just don't know what it is yet, but I'm
gonna figure it out. And she was like, okay, Like,
but I'm gonna go to school, that's what you want
me to do. I'm gonna go to school. I don't
know how long i'm gonna stay, but i'm gonna go.
I'm gonna try it.
Speaker 2 (16:06):
And how was that?
Speaker 3 (16:07):
I dropped out? Sorry, don't drop the drop out of college.
Y'all try to go as far as you can.
Speaker 2 (16:14):
Yeah, but for you it wasn't. It ain't for everybody.
Speaker 1 (16:15):
It wasn't for me.
Speaker 2 (16:16):
It ain't for everybody.
Speaker 1 (16:17):
What'd you try to study business?
Speaker 3 (16:20):
And I think I just picked any major just so
I could say, mom, and I'm in school, just when.
Speaker 2 (16:25):
People don't know they always pick business anyway.
Speaker 1 (16:28):
Yes, so business.
Speaker 2 (16:30):
You know what it worked out for you?
Speaker 3 (16:31):
Bobo?
Speaker 4 (16:32):
Yes?
Speaker 2 (16:32):
All right? In real life questionnaire, Lola, last thing you
ate seafood?
Speaker 1 (16:36):
Yeah?
Speaker 2 (16:38):
Last go to karaoke song? I don't know why this
does not.
Speaker 3 (16:43):
I used to pray for times like this, Blake, I
get the voice ring. I used to pray.
Speaker 2 (16:49):
Yeah, yeah, yeah, Lola, you know every single word?
Speaker 1 (16:53):
Right, yup?
Speaker 2 (16:55):
The ad lives too, and you probably you probably kill
the performance too.
Speaker 3 (16:59):
When that's song coming on in the club, all my
friends put their cameras on me because they already know
what's happen.
Speaker 2 (17:06):
Has seen it? Have you ever been somebody.
Speaker 3 (17:08):
Say yeah, I got your son, chill outs down, I
got it.
Speaker 2 (17:15):
What's your superpower? Read people at first? Link up? Yeah?
About that?
Speaker 3 (17:21):
As soon as I like, if one of my friends
try to bring somebody new in the circle, I'd be like, Nope,
she ain't good, and they'd be like, just give it
a try. Then the next few months you were right.
Speaker 2 (17:33):
I know, but how do you know? What are the signs?
Speaker 3 (17:39):
It's just the energy like it just it'll shift. Like
I could tell when somebody's uncomfortable. Then I'm like, yeah.
Speaker 1 (17:50):
It's not gonna work out.
Speaker 3 (17:51):
You could just tell ye, like when I could tell
you trying to fit in, then you already fake yeah,
funk out of.
Speaker 1 (17:58):
Here, fuck here, pack them up.
Speaker 2 (18:04):
Your celebrity crush, you could say, I just say it's
celebrity crush is dope, boy, it's dope.
Speaker 1 (18:12):
Easy.
Speaker 2 (18:16):
My man, my man, my man.
Speaker 1 (18:18):
No, No, I'm not one of those girls.
Speaker 2 (18:19):
You are such a my man, my man.
Speaker 1 (18:22):
No, no, no, I don't.
Speaker 2 (18:23):
Know your face even blushed just now right now.
Speaker 1 (18:25):
No, no, and gee, I'm not my man, my man,
my man, you like to make a song.
Speaker 2 (18:33):
If she called you to be.
Speaker 3 (18:35):
My baby, my baby, yeah, I mean, but I won't
say that out loud.
Speaker 2 (18:40):
You'd have a verse for it. If you call for yeah,
you'd have a verse for that bunch of man.
Speaker 3 (18:44):
But you don't say those how many times that is
four times? You don't say that out loud.
Speaker 1 (18:49):
Four times? That's like saying Freddy cool, who you saying
the mirror.
Speaker 3 (18:54):
Candy man. That's like saying candy man in the mirror.
You don't do that because you bring the demon out
of him. You don't, Oh girl, you can't do that.
You gotta be cool, call collective and just flow.
Speaker 1 (19:07):
That's sick.
Speaker 2 (19:09):
So when you say you're not a my man, my man,
my man, what does that mean that you don't tell
people your business or that you just don't you just
what does that mean?
Speaker 1 (19:17):
I feel like I'm not a ma man, my ma
and my man because it's about me too, you.
Speaker 3 (19:23):
Know what I'm saying, Like I love him, but he
wouldn't love me if I ain't love me.
Speaker 2 (19:30):
So you just got all types of shit. You just
dropping all types of shit on today, Loacker said I
love me too. Yeah, me, me, me me.
Speaker 3 (19:43):
Now you can say that out loud, for you know
your real demons. You know the demons you'll be fighting
when you look in the MARRORLD you could say you.
Speaker 2 (19:50):
And it's so funny. Okay, So he's your celebrity crush.
Yeah you also your man, your man, your man. Whatever. Uh,
you don't want to say it, I'll say it. Uh,
what is one thing on your bucket list? To have
at least three houses. Where are they going to be?
What have one in New York?
Speaker 1 (20:06):
Yes, New York, Atlanta, in.
Speaker 2 (20:11):
LA and one out of the country.
Speaker 1 (20:13):
It says London, mm hmm.
Speaker 2 (20:15):
You like it there? Yeah, it's been a lot.
Speaker 1 (20:18):
I love London. Every time I go. Oh my god,
the energy is just great out there.
Speaker 3 (20:21):
If you depressed, go to London. I know, the skuys
be great, yeah, but the energy be lit.
Speaker 2 (20:28):
What do you do when you go there? Like, where
did you go?
Speaker 1 (20:31):
Well, when I was out there, I'm not going front.
I was working. Bugiy brought me out there.
Speaker 3 (20:35):
Then I went out there for wireless so I got
to feel the fans' energy and it was really great.
So I'm like I can only oh.
Speaker 1 (20:43):
I've been I went out. I went out too. I
went to the club out there.
Speaker 2 (20:46):
He was in the streets.
Speaker 1 (20:47):
Yes.
Speaker 3 (20:48):
And then when it was time to go home, the
people didn't want to go home.
Speaker 1 (20:51):
You know how New York we get out of the
thirty minutes before closing. Nothing. No, not in the UK.
The light is on and they don't want to go home.
Speaker 2 (20:58):
They're like, we were staying right here. Yes, wait, you
said you brought you out there.
Speaker 1 (21:02):
Yeah, on his tour.
Speaker 2 (21:04):
That must be dope for two New Yorkers, for him,
especially to bring you out there in the UK. To
be in the UK, I don't know. It must feel
like a vibe.
Speaker 1 (21:12):
Yes, because you're super supportive of you too, right.
Speaker 3 (21:14):
Yes, Boogie is very super supportive. And when he go
out on the stage and he was doing his thing
or whatever, I was like, yeah, get him sun because
when I go out there, I ain't got to do
all the.
Speaker 2 (21:23):
Work like that. Are you saying he went out first?
Speaker 1 (21:27):
Yeah, he will bring me on his set. So I
had a set on his set.
Speaker 2 (21:31):
In the middle of his show, middle and you will
come out with a little firecracker, ass yup, come out
there and light it up.
Speaker 1 (21:37):
And he'd be like your muscus, your musters, little book about.
Speaker 2 (21:39):
To come out, and I'd be like, I love that.
Speaker 1 (21:44):
I love that.
Speaker 2 (21:45):
Okay, uh, pet Peeve.
Speaker 3 (21:48):
When people leave mayo on utensils, rinse it off.
Speaker 2 (21:55):
Explain to me this problem.
Speaker 1 (21:57):
Because the smell of mayo drives me crazy.
Speaker 2 (22:00):
You know how mayonnaise girl.
Speaker 1 (22:01):
No, it didn't. I feel like if you leave it
on a butter knife or whatever.
Speaker 2 (22:05):
You use, it gets like almost see through. It gets
like that color changes. It's not white anymore, right, it
becomes like clear and nasty and exactly what you see
the problem.
Speaker 3 (22:16):
And then in my head, even if it gets washed,
I'm like, is this the one that you use?
Speaker 1 (22:21):
Because I don't want to use. It's a mental thing
with you.
Speaker 3 (22:25):
You know, when people go with Maury and they be
running from pickles, I'll be running from seeing that you.
Speaker 1 (22:30):
Never seen when they dumb people? Is it?
Speaker 2 (22:33):
Is it morial Jerry, it's Maury.
Speaker 3 (22:34):
Right. He'd be like, she has a fear of pickles,
let's bring her out, and then they bring the pickles
out and they be running.
Speaker 2 (22:45):
I have never in my life seen no never, I've
never clearly not watching enough television. Yes, so if the
mayonnaise came out here, you're running for your life. Yes.
Last thing that sents you down a rabbit hole.
Speaker 3 (23:00):
Serial Killers it's every other day, So every other day,
why do you watch this? Because I need because they
got traits. I'd be like, what's serial killer traits and stuff.
Speaker 1 (23:15):
I need to know?
Speaker 2 (23:16):
Like he's trying to arm yourself with information. Yesh, Yeah,
I understand, but.
Speaker 3 (23:22):
It'd be interesting because I'd be like, all jokes are
not even to be funny though, some of these people
they do the things they do because they be mentally gone,
and not not just being sick. They sick people too,
But their childhood has a lot to do with who
they become as an adult. And I pay attention to
people upbringing because that's you know.
Speaker 2 (23:44):
You want to know who the future serial killer is?
Speaker 1 (23:46):
Yes, yes, like, oh you about to You're about to tweak,
Get the fuck away from me.
Speaker 2 (23:52):
This is preventative research. Yes, so she went down that road,
and then you're supposed to enjoy your favorite emoji here.
But I don't know what any of these are.
Speaker 1 (24:01):
It is medieval though, medieval ever mhm, it is me.
It is medieval.
Speaker 3 (24:11):
It is when they have no no toilet system, right, medieval.
Speaker 1 (24:15):
That's I went in the rabbit hole with that.
Speaker 3 (24:17):
Medieval times, yes, because they said the smell outside was bad.
Speaker 1 (24:21):
Two pasts didn't exist.
Speaker 2 (24:26):
Yeah, when was this? This was back in the I
don't know the I don't know the You never thought
about that. It was stinky back then.
Speaker 1 (24:32):
Yes, that's why they got what's that song? Ashes? Ashes?
We all thought that's from medieval times? All right, my bad, y'all.
I told you I went down a rabbit hole.
Speaker 2 (24:47):
This sounds like you were smoking some weed or something. No, no, no,
all right. We have a little game, right were playing,
check it or let it slide? Let's do it, check
it and let it slide with Lula Brook.
Speaker 1 (25:00):
Check it? All right, let's go.
Speaker 2 (25:01):
Is this a little segment we do? We tell you
a scenario. Okay, you tell us if you would check
the situation.
Speaker 1 (25:09):
Or I think I'm familiar Taraji? Did this?
Speaker 3 (25:13):
Check it?
Speaker 2 (25:14):
Let it slide? This? Yes, you check it? Or will
you let it slide?
Speaker 1 (25:18):
Okay? She said, check that? Hope, I remember.
Speaker 2 (25:23):
You're familiar with the segment?
Speaker 1 (25:25):
Perfect?
Speaker 2 (25:25):
Yes, all right, Brittany, you start one.
Speaker 4 (25:29):
Your man says he loves your music but hasn't posted
a single link.
Speaker 2 (25:33):
Check that, nigga, I feel low's gonna check everything.
Speaker 1 (25:39):
Check like what you ain't being supportive? You have support?
Support it, you have ass need to go.
Speaker 2 (25:45):
That's very important to you in a relationship. Support it supported?
Speaker 1 (25:48):
Yes, what's your love language? He was talking about investing me?
Speaker 3 (25:52):
Yeah, touch, touch, touch, touch affection.
Speaker 2 (25:59):
You share some good news with one of your homegirls
and she hits you with a dry sounds cool. Do
you check that or you let it slide? You're excited.
You bring her the news, the big news, and she's like,
sounds cool. It's a very weird, very weird question.
Speaker 1 (26:17):
But I gave it to you, okay, So.
Speaker 2 (26:22):
I like that you're taking your time with us.
Speaker 3 (26:24):
Yeah, because not a crash out just yet, you know
what I'm saying.
Speaker 2 (26:28):
Look, this is okay, a couple of years ago media
crash out.
Speaker 1 (26:33):
So I won't check it on a spot. I keep
it going.
Speaker 2 (26:37):
To see you're gonna watch.
Speaker 3 (26:40):
Yeah, i'mna observe. I'm not gonna check. That's just certain things.
If that's your friend, it's like some things you just
don't check because they should be checking themselves on it.
Speaker 1 (26:51):
Like you should be telling me like, oh that's dope.
Speaker 3 (26:54):
But I ain't gonna front a friend like I'm having
a f up day. I'm proud of you though, So
if I come off a little weird, it's because such
and such happened. But this about you, and I don't
want to interfere, you know what I'm saying. So I
do community, Catholic communicy. I shouldn't have to check you to.
Speaker 2 (27:12):
You're a good friend. Yeah, you give her a little grace, Yeah,
you get crazy.
Speaker 3 (27:18):
I let it I'll let this become reoccurring. Yes, but
I will check it later.
Speaker 2 (27:23):
Because maybe she's going through sets.
Speaker 1 (27:27):
I like it.
Speaker 2 (27:27):
I like it too, Okay, letting it slide. Letting it's
like letting that slide. Look at you, letting ship slide.
Speaker 1 (27:33):
Come on, somebody calls you little Kim for gen z.
M Oh, that's the new that's.
Speaker 2 (27:40):
The version of the Yeah, why.
Speaker 1 (27:43):
Would I check it?
Speaker 2 (27:46):
Thank you?
Speaker 1 (27:46):
Thank you? Good answer.
Speaker 2 (27:48):
Excellent answer. A rapper. A male rapper says he wants
to collab, but he keeps flirting with you in your
d m Let me.
Speaker 3 (27:58):
Check, right, yeah, no, how much?
Speaker 1 (28:03):
Check them? Send a check, mister, send a check.
Speaker 3 (28:08):
Let's get it to that, because if you like me,
you you for sure send a check.
Speaker 1 (28:13):
I ain't with all that. I'm a business woman. You
bugging the fuck out? Yeah? Like that means you don't
want to work with me. You're trying to hit. You
aren't trying to get it hit, You're trying to hit. Like,
please rethink this.
Speaker 2 (28:29):
M Okay, she's checking that.
Speaker 1 (28:31):
Go britt.
Speaker 4 (28:33):
Yeah, you invite your man over for Thanksgiving to your
family's house and he shows up with plus two to
his homeboys.
Speaker 2 (28:44):
After polit.
Speaker 1 (28:47):
Yeah, because they don't got no family.
Speaker 3 (28:53):
I would know that if they don't, then I wouldn't.
I wouldn't trip. I already would know if he pop
up with two friends that unexpected friends, unexpected friends, not
the friends, friends that I don't know, just popping.
Speaker 2 (29:05):
Up on the holiday.
Speaker 1 (29:06):
What's gonna If you're fighting with your family on the holidays,
you gotta fucked up. So something going on.
Speaker 3 (29:15):
Because you if you If I'm mad at my family,
I don't want to be around nobody else family.
Speaker 1 (29:18):
I'm mad, I'm miserable. I'm gonna stay home. I'm not
about to rub that off for somebody else. Check it.
Speaker 2 (29:27):
She really checked that. I felt that she checked the
friends and she checked. Yeahbody got checked.
Speaker 1 (29:33):
What's going on?
Speaker 2 (29:34):
You're gonna be a really good actress? Are you gonna
do movies and TV? Like? Have you? Have you? Have
you been researching this? And not yet? But because I
see the way you just went into like a full
range of emotions in one little story.
Speaker 1 (29:49):
Yeah, that's the only child syndrome.
Speaker 2 (29:51):
Mm hmm.
Speaker 1 (29:52):
You got acting in you too?
Speaker 2 (29:54):
So no, I mean, you know, I know you might
see me. You might see me in Brown Sugar Cell.
You know what I'm saying you might have seen me
in a flicker too. You know what I mean. I'm
just saying, we can see you in a flicker too.
Speaker 1 (30:10):
I would love that. I'm definitely working towards that too.
I'm not gonna hold you, I am. I'm excited.
Speaker 2 (30:15):
Is it something in the works right right now?
Speaker 3 (30:18):
The only thing that's doing the works? Yeah, it's just ideas.
But in the works is the music right now?
Speaker 2 (30:23):
Yeah? Yeah? Focus, Yeah, I see what you did, brought
it off, pulled back there? Yeah, you see that all right?
So tell people, give them, give them a last little
you know what I mean. Let them know what they're
about to get, so they get this album. Oh, come on,
give them the cell. Yo.
Speaker 3 (30:36):
Look, listen, you feeling down, you feeling sad, You need
some motivation, You feeling like you woke up and you
ain't drink no coffee yet.
Speaker 2 (30:43):
You gotta drink the coffee.
Speaker 1 (30:45):
Just go listen to I Bet and it's lit. You
know what I'm saying. I'm holding it down for everybody.
Go get that. It's out tomorrow, tomorrow. Please be nice
and listen to it.
Speaker 2 (30:55):
She just gave you like four personality in one cell,
in one pitch. She gave me. You know what I mean.
She gave you humble queens. She gave you you know,
I'll cut you. She gave you all the things. I
will crash out if you don't get my album.
Speaker 3 (31:07):
You know, it's so many, it's so many different coaches
in Brooklyn, So I think I tap into so much.
Speaker 1 (31:13):
I love that for you.
Speaker 2 (31:14):
Congrats, baby, thank you. We'll see you after it comes out,
and you know what I mean, and we'll regroup.
Speaker 1 (31:21):
Yes on your.
Speaker 2 (31:22):
Film and that's gonna get ready to come out at
some point. Yes, and all the things.
Speaker 1 (31:27):
Gonna make sure I come back update you on everything.
Speaker 2 (31:31):
Lord of brook Everybody's Power five point one
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