Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Wake you up, wake, wake that ass up? The program your.
Speaker 2 (00:04):
Alarm to power one O five point one on iHeartRadio,
Good Morning Usa, yo yo yo yo yo yo.
Speaker 3 (00:10):
Yo yo yo yo yo yo yo yo yo yo
yo yo yo yo yo yo yo yo yo yo
yo yo yo yo yo yo yo yo yo yo
yo Yo.
Speaker 1 (00:16):
Jeff hilarious.
Speaker 3 (00:17):
Wait that ass up?
Speaker 1 (00:18):
Charlamagne is out today. It's Friday. What's up Lauren?
Speaker 3 (00:24):
Good mornings here as well.
Speaker 1 (00:27):
It is Friday the week in his here? Damn it?
How you feel? How you feeling?
Speaker 3 (00:30):
Just sopheel good. I gotta go to the airport.
Speaker 4 (00:33):
Yeah, I was running get your time, you on time
one time though, Yeah, Calley today report cast as.
Speaker 3 (00:41):
I'm gonna be in pleasant and I'm gonna be in
a bay. Yo. This is a crazy thing. So you
know my opener, my brother Dessy, keep you making the
flyes for me. So yo. The one for the bay
is the baby Boy because we like the Yo. They
in the comments, because I posted that for pleasanton, they
in the comments like that ain't l A This ain't
that's the l A background. The bay got a different
(01:02):
type of vibe. So I'm blaming that one, doesn't I'm like, Yo,
he made this fly I don't know you know what
I mean. So I was looking for a flyer that
like that represented the Bay. I can't find one.
Speaker 5 (01:12):
Yo.
Speaker 1 (01:12):
You know any now you could do what you could
do album covers, like you could do.
Speaker 6 (01:15):
To Short four.
Speaker 3 (01:17):
That's what I'm because I'm like, Yo, they coming at me.
You know, everybody territorial. They are serious about where they're from.
So I had to I'm my bad at the Bay.
If you listening to y'all, I'll be there tonight at
Tommy T's. But I'm gonna make sure I get a
fly of mate for y'all. So I'm gonna come there
with movie posters now, like yo.
Speaker 4 (01:35):
Moved just because I took your whole vibe for my
car show this year. So I got the idea for
my car covers from you doing all the the movie
comedy stuff move each other. So if you look at
my car show covers, I did like for Virginia, I
did everybody from Virginia's album cover over. So I did
the close see I did for Rail, the nept Tone,
I did everything from Virginia I.
Speaker 1 (01:55):
Did over because I seen you do. I was like,
that's a dope.
Speaker 3 (01:57):
What's up. Yeah, it's creative.
Speaker 1 (01:58):
So if you I don't know, good morning everybody. My
wife is. She comes back Monday. She went on a girls.
Speaker 4 (02:03):
Trip, yes fourteen days. Fourteen days, so she's back Monday.
Made it so yesterday, yesterday, we were in the mall
in Brooklyn for her birthday. Wanted to get an air
pierce because none of my daughters have their air piers.
Speaker 1 (02:14):
Really no, I did.
Speaker 3 (02:15):
Not notice that.
Speaker 1 (02:16):
It's not because of any reason that we just forgot.
We just just forgot, just forgot.
Speaker 4 (02:21):
All the girls, just for you know, because you forget,
and you know, as a perfectionist.
Speaker 1 (02:26):
So she wants somebody to do it that knows what
they're doing, and this, that and the other.
Speaker 4 (02:29):
She doesn't disrespect to Claires, but she doesn't want anybody
at Claires. She wants somebody that really knows what they're doing.
So yesterday in the mall salutes American dream was an
American Dream, and it's a store called Rowan, right, and
Rowan has registered nurses.
Speaker 1 (02:44):
Do the actual air piers.
Speaker 4 (02:46):
So I went yesterday and I got all their airs piers. Yesterday,
yes Brooklyn was a trooper. Little Peyton just wanted to
follow her sister. A four year old just wanted to
follow her sister in London. The oldest one. You talked
about anxiety.
Speaker 3 (03:02):
She was afraid she go last.
Speaker 1 (03:06):
She went last.
Speaker 3 (03:06):
Oh, that's because it was building up that.
Speaker 4 (03:09):
I'm gonna move, I'm gonna move, I'm gonna move, I'm
gonna move, I'm gonna moven move.
Speaker 1 (03:12):
I'm like, it got the point I couldn't. I didn't
know what to do. So you know what I said,
did you last?
Speaker 6 (03:15):
No?
Speaker 1 (03:15):
I said, shut up the stairs still, I know.
Speaker 3 (03:18):
So I got so I had for taking them without
giving I know. Damn.
Speaker 4 (03:24):
She was a little tight this morning. She was a
little tight, but Madison was dead. We made sure the
whole clean. Everything was clean, and the dots where they
did it was exactly right. I learned too much about
air press, and I learned you can do it through
the needle, or you could do the gun.
Speaker 3 (03:36):
The gun right.
Speaker 4 (03:37):
So for the child, the four year old, she had
to do the gun. For everybody else had to do
the needle.
Speaker 3 (03:42):
Oh Man, So baby Peyton didn't cry the.
Speaker 1 (03:45):
First when she when she first got it, when it
went through the first thing, she cried, But then she
an't cried for a long day.
Speaker 4 (03:50):
Now, No, the first one she didn't really cry, but
when he got the second one, it was so she
cried so crazy that they had to clear the store
because the kids going after.
Speaker 7 (04:02):
It.
Speaker 4 (04:02):
So they had to put all the kids in the
back because Peyton was damn you would think somebody put paid.
Speaker 3 (04:08):
And Kille that's like the trooper.
Speaker 1 (04:11):
She wrote it down.
Speaker 3 (04:13):
Dad thought they waited all the time to get them
babies airs. Piers right crazy, never remember getting my ears, Pier.
I got Molly's done when she was six months.
Speaker 1 (04:20):
That's that's what That's what I said. Why did't you
just get me done when I was six months?
Speaker 4 (04:24):
I was like I was lazy, shut out the class
because that's where I went. And last thing Clais was
like free if you buy free up here. N the
registered nurse was all of two hundred dollars. Oh you
gotta believe because she a nurse, her nurse.
Speaker 3 (04:39):
You wanted to be boosie two hundred dollars each kid?
Speaker 1 (04:41):
Well, she gave me. I should have went the clear.
Speaker 3 (04:43):
They hear you after care to like can you come
back for a check up or that's pay.
Speaker 1 (04:48):
For two dollars each kid.
Speaker 4 (04:51):
Each kid should have went to pierce the put gold
or you could have paid to hear yourself. Well, I
wouldn't have did that. I want I like being married.
But anyway, let's get the show cracking. Black Sam and
Beano Due will be joining us. You know, Nipsey also
dropped the album today. It's called Prolific. It's Nipsey Hustle Mbino.
This album was done years ago. They just had it
(05:14):
in the cut. They waited for the right time to
put it out. And we're gonna talk to them about
all of that. And also Caroline Hirsh joins. She's the
former owner of Carolines, which is a comedy club, and
she does this then called the New York Comedy Festival,
which takes place in November, and our very own Jess.
Speaker 1 (05:29):
Hilarius will be headlining one of those nights. So we're
gonna be talking to.
Speaker 4 (05:36):
Let's get the show cracking. We got front page news
and of course get it off your chest. Eight hundred
five eight five one five. It's a Friday's the Breakfast Club,
Good morning morning. Everybody is DJ en Vy, Jess Hilarius,
Charlamagne the Guy. We are the Breakfast Club La La Rosas.
Here let's get in some front page news.
Speaker 8 (05:51):
What's up, Mami, Good morning, Envy, Jess, Lauren, how y'all
doing this morning?
Speaker 9 (05:56):
Yeah?
Speaker 3 (05:57):
Well, looking good and paint ye thank you. Good morning.
Speaker 8 (06:02):
So we start this hour with more news about the
USS Abraham Lincoln. So we told you yesterday about growing
concerns over conditions aboard the ship, the mental health of
the sailors and the marine serving on it. Well, since
our reporting yesterday, parents, spouses and other service members, they
have personally reached out to us saying that they have
loved ones on that ship who are struggling with their
(06:23):
mental health and that being at sea for so long
and living under those conditions, those living conditions have been
really hard. Families reported food shortages, plumbing problems, contaminated water,
unsafe working conditions, and running out of basic supplies. Now
the ship it's spent more than two hundred and fifty
days straight days at sea without a port call a
(06:46):
modern navy record, and now lawmakers are demanding answers. And
we're also learning about a sailor who went overboard last
week and spent about an hour in the water before
he was rescued. Now, his wife said that he had
been struggling with his mental health and told people aboard
the ship that he needed help. She says the Navy
didn't tell her what happened until four days later. And
(07:06):
now Defense Secretary Pete Hegseth is speaking out about this,
but basically down down planning reports about how bad things
have gotten.
Speaker 1 (07:16):
Let's listen, completely misrepresented. Listen.
Speaker 10 (07:19):
We make sure at every ship, every crew, every captain
has everything we can provide them at every single moment.
Speaker 6 (07:27):
Some deployments are longer than.
Speaker 10 (07:28):
Others, and I have more respect and gratitude for those
sailors than anybody.
Speaker 1 (07:35):
What they do in those high seas and those austere
conditions with less port.
Speaker 10 (07:39):
Calls, it's incredible. I mean, Americans don't understand what it's
like to do that. So as someone who's been not
been on a ship like that, but been on long deployments,
I feel it.
Speaker 1 (07:51):
I want them home as soon as everybody else do.
I want folks rotating as quickly as possible.
Speaker 6 (07:55):
I want the best more of them.
Speaker 10 (07:56):
My commanders know that, our Service Secretary to know that,
the President expects that, and so to that crew is
all those crews, We're gonna do everything.
Speaker 6 (08:05):
We can for you.
Speaker 4 (08:06):
Yeah, I wonder why the rotation didn't happen, you know
what I mean, because it's they have other ships, they
have other you know, troops. I wonder why the rotation
didn't happen. And the brother that or I don't even
know if he's black or not. But the guy that
fell into the ocean, how is he there for an
hour and nobody knew?
Speaker 8 (08:22):
Well, no one rescued him for an hour. He reportedly
told the crew members that, you know, he just needed
to get off the boat, he needed, you know, some
time away, and jumped overboard and yeah.
Speaker 1 (08:35):
He could have right though, like damn, but the boat
didn't turn around immediately an hour.
Speaker 8 (08:40):
I don't know the boat turned around immediately, but they
did rescue him. It did take about an hour, but
they did rescue him. Families told me they feel like
they're being gas lit by the administration right now, right.
Speaker 3 (08:50):
Because Pete, Why would was the sens in downplaying it
like that? Because you're supposed to have it together, so
they want to look like they have together, even though
people are experiencing things in real time. Yeah, but how
can you tell them on that ship it's not like
what everybody is saying. Do you understand what this looks like.
It looks like you don't even care either. Yeah, if
you're going downplay a situation. They've been out there for
two hundred and fifty days. And how big is this ship?
(09:12):
Could they have Is it possible that they didn't even
see him jump off? The guy that jumped over board?
How big is the ship? This ship is huge, ship
is huge. That's one person jumping off, you know.
Speaker 8 (09:24):
Well, yeah, and there are others who have threatened to
jump off. Now, keep in mind, they've been deployed since
November of twenty twenty five. It was supposed to return
in May, but then the war happened in February and
that deployment was extended. They have not been given a
return date. They say that another aircraft USS, George Washington,
is now headed toward the Middle East to relieve the Lincoln,
(09:46):
but there's still no public date for that, and the
roughly five thousand sailors and marines on board, they are
still waiting, you know, for that relief to come. And
families who have reached out, they're just asking to keep
amplifying the story and to keep pressure to help help
get these these sailors keep them home.
Speaker 3 (10:05):
Horrible because they they are there because of the war,
which is the president's fault anyway. So it's like, what, Yeah,
So that's where we are, guys.
Speaker 8 (10:14):
I'm coming up in the next hour. Cameras they are
quietly tracking cars across the camp, across the country. But
what's being done with that information is now raising some eyebrows.
And we'll talk about that in the next hour.
Speaker 4 (10:26):
All right, and everybody else, get it off your chest.
Eight hundred and five eight five one oh five one.
If you need to vent, phone lines wide open. It's
the Breakfast Club. Good morning.
Speaker 11 (10:34):
Wait, this is your time to get it off your chest.
Eight hundred five eight five five one. We want to
hear from you on the breakfast glove.
Speaker 12 (10:43):
Hello.
Speaker 1 (10:44):
Who's this? Hey?
Speaker 3 (10:45):
This is Demo. Hey, oh shit with Damo.
Speaker 13 (10:49):
I don't think I've ever talked to you. How y'all
doing today? This is from Detroit, Michigan.
Speaker 14 (10:52):
What are you?
Speaker 1 (10:53):
You the stud that online?
Speaker 15 (10:54):
Well?
Speaker 5 (10:55):
I am a stud. But that's so funny.
Speaker 3 (10:58):
How you and your girlfriend do?
Speaker 7 (11:00):
No?
Speaker 5 (11:00):
I don't do I do.
Speaker 13 (11:02):
I have a podcast. I'm actually blind and I'm calling you.
Me and two of my co stars are We're all blind.
And we have a podcast called The Three Blind Mics.
Speaker 4 (11:13):
Like it's gonna sell stupid. But like blind blind you
can't see anything, or you're just legally blind.
Speaker 13 (11:18):
Now I'm totally blind. One of my co stars can
see out of one of their eyes. One is low vision.
It's all three different perspectives. Okay, but I'm totally blind
and I've been blind for ten years.
Speaker 1 (11:31):
Okay, it's a blind stud.
Speaker 2 (11:33):
Right.
Speaker 1 (11:34):
How do you know the woman that you hollering at
or talking to, how she looks?
Speaker 3 (11:38):
She can't see?
Speaker 1 (11:39):
Uh, I just go by.
Speaker 13 (11:41):
That's you know how they how that show Love is Blind? Yes,
we really have the perspective of love is blind. You're
literally following in love with someone for their heart.
Speaker 1 (11:51):
Now because they said Stevie Wonder got bad chicks, so
like yeah, yeah.
Speaker 3 (11:54):
But you know yawls used to fill on their wrists,
like to see Yeah, yeah, you know you can tell
by your wrist. But but ugly face though, you know, yeah,
but it don't.
Speaker 1 (12:03):
Matter the eyes, I mean, what is it?
Speaker 3 (12:05):
Beauty is in the eye of the behot. Oh but
you can't can't. It's okay, y'all.
Speaker 13 (12:12):
So I'm trying to just y'all y'all like the joke
a lot with the blind and all that, but it's
all good.
Speaker 3 (12:16):
No, no, no, he would have been tears up.
Speaker 16 (12:24):
Dang.
Speaker 17 (12:24):
So can y'all check out my podcast?
Speaker 5 (12:28):
It's on YouTube, all right. It's called The Three The Number.
Speaker 13 (12:32):
Three Blind B L I N D M I C S.
Speaker 3 (12:36):
How you gonna know if we were different? How you
gonna know if we love some cards?
Speaker 13 (12:40):
I don't know how we have voiceover? Oh my iPhone
and tell it talks to us?
Speaker 1 (12:45):
I'm sorry? How many views?
Speaker 13 (12:47):
Uh?
Speaker 17 (12:48):
We just started like six months ago. This is the
reason why I'm putting it out there because.
Speaker 13 (12:53):
Trying to We're trying to get more people and bring
more awareness and let people know that just because you're
blind doesn't mean that.
Speaker 5 (13:01):
You can't stop and live your dreams.
Speaker 3 (13:03):
That's right, Yeah, yeah, for sure. What are some of
the topics that y'all like? What do y'all talk about
we do?
Speaker 17 (13:10):
We talk about the things that we do in our world.
We still party, play.
Speaker 13 (13:16):
Have game night, we go around, We are part.
Speaker 5 (13:20):
Of different organizations.
Speaker 3 (13:22):
That's what's still like.
Speaker 13 (13:24):
We still live our life.
Speaker 3 (13:26):
No, no, no, for sure, for sure? What kind of
games we play?
Speaker 17 (13:28):
Drinking games?
Speaker 4 (13:29):
I mean we do all type of drinking games, you laughing,
the sex games, ye, playing around with each other.
Speaker 5 (13:41):
That's crazy.
Speaker 4 (13:42):
Yeahs tell them how they could watch your podcast three.
Speaker 3 (13:47):
Blind, mic.
Speaker 17 (13:49):
Get go on YouTube and you will type in the
number three blind B L I N D.
Speaker 1 (13:56):
M I C S.
Speaker 13 (13:58):
And I wish Charlemagne was because I know he don't
have nothing like this on the Black Effect podcast.
Speaker 3 (14:05):
He sure don't.
Speaker 1 (14:06):
Now we'll know. We'll tell him. We'll tell him.
Speaker 3 (14:09):
Yeah, he'd be open to that. He loves a stud blind,
he loves a stud.
Speaker 1 (14:13):
Okay, we'll put your whole. But I was just gonna
tell him where the podcast was so we can check
it out for himself.
Speaker 6 (14:18):
Yeah, please do that.
Speaker 17 (14:19):
And if y'all don't mind going to it and like
it and subscribe it and put in a comment, that'll
be great.
Speaker 4 (14:23):
Absolutely, just acting like she did now because you can't see,
but telling you you can see, don't play.
Speaker 3 (14:29):
I'm not I'm looking it up right now.
Speaker 1 (14:31):
I don't see.
Speaker 3 (14:32):
Oh three block No, no, no, this y'all not popping up.
You said it on YouTube?
Speaker 1 (14:36):
Yesh, we are three? The number three?
Speaker 5 (14:39):
Is it?
Speaker 18 (14:40):
Is it?
Speaker 3 (14:40):
Mob Ties Podcast Episode two three blind? Oh no, that's
mice three blind mice, Yo, it's not popping up. I
typed then three blind Mike three podcast, it's not coming up.
Speaker 17 (14:52):
Three the number three nos B L I.
Speaker 1 (14:56):
N D M I S.
Speaker 3 (14:59):
I know how to spell all that.
Speaker 1 (15:00):
You don't look at We're gonna look at the moment.
You have a great weekend, all right?
Speaker 17 (15:06):
Are you gonna put me on hold if you.
Speaker 1 (15:08):
Want to hold on, hold on?
Speaker 3 (15:10):
I just oh yeah, yeah, yeah, see yeah, yeah, DJ
Domo and Davilion therego.
Speaker 1 (15:18):
Yeah, we'll get it off your chest. Eight hundred five
eight five one five one. It's the Breakfast Club in
the morning. Is your time to get it off your chest?
Speaker 3 (15:27):
Wait up, whether you're mad or blood something, get up
and get something.
Speaker 1 (15:31):
Call up now.
Speaker 11 (15:32):
Eight hundred five eight five one five one. We want
to hear from you on the Breakfast Club.
Speaker 1 (15:36):
Hello. Who's this? Hey?
Speaker 14 (15:38):
This mine from Detroit.
Speaker 18 (15:39):
Up.
Speaker 14 (15:40):
What's going on?
Speaker 16 (15:41):
Y'all?
Speaker 13 (15:41):
Just wanted to call in and tell y'all.
Speaker 14 (15:43):
More information about when the sailor goal was overboard on
the ship.
Speaker 1 (15:46):
Please do it please, So it's.
Speaker 14 (15:49):
Not as simple as y'all think. When someone jump overboard,
the divers have to get dressed out first. Those are
the ones who normally favor and then the helicopter gets
in the air and shines a light in the water
or where they're at, and then everyone.
Speaker 13 (16:02):
On board is taught to go up to the flight
deck and point.
Speaker 14 (16:05):
In a direction where the sailor is in the water.
So it's not as simple as like, you know, just
throw something out there and get them. That takes time.
Speaker 1 (16:14):
Oh gotcha? Okay, yeah, I don't even.
Speaker 14 (16:16):
Know another thing the reason why they're out there. So
a normal deployment takes six to seven months, but they
are taught to you already on deployment. If something happened,
it's cheaper and quicker for them to send them because
any other aircraft carrier takes like two to three months
from work ups before they even allowed to go on
the mission.
Speaker 1 (16:36):
Gotcha, gotch?
Speaker 14 (16:38):
But yeah, I just wanted to.
Speaker 13 (16:39):
Let y'all know.
Speaker 4 (16:40):
So what do they do when they're there all that
time and they have no more food and they have
no more supplies. So what do they do in that situation?
Because it's not like they could just you know, go
to the local grocery store or good to get stuff.
Speaker 14 (16:52):
So what do you do during that So I think
the shortage of food and supplies is kind of exaggerated
that they really do do a good job making sure
they got supplies and food. That's that's like hard to believe.
But I will say being out there that long without
a port call, that's highly unusual and very stressful. I've
been on that actual ship before that carrier.
Speaker 1 (17:15):
Oh you've been on the carrier that we've been talking
about this morning.
Speaker 3 (17:17):
Yeah, yeah, So how is it how unlikely that they
ran out of food if they've been out there one
in the fifty days. What you just said is rare,
you know what I mean?
Speaker 14 (17:25):
Yeah, I don't believe that any aircraft carrier runs out
of food. That's a whole process. Usually you get like
another ship come and bring you food, usually every week
or a couple of days. But if you know they
make they do have rations where they're cut down on
eating times, so you just can't you know, you can
eat at certain times instead of just being wide open
(17:46):
and to preserved food. But I don't think they running
out got you.
Speaker 1 (17:50):
Now, there's a there's a brother that actually helps me
in my crib.
Speaker 4 (17:52):
He's ex military, and the dope thing about him is
he said he was he was on aircraft carriers and
things like that. He said, when you're on those ship,
that is no lows and there is no home depots.
So if something breaks down, you got to learn how
to make a new one, learn how to fix it.
So when he comes to the house or something breaks down,
he fixes it first before he goes home depotass which.
Speaker 1 (18:11):
Is which, which is amazing to me. So we appreciate you,
bro and down free service man. All right, brother, My.
Speaker 3 (18:17):
Thing is, I can he even say that if you've
never been outdated and he's never been out there as
long like, I don't know he said there, but for
that long stung out there is what I'm saying.
Speaker 8 (18:32):
I know the Military Times.
Speaker 9 (18:33):
The newspaper called the Military Times, are also reporting this.
Speaker 8 (18:36):
And then I personally had some some military families who
have people on that ship reach out and say the
same thing, that they're running out of a lot of
a lot of necessity.
Speaker 1 (18:45):
It's a lot of things.
Speaker 3 (18:46):
Do you think this stuff with the economy could be
in all the tariffs and all that stuff could be
messing up you know, delivery, don't.
Speaker 4 (18:52):
Know about they would get the food regardless, they're gonna
get food to the troops. I just think they they've
been out there so long, and I don't think they
were prepared to be out there this long.
Speaker 3 (19:01):
I just don't think that, I said, indeed, and we
haven't heard of it, and we me and you don't
have any updates of people bringing them food every week
like this gentleman just said, right, that's what I know.
Speaker 8 (19:13):
It's right about that ships do come and bring them food,
but as of lately, and I know there's a ship
on the way, that's what I do know right right now,
just time.
Speaker 3 (19:21):
Like you said, there's no way of like, no destination time,
there's no updates on how long it's going to take
for them to actually get there. My thing is just
wise everybody so quick, the doubt that they're running out
of shit, I don't get it.
Speaker 9 (19:33):
There's multiple, multiple outlets reporting that, multiple people are telling me,
like I said, a lot about at least six different
service members their families reached out to me yesterday after
they heard our reporting on this story, and they all
said the same thing.
Speaker 4 (19:46):
Well, salute to all the troops and we'll continue to
pray for you and we appreciate your service. And then
the families out there, I know you're stressed out right now.
We're praying for you as well. Get it off your
chest eight hundred five eighty five on the latest coming up.
Speaker 19 (19:57):
We do men.
Speaker 3 (19:59):
Look we we just found out yesterday that Pat Poo
shot off a cease and desist to Remy Ma over
that freestyle that she did. Remember she remixed it at
Angie Martinez's barbecue. Well that ain't stopping nothing because Remy
got a new record. We're gonna get into the new
song she's going. We're gonna talk about it and nobody
send the seased decist over there.
Speaker 1 (20:19):
Dan, all right, we'll get into that nexus to Breakfast
Club good morning?
Speaker 3 (20:23):
What you particularly of bringing the energy to mainstream radio?
Speaker 1 (20:29):
The Black Radio Sources Trust did an I'm.
Speaker 3 (20:33):
The homeground that knows a little bit about everything and.
Speaker 1 (20:35):
Everything she'd be having the latest staring thing.
Speaker 3 (20:38):
You asked the questions that need to be answer on.
Speaker 1 (20:40):
The Breakfast Club.
Speaker 3 (20:41):
Little brown girls look at you, and I want to
be like you send me good morning, y'all, Good morning. Alrighty,
So let's get into it. So yesterday news broke shout
up to it was Hollywood and Locke did this exclusively.
They received a cease and desist that was sent from
Pappoose's legal team to Remy Ma's legal team. Now, the
(21:02):
cease and desist was about the disc uh freestyle record
that Remy did the yu F and Lion. You guys
remember this song because we talked about it, because Remy
remixed a bit at Angie Martinez is Barbecue. Let's take
a listen to Remy performing the song at Angie Martinez
is Barbecue. The further claviify, I'll be singing the single
when asking for half, but that's between me.
Speaker 1 (21:21):
And young.
Speaker 14 (21:24):
Half, So.
Speaker 13 (21:31):
Win up.
Speaker 1 (21:38):
For anybody. Y.
Speaker 3 (21:42):
So, in that remix of it that she did the Barbecue,
she puts Pep's name in it. She talks about the
performance in the bedroom being so so on people going crazy.
Uh So, Now, this seas and decist specifically says that
because of this song and the fact that this song
is everywhere now U, there have been very insulting and
highly negative remarks toward Pep who's and the fact that
she talks about the stuff in the bedroom. They talk
(22:04):
about her saying that he did not write her, saying
that he did not write her raps. All of these
things are making it difficult for them to get to
where they're trying to get to in a divorce now
and the cease and desist. Pappus's attorneys alleged that they've
been having conversations about a non disparagement and agreement where
both sides are supposed to keep it real cute about
each other, and they're saying that things like this and
(22:25):
actions like this are completely opposite of the discussions that
they're having right now trying to get to a better place.
And they mentioned the fact that they want this scrubt
from the internet. They want this to not be recirculated
anymore because it could potentially be heard by their child
at one point and it will cause unnecessary emotional harm,
exposing their child to deeply inappropriate conflict between the parents. Now,
(22:46):
what's the bedroom situation? Because I don't even understand and
that bar Remy says, girls be going crazy over so
so oh Man's private part. Yes, So she's basically is
saying he don't know what he's doing in the firm
in that line, that's what she's a legend. Yeah, So
they're asking for the song to be scrubbed from the internet.
They don't want it to be recirculated, and they want
her they want Remy to move forward where there's no
(23:07):
like shots being thrown. Patpoos is way about Clarissa about anything,
or they will take legal action and they're going to
request for her to pay legal fees if they have
to take legal action. Oh even Clarissa too, she in
it too. Anything that can disparage him his side of
things like or that can be deemed as a shot
towards their situation. They just wanted to stop, is what
(23:28):
the letter is basically asking.
Speaker 1 (23:29):
I seen that yesterday and I thought it was cap
I thought it was fake.
Speaker 4 (23:31):
The reason I thought it was fake is, I mean,
I know that you know they're married and there are
a couple, but they have both did their battle rappers,
like that's what exactly happens, thrown balls at many of
people and thone balls and.
Speaker 3 (23:43):
Just handling it in the booth.
Speaker 1 (23:46):
That's what I thought.
Speaker 3 (23:46):
I just thought it was not online that I saw
some people that were surprised that the legal letter came
from Patpoos for the same reason. But I mean, obviously
this means that it's getting to a point where it's
disrupting something because he's saying I'll go to court and
claim all the disruption and all of the harm that
(24:08):
is done, but they don't specify exactly what it is
outside of like, you know, the things potentially with their
daughter and stuff like that. So it just sounds like
you're upset. Yeah, that's too Yeah about the about the
you know, yeah, getting the booth babe. Well, Remy dropped
another song. This song is called Wanna Go Wait.
Speaker 1 (24:25):
So Remy said, the season this is did another one.
Speaker 3 (24:28):
Remy dropped another song a rap man That's what I do,
And we found out about the season this is yesterday,
But the season this is didn't. She didn't get the
yesterday she had been she saw the ceasing this is
before yesterday. So this song is called one to Go.
Speaker 13 (24:41):
Now.
Speaker 3 (24:41):
We will get the whole song on later. Yeah, but
I want to play a few clips from it. So
let's listen to remy My song want to go on
the hand Me Down bar ship.
Speaker 1 (24:49):
Is brand new.
Speaker 3 (24:50):
Sh is resell hand me down, hand me down, on
my handy down.
Speaker 1 (24:55):
Now something else she is let me say something fun
if you buck beat?
Speaker 3 (25:01):
And wasn't it just the uh this somebody just asked
Chrissa about her blocking Diamond or something like that because
domond My man, not Diamond Princess, because you want to
come to the show. Yes, I mean the fight. She
wanted to so she wanted to walk Clarissa out to
the knock if you yeah, yes.
Speaker 1 (25:17):
Something else was dropped it on Friday.
Speaker 3 (25:20):
Her fight is on Saturday, Charissa somewhere and stay for Marina.
Now the reason b X.
Speaker 1 (25:24):
Chicks is something else X chicks man, Jesus Christ.
Speaker 3 (25:28):
Yeah, Now let's go into the second part. Yes, I
want to listen to the Clarence bars Clarence Clarence shopping
to Clarence Rack, Clarence Clarence. Now Clarence Clarence. So, jess
what did you catch from that bar?
Speaker 15 (25:43):
Yo?
Speaker 3 (25:43):
People be calling Clarissa Clarence like clansing her Clarence. Remember
when it first came out that she, you know, was
dealing with that. They were just like, yo, she is
the one that he sent downstairs to check everything out.
They feel like, you know, to like the battles or whatever.
They was calling her Clarence like people throw her and
been calling her that. Yeah, and she also made never cared,
(26:05):
but people call her that. She also mentions girls being
friendly all in the DM. Remember in the beginning, Remy said,
this is crazy because fashion advice like you. They were
having her, Remy and Clarissa were having she screenshot some
of the d ms that the timeline wasn't added up
as far as like they were still speaking a bit
while she was having text messages with like you said,
this was cute you and my DM like yeah, what
did you get that? And I want I want to
(26:27):
wear that?
Speaker 4 (26:28):
Yeah, so Remy, Remy something else. Remy said, all right,
fight is this weekend? Okay, I'm.
Speaker 1 (26:34):
You send the seas, this is okay, I'm gonna do
another one.
Speaker 3 (26:36):
Let's get it. She's being an artist. You can interpret
those bars like we just interpreted it probably three different ways.
Sitting in his room together. An attorney gonna look at
that and like she's not directly, but.
Speaker 4 (26:50):
Let's be honest like their rappers, right, And if you
know Remy, I don't think and I think Pat knows this.
I think everybody knows.
Speaker 1 (26:56):
This has been around.
Speaker 4 (26:57):
You can't control Remy, like Remy does what Remy wants
to do. And this is Remy's way of getting her
stuff out there.
Speaker 3 (27:03):
And that's probably why I just feel like, all right
yall noah, season desist you please no, no, no, because
he probably probably like, you know what if she did this,
ain't no telling what else she got a puss sleeve,
Ain't no telling how many of the bus You know,
they've been together for a long time starting posting messages,
so you know what I'm saying, Yeah we got a rap,
but that was one to go. That song is out now,
and yeah, Clarissa does fight this weekend tomorrow actually at
(27:26):
the August fifteenth at the State Farm Arena.
Speaker 4 (27:30):
You know the wild thing about it, when Papping was
up here, you know, this is when Pap and Fifth
and Jim Jones and Fab and Days on the Baby
and and somebody else in Fab was they was going
through their beef.
Speaker 1 (27:41):
So they were doing disrecords.
Speaker 4 (27:42):
But I wouldn't play the disrecords, right, And the reason
I wouldn't play the disrecords because I know them like
I know Jim, I know Fam, I know May No,
I know, And I was like, things could get crazy,
So I didn't want to put fuel to that fire, right,
And I was like, I'm not going back and forth.
I just didn't want to see that happen because those
guys are something could happen.
Speaker 1 (27:59):
But you know this it's like, damn, it's what I'm saying.
Speaker 3 (28:02):
It's it's women. And then you know they don't even
run in the same circles to see each other, you
know what I mean.
Speaker 1 (28:07):
But you know, so to them, I hope they work
it out somehow, some way.
Speaker 3 (28:10):
But they also was up here too us and said,
remember they said they wish Remy mind the best.
Speaker 1 (28:14):
Yeah, I don't know.
Speaker 3 (28:16):
I hope they get to that best.
Speaker 4 (28:17):
But when we come back, we got front page news
that was the latest with Lauren has brought to you
by the LifeLock on Everybody. It's dj MV Jess Hilary Chelamaine,
the guy we are the Breakfast, And we were just saying,
behind the scenes, you can't be mad at Remy either,
because you know, Chlorisa has been doing interviews and I
know people ask her questions about it, but she has
the option to say, I don't want to talk about it.
That's that's their relationship. Let them figure it out and
(28:39):
then we'll talk about it later. But she answers their questions.
Speaker 3 (28:41):
But you got to know that this was coming because
everything started.
Speaker 4 (28:44):
Going to respond the way that she wants to respond.
She hasn't done any interviews she hasn't been out in
the bow.
Speaker 1 (28:48):
She's been doing.
Speaker 3 (28:50):
Don't talk about that, Larissa, just say focused. Get to
your fight girl. That's it.
Speaker 4 (28:56):
When but you Bronx chicks, boy, y'all are some on
fight weekend, you are something else.
Speaker 1 (29:04):
All right, Well, let's get in some front page news.
What's up, Mimi.
Speaker 8 (29:07):
Good morning, y'all. So we're gonna start this morning with
those license plate cameras you've probably been seeing along roads
and intersections. So police departments across the country they use them,
but there are growing concerns about just how much they
can track you. So the cameras they are made by
Flock Safety, and they use AI to identify cars, recording
your license plate, what kind of car you drive, and
(29:28):
where your car was last seen and when. Police say
it helps them find stolen cars, missing people in suspects,
but critics say they've also created this massive surveillance, networking
tracking system where everyday Americans are being looked after or
looked on. There have been several, though serious cases of
abuse and so several states, officers have used these cameras
(29:50):
to search for their lovers, their exes, and their spouses.
So in Georgia, three former sheriff deputies. They were recently
arrested for misuse of the system. And in Florida, in
office use it to track a woman he was stocking.
And in North Carolina there was an officer who used
the system thirty one times to track her boyfriend's ex wife.
And so they're also concerns about ICE using this information
(30:12):
to find some immigrants in using the system to enforce immigration.
But now Flock says they are changing their recommendations. Let's listen.
Speaker 7 (30:22):
So we started with thirty days, and law enforcement was
worried could they actually solve crime that fast?
Speaker 1 (30:27):
And I can tell you today over ninety percent of.
Speaker 7 (30:30):
The cases solved using flock are done in seven days,
and so we're suggesting to every city to adopt a
seven day retention policy. I still believe our elected officials
should have final control of how long this data is stored,
but our professional recommendation is seven days.
Speaker 6 (30:44):
Now.
Speaker 4 (30:45):
I actually like Follock, and I'm explaining to you why
now the fact that they abuse it, and I know
police officers abuse when they check your license sometimes, but
the reason I do like Follock is if you think
about it like this, if your car gets stolen, they
can see exactly where your car is, what street is on.
And I've had several cars stolen. Right, they told me
exactly where that car was immediately. Oh it just passed
(31:06):
through Newark. Oh it just went through Urban. Oh it
just went over to George Washington Bridge. Like they can
follow those cars all times, or if somebody's kidnapped, they
can follow cars. If somebody's missing, they can take steps
back to follow where those things are. Now, as far
as the safety protocol, not any police officer should be
able to say, Okay, I'm gonna follow flock to see
where my wife went and my girl went on my
honey at that's crazy about this person. But the security system,
(31:29):
even if you're tracking a murder, like if somebody gets killed,
you can track the car to see where somebody is.
I'm not mad at that. I'm not a criminal. I
don't do crimes, so I don't care if you're necessary.
Speaker 1 (31:39):
I'm not hiding. But for those reasons, I like the
Flock cameras.
Speaker 8 (31:44):
And thank you for saying that, because a lot of
people were pointing out the good and bad about Flock, right,
and so I think right now with immigration enforcement, people
are looking at it like, okay, if they're being used
to track immigrants, are being used to arrest people, but
you're right, they do help solve crimes, they said. They
pointed out to a lot of missing cases, especially children,
that they were able to help find. But then what
(32:04):
they're gonna what they're saying, what they're going to do
to crack down on these officers. They said that you're
going to have to provide a case number and a
reason for what that search is for. And if you
search too many times for the same person, the system
will now flag the suspicious activity and that officer can
be locked out. So that's how they're trying to get
around that. So some news there. And if you applied
(32:27):
for a loan or credit card in twenty twenty two
and you got denied, your credit score may have been wrong.
So Equifacts they have agreed to pay out one hundred
million dollars to settle a lawsuit over a computer coding
error that affected about four million people. So for several
weeks in twenty twenty two, the mistake caused Equifax credit
scores to be lower or higher than they should have been,
(32:49):
and those scores may have been used at banks lenders
to decide whether to approve people for credit cards, car loans,
mortgages and what interest rate that you would normally get. Now,
Equifax is not admitting any wrongdoing, but a judge is.
But they still submitted, they still agreed to pay this amount.
But a judge still has to approve it. Now, if
that happens, there will really there will be a website
(33:10):
that will be set up and you can go there.
You can put your information in to see if you
qualify to get your share about one hundred million dollars,
and you.
Speaker 1 (33:17):
Should get all your money.
Speaker 4 (33:18):
Because I hate credit scores right now now for people
that don't know, credit scores only started in nineteen eighty nine,
so it's not that far off. Only it only started
in nineteen eighty nine. And the reason I hate it
is before it was built off of your bank statements,
how much you made and who you are as a person, right,
And I know they do it so they say, you
know everybody you know, it's on an equal playing ground.
But the problem is so many small things affect your
(33:41):
credit that might not have nothing to do with you,
and that really hurts people because, like you said, it
could be something as let's say you miss a bill,
but you don't miss a bill because of you. You
put it on auto pay and something happens with your
bank and the autopay has a glitch, right, and because
of that glitch, you're thirty one days late that you
don't know. That affects your credit by thirty forty points.
If you're trying to buy a home, or if you're
(34:01):
trying to buy a car, or you're trying to get
a loan so your child can go to school, that.
Speaker 1 (34:05):
Can affect it a lot. And it's easy to lose.
But then when you try to get your credit, hard
to get it back.
Speaker 3 (34:12):
To get it back, they said, if you mess up
in your first couple of years, it's hard to recoup
your your great point average by senior year. That's how
credit ISEO.
Speaker 8 (34:25):
Is definitely hard and really quick. Before we had out Claude.
Do you guys use Claude or do you use.
Speaker 1 (34:34):
Claude? Is like the more elevated version, right, Oh, Claude Bogie, that's.
Speaker 3 (34:39):
His name is Claude? Thinking about life? Ringing Claude? Remember Murphy.
Speaker 1 (34:45):
Life?
Speaker 5 (34:46):
Like?
Speaker 8 (34:47):
Yeah, Claude is now putting an invisible watermark in its writing.
So if Claude writes something for you and you copy
and paste it somewhere else. That hidden watermark can travel
with you via text and it's showing that AI will
to use. And so this is where it has people concerned.
So let's say you write your own resume, you write
your own essay, you put it into Claude just to
fix the grammar, you make it shorter, you clean it up,
(35:08):
and then you take that edit version of edited version,
you copy and paste it. It can still carry Claude's watermark.
So even if you actually wrote it you just wanted
to clean it up a little bit, it is now
going to show that watermark. So in order to get
to get out of that, you've got to heavily edit
it even after you put it through the machine, or
you put it through Claude, and.
Speaker 3 (35:29):
I'm gonna let people know that I did it.
Speaker 4 (35:31):
No, or you can copy and paste off a Claude
or chat GBT, you put it in your notes notes
and recopy it and put.
Speaker 1 (35:38):
It with you.
Speaker 3 (35:41):
Chat ain't no snitch chat, be like, look, you got it.
I'm gonna just I'm gonna just help you out with
the work. The way it miss plagiarism look Chatt's or
you got a miss author or no, no, no, I
wrote my baby.
Speaker 1 (35:55):
You can tell a friend, you can tell Chat, you
can tell Chat, you could tell chat.
Speaker 4 (35:59):
Hey, Chat, please make this so it seems like you
didn't write it, and Chat will do it so it
seems like they didn't write it.
Speaker 1 (36:04):
They won't make it.
Speaker 3 (36:06):
Just do it, I know, right, just I mean because
it is convenient. That's not act like AI is not convenient, yo,
Chat GBC is convenient.
Speaker 1 (36:15):
Yeah you did it.
Speaker 6 (36:16):
I know you did it.
Speaker 3 (36:16):
Sneaky all right, y'all?
Speaker 1 (36:20):
Well that all right, thank you so much.
Speaker 4 (36:23):
Now, Charlamagne is out today, So if you want to
give somebody donkey of the day, we're gonna clear the
lines right now. Eight hundred five eight five one oh
five to one again eight hundred five eight five one
oh five one if you want to give anybody donkey
to day. And when we come back, Black Sam and
Buyo Radul Rodeau will be joining us. Nipsey's new album
is out today and we're gonna kept talking to them
when we come back.
Speaker 1 (36:43):
It's the Breakfast.
Speaker 5 (36:47):
Morning.
Speaker 1 (36:48):
Everybody is DJ ENV just hilarious.
Speaker 4 (36:50):
Charlamagne the God, we are the Breakfast Club law La
Roses here as well. We got some special guests in
the building. You got the brother Black Sam here and
also Beno Rideau. Welcome, how y'all feeling sen Ya running
through New York? Y'all came in about seventy people from
La Ya Yah y'all like Yo, make La feel y'all
made New York feel like LA.
Speaker 1 (37:09):
I saw Rod Wave day Rod Waves. I seen Black
saying we got the whole LA with him.
Speaker 4 (37:14):
I came out man hours ago. You got a new
project that's out today. Explain the project, talk about the
project a little bit, and and why now, because it
seems like it's been a minute. Why why is this
particular moment the time?
Speaker 12 (37:25):
I think for me at least, it was a while
before I could even think about putting something out from
bro and just we knew the project was already done
and it needed to come out, just feeling like it
was appropriate basically, And I think we was list talking
to the team and the family. Everybody's like, man, i
(37:46):
think it's time for us to go, you know, figure
out the release. And so we talked to Pino and
his camp. They're like, bro' we've been waiting just on y'all,
it's no rush. So everybody felt like all together it
was time.
Speaker 15 (38:00):
How long y'all been sitting on these records being because
I know y'all y'all done mad music before I got I.
Speaker 1 (38:04):
Remember y'all having to tape back of it.
Speaker 20 (38:06):
No pressure, Yeah, no pressure before, no pressure though, Yeah,
we started working on this before. No pressure. This was
the initial you know what I'm saying, idea. We wanted
to make songs for women, you know what I'm saying,
a kind of vulnerable project. But you know, after so
long of that, you know, it's still nip hustle, being
or adult. We end up making one street record, you know,
just to have some fun and then caught that bounce
and that's that's how we ended up just you know
what I'm saying, putting no pressure out first. But yeah,
(38:28):
we started working on these songs like twenty fifteen, twenty sixteen.
Speaker 3 (38:31):
Yeah, so how did you guys know that this was
the project to be? Like you know, the music that
we hear after everything? Like, how was Like I'm sure
there was so much other music that you guys that
worked on and maybe that had been done already as
well too.
Speaker 20 (38:42):
Yeah, I think something we all, you know what I'm saying,
agree to appreciate is the fact that Nip had so
much intent, you know what I'm saying, And we're lucky
to just have so many you know what I'm saying,
gyms left like through text messages and things like that,
just you know, scheduling and just just ideas and you
know his plans. So this was on schedule to be
the next release after Victory Lot and yeah, we're just
(39:05):
seeing it through now.
Speaker 4 (39:06):
They said it was an eighty percent done pretty much,
So what was the other twenty percent that had to
be done?
Speaker 1 (39:11):
Well, you know what I'm saying.
Speaker 20 (39:12):
We had already sequenced, sent the project in that mixed Bodley,
you know what I'm saying, got a few mixes, but
you know how it is in the final stages of uh,
you know what I'm saying, like the mix and everything.
We had three more last minute records that we want
to add into the sequence and we had sent them.
Speaker 1 (39:27):
Over and uh yeah, what was the CARDI record done?
That was a minute ago?
Speaker 20 (39:33):
Like before a lot of these records was really yeah,
yeah it make that happen, make that feature happening. You
know what I'm saying. Got black Sam ear on it
early you feel me? And uh, yeah that was that
was that was a minute ago.
Speaker 1 (39:44):
So they got a chance to actually work with each
other for that. Yeah. How was the work ethic?
Speaker 15 (39:48):
Was he like a studio had liked he stayed in
the studio and record a lot? Like did he do
things here and there? Like what was it like, sayn us,
who was gonna stay in the studio?
Speaker 12 (39:58):
Uh, whether we got recording done always basically on how
Bro felt or you know, we used to push like, man,
he's like my Bro, I don't feel it. I'm not
even gonna get in there an attempt to leave it.
So he just be in there viving a lot of times.
You know, probably know better than me because he spent
a lot of time in there with Bro.
Speaker 1 (40:14):
But Bro just be in, just go.
Speaker 12 (40:16):
He'll go to check in to work though, he'll go early.
He'll be watching movies, documentaries, just getting inspired. And once
he feel it, turned that micro on it and magic
happens immediately. But he wouldn't force.
Speaker 21 (40:29):
It, like man, I don't want to, I don't wanna
it's not gonna be right.
Speaker 12 (40:32):
But he definitely would spend days and nights and not
leave he'll lock in and then he may lock in
for thirty days and nothing, and then all of a
sudden you get just seven eight in one day.
Speaker 20 (40:44):
Eccurate beat for sure, Like like Nip Man, I see Nip.
He'll stay up as long as we do, you know
what I'm saying, Drink as much as us. But he
up at five am, hen and push up in the
middle of the studio, you know what I'm saying. So
his work ethic was inspiring, bro it definitely. You know,
it's just sparked a lot of growth and me just
wanting to challenge myself, you know what I'm saying, things
like that. But every day it was just it was
(41:05):
constantly he calling me in the morning, on calling him
and we figuring it out. Whatever we're gonna do, We're
gonna get in the studio, create or go vibe about
play the records we've been creating, you know what I'm saying.
Whatever it is, but it worked ethic overly for sure.
Speaker 4 (41:17):
And how difficult is it hearing his voice? Is it
refreshing like a great thing, or is it like damn,
I missed my man feeling?
Speaker 20 (41:24):
Man? You know, these records aren't like before we started
going into this. You know what I'm saying, just closing
you feel me. I wasn't listening to these records. You know,
our own playing. Often nine times out of ten you
hear me playing. Somebody wanted to hear him or something
real quick. But it's refreshing to see the team get together.
You know, the same familiar faces that was there, you know,
working on the project and working on Victory Lot. You know, producers, engineers,
(41:47):
you know Black seem coming in real hands on. It
was like, you know, the fraternity, the brotherhood, the fellowship.
You know what I'm saying.
Speaker 1 (41:53):
That was refreshing for sure, right I feel like close
hold on. I was asked Black Sam the same Yeah,
I think, same thing man.
Speaker 12 (42:00):
For me, it's it's always hard hearing wrote music, but
then I get happy live. It was just a roller
coaster emotions that anytime, but it it did feel good, man,
Just I know how much the project meant to hustle.
I remember when he gave it, when he gave it
to me to listen to. Like anytime, bro, I tell everybody,
anytime he give me a project, I know it's done.
(42:22):
Don't be willing to hear what I got to say.
Before it's done. He's like, man, it's done, what you think,
and so at that point I know it's a masterpiece.
And so he was proud of this project and I'm
just happy that we were able to put it out Man,
to like you were saying, to that cardi B record,
we was pushing for that to be on Victory Lap. Really,
Hustle was like, Man, he like, now you know what
(42:43):
this fits this project better. So this project was slated
to come after Victory Lap, and so just the whole thing,
every song in there, we kept the same sequence. We
didn't add features. I think maybe one one or two
people Man jumped on just uh to.
Speaker 1 (43:00):
Elevate, but we kept it.
Speaker 21 (43:02):
What they put together and what they did together as
a whole.
Speaker 12 (43:05):
We kept it and that was very important. But to
answer your point, it feel good to finally put this
out When.
Speaker 15 (43:11):
People say Nipsey's legncy saying, what does that phrase actually
mean to you?
Speaker 1 (43:16):
Because you knew the man before you know, the world
knew this this icon.
Speaker 12 (43:21):
I think for me, man, it's important. Hustle whole thing
was to inspire people. You know, we had multiple conversations
so many times. You know, I'm trying to be on
business or be it to help this thing go forward
with hustle, be it, asset in any way. I can
so all pressure like Bro, we gotta do it, Bro
with multiple times to like, hold on, Bro, we're gonna
(43:43):
get to the money.
Speaker 1 (43:44):
That's we're gonna do. That's special.
Speaker 12 (43:49):
This my stuff has to be being has to inspire,
And a lot of times I'll be like all right,
but I didn't really fully get it. And so just
even now, man, seeing how inspirational he is and how
many people are inspired and tinue to be inspired, I
really just be like, damn.
Speaker 1 (44:04):
This this was what Bro wanted.
Speaker 15 (44:06):
What's the biggest misconception people have about about it? Because
he's become like a mythical figure.
Speaker 1 (44:11):
Now, Man, I don't know. Man.
Speaker 12 (44:13):
I think one thing I do say is when this
documentary comes out, people love and respect Bro so much
and they probably don't even know ten to fifteen percent
of the story. So when this doc come out and
people actually like really see, I think they're gonna be
blown away and it's gonna be It's gonna be pandama,
It's gonna be crazy, you know what I mean. So
(44:34):
that's our that's our focus right now. Just don't mess
this dock up because we got so much footage and
the story is there. We're just trying to take our
time and do it correctly.
Speaker 1 (44:43):
Doing is it coming out? I hope maybe next year.
You were saying that I've heard some legendary stories about
you in this documentary.
Speaker 15 (44:52):
Yeah.
Speaker 1 (44:52):
The money I've heard that you've left.
Speaker 15 (44:53):
On the table just because you want to keep the
integrity of it. I've heard some like some crazy numbers.
Was that turning down like yep, yep.
Speaker 12 (45:02):
I think for us, like I'm telling everybody, it's not
about money, So it does no matter how much was
on the tape. We're not messing this up, but we're
not changing the story. And a lot of times people,
you know, we had opportunities, which was good, but it
was with materior motives. Obviously it's business. People wanted us
to put the doc out for a lot of money.
But it has a time or it gotta come by
(45:24):
November because we trying to launch our new network and
this and then people are all the research says, you know,
people don't like more than two episodes, so this one
has to be too. Like we walking, you know, I mean,
we gotta do this the right way. We gotta make
sure that it's told the correct way. And I don't
even wanna talk about business. I'm wanna finish it.
Speaker 21 (45:44):
And then once it's done, we'll get it away for free.
Speaker 1 (45:48):
Trip on about the money player.
Speaker 12 (45:49):
I just want this to reach everybody, and then this
thing got to sweep awards because the story is there
till everybody.
Speaker 21 (45:55):
It's just on us not to mess this up.
Speaker 1 (45:57):
We can't rush it.
Speaker 12 (45:58):
We got to polish this diamond and you know, staring
for the people, and and and the most important thing
is when this documentary come out, this would be another
big thing for Bro that inspires people, and that's his
that's his main thing. So we gotta do it correctly.
People got to see this and just be at alle
and just be inspired.
Speaker 1 (46:15):
So who was the doctor?
Speaker 15 (46:16):
Is it for the day one knit fans and the
people who know his name but don't fully understand his impact.
Speaker 12 (46:21):
I think it's for both, man, I think it's where.
I think it's for the day ones who want to
know everything.
Speaker 5 (46:28):
You know what I mean?
Speaker 21 (46:28):
And this is where I'm like, Man, we going eight
nine episode because we got it.
Speaker 1 (46:33):
I got what we got.
Speaker 21 (46:34):
I was incarcerated when my niece was born, so we
tracked down footage.
Speaker 1 (46:39):
I never thought he even existed.
Speaker 12 (46:40):
We got when my niece was born in the hospital,
so I'm in the at it just blown away. We
got hustle when he first learned how to make beats
when he was a young kid. We got when he
was in elementary.
Speaker 21 (46:52):
So the spring Hill team came in and helped us
just comb you know the world.
Speaker 1 (46:58):
And pulled every anybody who had any it. So we
got it.
Speaker 12 (47:01):
So I think the the old white lady, the doctor
who doesn't know anything about rap music is gonna see
this documentary and see a kid grow up gifted in
gifted class, volunteer to be gifted and was tested by
his teachers and they called my mom saying, man crazy.
Speaker 21 (47:19):
It is the first kid that ever volunteered to be
tested gifted.
Speaker 12 (47:22):
And he really is gifted. And then you see him,
you know, young, selling dope, and then you see it.
You just as a journey. So as you're watching it,
you're gonna be going through the roller coaster of emotions
rooting for this kid and to see you know him
eventually Grammy nominated, and you're just gonna be just applauding
so that's the journey that we want to take you
(47:42):
through this and we have everything there be able to
see it in real.
Speaker 21 (47:45):
Time, and you said you'll put it off for free. Man,
it's about the money. It's in the money.
Speaker 15 (47:49):
Play y'all don't understand the numbers that I've heard that
people wanted for this documentary.
Speaker 1 (47:54):
That says a lie. You can't give us a ranger now, Oh,
I mean tens of millions.
Speaker 12 (48:02):
Yeah, it was you know, through that COVID, through that
COVID phase, it was upwards to like twenty twenty, like
high twenties, that's what I heard. And before that, every
Dubern they helped us, uh secure like a fifteen million
dollar situation from Netflix. We ended up having to walk
from it, but she was like instrumental in helping us,
educating us and like, look, I can bring y'all right
(48:23):
to the thing.
Speaker 15 (48:24):
And then heard the story about something it was one
of the screaming platform that was gonna launch YEP.
Speaker 1 (48:29):
It wanted to use that as the first piece of
content to put out YEP Disney onyx it. Wow.
Speaker 12 (48:36):
A lot of people came and was supportive and was
ready to go. It was just you know, we had
to and they didn't understand why. But I tell everybody
our team know why, Like we had to just respectfully
like hold on, we're gonna do this the correct way.
And so you know, we got shelved for a minute
because even the team was like, man, we got investors
like we you turning down all these deals. We can't
spend no more money until we know how much it's
(48:57):
gonna get sold for it. You talking about giving it away.
So now we've just been coming in and just one
hundred thousand at a time of our own money, just
pushing the edit forward. But we pretty close. We got
Alan Hughes involved right now too. He's seen the footage.
Everything happened for a reason, is what I tell the team,
because when we first was starting, we wanted to bring
him in to kind of help us.
Speaker 1 (49:16):
He was busy on the project. I think he was
doing the part project.
Speaker 12 (49:18):
So he's like, man, I really would love to I
just I'm committed. And so now he's free, so he
really see the footage we had. He like what is
going on? He's like, man, I know exactly what this is.
So he's excited.
Speaker 1 (49:30):
He's on.
Speaker 12 (49:30):
So it's like everything you never realized but everything happened
for a reason. I think this is the perfect time
to get it done how we really want it.
Speaker 15 (49:38):
Yeah, and he's been at the hell with some great
West Coast stories, so that just made all of the
sense in the world.
Speaker 1 (49:42):
Yep, yep. Whoever, what's the one scene a chapter you're
most excited for people to see?
Speaker 12 (49:47):
Man, it's just so many Because I know my brother,
A lot of people ask me about browing, And one
of the questions that a lot of people asked me
is like, man, when did Bro when did he becoming
I'd be like, man, Bro was always like that.
Speaker 21 (50:00):
Bro was a little kid on a bike leading us
finding following him.
Speaker 1 (50:05):
He was in school.
Speaker 12 (50:06):
You know, we went to school and watched It took
me like three years to be able to be like
I was handling the school.
Speaker 1 (50:12):
I knew everybody.
Speaker 12 (50:13):
He came there in two weeks and was running the school.
So he was he was exceptional. Everything he does, he
was special. And I think in this documentary you gonna
see from from from a child. He was just special.
And with one quality with Bro was he made other
people feel special. He made other people.
Speaker 21 (50:29):
He always wanted to take the team with him for
the journey, educated.
Speaker 12 (50:33):
Himself, brought it back, and he just really made you
feel like anything could be possible because you saw him
do it. And then uh, he championed seeing other people
be successful, like it was one of the things that
he liked to do.
Speaker 1 (50:47):
He liked to help out.
Speaker 21 (50:48):
And then see that little help somebody blow up and
made him feel good.
Speaker 4 (50:53):
I always wanted to know, you know, when Nip after
his past and you see so many people post videos
and Nip was their best friend, and they post pictures
like they knew it for a long time. How does
that make y'all feel when y'all know a lot of
that it's not true, and they're using Nip's name and
likeness to try to push their projects.
Speaker 1 (51:10):
How does that both make you feel? Because y'all both
we're so close to them.
Speaker 12 (51:13):
I think for me, you know, I just try to
let people as long as it's good, positive things, you
know what I mean.
Speaker 1 (51:22):
I can't.
Speaker 12 (51:23):
I try not to be trying to judge or try
to be feel a certain way. And then I take
a step back and say, you know, I don't know
people certain situations, and I don't know everything about bro
and so I just I'll fact check some stuff for sure,
you know, I go investigative fact check. But I just
one thing I know about Bro is he made everybody
feel special.
Speaker 1 (51:44):
The Valets got they know her.
Speaker 12 (51:46):
So I'll pull up anywhere and the Valets will tell
me a story Valets that I know, a spots that
he went to. You know, anywhere I'm going, people will
be like, man, you know what, They'll show pictures, So
I know. Bro moved through life just very respectful and
very intentional about having relationships with the car watch guys.
Speaker 1 (52:06):
Everybody knew him and loved him. So when I hear
these stories, I'd be like, it could be true. You
know what I mean, what's one lesson that you hear
from nipping your head every day? Both of you' For me, man,
it's just life is a marathon. Man, run a lot.
Speaker 12 (52:21):
You know, it's not gonna be easy. It's not gonna
be just everything all there for you. You know, from
the outside looking in. You know, when you're doing a
good job, it makes everybody think it's easy, or makes
everybody think like, oh men, they got it.
Speaker 21 (52:35):
But you know, in real life, you gotta do the
work and just get up breacka day.
Speaker 18 (52:40):
Man.
Speaker 21 (52:41):
You know, regardless of where you at.
Speaker 12 (52:43):
You know, I always see Hustle telling multiple people on
videos too, and he told us, man, you just got
to start.
Speaker 1 (52:48):
You got to start.
Speaker 12 (52:49):
It started, and then by the time you look up,
you know, you be so much closer to where you're
trying to get to.
Speaker 1 (52:55):
But just start about you.
Speaker 20 (52:57):
Yeah, I agree, same things. I feel like every day
you've been coming up here, you know, linking with y'alls.
Tart As he only like three hours of sleep, but
every day I had a voice like, wake yo, see
you know what your game with this videos on Instagram
you can see, bro, he follow in the morning in
the studio, I'm knocked out somewhere. You've seen you wake
your game up where you at. So every day it's
get up and keep going.
Speaker 1 (53:17):
Sure it's gonna sound crazy, but have you visited y'all?
Speaker 21 (53:21):
I had a I had a few dreams.
Speaker 1 (53:23):
I'll be I'll be like not remembering my dreams.
Speaker 21 (53:26):
But I had a few dreams, bro, not that many
though I have conversations or just yeah.
Speaker 1 (53:35):
Just kind of crazy, like you know how dreams be
some crazy stuff. But what confirmation that he that he's good?
Speaker 3 (53:42):
Basically, Yeah, and when you wake up and remember them.
Is there anything that's also confirming for you in your
real life, like maybe questions you were trying to answer
that you might have been able to talk to him
about what you can't now.
Speaker 12 (53:54):
Nah, I mean it's just to be honest. Just the dreams,
I'll just be like, damn, that's crazy. It was a
dream with Bro some crazy. It's just like you know,
Bro shooting the game, just making sure people were straight,
and and so then I wake up and I'm like, damn,
what's going on? Like you know how dreams don't be
making sense? But then it's like just Bro being a
(54:14):
protector or being making sure that the family was good,
make sure everybody's good. It was kind of what I
took that ass. It's like Bro looking like Rambow.
Speaker 1 (54:23):
In the in the dream.
Speaker 3 (54:26):
You know what dream is this?
Speaker 12 (54:29):
It's like crazy, but that was That was one of
the things. But you know how, at least my dreams
be like you never they be like dreams.
Speaker 1 (54:36):
You don't know what it's about, but you know that
was one of them.
Speaker 15 (54:39):
If Nip walked into Marathon Burger today, what would make
him proud and what would he tell y'all to do better?
Speaker 1 (54:45):
Man?
Speaker 12 (54:45):
I think anytime we did something or something big, Hustle
will always like smile and be like, man, I told this,
high fiving everybody and be like man, it got us up.
So I think Bro would just be happy. And then
after that, you know, celebration, be like, man, let's pay
pay attention to the details and make sure you know
(55:08):
we uphold the standard. And then he probably would be like,
make sure everybody that come in here is feeling respected
and appreciate appreciate it. And so that's one thing we
try to appreciate everybody, Like, man, it's not no, but
nobody owe us to come in here and spend any money.
Like we gotta make sure people feel appreciated and they
spending their money and don't get caught up in like
(55:28):
the hype of like, oh it's marathon Burger, Like it's
like it's like it's a privilege for somebody to nah.
We we're privileged that they come in and people are
coming to support And I think for me, it's important
that like Hustle, Hustle whole campaign was started out of
a trunk when he was a teenager with mixtapes, and
so the community and the people that supported him.
Speaker 1 (55:50):
He always wanted to pay how muche to and always remind.
Speaker 12 (55:54):
People like without without the people, he would never even
been able to be started. So I think that's one
of the things he would always probably be telling us
to remember, like remember that we never forget where we
came from or how we even got here and the
support that got us here.
Speaker 15 (56:10):
Glad you said that, And that's what I hope That's
one of the things I hope the doctor addresses because
when people think NIP now they think about ownership with
so much people forget that he was also talking about community.
I feel like that's part of his message that gets
missed a lot, like the whole neighborhood NIP things. I
hope that gets shown in the doc.
Speaker 21 (56:27):
No, I definitely will, man.
Speaker 12 (56:28):
I think the reason why, at least in the area
of people love hustle so much, from the aunties, the grandma's,
the smokers, the little kids, that was inspired by Bros
because they seen him on every level. You know, they
seen him as a young kid starting gang banging people
like oh man, what's this young dude doing?
Speaker 1 (56:48):
Going down the wrong.
Speaker 12 (56:49):
Route and then selling dope, you know, fighting, going to jail,
and at the same time trying to do something positive
and being able to have success and then not just
leaving actually doing something, employing you know, people that he
grew up with, you know, helping families and helping you know,
(57:12):
family members get off of probation or get off of parole,
and you know, doing it right there, you know, opening
stores and just the inspiration that that showed in that
area is you know, unmatched because you can't buy it.
You know, people seen it. It was like nah, And
I think that that was one of his main things.
(57:33):
He's like, nah, I want to make sure that I
inspire the people that came from what I came from.
Speaker 21 (57:38):
And so in the documentary, that's one of the big sections.
Speaker 1 (57:41):
Because I think it's important.
Speaker 12 (57:43):
You know, some people like he inspired a certain generation,
but there may be new generations coming up that may
not have that inspiration or may not even.
Speaker 1 (57:53):
Be privy to the music.
Speaker 21 (57:54):
So at least they'll be to this story, be able
to see the story and take inspiration from that.
Speaker 1 (58:00):
All right, y'all, do y'all do anything for his beat?
Speaker 5 (58:02):
It?
Speaker 1 (58:03):
Yeah?
Speaker 21 (58:03):
Man, I think we're doing We're doing a couple of
things to promote the album.
Speaker 12 (58:08):
It's gonna be at the Novo. I know Bino got
some things going, and then collective we'll be doing some
things together too. But I think for me for bro birthday,
I'm gonna just be chilling, you know, at the house.
Speaker 18 (58:19):
Man.
Speaker 1 (58:20):
But it's just just just in alignment.
Speaker 21 (58:22):
How it happened.
Speaker 12 (58:23):
We were picking dates and trying to get records cleared,
and you know, we missed a few dates, and then
when it came up the fourteenth.
Speaker 1 (58:31):
We was all like, oh man, it was meant to be.
So you know, I'm happy.
Speaker 12 (58:34):
I'll be happy that the album will be out, you know,
the day before his birthday, you know, and not to
be a lover the place.
Speaker 21 (58:40):
This this album is important, man.
Speaker 12 (58:42):
I don't know if I said it already, but Hustle
did this album with Bino top to bottom, and I
remember he.
Speaker 1 (58:47):
Gave it to me and so.
Speaker 12 (58:51):
They they track listed it, they sent it to Ali
to mix a master and this is this is one
of the things he was proud of, proud of about,
and I'm just happy that we can put it out
and just coming on coming out a day before his
birthday is just very important for us.
Speaker 1 (59:07):
Now there you have it. Thank you brothers for joining us.
Be over man, black sam Bino appreciate y'all. Let's Breakfast
Club morning. Let's get right to the latest.
Speaker 3 (59:17):
I want to becoming a straight back tell us man.
Speaker 1 (59:20):
She gets them from somebody that knows somebody detail.
Speaker 3 (59:23):
I'm a long girl that knows a little bit about everything.
Speaker 1 (59:25):
And she'd be having the latest on you, the latest
with Lauren la Rosa.
Speaker 15 (59:31):
Sometimes you have sometimes you have details, sometimes you have
a little bit every time to you by top Dog
Law on.
Speaker 3 (59:38):
The Breakfast Club to me all right, y'all. So we
reported about a lawsuit that was filed by Malcolm Jamal
Warner's widow against his estate which is managed by his mother,
Miss Pamela Warner. Now really good news in this situation,
which is really a tough, not good situation. But there
(01:00:00):
the story that broke yesterday. TMZ is saying that they
spoke to Miss Pamela and that she has been able
to reach a settlement with Malcolm Jamal Warner's daughter's guardians
in this whole inheritance battle. So she says that although
it has yet to be approved by a court, Malcolm
Jamal Warner's mom has reached a settlement or a resolution
(01:00:21):
that she believes that Tanisha Warner, who is Malcolm Jamal
Warner's widow, will support. She also wanted to clear up
recent claims about you know, how it looked like her
granddaughter was not being taken care of. She says that
that was not true. She says that there were recent
claims that Pamela sought to prevent her granddaughter from receiving
financial support, and that is completely not true. That there
(01:00:43):
has always been a very thoughtful and deliberate plan that
Malcolm Jamal Warner left in his estate to include all
of its loved ones, including you know, his parents, his sister,
but also for his child, including millions of dollars that
you know they've been able to use to take care
of their child. But basically, to summarize this all, it
seems like they've gotten into a good place and we
should see this settled soon, which is a good thing
(01:01:05):
for everybody because at the same time they're still grieving yea,
you know, their son, their husband, their their father. In
the mix of all of this, it's just a nasty
situation to see play out publicly.
Speaker 4 (01:01:16):
Yeah, it's just sad when somebody like that, the breadwinner passes, right,
And I'm sure he was probably helping moms out, helping
sister out, and him of course his wife and his kids.
So when that happens and there's no will in place,
it's like everything's in limbo, right because I'm sure the
wife is like, well, this should be mine, but the
mom is like, he's taking care of me for years,
you know. I mean, so, I'm glad they were able
(01:01:36):
to get these settled.
Speaker 3 (01:01:37):
It seemed like though when he passed, he was in
the process of changing things because the estate and a
lot of the life changes around it here had been
set up so long ago. But there is another piece
of the story. It says that within the settlement that
was not the settlement, but the resolution that they came
to with the representatives for Malcolm Jamal Warner's daughter, there
(01:01:59):
is an agreement that is going to provide Malcolm Jamal
Warner's daughter, uh the ability to receive majority remainder of
the trustee and the state. So it seems like it
was in process, but you know this suddenly they weren't
planning for this.
Speaker 1 (01:02:11):
I'm sure you want to take his daughter to make
sure that you know her college is taking care of.
Speaker 3 (01:02:16):
She is covered, yes, and her cut of the estate
is in here as absolutely Yep, that's good. Me too,
me too.
Speaker 20 (01:02:23):
Uh.
Speaker 3 (01:02:24):
Now we're going to take it back up to the
Bronx today because there Lord have mercy.
Speaker 1 (01:02:29):
Okay, I tell you, I'm scared of the Bronx car b.
I'm scared.
Speaker 3 (01:02:33):
Yesterday she was on Twitter spaces or x spaces now
and she was letting it go. Okay. Now, this all
started because Doja Cat Dojah Cat was like live on
like a stream, talk to the fans type of thing
that she does, and she has some be a music
plan in the background, and the fans are on the
stream like girl, she's been throwing shade a way, don't
be listening to that music, and thojah Caat is like,
I'm too over all, I got too much going on.
(01:02:54):
I'm not worrying about it. Be it came out apologized
and it was like I love your music too. It's
very like a you know, like a Kumbayan situation. The
fans tried to call bea out and say, hey, now
you are nice and you know, caring about the woman
and a woman thing, but what remember this, And they
were posting some of the shots that she threw at
Cardim in that coding back in the day when she
was talking about offset and different things, and Beer responded
(01:03:18):
and she said, f that b I say it again
next and then she says that everything that she said
that Carti alleged in her response to bea was not true.
So she basically doubled down on that. So Carti saw
that and it sent her off. Let's take a listen
to Carti or be apologizing to her.
Speaker 22 (01:03:35):
I wanted to her about a lot of these raps
in the industry, especially this right here. This wanted to
be friends with me so bad. And I got it
on mother recording because I was talking to this there's
always wanted to be friends with me and some shit,
and y'all know me. I don't really like to talk
to people a love.
Speaker 19 (01:03:52):
I feel like this.
Speaker 22 (01:03:53):
When she started doing a song with this girl with
old girl, she kept sending people to tell me like, oh,
I hope Cardy don't have a problem with me, blah
blah blah. I never give a if you do a
song with somebody, if it's gonna benefit your career or
your life, I don't give a Every single time she's
seen my ex, she used to be like, oh, told Cary.
I don't have a problem with her, she will sending
my friend. I was like, oh, I don't have a
(01:04:15):
problem with her. The thing about it is always want
to get on the phone. I never want to speak
to you. I got something in the tough for all you,
and I don't even feel like doing it, to be
honest with you.
Speaker 3 (01:04:24):
But I could, but I could. Yeah, So that happened yesterday.
All right, ready to leave it one way in, one
way out.
Speaker 1 (01:04:39):
No, it's not, but it feels like that sometimes it
feels like that. Sometimes. Great thing about Cardi, right is
Cardi does so well right. She crosses over.
Speaker 4 (01:04:49):
Amazingly, whether it's old navy, whether it's a hair product,
whether it's a music, whether it's a sold out to all,
whether it's pepsi. But when it's time to put her
toe back in the hood, she has no problem with
it back, no problem going back to the hood and
doing what you gotta do, and then jump it right
back to cross over us.
Speaker 1 (01:05:05):
Right. That's you gotta love body for that.
Speaker 3 (01:05:07):
Yeah, shout out the Barney Well leaving the Bronx and
heading on over to the other the Kevin Hart Roads.
So back here again all the way and so we
done left the Bronx to be going to LA because okay,
so name Land, remember jes you were at the Kevin
Hart Remember to the red carpet one of the red yep,
yes you did, one of the red cup boys run
around the plastic It's because because we read it, they
(01:05:31):
be holding plastic cup boys.
Speaker 18 (01:05:32):
Sorry.
Speaker 3 (01:05:33):
Yeah, so name Lane. He did an interview with Jasmine
of the Jasmine brand, and he talked about why he
believes he did not receive a Netflix special after that roast.
Let's take a listen. Did that roast open doors for you?
Speaker 23 (01:05:44):
I sold a couple more tickets, but other than that, No,
they were saying that this guy's name is Robbie who
decided to get the Netflix specialist, And they were saying like,
if I do a good job, then I'll probably get one.
But he was a little upset because of the joke
that I made about your hell because and he might
have only been upset because like Chappelle's wife, she messaged
him she was pissed about it. I don't regret saying anything,
(01:06:07):
and I don't feel bad that especially hasn't offered been
offered to me.
Speaker 1 (01:06:10):
He's like, all right, I don't care. That doesn't hurt me.
Speaker 19 (01:06:12):
And you think it was what I think probably know
that it was because of Dave Chappelle joke during the
roast two.
Speaker 23 (01:06:17):
Different like Karen's manager of my agent. They were like,
you know, if you have a good say, if you
kill it, then they'll probably give you a special. The
guy that controls who gets the specials he called Kevin.
Speaker 1 (01:06:27):
He's like, man, what man? What was up with naim Man?
Speaker 23 (01:06:30):
Dave's wife is pissed, and she's the pissed so I
guess like at that point he was like, yeah, damn,
I'm not affected by that at all.
Speaker 3 (01:06:37):
Let's take a listen to the joke, because I'm sure
you guys know what did he say? That's listen to
naim Land on Dave Chappelle and his wife.
Speaker 6 (01:06:44):
What is Dave Chappelle man?
Speaker 16 (01:06:46):
Yeah, I think I thought he'd been here stealing more
money from Netflix. By the way, Dave keV hates you.
He hats you more than the transjunior community. I actually
don't know why to trans hate you to a Filipino lady.
Speaker 1 (01:07:01):
Boy.
Speaker 6 (01:07:05):
You can go for nim everybody.
Speaker 1 (01:07:08):
He did great also, I am a great choice there
at the end to talk on, Dave. We'll let that
go for sure.
Speaker 3 (01:07:16):
It's an interesting shot, exactly, Shane, that's exactly. Not not
that y'all didn't have no interest in shots either, But no,
that's crazy. That's crazy. That's something that that's like a
hood roast that you that you have in the hood
on a stoop where you're and your homeboys going back
and forth and it never leaves that circle. That's not
(01:07:36):
something for TV. What you mean you call that man
wife a trans woman, like that's what you did?
Speaker 1 (01:07:42):
Yeah, I mean, look, I Dave Chapelle, you know how
I feel about when people talk about my family so
moving furniture in the back.
Speaker 4 (01:07:49):
But they are comedians, and if that's the game the
comedians play, that's the game the comedians played.
Speaker 1 (01:07:53):
Some comedians talk.
Speaker 4 (01:07:54):
About me all you want, right, but when you bring
my wife and my kids into it, I want five minutes,
I want ten minutes. I'll never talk to you again.
But as far as the Netflix special is take, Dave
should pull out of it.
Speaker 8 (01:08:04):
Right.
Speaker 4 (01:08:05):
Kevin Hard as your god, but the roast is, the
roast was Kevin. But why would I need Netflix if
I got Kevin Hart?
Speaker 14 (01:08:14):
Right?
Speaker 1 (01:08:14):
Kevin should be able to be like, no, we're doing
this like Kevin is that big?
Speaker 4 (01:08:17):
Right, We're not talking about little Kevin Hart that just
does little comedy with Kevin?
Speaker 1 (01:08:21):
Is that big?
Speaker 4 (01:08:22):
Billions of dollars sold in Hollywood specials? Here keV Cam said,
I'm doing this like Kevin Sam, I'm doing what like
I'm gonna take Netflix. Yeah, I'm producing special and you're
gonna do this.
Speaker 3 (01:08:34):
But it seems like that's it's still not Yeah, it's
it's still it's still not that easy even for Kevin. No,
Kevin can go ahead and get a special, but somebody
like you know, like a Naim one of his his
guys plastic Cup, he can give them a special and
put it on his platform. Lo l you know what
I mean. I know he can co sign and all
that type of stuff, but it's still protocols politics. Was
(01:08:56):
it and Kevin help out? I mean, sure Underwoo did
an amazing job, so that helped her first and foremost,
But didn't Kevin that's Underwood. Yeah, but didn't Kevin Hart
have a hand in being like, y'all need to make
sure y'all take care of her. That was how the
story went.
Speaker 1 (01:09:06):
I thought there's a lot of comedians that got Neflix special.
Speaker 3 (01:09:10):
Hitchcliffe got one. I believe Shane Gillis already had one.
I don't know, like Na, that's not that go Ken
don't work for net like he's not the chairman though.
Speaker 1 (01:09:21):
We could move some furniture if that's what he wanted
to do. I'm sure.
Speaker 5 (01:09:26):
Yeah.
Speaker 3 (01:09:27):
Anyway, well, yeah, naim Lynn was here. He talked briefly
about what he thought didn't happen at the road, so
I thought it was interesting to hear him finally say
this is exactly why. So yeah, that's the latest for
the hour. But you know who can do stuff like that,
Dave Chappelle. Dave Chappelle would be the one in NIM
they could get name special. Even his wife could have
did that, you know. All right, well that was brought
(01:09:48):
to you by top Dog Law. They've won a billion
dollars for their client. So if you get into an accident,
make the call. Their bark is their bite top Dog Law.
Speaker 1 (01:09:56):
All right, up, next Donkey today. Charlamagne is out today.
Speaker 4 (01:09:58):
So if you want to give somebody, don't the day
eight hundred five eight five one oh five one is
the Breakfast Club. Happy Birthday, Hollybird Magic Johnson, Okay, big magic,
mar Si Maon and Dochi and and Jackie Harry Happing
birthday everybody.
Speaker 1 (01:10:11):
Who was the third one? You said?
Speaker 3 (01:10:13):
Mars Simon and I'm gonna Marseille and happy birthday.
Speaker 6 (01:10:17):
Boo.
Speaker 1 (01:10:17):
It's a breakfast club morning. It's your time to nominate
a donkey of your own. Remember that. That's it's how
they choose. Call in now eight hundred five eight five,
one oh five one? Hello, who's this?
Speaker 2 (01:10:34):
Hello?
Speaker 6 (01:10:34):
Yo? What's up?
Speaker 14 (01:10:36):
What's on me?
Speaker 7 (01:10:37):
Man?
Speaker 1 (01:10:37):
What's up? Brother? Who are gonna give donkey too many?
Speaker 6 (01:10:41):
We I'm gonna get donky to I don't know I
get it to you. Don't let me up on me?
Speaker 21 (01:10:44):
Man, hung up?
Speaker 1 (01:10:46):
It's hung up on you, sir. And I would never
do all I would never do.
Speaker 3 (01:10:49):
That's like modest morning.
Speaker 1 (01:10:57):
That Hello? Who's this all again?
Speaker 13 (01:11:00):
Don Kill does today?
Speaker 5 (01:11:01):
Shar and MD.
Speaker 13 (01:11:03):
Although I love y'all so much, you get don kill
to day and be clothed.
Speaker 1 (01:11:07):
Man, man when we want let boy? Wait?
Speaker 3 (01:11:09):
Wait wait wait?
Speaker 1 (01:11:09):
Can you say your name? And where you call her from? First?
Speaker 13 (01:11:13):
Be watching it out every day? Okay, my name is
from North Carolina.
Speaker 4 (01:11:17):
Hey, Jay, you sound so this morning? How are you
feeling this morning. How was your mention getting done?
Speaker 13 (01:11:23):
I do I love y'all. I love all of you equally.
They y'all lot Lauren get through her segments.
Speaker 6 (01:11:30):
Y'all gives me me respect.
Speaker 5 (01:11:33):
Y'all give just respect.
Speaker 23 (01:11:34):
Y'all.
Speaker 13 (01:11:35):
How pretty she looks every day.
Speaker 17 (01:11:37):
That's wonderful.
Speaker 5 (01:11:37):
She does look pretty.
Speaker 6 (01:11:39):
But you want to give Laury in.
Speaker 5 (01:11:40):
That respect.
Speaker 3 (01:11:42):
Envy? I will throw this. I did.
Speaker 1 (01:11:45):
We love Lauren. I said, I'm sorry for coming off.
Thank you, Javis.
Speaker 3 (01:11:50):
Y'all giving it.
Speaker 13 (01:11:51):
Y'all give it and built her up to break her down,
and that's not right.
Speaker 3 (01:11:54):
I don't be seeing what be happening in here is
literally like boot camp.
Speaker 1 (01:11:58):
You don't hear her go at me or.
Speaker 13 (01:12:00):
I've been trying to call all this time because all
these people keep calling trialis get that point across, but
they'll be saying all the craziest words that lady call
talks about. Justin to stop being late. Didn't know what
she was talking about.
Speaker 1 (01:12:11):
But you know, listen, Jay, I love all of y'all.
Speaker 13 (01:12:15):
Y'all are doing great. John need to fix that intro
that says d J M V Shaw death because all
of y'all are the breakfast clubs, and stop saying Lauren
is here with us, be there with you all the time, because.
Speaker 3 (01:12:28):
She's a part of the breakfast club every j j
can you give me time? Please?
Speaker 1 (01:12:32):
Can you get some time?
Speaker 20 (01:12:33):
You know?
Speaker 1 (01:12:34):
But Jake, you don't hear her talk about my dying,
my hea, you talk about to.
Speaker 13 (01:12:41):
Do something herself.
Speaker 3 (01:12:43):
She starts with me, I'm not Jay, I get it.
Speaker 1 (01:12:48):
Well, thank you, Jake, you have a blessed weekend.
Speaker 3 (01:12:51):
She ain't give it to me, she give to you
and Charlmaine.
Speaker 1 (01:12:53):
Right, Hello, who's this?
Speaker 3 (01:12:55):
Take care of them?
Speaker 1 (01:12:56):
Good morning? This is Jay y'all doing money day. Listen.
Speaker 24 (01:13:03):
I want to give Duncan Day to the sailors man.
You signed up to be in a war zone on
the warship man while you out here complaining about war
about food, imagining.
Speaker 6 (01:13:12):
Those soldier from World War One world War two.
Speaker 13 (01:13:15):
Were complaining about living conditions.
Speaker 6 (01:13:17):
Like I feel.
Speaker 24 (01:13:18):
We already got a president that makes her a look
back like you don't need six singers out are I
don't know, five thousand complaining about little food.
Speaker 1 (01:13:26):
My point of view, JD. Hungry, they starving.
Speaker 3 (01:13:32):
I don't even know what you mean.
Speaker 24 (01:13:34):
Them guys are in the aircraft carrier and they gave food.
Trust me like they were taking care of I was
in the Navy.
Speaker 6 (01:13:40):
I was in a frigate where it was tough.
Speaker 13 (01:13:42):
It was tough being a frigate.
Speaker 24 (01:13:44):
Them dudes are on a carrier, which is compared to
like a figures like saying a motel and a carriers
like saying a resort.
Speaker 6 (01:13:51):
You teell me whether they starting or not.
Speaker 24 (01:13:53):
Man like tough En up, come back home and then.
Speaker 6 (01:13:55):
Tell your story. Don't tell your story now while you
know we already got a president.
Speaker 24 (01:14:00):
Get those little foolish now you out here making the
US Navy making us look crazy.
Speaker 1 (01:14:04):
But Jad, this story sounds so crazy. You get them
some food. Jay. What's the long as you've been been
on deployed on the water, Jay?
Speaker 3 (01:14:10):
Not two hundred and fifty days a year?
Speaker 1 (01:14:13):
All right, well maybe you got probably shut up there
you right, said, right? I mean hello, people playing everything everything?
Speaker 6 (01:14:31):
Hey, hey, I called it against somebody.
Speaker 14 (01:14:34):
Go up here to day to day, y'all.
Speaker 1 (01:14:36):
Draft this better not be gay or gay crime.
Speaker 6 (01:14:38):
I need Stacy from Stacy's buckcase to come to the
front of the congregation.
Speaker 1 (01:14:42):
Stacy's way from Stacy's Buckcase, the one thing that you
can't do.
Speaker 6 (01:14:48):
One thing you can't do with store is store of rockets,
trying to hide your hand.
Speaker 14 (01:14:51):
Nobody to remember the fact.
Speaker 13 (01:14:53):
That I was minding my business.
Speaker 6 (01:14:55):
When that little sassy bottom called down, playing with my name.
But farvars saw had say how he's out trap and
tabage this and tabas that.
Speaker 1 (01:15:03):
I was mine of my business.
Speaker 6 (01:15:04):
If you look dirty, you look dirty, stop getting in
the kitchen cooking and playing in your beard. If you
look dirty, and that's just what it is. Play with you,
but and don't play with me. And now you're donk
here today, donkey trav I.
Speaker 3 (01:15:21):
Like I don't care? By yo, Hello, who's this?
Speaker 1 (01:15:25):
My god?
Speaker 3 (01:15:26):
What's up?
Speaker 6 (01:15:27):
Makever Hart man the real Keever Hart?
Speaker 1 (01:15:29):
Oh God, get donkey too, or get doggy?
Speaker 6 (01:15:33):
All the people out there who when you're telling your name,
they ask you if if you're the brother of the
other Kevin Hart, Like how many how many of us
had the same name with our sublie?
Speaker 3 (01:15:43):
Yeah?
Speaker 1 (01:15:43):
Who asked you?
Speaker 3 (01:15:44):
How you Kevin Hunt? Brother?
Speaker 1 (01:15:46):
Do you look like Keving Hart at all?
Speaker 6 (01:15:47):
You shut no, I'm told and Kevin Hart, I'm funnier
than Kever Hart. I'm broken in keV Hart I'm the
real Kevin Hart, no.
Speaker 1 (01:15:55):
Funny and Kevin Hart.
Speaker 3 (01:15:56):
Yeah, I doubt nobody is asking that. Yo, nobody asks me.
You got who is glad? Where are you from?
Speaker 13 (01:16:03):
Yeah?
Speaker 6 (01:16:03):
I'm from Boston, but Jess, I went to Morgan I'm
a Mortgage State alumni.
Speaker 1 (01:16:06):
Hey, that's what it is. But yeah, you graduated.
Speaker 6 (01:16:09):
I graduated in ninety eight.
Speaker 1 (01:16:11):
Uh you know you know Brian Grimsley Coch?
Speaker 6 (01:16:13):
Yeah, I know him. You know Coch?
Speaker 7 (01:16:15):
You know?
Speaker 1 (01:16:15):
Uh, what's what's do? They used to write for Will
Smith Kel Spencer?
Speaker 6 (01:16:19):
I do, no Kell, that's my man. I don't call y'all.
Speaker 1 (01:16:21):
See I was around Morgans State.
Speaker 3 (01:16:22):
What's up?
Speaker 1 (01:16:23):
Envy?
Speaker 3 (01:16:24):
Yo?
Speaker 6 (01:16:24):
Look your envy before I go today my birthday, and
I don't want anybody to hit my cash app. That's
not what I'm asking, but I am asking. It's everybody
go to friends, turn family dot com and check out
the movement randturn family dot com and don't want to
get y'all some merch? So how can I do that?
Speaker 1 (01:16:41):
I'm gonna put your whole all right?
Speaker 13 (01:16:42):
Cool?
Speaker 6 (01:16:43):
Thank you?
Speaker 1 (01:16:45):
Hello?
Speaker 3 (01:16:45):
Who's this family?
Speaker 5 (01:16:47):
Doctor?
Speaker 1 (01:16:47):
Lamar Lama? What's up? Where you gonna give donkey too?
Speaker 13 (01:16:51):
I want to get y'all duncan today.
Speaker 3 (01:16:53):
Damn what we do?
Speaker 14 (01:16:54):
What we doo?
Speaker 13 (01:16:55):
Y'all gotta give me me a chance to do one
in one story man. I know, y'all like the tire bars,
get work more than one story man.
Speaker 3 (01:17:02):
What we like to say, what we supposed to do?
Not like have any robusts, don't want to say anything.
Speaker 13 (01:17:12):
And sometime many I'll be killing.
Speaker 1 (01:17:14):
Maybe be explaining too much. Like sometimes we just be
like me still on the line.
Speaker 4 (01:17:20):
Now, you're right, Maybe me have a lot of information
on me, me be breaking things down. Sometimes she'd be
talking to us so we can understand these things. Sometimes
take a little long.
Speaker 3 (01:17:28):
I'm sorry. She's just so interesting. I'll be wanting to
ask her questions.
Speaker 23 (01:17:32):
Oh yeah, boy good.
Speaker 14 (01:17:34):
I appreciate y'all.
Speaker 1 (01:17:35):
Man, Thank you man, thank you. Well.
Speaker 4 (01:17:37):
That is donky of today. Like I said, Charlamagne is out,
so we open up the phone lines for you guys.
Eight hundred and five eighty five one O five one.
Now when we come back. The former owner of Caroline,
which is a comedy club in New York City, one
of the best comedy clubs ever in my opinion, Caroline
Hersch will be joining us. Now she does the festival,
the New York Comedy Festival, which take place November six
through November fifteenth. Our very own Just Hilarious is head
(01:18:00):
line in two nights, so we're gonna talk to her next.
Speaker 1 (01:18:01):
It's the Breakfast Club.
Speaker 4 (01:18:02):
Good Morning morning, everybody is dj V Just Hilarious, Charlamage
the guy.
Speaker 1 (01:18:07):
We are the Breakfast Club Long of Roses. Yeah as well.
Speaker 4 (01:18:09):
We got a special guest in the buildings, Ladies and gentlemen,
we have Caroline Hurst.
Speaker 18 (01:18:14):
Good morning, good morning, good morning guys. Nice to see
you roll again, the.
Speaker 4 (01:18:19):
Owner and founder of Caroline's on Broadway, the iconic comedy
spot that I miss.
Speaker 15 (01:18:23):
So been to a comedy club since I used to
go to Caroline's all the time. To luth the Greg,
you always made sure we were good see so many
different comedians that Carolina man. I literally have not been
to a comedy club in New York City since.
Speaker 1 (01:18:36):
I've been to a couple but it's not the same.
Speaker 4 (01:18:38):
Like I said, me and my wife used to go
damn there every other week, and it didn't matter who
was performing because it was always somebody's good and you
would get to learn about comedians there and that spot
is heavily, but I even did my podcast. I did
a podcast weekend there and you showed us so much love.
So before we get into business, why are we bring Caroline's.
Speaker 18 (01:18:55):
Back, Well, Caroline Two's uh kind of exists with the
New York Comedy Festival. We kind of closed down the
Carolines the building, but not forgotten Carolines. But we do
and produce shows to the New York Comedy Festival, which
happens this year November sixth through the fifteenth, and we're
very happy to present a whole new slew of younger
comedians to our roster plus the older ones. And that's
(01:19:16):
where the festival has gone over the years. It used
to be just stand up, but now it's integrated with podcasts,
with political humor, with improv, with digital creators. So it's
a lot of different people coming together in the festival.
And this year, Jess Hilarious is there headlining at the
Hard Rock Hotel, which is my favorite room in New
(01:19:39):
York City.
Speaker 3 (01:19:40):
I love it and I have never played it, so
I'm so excited.
Speaker 18 (01:19:43):
Yeah, we're excited to have you. Yes, they're hard like Caroline,
it was it was you know, it was so bittersweet.
I knew the time it was forty over forty years
doing it and it was time to say, Okay, what's
my next thing to do in life? And I missed
the staff, I missing the talent, I missed my customers,
(01:20:03):
I miss all of that about it, but went on
to do the festival as a way to really stay
in the business and work with everybody that kind of
graduated from Caroline's too.
Speaker 3 (01:20:13):
And I will say I'm one of the graduates because
I that was like my favorite comedy club to come
up here.
Speaker 1 (01:20:20):
And do you know they will.
Speaker 3 (01:20:21):
Always warn us comics about New York and how hard
it is like to succeed. If you can make it
in New York on that stage, you can make it anywhere.
And I just remember always being welcomed. The service was great,
the vibe right there in the middle of Times Square,
and I also love how it worked right. One of
the interesting things about Carolines on Broadway was y'all vetted
(01:20:43):
every stand up that came there right, like you didn't
just let anybody come in there and do so if
they call itself a stand up comedian. Because even when
my first time going, I was told like, no, you
have to have two comedians vouch for you, and Nick
Cannon and Kevin Hart called and vouch for me, and
I got a less say. And I have been playing
a stage for years, and that's where Charlamagne and God
(01:21:04):
first came and saw me. I don't think envy you
came to see me there, but I actually love what
I was able to bring the Carolina.
Speaker 18 (01:21:11):
Carolina that was way back in twenty and eighteen. He
was and you sold out every show, every show, every year.
So I remember sitting in the audience watching you. Yeah,
like a little fireball on stage.
Speaker 3 (01:21:24):
So thank you for even having me at the New
York Comedy Festival.
Speaker 18 (01:21:27):
Oh I'm so excited to have you there. Hell yeah, yeah.
Speaker 4 (01:21:31):
Really what's your biggest memory of Caroline's We hear, I know,
we hear. I love tell a story all the time
about Charles Oakley throwing the chicken wings.
Speaker 1 (01:21:39):
I will never forget that night, break it down.
Speaker 18 (01:21:41):
I will never forget that night. It was like who
was on stage at that time? It was doctor dre
and ed Lover. It was Lover night, like who's in
the house, And it was a part of that. And
all of a sudden, I see, I see a glass
go across the room and then I see chicken wings going.
It was like but it was like one big fun
(01:22:03):
party that we you know, Greg Charles and I we
always talk about that about how that went on that night.
So it was a lot of fun. It's when the
nineties Knicks used to come in all the time. I
mean it would be like after a game, before a
game they were in town. We had so much fun
at that time. Anthony Mason, it was like it was
(01:22:24):
like like home base for them. It was so much fun.
And they'd always come in to see Ed Lover's show.
Speaker 15 (01:22:30):
I remember when I remember the Kevin Hart weekend when
Kevin Hart, that was like the weekend everybody was like, okay, Ken,
Kevin has arrived.
Speaker 18 (01:22:36):
Kevin has arrived. And actually, you know, after that, so
with the Comedy Festival, you know, we had Kevin at
Carolines for a number of shows that he sold out.
Then we produced him at the Beacon Theater for a
number of shows, and then we went and put him
in Madison Square Garden. And that was the idea of
Louis Veranda to do to tape a movie with him,
(01:22:57):
and then Kevin did that.
Speaker 15 (01:22:59):
If you were opening today. Would you build a comedy
club or would you build a media company?
Speaker 18 (01:23:04):
I'd like to say that I dabbled in media. I
mean we're called Carolines Media right now. You know, I
had a TV show for years on the A and
E Channel, from like nineteen ninety to nineteen ninety six.
We taped about one hundred and twenty episodes of stand
up comedy during that time, where there was a young
Dave Chappelle on there, a young John Stewart, a young
(01:23:27):
Raver Romano. I mean, we had everybody coming up the
ranks at that time on that TV show.
Speaker 1 (01:23:33):
So you think it'd be more of a media company though,
I think so.
Speaker 18 (01:23:37):
You know, Chelamayne, I had a lot of chances to
produce things along the way, and I just kind of
stepped back from it, not knowing and not probably having
the foresight to see where all of this was going
down the line. But I think we helped nurture the
careers of those people. Look, Wanda Sykes met Chris Rock
(01:23:58):
because she was an opening act for Chris and they
got to be such great buddies. He hired her to
be on the show. And Wanda will tell that story
all the time.
Speaker 3 (01:24:06):
I've heard that story all the time about how he
saw her and was like, I'm gonna have something for you.
So that was that Caroline Yea.
Speaker 18 (01:24:11):
She was opening act for Chris.
Speaker 1 (01:24:13):
Wow.
Speaker 15 (01:24:14):
Is this still a room for like the next Kevin
Hard or Seinfeld or Chris Rock to like slowly develop
over years or like we live in this society that
demands overnight success.
Speaker 18 (01:24:23):
Well, I think that more people are kind of skipping
the club and learning how to do that, and they
all want to do theaters now, but they don't have
the capacity to do it. And I watch I see
who goes truys to go into theaters and they can
only sell half for a quarter of it, and they
kind of fudge it. But that's because their management wants
them to do it, their agent wants them to do it,
(01:24:45):
and I think they they kind of push it a
little too fast to do that. I think it's it's
to build that that following, that's slow following that gets you.
Speaker 4 (01:24:53):
You talk about Carolines and you talk about, you know,
reaching out to the papers, but one of the things
based out of New York and growing up in New York,
Carolines was big or having the staff bring the comedians
to radio.
Speaker 1 (01:25:04):
Whose idea was that and why did that work so well?
Speaker 4 (01:25:08):
Because nobody else before that really said, you know what,
we're going to make sure every comedian goes to radio,
and we're gonna have a staff that does that, which
is I'll.
Speaker 18 (01:25:15):
Tell you how that starting. So I opened Caroline, so
it must have been nineteen eighty eighty two eighty three,
and Howard Stern was on Afternoon Drive and he wanted
I believed the first one I remember was Pee Wee Herman.
He wanted him on his show. And then Richard Belzer
and that was the start of comedians on the radio
for me, And that's what that happened. And then when
(01:25:37):
Howard was kind of fired from NBC and went to
k Rock, that and he wanted more and more of that,
and that's how we started. And then other this show,
all of this all created over when and Wendy had
everyone on and she did her own show there at
the club. We had a lot of fun those days.
Speaker 15 (01:26:00):
We really did what are you like more than the
intimacy of the Carolines or the festival at this gig,
I mean ten days, five boroughs, two hundred plus comedians,
one hundred plus shows.
Speaker 1 (01:26:10):
That's a lot. That's a lot.
Speaker 18 (01:26:12):
It's a lot. It's a lot to cover. But we
get to work with everybody that we want to work with,
and then we keep eye on everyone. So that's the
great part. But I still get like, go into town Hall.
I'll go to the venue at the hard Rock, which
I love, and I go in there and I see
everybody having such a great time and the performers loving
the venues that we're in. I just it just it
(01:26:34):
just makes me feel like it's just an extension of Carolines.
Speaker 5 (01:26:38):
Yeah.
Speaker 3 (01:26:38):
Yeah, that's what I love most about it. And then
also for the comics, it gives us a bigger platform
than just you know, then just the stage. Although Caroline's great, right,
like the festival is gonna be I'm being in front
of people I've met that has never seen me. They
hear they may hear me on the Breakfast Club. They
don't know what I'm coming with what I got. I'm
a knock the socks off Carolina, I'm telling you.
Speaker 1 (01:27:07):
And how do people get tickets? How can they get tickets?
Speaker 18 (01:27:09):
Well, you can go to New York Comedy Festival dot
com and uh tickets are on sale right now, so
there's lots of great seats left hopefully, and then go
there now because everything really sells out with the festival.
Speaker 3 (01:27:22):
So you want really great.
Speaker 18 (01:27:23):
Seats, you have to do it now.
Speaker 1 (01:27:24):
Just what's the night that feels the most, like Caroline,
you think all have that feel?
Speaker 18 (01:27:29):
Well, I think of justice shows like the Intimate and
Intimate Space begin.
Speaker 3 (01:27:38):
And I do four shows.
Speaker 18 (01:27:41):
You know, this is what the live This is why
live events had been so exciting because people now can
connect with people like you that they see and hear.
And that's really what's kept comedy going. With the explosion
of you know what what cable are now, Internet and
Netflix and HBO all fostering you know, comedians and YouTube.
(01:28:03):
So let's not forget that that has made a lot
of a lot of comedians sell out for the live events. Yeah,
it's people really get to see them and if they
like them, they go.
Speaker 15 (01:28:12):
You know, social media has made people famous before they're funny, right,
like help have virality become a bigger currency than talent.
Speaker 9 (01:28:21):
We have.
Speaker 18 (01:28:22):
We came into those problems where we put somebody into
the club because they were this internet star and they
kind of didn't have it unless they really got and
worked on an act to do. So we did it once,
but we never booked them back again.
Speaker 3 (01:28:36):
We see, that's why I feel like that. That's that's
when I had to get vetted. That's when he started
vetting everybody, like, yo, you need you need people to
vouch for you, like real stand up comedians. That's going
to put asses in these seats to vouch for y'all.
That's when I got Nick Cannon and Kevin Hart to
do that. I'm glad they did.
Speaker 1 (01:28:52):
That's when I realized was actually funny.
Speaker 3 (01:28:54):
Yeah really.
Speaker 15 (01:28:58):
Sent eight test for me is what you do on
that stage, like, oh, just really do you really do
stand up room?
Speaker 3 (01:29:06):
That's how I the first time I went to see
I text. I think that text fament. It was like
I see, like this is that's the start, Like just
you're different on the stage first in Atlantic City, Yeah,
when I brought my mom brong.
Speaker 18 (01:29:17):
Yeah, but that you know that that's the test to
how you go on I mean, just sell out all
the shows that you know you really are. You have
to be really funny.
Speaker 4 (01:29:25):
Well, like she said, ten days, five boroughs, two hundred comedians,
one hundred plus shows, get out there and get your
tickets out very own.
Speaker 1 (01:29:32):
Just hilarious. We'll be hard Rock Hotel. How many shows?
Speaker 3 (01:29:36):
Four shows? Four shows?
Speaker 1 (01:29:37):
I will be there for one of them. Definitely, Positivity
six to the fifteenth. That's right.
Speaker 3 (01:29:42):
I love the marketing, like how I just saw something
like it. It's gone viral, Like how y'all are marketing.
Y'all have like the stickers, comedians faces and the rooms
are going to be in and y'all stamping them all
over New York City. That is so dope. That's really dope.
It's gonna be thank you.
Speaker 18 (01:29:57):
They started in the bodegas.
Speaker 4 (01:29:59):
Yeah, I think it's so creatives. Then y'all wrapped the
side because that's how you would see. You would see
who was in the thing, to see who's gonna be
there this weekend.
Speaker 18 (01:30:07):
So that was called sniping. You do the Carolines posters,
and we used to put them all over New York.
Remember when I first started.
Speaker 1 (01:30:16):
You need to bring Caroline's back. I know you're like,
I'm over this and cal, but that's November. I need something.
Speaker 4 (01:30:22):
If I want to take you, I want to go
somewhere Carolina where they everybody knows your name.
Speaker 18 (01:30:27):
Is like a big hugs when you go to the
hard Rock, you walk down the stairs to pretend it's
Carolines and we'll make sure the hospitality is as long
as you there we.
Speaker 1 (01:30:39):
Can, all right, It's Caroline Hirsch is the Breakfast Club.
Good morning morning everybody.
Speaker 4 (01:30:43):
It's the DJ Envy just hilarious, Charlamagne the God. We
are the Breakfast Club. It's time for past the oaks.
Speaker 1 (01:31:02):
Yeah, Dja big n y l a Young nineteen.
Speaker 19 (01:31:07):
Ninety now, thank you, thank you so much. Yeah, I'm excited.
I feel free to a new beginning. I was waiting
for a joke over here because.
Speaker 25 (01:31:24):
Is great, okay, because the cameras realman.
Speaker 3 (01:31:29):
To your house like lame Joel blamed me.
Speaker 1 (01:31:32):
I already did it. I would have just said, what's up? Good,
what's the question? Good on you?
Speaker 3 (01:31:44):
Thank you?
Speaker 8 (01:31:44):
All right.
Speaker 19 (01:31:45):
So today, man, I gotta start with.
Speaker 25 (01:31:46):
The girlies because there's some really dope rap girlies that
are coming up who are not getting the attention that
they need. So this first girl, her name is Lynn,
and I actually found her through Suave, another Atlanta artist.
Speaker 15 (01:31:57):
Right for Suave allegedly don't be discovering people with telling me, yo,
this girl's really dope, though, she's from Austin or she's
from Alabama by way of Austin.
Speaker 19 (01:32:05):
Her name is lynn and this record is called ten
thousand hours.
Speaker 1 (01:32:08):
Okay, that playing on like.
Speaker 3 (01:32:11):
A parent yeap.
Speaker 1 (01:32:13):
In corporating the Malcolm Gladwell ten thousand hour theory in
the hook. I like that dope. You know, I can't
take credit for swab is just his pen.
Speaker 19 (01:32:21):
Oh you wrote that one.
Speaker 1 (01:32:22):
I did write that one.
Speaker 19 (01:32:23):
He just covered that on wrote no No, that was
him on the second half.
Speaker 1 (01:32:27):
Oh okay, Okay, yeah, I didn't write that one.
Speaker 3 (01:32:29):
Okay, Okay, he's fired.
Speaker 19 (01:32:30):
I like her voice and she got such dope energy.
Speaker 3 (01:32:33):
Energy is fired.
Speaker 25 (01:32:34):
That's lynn Yn. Makes you gotta check her out now.
The next person I'm gonna go to. His name is Yakin.
He's a Texas rapper and I will say something about
today's pict they're all like, very regional, but it's why
I kind of love him.
Speaker 19 (01:32:46):
This song is called Talking five. He's from Houston.
Speaker 1 (01:32:48):
I like that, okay, cool like talking a little bit
like thok it just a little bit you yeah. I
mean it's a good race one.
Speaker 15 (01:32:55):
It's a good record, but I just hate records with
that feels like it's something I've already heard, already heard.
Speaker 1 (01:32:59):
Yeah, you know what I mean.
Speaker 3 (01:33:00):
He's one of those two, but I I like it. Yeah,
he's dope.
Speaker 19 (01:33:03):
I like a lot of his visuals.
Speaker 1 (01:33:04):
He wasn't confident in that one. I seen the way
you look. He wasn't confident that one.
Speaker 19 (01:33:08):
I didn't know y'all gonna like it.
Speaker 3 (01:33:10):
But I like it.
Speaker 25 (01:33:12):
And he got really dope visuals to all of his
songs too, So yeah, shout out to Yacking. Next is
an artist named D and D Section. He's from Charlotte.
I discovered him through Ruben and this song is called
like that.
Speaker 19 (01:33:24):
Feature in Ruben Vincent.
Speaker 1 (01:33:27):
This is tough, you know who.
Speaker 3 (01:33:29):
It sounds like somebody would do this, Drake. It sounds like,
but I like this guy.
Speaker 19 (01:33:35):
His name is D and D Section.
Speaker 1 (01:33:38):
Yeah, must be from the island is somewhere right Africa.
Speaker 19 (01:33:40):
Yeah, I'm sure.
Speaker 3 (01:33:41):
Okay, I don't know personal. What's that song?
Speaker 19 (01:33:44):
It's called like that that. We didn't even play the
best part he got, like.
Speaker 3 (01:33:47):
Because Ruben is on it.
Speaker 19 (01:33:48):
Yeah, I wanted to get some of his verse.
Speaker 25 (01:33:50):
But on the hook he does like a really cool
flip on Ludacris move you move, just like that that Yeah,
it's cool and you could dance to it, so like, thanks, yes,
of course. And my last one is this girl named Jordan's.
She's really dope. I believe she's from Brooklyn, New York City,
but she's like straight out of the nineties, which is
probably why I love her.
Speaker 19 (01:34:09):
This record is called the Striker.
Speaker 15 (01:34:14):
Okay, Striker, it sounds like you might need to open
up the Honor Roll Project. Okay, find a spot for
Striker on that though.
Speaker 19 (01:34:24):
I want to do tape with all the girls, like
I know, we got.
Speaker 15 (01:34:28):
Her name is Jordan Luther Jordan. That was tough, I
want to hear. I gotta go look to that whole
thing Brown.
Speaker 3 (01:34:38):
Baddies today because Lenna is a Brown baddy. Yeah yeah,
yeah skin, and then so is Jordan.
Speaker 19 (01:34:43):
Yeah, girl, I really want to do a table with
all the girls, all the girls. Yeah, but yeah.
Speaker 25 (01:34:49):
If you guys like those mixture, you guys follow me
on the gram at Niles Simone. I have more music suggestions.
All these songs will be on the playlist. It'll be
linking bio or you wipe up in my story.
Speaker 21 (01:34:58):
And check them out.
Speaker 4 (01:34:59):
Okay, well they thank you, Niler, Thank you guys. All right,
Now let's get to the mixy throw back on a Friday.
Speaker 1 (01:35:03):
It's the Breakfast Club. Good morning, the Breakfast Club. Your
mornings will never be the same. Now, Salute the Sprite.
Speaker 4 (01:35:11):
The Sprite Living track List turns iconic hip hop lyrics
into a limited edition collectible mission with different cans to
find across the country. For over forty years, Sprite has
been talking about artists who define the culture. Now with
the Sprite Living track List, they're turning the conversation over
to the fans. This whole summer is about celebrating and
challenging what we think are the most impactful tracks in
(01:35:31):
the Canyon. Here's the fun part. It's basically like collecting
hip hop trading cards. There are twenty six different iconic
lyrics out there on both Sprite and Sprite Zero Sugar cans,
So if you get a twelve pack, you never know
which ones you're gonna get. I'm holding a sprit can
in my hand. Love a Black Woman back from Infinity
to Infinity. You will not see why it's cool because
(01:35:52):
this isn't just a can of Sprite anymore. It's a collectible.
Your mission is to build your own physical playlist. Go
out and hunt down all twenty six limited edition cans
and Sprite zero Sugar. This is the Sprite Living track list.
Obey your thirst, Let's get to the mix.
Speaker 1 (01:36:06):
Yep, we throw it back on a Friday. Salute the Sprite.
Speaker 4 (01:36:09):
Make sure you check out Sprite Living track list and
the stories behind the bars.
Speaker 1 (01:36:13):
Do the Living trackless dot Genius dot com shout with
Spriteless Goal Morning.
Speaker 4 (01:36:17):
Everybody is the ej Envy Jess Hilarious, Charlamagne the Guy.
We are to Breakfast Club now. Salute to Black Sam
and Beno Rideau for joining us. Nipsey's album is out today.
This is a new album that he recorded a couple
of years ago before he passed.
Speaker 3 (01:36:33):
So but you guys tell other people how he actually
like worked on this album.
Speaker 4 (01:36:37):
No, no, no, this album they did it together as secrets.
Even a Cardi B record was done back then by
He's secrets.
Speaker 3 (01:36:42):
The record supposed to be the next album after Victory.
Speaker 1 (01:36:44):
Correct.
Speaker 4 (01:36:45):
Wow Yeah, So definitely go check it out and also
salute to Caroline Hirsch for joining us now. She is
the former owner of Caroline, which is a comedy club
in New York City. She has a huge New York
comedy Festival, which takes place from the sixth to the
fifteenth in November, and Jess Hilarious is actually line in
two of those nights.
Speaker 3 (01:37:01):
So yep, I'm closing it out November thirteenth for November fourteen,
so make sure you get your tickets to New York City.
They are on sale right now. Will be at the
venue at the hard Rock Hotel in New York, So
make sure you get your tickets at juceriis official dot com.
Speaker 1 (01:37:14):
You still get nervous when you do comedy, No, you
don't get nervous at all.
Speaker 3 (01:37:17):
Only one of them on other people shows a little
bit of butterflies before because it's not my audience. I
got to up build the other people audience and gain
their audience over So but yeah, it's not a bad nervous.
It's like I just want to go outhead and get
it over it. But I'll be happy when I'm up there,
you know what I mean.
Speaker 4 (01:37:30):
So, yeah, you ever don't do the full time, Like
if you've got an hour set and then at forty
minutes you'd be like thatam I'm really done?
Speaker 3 (01:37:36):
Nah, I go over, that's my problem. Yeah, I go over.
I actually got kicked off of some shows before because
I can go over my time. That's a rule you
don't do, especially on somebody else show at you and
you just ignore it like yeah, yo, yeah, I just
act like I thought somebody was taking pictures, you know
what I mean. Like, but yeah, when you up there
and you eating, and you and your zone and them
people dying laughing, you see people throwing their hair back,
(01:37:58):
cackling and make you you don't want to end, You
want to hide. That's why I love headlining, because I
can do as much time as I want.
Speaker 1 (01:38:05):
Now it's time to get u out here, Layd. What
you doing this week and anything?
Speaker 3 (01:38:08):
I'm just running around New York. This weekend, I'll be
I Don't Matter in Brooklyn. It's in Dumbo. It's a
new spot. It's a final listening lounge. But also it's
all day, all week long, so it's like truth, it's
a lounge, so it's not a night club. It's a lounge.
But it's been every day has been a day. But
this weekend I'll be there Friday and Saturday. I got
some family coming into use, so we're gonna be running around.
(01:38:30):
But I want to remind people that the latest with
laur on the roads of the podcast, like we are
hitting astronomical numbers on the audio side. I'm kicking off
the video in the next like two weeks, so I
want you all to get into the low Rider community.
Go download the podcast everywhere you get podcasts, so that
when I launched this video, y'all be the first people
to get the alert. I'm really excited. We're doing some
(01:38:50):
of the content this weekend for the video side of
it to launch because we've had so much success on
the audio side, So who who own don't matter?
Speaker 1 (01:38:57):
My men, my men, my men.
Speaker 3 (01:39:00):
It's crazy him. He has partners that he does it
with as well to a really great group of like
people to work with because all of them have so
many different connections. Like the first weekend that we went there,
J Cole came after he was doing his concept in
New York, and then we've just had like that said
week because it just remind me of power, Like the
(01:39:22):
crowd is fire, is very like you know, young, but
like grown, and then the music is fly. It's all Vinyl,
so the DJs really know what they're doing, and you
got to come to a set. It's DJs who really
know what they're doing because they're on vinyl. They got
to know how to like maneuver in and out and
the power.
Speaker 5 (01:39:40):
Vinyl.
Speaker 3 (01:39:41):
But remember you were telling us.
Speaker 1 (01:39:42):
Might come this weekend.
Speaker 3 (01:39:43):
Just hold me, hold you park spot in the front
of course, Envy, you're stand at the side of that
balcony and looks down. Oh my god.
Speaker 4 (01:39:50):
But I might come through because like I said, get
come back on Monday, So I might come outside tonight
or tomorrow night.
Speaker 3 (01:39:56):
Just just hold in the front, tapers, and I'll be
on all of my weekend. Though, you guys will see
it as we release some of this video concept for
the podcast The Leaders with one of the Roses. But
the audio is out and we like eight nine million
people strong.
Speaker 1 (01:40:09):
So there you go. And you're gonna be in La.
Speaker 3 (01:40:11):
I'm gonna be in the Bayo West Coast. I'm gonna
be in a Bay Area pleasants in California. I'll be there.
I got shows at Tommy T's Comedy Club tonight, It's
two of them, and then too tomorrow. Y'all. She's somebody
to be timeing. And I'm about to go catch this
flight right now, y'all.
Speaker 1 (01:40:23):
Love y'all, why are you running out?
Speaker 3 (01:40:26):
Like that because I have a ride out there waiting
for me.
Speaker 4 (01:40:28):
What's a positive note? What huh you do the positive note?
What's a positive note? To sit your ass down?
Speaker 1 (01:40:35):
Think of something?
Speaker 6 (01:40:35):
It better not be.
Speaker 1 (01:40:36):
God as good. God is great, Thank you for the food.
A man to come on, give us a positive note?
Speaker 3 (01:40:40):
All right, positive note? And V and Lauren. God is
good all the time and all the time.
Speaker 1 (01:40:47):
God is good.
Speaker 3 (01:40:48):
Have a great day.
Speaker 1 (01:40:49):
Yeah, it's graazy.
Speaker 4 (01:40:49):
Goodbye, breakfast club, finish for y'all.
Speaker 2 (01:40:53):
Done up, Wake you up, wake up, program your alarm
to power one oh five point one on iHeart ready, yoah,