Today on The Breakfast Club, Memphis Bleek Talks Jay-z's Yankee Stadium Shows, Roc Nation, Dame Dash, Music Industry Then Vs. Now. Listen For More!
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Speaker 1 (00:00):
Don't every day up, Wake, Wake yours up.
Speaker 2 (00:04):
The breakfast club.
Speaker 3 (00:05):
You know I'm finish for y'all done.
Speaker 1 (00:08):
Morning.
Speaker 4 (00:09):
Everybody is the DJ Envy just hilarious. Charlamagne the guy.
We are the breakfast club. Lola Rosas here. We got
a special guest.
Speaker 1 (00:16):
In the building.
Speaker 5 (00:16):
Indeed, you got Memphis Blake. Yeah, yeah, yeah, what's up?
Fresh off the standing on my feet tall?
Speaker 6 (00:24):
I got on right now and it's ninety degrees outside.
Speaker 3 (00:27):
Yo. I feel you.
Speaker 5 (00:28):
I need they need to make some some cottons for
the men something.
Speaker 2 (00:31):
But y'all chosen standing the risings though. I was like,
I'm not standing in that rising?
Speaker 3 (00:36):
Why not?
Speaker 2 (00:37):
Though?
Speaker 3 (00:37):
That's where I can't catch smoking the sweet.
Speaker 2 (00:41):
I did this sweet two nights, but then I did
the floor Sunday. I'd rather just sit down.
Speaker 5 (00:45):
I like to do the sweet. When I got my daughter,
I'm by myself, Me and my wife.
Speaker 3 (00:49):
We thug it.
Speaker 5 (00:50):
We in the field. She won't get drugs, your most
franky liman. Last night it's her birthday.
Speaker 3 (00:56):
It was all hot.
Speaker 5 (00:57):
It's too much woof smoke. My whole family, mein and
my daughter. That craz It wasn't playing, It wasn't playing,
just happened.
Speaker 4 (01:07):
All the whole concerts because you've been to THEMN near
all of them.
Speaker 1 (01:11):
Yeah, where do you put this on the list?
Speaker 5 (01:13):
This top This's definitely top three. And which night the
first one?
Speaker 3 (01:17):
The night with me.
Speaker 2 (01:19):
Reason that was the best night?
Speaker 5 (01:20):
It was definitely, definitely because that was I feel like
that was Call Call Fans, and like I told Jay
at the end of that show, it was like, Yo,
it's unbelievable to really think about it. Thirty years ago
today we prayed this will work, and here we are
thirty years later and this is this is the results
of it worked.
Speaker 2 (01:39):
Call Call Fans and man. On Friday Night, there was
a story told like it felt like watching a movie
like you saw, like the Origin story. Like I didn't
get that the other two nights. I did for Saturday,
but it was something else I realized about Saturday. Blueprint
has always been overshadowed by nine to eleven.
Speaker 5 (01:55):
Definitely, And I think Part two, like Night two, was
more of a party night, like it was.
Speaker 3 (02:01):
More of a crowd I was.
Speaker 4 (02:03):
I was in Virginia for night too, but I seen
it on the stream shot It's biscuits, It's biscuits stream
the whole thing I was able to watch it, but
Friday Night, when I was there, it just seemed like
hardcore whole fans, like the ones that knew every word
and just wanted to hear her listen, and you know,
I was.
Speaker 2 (02:19):
Crowd, didn't know, I know, but it didn't matter because
the show was so good. It was like, even if
you didn't know, you got familiar.
Speaker 4 (02:25):
Tuesdays missing from from the Friday Night Foxy Inger, Sauce
money yo.
Speaker 5 (02:31):
I heard through the grave vine. I don't know how
true it is. It's just what I heard. They said
Fox was there and she.
Speaker 7 (02:36):
Got I just wanted to see her, like even if
I just walked past her, I just wanted to see
her in real life too.
Speaker 5 (02:42):
I ain't seen nobody I've seen gaff Yes had the
word up, shout out, gave but they said she was there.
Speaker 1 (02:47):
They kept teasing all.
Speaker 3 (02:49):
That's what I heard. I don't know how true it is,
but you know, rumor has.
Speaker 1 (02:53):
It, damn because that would have been a crazy one.
Speaker 3 (02:54):
What about Sauce, Oh, I heard they reached out the
sauce too.
Speaker 5 (02:58):
The line just wasn't you know return that was.
Speaker 3 (03:02):
A major one. I wanted to see.
Speaker 5 (03:04):
I wanted to see the jazz o, Sauce Jay back
because that's what it started with.
Speaker 3 (03:10):
You know. Of course we.
Speaker 5 (03:11):
Get the Dame, Dash Bigs, Jay Bleak Beans, that Rockefeller,
But to me, the original rock with Sauce, Jazz and
j Man Like. I don't think it's no no trio
that can rap better than that. Three people right there,
that's my top.
Speaker 2 (03:27):
Three called in a bump during on Sunday.
Speaker 3 (03:29):
Yo, Yo, you've seen the video got on stage, Yo.
Dame is hilarious. Man.
Speaker 1 (03:42):
What did that mean for you to see thirty years.
Speaker 4 (03:45):
Of Reasonable Doubt where that was your start, that was
your call into the world.
Speaker 5 (03:49):
It's it's it's kind of surreal, bro, because I never
imagine we could take it this far.
Speaker 3 (03:54):
You know what I'm saying.
Speaker 5 (03:55):
My whole thing back then was to get a couple
of dollars, you know, get a few hours off. It's
some cars, maybe we chill a few summers. I ain't
think thirty years later, remember when Reasonable Doubt drop? I
was eighteen, Bro, that's crazy forty eight and we're still
doing it.
Speaker 3 (04:11):
That's why I even had to tell that to Ja.
Speaker 5 (04:12):
I don't think no other artists from my era, even
before hip hop, can do what he did these three days.
It's namely another artist that can celebrate their first album
released before the generation today wasn't even born when reasonable
doubt dropped.
Speaker 2 (04:28):
Maybe one who Snoop, Snoop, Snoop, Snoop, Snoop.
Speaker 3 (04:32):
I give it yeah, Snooop. Yeah, Doggie Sty ain't on
front Snoop.
Speaker 2 (04:36):
It probably Snoop. He's probably the only one, yeah, from
that from that era. He actually before ya before Yeah, yeah.
Speaker 3 (04:43):
Yeah, Snoop. I give it to Snoop.
Speaker 5 (04:45):
But then who else I was trying to think, I'm like, yo,
who else can do this thirty years? Even if forty
or twenty years. Some people can't even do a twenty year.
Speaker 1 (04:58):
The only one I could think of.
Speaker 5 (04:59):
Three nights in the and then you sell out Blueprint
and you let people know this.
Speaker 3 (05:03):
Is this is just the album.
Speaker 5 (05:05):
This is not like Yo, we playing around and play
a few songs. No, we're focusing solely on this project.
You can't even do that. I can't be like, yo,
we're doing coming age only it's like you.
Speaker 3 (05:16):
Know what we out. You can do that plaster, yeah,
you know, Plaza through MARSI day. You know what I'm saying.
Speaker 4 (05:27):
It was dope that he brought out Nads to I
thought that was dope. And the way he brought out
Nads because everybody expected Nads to do the hook right,
Nas wasn't there for the hook, the.
Speaker 1 (05:35):
Last hook him and right into Who's world.
Speaker 5 (05:38):
It was just the way they did that was just
I give j T number one transition from song to song.
Speaker 3 (05:47):
Word.
Speaker 5 (05:47):
It's insane that how he mixed rhymes with songs, beats
with songs. It's yo, Bro, I'm I'm a fan still
and I always tell him like, Yo, you never seen
the not amaze me.
Speaker 3 (06:00):
Bro. You when I think what you're gonna do next,
you pull out.
Speaker 5 (06:04):
Something I wasn't even thinking about, Like the beat switches
this show as in pecka gil Man, Like straight up.
Speaker 2 (06:10):
There was a couple of moments out there I was like,
I know he out there by himself, but he needs
a bleakly.
Speaker 6 (06:17):
Miss yesterday.
Speaker 7 (06:22):
That energy he did Sunday Night yesterday that he like,
he was like just they just switched the song.
Speaker 6 (06:27):
Eventually, I forget what it was, Yeah, but it was a.
Speaker 2 (06:31):
Couple of times like, yeah, he needs just the hype
man in the back of the crowd were singing the.
Speaker 3 (06:34):
World for what But he needs that, you know what
I mean?
Speaker 2 (06:37):
Yo?
Speaker 3 (06:38):
Man share that stage time? Yo?
Speaker 1 (06:42):
Is he working on the new album? That that was
another room or that?
Speaker 3 (06:46):
I don't know.
Speaker 5 (06:46):
I'm been sending them records, records upon records, like the
record I just dropped no More. I sent it to him.
That's why I came out too, because you know, whole
on everything. I sent him a record that's that, ain't it?
And they hit me back and said, Yo, this one
of the dopest hooks I heard in a long time. Yo,
let's sen press that up next single. So that's how
we dropped it. I thought he was gonna put a
(07:08):
verse on it, but who knows. Google got some shit
goo tucking. We got to get the album. We gotta
stick go up.
Speaker 6 (07:16):
And said it on stage that there's some music that.
Speaker 5 (07:19):
If Pharrell's talking that smoke right, say, I would hope
you kill all them. He kind of stopped talking like
that because he gonna get the suicide bombs, thinking.
Speaker 3 (07:27):
It's really war.
Speaker 2 (07:30):
Do you think reasonable can even get made today? I
have the music business change too much.
Speaker 3 (07:34):
I think it could get made today.
Speaker 5 (07:36):
I believe so, just like the rock Kim albums, I
believe they they they stand to test the time because
it speaks of not a time stamp, just a mentality.
And I believe that mentality is gonna live forever. And
it's a hustler like everybody trying to find a way
to turn one into two and two in the four,
you know what I mean, and changed their circumstances, So
(07:59):
reasonable doubt can any day that they hustle a die,
or we're a person that hustle want to get make better,
then that's when reasonable doubt don't exist no more.
Speaker 3 (08:07):
And I don't think that's ever gonna happen.
Speaker 4 (08:09):
Y'all gotta change with the times, because if you really
think about it, right, when Jay's rapping on Friday, it
was really every bit of four or five minutes a record.
No now nowadays it's two minutes, right, artist gonna say
you're done in twenty four minutes? It was every bit
of five minutes.
Speaker 5 (08:23):
He even gave you the outro lines and everything that
yo I was saying that I didn't. The workout game
is crazy because first of all, to do one show
by yourself, no hype man letting on three for three
hours and it ain't like you know you you DJ shows.
We all been to a bunch of shows. Niggas take
that break after that record, get some water. This nigg
(08:44):
go fifteen records back to back, and then he let
somebody else get a shine for his break.
Speaker 3 (08:49):
But I can't. I don't know.
Speaker 5 (08:51):
I got to find out who his new trainer is.
Word up, because that's it's impressive.
Speaker 2 (08:56):
What song from the album do you hear differently today
than you did with? He was eighteen?
Speaker 5 (09:02):
Cashmere thoughts man? I didn't understand it as a kid.
Speaker 3 (09:06):
He was talking too too much. Williism my money wasn't right.
I didn't.
Speaker 5 (09:10):
I was still hearing Hot Sauce and chicken Wings back then.
So now when I hear that record, it's like, that's
the life I'm living. I fucking see what he meant,
Like goddamn, this is what he meant, and it took
me thirty years to understand it.
Speaker 3 (09:25):
So I feel like a lot of his whole catalog
is that way.
Speaker 5 (09:28):
It's like Jay been teaching us for years, and unless
you're ready to learn, you ain't gonna understand it.
Speaker 2 (09:34):
Why do you think RD keeps agent agent like just
better than a lot of things? Instead of feeling dated?
Speaker 5 (09:41):
Like I said, it's the hustle mentality of it, Like
it's just the hunger like to see like Jay is
the epitome of going from denial to undeniable, you know
what I mean. Like think about it. When they were
shopping reasonable doubt or anything before, they was looking at
Jay like Haha, ain't no way, You're not that.
Speaker 3 (09:59):
Guy out of there. And then to take over.
Speaker 5 (10:02):
It's like every I don't even want to say child,
every human being want to do that. Bro, come back
that defiant like, oh, we all dream of that, Like shit,
I know y'all want to come by aha one day.
Speaker 3 (10:16):
You know what I'm saying. It's a dream like who knows?
Speaker 5 (10:18):
And to be able to accomplish that, that's it.
Speaker 2 (10:20):
Bro.
Speaker 7 (10:21):
I saw him talk about that when he did a
GQ interview, and I was wondering, like, during that time,
what was his attitude like, because it seems like he's
always unfaced, so when people wasn't really fooling a reasonable doubt,
Like how was he receiving that.
Speaker 3 (10:35):
It's hard to shit when you come in the game
a millionaire.
Speaker 5 (10:38):
I guess feelings, don't you don't show them, like you
don't wear him on your sleeve, like the average guy,
like when we tell you I came in this game
nine hundred strong. Yeah, you wanted the music to pop
and everybody to rock with you. But I don't think
it maded because remember he wanted to retire after the
first album.
Speaker 3 (10:54):
You knew that was the whole goal of Rockefeller.
Speaker 5 (10:56):
We dropped it one hour, one album and we're retiring.
Speaker 2 (10:59):
That's over.
Speaker 5 (11:00):
We're going with sorts of money. We had some girl,
what rough ends or roughness? We had Christian that was
the whole focus. So Jay doing twelve and fourteen albums, that's.
Speaker 3 (11:11):
A new script. So it's just amazing.
Speaker 2 (11:16):
That is what hip hop would have been like if
he would have follow through it.
Speaker 3 (11:19):
That I'd have been the best.
Speaker 4 (11:28):
Is it odd to see people that y'all were in
war with at the show support and like the whole thing,
Like whether it was Terror squad or it was nas
in them or whatever it may because it was so
many people in the stairs.
Speaker 1 (11:40):
Is that odd to see those people like you're at
war with? But now it's fair?
Speaker 3 (11:45):
No, I actually love it, man.
Speaker 5 (11:47):
You know, I was talking to Jazz about this backstage, man,
and it's like.
Speaker 3 (11:51):
You know, when we were young, all we knew was
protect young.
Speaker 5 (11:55):
That's it represents your crew, represent your what part of
the city you're from. Fuck ebody else is just solely
about us. And I feel like if we're gonna teach
preach the message of keep you hip hop is together,
one big community, we gotta be like more like the South.
Everybody got in New York is too much drama. I
actually love that we able to bury the hatchet now
(12:17):
become family more than just friends.
Speaker 3 (12:20):
Because fat Joe, that's my dog. Like me and Joe.
Speaker 5 (12:23):
He was driving through the city the other day and
saw me stand in front of the hotel with my wife,
pulled the calls and everything he did. Never did that.
He'd probably tried to hit me with the car. Absolutely
feel me. I'd had to jump out the way. Oh shit,
we gotta kill Joe now ready. So I love it
because what better way the show the jend you the
ones coming after us that is possible than the lead
(12:47):
by example.
Speaker 3 (12:48):
No better way.
Speaker 2 (12:49):
I don't think people know this generation than Na started
to you.
Speaker 5 (12:52):
Yeah yeah, yo, that's why I want to get knaves
on the podcast because me and Nory said one day, right,
he was like, yo, imagine you sit down and you
get the chance to agnize him, be like, Yo, that
line let.
Speaker 3 (13:03):
The slug melt in your hat? Was that about you?
And he say no.
Speaker 5 (13:06):
He's like, he was like, yo, what would you do?
What would you think? I'm like, you know, you know,
I never thought about that. He'd be like, that means
you started the biggest war for nothing, for nothing. So
I really wanted to ask, now, your fan was you
to imagine? He do say no though, yeah, because you
know it's not that set.
Speaker 2 (13:24):
But why think that was about you? Just because you.
Speaker 3 (13:26):
Because the hood gats me up. I was a nigga
wearing hats to do you have? Like you know?
Speaker 5 (13:31):
They was like, yeah, talking about you? So I said,
gotta be true. So we I never got to the
bottom of it. I was supposed to, you know what's
so crazy? Me and Jungle spoke recently and he was
supposed to come on the part, but you know, scheduling,
we're still trying to work that out. I was gonna
ask him, so somebody gonna answer you fair, was your
gunning at me?
Speaker 3 (13:50):
And if he say no, I'm gonna feel like an asshole. Man.
I ain't gonna be like damn.
Speaker 5 (13:55):
That's the effect of niggas put the major battery.
Speaker 3 (14:00):
And my dad.
Speaker 2 (14:01):
So then you replied with my life, your lifestyles, you're
supposed to be playing. Yeah, and then it was it
was on Mchi Robinson and then he came with the.
Speaker 5 (14:12):
Shoot yeah yeah up the freeway. He tried to kill
all of us. Yeah, he was on some ship and so.
Speaker 2 (14:23):
Was not. I stand down, yeah.
Speaker 5 (14:24):
Jay, it was like we got this and then take
over the High ninety seven and niggas was yo. I
heard some queen stories. Man, Naves was foul. What you
mean Nives was trying to recruit niggash Yeah.
Speaker 4 (14:38):
Even what he was gonna do for summer jam like
that just came out recently where they showed him about
the lynch hole and they had the prosthetic face.
Speaker 2 (14:44):
Of ja, I want to hear this street ship.
Speaker 3 (14:46):
What you mean.
Speaker 5 (14:49):
Knaves had a secret meet and recruiting niggas who ain't
even get this. It was telling niggas yo, they dissed you.
He was on the Massie Niggas ship. What they did
to meat, he was trying to do to a couple
of quick niggas. So but I'm glad that they work out. No,
they was like, you know what I mean.
Speaker 3 (15:04):
I don't think so niggas had they they was like
Nas you cap it.
Speaker 2 (15:08):
Fit clearly they clearly those two factions y'all wanted to
get at each other because if it wasn't nothing, somebody
would just been like, yo, that wasn't nothing like.
Speaker 5 (15:17):
But nah, I never yo, Bro, I never wanted to
get at nobody in this game but Bank of America.
I never looked at no Rap on TV or his
album and felt like, Man, I'm gonna come at that.
I'm coming for his spot. They didn't matter to me.
It was like you just can't fuck with me. Well
you're gonna make room for me, or you're gonna move
(15:37):
out the way. But I never wanted to be with
anybody like Nazingham was the guys Mob Deep with the
Rest of Peace, Prodigy like they was the fucking guys
they dropped before us. That's ninety four. We came out
ninety six. So they set the tone in NYC between
Big Nas Wu Tang come on Bro, we didn't. I
(15:57):
don't think we was coming up in the game like yeah,
gonna gun at all these niggas. We was hoping it
could be what it is today. Everybody cool but you
know that New York energy back then, Bro, it was
It's not it just wasn't gonna happen.
Speaker 1 (16:13):
What about takeover?
Speaker 2 (16:13):
Right?
Speaker 4 (16:14):
I understand why he doesn't do it, but it's still
you can't perform that.
Speaker 5 (16:20):
It's going an album, it's a single, but still you can't.
Speaker 3 (16:25):
But it's just so's you can't.
Speaker 5 (16:27):
You can't just out of respect, just out of respect, bro,
you can't do that.
Speaker 3 (16:32):
Like that's like I'm still member.
Speaker 2 (16:37):
History history.
Speaker 5 (16:39):
It's not a freestyle that was part of I still
wasn't here the freestyle where he remember he was going
after at the Apollo, not that one when before Pop
passed away, Jay had a show at the Apollo with
Biggie and he premiered the disc over the Tracy Lee
by where he was rhyming at my rap from the
dra Day to the Sugar Night, Yo, prob'lem looking for
(17:02):
this song forever Tracy Lee beat, Yeah the party, Yeah
that's how long ago. But then the news of Pop
passing happened and he never released the record because he
had a freestyle going there, you know what I mean?
Speaker 2 (17:14):
But so whatever my crew go, you can't just pok
over that. You need something. It was crazy.
Speaker 3 (17:20):
Bro, you listen to that beat. That's one of the
hardest beats.
Speaker 5 (17:25):
Yeah, you don't do that to Lee.
Speaker 2 (17:30):
I remember it being a party record.
Speaker 5 (17:32):
He made it a party but that beat was one
of the grammiest beats back then.
Speaker 1 (17:35):
Find that now.
Speaker 2 (17:36):
Yeah I heard Clock kick Godlet I heard Clock talk
about that.
Speaker 5 (17:40):
Yeah, No, that was That was one of those records.
I was like, oh, so Jay always been on that.
He gonna respect like he ain't gonna never disrespect the dad.
Or if it just don't fill right in line with
the spirit, it ain't gonna it ain't gonna go.
Speaker 3 (17:53):
But let's get through you hold on.
Speaker 2 (17:55):
You remember the lyrics from that record.
Speaker 5 (17:57):
Just that one, right from the dre Day to the
Sugar Night, because that shit was like smoky what I do? Yeah,
they said you was a double agent. I want to
know why who you're superior? I gotta go talk to
super ship. I can't get in there. You're good.
Speaker 3 (18:15):
You were taking by Geico.
Speaker 4 (18:21):
I can't he'd be having like this little rock but
it got a camerad my supervisor.
Speaker 5 (18:29):
That ship had me dying at the intern that they
figured some ship out, like like what is the problem?
Speaker 3 (18:36):
Yo?
Speaker 5 (18:37):
Netflix I'm about to work with your niggas too, so
they taught me I'm a double agent.
Speaker 3 (18:42):
Fucking triple agent, blizz.
Speaker 2 (18:45):
I don't understand what's the problem though.
Speaker 3 (18:47):
I don't know. That's why I wanted to ask you, like,
what did you do?
Speaker 2 (18:50):
I don't know, just investing you see what I'm saying
right right?
Speaker 3 (18:54):
I thought that's the name of the game.
Speaker 2 (18:55):
Invest with one of the biggest conglomerates in the game
that we're trying to do.
Speaker 5 (19:01):
They ain't never asked me then, why, Like.
Speaker 3 (19:08):
Yeah, but that's drug. No, that's not a casino, yo.
Speaker 2 (19:12):
I mean, your alcohol is a multi billion dollar it
is has so many lounges at the Yankee Stadium.
Speaker 5 (19:19):
Do say is my life? That's my baby? Listen, do
say I love it? That drink it every day. That's
my that's my baby. What a casino? Think my daughter
got to wait till she's twenty one and enjoy this investment.
Speaker 3 (19:33):
I might not. I'm willing. I'm here. I want a casino.
We could walk through this. She gave hit them slatch
chin chin is clicking, daddy clicking.
Speaker 2 (19:46):
I won't end. I feel like y'all got more issues
now with podcasters and YouTubers than you ever had with rappers.
Speaker 5 (19:54):
Yo, it's smoky right every day Yo, I go on Twitter,
my whole timeline, it's jay Z and everybody what they feel. Yo,
he doing this, He's doing I'll be dying because I
love it. I'd be like, these people don't know this
man from a man. If you man, they don't have
a clue. They'd be making up all this crazy shit.
And it's like, all right, if he's involved, why I'm
(20:17):
not like that's why it's like, wait a minute.
Speaker 3 (20:20):
If Charlemagne a double agent, then what am I the fuck?
I'm talk clues to this ship this But you've been
down for so long.
Speaker 6 (20:29):
People just used to it a new recruit.
Speaker 3 (20:31):
Yeah, but I supposed to be training.
Speaker 5 (20:34):
He yo, something he just skiing?
Speaker 4 (20:40):
Like, but is that, babbie? Because it's like, you know, podcasts,
they can say whatever they want and there's no repercussions.
Right back in the day, the reason rappers didn't is
because you would see them.
Speaker 1 (20:50):
But now these podcasts.
Speaker 5 (20:51):
Say whatever they want and they don't come outside, and
if you do something, they gonna suit. But that's why
you gotta have a suicide Obama with you hon't got
no money, so he just come out of left field
l a I and they like, who did that?
Speaker 2 (21:02):
But that could be a liability to though they don't
know he with you.
Speaker 3 (21:05):
You just blow up instantly boom. They like, what happened?
Who's that mass man?
Speaker 2 (21:12):
That shit is funny though I don't know where these
rumors come from. Like people be like so Yo, Like
last time I'm at the concert, They're like, Yo, what
so I know you talked to Jake.
Speaker 3 (21:19):
I don't talk to no j Yo.
Speaker 5 (21:21):
I was getting calls people texting me, Yo, what's the
hold up?
Speaker 3 (21:24):
Nigga drunk? I'm not backstage? I don't know.
Speaker 5 (21:28):
Like I even called Ghoul Yo, gool, what's going on?
Like bleak is crazy? I call you back?
Speaker 3 (21:33):
He never called me back.
Speaker 2 (21:35):
I was just telling everybody, damn calling a bomber everybody
that came to me yoe. And you know what made
it funny is people.
Speaker 1 (21:41):
Was like for real, Yo, A lot of people don't
believe that.
Speaker 5 (21:44):
They will believe that, like because the way shit going
right now, they will believe Yo, dame or some ship
shut it down. I ain't invited shut it down.
Speaker 2 (21:52):
He wanted to be there though. Of course he posted
that one guy saying that he should really be there.
He wanted to be there.
Speaker 5 (22:00):
It's like, all right, it's to me, man, it's it's
fucked up. It is what it is, though, Man, you
you make your bad you laying it right.
Speaker 3 (22:06):
That's what they said. That's what That's what they told me.
Speaker 2 (22:09):
Does it feel like something missing?
Speaker 5 (22:10):
No, just being in one honed like yo, word up.
The only time we ship.
Speaker 3 (22:19):
They could gotta die for us to miss you.
Speaker 7 (22:22):
He was supposed to old pictures and I'm like, Dang,
like I know you're doing a lot of reminiscent right now.
Speaker 6 (22:26):
Like he don't even just I can't.
Speaker 5 (22:28):
Lenny don't share no pictures, so I don't even have
no old pictures to reminist So Dang been posting old.
Speaker 6 (22:34):
Joint pages tagging him and stuff, and he be reposting it.
Speaker 5 (22:37):
But he says, that's the Google pictures we've been We've
seen those.
Speaker 3 (22:41):
I want to see the vault pictures. Lenny tucking. We
gotta rob Lenny too, He.
Speaker 5 (22:46):
Got you want to rob Lenny because you got the music,
got the picture, the history.
Speaker 3 (22:52):
If we could get the music with the pictures, we
don't need Jay.
Speaker 5 (22:55):
He can stay in the hand, can create our own
timeline video everything we can drive our own project.
Speaker 2 (23:02):
I thought it was crossing wires with you and Lenny
because of a story about Lairel about who found Guru.
Speaker 5 (23:10):
Oh my god, right, that's crazy, right, everybody that lare
You know that, right.
Speaker 1 (23:15):
It's not Loreel from Atlanta, you know.
Speaker 3 (23:17):
Yeah, No, you just said you'll make sure people know.
Speaker 5 (23:21):
You live in the world today where everybody want their credit.
I want to know why credit. Don't spend. All I
want is the money. I do a lot of ship.
I want people to say, cheach, did it my man cheat?
Give him all the credit, but just send the check.
Speaker 4 (23:38):
I think Loreol, I think it matters Lareel because I
think at first everybody said no, and she was the
one that was really pushing for.
Speaker 3 (23:44):
Guru to work with you.
Speaker 2 (23:45):
You just want history to she wanted to.
Speaker 1 (23:47):
She want history told.
Speaker 3 (23:49):
All right, I said it. I've been on many platforms.
Speaker 5 (23:52):
I tell everybody that the person who bought Guru to
me was Loreal.
Speaker 6 (23:56):
I just clicked the headline says that now behind.
Speaker 5 (23:58):
The scenes with hip Ho Lenny as member, they were
the A and r's and the label heads. I didn't
I don't know what the discussions were. But she had
a lot of other talented engineers. Yeah, what about Darrow?
She had you know what I'm saying, you had?
Speaker 1 (24:15):
Who else?
Speaker 3 (24:16):
You had? Pat Villa, b Stanley.
Speaker 4 (24:21):
She had all the legend that's what engineers really matter,
Like you really cared about the engineer, how to mix
sounding and everything.
Speaker 2 (24:27):
She had.
Speaker 5 (24:28):
All of them names are crew affiliating guru. Rockefeller, b Stanley,
and pat Villa was went the g unit. Du Row
was Desert Storm. Everybody is historic in their own way.
Why is it only about this one? Talk about everybody
that was on the roster, right or I.
Speaker 2 (24:48):
Don't know, did you and Lenny talk about that? Like
you know, you might need to just say, what's up
to Lauria?
Speaker 3 (24:53):
Lenny gonna get beat up Luri. Laurie's gonna come in
and flip that day.
Speaker 4 (25:00):
Yes, but Lenny did a lot too, started for starting
and people don't see this out of it, like he
started from the street team putting the posters.
Speaker 3 (25:08):
But let me really break it down.
Speaker 5 (25:11):
How Lennys right, This is the real deal with how
I feel, and Lennys is is the goat in my
eyes because when Rockefeller back then, when Beans got signed,
remember I was the first artist.
Speaker 3 (25:25):
Everything.
Speaker 5 (25:26):
It's all right, coming to age, coming age two. They
was prepping for Yo, We're gonna work on Bleak album.
But Jay got on another project, did Volume two.
Speaker 3 (25:36):
No. Volume one is when he got the Sunshine record.
Speaker 5 (25:40):
With baby Face and all that. So it was a
whole different direction. Fuck Bleak right now, nigga. We got
pop hits, we out of here. We got baby Face,
we got Little.
Speaker 3 (25:48):
Kim on the record. Puff on him.
Speaker 5 (25:50):
We out of here. Blitz, were gonna focus on you later.
And then Beans came and it was like, Bleak, we
ain't checking for you all.
Speaker 3 (25:58):
Nigga.
Speaker 5 (25:58):
You see this nigga right here, lock in with him.
So then Lenny was the only one member. Back then,
Lenny was the photographer. He used to take the pictures,
sell him the vibe, sauce, all of that type of stuff.
And Lynn came to me and was like, Yo, bro,
I see your hunger. I know you want to work.
I got the studio plug, I got some producers that
got beat Let's lock in.
Speaker 3 (26:19):
He was not an A and R. He was not none.
They didn't give him the initiative to do my project. Nothing.
Speaker 5 (26:25):
We went the Breout Studio did a whole album together
me him Buck Wow, wasn't even no guru back then.
My first album me and Lynn did DOLO and then
when we turned it in, when he turned it into
J and them, that's when they gave him the a Yo, hey,
that's what you did, and you on and the rest
is history.
Speaker 4 (26:42):
Yeah, but he even did more than that. Like you said,
he was street Team at one time. He was the
one dealer with the DJs he was doing. He's the
one that brought me to them to do the Rockefeller
mixtapes and all the mixtapes all the time.
Speaker 1 (26:51):
I know that he's the one that brought them to me.
Speaker 4 (26:54):
Well, Clu didn't want to do it because Clu didn't
want to He was like, I don't want to get
in the beef.
Speaker 1 (26:57):
But he brought me in there to do the mixtapes.
Speaker 3 (26:59):
Like we used to.
Speaker 4 (27:00):
We used to hang out in Lenny's office, Lenny and
g that had office together, and we would just sit
there all day long, from sun up to sundown g Robison.
But the amount of people that would pass by, like
you would see Hole in the office all the time.
So if you see Bigs all the time, you see
Dame all the time, all the artists all the time.
So that's how you would get your drops, you'd get
your records and all that other stuff.
Speaker 1 (27:19):
But Lenny was the one that did that.
Speaker 6 (27:21):
Where did y'all tell?
Speaker 7 (27:21):
I just feel like, I don't there's no where I
can think of where like you would go? You feel
that like my friends that work at labels, they don't
have this, Like it's like a family, you watching people
grow up before you, like.
Speaker 3 (27:32):
Not the coat, but let me put it to you like this.
Speaker 4 (27:35):
They had offices over here on one side. Then when
the death Gen building, IRV had offices on this time.
And IRV would play music all day long. DMX album
all day long before it came out, met them.
Speaker 1 (27:46):
Everything it was just you just felt hip hop.
Speaker 4 (27:49):
Well it just felt better, Like you know how you
go to radio stations and it's quiet, loud noise music,
people yelling, screaming like you wanted to be.
Speaker 3 (27:56):
A part of it.
Speaker 7 (27:57):
Do y'all feel like, because you know, labels are so
like AA driven now, like could we get back to that?
Like could a real culture driven hip hop label solely
just do what they love to do and like actually
be big and success. On twenty twenty six, and get
the support, like get the money, the marketing dollars and
all that.
Speaker 3 (28:12):
I believe the wheel has never been reinvented.
Speaker 5 (28:15):
I just believe they just trying to change it and
put the wheel on a different car. But I believe
if any artists want to get like it was back then,
all you gotta do is grassroot grass root promotion.
Speaker 3 (28:28):
Really go outside and touch the people.
Speaker 5 (28:30):
Like I feel like these artists now is like life
behind glasses, almost like Amsterdam chicks. It's like you can
see them, but you ain't touching them. You gotta pay
a fee they even shake a hand.
Speaker 3 (28:40):
It's like like.
Speaker 5 (28:43):
These dudes over here like thing they charge now for
meet and Greece. That's insane. Imagine we did that back
in the day. We'd have been up.
Speaker 3 (28:52):
Think about that.
Speaker 4 (28:52):
But also, like you talk about the culture, right, I'm
thinking now, like we would leave the label everybody at
let's say five o'clock, and we would everybody in the
industry would go to one spot. Then after that one
spot that everybody would go to one club then everywhere.
It was just like a movement. It was just all
day long. You like you lived it for every day.
You knew exactly where to be. You knew where the
(29:13):
vibe was, you knew where the DJs was, you knew
where all the artists hung out.
Speaker 3 (29:17):
Like today is.
Speaker 5 (29:18):
I love it that it's spread out in different cities
because it was mainly New York. Go to New York,
everything was here. Now you go to Miami, Atlanta, fucking Memphis,
you go to fucking Houston.
Speaker 3 (29:30):
Is the vibe is everywhere, but it's just mixed up.
It's not together.
Speaker 4 (29:34):
Yeah, but everybody kid like you would see jay Z
in a club, of course, like you.
Speaker 1 (29:39):
It wouldn't be like he would be in the club
at the ball in.
Speaker 4 (29:41):
The section just before sections were really big, but he
would be at the club. You would see Dinny at
a club. You would see Gez at a club. I
just don't think you see that man. No, because these
kids scared to go outside.
Speaker 5 (29:52):
You see them on the stream, that's where you see them,
and then you pay to go get that picture next
to them. They not just coming outside mingling with the
everyday folk and being a mongst of the pair their
peers or their fans. They I don't know if it's
a fear tactic or they just think they're bigger than
the program.
Speaker 2 (30:10):
Now that's real. And when you're on social media and
the scream, you think you're talking to probably more people
than you really are, because you don't really feel it
until you actually go outside and shake hands and say
what's up to folks? Like that's why I did the
floor last night because I was list the first three nights.
I'm like, I'm gonna go to the floor and don't
want to really feel the energy.
Speaker 5 (30:26):
Of exactly, Like that's how you know you can really
check the temperature, man, because analytics. Then I feel like
it ruined sports and ruin music and rude and everything
because people just look at the number and think that's
what it is. They don't know what went into that number.
And it's more than that, man, Like you have to
go outside. They want hip hop to live in the culture,
to breathe and bring that vibe back.
Speaker 3 (30:47):
All you gotta do is go outside.
Speaker 4 (30:48):
But what do you think your biggest record was mine?
Speaker 2 (30:52):
Right?
Speaker 5 (30:52):
Nah?
Speaker 1 (30:53):
That's a Chicks your biggest record like that?
Speaker 3 (30:57):
Like that it's the biggest record, yeap. That should play everywhere.
Speaker 5 (31:00):
Bro, I go to any country, Africa to Finland, that
shit is on the radio or in the club.
Speaker 2 (31:07):
Wow.
Speaker 5 (31:07):
And then another sleeper record. That's like mind blowing to
me when I travel is infatuated like mad people be like, yo,
I love. In fact, if you look at my top
three streaming on Spotify and Infatuators number three, and we
never shot a video like damn, we dropped the ball
on that one.
Speaker 1 (31:24):
Were you ever mad at a at J for doing
his verse on my right?
Speaker 3 (31:29):
No? No, no, I need more verses, so give me
another one.
Speaker 2 (31:33):
Why do you know what I think about that? Because
he did this something I was thinking about that. I
was like, yo, why he used to do that to blee?
Now I asked for this body that your chick just
took that record over.
Speaker 5 (31:42):
But he gave it to me like that was his record,
and he gave it to me because he put it
on a project that was released overseas only. And then
he's like, yo, blow bro, i'mna drop it in the US,
fucking put two verses on it. Of course I was,
I'm never gonna murder J. Not back then now I
will back then I got that niggas. No, I'm better now,
you know what I'm saying. But back then and now,
(32:04):
like with my right and there summer I bumped my
head with that one.
Speaker 3 (32:09):
I thought I.
Speaker 5 (32:10):
Was returning the favor of what he did on Handed
Down when they bought his album, you heard me first,
bought my album, you heard him first. But I forget
he's a fucking son. You rested album as a candle.
You're like, yo, this, I just listened to the sun.
Now I gotta listen to a candle.
Speaker 2 (32:24):
I'm cool. You think he should do this with his
other albums, what he did this weekend? All right? Blueprint
A reasonable doubt, just that special because it's the first album,
which is the foundation, and then Blueprint was the best album.
Speaker 5 (32:35):
He's gonna have to do volume too. That's the album
that changed everything, bro.
Speaker 1 (32:42):
Like, why did that album change everything?
Speaker 3 (32:44):
With five million?
Speaker 2 (32:47):
Three years?
Speaker 3 (32:48):
Yeah? I think yeah, came out winning ninety.
Speaker 2 (32:52):
Yeah eight wasn't wash your throne.
Speaker 7 (32:54):
Just get around certain a certain project or now to
watch your throw tour.
Speaker 3 (32:59):
Yeah that was that was just around that two years.
Speaker 2 (33:02):
It'll be thirty thirty.
Speaker 5 (33:04):
And that's the album that changed everything. Any once that
anti record record, you gotta do that, Gotta do that,
gotta do that. Like I feel like that album Blueprint
and black Album blackut.
Speaker 3 (33:18):
He did four four four tour, so you can't. You
know what I mean.
Speaker 2 (33:22):
He gotta do hard knock life in two years. You
gotta do that.
Speaker 3 (33:26):
You got to Volume two is the album that made
jay Z a.
Speaker 2 (33:30):
Pop yea so five million?
Speaker 5 (33:32):
No, you're right, that was the one that changed everything, bro,
Like shiit we was in there, you know, and was
making gift baskets, sending them ships to dj Is, trying
to get spins.
Speaker 7 (33:42):
This is so crazy to imagine, Like I can't imagine
jay Z not as jay Z like how he is
right now.
Speaker 3 (33:49):
Ship you'd have seen him at that car Washaw Murder Avenue.
You wouldn't know. He wasn't who he is. But that's crazy.
Speaker 4 (33:55):
He used to be like you would see whole outside
but it wasn't the security was him and the time,
and he would be outside in the club or you
see with a bunch of chicks. He was outside like
it wasn't like this now, like you can't see your
favorite doss. He was outside. You see him on the corner.
You would see him eating, like he talked to you.
This before people had cameras, so people had autographs.
Speaker 1 (34:15):
It was he was outside. It was a whole different time.
Speaker 5 (34:17):
And then today it's whack they make outside whack because
you try to have a conversation with a person and.
Speaker 3 (34:22):
They like this. Yo.
Speaker 5 (34:24):
I was in the elevator, just standing there, coming downstairs,
and the girl in the elevator like this, And I said, man,
you're gonna really try to sneak tape me when you
can just ask for a picture, like now, if I
take the camera and break it, I'm wrong, but you're
not wrong for just holding the camera up in my face.
And she thought about it was like, Yo, you know what,
You're right. I wouldn't want nobody to do that to me.
Then asks for a picture, so it was like that's
(34:48):
more respectable. But I think today with these phones, these
everybody think they hurrahed though.
Speaker 3 (34:53):
Man, they want the school.
Speaker 5 (34:55):
There's a bunch of hurrah those and they see but
you know what, they don't remember Ral though got.
Speaker 3 (35:00):
Punched in the fence.
Speaker 5 (35:02):
Yeah, they didn't see that one.
Speaker 2 (35:08):
Right, that's real. When Yale was up here with Yale,
Yale's thing was.
Speaker 6 (35:14):
He saying that Jaz don't help nobody.
Speaker 2 (35:15):
Jaz don't help nobody.
Speaker 5 (35:18):
I'm going to say four one K records nigga call
holding down, hold me drop some heat. Niggas ain't paying
your bills, because that's what it is.
Speaker 3 (35:29):
Niggas can't compete. That's why they talk like that.
Speaker 5 (35:32):
You if fifty said one year, these niggas are being
a shelter. They shouldn't be allowed to talk about us
or anybody when you literally are a dependent. Hey, that
shit is insane to me. Man, Like niggas came away
they jewey without their boss. Show me a picture of Yeah,
(35:54):
you're walking around with his chain, the passport chain without
fifty cent there, mm hmm, I gotta see it. But
niggas ain't taking care of niggas. You got there right there,
and we take care of ourself.
Speaker 2 (36:08):
I think I heard Yo say that you and which
is crazy? You say you and Jay's friendship is just
more with more business. I've never seen it.
Speaker 3 (36:16):
Well him in fifty friendship is just finance.
Speaker 8 (36:18):
You yeah for yeah morey going back and forth each
other sounds crazy, But I'm just saying this, like, Yo,
what you you want me to be?
Speaker 2 (36:29):
Yo?
Speaker 3 (36:29):
Jay, look out for me. I drop bombs.
Speaker 5 (36:33):
We got a new song out right now right no
more produced by Cooling Drag Moving.
Speaker 3 (36:38):
We're the last yeah Yo record.
Speaker 5 (36:42):
I don't know he's a dependent you. Of course he
viewed life through look out for me. I never looked
at Come on, Jay raised bosses man, He don't raise dependence.
Speaker 3 (36:54):
We all bosses business owners. Lord.
Speaker 5 (36:56):
I got a bar in the restaurant in Vegas. Tell
him pull up and come eat everything free on me.
Speaker 6 (37:01):
He liked to travel when he was here, he said,
they go talk.
Speaker 3 (37:04):
He got all that flash.
Speaker 5 (37:05):
They asked cargo all that the bill is covered. We
feed people on this side too, was cover.
Speaker 2 (37:14):
He said? He said. Jay Z doesn't support man bleak
the way fifty cent looks out for him.
Speaker 5 (37:17):
That was, But how where's his records? Where's his businesses?
Where's his hot? Do he even have a hot?
Speaker 3 (37:24):
Wait? Let me ask a question. He does do this?
Nigga have children? I don't know because when do he travel?
Where his fim do he do? When his family time?
Speaker 5 (37:33):
When he hit his fifty cent sh and jay Z
ship my wife Rayah, we just came from Paris rocking
the shot. Told my daughter was in there was in
the room, Leonardo da Vinci Bill, you know what I'm saying, Hey,
my son just was at night. One reasonable doubt. Where's
these niggas kids? And you talking about somebody taking care
of you? Who are you taking care of man? Like? Yo,
(37:57):
we fucking fifty and you still want niggas to take
care of you.
Speaker 3 (38:00):
Is insane to me and the fans online think this
is right? Ar you in it? Yeah, Jay, don't look
out for Bleak. He's not supposed to. I have a job.
I get paid. Well, how do you get a check
and say, yo, I need a check?
Speaker 2 (38:18):
But tell him your job though I'm a boss, I know,
but I mean you got a bunch of them job
we do wrap.
Speaker 5 (38:25):
I have four gold albums, by the way, four all
gold hanging up plaques, successful albums.
Speaker 3 (38:32):
I have two business, two restaurants.
Speaker 5 (38:35):
I have a label that was successful, Warehouse shout out
casting over free cast Free, my nigga tax Stone.
Speaker 3 (38:42):
We made moves, you know what I mean?
Speaker 5 (38:43):
We did what we did do say moving crazy min
right exotics in stores, crazy rock, solid pop, shout out
hot tolerance in the streets, crazy.
Speaker 2 (38:57):
Wait Yo, solid podcast.
Speaker 3 (39:01):
Ain't bring that up. I wanted you to say that.
Speaker 5 (39:06):
On Black Effect, our hard drink champs. Like what more
niggas want me to do? I know what I'm gonna do.
I'm gonna start a daycare center for senior citizens rappers,
since they want to be dependent and want people to
look out for them. The only thing they gotta let
me put life insurance on them so if they.
Speaker 4 (39:25):
Die, we cash it down. Get your money straight up
before youve don't you know? I wanted to ask, how
do you how did you Beanie? Well, first two questions,
how did y'all squash the whole Beanie state property thing?
Speaker 1 (39:39):
And the second question, if Jay has beef?
Speaker 3 (39:41):
Do you have beef? No?
Speaker 5 (39:42):
Because if I got your beef, I heat that it
the beef without no, butnins ain't telling me nothing.
Speaker 3 (39:50):
I ain't agree to that now. I wanted that beef
to keep going. Nah.
Speaker 5 (39:55):
But what I'm saying is at the show when they
came out with the army fatigue, ain't no naves with there.
Speaker 3 (40:01):
That was the major setup, bro, Bro.
Speaker 2 (40:03):
Yeah, because it was called the Undeclared War Concert.
Speaker 3 (40:05):
And then we dabted the beef.
Speaker 2 (40:08):
You didn't.
Speaker 3 (40:09):
This is why the blog is getting at us. You
just you just answered it.
Speaker 5 (40:13):
We declared war and then dabted the drama and they
was like, oh, they they're.
Speaker 3 (40:16):
Vulnerable, let's get them.
Speaker 2 (40:18):
Nah.
Speaker 3 (40:19):
But yeah, Nah.
Speaker 4 (40:20):
The reason I asked, so you know We see Dame
taking shots at at Jay all the time.
Speaker 1 (40:24):
Right, do you still say you know what? I don't care.
I'm gonna put them on my podcast.
Speaker 3 (40:27):
We chop it up. Hell No, I can't do that.
Speaker 5 (40:30):
You just said his beef is his be but no,
but that's a different type of beef. That's not beef.
That's that's that's heardaching pain. That's pain there. That's not beef. Bro,
that's that's we were only they can fix that. I
(40:50):
was the little bro and I'm a state of little
bro in that situation. I'm not gonna overstep my boundaries
and try to be something in that situation. I can't
and wasn't. So with that, I leave alone. Everybody else
walk track lightly.
Speaker 3 (41:04):
Man. We don't ignore everything.
Speaker 5 (41:06):
Man, It's some things is okay, but when we see
you have that energy.
Speaker 3 (41:11):
But that's the problem. We don't see these guys.
Speaker 5 (41:14):
And last time I seen ya Yo, we was in
la Aigga was nervous for me wearing my jury.
Speaker 3 (41:21):
But Jay don't look out for me. I ain't even Yo.
Speaker 5 (41:24):
Certain things I don't bring up I don't talk about
because they personal conversations.
Speaker 3 (41:29):
But he no in his heart looking me and my eye.
Speaker 2 (41:36):
He no, He said he was nervous for you wearing
your jewelry.
Speaker 5 (41:39):
Yeah, he told me I was bugging in La. Nigga said, Yo,
you got on the chain in La. You bugging tur Nigga?
What I war my chain everywhere? Fuck as you talking me?
I don't care if I was in the coffin, My
jewelry gonna be on me. Nigga Like, Nigga said, nah,
your name is Jury, yo, Yo, how these new niggas
gonna know we get money if we ain't gonna show
them no new drip, they don't win that old ship.
(42:01):
He was like, yeah, right, See he needed he couldn't
wear his chain.
Speaker 2 (42:06):
But that's kind of some nigga ship though, because you
got all these businesses. Right. So I get what he's
saying when he said, your name.
Speaker 5 (42:12):
Is Nah Memphis Bleek, ain't no money. Nigga said, I
was the whackst nigga on Rocket Flower.
Speaker 3 (42:17):
Fuck out of here. They gonna see this big.
Speaker 2 (42:20):
They't gonna see this big dramber nobody saying he was
the wackest person.
Speaker 3 (42:23):
I heard it a few times.
Speaker 5 (42:28):
What is it, ex Twitterga. The niggas we talked ship
cup they cuz and blood and blood cuz.
Speaker 1 (42:37):
And how did y'all us say property?
Speaker 3 (42:39):
How did that?
Speaker 5 (42:39):
How did that squash? Because because those my dogs, they
better stopped playing with me. Niggas get on this net
and act like we family, we grew up together. I'm
never gonna let these niggas act like we not bros.
I'm not gonna talk to you through YouTube. I'm not
gonna talk to you through ax or Instagram. Not when
my wife is from Philly. I'm in Philly everythanks Giving,
(43:01):
every It's impossible where you at, what block you on?
Speaker 3 (43:06):
I'm pulling up. So that's how that happened.
Speaker 5 (43:09):
Me and Beans brother shout out, brother news, that's my dog,
one of the realists from Philly, stand up man that
he don't play man, and that's my brother. And once
I reach out to him, everything else is you know,
it's taken care of.
Speaker 6 (43:23):
I say, you're on boardroom saying that you told them
y'all should get in the studio together.
Speaker 3 (43:28):
And that's five beats. We ain't get no versus yet.
Speaker 2 (43:30):
That's crazy.
Speaker 5 (43:31):
These Freeway and Beef and Beans might have beef with me,
They're gonna be mad after that.
Speaker 3 (43:36):
They could be told the niggas. W Yes, I told
the niggas.
Speaker 2 (43:41):
Yeah, I feel like after the Roofs Picnic there was
a lot of momentum.
Speaker 6 (43:46):
Yes, I thought that. I thought we're gonna get a
little bit of that niggas.
Speaker 5 (43:49):
Yo, loo bro, we got to drive when the next time,
Big Homie going give us this look. That's why after
we ain't do nothing. Then New York, it was like, oh,
I only touched the stage Friday myself. Saturday, we dropping
something like I had to because, like I said, this
window opportunity.
Speaker 3 (44:08):
Yeah, we we wait for it.
Speaker 5 (44:10):
Man, like when you're gonna get this pitch, This is
like the perfect pitch, the battery bonds. If you don't
take that swing, you can't blame nobody. It's the only buddy,
it's only your fault.
Speaker 2 (44:21):
I was thinking about it this weekend. I'm like, yo,
this might be the last time we seen him this.
Speaker 3 (44:25):
That's a fast Jay's what fifty six fifty six?
Speaker 2 (44:28):
You know what I mean. You don't know how long
he might want to do it. He's richie, he may
not want to. This is thirty anniversary of Reason with
about twenty five or blueprint. Who knows when he's coming back.
Speaker 3 (44:37):
Out there, so I'm saying like he might not.
Speaker 5 (44:39):
That's why I was trying to tell people this might
be the last hurrah Man.
Speaker 6 (44:43):
I felt like that.
Speaker 7 (44:43):
When I saw y'all roots Picnic, though, I was like,
how do we know we're gonna get this again? All
of y'all with jay Z in the party that it
was like.
Speaker 5 (44:49):
Shout out rock solid podcast, you know what I mean,
making them bridges get cross because they.
Speaker 3 (44:56):
Don't want to get ain't gonna never give me my props.
Speaker 5 (44:59):
But I know, be watching the pard like little homie
holding let me higher at the broke.
Speaker 3 (45:05):
Come on dog. He ain't gonna say you're beating Yeah, man,
you broke them niggas up. It's because of you. I
never go get that.
Speaker 5 (45:12):
But the world no, because I meet I want to
sit down with anybody that I felt like we had
issues that wasn't about nothing, because think about it, bro right,
I'm from Marsie. That's let's just put rap of the game.
He from Calmton. I'm from Marsie.
Speaker 3 (45:29):
I don't know that man. He never fucked no girl.
I know.
Speaker 5 (45:32):
I never took no money from him. He never kicked
my dog. I ain't rufous cat like so how can
our problems be real?
Speaker 3 (45:42):
Right?
Speaker 5 (45:42):
You know what It's like, it's just music competitive bullshit.
So that's one artist. I want to sit face to
face and just know yo fan heo, dog why you
shit on me?
Speaker 2 (45:53):
Dog Gang?
Speaker 5 (45:56):
But that's the man conversation on and that's what rock
Solid is about, was letting the culture know.
Speaker 3 (46:02):
Man, it's bigger than that. Bro. We hear. Everybody picked
up the.
Speaker 5 (46:05):
Pen at the same time with one goal, change your life,
and that's all we did.
Speaker 3 (46:10):
We all accomplished that.
Speaker 5 (46:11):
So I never felt anything would be for anybody in
the industry was any bigger than that. So I sit
down with any of these guys just not dam how do.
Speaker 2 (46:21):
You like I be feeling like you don't even need
guess can just be in there cleaning up shit every
week because every week is some bullshit being said about.
Speaker 5 (46:29):
I know, I'm about to make that pivot, that that
you turn, I'm about to get off exit. Don't worry,
it's about to happen because it's too much shit. It's
too much. But then I don't want to feel like.
Speaker 2 (46:44):
I'm the.
Speaker 3 (46:46):
Rock Nation protector, like like people.
Speaker 6 (46:48):
Can't Charlemagne is just that's what they think.
Speaker 5 (46:52):
No Charlamagnet shoot that everybody, but I ain't know he
was down with. I was supposed to have extra spins.
I should have got some time, get like.
Speaker 3 (47:00):
A feature a week right the bleek week?
Speaker 5 (47:03):
What future if he was I ain't know, It's like shit,
what that's like finding out the person you going to school?
Speaker 3 (47:11):
Is also the principle.
Speaker 5 (47:12):
It's like, nagga, you see what I'm saying, Like you
ain't let me cut you hang it with You ain't
just push my graves through for me like I'm a.
Speaker 2 (47:23):
Rock Nation double leasion with nobody at rock Nation.
Speaker 3 (47:25):
Know what sense does that make?
Speaker 5 (47:27):
Yo?
Speaker 3 (47:27):
When I found out, I was like, this can't be true.
Speaker 5 (47:31):
Going in the office last thirty years, ain't no fucking
way where Charlemagne off side and asks Lenny.
Speaker 3 (47:38):
Yo, it's a silvil opposite here. Let's get it.
Speaker 4 (47:43):
Let's get into the record off the album, well, the
record that you just put out this weekend.
Speaker 5 (47:46):
Definitely let's get into this joint called No Moub because
that's what it is this year. We ain't toleranting no
mo bs. We get into that bag. This that new
single produced by Cooling Dre and it's coming off that
new project we drop it.
Speaker 3 (48:00):
Call all Money and good money real soon. Check it out, y'all.
Speaker 1 (48:05):
No mo Is Memphis Blake. It's the Breakfast Club. Good morning.
Hold up every day I wake up The Breakfast Club.
Speaker 3 (48:14):
You finish for y'all done,
Don't every day up, Wake, Wake yours up.
Speaker 2 (00:04):
The breakfast club.
Speaker 3 (00:05):
You know I'm finish for y'all done.
Speaker 1 (00:08):
Morning.
Speaker 4 (00:09):
Everybody is the DJ Envy just hilarious. Charlamagne the guy.
We are the breakfast club. Lola Rosas here. We got
a special guest.
Speaker 1 (00:16):
In the building.
Speaker 5 (00:16):
Indeed, you got Memphis Blake. Yeah, yeah, yeah, what's up?
Fresh off the standing on my feet tall?
Speaker 6 (00:24):
I got on right now and it's ninety degrees outside.
Speaker 3 (00:27):
Yo. I feel you.
Speaker 5 (00:28):
I need they need to make some some cottons for
the men something.
Speaker 2 (00:31):
But y'all chosen standing the risings though. I was like,
I'm not standing in that rising?
Speaker 3 (00:36):
Why not?
Speaker 2 (00:37):
Though?
Speaker 3 (00:37):
That's where I can't catch smoking the sweet.
Speaker 2 (00:41):
I did this sweet two nights, but then I did
the floor Sunday. I'd rather just sit down.
Speaker 5 (00:45):
I like to do the sweet. When I got my daughter,
I'm by myself, Me and my wife.
Speaker 3 (00:49):
We thug it.
Speaker 5 (00:50):
We in the field. She won't get drugs, your most
franky liman. Last night it's her birthday.
Speaker 3 (00:56):
It was all hot.
Speaker 5 (00:57):
It's too much woof smoke. My whole family, mein and
my daughter. That craz It wasn't playing, It wasn't playing,
just happened.
Speaker 4 (01:07):
All the whole concerts because you've been to THEMN near
all of them.
Speaker 1 (01:11):
Yeah, where do you put this on the list?
Speaker 5 (01:13):
This top This's definitely top three. And which night the
first one?
Speaker 3 (01:17):
The night with me.
Speaker 2 (01:19):
Reason that was the best night?
Speaker 5 (01:20):
It was definitely, definitely because that was I feel like
that was Call Call Fans, and like I told Jay
at the end of that show, it was like, Yo,
it's unbelievable to really think about it. Thirty years ago
today we prayed this will work, and here we are
thirty years later and this is this is the results
of it worked.
Speaker 2 (01:39):
Call Call Fans and man. On Friday Night, there was
a story told like it felt like watching a movie
like you saw, like the Origin story. Like I didn't
get that the other two nights. I did for Saturday,
but it was something else I realized about Saturday. Blueprint
has always been overshadowed by nine to eleven.
Speaker 5 (01:55):
Definitely, And I think Part two, like Night two, was
more of a party night, like it was.
Speaker 3 (02:01):
More of a crowd I was.
Speaker 4 (02:03):
I was in Virginia for night too, but I seen
it on the stream shot It's biscuits, It's biscuits stream
the whole thing I was able to watch it, but
Friday Night, when I was there, it just seemed like
hardcore whole fans, like the ones that knew every word
and just wanted to hear her listen, and you know,
I was.
Speaker 2 (02:19):
Crowd, didn't know, I know, but it didn't matter because
the show was so good. It was like, even if
you didn't know, you got familiar.
Speaker 4 (02:25):
Tuesdays missing from from the Friday Night Foxy Inger, Sauce
money yo.
Speaker 5 (02:31):
I heard through the grave vine. I don't know how
true it is. It's just what I heard. They said
Fox was there and she.
Speaker 7 (02:36):
Got I just wanted to see her, like even if
I just walked past her, I just wanted to see
her in real life too.
Speaker 5 (02:42):
I ain't seen nobody I've seen gaff Yes had the
word up, shout out, gave but they said she was there.
Speaker 1 (02:47):
They kept teasing all.
Speaker 3 (02:49):
That's what I heard. I don't know how true it is,
but you know, rumor has.
Speaker 1 (02:53):
It, damn because that would have been a crazy one.
Speaker 3 (02:54):
What about Sauce, Oh, I heard they reached out the
sauce too.
Speaker 5 (02:58):
The line just wasn't you know return that was.
Speaker 3 (03:02):
A major one. I wanted to see.
Speaker 5 (03:04):
I wanted to see the jazz o, Sauce Jay back
because that's what it started with.
Speaker 3 (03:10):
You know. Of course we.
Speaker 5 (03:11):
Get the Dame, Dash Bigs, Jay Bleak Beans, that Rockefeller,
But to me, the original rock with Sauce, Jazz and
j Man Like. I don't think it's no no trio
that can rap better than that. Three people right there,
that's my top.
Speaker 2 (03:27):
Three called in a bump during on Sunday.
Speaker 3 (03:29):
Yo, Yo, you've seen the video got on stage, Yo.
Dame is hilarious. Man.
Speaker 1 (03:42):
What did that mean for you to see thirty years.
Speaker 4 (03:45):
Of Reasonable Doubt where that was your start, that was
your call into the world.
Speaker 5 (03:49):
It's it's it's kind of surreal, bro, because I never
imagine we could take it this far.
Speaker 3 (03:54):
You know what I'm saying.
Speaker 5 (03:55):
My whole thing back then was to get a couple
of dollars, you know, get a few hours off. It's
some cars, maybe we chill a few summers. I ain't
think thirty years later, remember when Reasonable Doubt drop? I
was eighteen, Bro, that's crazy forty eight and we're still
doing it.
Speaker 3 (04:11):
That's why I even had to tell that to Ja.
Speaker 5 (04:12):
I don't think no other artists from my era, even
before hip hop, can do what he did these three days.
It's namely another artist that can celebrate their first album
released before the generation today wasn't even born when reasonable
doubt dropped.
Speaker 2 (04:28):
Maybe one who Snoop, Snoop, Snoop, Snoop, Snoop.
Speaker 3 (04:32):
I give it yeah, Snooop. Yeah, Doggie Sty ain't on
front Snoop.
Speaker 2 (04:36):
It probably Snoop. He's probably the only one, yeah, from
that from that era. He actually before ya before Yeah, yeah.
Speaker 3 (04:43):
Yeah, Snoop. I give it to Snoop.
Speaker 5 (04:45):
But then who else I was trying to think, I'm like, yo,
who else can do this thirty years? Even if forty
or twenty years. Some people can't even do a twenty year.
Speaker 1 (04:58):
The only one I could think of.
Speaker 5 (04:59):
Three nights in the and then you sell out Blueprint
and you let people know this.
Speaker 3 (05:03):
Is this is just the album.
Speaker 5 (05:05):
This is not like Yo, we playing around and play
a few songs. No, we're focusing solely on this project.
You can't even do that. I can't be like, yo,
we're doing coming age only it's like you.
Speaker 3 (05:16):
Know what we out. You can do that plaster, yeah,
you know, Plaza through MARSI day. You know what I'm saying.
Speaker 4 (05:27):
It was dope that he brought out Nads to I
thought that was dope. And the way he brought out
Nads because everybody expected Nads to do the hook right,
Nas wasn't there for the hook, the.
Speaker 1 (05:35):
Last hook him and right into Who's world.
Speaker 5 (05:38):
It was just the way they did that was just
I give j T number one transition from song to song.
Speaker 3 (05:47):
Word.
Speaker 5 (05:47):
It's insane that how he mixed rhymes with songs, beats
with songs. It's yo, Bro, I'm I'm a fan still
and I always tell him like, Yo, you never seen
the not amaze me.
Speaker 3 (06:00):
Bro. You when I think what you're gonna do next,
you pull out.
Speaker 5 (06:04):
Something I wasn't even thinking about, Like the beat switches
this show as in pecka gil Man, Like straight up.
Speaker 2 (06:10):
There was a couple of moments out there I was like,
I know he out there by himself, but he needs
a bleakly.
Speaker 6 (06:17):
Miss yesterday.
Speaker 7 (06:22):
That energy he did Sunday Night yesterday that he like,
he was like just they just switched the song.
Speaker 6 (06:27):
Eventually, I forget what it was, Yeah, but it was a.
Speaker 2 (06:31):
Couple of times like, yeah, he needs just the hype
man in the back of the crowd were singing the.
Speaker 3 (06:34):
World for what But he needs that, you know what
I mean?
Speaker 2 (06:37):
Yo?
Speaker 3 (06:38):
Man share that stage time? Yo?
Speaker 1 (06:42):
Is he working on the new album? That that was
another room or that?
Speaker 3 (06:46):
I don't know.
Speaker 5 (06:46):
I'm been sending them records, records upon records, like the
record I just dropped no More. I sent it to him.
That's why I came out too, because you know, whole
on everything. I sent him a record that's that, ain't it?
And they hit me back and said, Yo, this one
of the dopest hooks I heard in a long time. Yo,
let's sen press that up next single. So that's how
we dropped it. I thought he was gonna put a
(07:08):
verse on it, but who knows. Google got some shit
goo tucking. We got to get the album. We gotta
stick go up.
Speaker 6 (07:16):
And said it on stage that there's some music that.
Speaker 5 (07:19):
If Pharrell's talking that smoke right, say, I would hope
you kill all them. He kind of stopped talking like
that because he gonna get the suicide bombs, thinking.
Speaker 3 (07:27):
It's really war.
Speaker 2 (07:30):
Do you think reasonable can even get made today? I
have the music business change too much.
Speaker 3 (07:34):
I think it could get made today.
Speaker 5 (07:36):
I believe so, just like the rock Kim albums, I
believe they they they stand to test the time because
it speaks of not a time stamp, just a mentality.
And I believe that mentality is gonna live forever. And
it's a hustler like everybody trying to find a way
to turn one into two and two in the four,
you know what I mean, and changed their circumstances, So
(07:59):
reasonable doubt can any day that they hustle a die,
or we're a person that hustle want to get make better,
then that's when reasonable doubt don't exist no more.
Speaker 3 (08:07):
And I don't think that's ever gonna happen.
Speaker 4 (08:09):
Y'all gotta change with the times, because if you really
think about it, right, when Jay's rapping on Friday, it
was really every bit of four or five minutes a record.
No now nowadays it's two minutes, right, artist gonna say
you're done in twenty four minutes? It was every bit
of five minutes.
Speaker 5 (08:23):
He even gave you the outro lines and everything that
yo I was saying that I didn't. The workout game
is crazy because first of all, to do one show
by yourself, no hype man letting on three for three
hours and it ain't like you know you you DJ shows.
We all been to a bunch of shows. Niggas take
that break after that record, get some water. This nigg
(08:44):
go fifteen records back to back, and then he let
somebody else get a shine for his break.
Speaker 3 (08:49):
But I can't. I don't know.
Speaker 5 (08:51):
I got to find out who his new trainer is.
Word up, because that's it's impressive.
Speaker 2 (08:56):
What song from the album do you hear differently today
than you did with? He was eighteen?
Speaker 5 (09:02):
Cashmere thoughts man? I didn't understand it as a kid.
Speaker 3 (09:06):
He was talking too too much. Williism my money wasn't right.
I didn't.
Speaker 5 (09:10):
I was still hearing Hot Sauce and chicken Wings back then.
So now when I hear that record, it's like, that's
the life I'm living. I fucking see what he meant,
Like goddamn, this is what he meant, and it took
me thirty years to understand it.
Speaker 3 (09:25):
So I feel like a lot of his whole catalog
is that way.
Speaker 5 (09:28):
It's like Jay been teaching us for years, and unless
you're ready to learn, you ain't gonna understand it.
Speaker 2 (09:34):
Why do you think RD keeps agent agent like just
better than a lot of things? Instead of feeling dated?
Speaker 5 (09:41):
Like I said, it's the hustle mentality of it, Like
it's just the hunger like to see like Jay is
the epitome of going from denial to undeniable, you know
what I mean. Like think about it. When they were
shopping reasonable doubt or anything before, they was looking at
Jay like Haha, ain't no way, You're not that.
Speaker 3 (09:59):
Guy out of there. And then to take over.
Speaker 5 (10:02):
It's like every I don't even want to say child,
every human being want to do that. Bro, come back
that defiant like, oh, we all dream of that, Like shit,
I know y'all want to come by aha one day.
Speaker 3 (10:16):
You know what I'm saying. It's a dream like who knows?
Speaker 5 (10:18):
And to be able to accomplish that, that's it.
Speaker 2 (10:20):
Bro.
Speaker 7 (10:21):
I saw him talk about that when he did a
GQ interview, and I was wondering, like, during that time,
what was his attitude like, because it seems like he's
always unfaced, so when people wasn't really fooling a reasonable doubt,
Like how was he receiving that.
Speaker 3 (10:35):
It's hard to shit when you come in the game
a millionaire.
Speaker 5 (10:38):
I guess feelings, don't you don't show them, like you
don't wear him on your sleeve, like the average guy,
like when we tell you I came in this game
nine hundred strong. Yeah, you wanted the music to pop
and everybody to rock with you. But I don't think
it maded because remember he wanted to retire after the
first album.
Speaker 3 (10:54):
You knew that was the whole goal of Rockefeller.
Speaker 5 (10:56):
We dropped it one hour, one album and we're retiring.
Speaker 2 (10:59):
That's over.
Speaker 5 (11:00):
We're going with sorts of money. We had some girl,
what rough ends or roughness? We had Christian that was
the whole focus. So Jay doing twelve and fourteen albums, that's.
Speaker 3 (11:11):
A new script. So it's just amazing.
Speaker 2 (11:16):
That is what hip hop would have been like if
he would have follow through it.
Speaker 3 (11:19):
That I'd have been the best.
Speaker 4 (11:28):
Is it odd to see people that y'all were in
war with at the show support and like the whole thing,
Like whether it was Terror squad or it was nas
in them or whatever it may because it was so
many people in the stairs.
Speaker 1 (11:40):
Is that odd to see those people like you're at
war with? But now it's fair?
Speaker 3 (11:45):
No, I actually love it, man.
Speaker 5 (11:47):
You know, I was talking to Jazz about this backstage, man,
and it's like.
Speaker 3 (11:51):
You know, when we were young, all we knew was
protect young.
Speaker 5 (11:55):
That's it represents your crew, represent your what part of
the city you're from. Fuck ebody else is just solely
about us. And I feel like if we're gonna teach
preach the message of keep you hip hop is together,
one big community, we gotta be like more like the South.
Everybody got in New York is too much drama. I
actually love that we able to bury the hatchet now
(12:17):
become family more than just friends.
Speaker 3 (12:20):
Because fat Joe, that's my dog. Like me and Joe.
Speaker 5 (12:23):
He was driving through the city the other day and
saw me stand in front of the hotel with my wife,
pulled the calls and everything he did. Never did that.
He'd probably tried to hit me with the car. Absolutely
feel me. I'd had to jump out the way. Oh shit,
we gotta kill Joe now ready. So I love it
because what better way the show the jend you the
ones coming after us that is possible than the lead
(12:47):
by example.
Speaker 3 (12:48):
No better way.
Speaker 2 (12:49):
I don't think people know this generation than Na started
to you.
Speaker 5 (12:52):
Yeah yeah, yo, that's why I want to get knaves
on the podcast because me and Nory said one day, right,
he was like, yo, imagine you sit down and you
get the chance to agnize him, be like, Yo, that
line let.
Speaker 3 (13:03):
The slug melt in your hat? Was that about you?
And he say no.
Speaker 5 (13:06):
He's like, he was like, yo, what would you do?
What would you think? I'm like, you know, you know,
I never thought about that. He'd be like, that means
you started the biggest war for nothing, for nothing. So
I really wanted to ask, now, your fan was you
to imagine? He do say no though, yeah, because you
know it's not that set.
Speaker 2 (13:24):
But why think that was about you? Just because you.
Speaker 3 (13:26):
Because the hood gats me up. I was a nigga
wearing hats to do you have? Like you know?
Speaker 5 (13:31):
They was like, yeah, talking about you? So I said,
gotta be true. So we I never got to the
bottom of it. I was supposed to, you know what's
so crazy? Me and Jungle spoke recently and he was
supposed to come on the part, but you know, scheduling,
we're still trying to work that out. I was gonna
ask him, so somebody gonna answer you fair, was your
gunning at me?
Speaker 3 (13:50):
And if he say no, I'm gonna feel like an asshole. Man.
I ain't gonna be like damn.
Speaker 5 (13:55):
That's the effect of niggas put the major battery.
Speaker 3 (14:00):
And my dad.
Speaker 2 (14:01):
So then you replied with my life, your lifestyles, you're
supposed to be playing. Yeah, and then it was it
was on Mchi Robinson and then he came with the.
Speaker 5 (14:12):
Shoot yeah yeah up the freeway. He tried to kill
all of us. Yeah, he was on some ship and so.
Speaker 2 (14:23):
Was not. I stand down, yeah.
Speaker 5 (14:24):
Jay, it was like we got this and then take
over the High ninety seven and niggas was yo. I
heard some queen stories. Man, Naves was foul. What you
mean Nives was trying to recruit niggash Yeah.
Speaker 4 (14:38):
Even what he was gonna do for summer jam like
that just came out recently where they showed him about
the lynch hole and they had the prosthetic face.
Speaker 2 (14:44):
Of ja, I want to hear this street ship.
Speaker 3 (14:46):
What you mean.
Speaker 5 (14:49):
Knaves had a secret meet and recruiting niggas who ain't
even get this. It was telling niggas yo, they dissed you.
He was on the Massie Niggas ship. What they did
to meat, he was trying to do to a couple
of quick niggas. So but I'm glad that they work out. No,
they was like, you know what I mean.
Speaker 3 (15:04):
I don't think so niggas had they they was like
Nas you cap it.
Speaker 2 (15:08):
Fit clearly they clearly those two factions y'all wanted to
get at each other because if it wasn't nothing, somebody
would just been like, yo, that wasn't nothing like.
Speaker 5 (15:17):
But nah, I never yo, Bro, I never wanted to
get at nobody in this game but Bank of America.
I never looked at no Rap on TV or his
album and felt like, Man, I'm gonna come at that.
I'm coming for his spot. They didn't matter to me.
It was like you just can't fuck with me. Well
you're gonna make room for me, or you're gonna move
(15:37):
out the way. But I never wanted to be with
anybody like Nazingham was the guys Mob Deep with the
Rest of Peace, Prodigy like they was the fucking guys
they dropped before us. That's ninety four. We came out
ninety six. So they set the tone in NYC between
Big Nas Wu Tang come on Bro, we didn't. I
(15:57):
don't think we was coming up in the game like yeah,
gonna gun at all these niggas. We was hoping it
could be what it is today. Everybody cool but you
know that New York energy back then, Bro, it was
It's not it just wasn't gonna happen.
Speaker 1 (16:13):
What about takeover?
Speaker 2 (16:13):
Right?
Speaker 4 (16:14):
I understand why he doesn't do it, but it's still
you can't perform that.
Speaker 5 (16:20):
It's going an album, it's a single, but still you can't.
Speaker 3 (16:25):
But it's just so's you can't.
Speaker 5 (16:27):
You can't just out of respect, just out of respect, bro,
you can't do that.
Speaker 3 (16:32):
Like that's like I'm still member.
Speaker 2 (16:37):
History history.
Speaker 5 (16:39):
It's not a freestyle that was part of I still
wasn't here the freestyle where he remember he was going
after at the Apollo, not that one when before Pop
passed away, Jay had a show at the Apollo with
Biggie and he premiered the disc over the Tracy Lee
by where he was rhyming at my rap from the
dra Day to the Sugar Night, Yo, prob'lem looking for
(17:02):
this song forever Tracy Lee beat, Yeah the party, Yeah
that's how long ago. But then the news of Pop
passing happened and he never released the record because he
had a freestyle going there, you know what I mean?
Speaker 2 (17:14):
But so whatever my crew go, you can't just pok
over that. You need something. It was crazy.
Speaker 3 (17:20):
Bro, you listen to that beat. That's one of the
hardest beats.
Speaker 5 (17:25):
Yeah, you don't do that to Lee.
Speaker 2 (17:30):
I remember it being a party record.
Speaker 5 (17:32):
He made it a party but that beat was one
of the grammiest beats back then.
Speaker 1 (17:35):
Find that now.
Speaker 2 (17:36):
Yeah I heard Clock kick Godlet I heard Clock talk
about that.
Speaker 5 (17:40):
Yeah, No, that was That was one of those records.
I was like, oh, so Jay always been on that.
He gonna respect like he ain't gonna never disrespect the dad.
Or if it just don't fill right in line with
the spirit, it ain't gonna it ain't gonna go.
Speaker 3 (17:53):
But let's get through you hold on.
Speaker 2 (17:55):
You remember the lyrics from that record.
Speaker 5 (17:57):
Just that one, right from the dre Day to the
Sugar Night, because that shit was like smoky what I do? Yeah,
they said you was a double agent. I want to
know why who you're superior? I gotta go talk to
super ship. I can't get in there. You're good.
Speaker 3 (18:15):
You were taking by Geico.
Speaker 4 (18:21):
I can't he'd be having like this little rock but
it got a camerad my supervisor.
Speaker 5 (18:29):
That ship had me dying at the intern that they
figured some ship out, like like what is the problem?
Speaker 3 (18:36):
Yo?
Speaker 5 (18:37):
Netflix I'm about to work with your niggas too, so
they taught me I'm a double agent.
Speaker 3 (18:42):
Fucking triple agent, blizz.
Speaker 2 (18:45):
I don't understand what's the problem though.
Speaker 3 (18:47):
I don't know. That's why I wanted to ask you, like,
what did you do?
Speaker 2 (18:50):
I don't know, just investing you see what I'm saying
right right?
Speaker 3 (18:54):
I thought that's the name of the game.
Speaker 2 (18:55):
Invest with one of the biggest conglomerates in the game
that we're trying to do.
Speaker 5 (19:01):
They ain't never asked me then, why, Like.
Speaker 3 (19:08):
Yeah, but that's drug. No, that's not a casino, yo.
Speaker 2 (19:12):
I mean, your alcohol is a multi billion dollar it
is has so many lounges at the Yankee Stadium.
Speaker 5 (19:19):
Do say is my life? That's my baby? Listen, do
say I love it? That drink it every day. That's
my that's my baby. What a casino? Think my daughter
got to wait till she's twenty one and enjoy this investment.
Speaker 3 (19:33):
I might not. I'm willing. I'm here. I want a casino.
We could walk through this. She gave hit them slatch
chin chin is clicking, daddy clicking.
Speaker 2 (19:46):
I won't end. I feel like y'all got more issues
now with podcasters and YouTubers than you ever had with rappers.
Speaker 5 (19:54):
Yo, it's smoky right every day Yo, I go on Twitter,
my whole timeline, it's jay Z and everybody what they feel. Yo,
he doing this, He's doing I'll be dying because I
love it. I'd be like, these people don't know this
man from a man. If you man, they don't have
a clue. They'd be making up all this crazy shit.
And it's like, all right, if he's involved, why I'm
(20:17):
not like that's why it's like, wait a minute.
Speaker 3 (20:20):
If Charlemagne a double agent, then what am I the fuck?
I'm talk clues to this ship this But you've been
down for so long.
Speaker 6 (20:29):
People just used to it a new recruit.
Speaker 3 (20:31):
Yeah, but I supposed to be training.
Speaker 5 (20:34):
He yo, something he just skiing?
Speaker 4 (20:40):
Like, but is that, babbie? Because it's like, you know, podcasts,
they can say whatever they want and there's no repercussions.
Right back in the day, the reason rappers didn't is
because you would see them.
Speaker 1 (20:50):
But now these podcasts.
Speaker 5 (20:51):
Say whatever they want and they don't come outside, and
if you do something, they gonna suit. But that's why
you gotta have a suicide Obama with you hon't got
no money, so he just come out of left field
l a I and they like, who did that?
Speaker 2 (21:02):
But that could be a liability to though they don't
know he with you.
Speaker 3 (21:05):
You just blow up instantly boom. They like, what happened?
Who's that mass man?
Speaker 2 (21:12):
That shit is funny though I don't know where these
rumors come from. Like people be like so Yo, Like
last time I'm at the concert, They're like, Yo, what
so I know you talked to Jake.
Speaker 3 (21:19):
I don't talk to no j Yo.
Speaker 5 (21:21):
I was getting calls people texting me, Yo, what's the
hold up?
Speaker 3 (21:24):
Nigga drunk? I'm not backstage? I don't know.
Speaker 5 (21:28):
Like I even called Ghoul Yo, gool, what's going on?
Like bleak is crazy? I call you back?
Speaker 3 (21:33):
He never called me back.
Speaker 2 (21:35):
I was just telling everybody, damn calling a bomber everybody
that came to me yoe. And you know what made
it funny is people.
Speaker 1 (21:41):
Was like for real, Yo, A lot of people don't
believe that.
Speaker 5 (21:44):
They will believe that, like because the way shit going
right now, they will believe Yo, dame or some ship
shut it down. I ain't invited shut it down.
Speaker 2 (21:52):
He wanted to be there though. Of course he posted
that one guy saying that he should really be there.
He wanted to be there.
Speaker 5 (22:00):
It's like, all right, it's to me, man, it's it's
fucked up. It is what it is, though, Man, you
you make your bad you laying it right.
Speaker 3 (22:06):
That's what they said. That's what That's what they told me.
Speaker 2 (22:09):
Does it feel like something missing?
Speaker 5 (22:10):
No, just being in one honed like yo, word up.
The only time we ship.
Speaker 3 (22:19):
They could gotta die for us to miss you.
Speaker 7 (22:22):
He was supposed to old pictures and I'm like, Dang,
like I know you're doing a lot of reminiscent right now.
Speaker 6 (22:26):
Like he don't even just I can't.
Speaker 5 (22:28):
Lenny don't share no pictures, so I don't even have
no old pictures to reminist So Dang been posting old.
Speaker 6 (22:34):
Joint pages tagging him and stuff, and he be reposting it.
Speaker 5 (22:37):
But he says, that's the Google pictures we've been We've
seen those.
Speaker 3 (22:41):
I want to see the vault pictures. Lenny tucking. We
gotta rob Lenny too, He.
Speaker 5 (22:46):
Got you want to rob Lenny because you got the music,
got the picture, the history.
Speaker 3 (22:52):
If we could get the music with the pictures, we
don't need Jay.
Speaker 5 (22:55):
He can stay in the hand, can create our own
timeline video everything we can drive our own project.
Speaker 2 (23:02):
I thought it was crossing wires with you and Lenny
because of a story about Lairel about who found Guru.
Speaker 5 (23:10):
Oh my god, right, that's crazy, right, everybody that lare
You know that, right.
Speaker 1 (23:15):
It's not Loreel from Atlanta, you know.
Speaker 3 (23:17):
Yeah, No, you just said you'll make sure people know.
Speaker 5 (23:21):
You live in the world today where everybody want their credit.
I want to know why credit. Don't spend. All I
want is the money. I do a lot of ship.
I want people to say, cheach, did it my man cheat?
Give him all the credit, but just send the check.
Speaker 4 (23:38):
I think Loreol, I think it matters Lareel because I
think at first everybody said no, and she was the
one that was really pushing for.
Speaker 3 (23:44):
Guru to work with you.
Speaker 2 (23:45):
You just want history to she wanted to.
Speaker 1 (23:47):
She want history told.
Speaker 3 (23:49):
All right, I said it. I've been on many platforms.
Speaker 5 (23:52):
I tell everybody that the person who bought Guru to
me was Loreal.
Speaker 6 (23:56):
I just clicked the headline says that now behind.
Speaker 5 (23:58):
The scenes with hip Ho Lenny as member, they were
the A and r's and the label heads. I didn't
I don't know what the discussions were. But she had
a lot of other talented engineers. Yeah, what about Darrow?
She had you know what I'm saying, you had?
Speaker 1 (24:15):
Who else?
Speaker 3 (24:16):
You had? Pat Villa, b Stanley.
Speaker 4 (24:21):
She had all the legend that's what engineers really matter,
Like you really cared about the engineer, how to mix
sounding and everything.
Speaker 2 (24:27):
She had.
Speaker 5 (24:28):
All of them names are crew affiliating guru. Rockefeller, b Stanley,
and pat Villa was went the g unit. Du Row
was Desert Storm. Everybody is historic in their own way.
Why is it only about this one? Talk about everybody
that was on the roster, right or I.
Speaker 2 (24:48):
Don't know, did you and Lenny talk about that? Like
you know, you might need to just say, what's up
to Lauria?
Speaker 3 (24:53):
Lenny gonna get beat up Luri. Laurie's gonna come in
and flip that day.
Speaker 4 (25:00):
Yes, but Lenny did a lot too, started for starting
and people don't see this out of it, like he
started from the street team putting the posters.
Speaker 3 (25:08):
But let me really break it down.
Speaker 5 (25:11):
How Lennys right, This is the real deal with how
I feel, and Lennys is is the goat in my
eyes because when Rockefeller back then, when Beans got signed,
remember I was the first artist.
Speaker 3 (25:25):
Everything.
Speaker 5 (25:26):
It's all right, coming to age, coming age two. They
was prepping for Yo, We're gonna work on Bleak album.
But Jay got on another project, did Volume two.
Speaker 3 (25:36):
No. Volume one is when he got the Sunshine record.
Speaker 5 (25:40):
With baby Face and all that. So it was a
whole different direction. Fuck Bleak right now, nigga. We got
pop hits, we out of here. We got baby Face,
we got Little.
Speaker 3 (25:48):
Kim on the record. Puff on him.
Speaker 5 (25:50):
We out of here. Blitz, were gonna focus on you later.
And then Beans came and it was like, Bleak, we
ain't checking for you all.
Speaker 3 (25:58):
Nigga.
Speaker 5 (25:58):
You see this nigga right here, lock in with him.
So then Lenny was the only one member. Back then,
Lenny was the photographer. He used to take the pictures,
sell him the vibe, sauce, all of that type of stuff.
And Lynn came to me and was like, Yo, bro,
I see your hunger. I know you want to work.
I got the studio plug, I got some producers that
got beat Let's lock in.
Speaker 3 (26:19):
He was not an A and R. He was not none.
They didn't give him the initiative to do my project. Nothing.
Speaker 5 (26:25):
We went the Breout Studio did a whole album together
me him Buck Wow, wasn't even no guru back then.
My first album me and Lynn did DOLO and then
when we turned it in, when he turned it into
J and them, that's when they gave him the a Yo, hey,
that's what you did, and you on and the rest
is history.
Speaker 4 (26:42):
Yeah, but he even did more than that. Like you said,
he was street Team at one time. He was the
one dealer with the DJs he was doing. He's the
one that brought me to them to do the Rockefeller
mixtapes and all the mixtapes all the time.
Speaker 1 (26:51):
I know that he's the one that brought them to me.
Speaker 4 (26:54):
Well, Clu didn't want to do it because Clu didn't
want to He was like, I don't want to get
in the beef.
Speaker 1 (26:57):
But he brought me in there to do the mixtapes.
Speaker 3 (26:59):
Like we used to.
Speaker 4 (27:00):
We used to hang out in Lenny's office, Lenny and
g that had office together, and we would just sit
there all day long, from sun up to sundown g Robison.
But the amount of people that would pass by, like
you would see Hole in the office all the time.
So if you see Bigs all the time, you see
Dame all the time, all the artists all the time.
So that's how you would get your drops, you'd get
your records and all that other stuff.
Speaker 1 (27:19):
But Lenny was the one that did that.
Speaker 6 (27:21):
Where did y'all tell?
Speaker 7 (27:21):
I just feel like, I don't there's no where I
can think of where like you would go? You feel
that like my friends that work at labels, they don't
have this, Like it's like a family, you watching people
grow up before you, like.
Speaker 3 (27:32):
Not the coat, but let me put it to you like this.
Speaker 4 (27:35):
They had offices over here on one side. Then when
the death Gen building, IRV had offices on this time.
And IRV would play music all day long. DMX album
all day long before it came out, met them.
Speaker 1 (27:46):
Everything it was just you just felt hip hop.
Speaker 4 (27:49):
Well it just felt better, Like you know how you
go to radio stations and it's quiet, loud noise music,
people yelling, screaming like you wanted to be.
Speaker 3 (27:56):
A part of it.
Speaker 7 (27:57):
Do y'all feel like, because you know, labels are so
like AA driven now, like could we get back to that?
Like could a real culture driven hip hop label solely
just do what they love to do and like actually
be big and success. On twenty twenty six, and get
the support, like get the money, the marketing dollars and
all that.
Speaker 3 (28:12):
I believe the wheel has never been reinvented.
Speaker 5 (28:15):
I just believe they just trying to change it and
put the wheel on a different car. But I believe
if any artists want to get like it was back then,
all you gotta do is grassroot grass root promotion.
Speaker 3 (28:28):
Really go outside and touch the people.
Speaker 5 (28:30):
Like I feel like these artists now is like life
behind glasses, almost like Amsterdam chicks. It's like you can
see them, but you ain't touching them. You gotta pay
a fee they even shake a hand.
Speaker 3 (28:40):
It's like like.
Speaker 5 (28:43):
These dudes over here like thing they charge now for
meet and Greece. That's insane. Imagine we did that back
in the day. We'd have been up.
Speaker 3 (28:52):
Think about that.
Speaker 4 (28:52):
But also, like you talk about the culture, right, I'm
thinking now, like we would leave the label everybody at
let's say five o'clock, and we would everybody in the
industry would go to one spot. Then after that one
spot that everybody would go to one club then everywhere.
It was just like a movement. It was just all
day long. You like you lived it for every day.
You knew exactly where to be. You knew where the
(29:13):
vibe was, you knew where the DJs was, you knew
where all the artists hung out.
Speaker 3 (29:17):
Like today is.
Speaker 5 (29:18):
I love it that it's spread out in different cities
because it was mainly New York. Go to New York,
everything was here. Now you go to Miami, Atlanta, fucking Memphis,
you go to fucking Houston.
Speaker 3 (29:30):
Is the vibe is everywhere, but it's just mixed up.
It's not together.
Speaker 4 (29:34):
Yeah, but everybody kid like you would see jay Z
in a club, of course, like you.
Speaker 1 (29:39):
It wouldn't be like he would be in the club
at the ball in.
Speaker 4 (29:41):
The section just before sections were really big, but he
would be at the club. You would see Dinny at
a club. You would see Gez at a club. I
just don't think you see that man. No, because these
kids scared to go outside.
Speaker 5 (29:52):
You see them on the stream, that's where you see them,
and then you pay to go get that picture next
to them. They not just coming outside mingling with the
everyday folk and being a mongst of the pair their
peers or their fans. They I don't know if it's
a fear tactic or they just think they're bigger than
the program.
Speaker 2 (30:10):
Now that's real. And when you're on social media and
the scream, you think you're talking to probably more people
than you really are, because you don't really feel it
until you actually go outside and shake hands and say
what's up to folks? Like that's why I did the
floor last night because I was list the first three nights.
I'm like, I'm gonna go to the floor and don't
want to really feel the energy.
Speaker 5 (30:26):
Of exactly, Like that's how you know you can really
check the temperature, man, because analytics. Then I feel like
it ruined sports and ruin music and rude and everything
because people just look at the number and think that's
what it is. They don't know what went into that number.
And it's more than that, man, Like you have to
go outside. They want hip hop to live in the culture,
to breathe and bring that vibe back.
Speaker 3 (30:47):
All you gotta do is go outside.
Speaker 4 (30:48):
But what do you think your biggest record was mine?
Speaker 2 (30:52):
Right?
Speaker 5 (30:52):
Nah?
Speaker 1 (30:53):
That's a Chicks your biggest record like that?
Speaker 3 (30:57):
Like that it's the biggest record, yeap. That should play everywhere.
Speaker 5 (31:00):
Bro, I go to any country, Africa to Finland, that
shit is on the radio or in the club.
Speaker 2 (31:07):
Wow.
Speaker 5 (31:07):
And then another sleeper record. That's like mind blowing to
me when I travel is infatuated like mad people be like, yo,
I love. In fact, if you look at my top
three streaming on Spotify and Infatuators number three, and we
never shot a video like damn, we dropped the ball
on that one.
Speaker 1 (31:24):
Were you ever mad at a at J for doing
his verse on my right?
Speaker 3 (31:29):
No? No, no, I need more verses, so give me
another one.
Speaker 2 (31:33):
Why do you know what I think about that? Because
he did this something I was thinking about that. I
was like, yo, why he used to do that to blee?
Now I asked for this body that your chick just
took that record over.
Speaker 5 (31:42):
But he gave it to me like that was his record,
and he gave it to me because he put it
on a project that was released overseas only. And then
he's like, yo, blow bro, i'mna drop it in the US,
fucking put two verses on it. Of course I was,
I'm never gonna murder J. Not back then now I
will back then I got that niggas. No, I'm better now,
you know what I'm saying. But back then and now,
(32:04):
like with my right and there summer I bumped my
head with that one.
Speaker 3 (32:09):
I thought I.
Speaker 5 (32:10):
Was returning the favor of what he did on Handed
Down when they bought his album, you heard me first,
bought my album, you heard him first. But I forget
he's a fucking son. You rested album as a candle.
You're like, yo, this, I just listened to the sun.
Now I gotta listen to a candle.
Speaker 2 (32:24):
I'm cool. You think he should do this with his
other albums, what he did this weekend? All right? Blueprint
A reasonable doubt, just that special because it's the first album,
which is the foundation, and then Blueprint was the best album.
Speaker 5 (32:35):
He's gonna have to do volume too. That's the album
that changed everything, bro.
Speaker 1 (32:42):
Like, why did that album change everything?
Speaker 3 (32:44):
With five million?
Speaker 2 (32:47):
Three years?
Speaker 3 (32:48):
Yeah? I think yeah, came out winning ninety.
Speaker 2 (32:52):
Yeah eight wasn't wash your throne.
Speaker 7 (32:54):
Just get around certain a certain project or now to
watch your throw tour.
Speaker 3 (32:59):
Yeah that was that was just around that two years.
Speaker 2 (33:02):
It'll be thirty thirty.
Speaker 5 (33:04):
And that's the album that changed everything. Any once that
anti record record, you gotta do that, Gotta do that,
gotta do that. Like I feel like that album Blueprint
and black Album blackut.
Speaker 3 (33:18):
He did four four four tour, so you can't. You
know what I mean.
Speaker 2 (33:22):
He gotta do hard knock life in two years. You
gotta do that.
Speaker 3 (33:26):
You got to Volume two is the album that made
jay Z a.
Speaker 2 (33:30):
Pop yea so five million?
Speaker 5 (33:32):
No, you're right, that was the one that changed everything, bro,
Like shiit we was in there, you know, and was
making gift baskets, sending them ships to dj Is, trying
to get spins.
Speaker 7 (33:42):
This is so crazy to imagine, Like I can't imagine
jay Z not as jay Z like how he is
right now.
Speaker 3 (33:49):
Ship you'd have seen him at that car Washaw Murder Avenue.
You wouldn't know. He wasn't who he is. But that's crazy.
Speaker 4 (33:55):
He used to be like you would see whole outside
but it wasn't the security was him and the time,
and he would be outside in the club or you
see with a bunch of chicks. He was outside like
it wasn't like this now, like you can't see your
favorite doss. He was outside. You see him on the corner.
You would see him eating, like he talked to you.
This before people had cameras, so people had autographs.
Speaker 1 (34:15):
It was he was outside. It was a whole different time.
Speaker 5 (34:17):
And then today it's whack they make outside whack because
you try to have a conversation with a person and.
Speaker 3 (34:22):
They like this. Yo.
Speaker 5 (34:24):
I was in the elevator, just standing there, coming downstairs,
and the girl in the elevator like this, And I said, man,
you're gonna really try to sneak tape me when you
can just ask for a picture, like now, if I
take the camera and break it, I'm wrong, but you're
not wrong for just holding the camera up in my face.
And she thought about it was like, Yo, you know what,
You're right. I wouldn't want nobody to do that to me.
Then asks for a picture, so it was like that's
(34:48):
more respectable. But I think today with these phones, these
everybody think they hurrahed though.
Speaker 3 (34:53):
Man, they want the school.
Speaker 5 (34:55):
There's a bunch of hurrah those and they see but
you know what, they don't remember Ral though got.
Speaker 3 (35:00):
Punched in the fence.
Speaker 5 (35:02):
Yeah, they didn't see that one.
Speaker 2 (35:08):
Right, that's real. When Yale was up here with Yale,
Yale's thing was.
Speaker 6 (35:14):
He saying that Jaz don't help nobody.
Speaker 2 (35:15):
Jaz don't help nobody.
Speaker 5 (35:18):
I'm going to say four one K records nigga call
holding down, hold me drop some heat. Niggas ain't paying
your bills, because that's what it is.
Speaker 3 (35:29):
Niggas can't compete. That's why they talk like that.
Speaker 5 (35:32):
You if fifty said one year, these niggas are being
a shelter. They shouldn't be allowed to talk about us
or anybody when you literally are a dependent. Hey, that
shit is insane to me. Man, Like niggas came away
they jewey without their boss. Show me a picture of Yeah,
(35:54):
you're walking around with his chain, the passport chain without
fifty cent there, mm hmm, I gotta see it. But
niggas ain't taking care of niggas. You got there right there,
and we take care of ourself.
Speaker 2 (36:08):
I think I heard Yo say that you and which
is crazy? You say you and Jay's friendship is just
more with more business. I've never seen it.
Speaker 3 (36:16):
Well him in fifty friendship is just finance.
Speaker 8 (36:18):
You yeah for yeah morey going back and forth each
other sounds crazy, But I'm just saying this, like, Yo,
what you you want me to be?
Speaker 2 (36:29):
Yo?
Speaker 3 (36:29):
Jay, look out for me. I drop bombs.
Speaker 5 (36:33):
We got a new song out right now right no
more produced by Cooling Drag Moving.
Speaker 3 (36:38):
We're the last yeah Yo record.
Speaker 5 (36:42):
I don't know he's a dependent you. Of course he
viewed life through look out for me. I never looked
at Come on, Jay raised bosses man, He don't raise dependence.
Speaker 3 (36:54):
We all bosses business owners. Lord.
Speaker 5 (36:56):
I got a bar in the restaurant in Vegas. Tell
him pull up and come eat everything free on me.
Speaker 6 (37:01):
He liked to travel when he was here, he said,
they go talk.
Speaker 3 (37:04):
He got all that flash.
Speaker 5 (37:05):
They asked cargo all that the bill is covered. We
feed people on this side too, was cover.
Speaker 2 (37:14):
He said? He said. Jay Z doesn't support man bleak
the way fifty cent looks out for him.
Speaker 5 (37:17):
That was, But how where's his records? Where's his businesses?
Where's his hot? Do he even have a hot?
Speaker 3 (37:24):
Wait? Let me ask a question. He does do this?
Nigga have children? I don't know because when do he travel?
Where his fim do he do? When his family time?
Speaker 5 (37:33):
When he hit his fifty cent sh and jay Z
ship my wife Rayah, we just came from Paris rocking
the shot. Told my daughter was in there was in
the room, Leonardo da Vinci Bill, you know what I'm saying, Hey,
my son just was at night. One reasonable doubt. Where's
these niggas kids? And you talking about somebody taking care
of you? Who are you taking care of man? Like? Yo,
(37:57):
we fucking fifty and you still want niggas to take
care of you.
Speaker 3 (38:00):
Is insane to me and the fans online think this
is right? Ar you in it? Yeah, Jay, don't look
out for Bleak. He's not supposed to. I have a job.
I get paid. Well, how do you get a check
and say, yo, I need a check?
Speaker 2 (38:18):
But tell him your job though I'm a boss, I know,
but I mean you got a bunch of them job
we do wrap.
Speaker 5 (38:25):
I have four gold albums, by the way, four all
gold hanging up plaques, successful albums.
Speaker 3 (38:32):
I have two business, two restaurants.
Speaker 5 (38:35):
I have a label that was successful, Warehouse shout out
casting over free cast Free, my nigga tax Stone.
Speaker 3 (38:42):
We made moves, you know what I mean?
Speaker 5 (38:43):
We did what we did do say moving crazy min
right exotics in stores, crazy rock, solid pop, shout out
hot tolerance in the streets, crazy.
Speaker 2 (38:57):
Wait Yo, solid podcast.
Speaker 3 (39:01):
Ain't bring that up. I wanted you to say that.
Speaker 5 (39:06):
On Black Effect, our hard drink champs. Like what more
niggas want me to do? I know what I'm gonna do.
I'm gonna start a daycare center for senior citizens rappers,
since they want to be dependent and want people to
look out for them. The only thing they gotta let
me put life insurance on them so if they.
Speaker 4 (39:25):
Die, we cash it down. Get your money straight up
before youve don't you know? I wanted to ask, how
do you how did you Beanie? Well, first two questions,
how did y'all squash the whole Beanie state property thing?
Speaker 1 (39:39):
And the second question, if Jay has beef?
Speaker 3 (39:41):
Do you have beef? No?
Speaker 5 (39:42):
Because if I got your beef, I heat that it
the beef without no, butnins ain't telling me nothing.
Speaker 3 (39:50):
I ain't agree to that now. I wanted that beef
to keep going. Nah.
Speaker 5 (39:55):
But what I'm saying is at the show when they
came out with the army fatigue, ain't no naves with there.
Speaker 3 (40:01):
That was the major setup, bro, Bro.
Speaker 2 (40:03):
Yeah, because it was called the Undeclared War Concert.
Speaker 3 (40:05):
And then we dabted the beef.
Speaker 2 (40:08):
You didn't.
Speaker 3 (40:09):
This is why the blog is getting at us. You
just you just answered it.
Speaker 5 (40:13):
We declared war and then dabted the drama and they
was like, oh, they they're.
Speaker 3 (40:16):
Vulnerable, let's get them.
Speaker 2 (40:18):
Nah.
Speaker 3 (40:19):
But yeah, Nah.
Speaker 4 (40:20):
The reason I asked, so you know We see Dame
taking shots at at Jay all the time.
Speaker 1 (40:24):
Right, do you still say you know what? I don't care.
I'm gonna put them on my podcast.
Speaker 3 (40:27):
We chop it up. Hell No, I can't do that.
Speaker 5 (40:30):
You just said his beef is his be but no,
but that's a different type of beef. That's not beef.
That's that's that's heardaching pain. That's pain there. That's not beef. Bro,
that's that's we were only they can fix that. I
(40:50):
was the little bro and I'm a state of little
bro in that situation. I'm not gonna overstep my boundaries
and try to be something in that situation. I can't
and wasn't. So with that, I leave alone. Everybody else
walk track lightly.
Speaker 3 (41:04):
Man. We don't ignore everything.
Speaker 5 (41:06):
Man, It's some things is okay, but when we see
you have that energy.
Speaker 3 (41:11):
But that's the problem. We don't see these guys.
Speaker 5 (41:14):
And last time I seen ya Yo, we was in
la Aigga was nervous for me wearing my jury.
Speaker 3 (41:21):
But Jay don't look out for me. I ain't even Yo.
Speaker 5 (41:24):
Certain things I don't bring up I don't talk about
because they personal conversations.
Speaker 3 (41:29):
But he no in his heart looking me and my eye.
Speaker 2 (41:36):
He no, He said he was nervous for you wearing
your jewelry.
Speaker 5 (41:39):
Yeah, he told me I was bugging in La. Nigga said, Yo,
you got on the chain in La. You bugging tur Nigga?
What I war my chain everywhere? Fuck as you talking me?
I don't care if I was in the coffin, My
jewelry gonna be on me. Nigga Like, Nigga said, nah,
your name is Jury, yo, Yo, how these new niggas
gonna know we get money if we ain't gonna show
them no new drip, they don't win that old ship.
(42:01):
He was like, yeah, right, See he needed he couldn't
wear his chain.
Speaker 2 (42:06):
But that's kind of some nigga ship though, because you
got all these businesses. Right. So I get what he's
saying when he said, your name.
Speaker 5 (42:12):
Is Nah Memphis Bleek, ain't no money. Nigga said, I
was the whackst nigga on Rocket Flower.
Speaker 3 (42:17):
Fuck out of here. They gonna see this big.
Speaker 2 (42:20):
They't gonna see this big dramber nobody saying he was
the wackest person.
Speaker 3 (42:23):
I heard it a few times.
Speaker 5 (42:28):
What is it, ex Twitterga. The niggas we talked ship
cup they cuz and blood and blood cuz.
Speaker 1 (42:37):
And how did y'all us say property?
Speaker 3 (42:39):
How did that?
Speaker 5 (42:39):
How did that squash? Because because those my dogs, they
better stopped playing with me. Niggas get on this net
and act like we family, we grew up together. I'm
never gonna let these niggas act like we not bros.
I'm not gonna talk to you through YouTube. I'm not
gonna talk to you through ax or Instagram. Not when
my wife is from Philly. I'm in Philly everythanks Giving,
(43:01):
every It's impossible where you at, what block you on?
Speaker 3 (43:06):
I'm pulling up. So that's how that happened.
Speaker 5 (43:09):
Me and Beans brother shout out, brother news, that's my dog,
one of the realists from Philly, stand up man that
he don't play man, and that's my brother. And once
I reach out to him, everything else is you know,
it's taken care of.
Speaker 6 (43:23):
I say, you're on boardroom saying that you told them
y'all should get in the studio together.
Speaker 3 (43:28):
And that's five beats. We ain't get no versus yet.
Speaker 2 (43:30):
That's crazy.
Speaker 5 (43:31):
These Freeway and Beef and Beans might have beef with me,
They're gonna be mad after that.
Speaker 3 (43:36):
They could be told the niggas. W Yes, I told
the niggas.
Speaker 2 (43:41):
Yeah, I feel like after the Roofs Picnic there was
a lot of momentum.
Speaker 6 (43:46):
Yes, I thought that. I thought we're gonna get a
little bit of that niggas.
Speaker 5 (43:49):
Yo, loo bro, we got to drive when the next time,
Big Homie going give us this look. That's why after
we ain't do nothing. Then New York, it was like, oh,
I only touched the stage Friday myself. Saturday, we dropping
something like I had to because, like I said, this
window opportunity.
Speaker 3 (44:08):
Yeah, we we wait for it.
Speaker 5 (44:10):
Man, like when you're gonna get this pitch, This is
like the perfect pitch, the battery bonds. If you don't
take that swing, you can't blame nobody. It's the only buddy,
it's only your fault.
Speaker 2 (44:21):
I was thinking about it this weekend. I'm like, yo,
this might be the last time we seen him this.
Speaker 3 (44:25):
That's a fast Jay's what fifty six fifty six?
Speaker 2 (44:28):
You know what I mean. You don't know how long
he might want to do it. He's richie, he may
not want to. This is thirty anniversary of Reason with
about twenty five or blueprint. Who knows when he's coming back.
Speaker 3 (44:37):
Out there, so I'm saying like he might not.
Speaker 5 (44:39):
That's why I was trying to tell people this might
be the last hurrah Man.
Speaker 6 (44:43):
I felt like that.
Speaker 7 (44:43):
When I saw y'all roots Picnic, though, I was like,
how do we know we're gonna get this again? All
of y'all with jay Z in the party that it
was like.
Speaker 5 (44:49):
Shout out rock solid podcast, you know what I mean,
making them bridges get cross because they.
Speaker 3 (44:56):
Don't want to get ain't gonna never give me my props.
Speaker 5 (44:59):
But I know, be watching the pard like little homie
holding let me higher at the broke.
Speaker 3 (45:05):
Come on dog. He ain't gonna say you're beating Yeah, man,
you broke them niggas up. It's because of you. I
never go get that.
Speaker 5 (45:12):
But the world no, because I meet I want to
sit down with anybody that I felt like we had
issues that wasn't about nothing, because think about it, bro right,
I'm from Marsie. That's let's just put rap of the game.
He from Calmton. I'm from Marsie.
Speaker 3 (45:29):
I don't know that man. He never fucked no girl.
I know.
Speaker 5 (45:32):
I never took no money from him. He never kicked
my dog. I ain't rufous cat like so how can
our problems be real?
Speaker 3 (45:42):
Right?
Speaker 5 (45:42):
You know what It's like, it's just music competitive bullshit.
So that's one artist. I want to sit face to
face and just know yo fan heo, dog why you
shit on me?
Speaker 2 (45:53):
Dog Gang?
Speaker 5 (45:56):
But that's the man conversation on and that's what rock
Solid is about, was letting the culture know.
Speaker 3 (46:02):
Man, it's bigger than that. Bro. We hear. Everybody picked
up the.
Speaker 5 (46:05):
Pen at the same time with one goal, change your life,
and that's all we did.
Speaker 3 (46:10):
We all accomplished that.
Speaker 5 (46:11):
So I never felt anything would be for anybody in
the industry was any bigger than that. So I sit
down with any of these guys just not dam how do.
Speaker 2 (46:21):
You like I be feeling like you don't even need
guess can just be in there cleaning up shit every
week because every week is some bullshit being said about.
Speaker 5 (46:29):
I know, I'm about to make that pivot, that that
you turn, I'm about to get off exit. Don't worry,
it's about to happen because it's too much shit. It's
too much. But then I don't want to feel like.
Speaker 2 (46:44):
I'm the.
Speaker 3 (46:46):
Rock Nation protector, like like people.
Speaker 6 (46:48):
Can't Charlemagne is just that's what they think.
Speaker 5 (46:52):
No Charlamagnet shoot that everybody, but I ain't know he
was down with. I was supposed to have extra spins.
I should have got some time, get like.
Speaker 3 (47:00):
A feature a week right the bleek week?
Speaker 5 (47:03):
What future if he was I ain't know, It's like shit,
what that's like finding out the person you going to school?
Speaker 3 (47:11):
Is also the principle.
Speaker 5 (47:12):
It's like, nagga, you see what I'm saying, Like you
ain't let me cut you hang it with You ain't
just push my graves through for me like I'm a.
Speaker 2 (47:23):
Rock Nation double leasion with nobody at rock Nation.
Speaker 3 (47:25):
Know what sense does that make?
Speaker 5 (47:27):
Yo?
Speaker 3 (47:27):
When I found out, I was like, this can't be true.
Speaker 5 (47:31):
Going in the office last thirty years, ain't no fucking
way where Charlemagne off side and asks Lenny.
Speaker 3 (47:38):
Yo, it's a silvil opposite here. Let's get it.
Speaker 4 (47:43):
Let's get into the record off the album, well, the
record that you just put out this weekend.
Speaker 5 (47:46):
Definitely let's get into this joint called No Moub because
that's what it is this year. We ain't toleranting no
mo bs. We get into that bag. This that new
single produced by Cooling Dre and it's coming off that
new project we drop it.
Speaker 3 (48:00):
Call all Money and good money real soon. Check it out, y'all.
Speaker 1 (48:05):
No mo Is Memphis Blake. It's the Breakfast Club. Good morning.
Hold up every day I wake up The Breakfast Club.
Speaker 3 (48:14):
You finish for y'all done,
The Breakfast Club News
Hosts And Creators
Charlamagne Tha God
DJ Envy
Jess Hilarious
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