The Breakfast Club BEST OF - Mýa Talks Creative Freedom, Navigating the Industry, Independence. Plus, Callers Call in For Jess To Fix Their Mess. - The Breakfast Club

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Up, Wake up, wake up, program your alarm, the power
one oh five point one on iHeartRadio.

Speaker 2 (00:09):
Your time to.

Speaker 3 (00:09):
Get it off your chest, whether you're man or blast.

Speaker 4 (00:12):
I hate the way that you walk, the way that
you talk, I hate the way that you dress.

Speaker 3 (00:16):
Everything. When me is best call up now eight hundred
five eighty five five one. Not just me, I'm what
the coach of Philly?

Speaker 5 (00:23):
How about this?

Speaker 6 (00:24):
Hey, this Taylor from Atlanta?

Speaker 3 (00:26):
What's up taying? To get it off your chest?

Speaker 6 (00:27):
I'm gonna go ahead first. I'm I'm only trying to
know a little socialtalogy, medicine where there off. I ain't
gonna get up at all the time of powers. So
it's cool, top y'all I get a chance. But nah,
I wanted to say. I can't stand how white people,
especially people who are mad people, don't know their history
and they refuse to learn it real quick. I was

(00:49):
in Denver about two three weeks ago, and uh for
a bachelor, probably one of my homeboys. He just he's
got a good job up there with a good organization
that's different. So we're gonna fly up their support.

Speaker 2 (01:01):
Um, you know what I'm saying.

Speaker 6 (01:02):
Stuff like that, and it's like me throw our car
from Atlanta. I'm really from College Park, Georgia, but I
live in Atlanta. I got my home boy from Florida.
I got the Carolina South Carolina, North Carolina, got vinsas
Charlie all like that. But anyway, we walk into Luke
Park and these white girls jumped straight on us and

(01:24):
they just sit in there cocketoos. And the bartender was like, oh,
where y'all boys from? And being down south being called boy,
you're gonna look at a certain type of way on
boom like you know what, I can't wait for them
to make America great again. Man, let me tell you
we I my home boyn't jump on the first. My
homeborn in Florida. He got eating first, then I said,

(01:48):
Then I asked him when we were with America great?
And then every year that he was trying to name
it wasn't. I'm like, so flooding black towns that great?

Speaker 7 (01:57):
Uh?

Speaker 5 (01:58):
From what you did?

Speaker 6 (01:59):
What I said, hallabemo is that great?

Speaker 8 (02:02):
Uh?

Speaker 6 (02:02):
When they have to say with the Japanese and Chairman Care,
I was like, it's never great. And then so anyway,
we ended up leaving and my homeboy turned around. My
homeboy for l a turn around and say yeah, and
we take your snow bunnies with us, you know, doctor
muban no e. When they addresses and they laughed and
they broke up coastal real quick. But not so but

(02:24):
when we got back to the airbnd. The white girl,
the white girl, she said, a lot of white people
are like knowing about their history simply because they can't
take it. It feels like you know all your life,
you can sena Claus grill, and then we find out
not you.

Speaker 3 (02:40):
Don't know hot take well, I will say this, I mean,
you turn the bachelor party to a history lesson. I'm
not mad at that, but the but you, but you're
you're losing with you brought the snow buddies back to
the crib. I'm sure if some of your partners is
married now, you just got them all caught up and
wrapped up. And what why did y'all bring the snow
buddies back to the crib if you just had a
black history lesson?

Speaker 9 (02:57):
And if you're about to get somebody about to get
married next day or whenever.

Speaker 6 (03:01):
I wasn't so let me tell you you were seven
the bus at that time because three people were late.
I was in the I was on the phone with
my black queen.

Speaker 10 (03:11):
With the ratio.

Speaker 9 (03:12):
Out of the seven, how many are actually entangling other
situations outside of them snow bunny. So many of them
married their relationships.

Speaker 6 (03:19):
It's only it's only me. I'm in a relationship trying
to possibly get married, and my other hubbo, he's engaged.
We did not. We were like, man, we got to
go back to our room because I ain't gonna lie.
Like two of them were like Marian care and sometimes
you know yourself behind that you.

Speaker 9 (03:35):
Was contemplating, was contemplating what is happening to doctor Humor
in the last year.

Speaker 10 (03:39):
Jesus, That's that's how it be.

Speaker 9 (03:41):
It'd be like I'm on the form my black Queen,
but low key contemplating the ice bunny.

Speaker 3 (03:44):
Nah, you should should when we when they were taking it,
when they were taking the mice money, I said ice money.
When they were taking them snow bunnies back to the crib,
bro you should have you should have took off, you
should win. You should have got a hotel room where there.

Speaker 10 (03:55):
That's the problem we were in.

Speaker 6 (03:57):
We were in a little uh many, a little mini
man ship. So we're down there, like I said, we different,
So I told her it was going on once again.

Speaker 5 (04:05):
It's seven at this time.

Speaker 6 (04:06):
It's seven of us, three my homeboys. They came later,
but it was five of there.

Speaker 3 (04:11):
Because you know, if the snowbody say somebody rape them,
y'all all go to jail.

Speaker 5 (04:16):
Sitting there. Hey, look, that's how you gotta think.

Speaker 3 (04:18):
You gotta think of the worst, just the case that
you don't put yourself in that predicament. Fellas, I see y'all.
Let I'm going to another room on the other side
because I don't want to be associated with none of this.

Speaker 6 (04:26):
And that is exactly what I did. I went to
the other room on the other side, and I watched
from John Stewart. I called my lady, I let her
know what was going on, and I'm here.

Speaker 2 (04:38):
So thank you, brother.

Speaker 3 (04:40):
You have a good.

Speaker 6 (04:40):
Weekend, all right? Well, just a little nod one the
white like we were trying to figure out what to do.
So one of the snow bunnies when they got to
the club, when they got to the area and be
we trying to figure out the music and the when
the white girl said you have to see nothing buck.

Speaker 3 (04:56):
And you played it too, and you watch them dance.
I'm telling your wife.

Speaker 4 (05:00):
Hello, this is Oeta from Maryland, Maryland.

Speaker 11 (05:06):
The morning d J.

Speaker 12 (05:08):
It's the just hilarious Charlovina.

Speaker 11 (05:10):
God just shout out to you, Eastern Shore of Maryland.

Speaker 10 (05:13):
What's up?

Speaker 11 (05:15):
Oh my god, I'm such a big thing. I'm doing
so good.

Speaker 12 (05:19):
Yes, I wanted to get off my chest this morning.

Speaker 11 (05:21):
I know it's a lot going on in the world,
but I'm a single parent.

Speaker 12 (05:25):
I got two sons eighteen and fourteen, don't do the mask.

Speaker 11 (05:30):
And I worked two jobs, and I currently.

Speaker 12 (05:34):
Graduated from University of Seen at the top of my
class and literally, thank you, thank you. I'm the first.
I'm the first generation uh graduating of my family. I'm
my boys sound like this because I got off work
late last night, literally working two jobs, taking care of
my kids, you know, like, and then getting up and

(05:56):
then happen to take care of everybody else's kids.

Speaker 5 (05:59):
What's your I'm major in our.

Speaker 12 (06:01):
Early childhood, elementary education, and youth leadership.

Speaker 10 (06:05):
Oh so does my mother. That's what's up. That's what's up?

Speaker 6 (06:08):
All right?

Speaker 13 (06:08):
Oh?

Speaker 11 (06:09):
Yeah she do, and she got a guy here.

Speaker 12 (06:10):
I remember you talked about it.

Speaker 10 (06:12):
The locations absolutely, yes, yeah.

Speaker 12 (06:15):
So I mean our job, you know, no matter what,
it's inspired. So like I just wanted to do something
that's I'm going to inspire somebody. And let me tell you,
them kids treat you like a C eleven dire be
times where stuff be going on in the world, it's
like them kids pour right back in hen they make you.

Speaker 2 (06:33):
Feel so good.

Speaker 10 (06:34):
I appreciate what you do, girl, that's important for sure.

Speaker 12 (06:37):
Thank you, Thank you so much.

Speaker 3 (06:40):
With mama, get it off your chest eight hundred five
eight five one five one. If you need to ben
hit us up now. It's the breakfast Club. Good morning,
wake up, wake up.

Speaker 12 (06:47):
Wait y'all, ask.

Speaker 2 (06:49):
Your time to get it off your chest. Whether you
mat or blessed, we want to hear from you on
the breakfast blos.

Speaker 6 (06:56):
Hello, who's this today?

Speaker 5 (06:58):
Holiday?

Speaker 3 (07:00):
I ain't taking the bed.

Speaker 14 (07:02):
I'm a first time caller, a long time listener. I
wanted to shout on my wine. I want to shout
out Ayana. By holding it down, they don't talk about
the unemployment. I've been unemployed a year and a half
and she's been holding.

Speaker 6 (07:17):
It down for me.

Speaker 2 (07:18):
What she was a federal worker.

Speaker 6 (07:19):
No, I wasn't a federal worker. I just gotta laid off.

Speaker 2 (07:23):
Okay, okay, she's your one. Who's your two? You got
a two?

Speaker 14 (07:26):
No, I ain't got no too, only one.

Speaker 2 (07:28):
Here you go.

Speaker 14 (07:28):
That's a black man, don't cheat.

Speaker 2 (07:30):
That's right, that's right, that's right. How y'all got doing bless.

Speaker 11 (07:34):
Black and Holliday congratulating book.

Speaker 5 (07:38):
Yeah, thank you so much.

Speaker 2 (07:39):
Go pick up a cop. Love you, I love you.

Speaker 6 (07:41):
Got well.

Speaker 14 (07:42):
I ain't got no kids, but I'll read. I'll check
it out.

Speaker 10 (07:45):
Yeah, it's not. It's not only to people with kids.

Speaker 4 (07:47):
The book basically talks about, you know, relationships as well.
It's it's the basis of it is co parenting, but
it's relationships and how you assess them as well, so
you can use it.

Speaker 3 (07:56):
Yeah, hello, who's this Yo?

Speaker 5 (08:00):
Moved jazz from the port with up breakst Club.

Speaker 3 (08:03):
Get it off your chest?

Speaker 15 (08:04):
Yeah, man, I wanted to talk about this Drake album.

Speaker 5 (08:07):
Now, I'm a first off bus stunt. I said, I'm
not a Drake fan, but I like good hip hop.

Speaker 6 (08:13):
I like good music.

Speaker 15 (08:14):
And from what I got from the three albums is
that he pretty much gave three different stages of him.
And like I've always said, I like so far gone
Drake you feel me anything after that, I ain't really.

Speaker 5 (08:29):
Too much of a fan of You got some hits
here and that stuff.

Speaker 16 (08:32):
But the only thing I really liked about, you know,
these three albums is the club Bangers that he had
on that last that last his last week that you
the print is funniest hell, one of my favorite ones.

Speaker 5 (08:44):
Though I ain't gonna live.

Speaker 2 (08:46):
That's your question. You got any homeboys that rap that rap?

Speaker 5 (08:48):
Yeah, yeah, for sure.

Speaker 1 (08:50):
I bet you don't listen to none of their music.
But you listen to three Drake albums this weekend. I
bet you whenever they send.

Speaker 2 (08:54):
You something, you'd be like, Man, I ain't got time
for it. You know what I'm saying.

Speaker 5 (08:56):
No, no, no, you know, shout out, shout out, shout
out my dog.

Speaker 6 (09:00):
Bam boom body, he got good music.

Speaker 2 (09:03):
Boom Okay, okay.

Speaker 5 (09:05):
Bam boo body.

Speaker 6 (09:07):
He from uh here, from uh from Baltimore, I believe,
you know.

Speaker 11 (09:11):
But he grew up.

Speaker 3 (09:13):
He grew up.

Speaker 5 (09:14):
He grew up in the Port, Yo.

Speaker 16 (09:16):
He grew up in the Port City. Woman to North Carolina,
you know, I mean we all stand on that for real.
It's a lot of it's a lot of homeless local
He's from the Port City.

Speaker 5 (09:26):
I listened to his music too. I mean, like I
support for really.

Speaker 1 (09:30):
I hope so, because there's a lot of y'all out
there that listen to three Drake albums this weekend, but
won't never listen to one song your homeboy sent you.

Speaker 3 (09:36):
Why why you gotta be at Like, if I kend
you got down and be like you, why are you
gonna be dropped?

Speaker 10 (09:42):
He would have already dissected all of them.

Speaker 2 (09:44):
I listen to the one Drake album. There's a lot
of Drake listen the three Kindred albums. If he dropped,
I don't have that ton of time.

Speaker 3 (09:50):
There's a lot of Drake fans out there, Like when
Chris Brown dropped that double album was like thirty six thirty.

Speaker 2 (09:56):
He just did that last weekend. You still ain't get
through all of it.

Speaker 10 (10:00):
I am.

Speaker 4 (10:00):
I am because I'm still listening to the forty five
track albums the two ones before that.

Speaker 3 (10:05):
So yeah, but there's a lot of Drake fans out
there there, like you don't think over your elive up
here to listen everything.

Speaker 10 (10:10):
So he probably know every song on every album.

Speaker 2 (10:13):
Word you don't have no kids? He did. He went
to tell young man with really no life. Damn Drake
is his life. He has no light.

Speaker 4 (10:23):
Did he get back from I don't know when he
met Drake though he didn't mean drink, Yes he did.

Speaker 2 (10:27):
We don't know that for sure.

Speaker 10 (10:28):
He told us he lie.

Speaker 2 (10:30):
He didn't tell us anything yet. He didn't tell us that.
Somebody told me that, And I.

Speaker 10 (10:34):
Told y'all, no, somebody, you ain't telling me that.

Speaker 2 (10:36):
I did tell you that last week. I read you
the text verbatim, crazy girl.

Speaker 3 (10:41):
I wonder what he said to Drake. I wonder what
had like. You know anyway, get it off your chest.
Eight hundred five eight five one oh five one. If
you need to vent, hit us up now. It's the
Breakfast Club.

Speaker 2 (10:48):
Good morning.

Speaker 3 (10:49):
Warning everybody, it's dj n V. Just Hilarius, Charlamagne, the
gud We are the Breakfast Club. If you're just joining us,
we're taking your phone calls eight hundred five eight five
one oh five one. This comes from a converse Shikiki
Palmer was having, and she was talking about when she
gets married, she doesn't want her and us about to
live in the same house. Let's listen.

Speaker 17 (11:06):
One thing I need you to know is that I
never want to live together.

Speaker 10 (11:11):
I like my alone time.

Speaker 3 (11:13):
But is that real?

Speaker 10 (11:14):
That's real?

Speaker 17 (11:14):
I just feel like, you know, we we Goldberg said
the best one. She was like, I don't want a
better in my house. Mary, even you don't live around
the corner, the corner will be great where you let
him live in the telling me the guest house.

Speaker 10 (11:26):
You know what I'm saying.

Speaker 17 (11:26):
We can be on the same you know land, But
I'm over there and he's over there at best separate rooms.
But think about how funny it would be to be like,
I'm going over to my man's house.

Speaker 2 (11:37):
It keeps and exciting.

Speaker 10 (11:39):
I want to go slit on his couch, and he
better clean when you're coming over. That's what I'm saying.

Speaker 4 (11:45):
You know, I will say I'm laughing about it, but
there are probably people watching right now who agree with you.

Speaker 17 (11:49):
Come on, it just helps to keep I feel like
sometimes you can be just two up under.

Speaker 4 (11:54):
That's cute in the beginning. You know what I'm saying,
I want to go with my man's house. I want
to go like, Yes, there's nothing like saying that when
you're dating, but.

Speaker 10 (12:01):
When you married, I can't. I don't agree for I
don't agree with it for myself.

Speaker 4 (12:06):
That's it's absolutely mandatory for me to live in the
house with my husband. And but I do understand why
a person like Cheryl Lee Routh would say that. Now
Kiki is young, I don't know, unless she just went
through the ring of with her baby father, I don't know.
I guess all the turmoil that they went through, I

(12:27):
guess that got her.

Speaker 10 (12:28):
To that point. But and that could change for Kiki
because she's younger.

Speaker 4 (12:32):
But Cherry Lee Roth, I do understand, for one, her
and her husband living two different states. He's into he's
a politician or something like that, and she's an actress
and she has to be on a certain side, you know,
in a certain city, because she films most of the time.

Speaker 10 (12:44):
So I understand that.

Speaker 4 (12:45):
Then they older, they didn't have years and years and years.
And when you get older, I do notice, because I
know this from my grandmother, you want your space, and
they she ain't gonna leave him like they got her
and my grandfather was together. They were together for so
long that she didn't want to leave him, but she
didn't want to live.

Speaker 10 (13:00):
That's just how that was.

Speaker 3 (13:01):
I don't know how many how many girlfriends your grandfather.

Speaker 10 (13:04):
We know, I don't know, Okay, I have no idea
because remember I told you she shot him in the ass.

Speaker 3 (13:09):
Was asking right, but somebody shot me as I don't
know if I wan't live in the house. But that's what.

Speaker 4 (13:12):
But he bought that on the south. Now, No, for
I was talking the truth about the church. My mother
didn't want me to reveal that about her.

Speaker 2 (13:20):
Mama call and say, hey, don't be talking about my mama.

Speaker 4 (13:22):
Now, okay, all right, yeah, yo, I gotta leave my
family business out of this. But yes, like I do understand,
I just don't agree with it.

Speaker 3 (13:33):
For me, Yeah, I can't. I cannot be married to
my wife and we not live in the same house.

Speaker 2 (13:38):
Like, I just can't.

Speaker 3 (13:39):
Like we are up under each other and and I'm
fine with it.

Speaker 6 (13:42):
I love it.

Speaker 3 (13:42):
Even when we arguing. I want to look at her miserable,
she will look at me miserable. We're just gonna be
miserable in the same bed together.

Speaker 17 (13:48):
Or no, we are not.

Speaker 3 (13:49):
No where in hell. No you live in this house.
I living that. No, no, no, no, no, it's not happening.

Speaker 2 (13:55):
Yeah, I have no idea what Kicky Palmer is talking about.

Speaker 1 (14:00):
She sounds like a person who's never been married I
would actually listen to her and respect it more if
she had some lived experience. Okay, what's the point of
being married if you're not going to live with each other.
That's part of being married. That's how you build deep
intimacy with a person. That's how you share daily responsibilities.
That's how you have a long you build long term compatibility.

(14:20):
Do you need space sometimes, of course? Do you need
me time a long time?

Speaker 2 (14:24):
Of course?

Speaker 1 (14:24):
Well, what's the point of being married if you're not
under the same roof? How does that work with the kids?
There's nothing better than being in the bed with your
wife in the middle of the night and one of
your kids come in because they say that they had
a bad dream, but they stomach her.

Speaker 2 (14:37):
You want to be there for every waking moment. So
I don't like no, like no, Ki.

Speaker 3 (14:42):
We have somebody on the line that said works for them.

Speaker 11 (14:44):
Hello, who's this remain anonymous breakfast club?

Speaker 2 (14:48):
What's up?

Speaker 10 (14:48):
What's up? We cannot see you?

Speaker 2 (14:50):
How are you?

Speaker 11 (14:52):
That's all right?

Speaker 8 (14:52):
Yes?

Speaker 5 (14:53):
Don't get this.

Speaker 3 (14:55):
Works in a situation where you and your husband live
in your mouth.

Speaker 13 (14:58):
It's not a situation.

Speaker 5 (15:00):
This is an actual relationship.

Speaker 6 (15:02):
Don't play with me.

Speaker 3 (15:04):
Break it down.

Speaker 13 (15:04):
We are actually in a relationship. We have dated for
about six years, married engaged a little over two years.

Speaker 11 (15:12):
We're not we're not married just yet.

Speaker 13 (15:16):
Because everybody don't want the same thing, and not everybody
is traditional. And when I got with him, I let
him know I'm not the most traditional person and I've
stuck with that. It's more me than him. And a
lot of the times when you hear about people not

(15:36):
wanting to live together, it is the female. It's more
the female than the man. The man is like we
need to be under one roof.

Speaker 4 (15:43):
But I feel like that comes in like trauma, like
something had to happen. Why now do you ever ever
want a house divide it? Like you know what I'm saying.

Speaker 13 (15:50):
It's not divided.

Speaker 5 (15:51):
It's not divided.

Speaker 13 (15:52):
It's not divided. I sleep with him, he sleeps with
me every night. We're not sitting here like not together.

Speaker 6 (15:57):
It's not divided.

Speaker 10 (15:59):
But there's no trauma.

Speaker 13 (16:01):
There's no trauma assisted or associated with not wanting to
live together.

Speaker 2 (16:06):
But y'all sleep together every night. You just said how
and then you go home on the phone or.

Speaker 5 (16:11):
What do you do?

Speaker 13 (16:13):
Well, technically the home is next door.

Speaker 10 (16:15):
So yeah, on the same land, just next door to
each other.

Speaker 13 (16:21):
Yes, exactly what promise said.

Speaker 11 (16:23):
Where you're right here, I'm right here.

Speaker 5 (16:26):
Okay, it works.

Speaker 11 (16:27):
You got your space.

Speaker 13 (16:28):
We are spaces literally are right there.

Speaker 3 (16:30):
There's no problem.

Speaker 2 (16:32):
I'm still listening to you till you get married. That's
the whole, biggest.

Speaker 10 (16:35):
That's the man.

Speaker 13 (16:36):
I'll call you back when I get married.

Speaker 8 (16:37):
You want.

Speaker 11 (16:38):
I got my ring on my finger, but that's going
to be my husband.

Speaker 3 (16:41):
So question, when you have kids, who the kids gonna
live with?

Speaker 7 (16:43):
Oh?

Speaker 13 (16:43):
No, honey, we don't have kids.

Speaker 11 (16:45):
I'm too old to have kids. My kids are grown.

Speaker 5 (16:48):
He hasn't.

Speaker 11 (16:48):
He does have children, but his children are.

Speaker 13 (16:51):
Grown, semi grown, and one is kind of middle school
is older. Again, when is the wedding? Well, we're hoping
the wedding will be in the next year or two,
but we want to buy some homes first. We want
to buy some landfast, and we don't want to make that.

Speaker 3 (17:10):
Okay, So what do you do when you look at income?
In come?

Speaker 13 (17:14):
Don't play with me in come?

Speaker 3 (17:16):
When you see another woman coming in that house, will
you do?

Speaker 2 (17:18):
Oh?

Speaker 6 (17:18):
Then he wouldn't be living next door.

Speaker 11 (17:20):
Why No, it's it's a reasonable question.

Speaker 13 (17:25):
You're definitely a reasonable question.

Speaker 12 (17:27):
There should be, but there should be if there's a
respect factor.

Speaker 13 (17:30):
And you all have had that conversation, it shouldn't be
let's play around with each other's feelings and let's play
around with each other's lives. This is a conversation, like
Kiki Parma says, you have to have early and in
the beginning sometimes you probably don't think it's going to
be like, well, well maybe we'll fall in love and
you know, we'll change each other's minds. But people have
to understand that if you are honest from the beginning,

(17:52):
you can't fault a person for wanting to stick to
their honesty. And a lot of people just don't want
to live together. It's all right as long as you
take care of your business and I'm taking care of
him and he's taking care of me.

Speaker 2 (18:05):
We appreciate you. But we need to talk to some
married people.

Speaker 3 (18:08):
But if you're just joining us, we're talking about something
that Kiki Palma said about marriage. Let's listen.

Speaker 10 (18:13):
One thing I need you to know is that I
never want to live together.

Speaker 3 (18:18):
I like my alone time.

Speaker 10 (18:19):
But is that real? That's real?

Speaker 17 (18:21):
I just feel like, you know, Whoopi Goldberg said the
best one. She was like, I don't want a better
in my house.

Speaker 10 (18:25):
Mary, even live around the corner the corner would be great.
What about a guest where you let him live in
the me the guest house.

Speaker 17 (18:32):
You know what I'm saying. We can be on the
same you know land. But I'm over there and he's
over there at best, separate rooms. But think about how
fun it would be to be like, I'm going over
to my man's house.

Speaker 10 (18:43):
It keeps exciting. I want to go slit on his couch,
and he better clean when you're coming over. That's what
I'm saying. You know what I will say.

Speaker 4 (18:52):
I'm laughing about it, but there are probably people watching
right now who agree with you.

Speaker 10 (18:56):
Come on.

Speaker 17 (18:57):
It just helps to keep I feel like sometimes you
can be just too.

Speaker 3 (19:01):
So we're taking your calls. Eight hundred and five eight
five one five.

Speaker 2 (19:04):
Hello.

Speaker 3 (19:04):
Who's this?

Speaker 11 (19:05):
Oh my god, it's Liz.

Speaker 10 (19:07):
Good morning, Good morning.

Speaker 3 (19:09):
Now Lizza, you married and you and your spouse don't
live in the same home.

Speaker 18 (19:13):
Yes, I am married and we're not living in the
same home.

Speaker 19 (19:16):
We just recently got married.

Speaker 4 (19:18):
Congratulations down, oh, just now up twenty twenty five, Yes.

Speaker 2 (19:24):
Yours, I will listen to you. Now, tell me why
y'all not living together?

Speaker 19 (19:28):
Well, right now, we're trying to sort things out.

Speaker 11 (19:30):
That's number one. He has his own apartment, leases and
stuff like that.

Speaker 19 (19:34):
But let me tell you something. I was in a
relationship for five years and it was the worst of
the worst.

Speaker 11 (19:41):
The breakup was horrible. I ended up with nothing.

Speaker 18 (19:45):
I had to the apartment.

Speaker 19 (19:47):
It was just starting over.

Speaker 18 (19:50):
I understand where she's coming from, you know.

Speaker 19 (19:52):
What I'm saying, like, it's hard to trust someone when,
like you know, if it doesn't end well, what's going
to happen with the leaves and then you have things invested?
What if you don't get the things back?

Speaker 10 (20:03):
So why did you get married again? Baby?

Speaker 4 (20:05):
Don't really sound like you were ready for that because
you still hurt from five year relationship.

Speaker 2 (20:11):
You know, you jumped the.

Speaker 19 (20:14):
Relationship it healed, It was actually ended three years ago.
And I actually met this person a year ago and
he actually is slowly and accepting of what I went through.
So he's actually allowing me to be me.

Speaker 3 (20:31):
So y'all don't live with each other, and y'all not
moving with each other, y'all gonna keep it that way.

Speaker 10 (20:35):
Separate, I think they're going to.

Speaker 19 (20:36):
Oh no, no, no, we're definitely gonna move in. But
I understand where she's coming from, alm amostand now because.

Speaker 2 (20:43):
Yeah, is because you Latino at a time like this.

Speaker 10 (20:47):
God literally.

Speaker 19 (20:49):
He is capable of It's just like I said, you
have to really kind of.

Speaker 18 (20:53):
Know the person.

Speaker 19 (20:53):
But I also took time to heal.

Speaker 3 (20:55):
I think, what happened.

Speaker 2 (21:04):
Your husband?

Speaker 13 (21:06):
Well, he's white, he's.

Speaker 2 (21:09):
Now You're right. My suspicion was right, should be scared.
He's scared to.

Speaker 3 (21:16):
Move in with you.

Speaker 2 (21:17):
You know, you might get knock at the door. I'm
just saying you might get that knock.

Speaker 13 (21:23):
Damn, no, no, no thing.

Speaker 19 (21:26):
He's not going to give a knock.

Speaker 11 (21:27):
We're well documented.

Speaker 2 (21:29):
So that's good.

Speaker 19 (21:31):
But it was, like I said, it was I had
to take time to heal, like I didn't want to
the trauma, whoever was it was, whatever man came to
my house.

Speaker 13 (21:39):
I was like, you're not going.

Speaker 10 (21:41):
Home, like you don't have a home. D damn. So yeah,
she looks sar, But congratulations on you getting married. I
think that's dope. That's fire.

Speaker 4 (21:51):
But like I think you should like do some type
of therapy to get over you being scared. To live
with your spouse. I mean, because it's just still like
you still hurt from the you know what I mean.
I know it was three years ago. That seemed like
a long time to you, but you taking that into
your new marriage.

Speaker 10 (22:05):
You know what I'm saying.

Speaker 19 (22:06):
Yes, And you know what's so crazy, Charlotte made It's
crazy because when I used to be with my ex partner,
we used to listen to like the breakfast stuff, and
I always used to be like, oh my god, I
do not like Charlotte Magne. I feel like he is
so judgmental, Like.

Speaker 18 (22:25):
Why that's his personality?

Speaker 19 (22:27):
But it's so crazy.

Speaker 18 (22:29):
It was my first time in a while listening to
you guys, and I was just like, wow, like I
have progressed because I used to ignore your your whole
morning show because of what I went through.

Speaker 3 (22:40):
Oh I'm glad.

Speaker 2 (22:42):
Yeah, not judgmental. I just judge certain situations.

Speaker 18 (22:48):
You know, you're amazing. Let me tell you something.

Speaker 19 (22:50):
I heard your podcast.

Speaker 13 (22:51):
Well, Mel Robbins, you are amazing.

Speaker 10 (22:54):
You're a very great speaker.

Speaker 13 (22:55):
So believe it or not, you're amazing.

Speaker 11 (22:58):
And I love you guys so much. Have a wonderful,
wonderful day.

Speaker 3 (23:03):
Woman, all Right, well, what's the moro of the story.

Speaker 2 (23:05):
If there's a more don't listen to married unmarried people
married about marriage?

Speaker 10 (23:09):
Yeah, yeah, I only.

Speaker 1 (23:13):
Want to talk to people who have done this successfully,
that are happily married.

Speaker 4 (23:17):
But I guarantee you Kiki feels like that because of
what she went through with her son's father, and guarantee
you that.

Speaker 2 (23:25):
I feel like people say that until they find the
right person exactly.

Speaker 1 (23:28):
That's why the right person you want to be with
that person twenty four seven, three sixty five.

Speaker 2 (23:32):
That's the whole beauty of marriage.

Speaker 4 (23:35):
Some of us staying relationships too long that that's not
good for us. We're staying it too long, and that's
how you end up hurt.

Speaker 3 (23:43):
And just like what Kiki said, you was trying you.

Speaker 7 (23:53):
Because he was then I thought you were bringing it.
Don't just stop you just you almost had it almost.
It's silent too long, all right, listen breakfast, Good morning
morning everybody.

Speaker 3 (24:10):
It's dj NV just hilarious, Charlamage the God we are
the Breakfast Club. Lawla Roast is here as well. We
got a special guest in the building.

Speaker 2 (24:17):
Indeed, Maya welcome morning. The first time, Wow, good morning,
I met everybody before. How did you get you this morning?

Speaker 8 (24:29):
Good? I got a good, nice rest. Okay, that's happening,
tacos for Taco Tuesday.

Speaker 2 (24:37):
She married to a Mexican, so every day is also
black as well.

Speaker 10 (24:40):
So yes, I'm good.

Speaker 2 (24:44):
How are y'all doing album retrospect? Yes, sir, what did
this album mean to you?

Speaker 8 (24:50):
This album is a journey back into time, the time
that influenced me to sign up to music. You know,
when I fell in love with music for the first time,
it was literally soun, R and B that filled my household,
Vinyl days, the collection, and my parents had a lot
of dancing going on, a lot of singing going on
in the living room. But culture as well, the block parties,

(25:13):
the skating rinks, those gatherings where your family would come over, laughter,
children playing, so it's a celebration.

Speaker 2 (25:20):
Nobody could look at you and tell you grew up
in that era.

Speaker 8 (25:23):
Literally, no, I'm a seventies baby. Yeah, so the whole experience.

Speaker 4 (25:30):
But I'm glad that you said that because we were
listening to the album and I instantly got prince Yeah,
So it was like that was totally intentional.

Speaker 8 (25:38):
Oh, yes, the Minneapolis sound I've worked with Jim and
Lewis before performed with Prince before, but that whole era
of funk, the performance, the aesthetics, the fashion, you know,
the little I expressions and the facial expressions and the
hand gestures, just the ultimate performance during that time, the rehearsals.
You know, I'm a musician's daughter, Yeah, and it really

(26:02):
inspired me. I've done stuff like that before on previous albums.
I did a Rick James cover, but I just wanted
to embody a whole body of work, which is what
is what an album is to me. So retrospect is
literally digging into the crates of my influences and going
back into time, those joyful times of my childhood that
first influenced me and introduced me to music.

Speaker 2 (26:26):
Yes, what was that like?

Speaker 8 (26:28):
It was beautiful, you know. I got to see him
two nights in a row at the O two in London,
and he had a lot of artists joining him and
I learned a lot just by being there for two nights.
There was a jam session of course afterward, at the
end of Go and of course the conversation about independency,
you know, the first conversation. I'd met him before that,

(26:50):
but he was a big advocate of empowerment, no sampling,
playing an instrument, all of those things and then really
investing in your craft. And they were gems that were dropped.
See I'm not friends. And I started this independent journey
very early before it was a thing, and Men and

(27:13):
nine is my label, and I didn't necessarily know what
it was all about when I stepped into that new territory,
and he was the person that was the voice of
reason that sort of kept me on that path even
when it got tough. You know, it requires you to,
of course finance one hundred percent. That's the way I've
done it, and you know, grind, but also wear several

(27:33):
different hats and wear many roles. And it's been a
beautiful educational journey of empowerment but learning and then also
developing relationships when you become the label yourself and figuring
it out because you know, the business of music and
then also the technological side of things changes every few weeks,
there's a new platform. So it was really wonderful just

(27:56):
to be in his presence, but also to receive the
spiritual conversation, the business conversations, the new business models, the
rehearsal conversations, fighting your niche conversations, the performance aspect of it,
and then encouragement how ahead we find we? Oh, I
mean he was in his own world. He was one

(28:17):
of one playing over seventeen instruments, you know, I don't
know anybody that does that, and was very passionate, articulous,
very detail oriented. I witnessed him doing a sound check
at the O two both nights, and so I actually
ran into him on my way to my soundcheck coming

(28:39):
from his soundcheck, and he was out there mixing on
the board in the front of house. And he cares
that much about how the audience or the listener receives
the art down to the mixing, and so, you know,
I get asked often how come there's been an eight
year gap in between albums. I mean, I too, have

(29:01):
really taken my time to be in that process of mixing.
This is the first album that I am releasing independently
in Adobe Atmost, as well as Sony three sixty Spatial Audio,
which is an immersive experience like inside of the music's
around sound Go to movie three hundred and sixty degrees.

(29:22):
But now that you know they're doing this with music
now versus just soundtracks for films.

Speaker 1 (29:28):
It's interesting because you said this is your first three
Y album many years. It makes me think, were you
protecting your piece, of protecting your artistry.

Speaker 8 (29:34):
Honestly, I was really just having a ball experiencing what
it is to create from a real, free, pure place.
It wasn't even protection. It got very addictive that I
went independent because I had the freedom to create whatever
genre with no ceiling. I wanted to the timeline. I
set no deadlines. I didn't have to focus on charting

(29:55):
or numbers and validate myself based on someone else's definition
of success all that pressure that does come from the
major label system and the investment I knew, excuse me,
the investment I knew was going to be very boutique,
you know, and very startup under the radar because I
started in Japan on my very first few releases, and

(30:16):
so it was really fun because I didn't have all
those rules, and of course the criticism that comes with
releasing a full body of work over me. But that
was the time to get acclimated to what this independent
journey was about. Do it in a very under the
radar situation, in a one territory release here and there,
mix safes EPs along the way, and then something magical happens.

(30:38):
Your relationships are built, you know, the process because of
that education and practice, and then you show up and
you put together an album, throw it out just for
the love. It gets nominated for a Grammy, and then
it's additional confirmation to keep going. And friends always said,

(30:58):
you know, I will help you if you stay independent,
And there's been so many times you want to throw
in the towel, questioning self, is this really worth it?
Do I need to go back into the system and
all of these things, because it is very hard, and
you have to be very relentless and resilient in your grind,
especially when you're financing one hundred percent of it, and
then sometimes people don't even know it exists. So you're

(31:21):
also getting oh, you're washed up or you fell off,
how come you don't make music anymore? And nobody's paying attention.
So nobody's paying attention. So to answer your question, you know,
there's been so many times that question mark has popped up.
But I don't measure success in the way I used
to when I was in the system, because there's a

(31:43):
new definition that's been introduced to me. My sanity is
kept my spirit's intact. I'm literally having more fun now
in my forties than I was as a teenager, just
kind of trying to figure it out and understanding that,
you know, if it doesn't reach a certain number or
a chart position, then you can be canceled, you can leave,

(32:05):
you can be shelved. And I love music so much.
I think I've protected just the love of the art.
Not intentionally, but that's what Prince was always talking about,
and that's what he was an advocate for, for those
he thought or maybe saw a little spark of love
and passion in so that they could preserve their art

(32:27):
themselves and still work in the business.

Speaker 3 (32:30):
You know, I was gonna ask, you know, you started
so young.

Speaker 1 (32:32):
I did.

Speaker 3 (32:33):
Well, we haven't heard a lot of maya crazy stories.
Is that because your dad is still with you now
and he's still got in making sure that he's controlling
everything else. Because a lot of times when people start young,
you start hearing crazy stories. The industry runs them down,
the industry makes them crazy. But we haven't heard that
those stories from you.

Speaker 8 (32:51):
I mean, there's always controversy, wild stuff out there, of
course that I actually experienced at the birth of you know,
a lot of the bottom feeder type of sights. You know,
you can't avoid that in a public forum as a
public figure, and everybody's a public figure nowadays, but.

Speaker 2 (33:12):
Now a whole lot.

Speaker 9 (33:22):
On her this sit down that y'all did, and I
made some notes about just what it felt like being
there at the break of it all, because we feel
like we get it so bad from what we experience now.

Speaker 8 (33:32):
Anytime you step out into this world, be prepared to
get attacked from every direction. Even if you are mother
Teresa and your fundamentals, it does not matter. So you
do have to understand that the world that we live in,
plus everybody's opinion being cool on Front Street, it's going
to happen. And if you know that, everybody's kind of

(33:54):
going through it wonderful. We didn't have social media when
I was a teen, so I survived. We had, you know,
tabloids and blogs, but I was really under the radar
because also, and I'm thankful for that, because I was
still a test dummy when I first started. They weren't
sure of R and B and if it could live
on a rap and rock label. I was literally on

(34:16):
interscope when it was just in rock as an experiment.
I was not signed on my first album during their
investment to see if it could even work and exist.
I was not even signed to Interscope on my first album.
I was signed to Hawk Islam out of DC on
University Music Entertainment, So it was real soft pedal ish.

(34:37):
I didn't get the Britney Spears exposure, but we were
positioning and aligning on oh soundtracks, ghettle, superstar pop stuff
here and there, good looks to just try to figure
it out. So I didn't have the initial I would say,
stamp of approval yet I was in a real void
gray area like R and B. We don't know what

(34:58):
that is. We don't know if that's going to.

Speaker 10 (35:01):
Work over here.

Speaker 8 (35:02):
We're willing to take a chance somewhat. Let's see how
it does. But what's the first best business decision? Shout
out to Baltimore Drew Hill. Let's go. It's also on
the same independent label that helped me break onto the scene.
You know, there's a lot of piggybacking that happens you're

(35:23):
new to this business, which is a very competitive business.
And I'm thankful for that move, even though that wasn't
my first choice for the first single, I had a
strong camp. You know, my dad was there during that time,
and my mom was my accountant. She's always kept me
debt free and finances intact, even in the hardest times,

(35:46):
you know, so that I'm very responsible, but I also
understand how quick and could go out the door. But
also you know, to plan for the future of state
planning as well and what you want to avoid. So
I've been really truly privileged and blessed to have family
involved in my business but also present, so just kind

(36:08):
of keep me protected from all the things that we
do hear about.

Speaker 2 (36:13):
Do you think social media would have helped your career
more hurted both both.

Speaker 8 (36:17):
You know, you get to know people too much. You know,
there can be some strong effects personally spiritually, you know,
to open yourself up to the world is dangerous, and
I think there's a lot of judgment that's very fragile
when you're learning yourself as a teenager. Yes, I see

(36:37):
it all the time with child stars in the public
eye trying to grow into themselves. So I think the
popularity and of course the investment might have been enhanced
because of the exposure that you get from social media,
but it could have gone so many different ways. Are
you ready for it? What are the dynamics going on

(36:58):
in your personal life? I don't think at that time
I would have been ready for too much popularity. I
was still learning me. I was also still learning the
business and also just how to conduct an interview, how
to do radio drops, like the real things when you're
just a newbie to any territory.

Speaker 9 (37:17):
A lot of a lot of fans when they have
conversations about your career, they always talk about how like
your fourth album was like either was delayed or like
the release wasn't as big as fans felt like it
should have been. Yea, and they feel like it was
unfair to you and that's why certain things didn't happen
for you. Afterward. How do you do you feel about
that time period of your life.

Speaker 8 (37:36):
It's so interesting looking back at that time. So when
I mentioned Interscope, yeah, a series of events go like
this hacket slam. You know, signed to an independent label,
they invest in you. Demos were shocked to several different labels.
Interscope said yes, but it's still maybe. Second album I
got signed to Interscope officially did another album. Third album

(37:58):
was Mood Rang two thousand three, did a tour. All
that I start wanting to record my fourth albums and
the budget was closed and they're still recouping. A lot
was spent making that third album with Ron Fair, and
you know, I didn't have management at that time. So
I'm now kind of in a transition where I got

(38:19):
to either put up my own money, and I started
to do that, and it was like a lot of
money every week I was spending in studios twenty thousand
over the course of two weeks. I said, this is ignorant.
What I'm gonna do is go home. I'm gonna build
a studio. I wanna build a rehearsal space, but I'm
also going to purchase a house so I can have
living take care of family, but also cast apprew that's

(38:42):
based from my hometown, that's hungry, that's thirsty, provide opportunities,
start a foundation. Because something doesn't feel right living in
La something is missing, and I was out there by myself,
so I called my dad up. I was like, look,
I'm not happy here. Let's sit down. I can't create.
I don't want to come home, and I want to

(39:04):
do things from the ground up. He took me to
Motown via Sylvia Rome. It was still within the universal system,
and that's where R and B was supported. It was
understood culturally understood. It has a history going back to Detroit.
So Sylvia r Own allowed me to executive produce my
own project, and it was a wonderful project called Liberation,
which would have been my fourth album. Things happened. There

(39:26):
was Napster, there was social media, there was iTunes, and
so when you changed the release date so many different times.
There's the farthest territory furthest territory Japan, that's a whole
day I had, right, And when they changed the release
date the last minute, Japan has the album and it
was out and then it leap and then it got

(39:47):
shelved and a whole bunch of other stuff around that time. Well,
they're just ahead, you know, regarding a whole day ahead.
So they got it before they got the memo or
somebody didn't clicking the metadata to check off that one territory.
And so once it's out anywhere, it's out money and
your whole rollout has fumbled, the whole investment. It gets shelved.

(40:12):
You can choose to go back in the system. I
was just in a place of processing, which just happened
after spending a year and a half literally putting up
even some of my own money, of course, you know,
to be thrown out, discarded, dropped all of these things
with negligence and made to look like I wasted somebody's money.

(40:36):
When I show up, I show up on time. I
really invest my own money into situations. I just decided
to sit with self for a minute and figure out,
you know, well what it is. I wanted to Broadway
called immediately, which was wonderful. Prince called immediately when he

(40:57):
heard the word independent, and there were these one for
things that happened immediately for me where I was quickly
gathered up and shown that this actually is probably going
to be your greatest blessing. There are opportunities coming. You
have a catalog already. But I was always living in
this fight or flight correctional facility mode, like I want

(41:20):
you all to understand that I'm not lazy. I want
you all to understand that the perception is not I
wasted anybody's money. The perception is is I'm gonna go
get this and I'm gonna go show you that I
mean business, show you that I'm really about this art.
Show you that I'm really about this music and to
the best I can with what I got to work with,
whatever that is, it's always just figuring it out.

Speaker 3 (41:43):
I was watching your interview with Gena vieughs that she
was talking best of Me. She didn't know Best of
Me Part two was a remix to the original.

Speaker 16 (41:58):
Yeah.

Speaker 10 (41:59):
I literally created a jersey dress because of that.

Speaker 8 (42:04):
How did you do it that?

Speaker 9 (42:05):
So I have a brand called Brono Grinding, and we
were trying to figure out something for the summer, and
I loved the music video, so we created the jersey
literally because of.

Speaker 10 (42:17):
I didn't think about it. He's a hater, literally that.

Speaker 9 (42:21):
I had no idea that there was a Jada Kiss
version of saw interviews in that interview.

Speaker 8 (42:25):
It well see it was my street single, so you
know it was also.

Speaker 10 (42:30):
I don't I didn't you.

Speaker 3 (42:33):
I know, I knew people thought back then that's when
Jada and and jay Z were going back and forth.
Really they always used to say that Jay did that
because he wanted to wane up Jada Kiss because they
have beef. Back then, they were going back and forth.

Speaker 8 (42:47):
Absolutely, so I didn't even know that I love that
she was her own I love that her own world.

Speaker 10 (42:53):
It was just remax.

Speaker 3 (42:55):
How did that come about? I heard you tell him
the story, but it was Swiss and some about.

Speaker 8 (43:00):
Oh. I was in the midst of recording my second album.
I did a lot of it in New York and
work with y Cleof got in with Swiss. I always
loved Swiss's rhythm on his tracks, and uh, he was
playing me some beats. Jimmy Cozier there to ron Vioshonda
was there. I picked a specific beat. He was like,
oh no, no, no, that belongs to d m X.

(43:25):
Oh no, Swiss did the original featuring Jadaki best of
the original mix featuring Jadakiss Swiss Beats produced. That was
his very first R and B record that he'd ever produced,
but it belonged to d m X. The actual beat.
There was another song over top of it that I
didn't hear, but I think he stumbled upon it by accident,
and I said, oh, remind that real quick. So I said,

(43:46):
I want to write to that one, and Jimmy Cozier
and I Jimmy Cozier, Yeah, yeah, So we're all in
the studio. Jimmy Cozier, Toronzio Shanda and I and we
just come up with a concept what we wanted to
feel like and that's how best to me, Part one

(44:10):
was born. It was a solo song. First, you might
have had a bridge on it. We took the bridge
off and put Jada Kiss on it because we decided
that that would be my very first street single. What
they do, or what they consider street singles to be,
is to warm up, you know, the streets first before
you go with chipop hits what it is. Yeah, So

(44:32):
we knew that we wanted Case of the X to
be a single, but it kind of leans toward the
pop world a little bit, and we did not want
to leave the urban crowd out of this, so we
did destinies featuring Jada first. Steve Stout and Hawkey Islam
were kind of working to get that. Steve Stout was
at Interscobo, Hawk Islam was running the independent label side

(44:52):
of the University of Music Entertainment, and so Steve Stout
had all these relationships and had jay z Pop on
the remix, you know, because of his relationship with him
and Mekada and I. Makada Davis Uh wrote the remix

(45:12):
here at the Hit Factory in New.

Speaker 10 (45:14):
York Polk.

Speaker 8 (45:17):
Masters, and then Jay and I are shot in the
video in Malibu, California. June Ambrose shows up with a jersey.
I didn't think anything of it. It was I guess,
you know, customized to fit my measurements at the time.
And that was that. That was the shortest video set
I've ever been on, six hours total, including hair, makeup,

(45:37):
glamb time, and then we were done, no choreography, no rehearsals,
and then it comes out and kind of like takes
hold of the clubs and whatnot.

Speaker 2 (45:48):
It was huge cold.

Speaker 1 (45:49):
Yeah, did that successful empowering or did they come with
pressure to compete with like I don't know other minute.

Speaker 8 (45:57):
Oh No, I didn't feel any competition because we're all
number one so different. We were all established at the
time doing our individual thing in this business. And that
was also very quick. We got in the studio to
just lay our backgrounds together on one session in one session,
and then we cut our leads separately. Ron Fair was

(46:17):
involved in that Missy as well as Rock Wilder, laid
the foundation and blueprint of that record. Ron Fair took
our vocals and then he edited them and kind of
oversaw the executive production process of that, and that became
this person of Lady Marmelotte, you know. So got into
rehearsals for a couple of performances want to Grammy Together.

(46:42):
There was absolutely no competition. I didn't feel that. I
thought it was a blessing. I thought it was wonderful
to win.

Speaker 10 (46:49):
Which is this just my favorite Falling?

Speaker 4 (46:51):
Just wanted to say that because he's trying to wrap
it up, But my favorite song is falling. The girls
two thousand and three, they had me like that was
my favorite song from move Ring. Now move Ring is
my favorite album. My favorite song it's falling.

Speaker 8 (47:04):
So why is this your favorite girl?

Speaker 4 (47:08):
Because I thought I was in love in two thousand
and three and I was telling this guy, I'm telling
you like, it's a whole era you had in my
life now, so yes, and that's when you think that
you the boyd that you love and you mean that's
the one you. I'm telling him like, you got me,
you complete me, you got me falling head over heels
for you, and just and he's just sitting there like, okay, yeah,

(47:29):
he ain't not even hear a song. And then when
we broke up here hear the song and was like
you quoting an artist the whole time.

Speaker 3 (47:39):
Get your little hot as it was sixteen during that time.
I really appreciate you.

Speaker 2 (47:44):
Should do audio books or something.

Speaker 8 (47:47):
That's what they tell me. I will, I'll get it
to REDI I do guid.

Speaker 10 (47:52):
All of it.

Speaker 8 (47:53):
I'll do that voice and whatnot.

Speaker 2 (47:56):
It was Roger.

Speaker 4 (47:57):
I shouldn't even known for Rooal named Roger, named d grandfather.
I shouldn't even I shouldn't even have.

Speaker 2 (48:06):
The letter XC.

Speaker 3 (48:11):
My fault. She had me in shambles. Well, the album
comes out next Friday, and we appreciate you for joining us.

Speaker 2 (48:17):
Thank you.

Speaker 3 (48:17):
It's my ladies and gentlemen. It's the breakfast Club. Good morning.

Speaker 10 (48:23):
Damn he hogged.

Speaker 2 (48:26):
It's time the donkey. I'm trying to be donkey today.

Speaker 8 (48:29):
No more.

Speaker 2 (48:30):
They should be embarrassed by what they already did. I'm
not making these people do these.

Speaker 10 (48:33):
Days called donkey of the day, and it really caught
me off guard.

Speaker 4 (48:37):
Damn Charlamagne, who got the donkey out of the day today?

Speaker 2 (48:42):
Well, just Allaria's donkey today.

Speaker 1 (48:43):
It goes to President Tiffany Hernandez of Glendale Community College
and Glendale Community College as a staff record label and
mother effing school. Okay, I'm telling you right now that
we are about to experience what I call a great disconnect.
You are going to have a large swath of society
that completely submits to the role.

Speaker 2 (49:00):
They're going to completely submit the AI.

Speaker 1 (49:02):
Those are going to be the people who are proud
citizens of a techno feudalist society. If you don't know
what techno feudalism is, please read a great book called
Techno Feudalism, What Killed Capitalism by Ya nas Varufakas.

Speaker 2 (49:15):
I think that's why pronounce his name.

Speaker 1 (49:16):
I can never pronounce name, but the name of the
book is Techno Feudalism, What Killed Capitalism. But the rest
of us are going to disconnect because nobody wants to
spend the rest of their life going on social media
questioning what's real or not. Okay, I'm not doing it,
swiping constantly asking yourself is this real? Sending links to
people and they hitting you back like that's not real.
I don't have the mental and emotional bandwidth to live

(49:39):
like that. And also, in our line of work, the
radio industry, there are already some things being done by
AI technical stuff, and I hate it, Okay, because AI
is not a human and when it comes to the details,
nothing beats a human touch.

Speaker 2 (49:52):
All right, AI does not micromanage. Okay, I'm not.

Speaker 1 (49:56):
Even sureing AI does the basic macro stuff good yet.
But I don't want people using AI to cut clips
for breakfast club. I don't want people using AI to
title things and create descriptions because AI gets a lot wrong.
And that is why Tiffany Hernandez and Glendale Community College
and need to be at the front of the congregation
today because they decided to use AI for something that

(50:17):
absolutely one hundred percent needs a human touch, and that's
a graduation ceremony. Yes, someone at Glendale Community College thought
it would be a great idea to have AI announce
the students' names, and this happens.

Speaker 2 (50:32):
Let's go to WRIL for the report. Police.

Speaker 20 (50:34):
What a mess for everyone involved here at Glendale Community College.
Students work so hard to get to this point to
get their diploma and graduate, and they say the school
should have been better prepared.

Speaker 3 (50:46):
Michael D.

Speaker 2 (50:47):
Gonzalez, The names.

Speaker 20 (50:48):
Being read during GCC's commencement didn't appear to match who
was walking across stage India Hall. Then the names at
the bottom of the screen stopped changing.

Speaker 10 (50:58):
I have just seen that the mess him and is then.

Speaker 20 (51:01):
The screen on the left goes blank.

Speaker 10 (51:03):
I was honestly just proud to be there in the moment.

Speaker 20 (51:06):
It was only after Grace Rymer crossed the stage and
returned to her seat that she realized something was off.
Here's the photo that's her on stage. That's not her name, But.

Speaker 6 (51:16):
I also didn't hear a lot of cheering, and I
know that my family is a pretty loud family.

Speaker 20 (51:21):
Several minutes later, Grace Marie Rhynan, she finally heard her name.

Speaker 18 (51:26):
Yeah, that's not right, and it definitely made me feel uneasy.

Speaker 10 (51:30):
Here's what's happening.

Speaker 20 (51:31):
We're using a new AI system that's our reader, so
that is that is a lesson learned.

Speaker 17 (51:40):
For us.

Speaker 1 (51:42):
By This story is the perfect example of people using
AI because they're lazy for no reason. Okay, I mean,
what is the point of using AI for these kids graduation?
Is it really too much to ask to have a
couple of people stand up and read names?

Speaker 2 (51:57):
Okay? Are we really just go let the robots everything?

Speaker 1 (52:00):
We concerned about AI taking jobs, but were giving away
the easy ones like this. Okay, you adults are busy
trying to save time maybe money, I don't know, But
you're completely missing the point of the moment. Graduation isn't
just some assembly line event. You can't treat these kids
like products on a conveyor belt. Some fall off, some don't,
Some get labeled wrong, some get labeled right, some get stamped,

(52:23):
some get thrown away.

Speaker 2 (52:24):
This is a once in a lifetime ceremony for these kids.
Families drove in.

Speaker 1 (52:29):
Okay, Students spent years and thousands of dollars hustling, and
you turned the most personal part here in your name
called so you can do a little dance with some
pomping circumstance, y'all.

Speaker 2 (52:39):
Turn that to just the glitch in the matrix, okay?
And the irony of this story what really bothers me.

Speaker 1 (52:45):
These schools spend years telling students, don't use chat GPT, okay,
don't use AI to plagiarize, do the work yourself, don't
let AI do it for you. Then as soon as
it's time for the administration to do their work, they
bring in RTD two, RTD two, R two D two.
What's the thing name with R two D two?

Speaker 2 (53:04):
Okay? They bring in Wally all right? They bringing Optimus Prime.
They're bringing a terminator, okay, to do all the work
for them.

Speaker 1 (53:10):
What would you do if you found out your fitness
trainer was secretly using those zipics and zet bound but
was always speaking to you about the dangers of weight
loss drugs.

Speaker 2 (53:19):
Would you trust them? No, you wouldn't. Okay, Hey, young
world generation Z.

Speaker 1 (53:24):
Where does AI rank in your top five in regards
to your growing list of resentments? Okay, I know y'all
got I know y'all hate hustle culture, that's up there,
climate change, capitalism, America being beholden the Israel.

Speaker 2 (53:37):
Where does rapid unchecked integration of AI into your lives
and workplace rank? All right?

Speaker 1 (53:43):
You have a whole generation who already feel like technology
is replacing jobs, creativity, and human connection. And this incident
at Glendale Community College is just another example of that. Okay,
Glendale Community College, you have proven that common sense is
now an elective course.

Speaker 2 (53:58):
Okay, using AI to announce human names at a graduation.

Speaker 1 (54:03):
And the robot with skipping people like Spotify skipping songs
on Shuffle.

Speaker 2 (54:08):
This is the problem with society. Okay. Everybody wants efficiency
over expense.

Speaker 1 (54:13):
AI can't guarantee efficiency, but happy, well paid humans can Okay,
I'm not even sure AI knows what efficiency is. I
damn sure know that AI doesn't understand empathy are the
importance of a moment And when this robot messed up
these kids' names, all President Tiffany Hernandez and the administration
could offer is the corporate classic.

Speaker 2 (54:34):
We apologize for the inconvenience. Man, Skipping someone's name and
graduation is more than an inconvenience. Okay.

Speaker 1 (54:40):
Imagine being the first person in your family to graduate
college and your old grandma sitting there waiting to hear
your name and she doesn't and she thinks she's losing
her hairingd because she never heard your name, but she
knows she saw you walk across stage.

Speaker 2 (54:53):
Got that old lady thinking she going crazy and it's
your fault.

Speaker 1 (54:56):
This is why people are scared of AI, not because
the technology g exists, but because humans keep using it
to replace moments that.

Speaker 2 (55:04):
Require actual humanity. Okay, some things require soul, and that's
what AI will never have.

Speaker 1 (55:12):
Please give President Tiffany Hernandez of Glendale Community College the
biggest sea hull.

Speaker 2 (55:20):
I see your dumb ass beige wheels turning.

Speaker 1 (55:23):
I see them stupid ass waffle colored wheels turning.

Speaker 2 (55:28):
I'm just saying, what is your brain thinking?

Speaker 6 (55:31):
Man?

Speaker 2 (55:31):
That is the color of dirty urine?

Speaker 3 (55:33):
Remember when Webby was up here and Webby couldn't pronounces.

Speaker 2 (55:40):
I see what you're doing some of those names.

Speaker 1 (55:41):
That's different now if I had to, if I had
to choose who to say the names, Okay, if it's Webby,
if it's me because I can't really pronounce that, well,
if it's just hilarious, then maybe you think AI.

Speaker 2 (55:52):
Okay, if it's you, I'm.

Speaker 1 (55:54):
Going to I maybe I just gotta see who else
is available for ust? What other humans are some of
them names?

Speaker 11 (56:00):
What other humans are?

Speaker 2 (56:02):
Boy?

Speaker 4 (56:02):
In pronouncing people's names, I'm really good with pronouncing people's name,
Yes I am.

Speaker 3 (56:07):
Then when you go to other coaches, I'm real good
with pronounce that's not the American name, not your Thompson's
and your Jackson's. When you go to the like the
name you started.

Speaker 4 (56:15):
A freaking what's the African guy that you you named
the author with the book African?

Speaker 10 (56:21):
You said, what was it?

Speaker 2 (56:23):
You're not African? Oh my god?

Speaker 10 (56:25):
You made it same Africa?

Speaker 2 (56:26):
Now y'are not by r exactly?

Speaker 3 (56:29):
That is definitely wrong.

Speaker 2 (56:30):
That's not right.

Speaker 10 (56:31):
I don't know.

Speaker 3 (56:32):
So now you're a professor, Robert. That sounds like you cursed.
Somebody spit everywhere, So I get.

Speaker 1 (56:41):
We go to the age script when you scraped the
bottlemy scripted the bottom of the barrel.

Speaker 2 (56:47):
Webbe me.

Speaker 10 (56:50):
Yeah, Jeff Larry, like we keep saying jess Larry's boy.
You know, we know nothing.

Speaker 2 (56:54):
I know how people can know.

Speaker 3 (56:56):
They can hear you every day. Hello.

Speaker 4 (56:58):
Yeah, I don't mess people name up. I may mess
up other things, but not people's names.

Speaker 10 (57:04):
Yeah.

Speaker 3 (57:04):
We can't even say Spanish names right, like it the Riviera.

Speaker 10 (57:08):
Levia, Like, what are we talking about?

Speaker 2 (57:10):
Okay, I'm playing with me.

Speaker 3 (57:11):
Give your name, give your name, all right, give your name. Okay,
this can be good, this can be good. Pronounced that.

Speaker 2 (57:19):
Girl. You know what I'm saying.

Speaker 4 (57:21):
Yes, no, shut up Janni's yeah exactly, because you said
that name wrong.

Speaker 2 (57:29):
You cursed on the radio three times. Yeah, he's not African.
He he's not African exactly.

Speaker 3 (57:38):
So that see, I can't see. We just made the
point we can't say any names. So that professor go
up there, but sounded like.

Speaker 10 (57:46):
Either yes is messed up.

Speaker 3 (57:49):
Yesterday posted a picture of AI and cut.

Speaker 2 (57:50):
My arm off.

Speaker 3 (57:50):
I didn't even see my alms off, only that one on.

Speaker 1 (57:52):
But you know, but but once again, for a graduation
ceremony that needs a human touch. Bro Okay, even if
you up there, Miss bronown some people's names. You know,
you got to make sure you get the names right.
But that's why you practice. If you know that you're
doing a college graduation, you practice beforehand to make sure
you have to produce two thousand names.

Speaker 2 (58:10):
I don't care.

Speaker 3 (58:10):
I don't care. You exk everybody that name.

Speaker 10 (58:12):
You got to make sure that you pronounce their names right.

Speaker 1 (58:15):
It's a graduation. It's a college graduation. That's how important
a day like that is. Yes, you practice pronouncing the names.
If you're the person pronouncing the name, by the way,
that's what I would do.

Speaker 2 (58:29):
I could do it. If I'm like Batman, you give
me some time to prepare, I'll get it done. Okay,
I need it.

Speaker 10 (58:36):
Yes, that is his name.

Speaker 3 (58:38):
Just took you four times to figure it out. You
only got one shot.

Speaker 10 (58:40):
I said it right all times. But you gotta read
that name.

Speaker 3 (58:42):
Slough Charlamagne. Thank you for that dog in today. Yes, indeed,
it's the breakfast Club. Good morning. Warning, everybody is DJ
Envy just hilarious. Charlamagne the God. We are the Breakfast Club.
It's time for just fix my Messaloe. Who's this amber?

Speaker 6 (58:57):
Good morning?

Speaker 3 (58:58):
What's your question for?

Speaker 2 (58:58):
Jess?

Speaker 11 (59:00):
Is someone who slapped out of me as a teacher
when I was in fourth grade?

Speaker 4 (59:05):
Okay you you're wait a minute, so what what about them?
I'm sorry, it's tot over.

Speaker 11 (59:10):
So when I was in fourth grade, roseye, is she
like jacking me up? She did all this stuff And
I just really.

Speaker 12 (59:17):
Want to out her on Facebook because I recently found her,
and I just want to know if it's a good.

Speaker 11 (59:22):
Idea or not.

Speaker 5 (59:24):
Oh my god, it was a Christian school.

Speaker 11 (59:28):
It was a Christian private school, so everybody thinks really
hoighly of her, and I just really want to put
it out there.

Speaker 5 (59:34):
What happened?

Speaker 10 (59:34):
What did you do to get slapped?

Speaker 11 (59:37):
So it wasn't me now that.

Speaker 5 (59:38):
I'm an adult.

Speaker 11 (59:39):
At that time, as a child, I was ready to do.
Now as an adult, I found out that she had
a problem with my mom about something.

Speaker 4 (59:45):
Hmm, okay, okay. And is it your your mom is
still living? I presume huh yeah, Okay, And so.

Speaker 10 (59:55):
That's crazy.

Speaker 4 (59:56):
I can't give this that that type of advice on
this radio here. I was gonna say, have your mother slapper?
But no, what happened when you went home and told
your mother that she slapped you? Like, do you remember,
like did your mother take any type of action, legal
action or did she smack her ass back?

Speaker 11 (01:00:09):
You know back in the day, it wasn't no legal action.
We all went to church together.

Speaker 13 (01:00:14):
I don't know how they might have handled it. As
a child, I just know what happened, and then I
just kept on going to school, and it's just like,
really still bothering me.

Speaker 4 (01:00:23):
Ever talked to your mother about that, because it sounds
deeper than you getting slapped.

Speaker 10 (01:00:26):
Will you never talked to your mom?

Speaker 11 (01:00:28):
I did later on years later.

Speaker 10 (01:00:30):
What she say?

Speaker 11 (01:00:31):
It wasn't really much said then, so it wasn't really
much said.

Speaker 5 (01:00:35):
But she slapped me.

Speaker 11 (01:00:36):
She ganked me up. It was another teacher in there
who told her stop. She was like, stop, it's not
her fall, just stop, and that's how she stopped hurting me.

Speaker 4 (01:00:44):
Well, okay, well you want outer outer, you know I
can't stop it. You still made you guys slapped twenty
years ago.

Speaker 10 (01:00:51):
That's that listen. And it don't matter whether I tell
you not to or not. You already got it in
your mind.

Speaker 4 (01:00:56):
You are still obviously, uh, that was a you're a
bothered by that, and that was like a traumatic experience.
And now that you just found her, girl, you want
your revenge, so Outer that just go ahead and Outer.

Speaker 10 (01:01:08):
I don't know if she's still slapping kids or whatever,
but just Outer do it.

Speaker 3 (01:01:12):
She gotta be like eighty year right now, right, she
gotta be older. She ain't talking about seventy.

Speaker 11 (01:01:16):
Three, is what I looked up, and I see that
her family really loved her, Like I studied her for
the past year trying to figure out if I want
to do this, but I really just want to put
it out there because why did you do that to me?

Speaker 2 (01:01:28):
Yeah?

Speaker 4 (01:01:28):
Okay, holding that, Yeah, because she probably really did some
serious damage to this young girl, like she when she
was a kid. She I'm talking about slap the up,
jack up. The other teacher was like, no, stop, it's
not her fault. So obviously everybody knew.

Speaker 3 (01:01:42):
What was going on.

Speaker 4 (01:01:43):
But you, and even as an adult, you don't know
what's going on. That's not sitting right with me. You're
not asking your mother to write questions. Your mother keeping
something from you, something that's happening. She might probably sleeping
with that lad.

Speaker 5 (01:01:52):
I agree.

Speaker 11 (01:01:53):
As an adult, I know that my mom probably has
something going on, you.

Speaker 2 (01:01:57):
Know what I mean.

Speaker 10 (01:01:57):
But as a child, I didn't do it, and I
really didn't know what was going on exactly. But that's
the thing.

Speaker 8 (01:02:04):
I know.

Speaker 4 (01:02:04):
You want to revenge on the lady for putting her
hands on you, but really, your mother was supposed to
step in and do something about that because you are
her child and you had nothing to do with whatever
they had going on, Like, your mother was supposed to
take care of that, and you said that.

Speaker 10 (01:02:17):
You even asked your mother what.

Speaker 4 (01:02:19):
Happened, and she ain't even provides you with no context
because you can't even tell me what happened. Your mother
probably slept with that lady man or something something, and
she took it out of you because you was in
our class.

Speaker 5 (01:02:30):
I get it.

Speaker 10 (01:02:31):
I don't care if you're.

Speaker 4 (01:02:34):
Going out, if you're going out the lady, you're going
out your mother to out both of them, because somebody
is keeping something from you. And that's what made me
think it's real big and it's probably horrible.

Speaker 2 (01:02:45):
It's a real price.

Speaker 11 (01:02:46):
So that's literally my question is because I feel like
that in my spirit with no real knowledge, I feel
like I'm about to out my mom about something yep yep.

Speaker 4 (01:02:55):
So unless you so, you have to give your mother
one more chance to come clean about it. You gotta say,
my I'm about to press the button on this is ish,
and when I do, all held on break loose because
whatever you hiding, whatever the deep dark secret was, I'm
gonna get to the.

Speaker 10 (01:03:09):
Bottom of it.

Speaker 4 (01:03:10):
I got slapped over that, ish, and I'm not okay
twenty years later, Sack, I'm not and it is what.

Speaker 10 (01:03:16):
It is, right, So out them both.

Speaker 4 (01:03:18):
You can't out one without out the other, because if
you do out the lady, she gonna tell you some
things about your mother that you're gonna be like, oh
my god, oh yeah, you got out both of them,
but go see your mother first.

Speaker 10 (01:03:29):
I'm out the old lady.

Speaker 4 (01:03:31):
Now, just just go to your mother first, give one
more chance to tell you, and if not, get both
of them both.

Speaker 11 (01:03:37):
Of Okay, That's what I'll do, and then call me
back and let me know what happened.

Speaker 5 (01:03:41):
Damn okay, thank you, all.

Speaker 3 (01:03:42):
Right, bab all right, just fix my mess. Eight hundred
five eight five one five one. She been holding that
off for like, no, she's just studying this old lady
for a year now, like this happened like twenty five years.

Speaker 10 (01:03:53):
She held on to it.

Speaker 4 (01:03:54):
But she finally found the lady last year, and she
been doing all her research. She know where the lady
worked with, a lady, lived with a lady, go to church,
where she go to the grocery store, was her kids
and everything she is playing, she plans it's.

Speaker 3 (01:04:03):
A different type of slack because he's me up and
I don't even remember their names. I know, that's what
I'm saying.

Speaker 10 (01:04:08):
But bad, she didn't do nothing, all right?

Speaker 2 (01:04:11):
So who's this?

Speaker 5 (01:04:12):
Hey, what's up? This is Chris?

Speaker 3 (01:04:14):
Chris? What's your question for jes?

Speaker 10 (01:04:15):
Good morning?

Speaker 5 (01:04:16):
All right? I don't know if you're gonna say good
morning when I'm done. But my my my girlfriend's pregnant.

Speaker 10 (01:04:24):
Congratulations.

Speaker 5 (01:04:25):
But she's now but she's not, she's she's not really
my girlfriend.

Speaker 10 (01:04:30):
Oh what the hell?

Speaker 5 (01:04:32):
So you know it's it's complicated, but okay, what I
would tell you is when she told me, she told
me she didn't want it, and I said, I support
whatever you want to do. Okay, and all of a sudden,
she just dosed him like I don't know. She won't answer,
she won't, she won't text m like she's just ghosting.

Speaker 10 (01:04:54):
What's that here?

Speaker 5 (01:04:55):
The thing I don't believe in baby mama, baby daddy. Crap.
You know, our culture we pushed that.

Speaker 14 (01:05:02):
I don't.

Speaker 5 (01:05:03):
I'm a man. I take care of it. So we're
gonna have a kid. We're gonna we're gonna make this
a union.

Speaker 10 (01:05:09):
That's right.

Speaker 5 (01:05:10):
Oh, I got to come after this cussy. I agree,
Jess what should I do because I don't want to
get nasty, but I take my kid's gonna be with me.

Speaker 10 (01:05:19):
I understand.

Speaker 4 (01:05:20):
So okay, all right, look what type of relationship do
you guys have you said? She told you said, she's
not really your girlfriend? So what what were you guys
just dealing with each other or y'all friends, we all
have a planning to be in a relationship, and she
got pregnant quicker than you guys planned, Like what what?

Speaker 5 (01:05:34):
What?

Speaker 4 (01:05:35):
What happened with the dynamic of the relationship we were
we were just cool, okay, and then y'all were having
sex and she got pregnant, boom.

Speaker 5 (01:05:42):
Boom, and she she said Chris, I don't want it right,
I'm like that, that's up to you. Whatever you want.
I support you, that's what I told her. Support you.

Speaker 10 (01:05:54):
And then you said she ghosted you. You never heard
from anything, you know after that.

Speaker 5 (01:05:57):
I don't know where. I don't know what's going on.

Speaker 10 (01:06:00):
Okay, now I don't know.

Speaker 6 (01:06:02):
And she did.

Speaker 5 (01:06:04):
The thing. I also recognize there's a legal side.

Speaker 4 (01:06:08):
I don't want to be Yeah, but that's that's what
you gotta do. You just gotta wait it out because
you're you're you're worried. Is coming from the fact that
she never said anything else. She never confirmed whether or
not she was actually really going to go through with
the abortion or whether she was going to keep it.
All she told you is she got wanted.

Speaker 2 (01:06:26):
Yeah, and you supported her.

Speaker 3 (01:06:28):
Trying to understand and and you and you told her
you supported and whatever.

Speaker 4 (01:06:31):
So what makes you think that she didn't get it
and that she's just angry that you didn't have a
different response like damn, no, no, no, you'll What I don't.

Speaker 5 (01:06:41):
Want to happen is, you know, nine months a year
down the road, I'm in I'm in the store and like, oh, shoot,
who is that? That's your baby?

Speaker 4 (01:06:51):
Yeah, but that may happen. Things like that do happen.
You know, you got to understand who you're dealing with.
This is your friend. Y'all were friends. You probably we
didn't know it that well, you know, but yeah, this
is You're gonna have to just deal with that, you
know what I mean, Because if she's ghosting you, I mean,
I wouldn't say give up trying, but if she doesn't

(01:07:12):
hit you back up to give you any further clarity
on whether or not she got the abortion that she
decided to go through with the pregnancy, I mean, you
just gotta wait it out. You know, she could be
going through the motions, It could be anything that the
girl is going through. I understand you know, your mental
paranoia as well, though, Like I understand you walking around
worried every day, you know.

Speaker 10 (01:07:34):
But you just got to prepare yourself for the best
and the worst at the same time.

Speaker 2 (01:07:38):
I'm sorry.

Speaker 5 (01:07:40):
Yeah that's rough.

Speaker 4 (01:07:43):
Yeah it is rough. But whatever whatever you do, don't
get nasty. It's not gonna result well for anybody.

Speaker 5 (01:07:48):
But if you and I don't want it to be
and I told her that, I said, it don't need
to be that, it doesn't need to be anything negative
at all.

Speaker 10 (01:07:56):
It doesn't at all like it doesn't.

Speaker 4 (01:07:59):
And the fact that she was your friend, y'all actually
were friends before. If she does have the baby, then
y'all just gonna have to figure out how y'all can
come together, come together and co parent effectively, you know,
because y'all situation is already, you know, not of the norm.
Y'all weren't together. Y'all were two friends that was messing around,
and she ended up getting pregnant. You know, she said

(01:08:20):
she didn't want it. She probably had a change of
heart and didn't include you in the plans. How whatever
it is, you just got to prepare for the best
and the worst in the situation. And you may need
my book too, because it's It's Till Deftly Parent. It's
a co parenting memoir, because you're gonna have to put
on your your big boy pants and and and co
parent effectively. Since y'all ain't got a relationship, you have

(01:08:41):
to find a way.

Speaker 5 (01:08:42):
Might have been another, It might have been something I
forgot to mention though.

Speaker 10 (01:08:45):
All right, don't be honest, don't play with me. Don't
call up here playing with me?

Speaker 8 (01:08:49):
What is it?

Speaker 5 (01:08:51):
Okay? I think her friends. It's pregnant. Also, my bad
by you, I got, I got, I'm known.

Speaker 2 (01:09:01):
You.

Speaker 5 (01:09:02):
Okay, So yeah, Jeff, the whole story to it.

Speaker 10 (01:09:07):
But uh, and you wonder why you ghosted?

Speaker 5 (01:09:12):
Really well, she was a willing participant.

Speaker 6 (01:09:16):
Mm hm hmmm.

Speaker 4 (01:09:17):
Who was the willing partisant of her friend? Both both
y'all had a threesome. You got both in and pregnant.

Speaker 5 (01:09:23):
Okay, yeah, but the way you make a.

Speaker 10 (01:09:26):
Sound, damn you twice in one threesome?

Speaker 5 (01:09:30):
It was three times?

Speaker 10 (01:09:31):
But come on, sorry, my hat's after that.

Speaker 3 (01:09:36):
But that you're a dirty dog.

Speaker 2 (01:09:37):
Could you ask him? What are you using for your unks?

Speaker 3 (01:09:39):
And here?

Speaker 2 (01:09:39):
Please?

Speaker 5 (01:09:39):
Yeah?

Speaker 6 (01:09:40):
What?

Speaker 8 (01:09:40):
What?

Speaker 10 (01:09:40):
What did you use them three times in a threesome? Damns?

Speaker 5 (01:09:45):
Pineapples, pineapples and.

Speaker 10 (01:09:47):
Banana pineapples and banana natural fruits?

Speaker 5 (01:09:51):
Fruits? That's not a joke.

Speaker 10 (01:09:57):
Okay?

Speaker 3 (01:09:58):
Hold are you broy?

Speaker 10 (01:09:59):
How old are you?

Speaker 5 (01:10:00):
You look? I'm forty one.

Speaker 2 (01:10:03):
I wasn't doing that.

Speaker 10 (01:10:04):
Well, my hat's off off to you for your performance.

Speaker 8 (01:10:07):
Man.

Speaker 5 (01:10:07):
You know you wasn't never doing nothing like that.

Speaker 2 (01:10:10):
Slow down, man, it's big boys up trying.

Speaker 3 (01:10:12):
To play coming.

Speaker 2 (01:10:15):
I just said I wasn't making sure I don't know
why he came to me.

Speaker 3 (01:10:20):
Apparently you've been.

Speaker 4 (01:10:21):
Coming at everybody. That's the problem that he got right now, Hey, listen,
that's why you go see yo. No, that's why you
go sted.

Speaker 10 (01:10:29):
You try to.

Speaker 4 (01:10:29):
You called up here and you left that big detail out.
That's why that girl don't want man. No, you gotta nothing.
That's why she said. Now, two friends gonna be walking around,
two friends gonna be walking around with the same baby daddy,
and they got pregnant on the same night.

Speaker 5 (01:10:45):
Oh I'll go. I'm over to Utah. We can get married.
I'm like supping. We could be one of the happy
hang up on him.

Speaker 10 (01:10:55):
Yeah, just get my book, get too up.

Speaker 4 (01:10:57):
Matter of fact, since you got two baby mothers now
the two potential baby mamas.

Speaker 3 (01:11:02):
Now, yeah, get.

Speaker 10 (01:11:03):
Get two of my books pre order ittph do we parent? Goodbye?

Speaker 1 (01:11:06):
Love?

Speaker 13 (01:11:07):
Like what?

Speaker 3 (01:11:08):
I don't know? Just fix my mess or try to
or some situations just can't be fixed. Morning, everybody, it's
DJ Envy, just hilarious. Charlemagne to God, we are the
breakfast club Charlemage. You got a positive note? Yes, the
positive note is simply this man.

Speaker 1 (01:11:25):
We can all make a difference in the lives of
others in need, because it is the most simple of
justice that make the most significant of differences.

Speaker 2 (01:11:33):
I repeat, we can all make a difference in the.

Speaker 1 (01:11:36):
Lives of others in need because it is the most
simple of justice that make the most significant of differences.
So you know, you walk past the homeless person in
today and you got a couple dollars to spare, give
it to them. If you got you know, some you
want to go grab them some food, do it because
it's just like the simple of gestures that make the
most significant of differences.

Speaker 2 (01:11:56):
Trust when I tell you have a breakfast club, you
don't finish or y'all done.

Speaker 3 (01:12:01):
Woke up, Wake you up, Wake you up up. Program
your alarm to power one oh five point one on iHeartRadio.

All Episodes

The Breakfast Club BEST OF - Mýa Talks Creative Freedom, Navigating the Industry, Independence. Plus, Callers Call in For Jess To Fix Their Mess.

Episode Transcript

The Breakfast Club News

Follow Us On

Hosts And Creators

Charlamagne Tha God

DJ Envy

Jess Hilarious

Popular Podcasts

Hey Jonas!

Crime Junkie

Betrayal Weekly

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}The Breakfast Club BEST OF - Mýa Talks Creative Freedom, Navigating the Industry, Independence. Plus, Callers Call in For Jess To Fix Their Mess.