The Breakfast Club BEST OF SHOW - Ray J, Lola Brooke, And Mario Interviews

Best of 2025- Lola Brooke, Mario, And Ray J Interviews. Recorded 2025. 

YouTube: https://www.youtube.com/@BreakfastClubPower1051FM

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:01):
Up, Wake you up, Wake up, wake that ass up.

Speaker 2 (00:03):
Program your alarm the power one oh five point one
on iHeartRadio.

Speaker 1 (00:08):
Is it your time to get it off your chest?
Whether you're man or blessed.

Speaker 3 (00:11):
I hate the way that you walk, the way that
you talk, I hate the way that you dress.

Speaker 4 (00:15):
Everything.

Speaker 5 (00:15):
When he is best, call up next eight hundred five
eighty five one O five one.

Speaker 4 (00:20):
Not just me, I'm what the coach of philing Hello.

Speaker 3 (00:23):
This Hey, this is off Kim from the eighth four
to three?

Speaker 4 (00:27):
What up?

Speaker 1 (00:29):
Three? What's happening?

Speaker 6 (00:30):
Charlamagne married?

Speaker 7 (00:32):
Now?

Speaker 4 (00:33):
Oh?

Speaker 1 (00:33):
Congratulations?

Speaker 4 (00:34):
Nice?

Speaker 1 (00:39):
What happened?

Speaker 6 (00:40):
I said, I know you're trying to get you to come,
but I know you were busy.

Speaker 4 (00:43):
Oh yeah, do you even know Auntie?

Speaker 1 (00:45):
Yes? I know Auntie.

Speaker 8 (00:46):
Can He said that you shouldn't that person shouldn't even marry?

Speaker 9 (00:49):
Ye?

Speaker 1 (00:49):
I did not say nothing.

Speaker 10 (00:50):
Just well Jeff, yeah the math.

Speaker 6 (00:55):
I love Jeff.

Speaker 4 (00:56):
I love you.

Speaker 6 (00:56):
I'm gonna keep calling every day until you come.

Speaker 4 (00:58):
Down to Yes.

Speaker 8 (01:00):
Man, I'm trying to get somebody to make it happen.
Venue down there, I gotta calm down there, it would
just come.

Speaker 1 (01:05):
We ain't no comedy clubs in Charleston.

Speaker 4 (01:07):
No more.

Speaker 10 (01:07):
Didn't we have this conversation before, Yes, ma'am, Okay, you
got to work on that.

Speaker 11 (01:12):
You chant them back to the right.

Speaker 1 (01:14):
I didn't know that, but.

Speaker 6 (01:17):
Outside, that's a lot of things you don't know about
yourself down here, and I still hold you down.

Speaker 1 (01:23):
Here, you know, well, I appreciate that. You know, that's home.

Speaker 3 (01:27):
So modern, right, Aunty Kim Charlamagne, send your wedding gift yet,
Aunty Kim Charlamagne, send your wedding gift yet?

Speaker 12 (01:34):
No, oh no, that's not.

Speaker 6 (01:35):
Right, just saying, you know, just giving me his wedding,
you know, just give him sending me off with nice words.

Speaker 2 (01:42):
Give me something, send me the registry or something. I'll
I'll send something.

Speaker 4 (01:46):
Because usually when people go to the wedding and they pay.

Speaker 1 (01:48):
The plate, I know you ain't got any registry.

Speaker 3 (01:51):
You know, usually when people have a wedding, people got
to pay the plate. So him and his wife and
his kids would have went that six people, So how
much is each plate?

Speaker 6 (01:57):
Everything?

Speaker 13 (01:59):
And I want to give a shout out to my
nephew the.

Speaker 10 (02:02):
Moon Fainly who put her in that.

Speaker 6 (02:08):
But I just want to let you guys know, I
love y'all.

Speaker 4 (02:10):
On the deal with We.

Speaker 1 (02:12):
Love you, Kim, thank you A four to three all day. Hello.
Who's this yo?

Speaker 10 (02:16):
There's Jeff from Dayton.

Speaker 4 (02:18):
Jeff dating Ohio. What's up about to get off your chest?

Speaker 10 (02:21):
Yeah?

Speaker 9 (02:21):
Man, I want to talk about Uh, these whiteyens out
here in these streets where I live.

Speaker 10 (02:26):
Man, they ain't lost they mind.

Speaker 9 (02:28):
You know, they didn't call us the epic center of
fitting all in the opiate trade, so.

Speaker 10 (02:33):
I guess they on this money thing. Still we got
we got, we got two young guys on trail right now.
Uh shooting up a house thirty seven times, little girl.

Speaker 1 (02:44):
Man, that's insane.

Speaker 9 (02:46):
And it's just like, my goodness, man, a few months
ago we had a.

Speaker 10 (02:51):
Cat killer landscaper for blowing grass.

Speaker 4 (02:53):
On his fall.

Speaker 10 (02:54):
So it's just like and we're here in.

Speaker 1 (02:56):
Dayton on how we just we just tired?

Speaker 10 (02:58):
Man, We need some help.

Speaker 9 (03:01):
Like, ain't no political leaders where I'm from, no activist.
It's just downhill every spingle day.

Speaker 1 (03:07):
What about? What about? What about the homes? Man?

Speaker 2 (03:10):
Like, what about the parents and the homes? Do you
know any of these kids parents?

Speaker 1 (03:14):
Yeah? I know a lot of them.

Speaker 2 (03:15):
Man.

Speaker 10 (03:16):
The direction ain't getting no positive direction, man, A lot
of these parents young at this point, man, we got
the win.

Speaker 1 (03:23):
He is in the club with their period Lord, have mercy. Yeah,
it done got.

Speaker 10 (03:27):
To that point. You know they're young, the thirty bad,
thirty six year old periods, seventeen nineteen year old kid.
They meeting up at nine three seven getting it in
on the wind.

Speaker 1 (03:37):
Damn, my brother, Da. I'm sorry, brother.

Speaker 10 (03:40):
I just want you out to uh and everybody across
the nation.

Speaker 9 (03:44):
Man's inder prayer from our city man, because you know
they Ohio man, we know him for a whole lot
in America as far as positive attributes throughout history.

Speaker 1 (03:53):
And we're not lost our way, Yes, sir, the prayers
definitely up. Brother. All right, brother, Hello, who's this parent? Aaron?

Speaker 4 (04:00):
What up? Get it off your chest?

Speaker 10 (04:01):
Oh man, y'all wanted to go to work today.

Speaker 13 (04:04):
Trying to start my car.

Speaker 9 (04:05):
That joint would not start up.

Speaker 2 (04:06):
Man, Well that's why you got to warm it up.
You know you're supposed to warm it up, you know,
just get in it. Yeah, you gotta warm.

Speaker 13 (04:11):
See what happened was I turned up early, so I
took warm it up.

Speaker 10 (04:15):
When outside I saw my check engine right was on,
turned it off, trying to bring it back up.

Speaker 1 (04:19):
Nope, damn, damn. What is it though? Low on oil? Like,
what's going on? You don't know?

Speaker 9 (04:24):
Now?

Speaker 10 (04:25):
I checked the oil oil last week and I just
poke it up with guess.

Speaker 3 (04:28):
Hey, man, you should go back out and try. You know,
sometimes you just got to let the car sit for
a little bit. The restarted with too and be I
did that too.

Speaker 1 (04:36):
Damn.

Speaker 2 (04:36):
Now was the worst time to be having now the
worst time to be having car problems because that's more
money that you got to spend that you probably ain't got.

Speaker 1 (04:43):
No, I don't. I'm just saying this.

Speaker 10 (04:45):
Rough because you're one hundred percent.

Speaker 1 (04:46):
Right, That's what I'm saying.

Speaker 4 (04:47):
Yeah, I'm sorry for your Aaron.

Speaker 10 (04:49):
Yeah, man, oh man, I appreciate that though.

Speaker 1 (04:51):
I love y'all, love you too. What y'all do?

Speaker 3 (04:54):
Mansten to get it off your chest eight hundred five
eight five one o five one.

Speaker 4 (04:59):
If you need to vent, hit us now. It's the
breakfast club. Good morning. This is your time to get
it off your chest, whether you're man or blessed. I
hate the way that.

Speaker 8 (05:06):
You walk, the way that you talk, I hate the
way that you dress.

Speaker 4 (05:09):
Everything.

Speaker 5 (05:10):
When he is best, call up next. Eight hundred five
eighty five five one not just I'm.

Speaker 1 (05:15):
What the coach of philing. Hello, who's this?

Speaker 6 (05:18):
This is Larry? What's going on?

Speaker 1 (05:20):
Now? What's up? Larry? Get up your chest?

Speaker 4 (05:22):
Larry?

Speaker 10 (05:22):
Are you Larry?

Speaker 6 (05:24):
I'm doing all right, mister the guys.

Speaker 1 (05:26):
Yeah, my middle name is Larry.

Speaker 6 (05:29):
My thing is America is is a dump anymore? Man,
you should be fun to live. You ain't fun to
live you no more?

Speaker 2 (05:36):
That's not true. Now come on, cut it out now
we're being a little crazy. What so so tell me
a fun of place.

Speaker 6 (05:41):
Hey, look, it's current administration trying.

Speaker 1 (05:43):
To kill a ball. That is true.

Speaker 6 (05:45):
But hey, that's that's the poverty line used to be
like twenty three or something. I bet you they line.

Speaker 1 (05:54):
Listen the Madden level just on ninety nine right now.
You know what I'm saying. But you know it's America.

Speaker 6 (05:59):
Heyres well, miss building is real. I got the man
I mean, but I got it.

Speaker 1 (06:07):
Thank you, my brother. I appreciate you.

Speaker 4 (06:09):
Man.

Speaker 1 (06:09):
Hello, who's this?

Speaker 6 (06:10):
Hey?

Speaker 13 (06:10):
It's you Brouh Muhammad from Baton Rouge.

Speaker 1 (06:12):
What's up?

Speaker 4 (06:13):
Brother? Get it off your chest?

Speaker 13 (06:14):
Hey, man, I just won't let everybody know with all
a fear mongrant going on about this food and being
able to afford food for your houses. The Mosara, Elijah
Muhammad and all missus. Louis Barkin told us beans and
rice every day. That's a very cheap meal. I guess what,
it's a very healthy meal, especially that navy beans. So
if you got to go buy food for your family,
you might not be able to buy me. But focus

(06:36):
on the basics, the beans, the rice and the water,
and everything will be okay.

Speaker 1 (06:40):
You're absolutely right, brother.

Speaker 4 (06:42):
Hello, who's this shame shave? What's up?

Speaker 1 (06:45):
Piechee?

Speaker 14 (06:47):
Mo'st thirty fourth birthday?

Speaker 10 (06:51):
Thank you?

Speaker 9 (06:52):
Thank you?

Speaker 6 (06:52):
I walked up selling really good, really peaceol, really excited
for this chapter? Not positive energy.

Speaker 1 (07:01):
Is I have a question yet?

Speaker 4 (07:03):
What's up? Girl?

Speaker 6 (07:04):
When are the next time you're going to be performing
in New York?

Speaker 13 (07:07):
Because I already you and I want.

Speaker 1 (07:09):
To come to you.

Speaker 8 (07:10):
I'm trying to put together a deal now for Brooklyn
or somewhere like that. Everybody keep telling me about these
venues or whatever. It's I'm mad since Caroline's closed like.

Speaker 4 (07:19):
That spot in New York.

Speaker 8 (07:21):
But now I gotta find another venue that I can
make a good deal with.

Speaker 4 (07:25):
You killed salsal Config in the Bronx, so you killed
that when I would you know what to see.

Speaker 8 (07:29):
But everybody don't like coming to the Bronx.

Speaker 1 (07:31):
And I understand, I understand why.

Speaker 8 (07:35):
I'm see what I'm saying.

Speaker 2 (07:40):
If you don't live in the Bronx, you know, going
there once a year is pretty much enough. Anything else
is risking it exactly.

Speaker 12 (07:47):
I got you, no girl, I got you.

Speaker 4 (07:48):
Thank you, Shay, Happy birthday, Okay.

Speaker 6 (07:51):
Thank you.

Speaker 3 (07:53):
Get it off your chest. Eight hundred five eight five
one O five one. If you need the vent, call
us up right now. It's the Breakfast Club.

Speaker 4 (07:59):
Good Morning by the SDJ.

Speaker 3 (08:01):
M V Jess Hilarius Charlamage the guy. We are the
Breakfast Club. La La Rosa is here and we got
a special guest in the.

Speaker 1 (08:07):
Building, Big Lola. Lola welcome.

Speaker 7 (08:10):
Uh uh uh?

Speaker 1 (08:13):
How you feeling?

Speaker 7 (08:14):
I feel good. I can't complain, y'all like it early
Breakfast Club.

Speaker 15 (08:20):
I know I know what's up. New project out, Yes,
new project out. I feel it feel good?

Speaker 7 (08:27):
Oh my god, I feel like I just feel like
a new person.

Speaker 15 (08:32):
Why because the last project I put out, y'all, I'm not.

Speaker 7 (08:36):
Gonna hold you it just my mom wasn't there, Like
I wasn't there.

Speaker 4 (08:40):
Really, why not what was going on.

Speaker 7 (08:43):
Like I said, success.

Speaker 15 (08:46):
Once you get it, you don't know how to navigate
it when you get when you first get there. So
it took me some time to like really enjoy my moment,
be grateful for my task, and just celebrate myself. So
mentally I wasn't there. That's why with Dennis Project Thennis
Daughter project, I was so vulnerable because I started thinking

(09:11):
about what happened before my moment and I couldn't tap in.
But now I'm like, I bet I got it, Like
I'm sure.

Speaker 2 (09:21):
So you didn't enjoy the moment of your your when
when you released the first album.

Speaker 15 (09:25):
No No, And I just sitting there pretending like I
remember the last time I was with you.

Speaker 7 (09:30):
I was like, I'm good now. No, I was not.

Speaker 15 (09:31):
I was just trying to I was trying to trick
myself into thinking that I was okay, but I wasn't.
I tell you talk about and when I heard you
say this, so I was like I felt it.

Speaker 7 (09:41):
It resonated with me.

Speaker 15 (09:42):
You were talking about how that feeling, but also feeling like, wait,
is this really happening?

Speaker 7 (09:47):
Am I supposed to be here? Is it all gonna
be going tomorrow?

Speaker 4 (09:49):
Like syndrome.

Speaker 15 (09:50):
Yeah, like it was freaking you out, like you didn't
know what one day after the other was going to live.

Speaker 7 (09:54):
Yes, that's exactly how I was feeling. And then you
don't know what that feeling is.

Speaker 15 (09:59):
Like you know you feeling something, but you want how
to explain it, and you don't want people to look
at you like you crazy, but you know you're going
through something. And then I don't vent to everybody about
things like I'm not that person that'd be like going
through this and I'm sad.

Speaker 3 (10:11):
Nah, you could be sensitive, so you could be sensitive
and Lola, I mean.

Speaker 2 (10:18):
I guess, I guess I like that though, because you
know you rap with such a big voice, that big
Brooklyn energy. But what's something in your life you still
feel small about, like something you scared them you're still
working on.

Speaker 1 (10:30):
Is that.

Speaker 7 (10:31):
My confidence is there?

Speaker 15 (10:33):
It's not about having a confidence, it's about being confident
enough to not care to show my confidence because you
think about other people before yourself, Like I think about
stepping on people toes before I'm one hundred percent me,
and you shouldn't do that because that's that means you
holding back. So that's what it be. It's like I
know I can do this. I know I can do that,

(10:54):
But then with this person, feel away. If I start
feeling myself a little bit more, and it's like, so,
what right exactly?

Speaker 4 (11:02):
You should?

Speaker 3 (11:03):
But I was gonna ask, what with this project? Do
you ever chase? Try to chase the first project? Because
you had successful record, big records? You ever say I
gotta stay on top? Does that bring you the pressure?

Speaker 7 (11:14):
No? See, the pressure was doing the last project.

Speaker 15 (11:17):
This time around, it's like, no, I'm having fun, Like
I gotta remember that I'm rapping because I enjoy doing it,
So no pressure.

Speaker 1 (11:26):
Like people underestimate you because of your size.

Speaker 7 (11:28):
Yeah, that's why I'd be rapping, like I'm six foot two.

Speaker 3 (11:32):
I've never seen nobody have a security guard that has
to put you.

Speaker 12 (11:37):
He puts you, he puts you.

Speaker 3 (11:38):
On his shoulders to get you in and out of spot.
Like that is the craziest thing I've never to see.

Speaker 7 (11:42):
Yeah, and I'd be like, we.

Speaker 1 (11:45):
Do you like proving people wrong?

Speaker 15 (11:47):
I used to like proving people wrong, but not no
more because I realized that that's a dead end. Like
you can't waste your time trying to prove people wrong.
You got to prove yourself right on this project. I
bet from the first song, what's up with it? It
seems like it's like a temperature check. So that's not
proving people wrong. What temperature are you checking? Because it
seems like you're like, oh, y'all was looking for me.

Speaker 7 (12:07):
I'm here.

Speaker 15 (12:09):
I was checking everybody body temperature, like because my body check.
Check everybody body temperature because it's like my body different,
Like I'm all body over here, Like what's up with it?
Like this ain't no play play, I'm for real, So
let's get into it. What do you feel like has

(12:29):
been like the biggest uh? I guess things that have
been thrown that you're from opposition that you felt like
you had to let people know, like I'm not worried
about I see it, but I'm not worried about you
because that's kind of what that song gives me.

Speaker 7 (12:39):
It's like you were dressing some things or.

Speaker 15 (12:42):
Being a female artist in the rap business. I feel
like they put so much pressure on you. It's like
unnecessary pressure, and then you'll get tricked, like you get
tricked out your spot.

Speaker 7 (12:55):
So I'm like, basically I'm saying, you ain't gon trick
me out my spot. What's up with it?

Speaker 4 (13:00):
Chat saying picture shirt?

Speaker 7 (13:01):
Oh, the chat, all the povies? You not really got nothing,
but it's looking good?

Speaker 4 (13:05):
Why not?

Speaker 7 (13:07):
But yeah, they give you unnecessary I'm good, now.

Speaker 1 (13:12):
Good, it's it's all on display.

Speaker 4 (13:16):
No, I.

Speaker 7 (13:19):
Just think they saw the top of your bro it's new.

Speaker 1 (13:22):
It's just you know, the chat disrespect. Look at the
chat like it.

Speaker 15 (13:31):
But you know they put they put unnecessary pressure on you.
So it's like at a point, yeah, I did feel
like my back was against the.

Speaker 7 (13:38):
Wall and I'm like, no, I'm not going out like that,
So what's.

Speaker 12 (13:41):
Up with it?

Speaker 1 (13:42):
What's something about the rap game that's that's way nasty
than you expect.

Speaker 15 (13:45):
It's a it's it's it's really a game you gotta
play and you gotta learn to play it. It's like
everybody is not your friend for sure. This is a
business and if you do, uh, create some friends along
the way, it's a great thing.

Speaker 7 (13:59):
But keep it to a man.

Speaker 4 (14:01):
Yeah.

Speaker 2 (14:01):
I heard on the album you was talking about people
that was fronting on you. But you gave a Boogie
a lot of problem.

Speaker 4 (14:05):
Yes, I did.

Speaker 15 (14:07):
Yeah, because he took me on my first tour and
he set me up clean like my set was on
his set in the middle of his set, so the
crowd is already warmthed up, you know what I'm saying,
And then I come in and then I'm like.

Speaker 7 (14:19):
Ah, y'all ready for boogie again? And they're like, yeah,
so he set me up right?

Speaker 15 (14:26):
Can you talk about how because even so it's a buggie.
I remember I came and saw you a while ago
Future was at the Barclay.

Speaker 7 (14:31):
And they loved you there and they gave me so
much love there.

Speaker 15 (14:34):
How impactful and important was it for people like that
wrap their arms around you but do it in a
very authentic way that gave you the best platform. It's
on the right place on the shows and things like that.

Speaker 7 (14:44):
Yeah, it just it.

Speaker 15 (14:47):
It allowed people to accept me more a little more faster.

Speaker 7 (14:51):
But it wasn't forced.

Speaker 15 (14:52):
It was just like, dang, why we ain't see this
girl before, you know what I'm saying.

Speaker 3 (14:56):
So people ever say that you to New York trying
to make you cut New York down a little bit.

Speaker 15 (15:02):
No, No, If anything, they asked me to be more
New York Like can can I hear?

Speaker 7 (15:09):
They'd be like, can I hear your exit?

Speaker 15 (15:11):
Can I can I hear some lingos and I'll be like,
I don't just talk to me.

Speaker 1 (15:16):
You are New York, I was saying, this morning New York.
But I was like, yeah, it.

Speaker 4 (15:20):
Will be ill.

Speaker 2 (15:21):
She was almost like DMX on I love because of
how you look aesthetic.

Speaker 4 (15:26):
She kind of is though.

Speaker 7 (15:29):
The video that's kind of I.

Speaker 15 (15:32):
Was going to put on some times, but I was
gonna put on the hills I was, but I was like,
all right, girl, packed the butters up like you.

Speaker 7 (15:42):
But I'm very much influenced by DMX though.

Speaker 15 (15:44):
It's a song called what on a project and oh
it give it Give It gives Norri too, and it's
very New York.

Speaker 2 (15:51):
You mentioned people switching up on you too once you
got your your first plaque.

Speaker 1 (15:55):
Yeah, was it family? Was it an artist or was it?

Speaker 15 (15:58):
It was a lot of man like And you know,
the thing is for me, it's like I didn't even
pay no much attention to it because I'm not I'm
not a person that's into drama. So I know, when
you feed into drama, then you don't feed into yourself.
So yes, what'sched up like you know, but that's what

(16:21):
that's what comes with it, you know what I'm saying.
At least that part I kind of already knew, but
it's different when you go through it, you know what
I'm saying.

Speaker 2 (16:29):
Do you feel like female rappers get boxed into things
like they want you to either be sexy or gangster
just do club records.

Speaker 7 (16:36):
Like they don't know what they wanted to do. You
gotta know what you want.

Speaker 15 (16:40):
To do because it's like whatever you're thinking, that's not
what it is.

Speaker 7 (16:44):
This is whatever I'm giving you is what you get.
You gotta be confident.

Speaker 15 (16:48):
You have to have way more confidence than the male
artists for sure.

Speaker 2 (16:52):
Which land do you think people try to People wrongly
try to put you in.

Speaker 8 (16:57):
Drill.

Speaker 15 (16:59):
They tried to, but are cleaned up the energy. But
then you came with the Brice and Tiller situation, which
I would. I love that for you because so many
people got to meet you as an artist because the
song was so big.

Speaker 7 (17:12):
But it's the energy of your music that feels like drill.

Speaker 15 (17:14):
Yeah, that's what I'm not going to front. Yeah, because
I love pop smoke. You know what I'm saying. I
love his energy. I might I might get on the
drill beat, but I might talk about different things. But
my tempo in my pocket and my energy is going.

Speaker 8 (17:30):
To be high.

Speaker 4 (17:32):
Selling records mean a lot to you? Or do you
just like the music you put out?

Speaker 3 (17:36):
Because you just talked about the Brice and Tiller bracket,
Like there's like plaques.

Speaker 4 (17:40):
And the fact that you on behalf of team ad
and Adams the records. We want to congratulate you on
a gold platte.

Speaker 1 (18:00):
Who wow, what is it? What does that mean to you?

Speaker 16 (18:11):
This mean that you know?

Speaker 15 (18:21):
I think I love that for you because I feel
like when that record hit, and it really hit, it
was at a time where people were trying to figure
out if you would be able to do everything you did,
but don't play with it and do it again, and
you did it bigger all slept y'all.

Speaker 17 (18:33):
I can't believe this.

Speaker 15 (18:35):
I can call my mom yo oh man. Yeah, because listen,
people was doubting me before I got my first one,
Like they was doubting me all around the board. And
then it's like she sh I gotta do it again. Yeah, okay, cool,
And then you do it again. But you know, you

(18:57):
still get slept on. You know what I'm saying you
You still get left on.

Speaker 7 (19:00):
But it's cool. Like if you're not strong enough to
be in this game, then the success ain't gonna come.

Speaker 3 (19:08):
But talk about what that means for you, right, the
fact that you're selling records, this one's goal.

Speaker 1 (19:14):
Now, what does that mean?

Speaker 3 (19:15):
Seeing that plaque and all your hard work coming through
with these seals.

Speaker 15 (19:19):
It just means that all my dreams are coming true.
And it means that when I was saying to my mom,
like I just feel like I'm somebody in this world,
somebody important that I wasn't tripping, it was true, like
I really felt it. And it just shows that I'm
I'm gonna be able to.

Speaker 4 (19:36):
Take care of y'all.

Speaker 15 (19:37):
Mom, I got you, baby, I would continue painting no
bills girls.

Speaker 3 (19:41):
Is your mom your biggest fan? Because that's first thing
he said, I need to call my mom.

Speaker 15 (19:44):
Go yeah, my mom is the reason I resigned for
my job to pursue a music career. So I will
always like have her back because she always had money.

Speaker 1 (19:55):
I know you got a record call.

Speaker 2 (19:56):
It was all a dream and you mentioned that survivors
you more at hell you back from celebrating your win.

Speaker 1 (20:02):
Are you gonna celebrate this?

Speaker 15 (20:03):
Yes, I'm gonna celebrate that. I promise this is a
different time. I'm gonna celebrate that when I promise you that.

Speaker 1 (20:09):
When you've reached the place now where you can celebrate.

Speaker 15 (20:10):
Those yes, Like I feel like, dang, I should be
happy for myself and I shouldn't feel like because I
done went and found this success that I gotta worry
about where you at and the level of success of
your life.

Speaker 7 (20:25):
You know what I'm saying, Like, yours is gonna come.

Speaker 15 (20:27):
I waited for minds, I've been on a bench for
a very long time. I sat on the bench and
I watched the game that I'm in a court, like, dang,
can you cheer for me?

Speaker 9 (20:37):
So?

Speaker 1 (20:37):
What were you feelings?

Speaker 4 (20:38):
Why?

Speaker 1 (20:38):
I was remorse about.

Speaker 15 (20:39):
Exactly, like just with everything, the littlest things like being
able to pay my bills on time, and I still
know people that that's not able to do. So you
know what I'm saying, Like the littlest things was holding
me back that I felt bad, And it's like, why
would you feel bad when it's your time and you
gotta keep going so that these people could be in yours?

Speaker 2 (21:00):
This you too, right, So at what point in your
success did you realize it was okay to.

Speaker 15 (21:04):
Help yourself first when nobody was there when I was
going through it in my room by myself, when I
was like, I was depressed and nobody was there. And
I'm not saying that nobody didn't want to be there.
I just dealt with it by myself. But I got
through it. So I'm like, Okay, now you got to
start putting yourself first.

Speaker 3 (21:24):
You do know that you got to take care of
yourself and family first, because a lot of times that
happens to a lot of people and they take care
of everybody else.

Speaker 4 (21:35):
That's right. You do understand that part of it, though.

Speaker 2 (21:42):
Yes, when young girls from Brooklyn look at you and
say I want to rap too, what's the what's the
realest guy that you can offer?

Speaker 15 (21:49):
I will say when they tell you to aggressive, be
even more aggressive.

Speaker 7 (21:54):
Yeah, say what your chest girl, say with your tatars.
Just don't show them your check.

Speaker 1 (22:01):
It's something you manifested from twenty twenty six that scares
you and the best.

Speaker 15 (22:06):
The scariest thing right now for me would be knowing
that I know my worth.

Speaker 7 (22:14):
I know my worth, and that's the scariest thing.

Speaker 15 (22:16):
When somebody know they worth, they ain't taking no, I
ain't taking nothing from nobody.

Speaker 12 (22:20):
I don't care who it is.

Speaker 7 (22:22):
I'm standing on it like I'm six to two.

Speaker 4 (22:25):
You are because I am.

Speaker 7 (22:27):
I'm sick.

Speaker 15 (22:27):
I'm seven two, but today i'm six two. I'm sitting down, ladies.

Speaker 3 (22:33):
And gentlemen, Lord lab Brook, we appreciate you for joining us.
The new album I Bet is out now. Yes, and
congratulations on all the success.

Speaker 15 (22:44):
Yes.

Speaker 7 (22:44):
I don't know how carrying that thing is.

Speaker 1 (22:46):
You got a bunch of men with you. I hope
you don't have.

Speaker 3 (22:48):
To carry it, but I want to carry it.

Speaker 4 (22:52):
I carry just like a prog. It's the Breakfast Clubs
owning everybody. It's DJ Envy, just hilarious.

Speaker 3 (23:00):
All I mean, the guy we are the Breakfast Clubs
is here as well. We got a special guest in
the building.

Speaker 4 (23:08):
What's that? What's that?

Speaker 1 (23:09):
How you feeling?

Speaker 4 (23:11):
How you doing that right now? Yeah?

Speaker 1 (23:13):
I'm good.

Speaker 3 (23:14):
Brood back on the roll back on tour, Yeah, on
tour right now, Moose Wings.

Speaker 4 (23:19):
You know what I'm saying, the new ep out on tour.
I won't say, you're gonna start right now.

Speaker 3 (23:22):
You shook that man saying that in front of on
you the other day.

Speaker 1 (23:27):
What he said? What he said? Yes that can beat him?
Universe said, I mean you know.

Speaker 4 (23:34):
He had to you know, he had to be on music.

Speaker 1 (23:36):
I ain't talking about singing.

Speaker 2 (23:37):
I'm not talking about like, I'm not talking about singing vocally, yes, music,
You think.

Speaker 1 (23:43):
They lost his mind? You ain't let him on that stage.
What was going to happen?

Speaker 3 (23:48):
Yeah, you said I didn't let him on wanted to
do there? You can ask Je what happened backstage. I
was like, Yo, let's do it, let's make it happen.

Speaker 4 (23:58):
He was like, shrink me.

Speaker 3 (23:59):
Just just I don't care what you do, just o't.
Just just make it happen. I'm like, I don't even
know he was gonna be that bad.

Speaker 4 (24:04):
I got you. They didn't let him on stage. It
wasn't me.

Speaker 1 (24:07):
That's not Reja story. Reje story was I wanted to
do the verses right there to Mario.

Speaker 3 (24:12):
Out of all people, you trust Radie story, damn you
trust reggae story of people.

Speaker 4 (24:21):
I don't know. I don't know.

Speaker 3 (24:23):
I didn't know what was happening back there, like it
was a plan and then it did happen.

Speaker 4 (24:26):
So you know each other again.

Speaker 3 (24:30):
I know why they keep sleeping on you, why they
keep sleeping on me.

Speaker 1 (24:33):
I don't know.

Speaker 4 (24:35):
Vocally, I hold on, you said, hold on, we got did.

Speaker 1 (24:38):
He said what? He said, that's great? Got three in
the possible. I don't think you can.

Speaker 7 (24:43):
You got crazy about ten six?

Speaker 4 (24:47):
Yeah, that's that's kind of crazy, bro.

Speaker 1 (24:50):
But on one he said one song for one.

Speaker 3 (24:54):
Song, and he said new music because he can only
do run song that really like really like be like,
that's a strong because versus you got it's like it
gotta be strong. You gotta have some strong it's not
you know that, it's not a joke. If you're going
with the right you're going against the right person. You
gotta have strong records. People people you don't know how
they're gonna be feeling that day. They might want the
song one day. One day you might be like, that's better.

(25:15):
What people aren't consistent.

Speaker 1 (25:17):
But you can do one of those three times because technically.

Speaker 4 (25:21):
Definitely, but he only got one wish.

Speaker 1 (25:23):
And then but you can do it three times and
then no, for sure, he got got Wait a minute.

Speaker 3 (25:28):
Bro, he got a couple of records, bro, Bro, And
then what but like they're not timeless classic records that
make you feel like it's just a.

Speaker 4 (25:37):
Different you'll just stop taking me out of these conversations. Bro, Honestly,
I gotta stop taking me out of these conversations. You
know what I'm saying.

Speaker 3 (25:44):
I get passionate about it, and I love all my piers.
Like you know what I'm saying, The Internet is the
Internet like whatever, But like y'all gotta.

Speaker 4 (25:50):
Put me in different conversations.

Speaker 3 (25:52):
But I get I get that during my hiatus, like
I've had to prove, like remind people that yo, like
I really God put me in this because the gift
is really there. My persistence and my ability to continue
to push and continue to put out music is still there.

Speaker 4 (26:08):
My passion is still there. I'm still hungry, you know.

Speaker 3 (26:11):
I take it serious, you know, but I think some
people are like Internet, have fun on the Internet, and
then some people really take it serious.

Speaker 4 (26:17):
I'm one of those that takes.

Speaker 3 (26:18):
I think people forget because of your hiatus, right, And
the reason I say that because I forgot and we
went on to we went like an R and B
tool and our DJ for Mario doing that tool. Fact,
and when you understand when we're playing six songs and
those that fifteen thousand arena's singing them six songs only
because we only got fifteen minutes, we would play more music, but.

Speaker 4 (26:37):
Yeah, go ahead, but the six songs you understand. It's like, oh,
I get it. That's what.

Speaker 1 (26:43):
I'm like.

Speaker 4 (26:43):
Nah.

Speaker 2 (26:44):
The other day when was playing, I'm like, oh, yeah,
I forgot that yeahah, oh yeah I did forget that one.

Speaker 4 (26:49):
Yeah. Yeah, And it happens. I think it's natural, you know.
I saw your interview with Mike the other day.

Speaker 3 (26:53):
I was like, Yo, it was a great interview because
he made some good points about people forget.

Speaker 4 (26:58):
You know, you got to remind people.

Speaker 3 (26:59):
And I think that it's just the way of the
Internet as well. It's just like this this new world
of like everybody's receiving stuff so fast, and it's like,
if you don't put music out for it six months,
do you where you've been at?

Speaker 4 (27:10):
You know what I'm saying.

Speaker 3 (27:11):
But for us as artists, a six months, that's that's
a small campaign. It might take especially your R and B,
it might take six months for people to even though
you got a joint that's heating up, you know, But
that's just a part of the process.

Speaker 2 (27:22):
You've been against you with a teenager. What's something the
grown version that you had to unlearned from the young
version of you?

Speaker 3 (27:28):
A lot of things, bro, But I would start with,
you know, not falling in love with my creation, meaning
you know, when you create music and you put it
out to the world, you gotta let it go.

Speaker 1 (27:39):
You know.

Speaker 3 (27:39):
You got to let the people that connect with the
music and connect with what you're doing connect with it.

Speaker 4 (27:44):
And you got to keep creating, Like, keep creating.

Speaker 3 (27:46):
Don't pigeonhole yourself to oh you got to make another
hit like let me Love You, you gotta make it. It's
really just about evolving, bro, because there's so many other
things that happening in life as to why the music
sound the way it does now. Right Moose Swings is
a completely different vibe from Glad You Came, which I
released just a year ago. So really just being free
in the creative process because we're in a world now

(28:06):
where it's about exploring.

Speaker 15 (28:09):
Were you like picking up the phone and calling where
you're going through the process of like I gotta re
remind people or I'm trying to make this sound different
than that and not chase that record. But ego wise,
like there has to be a part of Mario that's
like this has to be big because I'm Mario, Like
who coaches you through those battles coaches me just a god.

Speaker 3 (28:27):
Honestly, God, I'm gonna be honest with you because I
think a lot of people that's around me every day
they just believe in me. You know, they're they're believe,
they get they tell me real, but they believe in me,
and it's like they understand how strong I am mentally.

Speaker 4 (28:40):
But there's no person that I call to act advice
about those types of.

Speaker 3 (28:45):
Things because I think that my journey is my journey,
and I just have to trust God and I gotta
trust the people that I entrust creatively.

Speaker 1 (28:52):
Right.

Speaker 3 (28:52):
So when I went to the studio to start Moo Swings,
me and my boy dray More, who I met through
one of my managers.

Speaker 4 (28:56):
Ak with three six five.

Speaker 3 (28:58):
We've been on each other for years, a bunch of
future records, but he never hopped into his R and
B back.

Speaker 4 (29:03):
He's always wanted to.

Speaker 3 (29:04):
I say, Yo, let's less less like I want to
hop into this darker, moodier part of me as an
R and B artist that's like moody and still musical
and R and B, but just like more authentic.

Speaker 4 (29:14):
And so he's like, Yo, let's get in a studio.

Speaker 3 (29:16):
Let's go and it was it was like working with
a friend and somebody that you go over their house,
they come over your house. You know, they kids, you
know they family, but you're both really young ghoasts. It's
different than working with somebody that's like, I'm a fan
of your music. I've always want to work with you,
but I don't know where you live, I don't know
you know what you're into us. It's a different thing.
Found the foundation is there, so that to me and

(29:37):
I trust the team that I work with.

Speaker 4 (29:38):
And we just make the music that we love. We're
going to studio.

Speaker 3 (29:41):
We might go to a studio and play verses with ourselves,
like Yo, you play your your favorite five records ever
and I'm gonna play mine against yours.

Speaker 4 (29:47):
That inspires to get the studio session started.

Speaker 1 (29:50):
But you won't do that with though.

Speaker 3 (29:53):
I'm trying to really don't want no smoke with me
on any level. He know that's why he got it always.

Speaker 4 (29:58):
He you know, he's a major troller.

Speaker 3 (30:01):
Though, It's like, how do you execute a major troller?
Even if you execute him, he's gonna come back from
the day.

Speaker 1 (30:09):
Underticket.

Speaker 4 (30:10):
What did you not take it personally? What did you
realize that not take your personal.

Speaker 3 (30:14):
Really because it's different from like and I had other
people that like hit me really got on some really sis,
but like ray J, like like we we talk, you
feel me. So it's like he can say some whow
and I might say some the next day. But it's
like he's a major troller, so he gonna go deep
in the quicksand whereas I got this.

Speaker 4 (30:36):
I'm on tour right now. You know I'm saying, ain't
gonna go that deep in the quicksand. But yeah, it's whatever.
Mario was mad too. He was pissed off.

Speaker 3 (30:42):
It is like he was, you know, it's crazy. Can
I be honest?

Speaker 13 (30:49):
No?

Speaker 4 (30:49):
No, no.

Speaker 3 (30:49):
For the honesty is that all we were doing is
have a conversation about things y'all have, but nobody don't
really talk about it all the way. We're just having
a conversation the same everybody do. People in the comments
actually went crazy on everybody else spoke about or answer
the question about then I did you given too much grades?

Speaker 4 (31:10):
And it's like, damn, is it that serious? Why is
it that serious?

Speaker 2 (31:12):
Because you're an artist that can actually and I'm sure
they looked at like that, Mario, dope, you don't feel
the same way.

Speaker 3 (31:22):
That's crazy, Like everybody got strengths and weaknesses. Like if
somebody somebody can dance, they ass off and they asked
somebody question like yo, who who out of these people?

Speaker 4 (31:32):
Anna ask who can dance?

Speaker 1 (31:33):
And who can't?

Speaker 3 (31:34):
Let's just say always on that. He was like, yo,
and Mario dancing was like the miss I would laugh.

Speaker 4 (31:39):
I would laugh.

Speaker 3 (31:40):
I would be like, damn he right, because I don't
because that's the but they know him for dancing, right,
they know that's his craft, right, So that's you know,
it's just too serious.

Speaker 8 (31:54):
So you up and down on that. This is like
most love angry.

Speaker 3 (31:59):
It's a mix of like love. It's really a conversation.
It's a conversation. When I started Moves, it was just
about nineties R and B vibes and I'm like, Yo,
how do we take that feeling and like update it?

Speaker 4 (32:14):
And this was like the approach.

Speaker 3 (32:15):
And then I would have, like a couple of dre
Morning executive produced it work with a lot of great
producers are here. But yeah, the conversations are different. And
also the textures of what I singing is different. Like
I got a song called fortune Cookie and that that
I've never spoken like this before, but the actual texture
of the way I'm using my voice a song called mom,
same way I'm giving you different moves of who I

(32:36):
am as an R and B artist, How I think
about intimacy, how I think about love, and just you know, just.

Speaker 4 (32:40):
Talking honestly.

Speaker 1 (32:43):
Fortune cookie damn man.

Speaker 4 (32:45):
With Asian women.

Speaker 1 (32:47):
That's crazy.

Speaker 3 (32:49):
It wasn't an Asian woman, It's just it's just women
in general. I think women are like fortune cookies, bro. Like,
you know, it's like you never know what you're gonna
get if you really dive in and really get to
know a woman on those more intimate levels, you know.
And it's something that I've always prided myself phone when
getting to know somebody. I'm in a relationship now, and
I'm still learning my girl. I'm still learning like how

(33:10):
to unlock certain parts of her and and you know,
how to make her feel safe in moments where I'm
not around, and like, just so many elements to having
a relationship with a woman, whether you're just a friend
or whether you're in something deep like I am.

Speaker 4 (33:23):
It's just you never know what you're gonna get.

Speaker 3 (33:25):
You gotta crack the open a fortune because obviously the
record goes a little deeper into some like more intimately,
like yeah.

Speaker 15 (33:30):
How did your girlfriend deal with all of the like
being Mario's girlfriend? Everything's public, Like when you post to her,
there's like such a big response because they're like, she's
not a black woman, Like how does she deal with
seeing stuff like that?

Speaker 3 (33:41):
I think that she she's a very like analytical person
like me, Like she dives into days to understand the
psychology behind it and like.

Speaker 4 (33:48):
What's like, what's the what?

Speaker 3 (33:50):
What does it really mean? She understood to a certain degree,
but she's also human, you know. So we've had conversations.
She's like I clap back at people. Before she clapp
back at a couple people, I'm like, yo, just don't
don't even don't let it, you know. And then once
that first initition happened, she was like, oh, okay, I get enough.
And I told her, you know, it's one of those
things where people until they understand that you got something real,

(34:12):
people hate you before they love you, you know what
I'm saying sometimes and that and that they don't even
have to know you, right, But then there's a lot
of support I don't want, and I think sometimes the Internet,
like the dark and the ugly get more highlighted than
the love. Right even with me, sometimes I see all
these love you know, I love what you're doing. We
know you love black when we know you're gonna and
then at one or two comments that's like.

Speaker 4 (34:34):
Dark, You're like, you know what I'm saying, And that's
just human nature, right, So we just working and do
it together.

Speaker 3 (34:42):
It's my first like real public relationship in this way,
whereas though like the picture, we were going on vacation
for my birthday and we had took some pictures that
she posted a picture of her pregnant on her page
before I did, but her page is probably like baby,
nobody's gonna say. I'm like, babe, I'm go ahead right.

Speaker 4 (35:01):
Next thing you know is you know.

Speaker 3 (35:03):
So I was trying to tell her like you know,
but I was I'm not ashamed of it.

Speaker 4 (35:06):
So it's like, yo, go ahead and do your thing.

Speaker 3 (35:08):
And so it's beautiful, Like I'm really proud that I'm
able to say, out of all the men in my family,
especially on my mom's side, like that I can give
my son something that I didn't have, you know, when
he touches, when he incarnates, on this planet.

Speaker 4 (35:23):
He's going to have a different life than I had.

Speaker 3 (35:25):
I'm proud of that, you know, in the growing pains
of being an artist who's now more open with his life.
I should have did this seven years ago, ten years ago,
but now I'm being more open. So this is the
part is the part of it. You got to go
through it. I'm ready, come on, regulations, do you hold on?

(35:45):
Fig I want to give you your flowers. I'm so proud
of you. J just I'm so proud of you. Know
where we come from. You know, you're raising a young king,
you got another baby that you just had, You're married
now get married now like you're doing your thing.

Speaker 4 (36:01):
And I'm proud of you. You know what I'm saying.
I love you and I'm proud of you. You know
what I'm saying. I say that, yeah, for sure.

Speaker 2 (36:07):
Do you what do you feel Mario the man has
grown the most compared to Mario the Artist.

Speaker 4 (36:11):
That's a great question. Thank you. I think that I've
been able to.

Speaker 3 (36:22):
Shadow working myself on a more honest and authentic level
than I have before, because not just because I'm about
to be a father, but because I see I see
the world around me changing the ways that I'm like
when things get out of control. If you can't always

(36:43):
control how your environment is going to uh, what's going
to happen in the environments around you. Because when you're
an artist, things happen around you.

Speaker 4 (36:52):
You have to be exposed you.

Speaker 3 (36:53):
If you want to have success, you got to be
out here, right, And so it's really important for me
to have controling myself on a deeper level and control
of my emotions and control of my how I view
the world, how I view people, how I view my
relationships with people, getting better at relationship building because I
wasn't good at that as a young kid and as
a young adult, and so just really doing that shadow work, bro,

(37:17):
and also becoming a better friend to people that I
consider important in my life instead of being like closed
off or being like, Okay, I can't trust nobody, like
I'm not opening up to like having a little bit
more grace and understanding that, Bro. With greatness comes the

(37:39):
opportunity for leadership. And with the opportunity for leadership, you're
able to actually see the world from a different space
when you take on that role of being vulnerable and
being a leader, which means coming up with solutions, right,
And it could be anything that could be in work,
it could be in your personal life, it could be
for your family, it could be for f And I
think that that's something that God blessed me with experiences

(38:01):
to get through so that I can help people s
come up with solutions, you know. And it could be
small things, bro. Somebody could call me one day and
be like, Yo, I'm gonna through this. You know what
I'm saying. I I I just made my first you know,
twenty thousand dollars, bro, my first time, Like w it's
like those small things I've done money before.

Speaker 4 (38:19):
I know how to.

Speaker 3 (38:19):
I could give you advice on that. If I can't
give you advice on something, I know somebody who can.
Just being more open and vulnerable about life, man, and
knowing that everybody's not out to hurt you, you know,
and that comes from growth and doing shadow work.

Speaker 2 (38:31):
When you when you first did your shadow work, did
your shadow self scape.

Speaker 3 (38:34):
It scared me when I felt like people weren't respecting
the work that I was doing myself, and that triggered me.
It was like, what the the purpose of doing it?
If nobody cares and they still gonna judge you. They
still and it realized, like, yo, bro, it doesn't matter
if people don't see the work that you're doing. You
can't change their perspective. You can't change how people see

(38:55):
things because they can only understand things on.

Speaker 4 (38:57):
The level that they're experiencing.

Speaker 1 (38:58):
Right.

Speaker 4 (38:58):
And I was reading this book called the author's name
is called Power Versus Force. Don't beware of that, but
he's really.

Speaker 3 (39:04):
Good, and it basically talks about life by way of calibration,
Like it's from zero to six hundred, right, So you
can have a conversation with your homie about running down
on somebody that might be calibrated at like a ten
or twenty. But then you can have a conversation about
growth and health and building community building that's calibrated at

(39:26):
like a four to fifty five hundred. And it just
talks about how these things affect your body, how to
affect your mind. And I got it from this chiropractor.
But he doesn't do regular chiropractor work. He does like
spiritual chiropractic work. Whereas though he finds where your traumas are,
you know, where you're lying to yourself, where you're not
being honest. On the first time I work with him,

(39:48):
he brought me. He does it like in his backyard.

Speaker 4 (39:51):
He lives in la And then he was like, he said,
hold both your arms out.

Speaker 3 (39:55):
He's like, I'm gonna ask you a question, and you
could choose to tell me the truth in life. The
one where I lied on him, my arm got weak,
like literally did I'm not? It was like if it
was like and I knew I was lying. And then
the one where I told the truth, it was like
my own was steady, it was strong, and I was like, damn,
that's crazy. You don't think that like your body and

(40:16):
your mind and and how everything worked, like the truth,
even if it's ugly, it's more powerful than a lot.
I mean, you could take that in so many different ways.
But I would like to think that I want to
live in a in a space where I can live
as much truth as possible and and the lies aren't
as that I tell myself.

Speaker 4 (40:34):
You know what I'm saying. So I don't know all
of that stuff is just a part of my journey.

Speaker 1 (40:38):
Just say one time your actually going in and up Baltimore.

Speaker 15 (40:43):
Talking to me about it's cool it do it?

Speaker 7 (40:53):
And then I forget what I asked you about and
it was like and I was like, oh yeah, he
from there.

Speaker 1 (40:57):
I haven't heard this interview. That's why I've been living.

Speaker 3 (41:01):
I've been living in LA for like fifteen years now,
so just if I go home for two weeks, it's
crazy when he get upset about something that.

Speaker 1 (41:12):
We're trying to get mad.

Speaker 3 (41:16):
Good luck you definitely don't at all some question, right, but.

Speaker 4 (41:22):
But it I'm mad at you for kicking the cameraman
off stage. Yeah yeah, I.

Speaker 3 (41:26):
Thought that was kind of crazy because that's your time
to before you don't know what this DoD is on stage.
I think that it was just people. And I used
to seeing me like that, bro, like you're mad.

Speaker 4 (41:35):
Yeah.

Speaker 3 (41:35):
Like, so it's like I try not to get mad, bro,
because when I get mad, I get mad, you know
what I'm saying. And then it's like, I'm like, it
takes a lot to get me mad, right, So when
I get there, hopefully I don't want it to be seen, like,
I don't want people to see that side of me, like,
and it's not like I'm not human, I just it
can get taken out of context, which it did, right.

Speaker 4 (41:56):
So I'm gonna tell.

Speaker 3 (41:57):
The story officially here on breakfast club. They hit us
for this fair. I'm like, okay, as close as to LA,
we'll take the sprint up. Go up there, dud it,
knock it out. We come back to the crib.

Speaker 4 (42:07):
Right cool. His family only said, all right, cool, Lloyd,
a couple of artists, let's do it.

Speaker 3 (42:12):
I get to my shows usually if it's shows with
other people, I get there like like when we're doing
a drink, not they get like ten fifteen minutes before
because I don't like sitting in the dress roenm I
get assi like man, So no one told me that
a camera man was going to be on stage at all.
So when I go on stage, I'm performing and I
keep seeing a figure around the stage is pretty big,

(42:33):
but I keep seeing a figure. I'm like, Okay. Then
when I saw him for the first time, I'm like, damn.
Then he jump up from because he didn't have a camera, bro,
he had an iPhone on a joint.

Speaker 4 (42:42):
Go look at the video.

Speaker 3 (42:44):
So I'm like, right, he must have jumped from out
of the crowd. He came on my irony trip or whatever.
He over there. But then he got comfortable and on
the stage they got they had too many speakers they
have more speakers because usually every artist get to say
what they wanted the stage to be. Like, they left
the other artist speakers on the stage, so it was
more speakers than.

Speaker 4 (43:01):
Supposed to be.

Speaker 3 (43:01):
So I'm looking for where he about to go, and
I tripped one time over the over court.

Speaker 4 (43:05):
I ain't say nothing, man, crazy, I gotta watch up.

Speaker 3 (43:09):
Then as I'm walking back to the right side of
the stage, he's all the way downstage, like near the speaker,
like you should be.

Speaker 4 (43:17):
Like further back, like you feel me.

Speaker 3 (43:19):
And then that moment is like, yo, you gotta get
off the stage. Bro, you didn't already like you get
It wasn't even like I hate you, get up, like
it was just like get the I just feel me.

Speaker 4 (43:29):
It was like that.

Speaker 8 (43:31):
Anologized shortly after.

Speaker 4 (43:34):
It was hot as a half as apology.

Speaker 3 (43:35):
But I didn't even realize he went on tour, went
on to he went on, he went on a press
store about it, so like I was like, I'm like, bro,
you know, let me just do it.

Speaker 4 (43:45):
But yeah, that's what happened.

Speaker 3 (43:46):
He was but he was supposed to be there apparently,
and then you know, but it really was just I
didn't know who he had an I phone.

Speaker 8 (43:54):
Have you taken your girl to Baltimore?

Speaker 1 (43:56):
Yeah, she's been at Baltimore like three.

Speaker 3 (43:58):
She went with me on Thanksgiving one year, we went
to Bottomore, went to Philly. Family in Philly, Baltimore. She
she's Mexican.

Speaker 4 (44:05):
She's from she's from uh Sacramento.

Speaker 1 (44:10):
Wait, hold on't that comfortable with hand?

Speaker 4 (44:18):
She got Mexican as well?

Speaker 1 (44:24):
Thank you?

Speaker 8 (44:24):
But he and Mexican.

Speaker 4 (44:26):
I think man's street Mexican. I can I ask you
a questions? What does it matter?

Speaker 1 (44:31):
No, it don't matter.

Speaker 4 (44:32):
You know what I'm saying that just one of the
know how.

Speaker 7 (44:38):
That your girlfriend is Mexican.

Speaker 4 (44:39):
Yeah, like doesn't matter.

Speaker 1 (44:41):
Don't matter to me. Doctor, She's not that kind she legally.

Speaker 4 (44:47):
Yeah, man, everybody legal lo love is definitely love.

Speaker 2 (44:52):
But but I do like to see black men with
black women. But that's that's that's just because that's what
I feel.

Speaker 4 (44:59):
For sure. I love to see all of it.

Speaker 1 (45:01):
I love to see all but I want you to
be in love. You love her.

Speaker 3 (45:03):
Love is man, I wouldn't be I wouldn't be here
if I didn't love her. I wouldn't We wouldn't be
here if we didn't love each other. Pro creating like
this exactly like we having a beautiful experience right now.
The only you know, the hardest part obviously is always
the traveler, right being away from home, checking in being like, damn,
if I'm on stage and something's happening, I.

Speaker 4 (45:22):
Will not I can't get you know.

Speaker 1 (45:24):
What I'm saying.

Speaker 3 (45:24):
It's this, This has been This has been hard because
it's like things were already in motion, these toys are
already playing, you know. But I get off tour in December,
and I'll be home for all the holidays, So I
don't I don't.

Speaker 2 (45:34):
Think you owe anybody an explanation, though I think that's right.
It's like, why are you explaining who you love? You know?

Speaker 3 (45:40):
It's not so much explaining who I love is it's
it's the narrative of oh, Mario doesn't like black women
that I have an issue with, and where this narrative
was created from. That's the thing about the Internet, is
like you can't just leave that, you know, out in
the air.

Speaker 4 (45:56):
That's crazy, you know what I'm saying, So.

Speaker 3 (46:00):
Confront it so people understand that it's a lie and
it's it's not true versus not saying anythingbody, which I've
done in a couple.

Speaker 4 (46:06):
Of interviews since that interview, you know.

Speaker 3 (46:08):
But the way he asked it was so he set
me up.

Speaker 7 (46:16):
Set up, like what's your relationship with black women?

Speaker 4 (46:18):
Right?

Speaker 7 (46:19):
No, that wasn't the first question.

Speaker 4 (46:20):
Was No, that was like that. He was like, do
you have a problem with black women?

Speaker 1 (46:24):
That's a wild question.

Speaker 15 (46:26):
The way you answer you answered it, play that answered it.
I don't think it. It didn't make it any worse,
but I think it made people try to find another
reason why you don't like.

Speaker 3 (46:36):
Black Psychologically, these podcasts and people when people are not
everybody doesn't have the.

Speaker 4 (46:44):
Same way they receive things.

Speaker 3 (46:48):
And we're dealing with y'all know, we're dealing Brian got said,
you know, we dealing with in the coming you know.
And so it's like, yes, of course, like I come
from I'm a black man who comes from a black city,
who comes from the struggles of black people in this country.
So I come from what my course, a lot of
my core fans come from. So of course it's like

(47:10):
if someone says something like do you have a problem,
but the people who never even heard their question be like, wait,
you got a probably.

Speaker 4 (47:16):
It's like it's it's like right. So once I gotta say.

Speaker 3 (47:21):
You know what I'm saying, I'm defending that to say
that I love black women and black women the most
beautiful creatures on this planet, and why do you hate them?

Speaker 15 (47:30):
Talk about to say I feel like it made people
do what he's doing right now.

Speaker 3 (47:37):
Bro, look for everybody who hates Charlamagne.

Speaker 4 (47:44):
But where did y'all bet we met?

Speaker 1 (47:49):
I met?

Speaker 3 (47:49):
I met her in Florida, like years ago, when I
was living in Miami. We met and her mind was
living at the time.

Speaker 4 (47:55):
Yeah, we met like we were knowing each other for
like like nine years. You know what I'm saying. So
you've seen each other through relationships. We're dead friends for
so long.

Speaker 2 (48:03):
Yeah, I'm mad before you, brother, I appreciate it. I
really enjoyed this conversation. Let's do it.

Speaker 1 (48:07):
Hearing you do the work, it's good. Yes, that's the
breakfast club is Mario with the It's time donkeys around here?

Speaker 4 (48:20):
Yes, you are a.

Speaker 8 (48:26):
The more the needs you saw here.

Speaker 1 (48:28):
Some donkey to days just saw themselves. Oh man, Charlotte, man,
who giving dunk?

Speaker 4 (48:37):
Really? Do to man?

Speaker 1 (48:40):
Wow?

Speaker 2 (48:41):
Donkey to Dave goes the forty three year old David
Scott Jr. Now I get on this radio every day
and tell you.

Speaker 1 (48:47):
All to do your jail math. Okay.

Speaker 2 (48:50):
Your jail math is when you find yourself in a
situation and you have to calculate whether or not you
can afford to do whatever time you will have to
do if you we act a certain way to set situation. Okay,
Everything has to be calculated, all right. The money you
will spend on bail, if you even get one, The
money you will spend on a lawyer.

Speaker 1 (49:10):
Can you even afford the time it will take.

Speaker 2 (49:12):
To be arrested, process detained, et cetera, et cetera. You
have to make all these calculations in your head before
you make certain decisions. Now, some of us have decided
that if someone ever harms our kids in any way,
we going to jail.

Speaker 1 (49:25):
And I too am in that number. Okay. But what
I need us parents to understand is there is levels
two reacting.

Speaker 2 (49:32):
Okay, is one before you harm somebody being the highest.

Speaker 1 (49:36):
All right, our.

Speaker 2 (49:37):
Kids are worth it all, but everything doesn't require you
to take it to one to ten.

Speaker 1 (49:42):
Oka.

Speaker 2 (49:43):
Case in point, the story of David Scott Jr. From
East Point, Michigan. All Right, he was arrested after he
allegedly threatened to shoot up in elementary school because they
was playing in this child's face. I can't make this
kind of stuff up. Let's go to the ABC seventh
to trip pervery.

Speaker 11 (50:00):
Police say apparent at Pleasant View Elementary School god's so
upset that his first grader didn't get snack time Wednesday
that he made threats to staff members. During child pickup.

Speaker 4 (50:10):
He allegedly confronted the teacher and stated words to the
effect of I'll air this uh and I'll be back tomorrow.

Speaker 11 (50:18):
That suspect, forty three year old David Scott Junior, shaking
his head at the allegations. In court Thursday for his arraignment.
He pleaded not guilty and his bond set at one
hundred and fifty thousand dollars cash surety due to a
criminal past. On Thursday, police added extra patrols to the
area and the school had only indoor recess as an

(50:38):
additional precaution. But that child's mother tells me there's more
to this story. Takesha Walkin says their son has been
coming home from school hungry for weeks, overwhelmed by loud noises.
Sometimes he'll skip lunch, so snack time is sometimes the
only time he has to eat, so he's been coming
home hungry. But the school district told me there is

(50:59):
no official snaw While the mother wasn't there at pickup Wednesday,
she does not believe the allegations against Scott Junior.

Speaker 15 (51:06):
I mean, yes, we get upset his parents and certain
things could have been said, but I don't I do
not believe that that came out of his mind.

Speaker 1 (51:14):
Guess what I got this one? Shut up?

Speaker 2 (51:18):
No, okay, okay, don't act like they don't be appropriating
our culture too. You don't know if after this Okay Now.
I did look it up on Urban Dictionary though, Okay,
just to be sure, and Urban Dictionary says airs this
bitch out is a term used by gangsters are really
mad hood people with guns.

Speaker 1 (51:38):
Okay.

Speaker 2 (51:38):
The example Urban Dictionary uses is jamal man f this
I'm finished and is bitch out? Why Nita, damn you right,
let me grab my nine. It's safe to say that
Urban Dictionary is ran by people who wouldn't be considered urban. Okay,
by the way, I hate the term urban, but that
site is clearly not ran by anyone from coaching. Now

(51:59):
David got you when it's saying he didn't say this, Okay,
I don't know if he did or not, but whatever
he said was enough to get him arrested. And I
just want my brothers to know that we don't always
have to.

Speaker 1 (52:09):
Take it there. Okay, whatever then it may be.

Speaker 2 (52:12):
And I also understand that this is a lot of
us brothers first time being fathers, and there is no
manual for this thing. But this is why smart people
learn from their own mistakes, and wise people learn from
the mistakes of others. We must learn from David Scott Junior. Okay,
you don't have to threaten the teacher. You don't have
to threaten to shoot up the school, none of that,
all right, Calmly, calmly requests a meeting. Okay, request a

(52:35):
meeting with the teacher, our school administration to discuss your.

Speaker 1 (52:39):
Child not receiving a snack, because when you're.

Speaker 2 (52:41):
In this private setting, Okay, emotions are less heightened.

Speaker 1 (52:44):
The right the teacher in school can explain the snack.

Speaker 2 (52:47):
Policy are the fact that they may not have a
snack policy, then both parties can find a solution.

Speaker 1 (52:52):
Okay.

Speaker 2 (52:53):
This approach reduces conflict, It opens up communication.

Speaker 1 (52:56):
And it's just.

Speaker 2 (52:56):
Always good to have a witness around so nobody can
say you said something you didn't.

Speaker 1 (53:02):
Okay.

Speaker 2 (53:02):
Another thing you can do, just always feel free to
gather information, all right. Policy review, all right, that is
very important. Sometimes we just assume wrongdoing. But maybe David
should have checked to see if the school has an
official snack policy, and then he would know that this
child isn't actually missing snack time. They just don't have
a snack policy.

Speaker 1 (53:21):
Okay.

Speaker 2 (53:22):
But that's why you should always make a formal complaint.
That's another thing that you could do, all right, write
or submit a formal concern to the principal of school district.
All of these things are better than making alleged public threat, Okay,
because now you in jail, away.

Speaker 1 (53:39):
From your child, and now you got to fight a case.
All right.

Speaker 2 (53:42):
Money that could be going to your child's future is
going to keeping you out of prison. This brother was
charged with possession of ammunition by a prohibited person.

Speaker 1 (53:50):
Okay, that's a.

Speaker 2 (53:51):
Five year felony, all right, our five thousand dollar find
He's also charged with an intentional threat to commit an
act of violence at a school. That's a misdemeanor one
thousand dollar fine disorderly I've seen conduct and he's an
habitual offendom because this is his fourth offense, three previously
committed crimes with drugs and weapons related and his bond
is one hundred.

Speaker 4 (54:10):
And fifty thousand dollars.

Speaker 2 (54:12):
Okay, so that's about fifteen thousand because you usually got
to pay ten percent.

Speaker 1 (54:16):
Calculate your jail math.

Speaker 2 (54:17):
People, calculate your jail math and always ask yourself, will
it be worth it?

Speaker 1 (54:26):
Please give David Scott Jr. The biggest he huff no game.

Speaker 2 (54:34):
Yeah, And this is also why you gotta, you know,
be like you know what, baby, you go down there
and handle it, because if I go down there and
handle it, I'm going to jail.

Speaker 1 (54:42):
Okay, you know what I'm say.

Speaker 2 (54:43):
So you gotta go turn to the baby mama and
say you go down there and handle it, because if
I go down there and handle it, I'm going to jail.

Speaker 1 (54:49):
Some people not lying when they say that. Okay, damn
all right, Well thank you for that donkey.

Speaker 3 (54:56):
Today, sir morning, everybody is DJ and Jess Hilarious, Charlamage
and the guy we are the Breakfast Club.

Speaker 1 (55:03):
Lor La Rosa is here.

Speaker 4 (55:05):
We got a special guest in the building.

Speaker 1 (55:07):
Ray, J y J. How you doing? My brother, blessed
to you all.

Speaker 12 (55:11):
That's a new designer.

Speaker 1 (55:13):
But welcome Ray. How are you feeling.

Speaker 4 (55:14):
How you're good?

Speaker 12 (55:16):
I'm feeling good.

Speaker 1 (55:16):
You got a lot going on, A.

Speaker 12 (55:17):
Lot going on.

Speaker 18 (55:18):
Yeah, I want to I want to make it. Uh really,
I'm happy that this is my platform.

Speaker 1 (55:23):
Now.

Speaker 18 (55:23):
Thank you for forgiving me the opportunity to to to
go into the holidays and the Q four correctly. Okay,
with respect and honor and love.

Speaker 1 (55:32):
Well, listen, let's start with the legal stuff.

Speaker 4 (55:34):
Legal stuff.

Speaker 12 (55:35):
What I thought y'all didn't want to. I thought that
we couldn't.

Speaker 1 (55:38):
Can't we?

Speaker 4 (55:38):
Oh no, you mean yes.

Speaker 3 (55:40):
I was gonna say first and foremost, I just would you.
People don't know that we really love you Ray. Thank
for for for new listeners. Ray was our first guest
ever on the break Yes, I was before I went
crazy on the rant before the Ring. I was the
first guest guest on the Breakfast ever. I was the
first guest ever. That's the reference.

Speaker 4 (55:59):
It was a first viral moment also on the Breakfast
Club as well.

Speaker 1 (56:02):
Yeah, so we.

Speaker 4 (56:03):
Got we love Ray. We talked about Ray all the
time and good to bad we just know what we love.
Thank you.

Speaker 18 (56:07):
I would rather you guys always talk good about me.
But it's okay, but the bad is on you. But
you guys are my friends, and plus we're all entertainers,
and you guys have to do what you have to do.

Speaker 12 (56:19):
Charlemagne. No, sometimes I get a little emotional.

Speaker 4 (56:22):
All the time.

Speaker 1 (56:22):
Me and Ray had a good heart to heart this year.

Speaker 18 (56:25):
Yeah, and so sometimes because I get emotional, you know,
and and.

Speaker 12 (56:31):
But I sometimes but because I'm we're all in our zone.

Speaker 18 (56:35):
I'm a journalist as well, and so I just I
just feel a little bit like this is my personal people.
But you guys have to keep it neutral, you know,
throughout you know, the day, because that's the way you're
supposed to be. So it can be one sided because
that's not what journalism is.

Speaker 2 (56:53):
I appreciated the phone call though, because I'm like, you know,
there's not people that's gonna be honest, and that's the
way Ray was feeling.

Speaker 4 (56:58):
But he was on my life.

Speaker 1 (56:58):
First.

Speaker 4 (56:59):
He was like, Charlamage's pie is Yeah, he'tes Charlamagne.

Speaker 18 (57:01):
I was like, he said, call him, and then so
we talked even we went I called Charlemagne a lot
and there's just times what I feel like, you know,
sometimes y'all can have my back or you know, in
certain instances what I'm going through, just give it a
little more seriousness on my side.

Speaker 4 (57:19):
But but we do, we put we protect Ray a lot.

Speaker 2 (57:22):
But Redge got a comedian energy to where you don't
know when he'd been serious.

Speaker 15 (57:26):
Was the first time and I serious conversation, but I
didn't know when you're being serious. And sometimes I laughed
and I'll put on mute because didn't want you to
feel the way. But you're just laughing because he's funny naturally,
but he's really serious and everything's like so heartfelt, so
you don't want to laugh.

Speaker 12 (57:41):
But yeah, a lot of people try to hold it in.
But I'm serious.

Speaker 18 (57:45):
I'm serious everything that I've been going through, it's been
up and down, and everybody has their up and down days.
And I think with the streaming world, and shout out
to Kay Sanat for kind of like opening up his
doors to Luther, Yeah, because he really like put us
really on in the stream in a different way. And
from there, when you're on your streams and you're streaming
twenty four hours, it's like therapy. So you go through

(58:07):
these therapy sessions with the chat because nothing's bigger than
the chat. And then you don't I don't know every
time it's going to go this viral when I be
saying certain things. So then I watch it the next
day and I'm like, oh man, I gotta stand on that.

Speaker 2 (58:20):
But people, I'm gonna tell you what I love to
I love seeing you on stage with your sister, and
I love seeing your niece with you. I love when
I see your real family around you. That's when you
look your whole, your whole, your whole.

Speaker 18 (58:31):
And I was so excited when I found out we
were coming up here together. I'm like, vin, this is everything,
because again I do want to turn the tides and
I do want to, you know, showcase a different side
of me because I think we've been crashing out to
the left too much. And again, everything's entertainment, but you know,
you just want to make sure you kind of like

(58:51):
guarantee to everybody that this isn't a liability situation. Or
every time I'm in the airport and they're like, we
praying for you, a J man, everything's okay, I'm like, dang, because.

Speaker 3 (59:03):
People don't know when you're crashing out, crashing out or
if you're just entertaining.

Speaker 12 (59:06):
So it's been a lot of brand for you. Man,
God bless you.

Speaker 2 (59:09):
Man.

Speaker 12 (59:09):
I hope you're gonna be all right.

Speaker 2 (59:10):
People think you're on drugs and then you've got mental
health issues, but which we all deal with our own
mental health issues.

Speaker 12 (59:15):
Mental health is serious. And shout out to doctor Shyanne Bryant.

Speaker 18 (59:20):
Yeah, she's I mean we talk a lot and off camera,
it's always off camera, but she helps me through certain things.
And doctor Scott too out of Cleveland. Pastor Scott helps
me through some of some of the issues that I'll
be going through too, and it helps me.

Speaker 1 (59:35):
Man, you learn what have you learned about yourself?

Speaker 18 (59:38):
Well, you got to watch yourself. It's easy to know
it when you just watch it. And I think without
adding in the trolling, you know, it's it's just me
just keeping it real. And a lot of times people can't,
I think, keep it this real because there's a lot
of different situations that might be in front of them,
the job, their workspace, their partners, the people that are

(01:00:02):
around them that might feel away, that's paying you know,
the bills, whatever it is. You know, there's a lot
of things that people go through that keep them away
from being this extremely blunt. But for me, it's not
like that, and I think that I have to hold
myself responsible to hold some of this stuff in as
we grow and as I grow, I'm getting older and

(01:00:22):
I want my knees to be proud of me, and
I want the team to be proud of me, and
we can't crash out in twenty twenty six.

Speaker 1 (01:00:29):
So when the public paint you is the bad guy
for years, what does that do to you? Mentally? How
do you protect your piece?

Speaker 12 (01:00:34):
Now you just turn into the bad guy?

Speaker 1 (01:00:37):
Ooh, leaning toe?

Speaker 18 (01:00:39):
Will you not only lean into it? Because I think
that's the only thing that I think makes sense. You know,
It's almost like, you know, if you're doing something that's
extremely believable, then it works.

Speaker 12 (01:00:52):
But if you're doing.

Speaker 18 (01:00:53):
Something that's not and it might be really who you
really are, people don't understand it, and so it it
Sometimes it takes a toll to try to like, hey,
I'm going to be positive for twenty twenty six, ray
J is gonna turn the new leaf.

Speaker 12 (01:01:09):
He's gonna be a good person. But that's who I
am internally, no matter what.

Speaker 18 (01:01:15):
So when the character comes out if it gets over
the top, and it's the impressions are up, you know,
the profits are up.

Speaker 12 (01:01:23):
You know what I mean, the numbers are up. Then
it makes sense.

Speaker 18 (01:01:26):
But but then on the other side, you know, there's
a negative side to that too, with whatever comments people
are putting in. I don't read any comments or nothing,
but overall, just I really want my family to be
proud of me, and they want me to show a
different side of myself, you know what I mean that
I don't really show, and so I'm up for it

(01:01:48):
and I want to do it for twenty twenty six.

Speaker 3 (01:01:50):
It's ray J's sober. Now, last time you were up here,
you was playing with the little lead. But you look thinner,
you look clearer. So I'm assuming not anymore with the lean. Yes, yeah, no,
not the lean. It's certain things are bad, are bad,
and I think.

Speaker 1 (01:02:10):
You don't even know.

Speaker 3 (01:02:11):
Last time you was up here, you know me and
showing me dumped out and act like it was really
there wasn't there, And that's what that's where That's what
I'm saying, right.

Speaker 4 (01:02:17):
We dumped it out like you don't think we love it.

Speaker 18 (01:02:22):
It's okay, okay, now very expensive so it was just like,
but no, again, you have to have self control eventually
over time, because if you have the option to make
mistakes and just and it works, the mistakes work, then

(01:02:44):
you find yourself in a weird position because crashing out works.
So how do you balance that with you know, just
being level in life? And sometimes for me it just
gets confusing and everything just becomes blank and it allays
just gives real blurry right now.

Speaker 2 (01:03:02):
You know, when you think about Raycon Tronics, you built
these hundred million dollar businesses. To me, that's working, absolutely
they we're crashing out is just a tension online that's
not really working.

Speaker 18 (01:03:15):
But it does work. It does work for impressions. It
does work for certain scales. When you're doing Snapchat or
you're doing Twitter, or you're doing Instagram, or you're doing
Twitch and you're running you know, fifteen ads an hour
and you want your CPM to be solid, right, and
you're running them at night in late night, and you
want those to work as well. So I think it

(01:03:36):
all works if you're looking at it from a really
scientific level, and I think a lot of people don't
think we look at it like that, but we do.
But enough is enough? At some point, right, And I
don't know when it is. I don't know when enough
is enough because I'm like, enough's enough now, but I'm like,
is it enough?

Speaker 3 (01:03:55):
So ah, you're changing a new leaf now because two
days ago I'm not even listening to you.

Speaker 1 (01:04:00):
Called Mario gay, I called Mario no.

Speaker 18 (01:04:03):
I said, I never seen Mario with a woman, but
I love Mario and I'm sure he has women. And
I'm sorry, ma Instat, I'm so sorry, exactly so I
made a mistake.

Speaker 4 (01:04:11):
Also, you said was you know? You said I like
the hospitality of the show and pretty much call him
a sucker.

Speaker 18 (01:04:16):
I'm sorry Wila for that as well, and I want
to extend my apology to La Mario.

Speaker 12 (01:04:22):
He did a great job with Brandy. I appreciate Brandy
for having my back.

Speaker 18 (01:04:26):
She said, I needed to just slow down on all
the extracurricular things that I do on the side and
I would be able to compete. So you long want
to battle him in the verses in a versus what
they had the main stage, they were headlining the verses
and then we did the beginning of the verses and
all together collectively it was a successful disaster.

Speaker 1 (01:04:44):
I told Mario that he didn't let you on stage
because he was afraid of this.

Speaker 18 (01:04:49):
I'm telling you because I was on the side and
I see Mario on the side of the stage.

Speaker 12 (01:04:53):
I walk up to him. Were in Baltimore or we know,
we in DC.

Speaker 1 (01:04:56):
And we got let's hear Mark, We got Mark.

Speaker 12 (01:05:01):
Okay, tomorrow Mario, even if he said something bad, God
bless him.

Speaker 1 (01:05:05):
He's here.

Speaker 7 (01:05:07):
He's here like we had him in the closet.

Speaker 18 (01:05:09):
Just come on, Coop, I just today here and you
know Sheila's here and the whole team is king Cooper.
Don't hide, don't you can't Coop?

Speaker 12 (01:05:25):
You got I hit.

Speaker 18 (01:05:26):
I hit me and said, wow, you have my back
for one time. I said, I said, I know you
have j and but you haven't had it for a
few times.

Speaker 4 (01:05:36):
I'm sorry. I'm sorry.

Speaker 1 (01:05:37):
Something said you ain't let him on that stage. What
was going to happen?

Speaker 4 (01:05:42):
Yeah, you said I didn't let him.

Speaker 3 (01:05:46):
Wanted to do You can ask Je what happened backstage.
I was like, Yo, let's do it. Let's make it happen.

Speaker 4 (01:05:52):
He was like, nigga, shrink me. Just just I don't
care what you just out. Just just make it happen.
I'm like, I don't even know he was gonna be there. Bad,
I got you. They let them on stage. It wasn't me,
that's not story was.

Speaker 1 (01:06:03):
I wanted to do the verses right.

Speaker 4 (01:06:07):
Out of all people, you trust Reggie Story, Damn.

Speaker 1 (01:06:11):
You trust.

Speaker 12 (01:06:17):
Mario. That's not okay.

Speaker 18 (01:06:21):
I saw Mario behind this stage, and when they said
Mario's here, I'm like, no way, this is a coincidence.

Speaker 12 (01:06:28):
It's perfect for us to do what we gotta do.

Speaker 18 (01:06:31):
I didn't know because somebody, well my management said while
A wanted ray J to come out for a homecoming
event or whatever, and I'm like, I'm doing the d
m V Baltimore suba than anyway, let's go up there.
I didn't talk to La or none of them, so
I didn't know really who invited me. I ended up backstage.
They said Mario's upstairs. I said, let's go find him.

Speaker 12 (01:06:50):
We went up. I said Mario, what's up? He said,
what's up? Ray J?

Speaker 18 (01:06:53):
I said what's up? I said it's time. I said,
you're about to get on stage and then I need
to battle you with my song. I said, bro, even
if I lose, we gotta we gotta do it. He said,
and I promise you give me five minutes to think
about it, and I go five minutes to think about it.
So then he goes down and then I go down
ten minutes later and he's performing. He didn't give me

(01:07:16):
the five minutes. He just like kind of shaded me
on that end. And so I was standing on the
side of the stage waiting for Mike and they start
directing me off like traffic, like with the car, like
ray J, come on this way, go that way, now,
get the hell out of here.

Speaker 1 (01:07:28):
And I was just like, yeah, it was crazy to
kick you out.

Speaker 18 (01:07:32):
They didn't kick me out, but they kind of just
told me to get off because they they was like,
we don't want no problems here.

Speaker 4 (01:07:38):
What ray J?

Speaker 6 (01:07:39):
Was?

Speaker 11 (01:07:39):
It?

Speaker 4 (01:07:39):
Was it this ray J?

Speaker 9 (01:07:40):
Or was it?

Speaker 1 (01:07:41):
It was this?

Speaker 12 (01:07:41):
It was this ray J.

Speaker 18 (01:07:42):
My eyes was really wide and I was ready to
get on stage. Okay, they go, we don't want those
problems here, come on, and.

Speaker 7 (01:07:50):
I just was like, all right, Mario, ever look over
and see you, like you know how that you on
a stage?

Speaker 4 (01:07:55):
What you could hear?

Speaker 18 (01:07:55):
He didn't want no problems at that point because I
knew that DC, which is one of my favorite cities
in the world, I love DC. Shout out to Kathy Hughes,
Shout out to d C. I wanted it so bad,
but they they didn't, they didn't let it happen, so
I respected. I was a little mad, but I think
after that night I started to go, you know what,
maybe I'm a little mad too much.

Speaker 12 (01:08:17):
Maybe I need to switch up from the cost of
Migos to maybe Tito's.

Speaker 1 (01:08:22):
Love that you Got. I say, three in the possible.

Speaker 18 (01:08:25):
It just depends on where you are. Like, I think
that the the the verses for no Limit and cash
Money should have been in New Orleans.

Speaker 12 (01:08:32):
Absolutely, it would have been.

Speaker 1 (01:08:33):
A whole nother thing.

Speaker 7 (01:08:34):
So where does J's versus take place?

Speaker 12 (01:08:36):
Ray J's versus?

Speaker 15 (01:08:37):
If you have the perfect setting in Baltimore and Baltimore okay, yeah,
and it's hometowntown.

Speaker 12 (01:08:42):
Because I love I love Mario and I love Baltimore.

Speaker 18 (01:08:46):
You know, I think doing it in LA wouldn't be
fair because now I'm doing songs that Mario might not
have even heard and they still lit and they still platinum.

Speaker 7 (01:08:54):
You know, what song do you lead with? Like, what's
your number one?

Speaker 12 (01:08:57):
The song that I lead with is one wish No
at the Gate because I got a new gospel version.

Speaker 1 (01:09:06):
That's dope.

Speaker 2 (01:09:07):
You should be allowed to do one wish three times,
three different ways. You're supposed to get three wishes, so
so it should be more than one wish. So one
wish than you're doing one, then you can know one wish.
Afro beats kill them.

Speaker 18 (01:09:20):
I think one wish five times, then sexy can I
I said, this is what I said. I said, let
me love you is not bigger.

Speaker 12 (01:09:26):
Than one wish.

Speaker 1 (01:09:28):
You should let me love jay.

Speaker 7 (01:09:32):
I love one wish. I love to see performance, but
I do think what's the metrics that we love you
is bigger?

Speaker 1 (01:09:37):
But you can look it up, you can see well.

Speaker 18 (01:09:39):
But then also also taking the account, I'm one thousand
percent independent, like there's there, there's no there's no like.

Speaker 12 (01:09:46):
There's no catch distribution on this one. There's no epic
distribution on this one.

Speaker 18 (01:09:51):
This is just straight sanctuary and rayg a three percent
like deal within ninety seven percent us forever.

Speaker 1 (01:09:58):
Sexy can, I Sexy can.

Speaker 12 (01:10:00):
Sexy cannot bigger than let me love you to me?

Speaker 1 (01:10:02):
Hit it first is a possible.

Speaker 18 (01:10:03):
Hit it first is not okay. You can do hit
it first, well, hit it first and have a really
big record.

Speaker 4 (01:10:07):
People know that record.

Speaker 12 (01:10:08):
That's crazy because it never really saw the light to day.

Speaker 2 (01:10:10):
And I want you to know that those two right
there said that Mario would wash you in the verse ID.
I don't know why he's not keeping that.

Speaker 12 (01:10:16):
Same right now, and I think so.

Speaker 7 (01:10:18):
But honestly, I don't think that.

Speaker 4 (01:10:20):
You listen, I think so too. I think I think
you got five joys.

Speaker 12 (01:10:23):
I think five Mario can sing live as hell for
your Nie said one.

Speaker 1 (01:10:30):
Mario only got one joint on.

Speaker 4 (01:10:35):
Just a friend braid right here, the joy with Gucci.

Speaker 12 (01:10:42):
I love you Ro and I love that.

Speaker 18 (01:10:44):
Brandy supported me too, But she also said, Ray, gotta
you know, do right in order to compete, because Mario
is a serial singer. Right, He's a serial singer and
I respect that, and I think that in a versus
live right now, Mario will crush me.

Speaker 1 (01:10:59):
I'm glad you when your sister, I love being. How
did that happen?

Speaker 12 (01:11:03):
We always been on the same page.

Speaker 18 (01:11:04):
I think just publicly it was just you know, she
brought me out at the concert, but I was just
every time I get around Be and my mom and Sarah,
I just get real emotional, man, and.

Speaker 1 (01:11:15):
You screen up. You don't act like you act anywhere
else with them, I'm sure.

Speaker 12 (01:11:19):
Yeah, nah, And I think that it's just enough is enough.

Speaker 18 (01:11:21):
And I'm so happy that Rara's here today because it
just it makes me do better no matter what, because
I know my mom is watching and my dad and
Brandy and so.

Speaker 12 (01:11:35):
Like, I'm like, I'm really a comedian.

Speaker 18 (01:11:37):
We really are in like like this Richard pryor like
Red Fox for mat of comedy where it's uncut right,
and if everybody took it like that, I think it'd
be better. But for the seriousness of what it is,
I just I don't want to let them down moving forward,
and I just want to do right now.

Speaker 1 (01:11:57):
You still have sex with Scripps.

Speaker 12 (01:12:00):
I do, Yeah, Okay, I do. I do here and there,
But I'm not I'm really not a sex aholic at all.

Speaker 14 (01:12:05):
Over.

Speaker 18 (01:12:05):
Yeah, I just I'm very focused right now. So Sheila
tell you, like shout out to Sheila on the Love Cabin.
We got the show on zeus.

Speaker 2 (01:12:13):
Crazy, They got chat that what questions y'all got for
Sheila person, We got a lot to get to it.

Speaker 16 (01:12:21):
Yeah.

Speaker 1 (01:12:22):
I saw you make I saw on Shade Room you
had this young lady crying.

Speaker 4 (01:12:25):
She was crying.

Speaker 2 (01:12:26):
I'm not gonna lie with a part of me. I
was like, that's kind of playing just a little bit,
just a little bit, just the way, just the way,
because once again I can't tell when ray J being
serious that he's just entertaining.

Speaker 1 (01:12:36):
That it was just all about the chat.

Speaker 4 (01:12:37):
It wasn't. She was crying.

Speaker 1 (01:12:40):
So, Sheila, you're holding Reggie now ntil he goes back
to his family. How does that feel? That is crazy?

Speaker 2 (01:12:46):
You know what?

Speaker 17 (01:12:46):
Let me say this, ray J and I are really
good friends, you know, and.

Speaker 12 (01:12:52):
You're looking good today.

Speaker 8 (01:12:53):
Sheila, thank you so much.

Speaker 4 (01:12:55):
I may cry, I may not, but are your more
than friends?

Speaker 1 (01:12:57):
Are y'all we're really good friends. What do you cry?
What were you crying over?

Speaker 17 (01:13:02):
You can do what you want with that information.

Speaker 18 (01:13:04):
Sheila was crying because she couldn't be on the on
the front desk and the back desk was where her
office was with Clark and they were doing their streams.

Speaker 12 (01:13:12):
I thought you was to the family, but that wasn't
what she was crying for.

Speaker 18 (01:13:18):
Yeah, so what she was crying for because I was like, yo,
I'm on the front desk. You have to do this
desk and you can work your way up to the
front desk. But right now, this is my chat. You
have your chat, Clark asked his chat.

Speaker 3 (01:13:29):
She's so scared you're gonna fall from him. And then
he you know, you get connected and he leaves for
goes back to his family.

Speaker 14 (01:13:36):
No, not necessarily. You know, that wasn't my first time
I cried. I was like probably my fourth time crying.

Speaker 18 (01:13:45):
Well, because she well, and I really like the week,
and I respect everybody that cry. Some people and I
don't want I don't know people's water base, right, but
some people cry more than others.

Speaker 12 (01:13:59):
So she is a lot, just even when she's happy
or sad.

Speaker 17 (01:14:02):
Right, I mean, I'm a cancer, y'all.

Speaker 1 (01:14:04):
Me too.

Speaker 17 (01:14:05):
You're a cancer as much as me, No more like
I do, but not a lot. But you understand, like
I'm like.

Speaker 1 (01:14:12):
You, I don't see you as a cry June cancer.
You know what June twenty six. Oh yeah, I'm twenty nine.

Speaker 17 (01:14:18):
Okay, okay, right, okay, So so you kind of understand
where I'm coming from.

Speaker 15 (01:14:22):
The first time you cry it was about the or
the last time we saw it was the desk. What
were the other issues that we.

Speaker 14 (01:14:29):
I honestly cry about, anything like if if he tells
me he doesn't like my hair, I'll cry like, it's just.

Speaker 12 (01:14:37):
I love your hair. I'm just I love your hair
now and I love your hair yesterday.

Speaker 4 (01:14:43):
Yeah, So where do you want it to go?

Speaker 9 (01:14:44):
What?

Speaker 4 (01:14:45):
Because Pete, that's the chat to ask, like, where do
you want this relationship to go? Do you want it
to be serious? You wanted to take it?

Speaker 7 (01:14:50):
This is a relationship, Yeah, for sure, this is a relationship.

Speaker 4 (01:14:54):
This great.

Speaker 17 (01:14:56):
This is a really good friendship.

Speaker 1 (01:14:58):
It's a good.

Speaker 3 (01:15:01):
Start to Ray said, we go together because once you
both ugly, it goes to another world.

Speaker 18 (01:15:08):
We're really good friends, right, absolutely, But Love Cabin is
going crazy in all new episodes Sunday on zeus run
your knees though. Well, this is the first time they
ever been well, they actually got into a spat before
when they didn't know each other, and they haven't worked
it out yet.

Speaker 12 (01:15:25):
But we're gonna work it out. Listen, We're gonna hold on, We're.

Speaker 18 (01:15:29):
Gonna, we're gonna They had they got into what at
a club when I wasn't there, and so they didn't
know each other and.

Speaker 1 (01:15:37):
I haven't walked up like she was family, like, yo,
what's up?

Speaker 18 (01:15:41):
Well, no, no, no, it was something they she didn't
know that was my knees, and so they had got
into it. And I'm like, yo, that's my knees, and
so I want everything to be at peace. I'm turning
a new leaf.

Speaker 1 (01:15:53):
I got all money on right.

Speaker 18 (01:15:55):
Well little yeah, we wouldn't even do that because that's
my little niece and I love her so much and
I love everything that she's doing with her career.

Speaker 1 (01:16:03):
And you got to listen to your family, and your
family said they don't like somebody. Is it the energy?

Speaker 18 (01:16:07):
I just think we all got to sit down after this,
well after the breakfast club, I think we're all going
to go and have lunch breakfast.

Speaker 15 (01:16:15):
She said, she got more, So you expect this to
go somewhere then if she because I thought the show
was like you're helping other people find love, you find
the love to you.

Speaker 18 (01:16:25):
This is about this is about love cabin, the love Cabin.
You don't know how it's gonna the like the last
like twelve episodes are.

Speaker 12 (01:16:34):
Going to go crazy.

Speaker 1 (01:16:35):
You're not supposed to get high off your own supply.
If she is, if she is a star tested and.

Speaker 18 (01:16:41):
She's beautiful, well well you got to understand ray j
As The host on this show is a different host.
He's a he's a dirtier host than most, but he's
he's very curious and he invites himself into the composition product.
This is a different hosting gig.

Speaker 17 (01:16:58):
He's kind of find love as well.

Speaker 4 (01:17:00):
But are you are you fine with that that he's
you know, finding, you know, tasting his product.

Speaker 1 (01:17:05):
You're not the only ones with you.

Speaker 18 (01:17:08):
If you watch well, if you watched the last episode,
I was kissing Athena, which was kissed you.

Speaker 12 (01:17:13):
She kissed me, which was.

Speaker 1 (01:17:15):
Amazing, Right, so it's okay that you're not the only
ones you find with that?

Speaker 17 (01:17:20):
What do you what do you mean like that? I'm
not the only one in regards.

Speaker 1 (01:17:23):
To in regards to what puts his penis.

Speaker 14 (01:17:27):
Well, like I said, Ray and I were really good friends,
and whatever he decides to do with his penis.

Speaker 4 (01:17:34):
Is well here.

Speaker 12 (01:17:36):
So my niece is here, so keep penis out.

Speaker 18 (01:17:38):
I'm sorry, I just gotta keep just saying no, no, no,
but I'm saying but still uncle and venis is she's laughing.

Speaker 12 (01:17:46):
I just don't want to do that, like let's do
just loving about Brandy's watching.

Speaker 1 (01:17:53):
I'm sorry, how do you my mom?

Speaker 4 (01:17:57):
As well.

Speaker 7 (01:18:00):
I was lying, have you met his mom too? Have
you met Raj's mom?

Speaker 1 (01:18:05):
And she and you shouldn't ray that's doing too much?

Speaker 4 (01:18:09):
Why is why?

Speaker 1 (01:18:09):
Why do you say that you can't come on?

Speaker 17 (01:18:12):
I mean it might be a little.

Speaker 18 (01:18:13):
Soon, but well, I think I think they can meet
on this because she's one of the stars of Love Cabin.

Speaker 12 (01:18:17):
So we're on an extreme Love Cabin promo tour.

Speaker 1 (01:18:21):
Business meeting the pathing like business.

Speaker 18 (01:18:24):
Yeah, like right now, we've got the opportunity to be
on one of the biggest shows in the hame wide
world to promote Love Cabin with Sheila and I and
and this is a great moment for as far as.

Speaker 3 (01:18:35):
Like, So, how did you feel, I'm sorry, how did
you feel when he was when he professed his love
and said he wants to get back with his family
when you were there and together.

Speaker 14 (01:18:45):
Oh honestly, I wasn't there at the time when he
said that on the stream. I was sleeping, But I
support him whatever he you know, I like that, that's what.

Speaker 12 (01:18:57):
She because because she spells her name s h I
I thought, I.

Speaker 4 (01:19:07):
Want to love you in the bed in the back
when he was on the stream.

Speaker 17 (01:19:12):
That day, I went to sleep because you know I was.
I cried all night, So I won't.

Speaker 2 (01:19:16):
Right back with Princess to because that's when I saw
Red is most stable when Ray was with Princess.

Speaker 4 (01:19:21):
That's that's the Princess asked the warning back as well.

Speaker 7 (01:19:23):
I was about to ask how does Princess Love feel
about Sheila?

Speaker 12 (01:19:26):
And I think Princess is in a place where she
has her nail shop.

Speaker 18 (01:19:30):
She's been super focused on work and really just trying
to build her business, and so I haven't really got
a chance to talk too much about it, but I
know that I'm there for the kids and for her,
uh financially and and and and for love as well.

Speaker 1 (01:19:48):
Right right, that's what you want, right right back with Princess.

Speaker 18 (01:19:54):
Ray, Ray said she wants both of them to be
happy to the nail shop alone, you and Princess Wow
and l shop on Preler Beauty Bar.

Speaker 4 (01:20:03):
Thank y'all for joining us. Thank you for a whole
unk down.

Speaker 12 (01:20:06):
Of course, my favorite person, Ray J.

Speaker 4 (01:20:09):
We love you brother, all right. It's the breath she look,
we see you back there too. The breakfast club.

Speaker 2 (01:20:25):
Time to get up out of here, and yo, man,
my positive notice simply this, I just want to salute
the everybody that's on their healing journey. Man, and I
want to tell y'all that some people were not put
here to evolve. They are here to remind you what
it looks like if you don't have a great.

Speaker 4 (01:20:42):
Day, Breakfast club, don't finish for y'all done.

Speaker 1 (01:20:47):
Wake you up, wake up, program your alarm. The Power
one five point one on iHeartRadio