Episode 29 - The Country Wayne Skit Review. - African Melanin Queens.

Episode Transcript
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Speaker 1 (00:01):
What's going on? What's going on? Everybody?

Speaker 2 (00:02):
Welcome to my podcast, African Melan and Queens. I'm your host,
gootess Ashameria. I'm gonna thank you guys for joining me
for this episode. If you guys like this commentary, please
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(00:26):
for slash African Melon and Queens. If you want to
hear all of my podcasts, you can go based upon
my name A S H A M A R.

Speaker 1 (00:34):
I am A.

Speaker 2 (00:35):
You can also hear it on Spotify, iHeartRadio, Amazon, Google, iHeartRadio,
cash Box, and multiple other streaming companies. A little about me,
I am a certified recovery, healing and recovery coach that's
all about helping people on their past and their journeys
to a new and better youth through self discovery. I

(00:56):
help people when it comes to helping them to find
their way back to themselves, helping them as far as
their low self esteem, low self worth, low self value.
I help people when it comes to following finding their
way out of the rabbit hole from following the Rabbit
the same way that Alison Wonderland did far as going
down at rabbit Hole, but this particular podcast is helping

(01:17):
black women to heal from the traumas of your past
experiences when it comes to your relationships, childhood, mother being mothers,
and helping Black women to find their crowns and to
become the queens that they are meant to be as
far as black women. If you want to be a

(01:38):
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to do one on one coaching, or you just want
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Speaker 1 (01:51):
On, please hit my email.

Speaker 2 (01:54):
And also if there's any sponsors that would like to
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please go to my email which is a s h
A dot M A r I A M A zero
one at gmail dot com. It's a s h A
dot M A r I A M A zero one
at gmail dot com. I hope all of y'all are

(02:16):
doing well. I have my TikTok audience on one side
and you guys on this side. Today's topic is gonna
be about Countywayne skits. Now, for some of y'all, y'all
don't know who Countrywayne is, have no idea who or
what he is. Some of y'all don't even know that
Countrywayne does skits. And this particular season, we're gonna go

(02:38):
over some of these Countrywayan skits because I'm gonna use
them as basically references when it comes to Black women
and their behavior. I'm also gonna use these skits to
show Black women how you are being represented as as
Black women. Now, mind you, this podcast is all about
African descent, African Americans, African peace people that basically are

(03:02):
around the world. This is not just for African Melani
women's for everybody. Now, those of y'all who don't know
Country Wayne does his skits on Facebook, TikTok, and YouTube
where he has these different skits that started out as
do it for the Vine like kind of videos that
were really funny, really lighthearted, and they were just really

(03:24):
funny videos. Well now he's going more serious where he's
talking about more serious content, more serious, you know, type
of skits.

Speaker 1 (03:34):
And these skits consist.

Speaker 2 (03:36):
Of men and women, relationships, friendships, family, represents, businesses, brands.
It just shows you know us as African descent people
and African people in a certain way. Now, for some reason,
in the beginning, these skits were actually pretty good. Now

(03:56):
they're going to fell off for some reason. It's it's
all about black women being represented in a way that
is not necessarily positive. And the one thing I've understood
about Wayne is that Wayne is all about God, and
God is very much in his life, and I understand that.

(04:18):
But the problem is is that, don't get me wrong,
the subject matter that Wayne touches on people do go through.
I'm saying that ain't the case. The problem is that
there's no equal medium when it comes to the way
these skits are not just in Black women, but also

(04:40):
in black men. And I feel like there are a
lot of black men that are trying to write for
black women but can't really write for black women because
you're not a black woman. Now, being that I've been
around men all my life, being I grew up around men,
I can write about men and not be biased. But

(05:01):
it's the same with Tyler Perry. A lot of people
got tired of the single you know the what's the
name of that movie? What's the name of that movie
diaryal Mad Black Woman. Now, y'all all remember Diary A
Mad Black Woman, right, And you remember how she came.
She went to that you know thing. Her husband was,

(05:23):
you know, talking about her, raving about her, and then
dropped her off and left to be with his mistress.
I remember the day he kicked her out the house.
Matter of fact, they dropped her out the house, left
it with nothing, let him let his mistress move in house.

Speaker 1 (05:39):
I remember she went.

Speaker 2 (05:40):
To the office and he was pissed off because she
wanted to bring him some dat.

Speaker 1 (05:47):
And so I remember.

Speaker 2 (05:48):
Her going to Big Mama, Remember Mama did, got Medea,
went in that got in that car and ran into
that apartment, went in there and racked up shop, madea
will play. You were like, Lord, you got gonna sit
up here and disrespect my my daughter after she helped
you build everything that you built. But you know what
also was funny was I loved the fact that she

(06:11):
was the one telling the story. She was telling the
story about her situation. And I love how in A
Diary and Black Black Woman, we saw the different phases
of her.

Speaker 1 (06:21):
How she went.

Speaker 2 (06:22):
From being you know, angry, went to being from confused
to how did this happen to me?

Speaker 1 (06:27):
How did I get here? My husband?

Speaker 2 (06:29):
I gave my my husband eleven years, I lost a child.
How can he just throw me out like I'm nothing?
That part of how could this have happened? That's that
dumb that dumb founded. I can't believe this has happened.
Then it went from that to what am I gonna do?

Speaker 1 (06:46):
Now?

Speaker 2 (06:46):
I feel like I'm nothing without him? I feel like
I can't make it without him, because now my husband
just left me with nothing after I've been with him
for all these years. Then you have the phase of
you know, now she had to go to be a waitress,
and I remember when Chamar Moore came and got her stuff.

(07:09):
I remember that he even shook his head because he
couldn't believe this man just gonna throw out let it.
But I loved the fact that he didn't agree with him,
and the fact that he was very understanding, and then
the fact of especially when it comes to dating, and
I love the way they portrayed her when it came
to that, and when it came to her and Shamar

(07:32):
and how you know, she was a little bit weary,
a little bit I'm not sure I loved the fact
that we saw all these different phases now and the
countryway ain't skits. When it came to Amber, I do
love the fact that when she found out about shewing Anthony.
I do love the fact that he showed the phases

(07:53):
of her as far as in that same aspect. But
I feel like that, thank y'all, But I feel like
that they keep pulling them backwards.

Speaker 1 (08:07):
See.

Speaker 2 (08:08):
The one thing about the Diary of Mad Black Woman
that's different than the Country Wayne's skits is the.

Speaker 1 (08:15):
Fact that.

Speaker 2 (08:18):
There's no time for new relationships to develop. Okay, It's
like they get together and then all of a sudden,
maybe two or three skits later, there's problems. And then
not only that, the fact that I'll give you example Amber,

(08:40):
when Anthony found out, right, I mean, when Amber found
out that Anthony was cheating, right, And y'all all know
who these are, because next week I will actually play
y'all some of these skits and.

Speaker 1 (08:49):
Be going over them.

Speaker 2 (08:51):
But when it came to her finding out, the first
thing that he did, instead of trying to beg his
wife back, he ran. He told Shayla to get up
and run take his keys in one after she let
her go. Then he turns around and leaves. Why would

(09:14):
you leave if you ain't did nothing wrong? If y'all
were just laying in the bed together. I mean, it
wasn't like it were naked. They weren't naked technically, so
really there was nothing showing that they were actually sleeping
together technically if you think about it, because they weren't naked,
so fall fall, you know, for all they knew, she

(09:34):
could they could have been like, we just laying in
the bed together, We just fell asleep. I mean, he
could have lied his way out of that if you
wanted to. But instead of him saying, you know what,
before you get the wrong idea, you know, I had
some plan for you, and Sheela came and spent the
night and we were talking and we just fell asleep. Mean,

(09:54):
they weren't technically naked. They technically were fully dressed, so
they could have pulled that off if he was smart.

Speaker 1 (10:03):
But then again it's just me.

Speaker 2 (10:05):
So the fact that he ran, he already made himself
look guilty as it was.

Speaker 1 (10:11):
And then instead of going home to.

Speaker 2 (10:14):
Face your wife the same way your wife went home
and faced you when it came to wayne, you didn't
do that you decided not to go home at all.
To my i'ma wait to Amber calm down. What makes
you think that leaving her it's gonna make her calm down?
Why would you think that. Ain't no woman gonna calm down,

(10:35):
and you don't come home, it's only gonna make her
more and more angry. The fact that you didn't come home.
Then she's saying, Anthony, get in the car. She finally
found him, told him to get in the car. He
didn't want to get in the car. She like, look,
get in the car. We need to talk about this.

Speaker 1 (10:51):
No, he didn't want to get in the car.

Speaker 2 (10:53):
But it's like they forget about all of this stuff.
If Anthony really wanted to be with Amber, he.

Speaker 1 (11:00):
Would have went home.

Speaker 2 (11:01):
He would have like, baby, please please, I'm so sorry.
He'd have been like begging, like jealousy.

Speaker 1 (11:10):
It been like baby, I'm begging.

Speaker 2 (11:12):
I'm begging, begging, begging, begging, begging.

Speaker 1 (11:14):
That ain't when hit it? They ain't did? Where did
it go? He went straight over there to Shala house
instead of going home. If you would have went.

Speaker 2 (11:25):
Home, this would have been a whole lot more simpler.

Speaker 1 (11:29):
But that ain't what you did.

Speaker 2 (11:31):
You was with Shayler the whole entime time, even though
you were staying with Daylan. When Airba went over there
and talked to you about day about about about Shala,
you lied, lied and said it only happened a few times.

Speaker 1 (11:49):
Now, you could have went home, had.

Speaker 2 (11:52):
A conversation, even though she probably would have thrown stuff
at you. But you don't want to deal with the consequence.
But you decided to lay down, so the consequences of
me be cousin and karma didn't even cross your mind
when you.

Speaker 1 (12:06):
Did what you did. But yet and still you want
to run.

Speaker 2 (12:10):
You want to be a runner and a track star, right,
that's what you want to do. So the fact that
you didn't come home, now, this is what irked me
about the country, Wayne Skits, and why I'm so irked
about this. The stuff that they should have did then
they're doing now now that you know Amber is trying
to move on, now that Anthony knows what he's about

(12:33):
to lose as far as the assets.

Speaker 1 (12:35):
Now, you want to.

Speaker 2 (12:36):
Come on and go with me, Doom duo, come on
over to my place. That's what I ain't seriously.

Speaker 1 (12:43):
Now you want to come home now, you want to be.

Speaker 2 (12:46):
It's been too long since you been gone. Feels good
when I'm with you and miss you. Come back home.
I need your smile. Ain't seeing it in no.

Speaker 1 (13:00):
Wow, I'm so alone.

Speaker 2 (13:03):
I miss you. Now you wanna come back home? So
now we now we're gonna go.

Speaker 1 (13:08):
Now you wanna come back home. Now, now you wanna
work it out.

Speaker 2 (13:12):
Now you wanna go to counseling. Now you want to
say you sorry. Now you want to buy our earrings.
But you want thinking about that when you got caught.
That didn't even cross the writer's mind to say, you
know what, we're gonna let Anthony go ahead on and
come on home. We're gonna let Anthony go ahead and
go home, and go ahead and deal the consequences and
be becausin Carmel. Then, you know, we saw ambergo through

(13:35):
the crime, hold the baby.

Speaker 1 (13:37):
We saw all that.

Speaker 2 (13:38):
We didn't see when Angeline called the people from the
what's the name from the foster care to find out
about what happened. Hey, they didn't do none of that.
So my issue is, if you're gonna write, remember what
you wrote, don't ever forget what you wrote, you know,

(14:00):
because they should have had Anthony go home then and
that way. If Anthony said, let's go to counseling, let's
try to make it work, and he still was messing
around with Anton with Shayla, it just would have made
more sense. It would have been a lot better because
then it would have been like, Okay, he went home,
and yeah he's still going back and seeing Shyla and
live in two different lifts. Do I have to play

(14:20):
that song by Trey Sohmes, I gotta, I gotta playlist
for this. I gotta playlist for this all entire thing
I do. So if y'all hear me after I do this,
this podcast decided to do my playlist on Shala and
a on Amber I Got you, But normally would I do?
When I I I deal with my clients, we do
what's called a playlist, a music playlist.

Speaker 1 (14:42):
And this playlist is.

Speaker 2 (14:44):
Songs that describe your whole entire relationship right and you
can make it as long as you want to.

Speaker 1 (14:52):
I want you to hold on to it.

Speaker 2 (14:54):
There's seven type of playlists that you need now. Number
one is gonna be your self love playlists. These are
songs that help you with your self esteem, self worth,
self value. That part your second playlist should be the

(15:15):
woman that you are now. You know where you are
now in your life, and the next one should be
where you're becoming. Okay, The next playlist is gonna be
the type of man or female that you want. What
music is going to describe that person? A playlist of

(15:37):
what you want in that person. The next playlist is
how do you want.

Speaker 1 (15:41):
Them to treat you?

Speaker 2 (15:43):
Okay, what type of man do you want? The next
one is sexually.

Speaker 1 (15:49):
This is where I just worry about. I love this one. Sexually.

Speaker 2 (15:52):
What playlists if you have sex with somebody? What what
does that playlist look like? Let me explain that the
first part of the sex playlist should always be how
you gonna get them to the crib? It should always
be what's gonna happen when they get to the crib?

Speaker 1 (16:10):
It should always.

Speaker 2 (16:10):
Be the following eight things that I'm going to tell
you that will help you in sex as.

Speaker 1 (16:17):
Far as having great sex.

Speaker 2 (16:19):
Here Number one is enticement, So you should have a
you should have songs that are all about enticement. And
what that means is how is somebody gonna convince you?
Or how are you gonna convince somebody to.

Speaker 1 (16:32):
Come on and go with me to.

Speaker 2 (16:34):
Come on over to your place, so you go to theirs.
Next thing is gonna be sensuality. Sensuality is where it's
all about intimacy, It's all about romance. Those two go together.
So when you get there, what's gonna happen when they
get there? What do they have in store when they
get there? A lot of people don't understand that what

(16:55):
you have in store when that person get their matters.
Because I'm gonna turn around and leave. If I walk
in your house and your house got a bunch stuff
to sit around, I'm gonna turn around and walk back
out the door, and I'm gonna leave and turn around
and go back. If I kiss you and you smell
like something, I'm gonna turn around and get up with
my clothes on and leap.

Speaker 1 (17:12):
I'm not wasting my time.

Speaker 2 (17:15):
So what happens so to me, the way your house
look matters. If I don't see no type of red
light special, if I don't see some type of wine,
some type of something, we have a very serious problem.
Cause here's my thing. I ain't these other chicks. I
am somebody, So you're gonna treat me like I'm special.

Speaker 1 (17:37):
I'm a queen.

Speaker 2 (17:38):
So being that I'm a queen, you're gonna have sex
with me as if I'm a queen as well. See,
y'all need to start value and what's between your legs? Okay, value,
what's between your LIGs? So there's anohing. The The third
thing that's most important, like I said, is intimacy, and
intimacy is all about a connection. Intimacy is how somebody

(17:59):
makes you feel. Cause what I want people to understand
is neither one these body parts can see you, neither
one can see her. So it's not about what the
person looks like. It's about how you make the body feel.
That is the one time that what somebody look like
no matter. Okay, I need y'all to understand that. The
next thing is gonna be pleasure. Pleasure is very important

(18:21):
and that goes both ways. It's not about you just
being pleased, all about me as well. The next thing
that is going to be important is catering. Catering is
very important, catering to that person. Sometimes people have had
a rough day and all they need is a massage.
All they need is just to feel good. I just
wanna feel good, I wanna, I just wanna for twenty

(18:43):
four hours. Just get away from whatever it is that's
bothering me, whatever it is that's alienating me.

Speaker 1 (18:49):
I need a break.

Speaker 2 (18:50):
The next thing is imagination. You gotta have an imagination
in order for you to have great intimacy. You have
to have an imagination. That's just something that matters. Next
thing you need to have is four A play, four
A place should be a requirement. The next thing should
be the most important thing of all, and that is
a overall experience. It's all about a overall experience. And

(19:13):
after that the last thing, what happens now after we're done.
Now I can break this down for you, but I
can't on TikTok, but I can do it on Twitch.
But the reason why this is important is because in
these skits nothing None of these women know this. And so,
like I said, when you sitting here and you're writing skits,

(19:35):
the first thing you need to think about is what
is each character's going to be like? As far as
characters are concerned, character development. Character development is very important
and they have to be relatable to a certain woman.
What woman does Amber represent? What character it? Does Britney represent?

Speaker 1 (19:59):
What character? To does Erica represent? Sonny? You know Melissa.

Speaker 2 (20:06):
So let me give you example, the the skit with
Mike and Sonny and the fact that he came over there,
got got she got. He gave her a soup. He
didn't tell her that he knew about what happened. But
I do love the fact that he didn't throw it
in her face. And I love the fact that he
put he poured life into her and he said, it's

(20:27):
not it's not you.

Speaker 1 (20:29):
It's us. It's men.

Speaker 2 (20:31):
We don't see the value in you. And I don't
want you to feel bad because of the fact of
what I did or what this dude did or what
your husband did, because.

Speaker 1 (20:41):
You're not in fault. You did nothing wrong.

Speaker 2 (20:44):
And I love the fact that he did that, and
I love the fact that he said, I do love you.
But I wish they would have went more in depth
with that.

Speaker 1 (20:53):
I wish that.

Speaker 2 (20:55):
The skit would have been longer than three minutes. I
wish it would have been and where he told her
her value and her worth, that he would have told
her that basically, essentially, you know, I screwed up. I'm
the one that chose wrong. I chose this female because

(21:16):
she was more exciting, she was more so, she needed
me and him telling about Melissa and what happened. You know,
I wish they'd have been able to go in more detail,
but they just left it there, So you're leaving a
whole cliffhanger where there could have been something in between.

(21:37):
But trying to do skits in three minutes, especially these
type of skits, it ain't gonna work. It's not gonna
work at all.

Speaker 1 (21:44):
There's no way you can.

Speaker 2 (21:45):
Do these skits, these type of serious type of content
in three minutes. It's just not gonna happen. But the
duer of the vine, those are different. Let me see
if I can find hold on. Let me see if
I can find those skits that he did with him Drizzy.
I'm gonna put my thing on mute for a minute,
not y'all, but I'm gonna put my TV on mute.

(22:06):
I'm gonna let y'all hear something right quick. As far
as coun Chuwayne and the skits that he does with Drizzy,
that's who I'm looking for. And they're doing some skits
right now, and I want y'all to see the difference.

Speaker 1 (22:23):
Let me see if I can find the ones with
him him and.

Speaker 2 (22:30):
Him in Drizzy, because Counchuwayne does a bunch of skits,
but there's one in particular that I wish I could find.

Speaker 1 (22:41):
Is this it?

Speaker 2 (22:44):
No, he does these skits, him and Drizzy, and there's
some other people that do some skits as well. And
these skits that they do, it's like they're funny. They're
like hilarious type of of skits. But the ones that

(23:06):
he's doing that everybody likes are a lot more serious
and they're a lot more with more. Okay, let me
use the one with him and just hilarious, perfect, perfect,
perfect perfect. Let me find the ones that these right here?

Speaker 1 (23:25):
Hold on, man, this is it? Give me one second.

Speaker 2 (23:31):
I'm'a let y'all hear it right quick what I'm talking about,
and then you'll understand the difference.

Speaker 3 (23:42):
I don't we just not doing that? Who's different?

Speaker 4 (24:00):
This?

Speaker 3 (24:00):
Because this is hair?

Speaker 1 (24:01):
Right?

Speaker 3 (24:01):
I know how crazy? Let's put it on. Look at it, man,
it's no bug. That's hair, and it's cheap hairson?

Speaker 1 (24:07):
Whose hair is that?

Speaker 3 (24:09):
Some of you don't talk to nobody, don't.

Speaker 1 (24:11):
That's what nobody got.

Speaker 5 (24:12):
Dren hospitals land in my bed.

Speaker 3 (24:14):
He clean like always minded.

Speaker 5 (24:16):
You think what you getting loud? I'm gonna believe you
clean out the house. She laying it. Oh no, this
girl had a dirnt dog. Yeah, got drned dog down.
If you lie loud, I'm not gonna believe it.

Speaker 3 (24:27):
Yeah no, I'm seriously whose hare is this?

Speaker 4 (24:31):
Are you sure?

Speaker 5 (24:32):
Does this belong to?

Speaker 1 (24:33):
Whose head?

Speaker 5 (24:34):
What's this hair on your? A dog named roof?

Speaker 6 (24:37):
Oh?

Speaker 5 (24:38):
Okay, see I'm at the dumbing down.

Speaker 2 (24:39):
Okay, who's head been in this bed?

Speaker 5 (24:44):
I I ain't gonna lie. I'm gonna be off there
do I hate nothing like that.

Speaker 4 (24:48):
But it was at the girl.

Speaker 5 (24:49):
Did they up here in my bed? When we ain't
do nothing? It was a girl over here, but she ain't.

Speaker 1 (24:53):
How you what you mean?

Speaker 6 (24:54):
She liked to say I like this and I like this,
and I was over up and I'm like, I'm sorry,
see boy, I said, but you better not getting here
because I can't do that.

Speaker 5 (25:02):
When the girl was tied, she then drinking. And I
ain't want to drive.

Speaker 3 (25:05):
You couches out there first of all.

Speaker 5 (25:07):
But she got in the guard.

Speaker 2 (25:10):
She was one of the apt she's a she's a
come on, jess, you know what's happened with you?

Speaker 5 (25:14):
You cut eat this off? I throwed it out. Oh,
the girl was drunk and she was saying, and she
had drunk girl. No, I ain't want nothing. I ain't
want nothing happen to just good. I just just don't
think about this.

Speaker 3 (25:27):
Let nothing happened to it.

Speaker 1 (25:28):
It's this girl.

Speaker 3 (25:28):
So you saw her come in your herd?

Speaker 5 (25:30):
Let get on her knee. You know she was she
put well, you got people. I don't know the girl
stuff preak Trump stilln not going. I'm not you know
what saying.

Speaker 2 (25:44):
Can't even wash your she some some heir.

Speaker 1 (25:47):
You got some math?

Speaker 5 (25:48):
Oh my god, yeah yeah, the game you can.

Speaker 7 (25:54):
You can even it on there smeuth fresh Now you
did stop?

Speaker 5 (25:59):
Oh my god, you you storin't gonna like this between us.

Speaker 3 (26:05):
This ain't the first and then okay.

Speaker 5 (26:08):
Yeah right, you don't even you don't even I'm saying,
I'm really sorry, but I'm really embarrassed. Yeah, yeah, I'm embarrassed.
I came over here, but I ain't let nobody print over.
I promised that by print over.

Speaker 4 (26:22):
Here, you know.

Speaker 5 (26:23):
And I'm not a dog. Don't think I'm telling you
I'm not a dog.

Speaker 4 (26:27):
You know the dog that was in here.

Speaker 5 (26:28):
I I love jo build it Judge.

Speaker 2 (26:33):
I'm just done with you because I know people don't
be lying.

Speaker 5 (26:37):
I just was confused and seen to have a good.

Speaker 4 (26:41):
I could he.

Speaker 1 (26:44):
How could I up the man?

Speaker 3 (26:47):
Not clean up behind myself?

Speaker 5 (26:49):
Man, because that's the other president. I'm way that other
person do that another person, and I was like, how
could he over? I'm sorry, I'm sorry, all right, man,
this is just well we were breaking. I don't love Pray.

Speaker 3 (27:01):
I don't know, right, I ain't.

Speaker 1 (27:02):
That she no long time.

Speaker 3 (27:05):
I am done.

Speaker 5 (27:06):
I don't that's over. Yeah, no Eve talking because the
hateeto my I don't know. I don't know.

Speaker 8 (27:16):
Just leave it up.

Speaker 1 (27:17):
I don't know.

Speaker 5 (27:18):
I don't want to. Okay, I'll steal. I'll sleep right here.
I sip the foot, Come on, we want to be.
I aint gonna wather you to sleep right up. I
ain't gona wather you. I'm gonna sleep out here for real.
I'm gonna go to sleep. My brothers just sleep, dove,
just sleep right man, ain't gonna tell i'mnna sleep right here.
I'm gonna sleep. I'm not God dog man. Okay, just
look God dog man.

Speaker 3 (27:39):
He gonna here searching and stuff.

Speaker 5 (27:41):
What wasn't your okah was.

Speaker 3 (27:45):
Flat ain't want to sha tell you something.

Speaker 5 (27:50):
Let me, Jason, I don't him to know what pill? Hey,
how am I pulls?

Speaker 1 (27:57):
Be like?

Speaker 5 (27:58):
I ain't tip you spill every further.

Speaker 1 (28:10):
Do you see the difference in the skits.

Speaker 2 (28:11):
That's what I'm saying now that y'all still it don't
talking about These skits are more comical. So that's why
I say there's a difference between the skits that Wayne
used to do and the skits that he's doing now.

Speaker 1 (28:27):
These skits he can get away with. These skits are.

Speaker 2 (28:30):
Fine, These are these are ones that are meant for
you know, they're meant for that. But the ones he's
doing now, they're not meant for those type of skits
that it's serious content. When you are making serious content,
like you know, the ones he's doing now, three minutes

(28:51):
ain't gonna be enough. You're gonna need at least ten minutes.

Speaker 1 (28:54):
You're gonna need it. You're gonna need at least ten.

Speaker 2 (28:56):
Minutes to really make it where it's stretched. So let
me play the one hold on. Let me play the
one that he did when it came down to.

Speaker 1 (29:10):
Was it him and don hold on?

Speaker 2 (29:14):
I gotta turn it down for me, The one where
it was Don dom and and Angeline, I mean Angela.

Speaker 1 (29:20):
Let me see if I can find it.

Speaker 2 (29:21):
Last said, I'm looking at all of these skits four
years ago, and this is completely different than the content
that he's done recently.

Speaker 1 (29:33):
So, like I said, I understand, you know the fact that.

Speaker 2 (29:37):
He's doing these particular skits. But let me find the
one of Don and Angela. Okay, here's the one with Mike.
All Right'm gonna play this one right quick, so then
you're gonna see the difference in what I'm talking about.

Speaker 1 (29:50):
Why I don't think this's gonna work. And this is
me M trying. Man, hey, hey man and some suit.

Speaker 5 (30:23):
You leaner and some suit does then see and work?

Speaker 4 (30:28):
Should you said?

Speaker 1 (30:28):
You see?

Speaker 5 (30:29):
Mean you y'all? That they usual said you yall? Yes
man man y'all all y'all.

Speaker 1 (30:43):
H y an't one uh who know?

Speaker 6 (30:49):
Just was asking about your ac and work and that
was what kind of word about yourself?

Speaker 4 (30:54):
Just talk of it a little different.

Speaker 5 (30:57):
He sends you the seas RUH's mama.

Speaker 4 (31:07):
Is y'all?

Speaker 1 (31:07):
Yeah, have a girlfriend this whole time?

Speaker 5 (31:17):
Mm yeah, thinks night.

Speaker 4 (31:28):
T it's a patter with me.

Speaker 5 (31:33):
I think it's a.

Speaker 4 (31:34):
Pattern with you think it's just thinks you it's us.

Speaker 2 (31:46):
And I'm common the nominator, so it's hmm, it's a
goody digging baby bag.

Speaker 1 (31:54):
You don't think nigga or let me start right there
for a minute. It is her fault.

Speaker 2 (32:01):
She chooses them, She made these choices, she chooses these men.
Here's what I mean when it comes to accountability. Okay,
there's two different types of accountability. Okay, it's the one
that does wrong and the one that gets done wrong.
You didn't have to choose this person. You didn't have

(32:22):
to lay down with that person because Schayla and Joscelyn
and your sister told you to move on for Mike.
You should have been by yourself getting some type of
healing and dealing with your daddy issues. Mommy daddy child dynamic.
It's too many women that's out here looking for a daddy.
You're not looking for You're not looking for a husband.

(32:44):
You looking for a daddy because you ain't have one.
That's why when I hear men say call me daddy,
I look at you kind of funny.

Speaker 1 (32:52):
You're not my dad. Why am I calling you daddy?

Speaker 4 (32:54):
Fault?

Speaker 2 (32:56):
You're not my husband, You're not my man. But you
want me to call you daddy sweet. He had already
got that. My dad is very much involved in my life.
So now I just feels so uncomfortable. So I understand
Mike's point, but no, she is the common denominator. And
as a life coach, what I would tell is, what
makes you choose these type of men? Is it because

(33:19):
they're attractive? Is it because they say what you want
to hear? Is it because they remind you of your father?
Why do you choose these men? And in the beginning,
she wasn't even this is the crazy part. She wasn't
even interested in this man. That's why I said. This
had more to do with her doing this because of
Mike and getting over Mike than it was about her

(33:40):
really being interested in him. So I don't know what
you're mad folk, considering the fact you was not around
this man by yourself one on one, You had Jocelyn
and your sister around him at all times, and then
the one time that you were alone with him, the
only thing, you slept with him because you got mad
because Mike said he was bringing amber. You slept with

(34:01):
that man for Mike. You didn't sleep with that man
because that's what you wanted to do. You slept with
him because you wanted to move on for Mike to
have one on Mike because he chose to listen, and
you knew that it was upset. It would upset him.
The fact that you slept with that man. You playing
a game against a man that you're never gonna win.

(34:21):
Let me, let me be honest, ladies, you are not
gonna be the man when it comes to that.

Speaker 1 (34:28):
We have feelings. They don't.

Speaker 2 (34:31):
They have no conscience when it come to that. But yes,
do men hurt too, of course they do. But my
whole thing again, just like I said, just like we
said earlier, they making it seem like Sonny's a bad
person because Mike, like we got feelings too. What does

(34:52):
that got to do with you? This gout everything to
do with a dude who supposedly her daddy introduced tattoo
that he didn't do no research, nothing. Please don't bring
nobody to me that you have not researched all before
you decided to bring them to me. Story time. I
love all my friends, dearly Lord, I knows I love

(35:13):
them all. I don't want them to ever introduce me
to nobody. Every man that they introduced me to. I
found out had a whole nother female. I am Sonny.

Speaker 1 (35:23):
I was Sonny.

Speaker 2 (35:26):
Every time my friends tried to introduce me to somebody,
they always ended up with a with a girl. I
was the friends with benefits. I tried that, let me
let me go here. Every man that I was with
after my son's probably before I met my ex, for
seven years, it was friends with benefits, every single last

(35:48):
one of them. They didn't take me nowhere.

Speaker 1 (35:50):
They didn't do nothing with me.

Speaker 2 (35:51):
They only came around when they wanted sex, or they
wanted money, or wanted something from me. Now Why because
I was a seat filler. Captain saberhole, build a bear,
build a dollar.

Speaker 1 (36:00):
People, please.

Speaker 2 (36:02):
I have post traumatic slave disorder. For those of y'all
who don't know what that is, that is when every
person in your life has treated you like a slave.
The only reason they deal with you is because you
got money. The only reason they call you is because
they want something. And when they say jump, you say,
hai hap, You're the one to get all these good things,
And yet you give it away because you don't think
you deserve it, cause you don't think you're worthy. Why

(36:24):
because mentally everybody tells you you don't deserve it, that
you gotta give it away. Yeah, that's gonna hit a
lot of people in in are in the head.

Speaker 1 (36:31):
Well, guess what. That's what Sonny is. Sonny's door met.

Speaker 2 (36:34):
Sonny is one of them girls that if I want
a girl that I wanna have fun with, I want
a girl that. Yeah she's sweet, she kind, but she'll
pay my bills. She's the type of girl that when
they come down to when I need somebody to do
something for me, when I need somebody to take care
of me, she's a ride to die. I know she's
a ry to die. Yes, i'm'a keep her around because
I know she's not gonna cheat. I know she's not
gonna mess around with another another man. Yeah that's Sonny.

(36:56):
Did I hit it on the hand yet in my room?
Get anybody in the check tell me I'm wrong, Please
tell me whether I'm right along now, I'm just trying
to make sure that I didn't miss something. Okay, So
y'all I'm different when it comes to these skits. So
she's suffering from post traumatic slave disorder slash mommy daddy issues.

(37:19):
She did not have her father, her father was not
an example of what a husband is. Fellas I'm about
to get on y'all, I don't care if you with
your baby mama or not. Show your daughter an example
of what a husband looked like. Show her example of
what a man looked like. Because see, kids need both
their parents. That is the one thing I told my

(37:40):
son's father. Sign the papers if you don't want to.
My dad has been a part of my son's life
since day one. My dad has been more of a
father to my child than my actual baby daddy is.
Mind you, he's a better man than what he was.
Let me first say that, but I always him. The

(38:00):
door was always open. When you decide you wanna be
a father, the door is always open. I am not
gonna stop you from being there from your child. My son,
you sit there at that door, and we separated, sat
there all day long waiting for his father to come
back home. Do you not understand how many of us
have had to sit there and watch our kids be
upset because you don't come pick them up. We gotta

(38:23):
sit up here and watch our kids be pissed off
because they daddies have people at basketball games and they
don't Okay, I just wanna. I just want you all
to understand. I don't care if you would or not.
If look fellas, y'all need to start having pride about
who you give your peans to. You needn't have pride,
and who you put give a person your last name.

(38:45):
You didn't get pride, and who you decide that you
gonna be with for the rest of your life, who
you gonna have children with instead of thinking that condum's
not gonna get somebody pregnant. Did I miss something? And
that right there is Sonny. Sonney's want of them people
that she won'ts what she won't, but because she want

(39:08):
it so bad, she can't see what's in front of
her face. She sees things with rose petal glasses, but
she doesn't see it for what it is. These men
are just not into her. Y'all need to read that book.
There's a book called He's Not Into You. There's a
movie called He's Just Not Into You, Honey. That changed
my whole entire perspective on men. It sure it is
so if you're not interested in me, as soon as

(39:30):
you tell me what your preference is, I'm gonna go.

Speaker 1 (39:32):
To the other direction. I'm okay with that. I'm good
with that.

Speaker 2 (39:35):
That's what recovery looks like. Recovery is it's not about
what I want. It's about if it's reciprocated or not.
If it's not reciprocated, then you can go ahead on.
I'm not interested. I'm not giving my body to you.
Why am I gonna give my body to you? But
yet you won't give me your last name? Why would
I give my body to you? But yet you won't
take me nowhere? You don't wanna take me out to
the movies, you won't take me out to eat. Then

(39:58):
you don't need my body going out there and mess
with your preference and leave me alone.

Speaker 1 (40:04):
It's just that simple.

Speaker 2 (40:05):
But here's a kicker to it all though. These men
will say they don't want you until you're telling them
that you don't want them back, until you become the
woman that you want to be. It's not for him,
but it's for you. So when you finally lose that weight,
when you finally walk into that room and he looking
at you and y'all are friends. See, that's thing his kicker.

(40:26):
I'm not gonna be the person you sleep with. I'm
gonna be your friend. Why because I'm really gonna piss
y'all because see, while i'm your friend, I'm gonna be
losing weight. While i'm your friend, I'm gonna get myself together.
Why i'm your friend, you gonna see what you getting
ready to be missing? Because when I start dating, you're
gonna be pissed off. Why because it could have been you. See,
it's chestnut Checkers. So it's not about trying to out

(40:50):
top the females out here. It's about being their friend
because you get to see everything.

Speaker 1 (40:56):
That a man does when you're his friend.

Speaker 2 (40:59):
When he knows that you he's not gonna get what
he wants, when he knows you're not gonna be another
notch on his belt, When you know that you're not
gonna here and he knows you're not gonna put up
with his bs, that's when he's gonna come to that realization.
It's chestnut Checkers, Lady Jim. The one thing that intimidates
a man more is a woman that even though she's unattractive,
she still loves herself, she still values herself, and she's

(41:22):
not going to settle for less, for anything whatsoever. So
when you go through this recovery and this cleansing period
that I like to call isolation, hibernation and cocoon stage. Oh,
you're gonna learn to be one with yourself. You're gonna
learn to love yourself. You're gonna learn to check your
flaws and and perfection and turn into a strength. You're
gonna learn when somebody saying no, okay, okay, cool, what

(41:43):
you mean okay?

Speaker 1 (41:44):
Cool? Okay cool? Just like when somebody cuts you out and.

Speaker 2 (41:47):
They're talking to you.

Speaker 1 (41:47):
Are you done? What do you mean him? Or done?

Speaker 2 (41:49):
Are you done talking to me? You under said all that?

Speaker 1 (41:52):
Now you know what you can do? Get out? Why
I don't wanna talk to you? Oh so you have
no response?

Speaker 4 (41:57):
Nope?

Speaker 1 (41:58):
Oh you're not gonna have sex? Mean nope, I do that.
Why don't I do that? For? What?

Speaker 2 (42:03):
Is this supposed to hurt my feelings? And am I
supposed to feel bad because I'm not your choice? And
am I supposed to be Oh my god, he's not
my choice? Oh my god, I'm gonna been on the backers.
I'm gonna do all this stuff. No, what, honey, I
know my value, I know my words.

Speaker 1 (42:15):
Why would I do that? What reason would I need
to do that? Honey, because if.

Speaker 2 (42:20):
I wanted to, I could strip down the deck and
probably do all kind of things to you.

Speaker 1 (42:23):
Then you be begging me for more. But why would
I do that?

Speaker 2 (42:26):
If you turn around not even twenty four hours, not
even five minutes later, go see the next check. Let
me ask you a stupid question. If you and I
were spending time right now and some girl call you, what.

Speaker 1 (42:35):
Would you do? Would you go see her?

Speaker 2 (42:37):
What if I told you I was on my way
over there because I had a rough day and I
just gonna come over there and chill.

Speaker 1 (42:41):
What you're gonna do? Tell her to leave or you
gonna tell her to stay? And I'm gonna be deprived?

Speaker 2 (42:46):
Absolutely not, because I am not going to deprive my
needs for you when there's a whole bunch of men
to choose from. But you know what, I'm just go
get my rolls and just call it the day and
take care of my own self.

Speaker 1 (42:55):
How about that?

Speaker 2 (42:57):
Then they're looking at you like, why are you talking
to me like that? Cause the same way that these
men talk to you is the same way I'm gonna
talk to you. Because I'm not gonna talk to you
as a woman. I'm gonna talk to you as the
same way as a man, because here the thing. If
I talk to you as a woman, I'm gonna be
emotional and you're gonna look at me like I'm crazy,
and then you're gonna try to use my emotions against me. No,
I'm gonna talk to you as a grown man. At

(43:18):
least it's what I think you are the last time
I checked. But if you wanna go out there and
be a community, you know what, and bounce from this
female that bounce if you want to clap, if you.

Speaker 1 (43:27):
Want to gone out there. The thing, I don't care
have fun with that.

Speaker 2 (43:33):
But guess what, it took me to go through recovery
and healing to get to that place. So now I
don't care because I pay my bills. That why, cause
I have my own money. I don't lose nothing if
they leave. But it took me years to get to
that place. That's why you never give up your career.
That's why you never give up nothing because it's gonna

(43:53):
be easier for you to walk away. The only reason
it's harder for you to walk away is because the
fact of the man, you have nothing to fall back on,
and you walking about your walking.

Speaker 1 (44:05):
Alone pretty much.

Speaker 2 (44:08):
So as long as you keep your career, as long
as you keep what you got, that that's what's important,
keeping what you got and not giving up nothing.

Speaker 1 (44:21):
Hey hey, hey, how are you? Go ahead, go ahead,
say what you gotta say.

Speaker 4 (44:27):
I'm excited.

Speaker 2 (44:28):
So I just feel like, as women, if you keep
everything you got and you don't go and worry about
going to these frat parties, and you build your career,
you build everything, you've done it all and you say, okay,
now I'm ready to date. But I don't care what
you look like. Keep your standards because here's the thing.

(44:51):
You can always better yourself. You can always make yourself better.
But the one thing you should never do is lower
yourself and give up everything for somebody that may or
may not ever give it up for you.

Speaker 1 (45:07):
True, I feel the same way about Sonny.

Speaker 6 (45:10):
I I know, I think I like Sonny way from
the beginning, Like I found she came in strong, but
you know, you see the breakdown of her personality, and.

Speaker 1 (45:23):
You know, I started disliking.

Speaker 6 (45:25):
Her, and you know, and and and I think you
hit it on the head where you were saying, you know, basically,
you know, she's the down chick. She's gonna try to
be the friend be in these situationships, and then you.

Speaker 1 (45:41):
Know, she gets caught out there.

Speaker 6 (45:42):
But they're not the ones that she's gonna choose because
they feel like she's gonna be they're always so they're
gonna run after those those.

Speaker 1 (45:50):
Ones that they feel like it's gonna be the.

Speaker 6 (45:54):
Moment person or the one they want to see themselves with,
but put you to the side.

Speaker 1 (46:00):
And I just feel like, you know, she's subject from
low self esteem.

Speaker 6 (46:03):
She took a blow because her husband was cheating with
a man, so that's gonna take a blow, and then
she keeps rushing into these relationships or situationships, and I mean,
it's really nothing out here to date, like you know
what I'm saying, Like, I mean, I think this is
a true scenario of what Dayton looks like because you

(46:24):
think that they want you or they are only ones,
but they have other people on the sidelines and all that.
So I'm kind of excited to see what they gonna
do with Sonny. Me too, I'm kind of excited because
I hope that she comes out like you.

Speaker 1 (46:39):
Want her to be strong.

Speaker 6 (46:41):
But the things that I hate about Sonny is the
things that I probably saw myself at one.

Speaker 1 (46:46):
Point in time or even recently.

Speaker 6 (46:49):
And so that's why I kind of want her to
be like girl, pick it up, because.

Speaker 1 (46:54):
You know, you know that you had to come out
your situation strong or not some people still in the situation.
I agree. It took me.

Speaker 2 (47:03):
It took my last situation where I felt like when
I was having sex with somebody and I felt like
I couldn't breathe. When my health started, my health started deteriorating.
That's when I realized that it was time to make
a change. Because even though you know, I went through
domestic violence, I went through being sayed.

Speaker 1 (47:21):
I went through a lot of things with men.

Speaker 2 (47:23):
When I looked back at it, and God said, you
know what, I want you to go back and look
at your exes.

Speaker 1 (47:29):
Look at them. Now.

Speaker 2 (47:31):
Do you notice something I noticed? They were They were
the same men they were when I met them.

Speaker 1 (47:37):
I was about to say that, I was about to
say the same thing in the same place. They stuck
in the same place.

Speaker 2 (47:46):
So I'm the one lowering myself to build a man
that never wanted to be built for me. He wanted
to be built for someone else. And then my acts
of seven years, he was the whole time we were together.
I had no idea this man was looking at other
women the whole seven years we were together seven years,

(48:10):
and so you know what I'm saying. And when I
when I had got sick, he got away with it
because I was sick, because I wasn't able to work.

Speaker 1 (48:19):
So you know, he was able to get away with
it a.

Speaker 2 (48:22):
Lot more than it was at that time. So you know,
he only paid the electric bill. I paid the rent,
He paid the electric stuff like that. But a lot
of men don't understand there are a lot of women
that are paying the majority of the bills, like they're
head of household, and yet they still think that they

(48:43):
can still be head of household, but you ain't paying
the bills, right.

Speaker 6 (48:48):
But I think I think they used the fact that
women are making more money, they're more educated, and instead
of striving to be better, they take the lower and
so they're like with y'all, y'all.

Speaker 1 (49:04):
Got this, y'all got it. You know what I'm saying.

Speaker 6 (49:06):
They fall back on complacency and don't know how you
know how to take it, you know what I'm saying.

Speaker 1 (49:14):
That's why the women becomes the person that they're envious
of or they want.

Speaker 6 (49:19):
They want to I say, they want to be the
woman or you know they you.

Speaker 1 (49:23):
You pretty much sleep with the enemy. You sleep with
the enemy because you like Dad, who this person I
was so in love with. They they so ready to
tear you down any way they can, you know, any
way they can they tear you down or you know,
or just just pull away little things that you need,
like intimacy or you know, you know, those those little

(49:47):
things to kind of like pull you down. And I
don't know. That's why I don't like. I don't like
people to get close to me.

Speaker 6 (49:58):
You know, I don't like people to get close to
me because it's like I leave people at a distance
unless you're gonna show me.

Speaker 1 (50:06):
And sometimes people get around like you're not paying attition.
It's like how you get here?

Speaker 6 (50:10):
You know what I'm saying, Because people will love bomb
you and then we can love bomb you and just
show you what they wanted to see to get what
they want until you bring them into the fold and
you know, move them in your house, and then that's
when they start showing their true colors.

Speaker 1 (50:29):
So it's just crazy. But you another part that really
trusts me out is when.

Speaker 2 (50:36):
It don't even matter what a woman looks like if
she got herself together. And I tell people all the time,
you be amazed how many people pray on you before
they even approach you. They've already looked at your profile,
they've already looked at everything before they even approached you.

Speaker 1 (50:54):
Before they even came anywhere near you. And then get yeah,
they'll see what you got on. And I remember I
saw this thing. It was like, really sad.

Speaker 2 (51:04):
I saw this woman, she was getting out of her car,
getting ready, she left the gym, she had on her
little gym outfit, and these two men blocked her in
and then they kidnapped her in broad daylight. And you
can't even go to the gas station. You can't even
go to the bank without somebody harassing you because of

(51:29):
what you got on. And it's crazy, how you know.
One lady said, I was with my kids and I
had some man following me all the way through Walmart
and I had my kids with me. One and it
was even to a point where one lady said that
they put they broke a glass right underneath her tire

(51:49):
just so it will break, just so she would have
to pull over. Luckily, there was somebody that was there
to help her to make sure that she could do
it before or she got out. So, I mean, it's
just things are not the way they used to be.
I feel like mental health has really went down the tubes.

Speaker 1 (52:09):
I really, I really believe that.

Speaker 2 (52:13):
I don't know if it's what it is, but I
just feel like that there's this shift of where women
are are becoming more in their masculinity and a lot
of men are becoming more in their femininity.

Speaker 1 (52:25):
I feel like the roles are slowly reversion, to be
honest to me, M possibly.

Speaker 6 (52:32):
I mean, I feel like, you know, from a younger age,
we have always been taught to be I I feel
like females have been taught to be the strong one.

Speaker 1 (52:39):
You have to be able to take care of yourself.
You got to know how to do this and do that.
Don't never rely on the man. By yourself that you
never know what situations you will be in.

Speaker 6 (52:48):
So you know, for me, it was always get your education,
you get a job, you make sure you have your
own money, and then you see a lot of situations
like you you see people that you went to school with,
or people that's a couple of years younger than you,
and they're.

Speaker 4 (53:04):
Men, and they're allowed to have black they're allowed.

Speaker 1 (53:09):
To like, okay, you don't have no job. Then everybody
starts feeling simpathy for him.

Speaker 6 (53:15):
Like when I when I when I'm having trouble financially,
my first thing is like, Okay, what can I do? Okay,
let's pick up a second, third job, Let's pick up
some door dash, you.

Speaker 1 (53:24):
Know, let's get it.

Speaker 6 (53:25):
You know, I've seen a lot of men don't have
the mentality like they look to a woman to pick
up to help them along the way.

Speaker 1 (53:37):
And that's just crazy to me, like that mind that
that they have.

Speaker 6 (53:41):
And I don't know if there's some feminine or masculine quality,
but it's definitely something.

Speaker 1 (53:46):
That you know, it's taught how they raised.

Speaker 2 (53:51):
Yeah, a lot of them are raised with their mothers,
and a lot of their mothers do coddle them, and
they'll say, well, you don't have to work, you can,
you can stay in till you're late. But yet your daughter,
she's gotta be the more responsible and she's got to cook,
she has to clean.

Speaker 1 (54:07):
I remember my great grandmother said we.

Speaker 2 (54:09):
Had to fix all the men's plates, all the boy's
plates before we fixed our own. We had to clean
the whole, entire, whole entire house. These boys didn't have
to clean up to save their life. They didn't have
to do nothing. All they had to do was go
and play PlayStation. They went outside and played all day
while we had to clean, and we couldn't go outside

(54:29):
until we got done cleaning.

Speaker 1 (54:32):
We had to serve.

Speaker 2 (54:33):
We were told that we had to serve our husband's
plates in our kids plates before we even served our own.

Speaker 1 (54:39):
So as far as being.

Speaker 2 (54:41):
That woman that will let a man lead, I don't
have a problem with that.

Speaker 1 (54:47):
But the question is.

Speaker 2 (54:48):
Does he deserve that that position of leadership.

Speaker 1 (54:53):
That's the thing.

Speaker 2 (54:54):
There are men that, yes, they absolutely deserve to have
that leadership role because they come in masculine, they come
in they got themselves together. They're not asking me to
help build them financially. They're asking me just to be
their support system.

Speaker 1 (55:12):
They'll help me. You know, there are some men that
don't have a.

Speaker 2 (55:15):
Problem with their wife being successful. If anything, he wants
her to be successful. Why because he wants her to
have something of her own. You got a lot of
men now like I don't even want to have kids
right now. I think me and you just need to
enjoy ourselves, build our businesses, build our brand. I heard
one guy say, my wife gets all of these products.
They get all this stuff. And he said, you know what,

(55:35):
I let her do a thing. If we can get
free stuff to come in the house, why not. But
then on the flip side, you got men that are like,
don't I don't want you to make more money than me.

Speaker 1 (55:46):
I don't want you to do this. I feel less
than a man.

Speaker 6 (55:49):
What yes, I feel like it's such a it's such
a heart. That's why a lot of people don't want relationships.
And there's a lot of divorce out here, you know too.
To try to have a balance of it, Like like
I'm single and I date a whole array of men,
but you know, I say, like sometimes dat's somebody with money.

Speaker 1 (56:11):
It comes with all these strains of you know, they
have to control.

Speaker 6 (56:15):
They feel like I can go get somebody else because
I got all this money, like Anthony.

Speaker 1 (56:21):
Like Anthony, I think that I should be able to
have Shla and Amber because I got money, you know.
And then you date.

Speaker 6 (56:28):
Somebody who's working on a hard worker, blue collar worker,
and they looking for you to pick up the slack,
you know, and it's it's.

Speaker 1 (56:39):
It's crazy to me.

Speaker 6 (56:40):
Like I said, if somebody came along and they came
up service, I wouldn't mind being submissive, like but if
it's all in how you come to the table, it's
how you come to the table.

Speaker 1 (56:55):
Like you know, you come in to serve, and you
come in to show that you a man, and I can.
I can let my hair down and I don't have
to be I'm gonna pay these bills.

Speaker 4 (57:05):
It's on.

Speaker 6 (57:06):
I gotta go for I gotta get it, get it,
get it. And he can say, oh, you can slow down.

Speaker 1 (57:11):
Okay. I don't have no power of being Tomissa, but I'm.

Speaker 6 (57:13):
Not gonna get off my plan because I'm a full
time real estate and I have my own firm.

Speaker 1 (57:18):
I don't mind doing job of teachers zoom a class.
I do everything that I like to do.

Speaker 6 (57:23):
But I'm not gonna slow down my where I'm at
on my train for you to come in and tell me, well, look,
I'm a man, so you need to stop what you're
doing and.

Speaker 1 (57:32):
Get on my plan. And I get that all the
time when men come in and they tell me, hey,
I see you got yourself going on. You got your
own business. They don't come to help me get to
another level.

Speaker 6 (57:44):
They want me to stop to help them with their
business so they can get on good on my level.

Speaker 1 (57:50):
And I don't think that's fair. It's not. And how
I don't want to get off the track to get
like you want me. You want to be the man,
and I shouldn't you good? You a man? I should
I should follow you? But then what about by whatever.

Speaker 4 (58:05):
I set up?

Speaker 6 (58:05):
I already have a business, I have business account, I
have this setup for myself.

Speaker 1 (58:12):
You might have an idea, but you want me to
get off the track to help you with your idea
because you're the man.

Speaker 4 (58:19):
I don't know.

Speaker 1 (58:20):
Like they hate when.

Speaker 6 (58:21):
When I don't like to talk about relationship stuff when
I get especially with when I get on a panel.

Speaker 1 (58:26):
With men, because they hate this. Hear me what I say.
They hate this.

Speaker 6 (58:30):
Here, listen to what I say about that type of situation,
like no, he the man, You're supposed.

Speaker 1 (58:36):
To get off And I'm like, no, I already have
this going. So my thing is you get.

Speaker 6 (58:40):
Yourself together, or you can help me with my stuff.
Let's get my stuff on on places already on track.
But no, it's never, it's never that I agree with you.

Speaker 2 (58:52):
And you know what's Ashley pretty sad about that is
the fact that in the end, when you sit here
and you give up everything, and then he tells.

Speaker 1 (59:04):
You, I'm I I'm leaving you.

Speaker 2 (59:07):
Yeah, I I don't, I don't get and then tells you, oh,
you don't. Now all of a sudden, you done made it.
Now you don't need me, cause now I just cook
and clean. Now I just raise your kids.

Speaker 1 (59:17):
Now, I'm I'm your secretary.

Speaker 4 (59:18):
I'm I'm I'm Berna deck on waiting toxail or.

Speaker 1 (59:22):
I'm I'm the I'm Berni is it? Br was it Bernadine?
The one that he left up for the white woman
on waiting til tail? Right? She will?

Speaker 6 (59:29):
She wanted to be a cater, but she she ended
up being a secretary for him, trying to help him
build his business.

Speaker 1 (59:36):
From ground up, and he didn't want to give her
no money.

Speaker 2 (59:41):
And now beginning when you ain't have nothing, it's like
that after you know how, after you make it. And
I tell people all the time, this is where everybody
screw up at when you in these relationships. This is
why I always ask men that I I date, that
I meet. Now, I say, what is the plan for us?

(01:00:03):
And that what he mean, what is the plan for us?
What happens if you make it? And all these females
that never wanted you when you were in high school,
all these women that didn't want you when you were
in college, and now all these females you get access to,
but yet none of them were there when.

Speaker 1 (01:00:22):
You made it.

Speaker 2 (01:00:23):
I said, would you leave me for these other women?
Would you allow me to be able.

Speaker 1 (01:00:29):
To have my career, go back to school?

Speaker 2 (01:00:32):
Cause you remember when Cliff and Claire, when it came
to Elvin, and when Elvin said, you get Cliff coffee,
she was like, yeah, I get Cliff coffee, he said.
I was surprised by that. She was like, no, because
he gives me coffee. And I loved when she said
she when Cliff said, my wife is the one that

(01:00:53):
helped me go through school. She took care of the
babies where I went to school for medical school. And
then when I got settled and I was good, I
paid my wife's way to go to law school.

Speaker 1 (01:01:05):
We don't, we don't.

Speaker 2 (01:01:06):
We don't see that where a man will say, you
know what, now that you settled, now that I done
got my career, let me let you have yours.

Speaker 1 (01:01:14):
Let me let you have your career. Let me let
you grow and.

Speaker 2 (01:01:18):
Evolve and elevate to something bigger and something better.

Speaker 6 (01:01:22):
Let me, I'm not gonna I'm not gonna say I
haven't seen it. My sister's husband, even though he's not
a people person.

Speaker 1 (01:01:30):
He's not a people person. And you know, I don't
really like to be around here for too long. But
let let me tell you. He he I commend him
because he let my sister go back to school.

Speaker 6 (01:01:42):
He took on the bills for the four years she
went back and supported her and she went to law school.
And you know, he wanted to go back, but I
think he had some medical issues and they were they
were supposed to switch off, but he did that.

Speaker 1 (01:01:56):
But you don't see that often. You don't. You don't
see that often.

Speaker 6 (01:02:00):
But there are men out there that will support you
and in the vision for the family, you know.

Speaker 2 (01:02:09):
But because you want it, where you're in a place
where y'all can finally sit back and you can finally say,
you know what, we both did it. Now we can
go on vacation. Now we don't have to worry about
getting up and working for nobody. I love how tapath
Leb Brown retired her husband.

Speaker 1 (01:02:29):
Now they in it together. They you know.

Speaker 2 (01:02:32):
Now She's like, here's ten million dollars, you decide what
you want to do, you know. So I think it
is important that even if a woman is at home,
she can still have a business and be at home
and still build and say, you know what, babe, I'm
getting ready to retire you, I'm getting ready to make you.
But yet, at the same time, a man could be
broke and he still would end up cheating with the

(01:02:54):
same females that don't want him even when they.

Speaker 1 (01:02:57):
Broke right, Because and that's what Amber.

Speaker 6 (01:03:04):
I feel like Anthony likes Syla because she feeds that
ego part of him that he is the leader, he's
the overall say so of everything. And you know, he
feels like a man around Shyla because Sla makes him
feel that way.

Speaker 1 (01:03:22):
She the way she talks to him. But with Amber,
I'm not gonna say she didn't make him feel like
a man.

Speaker 6 (01:03:31):
I feel like she did do a lot of stuff
in her marriage to honor him, you know, after they
got married. But I feel like Amber didn't necessarily need
she didn't need Anthony like Shyla needs him.

Speaker 1 (01:03:49):
Yeah, you know what I'm saying. If they were to
break up, she had a house to go to.

Speaker 6 (01:03:54):
I mean, granted she did wait on Anthony to buy
the house, you know, but she was able to put
her money down.

Speaker 1 (01:04:02):
So some men don't like that, Like, they don't like that,
they don't like that.

Speaker 6 (01:04:10):
So I feel like with Anthony that might be a
little bit of what's going on too why he would
choose Sila. And that's why a lot of men like
Shayla because she caters to Anthony.

Speaker 2 (01:04:27):
She careds She don't ask questions like her mom was
telling her, you know, don't go through his phone. So
he knows he can get away with things because he
knows she's not gonna fight back. She's not gonna argue,
she's not gonna basically tell him that he's wrong. And
a lot of men, when you're trying to tell them
your friends are trifling, your mama trifling, All these people

(01:04:49):
are trifling. Where were all these people that when you
were trying to build your business and your brand? And
why did it take me leaving? And now you broke
Because a lot of men end up broke when that
girl leaves. That one that helped them build the one
that took her ideas and helped you make them into yours.
Because a lot of women are the ones that come and.

Speaker 1 (01:05:08):
They do the paperwork.

Speaker 2 (01:05:10):
They're the ones that do all the accounting, They're the
ones that do all this stuff to make sure that
man is in the.

Speaker 1 (01:05:16):
Place that he needs to be.

Speaker 2 (01:05:17):
But yet he's still spending money on another woman. And
then when he leaves that other woman, all she does
is spend, spend, spend, spend, spend. Now you realizing this
big decrease in your in your income, and now you're like, well,
wait a minute, hold up, I didn't know you were
gonna spend all this money.

Speaker 1 (01:05:34):
Yeah, it was cool when she was a side chick.

Speaker 2 (01:05:36):
And your wife was at home keeping everything together. You
not living with this woman. This woman's not with you
day to day. This woman is not helping you. She
just own your arm because you got money. And as
soon as the money is gone, she gone.

Speaker 6 (01:05:50):
She gone.

Speaker 1 (01:05:50):
Yeah, one hundred percent, one hundred percent. I feel I
feel torn between him staying with Shaila so he can
really see the grass ain't green. You know what I'm saying,
The grass is not great.

Speaker 6 (01:06:07):
She just asked for his past hold and he got
really offended, Well, he didn't get really offended, but.

Speaker 1 (01:06:13):
He kind of got offended that she wanted his past hold.
So he was like, no, I got it. Thanks, no.
But but the whole thing is is like I want
him to go back to Amber too, because I kind
of don't want Shala to win. I don't want Shala

(01:06:35):
to win.

Speaker 6 (01:06:36):
So it's kind of like I'm torn because I really
want him to get his get back, and I feel
like he would get it.

Speaker 1 (01:06:42):
I feel like he would.

Speaker 6 (01:06:43):
Get everything back by being to Shila because she's gonna
take his money, she's.

Speaker 1 (01:06:48):
Gonna help him. This is my take of that.

Speaker 6 (01:06:52):
I don't want him to ever get back with Amber. Yeah,
I think it wouldn't even be no get back. I
mean it will, but it wouldn't you know, to get back.
And you know what the giveback would be for Shayla.
He don't be when they're one of the girls.

Speaker 1 (01:07:11):
He moved on to somebody else.

Speaker 6 (01:07:14):
Because she really thinks in her mind that he left
Amber for her, right and leave Amber for her, he
got it, never got caught. She still would have been
a sneaky league. They would have still let Army would
have still been that.

Speaker 1 (01:07:30):
Baby diddy, you know, so the giveback will be not
to get back to.

Speaker 6 (01:07:37):
Amber, but you know what the giveback will be, but
get back with her on Amber. Woman Amber become like friends,
not friends like best friends.

Speaker 1 (01:07:47):
Heye, guy, what you're doing?

Speaker 6 (01:07:48):
But you know what I'm saying, a m you know
where if she called and she need anything, he gonna
do it. But they not messing with each other like that.
They just you know, was married to each other and
got a little history. But she wants him to hate Amber.

(01:08:10):
Why are you talking to her? He wants she wants
him to rip everything from Amber.

Speaker 1 (01:08:16):
Mm hmm, and she's stuck on that last name. I
think would be for them to be like friends, not
like Beth Press. Do you know what I'm saying? And
he leave her and he go with See, you need
to get him a bad ship. You know, somebody like
a Natasha you know, got it going on? Room washed up?

(01:08:38):
So don't nobody want hurt. The way you hate Road
is so funny. Yeah, she I used to love Roe.
What Road washed up?

Speaker 6 (01:08:48):
He needed to give him a bad chick. You know
somebody that you know look good every day.

Speaker 1 (01:08:53):
It's very smart.

Speaker 6 (01:08:54):
Speak well, got it, got her own money I don't need.

Speaker 1 (01:08:58):
George, but I want it, you know, right, that's what
he needs. So you think Anthony should should be rewarded
and move on to somebody else. Oh damn, I forgot
about their ye I love how you just brought me back.

Speaker 6 (01:09:16):
Okay, I mean he did get wrong by Amber, Like
I know, dang, I just got excited about how good that's.

Speaker 1 (01:09:22):
Not it sounds good.

Speaker 2 (01:09:25):
It sounds good.

Speaker 1 (01:09:26):
I ain't gonna lie.

Speaker 6 (01:09:27):
I was even convinced I got that was a coin though, right, Yes,
I mean I think that's.

Speaker 1 (01:09:34):
How we looking at it. I mean, I don't know,
like we won't.

Speaker 6 (01:09:37):
I feel like we're being a human being. We've seen
how her Amber was. You know what, you won't just
get bad.

Speaker 1 (01:09:44):
We really won't, you know what. But am ain't. But
you know what, Emma ain't clean. She she slept with Wayne.

Speaker 6 (01:09:53):
Until five minutes before she said I do. So I
just feel like, guess what, that's what's called the time.

Speaker 1 (01:10:00):
It's a time, it's a time, different time. Nobody has
neither one of them have large. But it came back.
He did it better.

Speaker 6 (01:10:09):
He did do it better, Okay, But at the same time,
it's like that was your best friend you could have
chose anybody, see you know me and that that situation,
I just feel like, hell, no, is no worser.

Speaker 1 (01:10:22):
Worser isn't a word.

Speaker 6 (01:10:23):
So whether for me, whether he did it with chick
next door and my best friend, it's all the same. Yeah,
I hurt different when it's the best friend. The fact
that she was at my house at every day in
my faith, that's literally that's just fake host. You can
go to the restaurant every day and have a favorite
a favorite waitress, and she can.

Speaker 1 (01:10:44):
Be sleeping with your husband.

Speaker 6 (01:10:46):
So you know, these hosts are skillless days, Okay, real skillless.

Speaker 2 (01:10:51):
The only difference is that I feel like with him,
I feel like we have.

Speaker 1 (01:10:57):
If you move on with another cheek, give him a
bad chick.

Speaker 3 (01:11:01):
Yeah, she get.

Speaker 1 (01:11:02):
Pregnant by somebody else, That karma gonna come back, baby,
It's gonna spend the block. You're gonna get you.

Speaker 6 (01:11:08):
I don't even really so I guess now how I
see it. I don't even feel.

Speaker 1 (01:11:12):
Bad for ever like that. I really don't so all that.
You know.

Speaker 6 (01:11:16):
Oh but Amber, she slept like I said, she slept well.

Speaker 1 (01:11:20):
Awayne was his business partner. He broke. He broke bail away.
So what's the if we gonna really go on? That
was my best friend.

Speaker 6 (01:11:29):
She was at my Wayne was his business partner. He
broke bread with him, he made money with him.

Speaker 1 (01:11:35):
That's actually, to be honest, that's actually embarrassing. It is.
I understand that.

Speaker 6 (01:11:41):
But my thing is Wayne and Amber were together right
before Anthony came along.

Speaker 1 (01:11:47):
They were together, Yeah, but it's still embarrassing.

Speaker 2 (01:11:49):
He didn't find out until he didn't find out till
lay way after. He didn't find out until after when
he introduced.

Speaker 1 (01:11:57):
Her to Wayne. That's how they That's how he found out.
He didn't know, right. But my thing is now that
you're finding out that they were together right before you,
I don't know. But it's okay that what's before me
don't hurt me. What's during me is what hurts me.

Speaker 6 (01:12:17):
It hurts Yeah, well I kind of feel like I
probably would have had to cut that out because that's
just too close for comfort.

Speaker 1 (01:12:24):
They weren't having sex. I mean, they just went on
a few days.

Speaker 2 (01:12:28):
We were talking about Kathy and Amber.

Speaker 1 (01:12:32):
So Anthony and Amber? When did she introduce to Wayne?
But wouldn't that be the same thing with Mike and her?

Speaker 2 (01:12:39):
When it came to Wayne the fact that she slept
with with with Wayne while she was with Mike after
she basically took Mike from Row London.

Speaker 1 (01:12:47):
Why don't she she didn't pay with Mike. Mike and
her never crossed lives. They never cross lives. He was
trying to show a little shoulder and anko. But you
know it didn't it didn't go no hurt. You wanted
to stay with Rome, Yeah, I mean Mike, that was
Mike's fault to you. Like, That's why Roll.

Speaker 6 (01:13:07):
Don't like Amber, right because she was trying to That's
why she was trying to show him a little you know,
he's trying to show him a little ankle and uh
and shoulder. Yeah, And that's why Linda like everything that's
happening to Amber right now.

Speaker 2 (01:13:25):
If anybody wants to come up, you can because, like
I said, I agree, because my thing, I have this
this old saying that Amber is the one that broke
the broke the back, cracked the grass, the glass, and
Anthony is the one that shattered it. Oh, I love that,
and a lot of peop don't understand what that means.

(01:13:45):
I said, neither one of them have leverage. Amber doesn't
have leverage. Anthony doesn't have leverage. They both did wrong,
So I can't sit up here and say that because
Amber did it before the marriage, that's in fidelity. What
Anthony did was adultery. But they're still both the same thing.

(01:14:06):
It's just one was before the marriage and one was after.

Speaker 1 (01:14:08):
What was doing.

Speaker 6 (01:14:09):
Yeah, that's what I'm saying. I agree wholehearted with that.
I agree wholeheartedly. I feel like that was her gearback.
I mean, but at the same time, like Anthony has
done a.

Speaker 1 (01:14:20):
Lot, you know what I'm saying. He was kissing on
the road and he stood up there world winning and
when to go stay at her. But see, but that
was okay.

Speaker 6 (01:14:28):
So I look at it like this, and I'm talking
from a woman who had their experienced infidelity. Didn't leave
when I left, it didn't have anything to do with
all of the infidelity.

Speaker 1 (01:14:42):
I didn't even leave for that. So this is how
I look at it. The first time. Shame on you,
right that anything goes at some point.

Speaker 6 (01:14:58):
I can't even point the thing you have to do
no more because at this point it's my fault.

Speaker 1 (01:15:04):
I gave him permission.

Speaker 6 (01:15:06):
So when a person cheats on you the first time,
that's your time.

Speaker 1 (01:15:10):
And I'm not saying all men make it. All men
are habitual.

Speaker 6 (01:15:15):
You have some man who cheat and say, oh my god,
I cheat on my queen.

Speaker 1 (01:15:19):
I'm not gonna do this anymore.

Speaker 6 (01:15:21):
But when a man cheats, there's a fifty percent chance
that he won't cheat no more.

Speaker 1 (01:15:26):
But then there's another fifty fifty percent chance that he
will cheat.

Speaker 6 (01:15:31):
So in your mind right there, you have to decide,
am I gonna give him another chance?

Speaker 1 (01:15:38):
Or if I'm not in my.

Speaker 6 (01:15:39):
Mind again, this is from a person who has a
woman who has experienced infidelity. At that point, we and
we don't do anything, We give him permission to cheat. Well,
she's not gonna do anything. All she's gonna do.

Speaker 1 (01:15:54):
Is custs me out. But maybe I gotta sleep on
a culture.

Speaker 5 (01:15:57):
Whatever.

Speaker 2 (01:15:58):
She's gonna let me back, or I can buy her
flowers and I can buy her something and she'll just
come back.

Speaker 1 (01:16:03):
Let me tell you something, I got all my good
jurey in fidelity. And I mean I got some good
ship over here too, okay. And then also I look
at it like this opened the door, open the door.
You made it, okay, you made it okay for you
now it's okay because now we gotta open situation because

(01:16:26):
I take it to the moon. And she made it okay.

Speaker 6 (01:16:28):
When he stood up at somebody else's wedding, it said,
baby please, baby.

Speaker 1 (01:16:32):
Baby, baby, please please please. I'm watching the different world today, y'all.
And it was the one you know where Willie was
getting married.

Speaker 2 (01:16:44):
But you know, and speaking and speaking of that before
you before you go there. I have a question being
that you brought that up. I thought, I think everybody
wanted Wayne to I think they wanted Wayne, and I
thought about that when that that wedding happened.

Speaker 1 (01:16:59):
You saw the way she looked.

Speaker 2 (01:17:00):
She looked like she did not want to get married.
She could not look at him. I think she wanted
Wayne to stop that way she.

Speaker 4 (01:17:08):
Did because he did Wayne to stop.

Speaker 6 (01:17:12):
Samberd really loves Wayne right hat with Wayne, Remember she
slept before the wedding.

Speaker 1 (01:17:19):
I said before she said she didn't want it to
end either.

Speaker 6 (01:17:25):
She said, she said, from his house to the wedding,
that's some scandless ship.

Speaker 1 (01:17:31):
And then she said, then she said.

Speaker 2 (01:17:35):
I don't want She said, I love Anthony, but I
don't want this to end.

Speaker 1 (01:17:39):
I was like, I can't. After that yep. See that's
some sailing ship.

Speaker 7 (01:17:43):
So you know what, I.

Speaker 1 (01:17:47):
I think, what what's his name? Anthony did with shitty?
But I call it a tie.

Speaker 4 (01:17:53):
Yep.

Speaker 1 (01:17:55):
I don't count at the time. I mean, I feel
like he took off.

Speaker 6 (01:17:58):
I don't come at the time. I feel like everybody's
gonna get their crime in. Then what you guys, you
can't do anybody just wrong, Like you don't understand that
Ember opened it up.

Speaker 1 (01:18:09):
I understand what, But she didn't do them wrong in
the same set, Yeah she did.

Speaker 4 (01:18:17):
You guys don't talk about getting their get back.

Speaker 1 (01:18:21):
Anthony's already getting this get back.

Speaker 2 (01:18:23):
I don't pay to the intent that he should.

Speaker 1 (01:18:28):
See all get back.

Speaker 6 (01:18:30):
One thing, I realized that Sheila is always now eyeing
him because she thinks she's getting that ring.

Speaker 1 (01:18:38):
He has a long headache. See, sometimes what I've learned is.

Speaker 6 (01:18:43):
A get back isn't the way. Sometimes we see a
get back a gift that could be anything, you know, right,
So his get back and his charma could be this
this bitch he got to deal with for eighteen.

Speaker 1 (01:18:56):
Years, the insecurities and all that. You know how you
got a baby mama, and the bitch is just a
bugger boot. Yeah, that's gonna that's his get back.

Speaker 6 (01:19:07):
He thene fucked up and got a bugger boot. She
don't be like the Beaties and the beads all over me.
I watched them eat well today too.

Speaker 2 (01:19:17):
She got that she's insecure. She's always secured.

Speaker 6 (01:19:21):
She ain't got ship, she don't want ship, so she
gonna always be after your ship.

Speaker 4 (01:19:27):
It's Parma.

Speaker 1 (01:19:29):
He messed up. You stuck your dm ding in the
wrong one.

Speaker 3 (01:19:33):
Charlie.

Speaker 4 (01:19:35):
It wasn't so bad, but I'm seeing uh that, like
between love and hate the year.

Speaker 2 (01:19:47):
I think that's how it's gonna go. I think if
he goes back to Amber, that's what's gonna be. I
think she gonna try to do something to Amber.

Speaker 1 (01:19:56):
Well, yeah, you know you know what.

Speaker 5 (01:20:00):
Tell you something.

Speaker 1 (01:20:02):
Amber is better than because let me tell you something.
My kids father, y'all know, have five kids on me.
Let me tell you the most was fighting amongst each other.
But I bet you they never came over to play
with me, and if they did, they loved that day.

Speaker 6 (01:20:17):
Okay, cause first of all, this nigga ain't gonna be
no captain saving home. And he gonna tell you that.
Tell everybody else include hisself. I told you the bitch
was crazy. You should have left her alone.

Speaker 1 (01:20:29):
Can lock off look and lock all your doors and
your windows too. How'd your kids? Had your wife? Had
your kids? And hide your wife.

Speaker 4 (01:20:42):
Up?

Speaker 1 (01:20:43):
And if I called him, he would tell you. I said,
what you telling them? Tracks?

Speaker 5 (01:20:47):
Uh, you should have left her alone.

Speaker 1 (01:20:50):
I told you all the bitch was crazy.

Speaker 6 (01:20:51):
And while he's at it, lock your windows and lock
your dog because that is crazy.

Speaker 2 (01:20:58):
But you know something, now, what really truths me out
about when the women come to you and they tell
you they're sleeping with your husband or your man. And
the first question I asked him is did you know
about me?

Speaker 4 (01:21:12):
Well?

Speaker 1 (01:21:13):
I never had that. I never had no.

Speaker 6 (01:21:15):
I didn't have them calling me to stay. They sleeping
with my kids.

Speaker 1 (01:21:20):
Father, I didn't. I didn't have any of that. The
first no, the first one, the first baby he told
me about.

Speaker 4 (01:21:28):
The baby was one.

Speaker 1 (01:21:29):
He literally set me down and told me about that one.
The other one's girl.

Speaker 4 (01:21:34):
He ain't girl.

Speaker 6 (01:21:35):
Them kids is damn near grown. He still ain't admitted
to me them damn kids his Okay, I'll calling right
now and be like you one of your daughter graduations.

Speaker 1 (01:21:44):
He gonna be like man, what the fuck are you
talking about? And he know he got a plane ticket.

Speaker 6 (01:21:48):
To go to it. So no, I haven't had I
have had one of his girlfriends call and tell me
about another woman.

Speaker 1 (01:21:57):
Hey girl, you know he che on you, was such.

Speaker 6 (01:21:59):
And such, but that's because she was mad. But I
didn't really have issues, like like, they really didn't.

Speaker 1 (01:22:06):
Mess with me, and like, you don't mess with me
per se.

Speaker 6 (01:22:09):
Now they might mess with amongst each other, you know,
but when it came to me, they really didn't mess
with me because they know he had cut up like me, like,
don't mess with like that's my home, that's my you know,
that's my chick, Like, that's my kids mother, that's my family.

Speaker 1 (01:22:29):
You know. I was really off limits like he would
he would blow up everything.

Speaker 4 (01:22:35):
You know, had a woman that cheated that being quite
a bait.

Speaker 1 (01:22:41):
That is that the one when you came home all
your ship was on the curtin on the brass.

Speaker 4 (01:22:46):
Yeah, she's it was cheating.

Speaker 9 (01:22:48):
She thought I was cheating because we had a fight
the night before like usual, and she she'd been cheating
that from the get from break from the start. I
didn't know until three years later into a five year relationship.

Speaker 4 (01:23:08):
Wow, And I thought, I give her a chance, you know.

Speaker 9 (01:23:14):
And anyway, make a long story short, she was doing
that and the one guy that she was basting, yeah,
but he I didn't know that they were wrestling around.

Speaker 4 (01:23:28):
He came up and said, look, I tell you us.

Speaker 1 (01:23:32):
I can't stand it.

Speaker 4 (01:23:33):
You're a great guy. I feel really bad of its
screwing year lead. Oh that's some cold sit there, he
uncle Sam juke.

Speaker 1 (01:23:46):
I know you remember the song my uncle Sam?

Speaker 10 (01:23:48):
Yeah.

Speaker 1 (01:23:49):
Remember I saw y'all do yeah, yeah, yeah.

Speaker 6 (01:23:58):
You early one morning, mean while you were asleep. Yeah,
but with no addressic.

Speaker 1 (01:24:08):
Mine. Oh lord, you donna took it back. Let me
say something, Curtis, you really hit the nail on the
head and is getting his clima yill is why I
never thought about that, Curtis.

Speaker 6 (01:24:24):
But you're right because he is really going banana since
she thinks she getting that ring and talking about.

Speaker 1 (01:24:30):
Her bugger boot y'all?

Speaker 6 (01:24:32):
Remember, can I get your past word going to talking
to your mama talking about she ain't trusting him?

Speaker 1 (01:24:38):
And wait a minute, asphone to what his.

Speaker 4 (01:24:40):
Her phone on his phone to get it his phone.

Speaker 2 (01:24:45):
So bad because I think Amber, I think she saw
Amber on that car along while he was sleeping. Amber
kept calling. And you know, even though the phone is locked,
you still can see the person when they're call, right, So.

Speaker 4 (01:24:59):
She probably to say something nasty to her.

Speaker 6 (01:25:03):
No, she wanted to get in the phone to call
her back and say, oh, I got his phone and
you can stop calling.

Speaker 4 (01:25:09):
She wants, Yeah, but I was thinking and it's gonna
be boring. But she was gonna text back and say
something nasty like she's him.

Speaker 1 (01:25:17):
But I don't understand why they don't do that. Say
this is what she wanted to say. Hello girl, what
you what ever? What are you over here calling my
man for woman the woman? We are family. This is
the father of my child. We are a family. Which

(01:25:39):
is over okay?

Speaker 6 (01:25:41):
You just he Andy has already he wants as from you.
She said, just what.

Speaker 1 (01:25:54):
Wrong? You know?

Speaker 2 (01:25:58):
She said it just like she say, why did you.

Speaker 1 (01:26:01):
Over here talking to me? Call him Mimia and your family.
This is Miamia. We are a family. This is my
child's father, my man, my man, my man.

Speaker 6 (01:26:12):
Family and my family and my family. Why are you
calling Ethany? Don't call Ethany? He wants nothing to do
with you anymore.

Speaker 1 (01:26:20):
R y'all. When she found out that ain't no ring.

Speaker 6 (01:26:25):
And she found out that, and listen, let me tell
you and when we all find out, I'm gonna need
somebody to go live.

Speaker 1 (01:26:33):
Immediately, I knew it. I knew it.

Speaker 6 (01:26:37):
Wayne has really, he has really brought some life to
with them kids, to them sick because the night by
them kids the truth.

Speaker 1 (01:26:45):
Yeah kids, uh uh. And that girl the youngest, the youngest,
oldest child.

Speaker 4 (01:26:55):
Yeah, he is so funny.

Speaker 1 (01:26:58):
There do they them stretched one? They gonna first one way,
said the.

Speaker 4 (01:27:02):
Little girl with the pink got she's like kill. She
likes to cut off, just like kill so bad.

Speaker 1 (01:27:10):
Then he took her phone. She said, I don't care.
Then she want him fair, She said, I don't care.

Speaker 2 (01:27:15):
She'll was trying to be that woman, a woman, you
know how Betty.

Speaker 6 (01:27:17):
Right to that thing.

Speaker 1 (01:27:18):
I love my man. And then.

Speaker 6 (01:27:24):
She said, don't blame me, mister Charlie. Mister Charlie is
just a man. He is doing the best can and
trying to take off awayne conversation. Wayne, take my said,
I ain't gonna be here, no way.

Speaker 4 (01:27:38):
I'm getting that. Wayne, say you heard now like he
sounds so much like Quayne.

Speaker 2 (01:27:49):
I think Brittany's gonna get. I think Brittany gonna give in.
I think she's gonna give in to the young yea.
But she's gonna let Tamar grease her scat with that blue.

Speaker 4 (01:28:02):
I think she.

Speaker 3 (01:28:02):
I think it's gonna be some kissing something.

Speaker 1 (01:28:06):
That's like her mama.

Speaker 2 (01:28:10):
Okay, now what is your issue?

Speaker 1 (01:28:12):
Now? To ask?

Speaker 2 (01:28:13):
Because she says she got an issue with Rolanda And
I'm trying to find out what that is, what the issue.

Speaker 1 (01:28:18):
Is because the whole home.

Speaker 2 (01:28:25):
Oh no, I'm asking no that I was asking no
because I was somebody's echoing. Somebody's echoing. Wait, man, somebody's echoing.
Hold on, you got an echo?

Speaker 1 (01:28:52):
Okay, there you go. Yeah, I'm I'm gere she is, though,
I mean, okay, so what's she an issue with it? Though?
With her? Y'all know?

Speaker 6 (01:29:05):
How is y'all know?

Speaker 1 (01:29:08):
Way man? You're echoing? Yeah, you know, I don't have
to Orlanda is conniving. Orlando Orlanda is conniving.

Speaker 8 (01:29:20):
She she put some stuff in place in his ear,
like she she told like she's down, and so many
same things.

Speaker 9 (01:29:30):
To get to his heart right, like when they're working
out and stuff. She says certain little things like you
can't really be that stupid dude. She's trying to get.

Speaker 4 (01:29:43):
Back with you, y'all.

Speaker 2 (01:29:45):
Okay, that's better.

Speaker 4 (01:29:46):
There, Okay, you're better.

Speaker 1 (01:29:49):
Yeah, yah know I knew Orlanda was an old home.

Speaker 6 (01:29:55):
I remember when landauh go all the way back to
the beginning. You allowed that met uh Wayne, and you
know how she was coming around.

Speaker 1 (01:30:05):
She had that range rover. She was coming around and
putting her finger in her mind. I know. I remember
when she tried to dress like a young girl and
had on that green and chewing it gun.

Speaker 5 (01:30:19):
Oh I remember, oh.

Speaker 1 (01:30:24):
Didn't remember. After that she after her and Wayne, she
started dating some other dude. Dad popped up on the
scene and they was out in the like, yeah she was,
and she dated a lot.

Speaker 6 (01:30:38):
Of younger old hole because London that had the most
men on these kids.

Speaker 7 (01:30:44):
Thought.

Speaker 1 (01:30:45):
But you know what, I like it Realada.

Speaker 10 (01:30:47):
She's beautiful. That she's beautiful. She is like Realada's beautiful.
She's classic, like her look is classic.

Speaker 1 (01:30:59):
Yeah, I'm the old hold on, I want to do
the old.

Speaker 4 (01:31:09):
Instagram.

Speaker 1 (01:31:09):
I want to play the game right she's playing it
right now exactly. I gotta play that. I try to
be a whole hole. So when I say Oh, it
don't even be nothing bad, you know, I just was
I think I think every woman goes through that their
whole face.

Speaker 6 (01:31:26):
And someone he was gonna they were gonna go back
into it, but he's not gonna stay with because don't change.

Speaker 1 (01:31:34):
No.

Speaker 6 (01:31:37):
I know, I'm link.

Speaker 1 (01:31:40):
I know I'm so late because that skit was this morning, bok.
Did y'all see how Wayne crunched a yeah? Oh know
what happened? Y'all tell you. I know, I'll be watching
all of the kids I live this morning. She went
over there to talk to Wayne to see to see it.

Speaker 6 (01:32:00):
She was really if they were really the reason that
where she was, really the reason that Anthony changed. So,
you know, Wayne giving her her compliments her usual because
Wayne is Whyan. But she was like something about he
said somebody said something about marriage, and she was walking

(01:32:21):
off and Wayne said, yeah.

Speaker 1 (01:32:23):
Were working on were working on that. Now we work
on him and Emily.

Speaker 4 (01:32:30):
Yeah, And she talked around and she was like huh.

Speaker 1 (01:32:34):
He was like, don't act like you don't know, because
everybody else know. You know, I'm in a relationship. Yeah.
She she didn't ask them, She asked them maybe we
should have been together and I am not my mom
be interested. Oh no, he got that. Yeah, he got
that old whole it. But my thing is why.

Speaker 2 (01:32:54):
And that's the thing I never understood about her and
Wayne and that happening when.

Speaker 1 (01:32:58):
She slept with him.

Speaker 2 (01:32:59):
I'm like, girl, as many times as that man has
blatantly disrespected.

Speaker 1 (01:33:03):
You, see, this is the thing women have it, come fumed.

Speaker 6 (01:33:06):
I'm so glad I got these masculine dis masculine energy too.
With Some women have it because they feel like, you know,
a man's sleep with a sleeps with them and he
buys them a.

Speaker 1 (01:33:18):
Couple of trinkeys.

Speaker 6 (01:33:19):
They don't want, No baby, he got four other he
just got when a man got money to do that,
that that ain't that that's trickys. It really don't mean
that he got three other, four other chicks that he's
sleeping with and he buying them trinks too, or.

Speaker 1 (01:33:36):
A bag, a couple of a bag, a couple of
thousand dollars. You know that's nothing to a man that
has money in that stature that you know what that means.
You know what that's called getting up for Jamont.

Speaker 4 (01:33:54):
Coach m j I.

Speaker 6 (01:33:56):
When you said when you was just getting ready to
talk about that relationship between You don't see.

Speaker 1 (01:34:03):
How she went back. I appointed you there was no
way that I could have slept with him again.

Speaker 6 (01:34:10):
Regardless of how because way ain't really made her look
a type of way when he he really talked to her,
and I'm gonna say it wasn't too bad, but it
was kind of bad when he putting her out when
Sarah was over there.

Speaker 1 (01:34:28):
Wait, put who out tell me about this? He put
out what happened? So you know Wayne had started working
with Sarah or whatever the black Sarah.

Speaker 6 (01:34:40):
Then Sarah, I guess Amber had went over and they
I guess she was trying to get back with him
or I don't know what happened, but she she left
her phone, so she went back to get her phone
and Sarah and Wayne was there cuddle.

Speaker 1 (01:35:08):
Yeah, that was all cutting up, and you know, basically
he told her she can leave. He didn't.

Speaker 6 (01:35:15):
In so many words that you know it wasn't her,
It wasn't him and her, They wasn't together.

Speaker 2 (01:35:21):
That you know, it wasn't her, It wasn't he won
if friends would benefits basically where she was, Wayne Man,
you're still echoing.

Speaker 1 (01:35:39):
The echo is back.

Speaker 2 (01:35:42):
Hello, I heard too, But see my thing is I
feel like that. You know how some women want what
they want.

Speaker 1 (01:35:53):
It's not just women.

Speaker 2 (01:35:55):
I need people to understand you can want what you
want all day. It don't mean that what you want.

Speaker 1 (01:36:02):
Is gonna be reciprocated.

Speaker 2 (01:36:05):
And we do all these things to convince somebody that
we should be together, that we should be in these relationships,
and that person ain't gonna do nothing but suck the
life out of you like the vampire and then leave you.
So why why are we basing everything It's okay? Why
are we basing everything on one when we should base

(01:36:29):
everything on seeing things for what they are. Because what
you won't what you want is gonna be the reason
you stay in these situations. And that's what I'm saying.
If you the person is getting what you want, and
you're the person is getting what you need, that person
just adds to that. I tell people, I want a
man that's my peace. I want a man that's my piece.

(01:36:49):
I want a man that when he walk out the door,
he can make his right decisions. I want a man
based on how he makes his decisions, not based on
how much money he got. I want a man that's
based or whether or not he based decisions on doing
the right thing or the wrong thing. Does he let
men and other people influence him? Is he somebody that's

(01:37:10):
easily manipulated? Because if you easily manipulated, I can't date you,
which is the reason I do have an issue with Anthony.
Anthony cannot make a decision. He cannot make a decision.
He'll go to Pari and then Piarill telling the truth.
He'll go to Rolanda, Rolanda telling the truth. He got
a Chase him and shall of both will sit there

(01:37:30):
and people will tell him, look, you're wrong, But yet
they'll keep going to somebody till they tell him yeah, okay,
yeah you're right. That's why he always go to Chase
because he wants a yes, sir. He wants a yes ma'am.

Speaker 6 (01:37:42):
Do you want somebody to pat him on the head
and say, yeah, you did wrong, but you you're making
it right. He wants somebody to tell him that wrong
shit he done, or set my right. You know, you
know how some people know they did wrong, but it
is you did wrong, but just you did wrong in

(01:38:02):
your piece of ship.

Speaker 2 (01:38:04):
You did wrong.

Speaker 1 (01:38:04):
You'll be ship. But you smell like cheer. You know
you're the thing is with Wayne. Wayne has always been
honest with those women. That's the truth.

Speaker 6 (01:38:19):
See that's the kind of man. It was right, But
he was always honest. He was always honest.

Speaker 1 (01:38:25):
And for them to try to change the way he
felt like you getting in.

Speaker 6 (01:38:30):
This situationship with him, but trying to change the situationship
and make it a relationship, I think that they were
a lot of it to be honest when it comes
to Wayne, I really I mean and when I say this, this,
this is not him sleeping with ever during the during

(01:38:51):
her time with Anthony.

Speaker 1 (01:38:53):
So this is not what I'm saying. I think where
am with what's his name? Wayne?

Speaker 6 (01:38:59):
He does, he does, doesn't do anything wrong because he's
so upfront with the women in the beginning, and at
that point as a woman, that is your choice whether to.

Speaker 1 (01:39:12):
Go ahead and open the doors, would Wayne or not?

Speaker 6 (01:39:15):
Because he didn't lie to you. There are no lies
that came out of his mouth. All that came out
of Babe is your turn. I'm digging on you.

Speaker 1 (01:39:24):
But this is what is gonna This is what it's
gonna be.

Speaker 2 (01:39:27):
And the only one he lied to was Erica. Erica
was the only one that he lied to. He lied
to Ahimber No Erica.

Speaker 6 (01:39:37):
Erica was the only one that he lied to, then
she has a right then she would have had a
right to be upset.

Speaker 1 (01:39:44):
But the other ones as long as he came into the.

Speaker 6 (01:39:47):
Relationship with the situationship telling the truth, then that's it.
That's the kind of man I like, I like a
man and say hey, baby, is you But then it's
terreesa on Thursday, because that not saying I'm going to
take it, but it's given me a choice what I'm
dealing with.

Speaker 1 (01:40:06):
Yeah, she did so much after they broke up. That
was no way possible. Oh that was crazy. He was
He was supposed to end up in her conduct with
her after you knew you had a good man.

Speaker 6 (01:40:19):
Not excusing what Anthony did, because everything that Anthony is
doing is wrong, and he's looking for somebody to validate. Yep,
he is wrong.

Speaker 1 (01:40:29):
He's looking for somebody to say for a wrong But
but you smell like ship, but you smell like strawberries too, right,
that's what he's looking for. He's looking for so many
people that.

Speaker 4 (01:40:43):
Go and and.

Speaker 1 (01:40:46):
Has validated that.

Speaker 6 (01:40:48):
I'm so sick of her little life as I don't know.

Speaker 1 (01:40:50):
What to do. He has validated that. Sheila constantly validates it, validate.

Speaker 4 (01:41:00):
She does kind of tell them the truth.

Speaker 6 (01:41:02):
Yeah, but La, she like Lachie said, you smell like Google,
but you smell like cloud was too.

Speaker 1 (01:41:10):
Yeah, so that's what Pearni is doing. Pr Yeah, you
know what I'm saying.

Speaker 6 (01:41:16):
You do you got a stitch, but going the bathroom
and smelled and spray. Some don't chang ja baah because
because the way that with the way that Sheila came
in her about Wayne, you wouldn't be in miles after
you came in there and told me the way you
told me that Wayne had a whole nother girlfriend as
an arm.

Speaker 2 (01:41:36):
Sorry, I'm not trying to be shady. That's the worst
kind of shady when somebody said, oh, I'm not trying
to be shady, but yeah, you're shady anyway.

Speaker 6 (01:41:43):
But shade, I mean I'm calling this girl shady. Shayla
is shady with everybody.

Speaker 1 (01:41:49):
Now that's how you talk this like me saying, Hey,
am I pronouncing your name right? La Chante? Yes, Hannah Chante, girl.
I ain't girl.

Speaker 6 (01:42:00):
You know, I ain't trying to be shady booths, but
now I'm not black knocksock.

Speaker 3 (01:42:06):
You not trying to be shady boots.

Speaker 1 (01:42:08):
When I just said, girl, you know I ain't trying.
I ain't trying to be or I ain't the one
to gossip. So you ain't hurt that from me, right,
But I'm telling you advertake right, So how you not
being shaky?

Speaker 2 (01:42:20):
My well, I'm not trying to be shucked girl.

Speaker 1 (01:42:21):
You were shady. Girl.

Speaker 2 (01:42:23):
You want them undercover shady, you want them people that
So it wasn't.

Speaker 1 (01:42:27):
Even undercovered, baby, that was out in the open. She
had through so much shape the sun, she blocked the
sun and the more it was just so.

Speaker 2 (01:42:36):
But no, my thing, No, my thing is the reason
why I say she undercover shady because the way she
does it is so smoothly it go over people's head.

Speaker 1 (01:42:46):
No, them dumb holes here that part people like us.
We know. And I'm gonna say this, I don't see where.

Speaker 6 (01:42:52):
They keep saying Anthony is a good businessman because Anthony
don't make good decisions. Now you don't, true, none of
his decisions have made since they're if therefore and a
real business deal, if Orlando wasn't there, you know it
deals with him, I don't think they would be because
look at the decision he made when he got that

(01:43:16):
when it was invested, and.

Speaker 2 (01:43:18):
That two million dollars. Yeah, I was gonna say the
same thing, one.

Speaker 7 (01:43:21):
Hundred thousand and you're gonna put more on top of that,
and she was gonna win. Blanda pulled hers out and
she told you to pull it out.

Speaker 1 (01:43:33):
Because Wayne told her to Thank God for that. She
just told him to pull it out. But yet it's
still you kept your money in and put money on
top of it and lost that.

Speaker 6 (01:43:46):
But you know what I wanted to happen, And y'all
letting me know if y'all disagree, you.

Speaker 1 (01:43:54):
Know what I wanted to happen.

Speaker 6 (01:43:56):
Brelanda puts so much faith in how good of a
businessman and as he is, like you just said that,
and the real good business man is Wayne.

Speaker 1 (01:44:08):
I want them to lose cause you know, they keep.

Speaker 6 (01:44:12):
Trying to cut Wayne off O'Neill, and he is actually
their biggest investor.

Speaker 1 (01:44:19):
Mm hm. I was gonna play him off on some
shit and he find out and he pulled all his
money out. I don't think neither one of them are
are good business people.

Speaker 2 (01:44:27):
And I'm explain why Rowlanda's gonna leave everything to go
right back to where you started.

Speaker 1 (01:44:33):
Now.

Speaker 2 (01:44:34):
I understand about the drug situation that was beyond her control,
but the fact that you left your condo, a real
nice condo that I would love to have. It would
have been me to go back to a house that
you will own drugs in with a man that is
the reason you own drugs.

Speaker 1 (01:44:53):
Your daughter just.

Speaker 2 (01:44:55):
Saying she wanted to quit, and then you gonna go
back to the same the loo that you but you
just left. If that's the decisions you make in real life,
then what makes me think you a good business woman
to let that one woman who the one that's doing
a Lei's campaign, was trying to bring Rwanda into some

(01:45:15):
commercial you know, commercial real estate. If you such a businesswoman,
then you would have told Anthony you got forty eight
hours to make a decision, or that that condo getting
sold with Anthony. The reason that he's not a great
business owner is because, like y'all said about the money,
My thing is, you lost two million dollars your money,
and then we found out where his money is coming

(01:45:36):
from is coming from the bank.

Speaker 1 (01:45:38):
It ain't coming from him.

Speaker 2 (01:45:39):
He's getting loans. But everybody forgets about that. All his
money comes from loans that he got.

Speaker 1 (01:45:46):
To pay back.

Speaker 2 (01:45:47):
So every time when his money's going right back.

Speaker 1 (01:45:51):
Oh, go ahead.

Speaker 6 (01:45:53):
One more thing that I believe is gonna happen. Orlanda
got that condo, right, so somebody got a losing that
condo in. She gotta make some money out the condo.

Speaker 1 (01:46:05):
Mm hmmm.

Speaker 6 (01:46:06):
That condo is just a least if they didn't buy
the condo, they it out. If that's I mean, that's
a waste for money anyway, but they long enough. No,
they leave the apartment out.

Speaker 2 (01:46:20):
No, she's talking about her apartment. She's talking about Rolana's apartment,
the one she had been.

Speaker 1 (01:46:25):
Yeah, that right, that's exactly what I was gonna let
take over there condo.

Speaker 2 (01:46:34):
I believe that.

Speaker 1 (01:46:39):
I believe that you don't ask her after.

Speaker 4 (01:46:42):
He sleeps with the world line up.

Speaker 1 (01:46:46):
I think that's exactly what so bad?

Speaker 4 (01:46:48):
Why are you still?

Speaker 1 (01:46:52):
I think that's exactly what she's gonna do it.

Speaker 2 (01:46:54):
I'm explain why because you know, Shella says she needs
something biggers. She says she needed something bigger in space,
and Amber's not giving up that house. So yeah, they
gonna have to find somewhere to go because eventually, you know,
he gotta have somewhere to go, So yeah, I wouldn't
be eventually, you know, somebody's still echoing.

Speaker 1 (01:47:22):
Somebody's echoing.

Speaker 2 (01:47:23):
But yeah, I mean, that's what I'm saying. I don't
understand why Rolanda moved out of it. I wouldn't have
went back after the fact that everything that d Boy
and all of them did, the fact that they made
my house now look like a trap house. I ain't
going back to that house. That didn't make no sense
to me. And I didn't understand why she would go back.
And that's what I'm saying. Every time they get away

(01:47:43):
from it, It's like that song by Chinging. Every time
I try to leave something, keep pulling me back. Why
do you keep putting them back in the chaos they
just got away from.

Speaker 1 (01:47:54):
Keep putting them through it.

Speaker 6 (01:47:55):
Too, though, because you're talking about your family and how
you want to spend time with your family, but you
know you're about to run back to Anthony. Why you
keep putting Alakai and Brittany through that? Because you keep
dragging Britney too, Because Brittany is involved, her feelings are involved.

Speaker 1 (01:48:11):
You keep everything you get.

Speaker 6 (01:48:13):
Wanda and Brittany do not like Anthony because this man
stood up and her mom and dad wedding.

Speaker 1 (01:48:20):
I don't blame her.

Speaker 2 (01:48:21):
I wouldn't neither because she want her parents back together.
She want her parents back together.

Speaker 6 (01:48:30):
I always I always said, I always said she should
have she should have never went back in business with Anthony.
But I guess what storyline say they wanted to say together.
But I felt like she should she should have put
her money out. But that's something I would have did.
We get the same thing too, because he is he

(01:48:51):
is not a good business man because once people get
with Oh, this man was sleeping with his wife's and
his friends.

Speaker 1 (01:48:58):
I don't want to do no business with him. I
can't trust him. And then it's like going backwards. What
is the point. What was the point that you're just
not gonna make no money off me after.

Speaker 6 (01:49:07):
You ruined my wedding.

Speaker 1 (01:49:08):
You're not making no money. I'm not making no money
with you, and I'm not gonna make sure that you
come off off me. Not only did you.

Speaker 6 (01:49:16):
Ruin my wedding, you won't my heart because you you
don't file for this divorce.

Speaker 1 (01:49:22):
You told me you find for this divorce. You had
the paper sent to Amber and get instilled. When Amber
came to you to get you, you went back, you
looking stupid exactly. He went back and I was about
to fight Ambrady door. I was about that.

Speaker 6 (01:49:44):
I was bunking with Am the door, and then you
just on time to her, okay, and then You're gonna
get your stuff to leave, and then I'm seeing him
looking stupid with my face on the floor.

Speaker 1 (01:49:52):
But that's what I mean.

Speaker 2 (01:49:53):
He's one of them people that just don't like drama.
He don't like chaos. And I mean, if you look
at he.

Speaker 4 (01:50:00):
Don't like he don't like confrontation.

Speaker 1 (01:50:03):
Yeah, he don't.

Speaker 4 (01:50:05):
He don't know how to face somebody he's.

Speaker 1 (01:50:07):
Got a problem solve.

Speaker 2 (01:50:09):
He's not somebody that knows how to, you know, solve problems.
I think his whole entire life, somebody's always either covered
for him, always made excuses for him, which is why
he does the things that he does, because somebody is
always and here his.

Speaker 6 (01:50:23):
Two best friends, it's too closest friends are always making excuses.

Speaker 1 (01:50:28):
Even though they tell him.

Speaker 6 (01:50:30):
Like what she said, even though they tell him he's wrong,
they still.

Speaker 1 (01:50:34):
Cover it up by make okay, it's okay. You make
mistakes and you just think of it.

Speaker 2 (01:50:42):
You keep going because you're a baby that woo woo
woo woo woo woo that you know what they did,
the baby woo woo woo woo woo woo thing.

Speaker 1 (01:50:51):
Yeah, but I think for right now, the Wayne Skinks
are going to.

Speaker 6 (01:50:58):
Put us in a position to where we'll pay for
a little while with him and them kicks because it's trying.

Speaker 3 (01:51:04):
Yeah, I ain't.

Speaker 1 (01:51:04):
I'm not enjoying them kids. I mean, I don't know
it's a point, but I'm just like it's getting in
the way, like storyline like it is. And then trading
pop Backer so.

Speaker 4 (01:51:15):
Hanny earlier the ones Sunny they.

Speaker 1 (01:51:20):
Were cut all right, I think they're about to get
back to here, but.

Speaker 6 (01:51:27):
I don't want to see that, Like, I just don't
want to see that, just like you just broke over
her three hours ago, so then you let you think
that you had the right to go back to Sunny,
and Sunny you're.

Speaker 1 (01:51:38):
Gonna open the door. Sunday has low self esteem. Sunny
need to get back to her. Sometimes it'd be some
of the ones that the pruities and the finest. That's
why I tell people South just looking.

Speaker 6 (01:51:48):
At people's bodies and faces, and they be the ones
with the little self.

Speaker 2 (01:51:53):
Esteem, because you know how some people when they get older,
Like if you look at the way that you know
Nicki Minaj and all them looking them them, they're so
insecure right now.

Speaker 1 (01:52:04):
And I tell people all the time you.

Speaker 2 (01:52:05):
Want to tell, you an't tell the real reason they
could get.

Speaker 1 (01:52:07):
An issue with Cardi because Cardi is younger.

Speaker 2 (01:52:11):
You'll be amazed how many of these young girls, these
older women got issues with these young girls because they
don't want to be replaced at all.

Speaker 6 (01:52:20):
The don't want to mean that.

Speaker 1 (01:52:21):
They do that because everybody got their own fans.

Speaker 4 (01:52:24):
And just imagine y'all going to.

Speaker 6 (01:52:28):
Doing a concert together. How many people, how many constants?
Even though your concerts are already stay alive, but just
imagine the droop of money behind if y'all just hanging
together because you got your own style, they.

Speaker 1 (01:52:46):
Got their own style.

Speaker 6 (01:52:47):
Nobody should be jealous of nobody because neither one of
y'all wrap the same. Y'all don't dress or y'all do
dress the same, y'all bodies were the same.

Speaker 1 (01:52:54):
That's men here north death. But if y'all just a
the like, there's no reason for women to be jealous,
so other women.

Speaker 2 (01:53:06):
I don't like when somebody try to take what somebody
else got, and then you think you're better because you
got him, and then you end up losing them the
same way you got him. And then that girl looking
at you like, don't you think you should have asked
all his exes? And let me ask a question?

Speaker 1 (01:53:21):
And why women don't do this me? I wanna meet
your baby mama? Why even date you? Matter of fact?

Speaker 2 (01:53:27):
When you tell me that you're single, when was the
last time you had sex? See, we don't ask them
really really interesting questions. We don't ask when was the
last time you was in the relationship? And you know,
tell me about your last five relationships. My thing is
for me if you tell me I'm getting divorced, guess what.

(01:53:49):
I'm gonna find out who your wife is. And before
we even go there, I'm gonna talk to her right
then and right there. Why I wanna know why?

Speaker 1 (01:53:56):
And I wanna talk to her. Coach LJ. I just
oh my daughter.

Speaker 4 (01:54:01):
This.

Speaker 6 (01:54:01):
Me and my daughter always have a conversation because women
feel like they're younger ones.

Speaker 1 (01:54:07):
Most some women not all feel like they're you were.
From what I say about that? What I mean by
that is, Yeah, you thought you was different.

Speaker 6 (01:54:17):
He didn't treat the first baby mama, right, He don't
take care of the first Chad.

Speaker 1 (01:54:25):
But you get with him, then you have another baby
by him. You have a baby by him. We walk
away from you.

Speaker 6 (01:54:33):
Now you're upset because you thought you was different. No,
but you don't have to talk to nobody. You don't
have to talk to nobody about that. You can see
the pattern you have did why is he if he's
bad too?

Speaker 1 (01:54:47):
And see the hometown that I'm from, y'all, my kids, y'all,
not the hometown I'm from. Everyverybody know everybody. I'm from Greenware, Mississippi.
Everybody know everybody in that town. You know the pattern
of these men. Why would he date him? And he
wasn't good to the mother of his kids. If a

(01:55:08):
man is not good to the woman that gave life
to the children, to his children.

Speaker 6 (01:55:15):
Or he's not taking care of the kids, there is
no way possible a man can love me if he's
not properly loving his kids.

Speaker 1 (01:55:23):
Right.

Speaker 4 (01:55:23):
Also, if you want child he treat to his mother,
that too.

Speaker 2 (01:55:30):
That can go both ways. Though, that can go both ways.
Because you have some men that will treat their mama's
well like Chris Brown and still dog women out.

Speaker 6 (01:55:39):
He's still dog women out, but you have to pay
attention to out. They treat the mother the truth or
the woman that he's dated before you.

Speaker 1 (01:55:45):
If he cheated on her to get with you, you
don't think he's gonna cheat on you too, Exactly.

Speaker 6 (01:55:53):
That's the same thing I'm saying about Hila and Anthony
Schaylor cheated on Army.

Speaker 1 (01:55:58):
She came over to your house when she was in
a full blown relationship with Ardy. He cheated on her
best friend because she's slept with her best friend's husband.

Speaker 6 (01:56:07):
So what makes you think that Shyla is better in
any way possible than Amber's.

Speaker 1 (01:56:14):
Different in what show and Shana doing and what Amber
did with Wayne.

Speaker 2 (01:56:18):
And you said, and she's not even your tape, huh,
she said she He said, she wasn't even his tape.

Speaker 6 (01:56:24):
Absolutely, So when you feel like he's doing this, he
is doing this to her Amber.

Speaker 1 (01:56:32):
Because he could have had any other woman. Why Shanda,
even where he're asleeping with you, even with her.

Speaker 6 (01:56:38):
Telling you about Wayne, you could have went back to
Rolanda easily.

Speaker 1 (01:56:44):
But because that was your best friends, that was your
wife's best friend. You knew that that would hurt her
more than anything in the world. Amber is really hurt.
She's not hurt because her husband cheated. She's hurt because
of who he cheated with.

Speaker 2 (01:57:00):
And how it's making her look and how cause you
listen to her say that about the jealousy, and like
I said, that's a double edged sword because I look
at it differently when it comes to Shamea.

Speaker 1 (01:57:12):
Shyla did not like Wayne. Shale ain't never like Wayne.

Speaker 2 (01:57:17):
And when Amber told her she slept with Wayne, let
me tell you why Schaela went went after Anthony. And
it ain't for the reasons nobody thinks. When you are
the girl that is not the one that every guy
talks to, and you have to settle, because I hear
it all the time. They'll tell big girls, you gotta settle.

(01:57:37):
They'll tell unattractive girls, girls with flaws and perfections, you
gotta settle. You watching your friend with all these different dudes,
and she dogging every last one of them, outh the
one man that's a good man to her. I am
watching you dog out. I'm having issues with my baby daddy,

(01:57:58):
and my baby daddy ain't even trying to elevate. Ain't
trying to evolve in no way's shave from a fashion.
But you got all these different options of men, and
you choose the man that blatantly disrespected you that you
sat there and says clowns you every chance he get,
and you gonna when I'm telling you to leave this

(01:58:19):
man alone, you're telling me, oh, I got it, I
got it under control now.

Speaker 1 (01:58:25):
As a friend.

Speaker 2 (01:58:25):
In the beginning, her, Shala and RB and Wayne did
hang out.

Speaker 1 (01:58:31):
We all saw that.

Speaker 2 (01:58:33):
We all saw when he gave it a car. What
does Shalel Taylor do not take that car? When Wayne
and Shla was in there, I mean Amber the day
she got married. Shalem was Shelor's steward right there because
she felt like it was wrong. And this is what
I mean. If you gonna do something like that, you
better take it to the grave because everything you tell
people it's gonna come back in the end and bite you.

Speaker 1 (01:58:58):
Man, you should have kept the energy to yourself like
you do your dirt.

Speaker 4 (01:59:01):
Do your dirt on your own.

Speaker 5 (01:59:03):
Doing on your own.

Speaker 1 (01:59:04):
Yeah, because Sheila was flattening and waiting. She couldn't wait
because she saw that man was a good man. And
a businessman.

Speaker 2 (01:59:12):
Sheila wanted some of that that part, So it had
nothing to do with the fact that Amber. It's the
fact that and she said all the time, she like
the only reason I went after him because Amber acted
like she didn't want him.

Speaker 1 (01:59:25):
I don't care how much my friend don't want one man.

Speaker 6 (01:59:28):
Actually, actually it was his fault.

Speaker 1 (01:59:36):
I blame him because he pursued Amber so hard that
remember when they first.

Speaker 6 (01:59:42):
Got together, Amber didn't want all that stuff that Anthony.

Speaker 2 (01:59:46):
Was given, but he was offering, so she took because
she said she's a She didn't want that ring.

Speaker 1 (01:59:52):
He bought that ring. Amber didn't asked for that. Amberton
asked for that. She wanted to wait it. But she
also told him that she could down bring that, that
he didn't have to spend that much, but he pushed, Oh,
you can have whatever you want. She said. She was
up for her words disaster. When she met him. She
did say that hid joking, how are you and not

(02:00:18):
all of that, y'all. She get up there, and you
remember he was pursuing her so hard that she wasn't
even sleeping with him. But she'd let him go down
off that part he was willing. He was willing to
do all of that to get this girl. He knew

(02:00:41):
that this girl had been in a mess up relationship
with Wayne. He knew that Wayne still had a part
of amateurar No.

Speaker 2 (02:00:48):
He didn't meet her at that time. We didn't know
about Wayne at the time. He didn't find out and
because she said she wasn't gonna tell him, and then
he found out.

Speaker 1 (02:00:55):
Anyway, he found out.

Speaker 6 (02:00:57):
He found out because they was walking. He also found
out at the time.

Speaker 1 (02:01:01):
That they was walking that way. Ain't had been with
Wormanda too.

Speaker 4 (02:01:05):
Yeah, cause she opened her mouth.

Speaker 6 (02:01:09):
No, I'm talking about before Shayla opened her mouth about Wayne.

Speaker 1 (02:01:13):
No, I'm talking about she found out.

Speaker 6 (02:01:15):
He found out that Amber and Wayne was dating because
they was on a walk in a neighborhood.

Speaker 1 (02:01:20):
Some neighborhood. Yeah, so I think you know that.

Speaker 2 (02:01:26):
Basically he didn't know, and he was mad about that
because he wasn't sure if he was gonna still date
Amber after that, because remember he was he was talking.
I forgot who he was talking to about that, and we.

Speaker 1 (02:01:40):
Was just talking about it.

Speaker 6 (02:01:40):
But that's why I said, you shouldn't have You should
have stopped day Amber, because it was just too close
for comfort.

Speaker 1 (02:01:45):
Anyway, so now you mad because she still got feelings
for her eggs. But you knew that was her eggs.

Speaker 6 (02:01:52):
And you found out, you had enough time to say, okay,
we gotta separate because it was gonna bother you.

Speaker 2 (02:02:00):
So it was like so, like I said, Anthony is
one of them people that he makes bad choices when
it come to who he choose. Amber makes bad choices
as far as who she choose. Both of them on
their own worst disaster because both of them got issues
because neither one of.

Speaker 1 (02:02:15):
Them have a mother, right, neither one of them have
a have a mother, And.

Speaker 2 (02:02:22):
With people don't understand you know the importance of having
both your parents because those are the two people that
give you the example. So the reason why it's so
easy for these young girls to be manipulated. The dad's
not at the house cause I remember my dad said,
you yo, curfew was this you can't even come in
parents at that time. I remember there's some men that

(02:02:43):
had a had a shotgun sitting right beside him, asking
what's your intentions with my daughter? I remember you had
parents that went to the movies with their kids because
they was not gonna let them go without 'em.

Speaker 1 (02:02:55):
Me now, I work, I don't recall, or I may
be met I might have missed that. But did ember
Dad even walk her down the alt? Yeah he did,
he did. The dad was there, the sister was there,
but none of the rest of the family was there.
But the but the thing I was getting at was

(02:03:16):
before he wasn't even in the picture like that.

Speaker 2 (02:03:23):
No, because because the thing with Amanda. Yeah, because I remember, Yeah, he.

Speaker 1 (02:03:27):
Was mad at he was mad at her, her dad,
and then mad.

Speaker 2 (02:03:30):
At Amanda for something about Amanda messing with somebody her mama.

Speaker 1 (02:03:37):
Yeah, yeah, yeah, the boyfriend.

Speaker 4 (02:03:40):
Yeah.

Speaker 6 (02:03:40):
Because my thing when my mom died, they started missing around.

Speaker 7 (02:03:44):
Yeah.

Speaker 1 (02:03:44):
But my thing was it was like Amberton Funny got
the same like father story. Yeah, dad was always to
be able to be around.

Speaker 2 (02:04:00):
Yeah, That's why I wanted clarification on that cause I
wasn't sure cause they didn't really get into that between
her and her father.

Speaker 1 (02:04:10):
They didn't.

Speaker 6 (02:04:10):
But it was like all the other skits, like when
she popped back up and when she popped in the
skits her going to Mama.

Speaker 1 (02:04:18):
Brenda's house and Amanda popping back up.

Speaker 6 (02:04:21):
Still Amanda popping up, not back her br Amanda popping
up if still was never anything about her dad.

Speaker 1 (02:04:30):
Uh huh, and we knew she got married.

Speaker 2 (02:04:33):
Yeah, that's when we first saw him.

Speaker 1 (02:04:34):
Yeah. Yeah, And that's the thing.

Speaker 2 (02:04:38):
You never you never see the family dynamic except when
it came to Mama Brenda. That's the only one you
really saw the the the family dynamic like that, cause
you didn't even see who was that.

Speaker 1 (02:04:50):
You didn't even.

Speaker 2 (02:04:51):
See uh, Mike and them grandparents until now. Whereas Mike
and and Ralphie's parents, cause I still don't even know
if both their parents.

Speaker 1 (02:05:00):
Is that their mom is deceased, remember their moms? Okay,
but where is they dad at? And I don't know
if the dad was there.

Speaker 6 (02:05:08):
A parent, I'm not sure what.

Speaker 1 (02:05:10):
They don't talk about their father, but they talk about
the mom. He the t and then yeah, and they
lived in the hood. That's where they were. They were
the hood. So I'm not you know, the family, the
family dynamics never just really playing out.

Speaker 6 (02:05:28):
It only played out in one skin, and that was
Wayne's skin. We knew his mom was deceased because Sarah Banka.
We knew that anyway from Wayne back then. But Sarah
also Wayne always talking about his mama too. But Sarah
Banca picture.

Speaker 1 (02:05:43):
Had him the picture made of his mom and you
know your dad was his dad is there. But he
also talks about his dad and his comedy too. So yeah,
we know about Melissa and their situation.

Speaker 2 (02:05:55):
That's the only one I see the family dynamic as
far as that is concerned.

Speaker 1 (02:06:00):
But I think Syla's family dynamic, which is horrible.

Speaker 2 (02:06:03):
Yeah, I think Nikki gonna end up going back to
She's going back.

Speaker 6 (02:06:08):
I mean she especially with the auntie and all the
stuff that she went through with her mom and the auntie.

Speaker 1 (02:06:14):
And the dad.

Speaker 6 (02:06:15):
Yeah, because they can't think about themselves. They can't think
about Nikki. You know, they think about themselves arguing and fighting,
Like they argue and fight every you know.

Speaker 1 (02:06:26):
Every time they get around each other.

Speaker 4 (02:06:27):
And it's like, but this is about Nikki.

Speaker 6 (02:06:30):
Y'all came together for Nikki, and obviously y'all ain't ready
to face whatever issue y'all have. That calls kind of
Nikki to be okay with somebody putting in her head,
somebody putting their hands on her, and then for them
to make up this big story about might being aggressive towards.

Speaker 1 (02:06:48):
Well, that's what Melissa said. Melissa said he was.

Speaker 6 (02:06:53):
She said aggressively, and then the ant type of my aggressive.
She should have made it clear like yeah, she should
the made of the clan because now uncle uncle Dudle
thinking that he wanted to put his hands on him.

Speaker 1 (02:07:06):
It might just one thing Mike Ain't never did.

Speaker 4 (02:07:08):
Mike Ain't really never told him that what he came
over the Mike sauce. He said, no, you got your
story wrong. I didn't. He explained to what about that?

Speaker 1 (02:07:20):
My thing is you have Melissa on the phone. Why
he ain't asked her why she.

Speaker 2 (02:07:23):
Was on the phone exactly.

Speaker 1 (02:07:25):
That didn't make no sense to because you should have
asked her. You should have asked her bun. I agree, yeah,
this thing is his uncle, no of her family.

Speaker 9 (02:07:37):
I don't think that ever were raised to be held
accountable for.

Speaker 6 (02:07:41):
Things igree forty grand and you're not going to school,
this case doing.

Speaker 4 (02:07:47):
You a favor or you're living up the.

Speaker 6 (02:07:49):
Dream that you living exactly how your mama told you
were that you wasn't school wasn't for you, You shouldn't
go to school.

Speaker 1 (02:07:57):
And you just said that right.

Speaker 6 (02:08:00):
Only somebody that said even though all the stuff that
Nikki going through, NICKI is going to school.

Speaker 1 (02:08:05):
And she on time.

Speaker 2 (02:08:08):
And there's no excuse why Melissa is late, considering the
fact that she could take a break from from stripping
to go to school.

Speaker 1 (02:08:17):
Where's she stripping? No, she's not stripping right, No, No,
she just main mesa. Melissa didn't prepare herself for school.

Speaker 6 (02:08:31):
See, Melissa has the the lifestyle, well, she could do
whatever she want, and to try to go back to.

Speaker 1 (02:08:36):
School, you have to have the you have to be
mentally prepared.

Speaker 6 (02:08:41):
You have to know that, Okay, this is what's gonna
happen if my car break down, this is what's gonna happen.

Speaker 1 (02:08:45):
Because this is the most important.

Speaker 6 (02:08:48):
Like, I don't think somebody could just one day say
I want to go to school.

Speaker 1 (02:08:52):
And then not mentally prepare himself to what school is about.
And then she could have just easily made my pill
took it to school. Mike would have took her to school.
He gave her to car and go see Jamo exactly.

Speaker 4 (02:09:06):
That's not the problem. The issue is is she should
have These are lessons she should have done about life
a long time ago. Yeah before. But because of the
way she was raised and her moms a loose cannon
and her uncle Dudu is Doo doo, for sure. None

(02:09:29):
of them are work the pot the pisson.

Speaker 9 (02:09:32):
When Mike met her and met her family and he
went to their house, that had been the first I
would have walked right back out.

Speaker 2 (02:09:40):
But see, I don't understand he I'm glad.

Speaker 6 (02:09:43):
He got out, and I hope you stay out and
just get hisself together.

Speaker 3 (02:09:49):
Like the lesson.

Speaker 4 (02:09:50):
I want to see her her get a head in life,
but she did to grow off.

Speaker 2 (02:09:57):
But I don't like the fact that they gonna send
her right back over there to j Moo and And
the crazy part about it is, you know, I would
have loved to seeing some character development with Melissa. I
like Momo is right now working with Ralphie. So why
is it that Momo can elevate and work for Ralphie
even though there's about to be trouble Because I think

(02:10:18):
something gonna happen to that store. I think that dude
that they fired is about to do something to that store,
which r which means Ralphie's gonna be right back to
where he started because.

Speaker 1 (02:10:26):
Of these because or like I said, other people, that
he's trying to help.

Speaker 6 (02:10:30):
But I don't think it's just gonna be as bad
as time because he gonna win that lawsuit.

Speaker 4 (02:10:35):
Yeah, don't.

Speaker 1 (02:10:36):
He'll still have his own to do his own thing.
And I I don't know, y'all.

Speaker 6 (02:10:43):
It's just like you're saying some character development, and maybe
she can get it by herself.

Speaker 1 (02:10:48):
Maybe she needs to be by herself to DEVELOPE. She
needs Number one, she needs to get away from round
her family. Because why you at your mama house all
day every day? I'm talking about all day. You got
your own place, So why is all day every day?

Speaker 4 (02:11:02):
I would never be I wouldn't be there. I'd be
at my place.

Speaker 6 (02:11:06):
Her place is a lot nicer, you know, people's home,
because sometimes people can't do more than what they're doing
because the mama ain't working on gonna dodo, ain't got
no business running through that every day all day, and
ain't nobody in there bringing in no income except for Jamo.

Speaker 4 (02:11:22):
So you think there's much of a booch that those
parents are. They would have been over at her apart
because it's so nice.

Speaker 1 (02:11:32):
I would think that they.

Speaker 2 (02:11:33):
I would think that mama would just give her a
whole nother man instead of way for having a depend
her daughter out.

Speaker 6 (02:11:40):
I don't think they even know woman lists to live
because once she went missing, didn't nobody go.

Speaker 1 (02:11:44):
To her house? Yeah, they didn't go to the house. No,
I don't even think Mike being over to her house.
He hasn't only been to there.

Speaker 4 (02:11:52):
She don't even laugh up there at what time because
she would have white.

Speaker 9 (02:11:55):
I'm going there because Jamo pitched the fit, because he
pays through the place and she lives that.

Speaker 2 (02:12:04):
The question is is Ernestine going to accept the fact
now that Melissa is single and Jamo's gonna try to
get her back? Is is Ernestine gonna be okay with Jamo?
Going back?

Speaker 1 (02:12:21):
Gonna be okay? Because you got your friend to tell
You can look at Ernestine and tell that.

Speaker 6 (02:12:30):
Jumped down here the one wrap her legs around that man.

Speaker 9 (02:12:40):
She's starting with Jim, yeahs st back.

Speaker 1 (02:12:46):
He needs to be.

Speaker 6 (02:12:47):
She needs to be done with Jamo because Jamon is
gonna be the reason.

Speaker 1 (02:12:54):
You went out, Ja, Huh you had went out? You
were saying something in you I was saying.

Speaker 6 (02:13:03):
I was saying j jam is gonna be the reason
why she lose.

Speaker 1 (02:13:07):
The baby because she's gonna go say she's dating a
known drug rug development right and then and then now
that she broke up with him, if she break up.

Speaker 6 (02:13:19):
With him, she can say, well, you know, I was
dating somebody I didn't realize.

Speaker 1 (02:13:24):
Whatever the story she can make up, but I'm no
longer dating him. So I mean, I don't know, like
she need to get rid of Jamo. Yeah, I think
she's gonna get rid of Jack.

Speaker 6 (02:13:36):
Now, y'all talking about her character development, I think it'll
be tracked.

Speaker 4 (02:13:40):
Yeah, what is with what's with jam on? The goofy
Fellow bottomed.

Speaker 2 (02:13:47):
Black and she was, well, y'all, that's a Cali thing.

Speaker 1 (02:13:53):
Be different, that's a Cali thing.

Speaker 5 (02:13:56):
Disgusting.

Speaker 2 (02:13:58):
Yeah, that's a cal said California thing. Now, Dudes like, yeah,
I think he's from California. He's not from Atlanta.

Speaker 1 (02:14:13):
But they making some good money in Atlanta right now.
Yeah they are.

Speaker 2 (02:14:17):
If we can get them together, yeah, because I feel
like that there's a there's a lot of potential for growth,
but I just feel like they keep pushing them back.
Like what really pissed me off with was with Erica
and Lawrence.

Speaker 1 (02:14:32):
I was hoping to have a wedding.

Speaker 2 (02:14:34):
I was hoping that, Okay, we're gonna see the issues
of her meeting his mother.

Speaker 1 (02:14:41):
You know, I was hoping it was gonna.

Speaker 2 (02:14:42):
Be more so the issues of his son being more
so the issues than what they're facing. And I don't understand.
It's like it's like the stuff they should bring in
the beginning they bring in the end, like they're bringing Nina.

Speaker 1 (02:14:55):
In after they done got engaged.

Speaker 2 (02:14:57):
Why wasn't Nina there when him and Erica first got
the together, Because you can't tell me that that she
has not been at that community center.

Speaker 1 (02:15:04):
Why can't we see him with the kids?

Speaker 6 (02:15:06):
I mean, what they doing was doing for the kids
because all that money, y'all am not already raised and
ain't nobody y'all ain't put on no no y'all took
the kids on no trip, no lunch, dinner, or nothing.

Speaker 1 (02:15:21):
And that's the thing we don't.

Speaker 2 (02:15:22):
We don't see the background of things like it would
have been nice to see. We ain't even seeing Jada now.
The one thing I did like was when Jayala went
the prom and they all came to support her.

Speaker 6 (02:15:35):
I liked that, But I didn't like how Lawrence jumped
in DC and Jada's comes to station.

Speaker 1 (02:15:40):
Yeah, when she told you she just wanted to talk
to her dad.

Speaker 2 (02:15:45):
Yeah, you are not you.

Speaker 6 (02:15:47):
An's not that involved in your Stori's life, So why
should you be that involved in her daughter's life?

Speaker 1 (02:15:52):
And see that's what I'm saying, get with.

Speaker 4 (02:15:57):
Jada.

Speaker 2 (02:15:58):
Oh yeah, And they didn't even go into that about
the fact that the son was trying to get with Jay.

Speaker 1 (02:16:03):
We they ain't even go into that.

Speaker 6 (02:16:07):
We didn't even getting that.

Speaker 1 (02:16:08):
But y'all, I gotta go to work, so I talk
to y'all. Okay, thank you for coming up my problem.

Speaker 2 (02:16:15):
But yeah, I just feel like that there is so.

Speaker 1 (02:16:18):
Much, so much they could do, and they just won't
for some reason. I don't know.

Speaker 6 (02:16:24):
They like they said, we like drama, but they like
the type of drama we like, Like, let's have some
real life situations going on, like when your kids going
to school.

Speaker 1 (02:16:34):
Let us see Erica doing to go to school and
and be okay and doing good in school, and Erica
in a decent relationship or Erica single that part.

Speaker 2 (02:16:42):
I didn't even like the fact that they didn't show
a little girl taking hor mama them drugs. We saw
her still it, but we don't even we didn't even
see her give it to her mom.

Speaker 1 (02:16:52):
We don't even know what happened.

Speaker 2 (02:16:54):
All we saw was was Sarah and and and DC
arguing about a dream.

Speaker 1 (02:17:01):
And then yeah, oh that was a dream that him
and Eric across the line. Somebody didn't even watch it,
y'all know why when I saw DC and across that
wasn't a dream. They actually were Sarah walked in, okay,
because he was.

Speaker 4 (02:17:18):
In the morning. He woke up and Sarah was there.
Maybe maybe it was.

Speaker 1 (02:17:24):
A dream because he has a dream because DC woke up.

Speaker 4 (02:17:28):
Yeah, yeah, but there wasn't before that.

Speaker 1 (02:17:31):
They were in the kitchen, Yeah, he was dreaming.

Speaker 4 (02:17:35):
They ended at when Sarah came home.

Speaker 1 (02:17:39):
Yeah, she won't. She woke him up. That's when it ended.
But I didn't. I didn't watch it because I.

Speaker 4 (02:17:45):
Didn't see him wake up. They just cut it right when.

Speaker 2 (02:17:48):
She came home.

Speaker 4 (02:17:49):
Yeah, it was like Sarah was out of the picture.
And I mean that's Sarah. Erica was as a picture, sure,
and Sarah was.

Speaker 9 (02:18:03):
You could see her coming down the hallway and he's
hitting it in the kitchen by himself.

Speaker 6 (02:18:09):
But if you if you ever pay attention to the
way Erica dresses, that the outfit wasn't. No, it's never
the way that Erica dresses like she was out somewhere drunk.

Speaker 2 (02:18:20):
And then the fact that when she went to see
Lawrence this morning, he was apologizing, telling I shouldn't have
got upset. Yeah, because you don't know if you slept
with Nina or not.

Speaker 1 (02:18:31):
You don't even know whether or not you did up
to the whether you didn't. You should have take your
bus at the hospital.

Speaker 6 (02:18:38):
If she ain't fired after that, coach, it's it's I'm
I don't want to watch no more of the skits.

Speaker 1 (02:18:44):
I don't either. That's what I'm saying.

Speaker 4 (02:18:48):
For a while.

Speaker 1 (02:18:49):
They shouldn't never brought her in in the first place.

Speaker 2 (02:18:53):
You want, you wanna know how it have brought Nina in.
If it was me and I was right, let me
tell you how it brought her in. I would have
brought her in because my mama didn't like her. Now
if Lawrence, let's say Lawrence mama met Erica and she
didn't like Erica, that's how I would have brought Nina in.
I would have brought.

Speaker 1 (02:19:09):
Nina in that way.

Speaker 2 (02:19:11):
Or Nina being his ex girlfriend and she trying to
get back with him because now he's single, I wouldn't
have brought her back there.

Speaker 1 (02:19:18):
I wouldn't have brought her in.

Speaker 2 (02:19:19):
This way because it didn't make sense because you didn't
bring her in when Erica and Lawrence first met, because
she did bring up the secretary way before. So why
didn't we Why didn't you do it?

Speaker 1 (02:19:31):
Why she just met Lawrence and did all of this.

Speaker 2 (02:19:34):
Then, except now that they're getting engaged, now she finally
meets her. I would think I would think, Okay, let's
push the engagement back and let her, you know, let
them date a little bit longer, and then bring up Nina.
That just doesn't make sense to me. It's just like

(02:19:57):
some things that they should bring in to me is timing.

Speaker 1 (02:20:01):
I feel like some things just don't. We're done at
the wrong time.

Speaker 2 (02:20:06):
This thing when Anthony should have been done when he
got caught. You know what I'm saying, it should My thing.

Speaker 6 (02:20:13):
Is what Anthony, even though you know that baby, you
say that baby yours blah blah blah.

Speaker 1 (02:20:18):
If you really wanted your marriage bank you got a
whole pool house.

Speaker 6 (02:20:22):
Yeah, why didn't you go live in that pool house
until y'all uh sort of thing.

Speaker 4 (02:20:28):
Out exactly.

Speaker 6 (02:20:31):
With pr And why are you staying with Dayla? Why
are you staying with Shama? If you want your marriage,
why aren't you in.

Speaker 1 (02:20:37):
The pool house?

Speaker 4 (02:20:39):
That's what I said from.

Speaker 6 (02:20:42):
It, just.

Speaker 1 (02:20:46):
So much time with Rolanda.

Speaker 2 (02:20:50):
If you were if you really wanted to detect, if
you really wanted your wife, you been like, let's go
to dinner, let me take you out. But no, you
don't even want to do that. You don't don't want
to take her. All you want to do is go
to counseling to get information to use against her in court.

Speaker 6 (02:21:07):
And y'all know what I'm thinking that once Coco see
that counselor, it's gonna be somebody in their family. Yeah,
and Coco gonna be like, oh, I hate such and such,
And that's what Amber gonna knows.

Speaker 1 (02:21:24):
It's a whole fuit. Yeah. They use that counselor a lot.
Even they use it. They even used her on the Braxtons.
That's how I know she is.

Speaker 6 (02:21:36):
Because I think that she's gonna be a flute for
him and because of the way.

Speaker 1 (02:21:46):
The way she's she's always on like she's on Anthony's side.

Speaker 2 (02:21:51):
But the thing about it is they even did that
wrong because what should have happened in that situation. Like
I said, I can't blame the counselor because the counselor
taught to Anthethony first, and there was certain things that
Amber said that the council looked like, wait a minute,
you didn't tell me about the same thing that he
didn't do when it came to that lawyer.

Speaker 6 (02:22:10):
You know, I just even still though coach, she still
didn't try to get to the bottom of that. She
still changed it to Ambrow Wayne well us best because again,
most when I deal with two people couple wives number one,
that first visit is gonna be me talking to them

(02:22:31):
just genuinely asking them questions about why are they here.

Speaker 1 (02:22:35):
It wouldn't. I was, regardless of what he told me.

Speaker 2 (02:22:38):
My thing is what is your issues and what are
you trying to do? And then getting them separate and
doing sessions with them separately and then bringing them.

Speaker 1 (02:22:48):
In based on what I found out, and then.

Speaker 2 (02:22:51):
Bringing them together and saying, look, well you told me
about this, so we're gonna talk about this.

Speaker 1 (02:22:57):
But I would I would do primarily.

Speaker 2 (02:23:01):
Them separately and then bring them together and the end.

Speaker 1 (02:23:04):
Yeah, okay, that sounds that. That sounds now good.

Speaker 6 (02:23:11):
In the comments said that's why I say Countrawaye and
selfie intelligence and she's not telling no stories because now
you got on this thing you got.

Speaker 1 (02:23:19):
Jamon finds out that Mike was not provided for Menissa.

Speaker 2 (02:23:23):
Like him, so he could throw it back in her face.

Speaker 6 (02:23:26):
No, so he gonna I'm telling y'all, they about to
end up back messing around.

Speaker 2 (02:23:31):
And that means he gonna have issues and that, and
that's why I said the question is Ernest ain't gonna.

Speaker 1 (02:23:36):
Put up with it?

Speaker 4 (02:23:37):
No, No, because she's already moving out the trade. He
told her he loved her, traded and then she said, I.

Speaker 2 (02:23:45):
Love you too, but he got trade, but he got
trade away from away from the house.

Speaker 1 (02:23:51):
No trade back. Oh is okay, Okay, that's what we
were just talking about. Ernestine jump on like that was
how made?

Speaker 4 (02:24:01):
Yeah, she ain't she's over She.

Speaker 2 (02:24:05):
A cooger too, hauntsy.

Speaker 4 (02:24:07):
She's more worried about trade that she is about.

Speaker 2 (02:24:12):
I gotta feeling she's gonna end up pregnant. Why do
I gotta feeling Ernest ain't gonna be pregnant. She ain't
gonna know who the big daddy, Who the big daddy is.

Speaker 6 (02:24:22):
He's gonna be what they say it's gonna be for
Frank mm hmm, his character developing into something.

Speaker 1 (02:24:31):
Away from the game then going back to being a
upstanding citizen.

Speaker 2 (02:24:36):
Yeah, I think I can see trade getting away from
your game altogether.

Speaker 1 (02:24:39):
Yeah, yeah, I can see that.

Speaker 6 (02:24:43):
Yeah, I can see it seems like he came from
a good upbring. But yeah, because you see how he
always talking about his grandmother and how his grandmother taught
him this, and Jamo didn't come from that because Jamo
mama treat him so bad she won't.

Speaker 2 (02:24:57):
Even but she don't like to t so she don't
like the fact that he sold drugs. And plus he
got a stepdaddy at the house. That's why that stepdaddy
don't want him now.

Speaker 6 (02:25:09):
And don't you know what, coach, Sometimes I ain't your
boy need as a hug, I agree, I.

Speaker 1 (02:25:14):
Could change told everything on a hug.

Speaker 2 (02:25:17):
Yeah, just know that you you're gonna be there and
accept them. I think what it is a lot of
women when they get a they get that stepdaddy and
they get they they bring them in, and that stepdad
don't like them because they're afraid of being alone. They'll
put that man before their own child and end up
kicking their own child out.

Speaker 1 (02:25:34):
I think that's what happened in.

Speaker 2 (02:25:35):
That situation, because you can tell that's a part, because
you can tell that's a part of her that wants
to love her son.

Speaker 1 (02:25:44):
But I feel like if she has to choose between
her son and that man, she gonna choose that man.

Speaker 2 (02:25:49):
Want to choose that man, which is why I said,
which I think that's the reason why Jamo don't have
no respect for women.

Speaker 1 (02:25:57):
His mom so and I just come, but wait a minute.

Speaker 2 (02:26:04):
Isn't there another girl that's saying she's p and she
got a baby by him?

Speaker 1 (02:26:08):
It's Nina. Where are we gonna start? And that's what
I'm saying. Why would you got two Nina's two chases? Yeah?

Speaker 2 (02:26:14):
We they seem to all have the same names.

Speaker 7 (02:26:17):
Her.

Speaker 5 (02:26:18):
It wasn't instant, she just needed somebody.

Speaker 6 (02:26:20):
Now, oh brown or y'all know what?

Speaker 1 (02:26:23):
Both of the what's Nikki and Nina?

Speaker 6 (02:26:26):
Nikki and Nina both ones on black Eke and they
both dated the same dude.

Speaker 1 (02:26:32):
Fo wow, I didn't realize that was her. Ooh she
looked different? Two Nikki? Yeah, n Nick Nikki both father
look different. They do look different.

Speaker 6 (02:26:47):
Nina still look the same, but Nicki looked totally different
cause I didn't realize it at first.

Speaker 1 (02:26:52):
Nina was like, where did this girl come? From and
Nicki and Nikki and was Forrest x I.

Speaker 4 (02:27:01):
I just want to say thanks for me. I've gotta
do a little. You have a few things to take
care of if you might come back.

Speaker 2 (02:27:13):
I appreciate you for coming up. Yup, you have a
good evening.

Speaker 4 (02:27:19):
Yup. Wow.

Speaker 2 (02:27:21):
But yeah, I did not know that because I wish
isn't that one of them his baby mama? No, okay, Nicki,
Nicki musta Nicki must have had a baby, because I
swear she looked different.

Speaker 1 (02:27:34):
She done got thick, m cause she wasn't that thick
when she was on black Ink. No, she wasn't, so
she didn't got thinking. So she probably have had a
baby with just haven't you know because it's skating it.
You know, we won't see it. And I don't see
her on on social media.

Speaker 2 (02:27:52):
So yeah, that's that's that's insane, Laura. Everything is three
sixty eight.

Speaker 6 (02:27:59):
Yeah, wayIn got a lot of color parents, but he
had a few tyle parent actors cause he got uh, Anthony,
what's the nick his mom?

Speaker 1 (02:28:13):
And who else? So Mike, Mike, well he was on there.
He was on all the Kings mentor. Yeah, he hasn't
been on there in a while, so m M. And
then Trey is in All American. Yeah.

Speaker 2 (02:28:32):
But see, that's why I said he needs to have
contracts for them because while you know he is, while
he's doing his skits, he needs to try to get
as much out of them as he can before they
decide to go do other things. That way, you don't
have to worry about the issue of not them not

(02:28:53):
being around and and and now you got to basically
put everything on hold because they're not there.

Speaker 1 (02:28:59):
Go ahead.

Speaker 4 (02:28:59):
And I think that's what's going on with Rico.

Speaker 6 (02:29:01):
Yeah, because Rico was in a lot of stuff, and
I know Tie was in a movie. He was like
a cop or something or some type of intelligence agent.

Speaker 1 (02:29:12):
But they but they wouldn't have to do that.

Speaker 6 (02:29:15):
If he would turn this into a series, he would
they wouldn't have to do that because they wouldn't have
to do other projects if they were making money like
they claim. I mean, they could make good money, especially
but a lot of people are like the Rico skits,
the thing.

Speaker 1 (02:29:30):
With him being in the wheelchair, we would have loved
to see him get at the wheelchair and get back
to life.

Speaker 2 (02:29:36):
I don't even I don't even know what they did
in the first place. I think the whole and Tarreco
situation was not necessary. I loved I loved the beginning
of it when it was him coming into his own,
but I would have loved his character evolved to get
to a place where he could go up against Francisco,
to basically go up against Francisco to help Tie together

(02:30:00):
exactly exactly.

Speaker 1 (02:30:03):
And I didn't I didn't like them that mister Waughan situation.

Speaker 2 (02:30:06):
I didn't like the fact that he didn't go to
mister warn and just tell them the truth about his uncle.
I don't like the fact that he was that that
was a particular place that they had to go and
he got shot and then tie his mom is gone.
We ain't seen his sister no more, you know what
I'm saying. I just feel like that Wayne needs to
get some contracts in place for these people so when

(02:30:28):
they're doing these skits, before they go do something else,
find out what their schedules are so they can come
back do the skits, and that way you have enough
skits for them, because you're only doing three minute skits,
three to freeworks, three to six minutes, three to six, Yeah,
so you can basically get a bunch of content out
of them, and then they gone for a while, just

(02:30:49):
like they could have got a couple more out of
Coco before she left.

Speaker 1 (02:30:53):
I think she backed for a minute, right once she
gone again, she's gone again.

Speaker 6 (02:30:58):
See, they could have got more than just that, because
we need to see that develop into something that you know,
I don't I don't.

Speaker 1 (02:31:06):
Really like everybody keeps saying. No, I want Anthonys to
have to suffer with Shayla and that baby.

Speaker 2 (02:31:11):
And I want Coco to cut ties because the fact
that he chose Shyla over over him, over her over her,
the fact that he sat there and apologized.

Speaker 1 (02:31:22):
I don't want.

Speaker 6 (02:31:23):
I want him to have to sell that place or
Amber wins it. I want her to win in that place.
I want him to have to downgrade to that small
apartment and him and Shila live usually ever after, yep.

Speaker 1 (02:31:43):
And I don't want him to have to.

Speaker 6 (02:31:46):
Get everything because now Amber is off Wayne. She's gonna
be off Wayne because Wayne told her, Hey, I'm in
a relationship and were working towards marriage.

Speaker 1 (02:31:58):
So she about to be off of that. Hmm, yeah
she is. And then I don't like that. Shock. Yeah,
I don't like what they did with Victor's character either.

Speaker 2 (02:32:09):
I think this whole entire it doesn't fit all them
women in that gym that he could have chose.

Speaker 1 (02:32:16):
That's who she was, the woman that's married exactly.

Speaker 6 (02:32:20):
And not only that, I think now Mike and Sonny
gonna get back together, and Sonny gonna be done with Shaylor,
her and Amber gonna end up being friends.

Speaker 1 (02:32:29):
That's when ambergo really signed out about Victor.

Speaker 6 (02:32:32):
Yeah, but I don't like they even went down that storyline.
I would have preferred her date her. I would have
preferred that her and her Kelvin and and Victor. She'd
have got to know both of them and that wouldn't
have been no issues and let her choose which one
she wanted. Yeah, because now it's about to be some
drama between Kelvin and.

Speaker 1 (02:32:57):
Brittany because of the divorce. Kelvin is.

Speaker 6 (02:33:02):
Representing his mom and she's representing her dad.

Speaker 1 (02:33:05):
So that's about to be small, full blown drama.

Speaker 2 (02:33:08):
Mmm, she ain't gonna do She's still she's gonna do
it a run right back to the day one, because
they don't even know that they messing around like that.

Speaker 6 (02:33:16):
And I'm just ready for the divorce to go ahead.
On it, and I want Amber to go to therapy.

Speaker 1 (02:33:23):
Tuesday and just say, hey, you know I can't do this.
I don't feel like this is gonna work. I just
want to go ahead and get the horse, go ahead
on the sign the papers, answer them.

Speaker 6 (02:33:35):
I'm not doing therapy anymore because you're still living a
double life. In every therapy session, you want to bring
up my what I did wrong. I didn't already admitted.

Speaker 1 (02:33:46):
That I was wrong.

Speaker 6 (02:33:47):
I take full accountability for doing what I did, but
it's time to let it go. So can we go
ahead on and file for the divorce because you're still
over there with Shala, And I know you're over there with.

Speaker 2 (02:34:02):
Shala, and that's where you wanna be, and that's where
you want.

Speaker 1 (02:34:07):
To be, and I need for you to be there
for your son.

Speaker 6 (02:34:09):
So let's go ahead on and file for this divorce
and let the judges decide what I get and done.

Speaker 1 (02:34:17):
Yep, exactly, and we go head on from there.

Speaker 6 (02:34:21):
In Amber starts the new life she healed, and she
finds somebody that ren in love her or her and
Erica both could be single.

Speaker 1 (02:34:28):
They all need to take some time. Her, Erka, Sarah
and Rolanda need to be single. They do.

Speaker 2 (02:34:35):
And you know what, the person I would have loved
to sing Rolando with would have been David. I don't
know why they didn't put them together.

Speaker 6 (02:34:43):
Because that too, I would have loved for her and David,
because David was really there for her when she was
going through He helped her through her situation. And I'm
glad that they didn't stay there too long because I
didn't like that part of Orlandon even though I'm not
liking this part of her and Anthony every morning rhanda.

Speaker 1 (02:35:05):
This man got too much store going on. Where do
you fit in? He's going through a divorce.

Speaker 6 (02:35:10):
He got a baby mama that's his wife's ex best
friend and a child.

Speaker 1 (02:35:18):
Where do you fit in? Where do you think that
you can come in other than a business partner?

Speaker 2 (02:35:22):
And that's what I mean. They keep putting them back
to this glutting for punishment. How many times do you
want these women to be glutting for punishment? How many
times do you want these women to go through the
same thing? You lift them up and then tear them
down on the same have three skits they're torn down
with it, And I counted three skits.

Speaker 6 (02:35:40):
They're torn back down within three It's like every time
I have not been torn down yet exactly. So I
want her to lose their friendship with Sonny, her to
not get that ring find that, but her and Anthony
still be together because their family my family.

Speaker 1 (02:36:00):
I want try to be together. I want that to
be his baby.

Speaker 2 (02:36:03):
And if I Ambro was gonad get the divorce just
so he can be with his child. I'm like, look,
you look, I love you, but you got this baby.
And you know Sheela ain't gonna let me be around
their baby cause I put my hands on her. You
know if if if we get back together, you w
you gonna have to deal with child support and you
know she gonna.

Speaker 1 (02:36:22):
Go for the goutl the jugular. You know she going
for it.

Speaker 6 (02:36:27):
She can't go for child support cause Arbu's name is
on that birth certificate.

Speaker 2 (02:36:31):
Yeah, so you know, I'm like, you need to go
ahead on if you wanna be there and you wanna
be the father whatever, then you need to go on
over there. If you feel like your son is if
you know, having your son and your life, then it's.

Speaker 1 (02:36:45):
What you need to do. You need I j I
just want you to do what's best for you.

Speaker 2 (02:36:50):
Amber, needs to be the one to end it, because
if she think that Anthony's gonna end this, he.

Speaker 1 (02:36:56):
Ain't gonna end this relationship. He ain't never gonna end it.

Speaker 6 (02:37:00):
No, because he wants Sala, He want Amber, and he
want Rowanda. He want all of these women and pr
he you want all of them to just live happily
ever after.

Speaker 2 (02:37:11):
He wants the poligamous relationship h and and and that
the only reason he want Amber. He don't wanna lose
his assets, so he's tryna basically prolong this as much
as he can. He don't wanna lose Shala because he
don't wanna lose his child and then another man raising
his child because you know, and I understand that because
of the other girl that pretended to be pregnant with

(02:37:32):
his baby and it wasn't his baby. I understand why
he doesn't want to necessarily leave Shla because this is
his son and he wants to be there, and he
knows if he goes back to Amber, Sheela ain't letting
him see that baby.

Speaker 1 (02:37:47):
The thing with I love that, CJ said. Curtis said.
Curtis was right.

Speaker 6 (02:37:52):
Anthony now already get in his garma because you gotta
deal with that foolishniss from Schela.

Speaker 1 (02:37:56):
And her mama. Eighteen years you concert that and it's
getting worse, and and you know that she don't.

Speaker 2 (02:38:07):
She don't really want to deal with that baby like that.
I don't think she had the baby for the right reason.

Speaker 6 (02:38:13):
She didn't because look at how it's always somebody else
with that baby.

Speaker 1 (02:38:19):
Every day. You got something to do, girl, what are
you doing?

Speaker 6 (02:38:21):
You don't have a job.

Speaker 1 (02:38:23):
It's that an sneezy got the baby or her mama
got the baby. Yep.

Speaker 2 (02:38:29):
And she won't never let Zach you just watch the
little the baby.

Speaker 6 (02:38:35):
You goes over to pam house to go off on
Pam for sleeping with your daddy and you doing the
same thing with Anthony.

Speaker 2 (02:38:42):
Boy, when she called her out, that was funny. She said,
you're no different than you, no different than me. How
are you gonna sit there and talk about me when
you did exact same thing?

Speaker 6 (02:38:51):
And her mama validated, trying to validate that Sheila was
different from they the same, the same.

Speaker 1 (02:39:01):
No, they actually not, cause Pam was not Angelina's for you.

Speaker 2 (02:39:05):
Yeah, and she did not intentionally go after Brody. Her
and Brody got together because the more the edgely focused
on it, focused.

Speaker 1 (02:39:15):
On on Syla. Their their marriage kind of they grew apart.
That's what that was. They they literally grew apart.

Speaker 2 (02:39:27):
But you know, Pam gotta make a decision. Are you
gonna let Zachery stay there or you gonna kick her out?
I think she gonna end up kicking Zachery out.

Speaker 6 (02:39:36):
Yeah, because she can't press charges on it, but I
press charges.

Speaker 1 (02:39:43):
We wanna see her go to jail. Yeah, she had
to suffer the consequences for that. She do.

Speaker 2 (02:39:51):
But I feel like if it continues, Brody gone, she
gonna tell Brody, you gonna have to tell your daughter
she gonna have to go, because that's you don't realize
you you you you biting the hand that feeds you.
Your mom and them didn't let you stay there, Your
sister didn't let you stay there. You staying there with Pam,

(02:40:12):
and you let Sheela come in there and blekently disrespect
that girl. And you knew she was gonna go back
and tell your mama and make it seem like something
for more than what it was. You know what I'm saying,
Brody needs to tell.

Speaker 4 (02:40:24):
You gonna be disrespectful you.

Speaker 1 (02:40:26):
She knew Shala was gonna be disrespectful.

Speaker 2 (02:40:29):
Yeah after after Pam helped you get your car, Pam
convinced your daddy to get that car. Oh yeah, Dode
switch switch cars with your daddy until you know what
I'm saying, Until you was in your place, then you
could say, Okay, I got a new car. It didn't
matter how you got it.

Speaker 6 (02:40:48):
Your daddy told you not to say nothing. You go
right over there and tell your sister. You knew your
sister was gonna tell your mama. So it's that tr
You just as messy. You just as messy as your daddy.

Speaker 1 (02:40:59):
I mean, your mom and your sister, and and Anthony
called her out on it. You did to call her
out on it.

Speaker 6 (02:41:06):
You ain't sleeping with you just ain't sleeping with nobody's husband.

Speaker 1 (02:41:09):
But you you just like them, yep, because you, like
she said, you had so much. You had so much
smack for shame up. But you okay with Pam and
your daddy.

Speaker 2 (02:41:22):
Mm And Pam is the one that gave you a
place to stay. The least thing you could have did
well not even tell them you You could have told
them you were staying with a friend. You could have
told them that you were staying in the hotel.

Speaker 1 (02:41:36):
My god, you could have told him anything, but it
goes who.

Speaker 4 (02:41:41):
That current was.

Speaker 1 (02:41:42):
You didn't have to tell them that you were staying
with Pink. Yep. You could have kept that to yourself,
but but.

Speaker 6 (02:41:47):
You wanted to stir up something because you wanted to
make them feel away.

Speaker 1 (02:41:53):
Because you want them to accept you.

Speaker 2 (02:41:55):
You you figure about going over there that you think
that your mama gonna change her position.

Speaker 1 (02:41:59):
She change the position, but now she ain't going to.

Speaker 6 (02:42:03):
No, cause your mama is rented hung on making sure
that Sheyla's secure Anthony.

Speaker 1 (02:42:08):
But it's gonna hurt them so bad when she secured.

Speaker 6 (02:42:12):
Him with nothing and he see, because she's gonna be
asking for stuff that he don't have.

Speaker 1 (02:42:18):
Exactly.

Speaker 2 (02:42:19):
That's what they need to go ahead and go through this,
this divorce so we can see w how long is
Charly gonna stay before she try to get back together
with Mike, cause you know that's where.

Speaker 1 (02:42:30):
She's going to where back to Mike.

Speaker 2 (02:42:33):
You know, if things don't work out between her and
her and Anthony, she gonna run over the mic.

Speaker 1 (02:42:40):
Mike don't want her, so she ain't gonna go there.
She might drying thing because right now.

Speaker 6 (02:42:48):
I feel like Anthony and not Anthony, but Mike and
Sonny is about to rekindle.

Speaker 1 (02:42:56):
And it's gonna work out.

Speaker 6 (02:42:59):
But she gonna have to let yeah, cause you see
that all of sh It's gonna come to her. It's
gonna click to her that Shla has given her so
much bad advice. Hm, And it's gonna work out with
her and Mike this time.

Speaker 1 (02:43:13):
Yeah, Cause Chila likes to have a safety net and
Mike is her safety net. So she figures if she
go back, then she can go back to Mike. Mike
still got phyllis for cause you know, her.

Speaker 2 (02:43:25):
Deluded her mind, that's what she thinks. She thinks that
Mike still got feelings for that's why he's dating Sonny.

Speaker 1 (02:43:30):
So yeah, she don't have no feelings at all.

Speaker 2 (02:43:32):
She would and like I said, you letting that girl
mess up your business because she told you what she
told you, But you didn't even get to set the
side of up amber to find out what the real
situation is.

Speaker 1 (02:43:43):
But I think Kendrick and Mike save that. But I
think they would in there.

Speaker 6 (02:43:51):
They could get him out of the contract. So they
fired him tonight.

Speaker 4 (02:43:56):
Who that guy?

Speaker 1 (02:43:58):
Yeah, Mike fired John Neil Johannall's saying his assistant to
fire Kent John L. Kendrick. Johnelle said his assistant to
fire Kendrick because he said Kendrick is the reason.

Speaker 6 (02:44:13):
That Sonny found out and in the process Mike found
fired him.

Speaker 2 (02:44:22):
You know what, though, Kendred Kendred of Kendred dearly kendredn
leave Mike alone, Ralfie do to he need to give
him boundaries.

Speaker 1 (02:44:33):
Now you're talking about true brook.

Speaker 6 (02:44:35):
But since now that this this dude is out of
Bumbay or bun Bay or because the Mike was like,
you also don't even know the name of the company.
You keep calling it this and it's that. But because
of the integrity, they had an integrity clause into in the.

Speaker 1 (02:44:55):
UH contract in him lying to Sonny, actually, that doesn't work.

Speaker 2 (02:45:02):
He can sue, i'ma explain why personal relationships have nothing
to do with that. That was outside of what he
did and he never started. So at the end of
the day, you can't fire him cause he never started.

Speaker 1 (02:45:14):
But Kendrick, Uh, Kendrick agreed that it was it was.

Speaker 2 (02:45:17):
It could because of that mm W that's what they think.
But in all actuality, he never started. The man never started,
You never gave him any money, So how can you
fire somebody that never started.

Speaker 1 (02:45:30):
That's what I'm saying.

Speaker 2 (02:45:31):
They don't do they research because the man never even started.
They never put him in a campaign. How can you
fire somebody that never started. Yes, you s you did
a contract, But in the end, if it's not something
on professional grounds, you can't sue just because Sunny chose
to have sex with him that has nothing to do
with professionals.

Speaker 1 (02:45:51):
They ain't got nothing to do with it. He can
suit it.

Speaker 2 (02:45:53):
But like I said, this is Wayne's worlds. But yeah,
he can sue that same thing.

Speaker 1 (02:45:59):
That was deser reason.

Speaker 2 (02:46:00):
And while her daddy can't fire him now because of
the fact that you can't fire somebody that's under contract
because they dated your daughter, because they dated your eggs
and it didn't work out, you can't suit them for
You cannot fire them for that. And I think that's
what's gonna happen. They gonna find up they cannot fire him.

Speaker 1 (02:46:18):
Soon enough.

Speaker 2 (02:46:22):
But yeah, it's it's crazy. Like I said, that's another
thing they don't. They don't do their research. They don't
they don't research how court cases, you know, work. But
I do love the fact that girl got chased on
his toes though.

Speaker 1 (02:46:35):
Yeah, and how they doing mock trials.

Speaker 6 (02:46:38):
So but I also thought I also thought about this too,
because of Kendrick's reputation in the city.

Speaker 1 (02:46:43):
They're not gonna lay him lose mm mmm of course
not so.

Speaker 2 (02:46:48):
Yeah, but but this is his karma forgetting rid of Natasha.

Speaker 1 (02:46:54):
It is cause she that girl on him and I
like it. Mm He he needed that.

Speaker 4 (02:47:01):
Monday, right, Yeah, oh yeah.

Speaker 1 (02:47:03):
I'm off work. I'm so happy it's I ain't got
I can't.

Speaker 2 (02:47:07):
I ain't gonna men said, I'm on that trail cause
he he needs somebody to jump on him. Cause Candace
certainly don't.

Speaker 1 (02:47:14):
No, cause he didn't started he didn't, he'd have changed a.

Speaker 6 (02:47:18):
Little bit towards Candace because I remember the time.

Speaker 1 (02:47:22):
Couldn't nobody play with Candace and Anthony just playing how
you wanna play? And I don't like that about Chase.

Speaker 2 (02:47:31):
But see what I don't like when it comes to
their character development. I don't see no development cause they
don't focus on them. I I would like to see
Candace and Chase. I want Candas to end up pregnant.
Let me tell you why Candas ain't ready to be
a mom. I would like to see her get pregnant
and see what she gonna do.

Speaker 6 (02:47:52):
Yeah, like you said, ain't nobody character developing mm mm
nobody in the skit.

Speaker 1 (02:47:58):
Everybody is just going backwards. Yep.

Speaker 2 (02:48:01):
Because you don't see nothing with Candice and and and Chase.
Ain't nowhere in the world You're gonna go and and
and get a restaurant and you don't tell me about
it and think I'm not gonna have an issue with it,
especially especially in that part you done lost all this
money that you remodeled. You should have just bought them out.

(02:48:21):
That's what you should have did, or just.

Speaker 1 (02:48:24):
Pulled down yourself. I want to pull it out because
you're not in La you in Georgia exactly. And another thing,
like you said, I would love to see that develop
into something. I would like to see somebody like this,
this this thing with rowan Ans and now I want
to see that go away. Yeah, because there is no

(02:48:46):
way possible you could be.

Speaker 6 (02:48:49):
You can hang around somebody that you wants love or
somebody that you're in love with, and nothing happens.

Speaker 1 (02:48:56):
That part because you remember they brought in pood you
remember when they brought in. If you still.

Speaker 6 (02:49:02):
Now, you can't get over a wound, if you're still
picking at you can't heal a womb, if you're still
picking at the scalp.

Speaker 2 (02:49:08):
That's for all them skits, I said. I said that
for all of them. Same thing with Erica and Lawrence.
I wish they quit.

Speaker 1 (02:49:15):
Just let that go.

Speaker 6 (02:49:16):
And when Lawrence still do whatever he do, he get
caught up in something sneaky, and then Erica move on
with her life, continue with her business, do what she
gotta do for her daughter.

Speaker 1 (02:49:26):
Yep, it's just right now. The only thing your daughter
seeing is me and constantly messing.

Speaker 2 (02:49:31):
Over here and saying there with DCC and all these females.
I mean, what if Jada would have been there when
that situation happened he got shot.

Speaker 6 (02:49:41):
You just bring this girl in, you don't know nothing
about her, and now you see them in the mall together,
and we didn't even see what happened in that situation.

Speaker 1 (02:49:49):
All he did was make a phone call and we
don't even know what happened.

Speaker 6 (02:49:53):
Becalled d I think, yeah, And after that, like you said,
we don't even see what happened, like I haven't.

Speaker 1 (02:50:00):
And these kits.

Speaker 2 (02:50:01):
Yeah, we ain't even seeing no Tamaro skits either.

Speaker 1 (02:50:05):
No tamaraw d done well.

Speaker 2 (02:50:07):
I did see Donald Angela when he said he want
his two million back. I did see that today. But
I think Don and Angela are still are still in
love with each other.

Speaker 1 (02:50:16):
Little.

Speaker 2 (02:50:16):
I don't care what nobother sir.

Speaker 4 (02:50:19):
They are something with.

Speaker 6 (02:50:21):
Let's let's get something going with these kids.

Speaker 1 (02:50:24):
That's like you said, counter development. That's gonna show us
that through it all, we can get over. We can.
Like Amber, I would love to see her move on,
move forward in her life.

Speaker 2 (02:50:37):
I would like to see some type of sex in
the city, if you're gonna go that rope. I would
like to see Ambridges date. I would like to see
Damn Ambridges meeting new people, starting new businesses and be successful.
That's what I want for her. I want her to
build her self esteem back. I want her to build
her self work. I want her to get with a coach.
That's what she needs, Amberney to coach. Amber needs somebody

(02:50:58):
that's gonna give her goals.

Speaker 1 (02:51:01):
That's what she needs because you need to get away
from this one was me. I messed up. You messed up, sweetie, Okay.

Speaker 2 (02:51:09):
This every time she every she came, hold water, the
stuff that she shouldn't tell.

Speaker 1 (02:51:14):
She tells stuff she should tell. She won't you tell.
She talked too much.

Speaker 6 (02:51:19):
That everybody's son. They talked too much, am, but talked
too much. I want to see Jocelyn Sore.

Speaker 1 (02:51:25):
In business versus the street stuff. You at the street, now,
Joscelyn Sore in business, be a good person.

Speaker 4 (02:51:35):
Let that street man.

Speaker 6 (02:51:36):
Tellity go because you're burning everybody around you.

Speaker 1 (02:51:40):
Let that go.

Speaker 6 (02:51:41):
And I haven't say Terry needs to get caught so
that Dominique could just be a business woman.

Speaker 1 (02:51:50):
Yeah, we got enough characters.

Speaker 2 (02:51:55):
Yeah, they needed she need to be All of them
need to be by themselves to be able to grow
and evolve and elevate. I mean, we got to see
some type of growth. But no, they keep pulling him
back to the same people that cause him. Brahma, that
what I'm saying. Why didn't she go over there and
talk to Wayne? Talk to Wayne for what in that case?
Bring Wayne to the counseling, y'all talk about it. Don't
don't go talk to him by yourself, because you know

(02:52:18):
that Wayne is going to basically manipulate the situation like
he ain't do nothing wrong knowing that he did.

Speaker 1 (02:52:26):
You know what, I want that he had a relationship now,
so he don't won't knowing looking at him, no type.

Speaker 2 (02:52:33):
Of way, and he don't want You know, Wayne is
good when it comes to the gift of gap. Why
in the world, you know, Ga, You know, Wayne ain't
never gonna take accountability. He didn't to they and he
didn't want to.

Speaker 1 (02:52:45):
It came out he said, yeah you did, and he
talked that girl, you was wrong, you was wrong. But
he never said that he was wrong.

Speaker 2 (02:52:53):
He never went to went to Anthony and said, you
know what, man, I'm sorry. And like I said, ain't
no way in the world a man is not gonna
do business with a man knowing that man ain't never
apologize to you.

Speaker 6 (02:53:06):
That's why I know he's not a good business man.
I don't know where they see this good business man,
the cause he ain't.

Speaker 2 (02:53:12):
He lacked integrity that party business.

Speaker 7 (02:53:16):
You have to have.

Speaker 6 (02:53:18):
Integrity plays a good part in in business. So how
could you say you're a good business man? Every morning
you working out with row, y'all talking about y'all past.
Eventually y'all gonn cross lines. Y'all got cross the line.

Speaker 5 (02:53:33):
Yup.

Speaker 6 (02:53:35):
And then now you gonna be sleeping with Rowanda and
Romanda over here with with Malachi.

Speaker 1 (02:53:41):
And she might end up back with Malachi.

Speaker 2 (02:53:45):
I hope, Lord, I hope no, But I wouldn't put.

Speaker 1 (02:53:49):
It past that they gonna be in that condo.

Speaker 2 (02:53:51):
Yup. It's only a matter of time cause Roki asking
questions like she want to get back together, anthem, they.

Speaker 1 (02:54:01):
Gonna end up crossing the line.

Speaker 6 (02:54:02):
Then then this week right here, they gonna cross the line.

Speaker 1 (02:54:08):
R When Rowanda and and and Anthony cross.

Speaker 2 (02:54:10):
The line, I agree, So ithing gonna happen. It's gonna
be a kiss of.

Speaker 1 (02:54:15):
Son, gonna be rel or when Anthony and Pr across
the line.

Speaker 2 (02:54:19):
Yep, one of 'em gonna cross the line. Cause the
way Pr be dressing around him. You can't tell me
he don't have thoughts.

Speaker 1 (02:54:28):
He was gonna he was having thoughts at night. He
walked in there, and Wayne was in that walk that morning,
m and and was and when he was sinna go
in there.

Speaker 6 (02:54:41):
And then cross the line when Wayne was there and
Wayne was only there to get some information.

Speaker 2 (02:54:47):
Yeah, long reason he went back p already wanted the information.
He wann't planning on going.

Speaker 1 (02:54:51):
Back though he got that information and he was out.

Speaker 2 (02:54:55):
Exactly well, I am getting ready to end this blog
and I am to go to bed. I think all
of y'all for coming up here. I appreciate you come up.
Of course, anytime you're always welcome.

Speaker 1 (02:55:09):
I appreciate you. I have a good night, you two.

Speaker 2 (02:55:14):
But I'm just gonna end this by saying this, in
this whole entire scenario, wain In them need to take
these two months and figure some things out. They need
to go back, they need to evaluate, They need to
look at the skits. Because the same way pe Valley
took a break, the same way that D D MF
all of them take breaks, Waning them need a break.

Speaker 1 (02:55:37):
With this. With this break that they take.

Speaker 6 (02:55:38):
And remember they said they're gonna say with this break
that they take it, I think they're gonna have to
go back and look at those skits. And in two
months that they look at those skits, that's when they
gonna see everything that we've been saying, and then we're.

Speaker 1 (02:55:50):
Gonna hopefully see some type of change.

Speaker 2 (02:55:54):
Yeah, because they definitely need to, you know, figure it out,
because you know, I understand you do have an audience.

Speaker 1 (02:56:01):
Hit thing.

Speaker 2 (02:56:02):
You have an audience, that's for that, but you also
want to cater to your mature audience as well. They're
not catering to their mature audience. They're catering to the
get on ratchet, ignorant, stupid, and dumb. And that's no offense,
but it's the truth because all you seeing is get
all ratchet ignity, is stupid, dumb nonsense that don't make

(02:56:23):
no sense. And how much more nonsense do you think
that black women gonna put up with at the end
of the day. Eventually a black eventually, I don't care
what race you are. Eventually you gonna black. I'm sick
and tired of being sick and tired. I'm tired of
going through the same thing. I'm tired of going back
and I'm getting the same result. And like somebody said earlier, yes,

(02:56:43):
people do go back. They do. They go back, They
go back multiple times. But that fool me once, Shame
on you, fool me twice, shame on me, fool me
after that.

Speaker 1 (02:56:53):
You're stupid at this point. As a man, though, you
should get tired of looking bad.

Speaker 2 (02:56:58):
Exactly, you should get tired of going through the same nonsense.
But hold on but for y'all on my podcasts. I
want to thank y'all for joining me for this episode.
I appreciate y'all.

Speaker 4 (02:57:09):
So, now y'all.

Speaker 1 (02:57:10):
Understand what Country Wayne is. Now we've done this panel.
Now y'all know what it is.

Speaker 2 (02:57:15):
So we're gonna start talking about these Countrywayne skits and
going over them on my YouTube channel. We're actually gonna
physically go over them, and we're actually be able to
see them and be able to go through them with
different panels. So I thank y'all for joining me for
this episode, and I will see y'all next time.

Speaker 1 (02:57:33):
Bye, y'all.

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Episode 29 - The Country Wayne Skit Review.

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Episode 29 - The Country Wayne Skit Review.