August 13, 2025 • 30 mins
Set in a frontier military post, this series explores the lives and duties of cavalry soldiers. It portrays the challenges and camaraderie of life on the frontier.
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Episode Transcript
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Speaker 1 (00:08):
At the Gallery.
Speaker 2 (00:36):
Fort Laramie. Fort Laramie, starring Raymond Burr as Captain lee Quins,
especially transcribed tales of the dark and tragic ground of
(00:59):
the wild frontier, the saga of fighting men who rode
the rim of Empire, and the dramatic story of lee
Quin's captain of Cavalry.
Speaker 3 (01:23):
I've never seen the sense of it scrubbing day after day,
but you clean.
Speaker 4 (01:29):
Clothes on the dirty army. It's way to earn or keep.
Speaker 3 (01:36):
Ever, a woman marries, a man earns a keep night
and day. It's all earning.
Speaker 5 (01:43):
Not today is don't start on that talk again today.
Speaker 3 (01:48):
Now, I plum forgot about your delicate conditions.
Speaker 6 (01:51):
Della Merchant.
Speaker 4 (01:53):
Need be minding my manners more.
Speaker 3 (01:55):
It's just I ain't used to running into royalty on
soap SuDS roll honest, I.
Speaker 5 (02:00):
Ate, I didn't mean to start your offense.
Speaker 4 (02:04):
I'm sorry, sorry, are you well? You're sorry looking.
Speaker 3 (02:08):
I'll say that for you another day or two and
you won't be able to stand in the same room
with your washboard.
Speaker 7 (02:14):
All right, all right, it's a wash tub now you are.
Speaker 4 (02:19):
Couldn't you just be quiet?
Speaker 7 (02:21):
Think what you will, but keep it to yourself.
Speaker 8 (02:25):
Join yourself. Ladies having a fine social hour, are you?
Speaker 3 (02:29):
Oh, Fanny, it's her.
Speaker 8 (02:31):
Look at her?
Speaker 3 (02:32):
Can you tell by looking she's a regular queen.
Speaker 5 (02:34):
I'm doing the best I can, if you'd let me be,
if you wouldn't go at me so much.
Speaker 8 (02:41):
Listen to me, tell a merchant and hear what I say.
Speaker 9 (02:45):
Fanny, don't don't.
Speaker 8 (02:46):
Shake, now do what need be. You're not earning your pay.
Speaker 10 (02:52):
Now you get some elbow grease behind that scrubbing, or
I'll send you packing with no pay for the month.
Speaker 4 (02:57):
You wouldn't do that, Fanny.
Speaker 5 (02:59):
We need the money with the baby coming, We need
e recent.
Speaker 4 (03:03):
Fanny can't earn it. Scrump.
Speaker 8 (03:06):
That's the way you get plenty around here, Fanny, please.
Speaker 11 (03:11):
No, she's going white, Fanny, nah, ninny.
Speaker 5 (03:17):
If I could just get some air, just a little.
Speaker 8 (03:22):
Air, well, now, a little air. That's what you laugh, Fanny,
right afore our eyes.
Speaker 3 (03:27):
You don't get around here.
Speaker 10 (03:29):
All right, Stella, grab a holt one side this clothes basket.
You'll get all the air you need hanging clothes outside,
I said, grab a holt all right.
Speaker 4 (03:44):
Not quite so fast.
Speaker 8 (03:47):
Fanny, you're moving like coal molasses. Now carry away, Stella.
Speaker 11 (03:59):
Oh, pity.
Speaker 8 (04:02):
They ain't some nice shade trees for you.
Speaker 11 (04:05):
Maybe a hammock?
Speaker 8 (04:07):
Ain't you the shape for a hammock?
Speaker 12 (04:09):
Though?
Speaker 4 (04:10):
Oh maybe I shouldn't try.
Speaker 5 (04:13):
I thought I could work right up to the very
day the baby came.
Speaker 4 (04:17):
Other women do you? Ain't other women? You've no cause
to talk to me like you do. Fanny. You an
ass I never give you cause.
Speaker 11 (04:28):
You never give me nothing but an awful belly ache.
Calming and bathing and making pretty for the men.
Speaker 4 (04:36):
For my man, Fanny.
Speaker 11 (04:38):
That's it, is it? You're so full of lion's sweet talk.
You believe yourself.
Speaker 5 (04:45):
I thought we could all be friends out here, so
far from home, all of us.
Speaker 4 (04:52):
I thought we could help each other.
Speaker 11 (04:53):
And you're along on help, ain't you? Everybody? Help everybody
be happy? Well, you'll be happy, Stella, like you're so
willing to tell anything to be near Billy, happy to
earn your keep washing filters, happy to Barry's young and
happy happy happy.
Speaker 4 (05:15):
I love Billy, Fanny love ha. You don't understand. You
really don't understand. I never realized that till now.
Speaker 8 (05:30):
It's the young as don't understand.
Speaker 5 (05:33):
Did you never love Luke even then when you were young.
Speaker 4 (05:40):
Did you never love him? Fanny?
Speaker 11 (05:43):
Hang the clothes.
Speaker 4 (05:45):
It would be awful if you didn't love.
Speaker 8 (05:48):
You'll get no pay for John and taking the air
like you are. You keep saying you need the money.
We'll earn it.
Speaker 4 (05:54):
I will, Fanny, I will earn it. I'm glad to.
Speaker 11 (05:58):
And see you keep that glad stuff to yourself, You
and your loving a life you feel kicking in you.
I buried more young uns than you'll ever have.
Speaker 4 (06:08):
I'm sorry, truly sorry, Fanny. Don't you never be sorry
for me.
Speaker 13 (06:41):
We followed the Laramie all the way till it cut
through the range. There we left it and went cross
country west and north to a point about here.
Speaker 14 (06:53):
It's almost to Medicine Bowl River.
Speaker 13 (06:55):
I think their main camps in the Medicine Bowl.
Speaker 14 (06:58):
But you ran into weather camps along the way.
Speaker 13 (07:00):
M hm old camps. Major. Yeah.
Speaker 14 (07:03):
The information you got from the settlers in the area
pointed to that no Cheyenne in their vicinitiesians last fall
is not the word.
Speaker 13 (07:11):
And no army patrol since last fall. That follows to
me it does. The settlers have spent the winter in
peace since the Cheyenne ran off their horses last fall.
The cavalry sens out one small patrol in the late spring,
and the Cheyenne mysteriously reappeared.
Speaker 6 (07:28):
But not in numbers.
Speaker 13 (07:29):
All right, Cheyenne scouts, eight of them. You could have
killed them at any time. You were following them in
just about only they were leading this, Major. There's a
difference only because you were willing to be led. It
was our business reconnaissance. You don't kill eight scouts who
are leading you into a trap. Hm.
Speaker 14 (07:47):
Of course you don't if you're sure it's a trap.
Speaker 13 (07:50):
Look for two days. If we didn't keep pace with them,
they waited for us. Morning of the third day, they
cut off into a canyon that leads straight to the
medicine Bowl, like we were leading a charge behind them.
I know when I am when I see one.
Speaker 14 (08:00):
And you don't ride into them with ten men behind you.
Speaker 13 (08:03):
I don't ride into them with a company behind me.
All right, Captain, I'm I'm sorry. Major. We rode all night.
Speaker 14 (08:13):
You rode all night for three nights, and I know that.
Speaker 15 (08:16):
Lee. I want you to get some rest.
Speaker 13 (08:18):
I'd like to finish my report soon. I can wait
all morning, I don't think so.
Speaker 14 (08:24):
All right, Lee, let's get it all set I don't
like it this way, but one of us has to
get a good night's sleep.
Speaker 13 (08:31):
I'll sleep fine, Major, I will too once this is over.
Speaker 14 (08:36):
Now, from your report, you seem convinced the Cheyenne have
their main camp in the Medicine Bowt. I get the
impression you think they're getting restless and I have to
move somewhere. That country had about one winter's good hunting
left in it. They've had that if they haven't raided
since fall. You're right, we could stop them before they start.
Speaker 13 (08:56):
They'll move north, maybe as far north as the Montana territory.
Speaker 6 (09:00):
Why not south?
Speaker 13 (09:01):
Other tribes, utes, Apaches, the Cheyenne would rather face the
white man.
Speaker 6 (09:08):
You know.
Speaker 13 (09:10):
Now you're bleeding me pretty dry? Major, how's that? I
got a feeling I'm mapping a campaign I'm not going
to be part of.
Speaker 14 (09:20):
You just finished the toughest part of a campaign. A
lot of men can lead a charge. You can't do
successful reconnaissance, Major Iddington, you're assigned at quarters to eight
o'clock tomorrow morning.
Speaker 13 (09:36):
Who's gonna replace me? Major? I am and be a
fool to question that choice.
Speaker 16 (09:46):
Yes you would, that's all Captain dismiss yes him.
Speaker 13 (09:57):
Oh uh, Major, who's gonna replace you?
Speaker 16 (10:02):
Me?
Speaker 13 (10:03):
Yeah? Here is post commander. You are.
Speaker 16 (10:08):
Any questions, no, sir, no questions.
Speaker 12 (10:25):
You can't see by that light. Stella.
Speaker 4 (10:28):
I'm fine enough for this little bit of hand stitchen, Billy.
Speaker 12 (10:31):
Best you rest yourself, awhile. I want to sit in
the doorway with me in a while.
Speaker 4 (10:36):
Honey.
Speaker 12 (10:38):
It's a fine night, stellar slice of moon, nice bit
of breeze off the sweet clover.
Speaker 4 (10:47):
M I can smell it from here back home, ain't it, Billy?
Speaker 15 (10:53):
It is home?
Speaker 12 (10:53):
Still only one we ever had together? You ever think
of it? Maybe some engine in his score, sitting like
we are at night, looking out at the stars, talking
about the papoos. They don't have no time at all.
Speaker 4 (11:09):
Billy merchants? How you think of things like that?
Speaker 12 (11:14):
They come to me, don't they come to you?
Speaker 4 (11:18):
You know they do. It's part of what we have together,
you and me. That's not a man thought.
Speaker 12 (11:26):
Is just see how you sound like Luke and Joe.
Speaker 13 (11:31):
Sweet Billy they call me.
Speaker 12 (11:33):
It's just because I noticed the sky or flower.
Speaker 4 (11:36):
Don't you mind them, Billy?
Speaker 12 (11:38):
You know I don't.
Speaker 17 (11:42):
I don't mind them.
Speaker 12 (11:45):
Like you don't mind Fanning.
Speaker 17 (11:47):
Yes, why I said it that way, because that's.
Speaker 12 (11:51):
The way it is, still feeling folks like us. We
feel too much sometimes and we let folks get to
us and rub us wrong, maybe hurt of some.
Speaker 17 (12:04):
I love you, sure I said we were feeling folks.
Speaker 4 (12:13):
Huh, billy, billy.
Speaker 15 (12:17):
When you're going to have that baby?
Speaker 4 (12:18):
Still soon, honey, as soon as I can.
Speaker 15 (12:25):
It's a hard time for you.
Speaker 12 (12:27):
I know that.
Speaker 4 (12:28):
Not too hard, billy.
Speaker 15 (12:30):
You're fretting something.
Speaker 5 (12:33):
You've got some pain, not real pain like a cat,
you know, not often enough to matter.
Speaker 15 (12:41):
I wouldn't be right to lie to me, honey.
Speaker 4 (12:43):
I don't lie to you ever.
Speaker 12 (12:48):
Sometimes you don't tell me all the truth.
Speaker 17 (12:50):
Ain't that you're feeling folks too?
Speaker 4 (12:53):
You ought to know good as me?
Speaker 9 (12:55):
Yeah, yeah, you're fretting, some billy merchant, that's who's fretting
around here.
Speaker 12 (13:05):
No man's gonna be your father has all right.
Speaker 15 (13:08):
I do say some men take on worse than women, folks.
Speaker 12 (13:11):
You know that stella swimming headed morning times like that.
Speaker 5 (13:15):
M That ain't what's troubling you, No it ain't.
Speaker 15 (13:26):
I sure ain't.
Speaker 12 (13:29):
How many times I asked you to give up your
work at the laundry.
Speaker 4 (13:32):
You mean, how many times today.
Speaker 12 (13:34):
You ask me, yeah, and always you tell me it's
what you gotta do, no matter what it is. Billy,
it's the same with me, Stella. I got my work
to do, no matter what.
Speaker 4 (13:49):
Now, then, I ain't asked you to give up being
a trooper. I declare, I don't know what Bee Company
do without you.
Speaker 12 (13:55):
I ain't drawing nothing but Guesson duty for more than
a month now, I just ain't gonna last, Billy unstable
detailed to day. We were sure ready in those mounts
for something more than the prey ground.
Speaker 17 (14:11):
Stella, you got orders to move out, no man.
Speaker 12 (14:16):
No but capt'n Quince's patrol come back on the post
to day, and when reconnaissance comes back, we just gotta
be moving out.
Speaker 4 (14:25):
Be nice.
Speaker 17 (14:26):
If you's wrong, Billy, we got.
Speaker 15 (14:29):
A face up to it. Stella. Might just gotta have
that baby without me.
Speaker 12 (14:36):
I sure never plan that way if it had to be.
Speaker 15 (14:41):
Would you want to try to make it back home.
Speaker 4 (14:43):
To my mam?
Speaker 15 (14:44):
Sure?
Speaker 4 (14:45):
Why, Billy Merchant, I'd take every cent we.
Speaker 17 (14:48):
Owning then, so I ain't thinking of that.
Speaker 5 (14:51):
Well, then you think about it right now.
Speaker 4 (14:53):
Only don't take the bottle. If they was money, they
ain't time stella.
Speaker 12 (15:02):
Still, I want to be with you more than anything
I could name, but I can't.
Speaker 17 (15:08):
Ask the favor of a leave. You understand that.
Speaker 4 (15:15):
You got your work to do, Billy, no matter what.
Speaker 1 (15:39):
Come in, Captain quin Sir, Sergeant, I must have took
a wrong turn, Sir, I was told to report of
the office the post commander.
Speaker 18 (15:52):
Close the door, Sergeant, Yes, sir, Oh sit down, guys
and gorse anytime you want to get rid of.
Speaker 13 (16:03):
That stupid grin you can, yes, sir, Well you look
powerful big behind that desk. Yeah, too big for the desk,
maybe too small for the job.
Speaker 6 (16:18):
You will do what you gotta do. Captain.
Speaker 13 (16:21):
I was thinking more that we'd do what I gotta do. Gorse,
you was Major Dagger tells me that Sergeant Pearson takes
a big load off him sitting at that desk outside, But.
Speaker 6 (16:32):
He ain't sitting out there now.
Speaker 13 (16:34):
And he's getting his equipment together fixing to move out
with Major Daggett after Reverly tomorrow morning. Captain Quinn, he'll
need a good brief in, Sergeant Pearson. Will well, I'd
like to volunteer to good That saves me an order
Sergeant to go with b company as a special scout,
and when you've finished briefing him, he can fill you
in on the details of his desk job.
Speaker 6 (16:54):
One of us. Ain't listening, Captain.
Speaker 13 (16:56):
It's a side of the army. We don't know much
about gors time we did.
Speaker 1 (17:01):
You being in charge and all you think you could
arrange a quick transfer for us.
Speaker 6 (17:05):
Maybe the infantry.
Speaker 13 (17:06):
Better find Sergeant Pearson tell them all you know.
Speaker 6 (17:09):
Yes, now that'd be my job, wouldn't it?
Speaker 13 (17:14):
Till we get swinging doors?
Speaker 1 (17:17):
Guess it is, Lieutenant Sibits, Sir, Sergeant Captain quin sir.
Speaker 13 (17:28):
Oh, come in, mister Sabots. Your duty begins in an hour, Sergeant, Yes.
Speaker 19 (17:34):
Sir, with Captain's permission, I'd like to offer congratulations, sir.
Speaker 13 (17:40):
You came here for a brief and mister Sabots.
Speaker 19 (17:43):
I understand that.
Speaker 13 (17:44):
Sit down, Yes, sir, you familiar with the Horseshoe Creek
carry him?
Speaker 6 (17:50):
Oh? Yes, sir, that map you're using.
Speaker 13 (17:52):
The map's wrong? Well I do that map, Captain, Then
you're wrong. Horseshoe Creek does not feed from the medicine.
Speaker 19 (17:59):
Bowl ri no sirt from the Little Madison bow.
Speaker 13 (18:02):
Not by twenty miles. Mister Siberts, twenty miles of twisting
canyon through the Laramie Range. That's this line here. Horseshoe
Creek is east of the range. Medicine Bow and the
Little Medicine Bow or to the west. They do not join, well,
they must have once, sir. It's like a river bed
all through the floor of that canyon. They didn't join
last fall when you drew this map.
Speaker 19 (18:24):
You mean the waters didn't join the river beds.
Speaker 13 (18:26):
Did, mister Cyberts. A cavalry company moves with water, water points,
a course of travel, a campsite. I know that, sir,
do you.
Speaker 6 (18:35):
Captain Quince.
Speaker 19 (18:36):
That's the first country I ever charted, the first map
I ever drew.
Speaker 13 (18:40):
Well, it's not an excuse, sir, sounds like one, mister
sabbitts what.
Speaker 19 (18:44):
I mean seeing it was my first real attempt at all.
I never thought that we'd be using that map to
campaign by We're not.
Speaker 13 (18:51):
That's good, you bet it's good, mister Sibert's good and lucky.
I pulled this map out of the Major's files last
night to study it. I spent the rest of the
night drawing up a proper map. Here, mister Sabits, you
tear it up. Thank you, Captain, don't thank me, remember it,
remember it good, and then forget it. Captain Quence, I've
already forgotten it.
Speaker 1 (19:11):
Mister Sabots, I can't see him now, Merchant, whatever it is,
it's gotta wait.
Speaker 12 (19:28):
Babies, don't wait, Sergeant.
Speaker 6 (19:30):
Trouble here, man, No trouble, Captain, Captain quin Sir, that's enough.
Speaker 13 (19:35):
Trooper Company bees forming fours in the parade ground. Merchant, Yes,
a captain, but what I know?
Speaker 12 (19:40):
But's about it, Captain Quince, I respectfully request permission for
an it can't I please get a hearing from.
Speaker 6 (19:48):
You, sir, Captain don't conduct no hearings this time of date.
Speaker 13 (19:50):
Troopers. All right, guys, let's have it, Merchant and quick.
Speaker 12 (19:54):
Oblige sir anytime now, any little minute. I'm gonna have
a baby, Captain.
Speaker 13 (20:00):
Sergeant, my respects to Major Daggett telling Trooper Merchant will
be on the parade ground in two minutes.
Speaker 12 (20:05):
Yes, Sir, I met my wife, Captain Stella, she's having
the baby.
Speaker 13 (20:11):
I'm glad to hear that, Merchant.
Speaker 12 (20:13):
Now, seeing it's her first, Sir, and her being alone,
I mean, no kinfolk nearby to help lend a hand.
Speaker 13 (20:20):
I hope you are not asking me for leave, Trooper.
Speaker 12 (20:23):
No, no, no, sir, I mean to move out with
the company.
Speaker 13 (20:26):
You'll move out with a company. You'll have nothing on
your mind but the cheyenne. I know what you mean, sir,
And all we got to settle is what you mean. Merchant.
Speaker 12 (20:36):
Well, sir, it pleased me to tell Stella that the
post surgeon was on hand to tend after her and
I and the baby too when it comes well that
that is her son. Sir, Well, it had eased me
some if you was pleased to tell me I was
telling Stella all the truth.
Speaker 13 (20:59):
The post surgeon was leaving with b company. Merchant. I see, sir,
your wife in your quarters now, No.
Speaker 12 (21:07):
Sir, no, she's working in the laundry.
Speaker 13 (21:10):
Oh we're holding things up.
Speaker 12 (21:12):
Much, yes, sir, And thanks for hearing me out e merchants.
Speaker 13 (21:17):
You know that I merchant, women have babies every day.
Speaker 15 (21:26):
Yes, I I'll sure try to look on it that way, sir.
Speaker 13 (21:30):
Good luck tripper.
Speaker 4 (21:44):
Look at that.
Speaker 11 (21:44):
Luke never was a man so glad to leave his woman.
Speaker 3 (21:48):
There one is glad right next to him, Joe Beemon
and smirking quits on my nerves. Sometimes seeing that brother
face engine arrows.
Speaker 11 (21:58):
And us and I agree, even none myself.
Speaker 8 (22:01):
Luke's been home a month, a good month, good and long.
That's a fact.
Speaker 11 (22:07):
I know what you're thinking, as you sure you'll be
to yourself, fall to yourself.
Speaker 6 (22:14):
That's pure blessing.
Speaker 8 (22:17):
You know it is, Fanny.
Speaker 4 (22:19):
They haven't gone yet.
Speaker 5 (22:21):
I was most afraid they'd be gone.
Speaker 3 (22:23):
Will now look who's managing a brave little smile.
Speaker 11 (22:28):
She don't know enough to laugh as hair?
Speaker 9 (22:31):
No mind, I don't see Billy.
Speaker 5 (22:35):
Could you just point out Billy to me?
Speaker 3 (22:38):
Use your young eyes. No matter you don't see him.
He couldn't stand a chance of missing you. Popping queen
into the parade grounds away yard.
Speaker 8 (22:47):
Could be your sweet Billy's in trouble.
Speaker 10 (22:49):
He was late for formation and he come out of
headquarters with Captain Quince's.
Speaker 5 (22:54):
So you can't threaten me, Fanny, see what you will
have told you.
Speaker 9 (22:59):
You can't fret me.
Speaker 4 (23:00):
I ain't.
Speaker 5 (23:01):
Nobody can frit me no more.
Speaker 3 (23:04):
There they go, only stir insightly. His bands are plane
and playing the flyers manly.
Speaker 4 (23:17):
Then what wouldn't if you see him? Part out Billy
to me?
Speaker 9 (23:22):
I declared, I can't see him yet, Well.
Speaker 8 (23:24):
You're not likely to yet.
Speaker 10 (23:25):
These officers up fronted Major Daggett, that Lieutenant Cyber, who's
that other.
Speaker 8 (23:31):
And riding atwixt him? Well, I declared, that's major Trucks.
Speaker 11 (23:36):
I don't see him.
Speaker 8 (23:36):
Riding off every day. Wonder who's hitting in the.
Speaker 3 (23:39):
Hospital with him?
Speaker 8 (23:40):
Or going Who's who's major trucks?
Speaker 10 (23:43):
You mean you don't know the post surgeon when you
see him, who's surgainly?
Speaker 8 (23:49):
Or you didn't think he'd stay here to look after yours? Now,
did you?
Speaker 9 (23:54):
You must not have known, Billy, wouldn't have said if
you didn't know, Billy, Billy, don't you worry none?
Speaker 4 (24:09):
Now, Billy, not to worry.
Speaker 13 (24:16):
Come on, ask for this.
Speaker 8 (24:18):
Turns my stomach good.
Speaker 6 (24:33):
I'll get the door for you. Captain.
Speaker 13 (24:35):
Sure, this is where she lives. It's merchants, all right.
Turn the bed down, gorse, yes.
Speaker 6 (24:44):
Sir, some mite stuffy in here. I'll get that.
Speaker 13 (24:51):
We had some water ghost. She's limp as a rag, yes, sir, just.
Speaker 6 (25:03):
Like I found a captain keeled over in the tracks, a.
Speaker 13 (25:05):
Little water on her face, maybe a little brightener. She's
breathing quiet enough to quiet Captain. I don't think so.
Speaker 6 (25:16):
Billy m really, she thinks you're her husband. Captain.
Speaker 13 (25:23):
Big mistake here, ma'am. You drink a little water, you
come around.
Speaker 9 (25:32):
I don't know you, no, ma'am, my quarters and I
don't I don't know you.
Speaker 6 (25:41):
No sense giving her a fright, captain.
Speaker 13 (25:43):
I'll just go along me, Gorse, I'll throw you right
in the stockade.
Speaker 6 (25:47):
Yes, sir, oh, I.
Speaker 1 (25:51):
Take her hands, course, oh, take her hands, hold them.
Speaker 6 (25:54):
Oh, yes, sir oh.
Speaker 3 (25:58):
I guess you know happen baby like?
Speaker 1 (26:06):
Oh, I guess you're about as right as your kin
be ma'am.
Speaker 7 (26:11):
Oh, well.
Speaker 13 (26:30):
Go ahead, captain, go ahead, and what hit it? Hit it?
Speaker 6 (26:35):
It's a girl, no matter, you're supposed to hit it.
One on it. Sit down.
Speaker 13 (26:41):
That's right. It's the first right move we made.
Speaker 1 (26:47):
No, no, don't cry, little girl.
Speaker 6 (26:51):
Don't you cry. You'll wake your more.
Speaker 13 (26:54):
Don't worry, goes, I don't think of modernn.
Speaker 2 (27:18):
Fort Laramie is produced and directed by Norman MacDonald and
stars Raymond Burr as Lee Quinn's captain of cavalry, with
Vic Perrin as Sergeant Gorse. The script was specially written
for Fort Laramie by Kathleen Hit with sound patterns by
Bill James and Ray Kemper musical supervision by Amerigo Marino.
(27:38):
Featured in the cast were Jack Moyles and Harry Bartel
with Virginia, Greg Dick, Crenna, Helen cleeb and Anne Morrison.
Speaker 13 (28:02):
Company Tension.
Speaker 2 (28:08):
Dismiss next week another transcribed story of the Northwest Frontier
and the troopers who fought under Lee Quince, Captain of Cavalry.
(28:34):
Sitting ducks are supposed to be targets for trouble. Your
car is a sitting duck and yourself a target for
trouble when you part carelessly. These days, problems of finding
a parking place lead some drivers to attempt parking and
spaces that are too small. They leave parts of the
car exposed, jutting out into traffic lanes. As a result,
another car is swerving or coming around a corner can
(28:55):
smack into the exposed front or rear end. Double parking,
along with all the frustration that can cause, also increases
the hazard of this kind of accident. Don't make your
car sitting duck in the way and asking for trouble.
At the Gallery.
Speaker 2 (00:36):
Fort Laramie. Fort Laramie, starring Raymond Burr as Captain lee Quins,
especially transcribed tales of the dark and tragic ground of
(00:59):
the wild frontier, the saga of fighting men who rode
the rim of Empire, and the dramatic story of lee
Quin's captain of Cavalry.
Speaker 3 (01:23):
I've never seen the sense of it scrubbing day after day,
but you clean.
Speaker 4 (01:29):
Clothes on the dirty army. It's way to earn or keep.
Speaker 3 (01:36):
Ever, a woman marries, a man earns a keep night
and day. It's all earning.
Speaker 5 (01:43):
Not today is don't start on that talk again today.
Speaker 3 (01:48):
Now, I plum forgot about your delicate conditions.
Speaker 6 (01:51):
Della Merchant.
Speaker 4 (01:53):
Need be minding my manners more.
Speaker 3 (01:55):
It's just I ain't used to running into royalty on
soap SuDS roll honest, I.
Speaker 5 (02:00):
Ate, I didn't mean to start your offense.
Speaker 4 (02:04):
I'm sorry, sorry, are you well? You're sorry looking.
Speaker 3 (02:08):
I'll say that for you another day or two and
you won't be able to stand in the same room
with your washboard.
Speaker 7 (02:14):
All right, all right, it's a wash tub now you are.
Speaker 4 (02:19):
Couldn't you just be quiet?
Speaker 7 (02:21):
Think what you will, but keep it to yourself.
Speaker 8 (02:25):
Join yourself. Ladies having a fine social hour, are you?
Speaker 3 (02:29):
Oh, Fanny, it's her.
Speaker 8 (02:31):
Look at her?
Speaker 3 (02:32):
Can you tell by looking she's a regular queen.
Speaker 5 (02:34):
I'm doing the best I can, if you'd let me be,
if you wouldn't go at me so much.
Speaker 8 (02:41):
Listen to me, tell a merchant and hear what I say.
Speaker 9 (02:45):
Fanny, don't don't.
Speaker 8 (02:46):
Shake, now do what need be. You're not earning your pay.
Speaker 10 (02:52):
Now you get some elbow grease behind that scrubbing, or
I'll send you packing with no pay for the month.
Speaker 4 (02:57):
You wouldn't do that, Fanny.
Speaker 5 (02:59):
We need the money with the baby coming, We need
e recent.
Speaker 4 (03:03):
Fanny can't earn it. Scrump.
Speaker 8 (03:06):
That's the way you get plenty around here, Fanny, please.
Speaker 11 (03:11):
No, she's going white, Fanny, nah, ninny.
Speaker 5 (03:17):
If I could just get some air, just a little.
Speaker 8 (03:22):
Air, well, now, a little air. That's what you laugh, Fanny,
right afore our eyes.
Speaker 3 (03:27):
You don't get around here.
Speaker 10 (03:29):
All right, Stella, grab a holt one side this clothes basket.
You'll get all the air you need hanging clothes outside,
I said, grab a holt all right.
Speaker 4 (03:44):
Not quite so fast.
Speaker 8 (03:47):
Fanny, you're moving like coal molasses. Now carry away, Stella.
Speaker 11 (03:59):
Oh, pity.
Speaker 8 (04:02):
They ain't some nice shade trees for you.
Speaker 11 (04:05):
Maybe a hammock?
Speaker 8 (04:07):
Ain't you the shape for a hammock?
Speaker 12 (04:09):
Though?
Speaker 4 (04:10):
Oh maybe I shouldn't try.
Speaker 5 (04:13):
I thought I could work right up to the very
day the baby came.
Speaker 4 (04:17):
Other women do you? Ain't other women? You've no cause
to talk to me like you do. Fanny. You an
ass I never give you cause.
Speaker 11 (04:28):
You never give me nothing but an awful belly ache.
Calming and bathing and making pretty for the men.
Speaker 4 (04:36):
For my man, Fanny.
Speaker 11 (04:38):
That's it, is it? You're so full of lion's sweet talk.
You believe yourself.
Speaker 5 (04:45):
I thought we could all be friends out here, so
far from home, all of us.
Speaker 4 (04:52):
I thought we could help each other.
Speaker 11 (04:53):
And you're along on help, ain't you? Everybody? Help everybody
be happy? Well, you'll be happy, Stella, like you're so
willing to tell anything to be near Billy, happy to
earn your keep washing filters, happy to Barry's young and
happy happy happy.
Speaker 4 (05:15):
I love Billy, Fanny love ha. You don't understand. You
really don't understand. I never realized that till now.
Speaker 8 (05:30):
It's the young as don't understand.
Speaker 5 (05:33):
Did you never love Luke even then when you were young.
Speaker 4 (05:40):
Did you never love him? Fanny?
Speaker 11 (05:43):
Hang the clothes.
Speaker 4 (05:45):
It would be awful if you didn't love.
Speaker 8 (05:48):
You'll get no pay for John and taking the air
like you are. You keep saying you need the money.
We'll earn it.
Speaker 4 (05:54):
I will, Fanny, I will earn it. I'm glad to.
Speaker 11 (05:58):
And see you keep that glad stuff to yourself, You
and your loving a life you feel kicking in you.
I buried more young uns than you'll ever have.
Speaker 4 (06:08):
I'm sorry, truly sorry, Fanny. Don't you never be sorry
for me.
Speaker 13 (06:41):
We followed the Laramie all the way till it cut
through the range. There we left it and went cross
country west and north to a point about here.
Speaker 14 (06:53):
It's almost to Medicine Bowl River.
Speaker 13 (06:55):
I think their main camps in the Medicine Bowl.
Speaker 14 (06:58):
But you ran into weather camps along the way.
Speaker 13 (07:00):
M hm old camps. Major. Yeah.
Speaker 14 (07:03):
The information you got from the settlers in the area
pointed to that no Cheyenne in their vicinitiesians last fall
is not the word.
Speaker 13 (07:11):
And no army patrol since last fall. That follows to
me it does. The settlers have spent the winter in
peace since the Cheyenne ran off their horses last fall.
The cavalry sens out one small patrol in the late spring,
and the Cheyenne mysteriously reappeared.
Speaker 6 (07:28):
But not in numbers.
Speaker 13 (07:29):
All right, Cheyenne scouts, eight of them. You could have
killed them at any time. You were following them in
just about only they were leading this, Major. There's a
difference only because you were willing to be led. It
was our business reconnaissance. You don't kill eight scouts who
are leading you into a trap. Hm.
Speaker 14 (07:47):
Of course you don't if you're sure it's a trap.
Speaker 13 (07:50):
Look for two days. If we didn't keep pace with them,
they waited for us. Morning of the third day, they
cut off into a canyon that leads straight to the
medicine Bowl, like we were leading a charge behind them.
I know when I am when I see one.
Speaker 14 (08:00):
And you don't ride into them with ten men behind you.
Speaker 13 (08:03):
I don't ride into them with a company behind me.
All right, Captain, I'm I'm sorry. Major. We rode all night.
Speaker 14 (08:13):
You rode all night for three nights, and I know that.
Speaker 15 (08:16):
Lee. I want you to get some rest.
Speaker 13 (08:18):
I'd like to finish my report soon. I can wait
all morning, I don't think so.
Speaker 14 (08:24):
All right, Lee, let's get it all set I don't
like it this way, but one of us has to
get a good night's sleep.
Speaker 13 (08:31):
I'll sleep fine, Major, I will too once this is over.
Speaker 14 (08:36):
Now, from your report, you seem convinced the Cheyenne have
their main camp in the Medicine Bowt. I get the
impression you think they're getting restless and I have to
move somewhere. That country had about one winter's good hunting
left in it. They've had that if they haven't raided
since fall. You're right, we could stop them before they start.
Speaker 13 (08:56):
They'll move north, maybe as far north as the Montana territory.
Speaker 6 (09:00):
Why not south?
Speaker 13 (09:01):
Other tribes, utes, Apaches, the Cheyenne would rather face the
white man.
Speaker 6 (09:08):
You know.
Speaker 13 (09:10):
Now you're bleeding me pretty dry? Major, how's that? I
got a feeling I'm mapping a campaign I'm not going
to be part of.
Speaker 14 (09:20):
You just finished the toughest part of a campaign. A
lot of men can lead a charge. You can't do
successful reconnaissance, Major Iddington, you're assigned at quarters to eight
o'clock tomorrow morning.
Speaker 13 (09:36):
Who's gonna replace me? Major? I am and be a
fool to question that choice.
Speaker 16 (09:46):
Yes you would, that's all Captain dismiss yes him.
Speaker 13 (09:57):
Oh uh, Major, who's gonna replace you?
Speaker 16 (10:02):
Me?
Speaker 13 (10:03):
Yeah? Here is post commander. You are.
Speaker 16 (10:08):
Any questions, no, sir, no questions.
Speaker 12 (10:25):
You can't see by that light. Stella.
Speaker 4 (10:28):
I'm fine enough for this little bit of hand stitchen, Billy.
Speaker 12 (10:31):
Best you rest yourself, awhile. I want to sit in
the doorway with me in a while.
Speaker 4 (10:36):
Honey.
Speaker 12 (10:38):
It's a fine night, stellar slice of moon, nice bit
of breeze off the sweet clover.
Speaker 4 (10:47):
M I can smell it from here back home, ain't it, Billy?
Speaker 15 (10:53):
It is home?
Speaker 12 (10:53):
Still only one we ever had together? You ever think
of it? Maybe some engine in his score, sitting like
we are at night, looking out at the stars, talking
about the papoos. They don't have no time at all.
Speaker 4 (11:09):
Billy merchants? How you think of things like that?
Speaker 12 (11:14):
They come to me, don't they come to you?
Speaker 4 (11:18):
You know they do. It's part of what we have together,
you and me. That's not a man thought.
Speaker 12 (11:26):
Is just see how you sound like Luke and Joe.
Speaker 13 (11:31):
Sweet Billy they call me.
Speaker 12 (11:33):
It's just because I noticed the sky or flower.
Speaker 4 (11:36):
Don't you mind them, Billy?
Speaker 12 (11:38):
You know I don't.
Speaker 17 (11:42):
I don't mind them.
Speaker 12 (11:45):
Like you don't mind Fanning.
Speaker 17 (11:47):
Yes, why I said it that way, because that's.
Speaker 12 (11:51):
The way it is, still feeling folks like us. We
feel too much sometimes and we let folks get to
us and rub us wrong, maybe hurt of some.
Speaker 17 (12:04):
I love you, sure I said we were feeling folks.
Speaker 4 (12:13):
Huh, billy, billy.
Speaker 15 (12:17):
When you're going to have that baby?
Speaker 4 (12:18):
Still soon, honey, as soon as I can.
Speaker 15 (12:25):
It's a hard time for you.
Speaker 12 (12:27):
I know that.
Speaker 4 (12:28):
Not too hard, billy.
Speaker 15 (12:30):
You're fretting something.
Speaker 5 (12:33):
You've got some pain, not real pain like a cat,
you know, not often enough to matter.
Speaker 15 (12:41):
I wouldn't be right to lie to me, honey.
Speaker 4 (12:43):
I don't lie to you ever.
Speaker 12 (12:48):
Sometimes you don't tell me all the truth.
Speaker 17 (12:50):
Ain't that you're feeling folks too?
Speaker 4 (12:53):
You ought to know good as me?
Speaker 9 (12:55):
Yeah, yeah, you're fretting, some billy merchant, that's who's fretting
around here.
Speaker 12 (13:05):
No man's gonna be your father has all right.
Speaker 15 (13:08):
I do say some men take on worse than women, folks.
Speaker 12 (13:11):
You know that stella swimming headed morning times like that.
Speaker 5 (13:15):
M That ain't what's troubling you, No it ain't.
Speaker 15 (13:26):
I sure ain't.
Speaker 12 (13:29):
How many times I asked you to give up your
work at the laundry.
Speaker 4 (13:32):
You mean, how many times today.
Speaker 12 (13:34):
You ask me, yeah, and always you tell me it's
what you gotta do, no matter what it is. Billy,
it's the same with me, Stella. I got my work
to do, no matter what.
Speaker 4 (13:49):
Now, then, I ain't asked you to give up being
a trooper. I declare, I don't know what Bee Company
do without you.
Speaker 12 (13:55):
I ain't drawing nothing but Guesson duty for more than
a month now, I just ain't gonna last, Billy unstable
detailed to day. We were sure ready in those mounts
for something more than the prey ground.
Speaker 17 (14:11):
Stella, you got orders to move out, no man.
Speaker 12 (14:16):
No but capt'n Quince's patrol come back on the post
to day, and when reconnaissance comes back, we just gotta
be moving out.
Speaker 4 (14:25):
Be nice.
Speaker 17 (14:26):
If you's wrong, Billy, we got.
Speaker 15 (14:29):
A face up to it. Stella. Might just gotta have
that baby without me.
Speaker 12 (14:36):
I sure never plan that way if it had to be.
Speaker 15 (14:41):
Would you want to try to make it back home.
Speaker 4 (14:43):
To my mam?
Speaker 15 (14:44):
Sure?
Speaker 4 (14:45):
Why, Billy Merchant, I'd take every cent we.
Speaker 17 (14:48):
Owning then, so I ain't thinking of that.
Speaker 5 (14:51):
Well, then you think about it right now.
Speaker 4 (14:53):
Only don't take the bottle. If they was money, they
ain't time stella.
Speaker 12 (15:02):
Still, I want to be with you more than anything
I could name, but I can't.
Speaker 17 (15:08):
Ask the favor of a leave. You understand that.
Speaker 4 (15:15):
You got your work to do, Billy, no matter what.
Speaker 1 (15:39):
Come in, Captain quin Sir, Sergeant, I must have took
a wrong turn, Sir, I was told to report of
the office the post commander.
Speaker 18 (15:52):
Close the door, Sergeant, Yes, sir, Oh sit down, guys
and gorse anytime you want to get rid of.
Speaker 13 (16:03):
That stupid grin you can, yes, sir, Well you look
powerful big behind that desk. Yeah, too big for the desk,
maybe too small for the job.
Speaker 6 (16:18):
You will do what you gotta do. Captain.
Speaker 13 (16:21):
I was thinking more that we'd do what I gotta do. Gorse,
you was Major Dagger tells me that Sergeant Pearson takes
a big load off him sitting at that desk outside, But.
Speaker 6 (16:32):
He ain't sitting out there now.
Speaker 13 (16:34):
And he's getting his equipment together fixing to move out
with Major Daggett after Reverly tomorrow morning. Captain Quinn, he'll
need a good brief in, Sergeant Pearson. Will well, I'd
like to volunteer to good That saves me an order
Sergeant to go with b company as a special scout,
and when you've finished briefing him, he can fill you
in on the details of his desk job.
Speaker 6 (16:54):
One of us. Ain't listening, Captain.
Speaker 13 (16:56):
It's a side of the army. We don't know much
about gors time we did.
Speaker 1 (17:01):
You being in charge and all you think you could
arrange a quick transfer for us.
Speaker 6 (17:05):
Maybe the infantry.
Speaker 13 (17:06):
Better find Sergeant Pearson tell them all you know.
Speaker 6 (17:09):
Yes, now that'd be my job, wouldn't it?
Speaker 13 (17:14):
Till we get swinging doors?
Speaker 1 (17:17):
Guess it is, Lieutenant Sibits, Sir, Sergeant Captain quin sir.
Speaker 13 (17:28):
Oh, come in, mister Sabots. Your duty begins in an hour, Sergeant, Yes.
Speaker 19 (17:34):
Sir, with Captain's permission, I'd like to offer congratulations, sir.
Speaker 13 (17:40):
You came here for a brief and mister Sabots.
Speaker 19 (17:43):
I understand that.
Speaker 13 (17:44):
Sit down, Yes, sir, you familiar with the Horseshoe Creek
carry him?
Speaker 6 (17:50):
Oh? Yes, sir, that map you're using.
Speaker 13 (17:52):
The map's wrong? Well I do that map, Captain, Then
you're wrong. Horseshoe Creek does not feed from the medicine.
Speaker 19 (17:59):
Bowl ri no sirt from the Little Madison bow.
Speaker 13 (18:02):
Not by twenty miles. Mister Siberts, twenty miles of twisting
canyon through the Laramie Range. That's this line here. Horseshoe
Creek is east of the range. Medicine Bow and the
Little Medicine Bow or to the west. They do not join, well,
they must have once, sir. It's like a river bed
all through the floor of that canyon. They didn't join
last fall when you drew this map.
Speaker 19 (18:24):
You mean the waters didn't join the river beds.
Speaker 13 (18:26):
Did, mister Cyberts. A cavalry company moves with water, water points,
a course of travel, a campsite. I know that, sir,
do you.
Speaker 6 (18:35):
Captain Quince.
Speaker 19 (18:36):
That's the first country I ever charted, the first map
I ever drew.
Speaker 13 (18:40):
Well, it's not an excuse, sir, sounds like one, mister
sabbitts what.
Speaker 19 (18:44):
I mean seeing it was my first real attempt at all.
I never thought that we'd be using that map to
campaign by We're not.
Speaker 13 (18:51):
That's good, you bet it's good, mister Sibert's good and lucky.
I pulled this map out of the Major's files last
night to study it. I spent the rest of the
night drawing up a proper map. Here, mister Sabits, you
tear it up. Thank you, Captain, don't thank me, remember it,
remember it good, and then forget it. Captain Quence, I've
already forgotten it.
Speaker 1 (19:11):
Mister Sabots, I can't see him now, Merchant, whatever it is,
it's gotta wait.
Speaker 12 (19:28):
Babies, don't wait, Sergeant.
Speaker 6 (19:30):
Trouble here, man, No trouble, Captain, Captain quin Sir, that's enough.
Speaker 13 (19:35):
Trooper Company bees forming fours in the parade ground. Merchant, Yes,
a captain, but what I know?
Speaker 12 (19:40):
But's about it, Captain Quince, I respectfully request permission for
an it can't I please get a hearing from.
Speaker 6 (19:48):
You, sir, Captain don't conduct no hearings this time of date.
Speaker 13 (19:50):
Troopers. All right, guys, let's have it, Merchant and quick.
Speaker 12 (19:54):
Oblige sir anytime now, any little minute. I'm gonna have
a baby, Captain.
Speaker 13 (20:00):
Sergeant, my respects to Major Daggett telling Trooper Merchant will
be on the parade ground in two minutes.
Speaker 12 (20:05):
Yes, Sir, I met my wife, Captain Stella, she's having
the baby.
Speaker 13 (20:11):
I'm glad to hear that, Merchant.
Speaker 12 (20:13):
Now, seeing it's her first, Sir, and her being alone,
I mean, no kinfolk nearby to help lend a hand.
Speaker 13 (20:20):
I hope you are not asking me for leave, Trooper.
Speaker 12 (20:23):
No, no, no, sir, I mean to move out with
the company.
Speaker 13 (20:26):
You'll move out with a company. You'll have nothing on
your mind but the cheyenne. I know what you mean, sir,
And all we got to settle is what you mean. Merchant.
Speaker 12 (20:36):
Well, sir, it pleased me to tell Stella that the
post surgeon was on hand to tend after her and
I and the baby too when it comes well that
that is her son. Sir, Well, it had eased me
some if you was pleased to tell me I was
telling Stella all the truth.
Speaker 13 (20:59):
The post surgeon was leaving with b company. Merchant. I see, sir,
your wife in your quarters now, No.
Speaker 12 (21:07):
Sir, no, she's working in the laundry.
Speaker 13 (21:10):
Oh we're holding things up.
Speaker 12 (21:12):
Much, yes, sir, And thanks for hearing me out e merchants.
Speaker 13 (21:17):
You know that I merchant, women have babies every day.
Speaker 15 (21:26):
Yes, I I'll sure try to look on it that way, sir.
Speaker 13 (21:30):
Good luck tripper.
Speaker 4 (21:44):
Look at that.
Speaker 11 (21:44):
Luke never was a man so glad to leave his woman.
Speaker 3 (21:48):
There one is glad right next to him, Joe Beemon
and smirking quits on my nerves. Sometimes seeing that brother
face engine arrows.
Speaker 11 (21:58):
And us and I agree, even none myself.
Speaker 8 (22:01):
Luke's been home a month, a good month, good and long.
That's a fact.
Speaker 11 (22:07):
I know what you're thinking, as you sure you'll be
to yourself, fall to yourself.
Speaker 6 (22:14):
That's pure blessing.
Speaker 8 (22:17):
You know it is, Fanny.
Speaker 4 (22:19):
They haven't gone yet.
Speaker 5 (22:21):
I was most afraid they'd be gone.
Speaker 3 (22:23):
Will now look who's managing a brave little smile.
Speaker 11 (22:28):
She don't know enough to laugh as hair?
Speaker 9 (22:31):
No mind, I don't see Billy.
Speaker 5 (22:35):
Could you just point out Billy to me?
Speaker 3 (22:38):
Use your young eyes. No matter you don't see him.
He couldn't stand a chance of missing you. Popping queen
into the parade grounds away yard.
Speaker 8 (22:47):
Could be your sweet Billy's in trouble.
Speaker 10 (22:49):
He was late for formation and he come out of
headquarters with Captain Quince's.
Speaker 5 (22:54):
So you can't threaten me, Fanny, see what you will
have told you.
Speaker 9 (22:59):
You can't fret me.
Speaker 4 (23:00):
I ain't.
Speaker 5 (23:01):
Nobody can frit me no more.
Speaker 3 (23:04):
There they go, only stir insightly. His bands are plane
and playing the flyers manly.
Speaker 4 (23:17):
Then what wouldn't if you see him? Part out Billy
to me?
Speaker 9 (23:22):
I declared, I can't see him yet, Well.
Speaker 8 (23:24):
You're not likely to yet.
Speaker 10 (23:25):
These officers up fronted Major Daggett, that Lieutenant Cyber, who's
that other.
Speaker 8 (23:31):
And riding atwixt him? Well, I declared, that's major Trucks.
Speaker 11 (23:36):
I don't see him.
Speaker 8 (23:36):
Riding off every day. Wonder who's hitting in the.
Speaker 3 (23:39):
Hospital with him?
Speaker 8 (23:40):
Or going Who's who's major trucks?
Speaker 10 (23:43):
You mean you don't know the post surgeon when you
see him, who's surgainly?
Speaker 8 (23:49):
Or you didn't think he'd stay here to look after yours? Now,
did you?
Speaker 9 (23:54):
You must not have known, Billy, wouldn't have said if
you didn't know, Billy, Billy, don't you worry none?
Speaker 4 (24:09):
Now, Billy, not to worry.
Speaker 13 (24:16):
Come on, ask for this.
Speaker 8 (24:18):
Turns my stomach good.
Speaker 6 (24:33):
I'll get the door for you. Captain.
Speaker 13 (24:35):
Sure, this is where she lives. It's merchants, all right.
Turn the bed down, gorse, yes.
Speaker 6 (24:44):
Sir, some mite stuffy in here. I'll get that.
Speaker 13 (24:51):
We had some water ghost. She's limp as a rag, yes, sir, just.
Speaker 6 (25:03):
Like I found a captain keeled over in the tracks, a.
Speaker 13 (25:05):
Little water on her face, maybe a little brightener. She's
breathing quiet enough to quiet Captain. I don't think so.
Speaker 6 (25:16):
Billy m really, she thinks you're her husband. Captain.
Speaker 13 (25:23):
Big mistake here, ma'am. You drink a little water, you
come around.
Speaker 9 (25:32):
I don't know you, no, ma'am, my quarters and I
don't I don't know you.
Speaker 6 (25:41):
No sense giving her a fright, captain.
Speaker 13 (25:43):
I'll just go along me, Gorse, I'll throw you right
in the stockade.
Speaker 6 (25:47):
Yes, sir, oh, I.
Speaker 1 (25:51):
Take her hands, course, oh, take her hands, hold them.
Speaker 6 (25:54):
Oh, yes, sir oh.
Speaker 3 (25:58):
I guess you know happen baby like?
Speaker 1 (26:06):
Oh, I guess you're about as right as your kin
be ma'am.
Speaker 7 (26:11):
Oh, well.
Speaker 13 (26:30):
Go ahead, captain, go ahead, and what hit it? Hit it?
Speaker 6 (26:35):
It's a girl, no matter, you're supposed to hit it.
One on it. Sit down.
Speaker 13 (26:41):
That's right. It's the first right move we made.
Speaker 1 (26:47):
No, no, don't cry, little girl.
Speaker 6 (26:51):
Don't you cry. You'll wake your more.
Speaker 13 (26:54):
Don't worry, goes, I don't think of modernn.
Speaker 2 (27:18):
Fort Laramie is produced and directed by Norman MacDonald and
stars Raymond Burr as Lee Quinn's captain of cavalry, with
Vic Perrin as Sergeant Gorse. The script was specially written
for Fort Laramie by Kathleen Hit with sound patterns by
Bill James and Ray Kemper musical supervision by Amerigo Marino.
(27:38):
Featured in the cast were Jack Moyles and Harry Bartel
with Virginia, Greg Dick, Crenna, Helen cleeb and Anne Morrison.
Speaker 13 (28:02):
Company Tension.
Speaker 2 (28:08):
Dismiss next week another transcribed story of the Northwest Frontier
and the troopers who fought under Lee Quince, Captain of Cavalry.
(28:34):
Sitting ducks are supposed to be targets for trouble. Your
car is a sitting duck and yourself a target for
trouble when you part carelessly. These days, problems of finding
a parking place lead some drivers to attempt parking and
spaces that are too small. They leave parts of the
car exposed, jutting out into traffic lanes. As a result,
another car is swerving or coming around a corner can
(28:55):
smack into the exposed front or rear end. Double parking,
along with all the frustration that can cause, also increases
the hazard of this kind of accident. Don't make your
car sitting duck in the way and asking for trouble.
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