April 23, 2024 • 30 mins
Please enjoy Sweet Voyager a great episode of the legendaryGrand Hotel - A Classic Old Time radio Show.
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(00:07):
The National Broadcasting Companies Land Marquis,Land Marquis Lighted by Stars, Sleeking,
Glowing, blazing with millions lights andcolors against the night sky. The National
Broadcasting Companies Mammoth Billboard announces another excitingevening in the world of mate Billy to
(00:35):
Night. Land Marquis stars Allen Tolaywith Barrel Vaughn in a light matted tale
of love on the High Seas byJoe Brenzback entitled Sweet Voyagers. An hour
before the play itself, here's abreeding from nbcge on Star Olan Soulay,
(00:58):
Thank You, Please, Servy,and Brief Ladies and Gentlemen. Today's story
revolves around some very curious antics onthe broad Atlantic, young and obliging Greg's
Saunders bound for New York, whochivalry is not dead, only to spend
several wakeful, nicely pains. Beforeit's all over. He finds himself in
the middle of a neat triangle involvingthe devil, a sweet young thing,
(01:21):
the deep blue sea, and hisown very much occupied state room. Greg's
troubles are just beginning as he embarksat the English Sports All the show and
that should take care of it.I believe well, have a good trip,
(01:44):
break my boy, hat. I'msure I will. Oh, hello
there, my dear, be rightwith you? You had just called all
the show a hockey. I verywell, Greg, I think we've covered
everything. If there's anything in NewYork you can't handle, got near table.
I'll do that, mister Harris,And you might keep an eye on
my wife and daughter on the flipover, keep them out of trouble.
(02:08):
You better come along if you expectto get off. The boat's waiting for
my dear. Oh, mister syou mind if I leave by hesbox here?
I don't know why I've been carryingit new mind? No, no,
a Thomas Harry's Well, let's goup then, sholle we coming Greg
after you. Mister Harris. Areyou sure you're warm enough with dear?
(02:36):
Oh, I'm fine. Mother.If you're sure, there's no point in
catching pull the first hour out.Just smell that air, don't you love
to see mister Saunders? Well,yeah, it's very nice scenarios. I
can hardly believe we're really on ourway. We were going to wait for
mister Horsley, you know, butheaven knows when he'll be coming home.
(02:57):
I imagine he'll be several months.Yes see, it's a lot of work
to set up in your office,and he seems to want to handle himself.
Father's always said, but to dosomething, well, you must do
what you're saying. Yes, dear, and I suppose he's right, and
you're going to take care of thingsat home march mister Saunders, Tomas Harris
gets back. Mister Harris has alot of confidence in you. I'll tell
you that much. Oh, yes, mister Saunders. He talked about you
(03:19):
a great deal. Yeah, wellhe's been very nice to me. He
takes you're a queen cuts don't thereis, mister Saunders. Ruth here,
so heaven knows it's true. Butsometimes I almost feel that you're one of
the family. I'm glad you feelthat way, missus Harrison. It's been
hearing so much about you. Isuppose now during the voice I hope you'll
(03:43):
have a chance really to get quiteto mister Saunder. Oh yes, huh,
oh, yes, of course.Well I'm afraid this Reece is a
bit chilly for me. Will youexcuse me, mister Saunders. Oh you
needed to come, Ruth. Itwouldn't be philoperous both of is it,
mister Saunders Goba, Miss Harris,m hm, well here we are.
(04:09):
Yeah, it's a call for you, is it? Oh? I think
it's wonderful. Oh well, haveyou ever been to England before? No?
Oh, I see you know.I'm awesome glad you're going back with
us. I was afraid it wasgoing to be an awfully borning trip,
(04:29):
you know it. Maybe we're justgetting started. Oh no, I think
it'll be wonderful now. Uh huh, well that's hope. So Missaris,
please call me Ruth? All right, Ruth? Do you mind if I
call you Greg? I think it'smuch friendlier. Well, I mean father's
always talking about you, and I'veseen you. It is awfuse and everything.
(04:50):
It's not as though we've just met. And the scene still waste a
lot of time being formal. Imean, unless you just don't like a
person at all, don't you thinkso? And I, uh, I
can't say that. I really thoughtabout it, and it's it's rude.
I suppose you're right. Oh,I'm glad you agree with me. I
was afraid you might think I wasbeing well, uh, aggression, of
(05:13):
course not. I can be youknow, Uh, I mean to forgo
see someone she likes. Why shouldn'tshe go after him? No reason?
I thought you know something great?No, what I think I like you?
Oh? Well I look, uhyou excuse me, I have to
(05:34):
well, I'll see you later.Oh I'm sure you will. Mister Shandy
nice see see ah sanctuary. OhI'm sorry, wrong room. Excuse me,
(05:56):
no, but he that was mystate room. I beg your pardon,
miss, but you're in the wrongroom. This is for sorry.
Oh I'm all right. I almostgot lost myself coming down here. Do
you remember your room? No?You see? Never mind, I'll call
the story. You can. No, don't do that though. If you
(06:18):
didn't, well, if you've forgottenthe number, I'm all right. I'll
just be going. I'm told you. Sorry to bother with you. I'm
sure I can't help you. Thankyou, good time, good luck?
Say you what's your name? Oh? Well, that's wasting time trying to
be formal. Harassed woman feature herwandering in. Here's funny that girls should
(06:46):
forget her room. Well back again? Hey, what's them out of her?
Come out of my closet? Didyou hear me? I said,
come out of that? Will youlook what's this all about? It?
All right? I'm coming, okay, what does it do it? Speaking
of pardon sir, but did theyoung iron the enter room just now?
(07:10):
A young lady? Oh yeah,to tub your heir. But from the
end of the corridor it did lookas though she went in here. Well
what did you look like? Wasthere more than one? Sir? Oh
yeah, I mean if I shouldbe oh see, sir, then she's
not here, not unless she's hidingin the Closet's very amazing. I'm sorry
(07:32):
to bother you, sir, Areall right? What's she done? The
fact is, sir, Jesus soawry still are you sure? Oh?
Yes, sir, came aboard withthe visitors at the doctor. I'm mocked
her at the time, recognized herquite easily just now rather striking young lady,
Sir, I may say so,m well, I hope you find
(07:55):
her, yes, sir, thankyou, sir. All right, I
can come out of the closet now, Cozy, I've known you were coming.
I might have arranged for a biggerclauses. Thanks after Saundry Gregg say
fine, fine, now that we'vemet, goodbye, goodbye, But where
(08:18):
would I do so? Where dosto aways go, I'm a said,
I don't know you see, Ihaven't had much experience just sing want to
turn you had some outside my stateroom. Well, I suppose I'll have to
sooner or later. I'd like verymuch to help you, miss Bradford,
but just now I'm not in themood be romantic. So all right,
it is very nice if you're notto tell us stewish or very foolish.
(08:41):
I haven't decided that's good. Pleasejust a minute rule what should we do
in the closet? All right,and try not to sneeze. We're coming.
I'm coming. Well, what canI do for You'm not mad?
Are you about? What I mean? It wasn't very nice to me to
(09:05):
teage you like I did. Iwant to apologize you less rather abruptlyn.
Oh, so that's it. Sure, your apology accepted. And now I've
got a lot of things to do. That isn't what I came down about.
Mother said she left her hat dockhere if I look, No,
of course not. But I don'tthink it's here. I don't see it
anywhere. No, I don't either, But oh I know, pats the
(09:28):
stupid it in the closet with yoursteel chase the closet. But no,
no, I don't think it's youhave to find out Paris the rude.
I'm sure it's not a closet.No, no, I've not said there
before you came and I didn't seeno problem again, no, no,
yeah, no rude. I seeyou said you didn't see it. Huh
(09:54):
what what do you know about that? I think you were hiding it on
purpose, just to get easy.Do you really forgive me for teasing you
this afternoon? For sure? Ofcourse I do want to be friends Greg.
Alright, you fine, find wonderfulanything you say. I'm also glad
you feel that way. Coming outto dinner. It's almost time. Well,
I'll be along a few minutes.You go ahead. Oh do look
(10:16):
for you? Good bye, Grace. She must be in there, miss
Bradman. Where are you? Oh? All right? Come on out from
under that tapcoat? Do you hearme? Come on out? Will you?
What? But grief? She's founded? Are you still here? Okay?
(10:50):
I turn on the light. Fastbrought you something to eat from dinner?
Oh you shouldn't have done that?Why not? I've been doing things
I shouldn't all day? You feelbetter. Yes, little it is dreadful
of me to see. Well,who should help that? Now? What's
about about? All about? Yeah? You? For instance? Why did
you leave home? Oh? Weto begin with? I rent with my
(11:13):
mother mother. Oh, it's whereI don't know you see, my home
is in Philadelphia. You're nothinglish,no, though I thought I do found
it. You see, my motherwas English and we read there to live
just after my father died. Iwas quite small then two years ago mother
died, And now now you decidedto go back to Philadelphia. Well,
it's too meetic at any rate.I didn't have much money, so well
(11:35):
here I am. Don't remind me. It is dreadful for you, Isn't
it only temporarily? My sweet youngboy? Do you can bet on that?
Are you going to turn me in? That depends? Ye? Well,
since you're not feeling well, I'mgoing to give you a break.
You can stay here and rest untilmidnight. After that you're on your own.
(11:56):
Goodn't it? Well? All right? But what will you do hanging
until midnight? Dance? What youhaving? Ships? Dance? Announced dinner?
Oh? Will your lady's friend bethere? What the one that came
in the fast? Oh? Yes, so what I just wondered? It's
(12:16):
you pitty? Well? Yes,what difference does that make? And I
hope you have a good time.Oh, don't you worry? I will.
(12:41):
Oh, it's loving you to givehim a drink. I could dance
all night. Where do you thinkyou're bout? Oh? Good art,
isn't it? Are you worried aboutsomething? I mean you must be thinking
about something. Well, I wasjust wondering what time it was. Oh
(13:01):
that's not very nice. Don't youlike to dance with me? Yeah?
Yes you? Uh, you dancedvery well, Ruth. That's what I
said this afternoon, isn't it?I mean about going after someone? You
lie? What? I don't knowwhat you're talking about? Yes, you
do. You're broody? Oh,don't be silly. What is it?
Then? Something's bothering you? Don'tyou feel well? Well? Well,
(13:22):
I do have a slight headache.We sat for a while. If you
want to, would you mind?I think we'd better where so soon?
Aren't you going to finish the dance? Mister Saunders has a headache? Yes,
if you'll excuse me, I thinkperhaps i'd better go to my room.
Oh no, it does. He'sa shame point to leave missus White,
(13:43):
leave Nike. I know, butI mean, well, I should
get to sleep. My head.You off, I'll see you in the
morning. Roof Miss Harry, Oh, I think you're just being mean.
Well, I am sorry, butwell the net JUSTI s pray. Oh,
poor boy, he must say,yes, he's been acting awfully movie.
(14:05):
You want my opinion, Ruth here, I think he's just chin you
do. After all, you arethe boss his daughters. I can see
why it might make him uncomfortable.You don't think he has a headache.
He looks perfectly all right to me. I wouldn't give all surprised if you
were up on death this moment,just standing there looking off into space and
feeling sorry for himself. And thenI like that, my dear, do
(14:28):
you really think he is? Isuppose you couldn't find out if you wanted
to. Great bet you hello,I thought you were going to bet your
(14:50):
room. He just stopped up forbreath of air. Thought it might clear
my head me too. Well,I guess i'll go down now. Do
you want me to come with you? Why should you? Well? I
mean, if you're really feeling badly, you shouldn't be wondering about the ship
by yourself. You might fall overboardor something. That segreggy is all that?
(15:11):
Oh, you're just being heroic.I don't think you really want to
go to your room at all,but I do. Well, maybe when
you are he grouth. Won't yourmother be worried? Shouldn't you back pretty
soon? Oh? She knows whereI am. It's all right. Great.
It's dark up here, isn't it. Yeah, it's too Yeah,
(15:35):
maybe you better go down where it'slike? Oh no, I like it.
Doesn't it do something to your remindsme that i'd better get some sleep.
But that's what you mean. Now, why don't you run along like
a good little girl? Well youneedn't treat you like a child, that's
all. I'm twelve. I'm sorry. Don't you like me at all?
Of course? Oh? I thinkyou're just wonderful. Yeah, well,
(16:04):
hey, I know it's all right, but please say where it's just boiled.
Let's just wish here in the moonlightand watch the sun come on the
sun. Now, love here,unless you want me to walk you down
your room. No, you arewonderful, Green, I'm terrific, tens
(16:40):
of it. That's just a huh. You did give me a start then,
Why you were twistedn't that deckcare?Well? Forget me, but I
thought but that something was wrong.He where am I? Oh game?
Sorry, sir? You seem tohave been asleep? Oh yeah, II
(17:04):
five estatemom is comfortable, sir,stayed road. You're falling asleep up here?
Sir. I thought perhaps you wereuneasy last night. Oh no,
everything's fine, fine? Yeah,So what time is it? Just shorter
eight o'clock sir. They'll be servingbreakfast soon. Oh thanks, not at
(17:25):
all, sir. Yeah, wellbegging your importance, sir. But well
further, seems to be a bitof piper for truding from your left too.
But it stopped me as odd sirsaying it there? Oh oh yeah,
that's an old laundry list. Thankyou joan of course, sir.
(17:52):
Well I'll see you later, Isuppose. Oh yes, sir, excuse
me, sir, M wat's thesun come out? We don't know what's
this all about? M M gregdear hmm, it got awfully cold,
and I don't think it was verynice of you to go to sleep.
(18:15):
Maybe we can see the sunrise someother time. You looked so cute.
I didn't have the heart to wakeyou. I'll come to your stateroom and
get you for breakfast. Love,Ruthie, I'll come to your stateroom.
Stateroom. Oh we smoke, it'salmost timeful breakfast. Now it's that Huique.
(18:42):
Yes, has this Harris been downhere yet? Why? No?
Should she happen? That's something?So now, Miss Bradford, you didn't
come back last night? No,but now it was awfully nice of you.
I mean it works out beautifully ifit's not too hard on you.
What are you talking about? Whyyou're finding another place to see so I
can stay here? I'm terribly gratefully. No, wait a minute, you're
(19:03):
a way ahead of yourself, younglady. Just got up, rude,
not dressed yet? Well, looksrude. You go out ahead. I'll
be some time yet. No,no, no, I'll see you in
(19:26):
the dining room. You go ahead, sure? Sure? Are you bad?
Close? I thought you were jokingyou off to look Miss Bradford.
Never mind about her. Now you'regetting out of here. No, I
mean you didn't come back last night. I told you that I changed my
(19:47):
mind. No thanks, then Ican't stay No, not another minute.
You saw what almost happened. Don'tyou what if Miss Harrison had come down
before I got back. I'm sorry, Miss Bradford for this thing just gone
on long enough. I'll give youjust ten seconds to get out of here.
Ten seconds now, please, I'veoh, all right, three seconds
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second, yes, and that's final. Oh, good morning, mister Sanders
(20:32):
up early again today on you,sir. Good morning Steward, Yes,
sir, I can't sleep late anymore. Then it might be the weather,
sir, bit roth these past threeor four days there more the same to
die, I should say yes,yes, I've noticed, really appreciate the
snug birthdays, nights, ey,sir, I pretty the legs with the
night watch. Well, cheerio,sir, goodbye. Uh let's see for
(21:02):
a be see ah, here weare, Paula. Oh guys, what
up? Beautiful bed? M Yeah, good morning mm tires. But you
don't look as though you're slept verymuch? Oh great, glad do you
(21:25):
steep? I told you a friendof mine. Well, coffee is very
good. You have bags under youreyes optical illusion. Great? How does
your friends happen to have the roomfor you? I told all the rooms
for food? Huh oh he he'sa very thin fellow. It doesn't be
wonder why he's been going to hisroom every night instead of coming here.
He hasn't said anything yet. Stopworrying. What's his name? What difference
(21:47):
is it make? You're all right, aren't you? Yes? But I
feel dreadful. Everything's fine. Let'sstop talking about it, all right?
Greg? Are you sure it's beenall right time? Look, Paula.
After six nights on that deck,I'm in no mood? Oh that is
on deck? You mean you think? Oh? Greg? Excited? I
hadn't sleep somewhere. Why didn't youtell me? This is the point.
(22:11):
You couldn't have done anything. Icould I I wouldn't have stayed here.
I side. No, it doesn'tmatter. As long as you come this
part, you might as well seeit through. It'll be in New York
in two days and then what well, I don't know. You try to
sneak off the ship. I supposehe won't work, Greig. Besides,
I'm tired of living like a convict. You're tired? How about me?
You in here, me on thedeck all night, and that Harris grolling
(22:33):
my hair all day? I mean, you've had it pretty sot off hiding
all the time, afrade to moveby or sleeping on the deck and running
around with that root? And whatyou got to do with it? Right?
Nothing? Nothing at all? Whydid you mention it? You mentioned
your first besides? What does hismess now? Paula? If you'll just
be reading reasonable? If I wantto call it quick, that's my business.
(22:56):
Well all right, I don't knowwhat I'm arguing about it. I
don't care what you do. Iadn't make that fuck about. Don't bind
me, give yourself up, jumpoverboard you anything? You're like the guys
wont good tie? Falla her business? I gave mm hmm anyway, I
got my bed back. Oh gosh, what's the overboard? Oh no,
(23:22):
you wouldn't sure sure? Who isit? You don't like your to?
Why she was thinking over the livehush and then we'll to I'm not you
whoa? Why don't they do somethingthat's wrong? Thinking about the vice bit
chopping today? Oh de s youcan see your name just beyond that you're
here? Oh my code. No, I wouldn't kill that time we did
(23:47):
it another man over ball, manover ball? That yeah, no,
pall up, Yeah, I'm coming, hang on, I'll get you.
(24:11):
Where are you all right? Allright, I've got you. I'll kick
your feet. Come on, getyour head up, please, darling.
What what would you say? Ruth? Oh? No, oh? Oh?
(24:44):
What happened from now? Now?Now? It's all right, Missus
Londers. Just take it easy.But what the seams, young lady got
a headlock on you. You passedout just before we fished you out of
the water. Oh thanks, CaptainJones, the only one that gets thanks,
Missus Hounders. You hadn't kept missHarris a float until we got there,
we might have lost the passenger.She all right, amazing, She'll
(25:07):
be around to see you presently.I imagine. Where are we back in
your state room, mississ Ounders,all safe my stake room. Why what's
the matter? But oh yeah,I've forgotten she gave herself up? Mmm?
She alright? I told you she'sfine. There's not a thing to
worry about when you do it.Well, I don't know as I need
(25:29):
to do anything, he said.Maybe keep an eye on her. There
won't be any trouble, of course, not unless she falls overboard again overboard?
Oh but maybe coming. Oh hello, Missus Harris of Coursey. He's
all right now. Cool, dearboy, how do you feel it?
Hello? Missus Haren Ruth, Oh, Craig, it was just the bravest
(25:49):
thing I've ever heard of. I'veawfully proud of you and grateful. I
think we're all proud of him,Miss heared Well, I guess you young
people can get along without me.Oh, don't go, Captain John Well,
I have the ship to run,mister Saunders. I just wanted to
be sure you were comfortable and ifI can do anything for you, JUN
(26:15):
don't know what it would be,unless, less, of course, you
wanted to get married or something.Well. As a matter of fact,
Captain John Oh great. Well,now, mister Saunders, I don't know
that. I don't know what tosay. I mean, it was lovely
and romantic and everything, but butI didn't think you get serious. Oh
but she is young, mister waiteda long engagement to happen. Oh,
(26:41):
please understand, Greg, I meanI do like you, but gosh,
I'm not not a colleging. Well, mister Saunders, seems you've made a
mistake. Please a few people Await a minute, I'll finish what I
was going to say. Excite yourself. I'm not excited the first place.
I have just intention of marrying anybody. Then what for you? Saying,
(27:03):
Captain Jones, did you mean thatabout wanting to do something for me?
Never meant anything more? Mister Saunders. Just name it well, and I
very much appreciate anything you can dofor Miss Bradford. Who the story stowaway?
What are you talking about? He'stalking about me, Captain Joe Paula,
Why your class? Oh no,no, no, no, wait
(27:29):
a minute soon, all right,young lady, what is all this?
You shall be? I haven't aticket. I meant to give myself up
when I lost my nerves. Ihadn't hear during all this, pecle,
I see where he's an American citizen. Captain, I'll about for it.
Well, you said you'd like todo something for me. Yes, I
know, mister Saunders. But hehad to do was name it, didn't
(27:52):
you? Yeah? Thanks? Willask I must say she looks for by
Captain Joe not talk what you'd expect. Well, all right, I may
be sticking my neck out, butcome up to my quarters and we'll see
what we can do. That's terriblynice. If you, Captain Jones,
oh, don't like me, don'tblame me still. Promise is a promise.
I'll be expecting you. Yes,we'll come right away, Captain Jones,
(28:14):
and thank you. I suppose weshould go too. Yes, I
think it's awfully exciting. Yeah,well see you later route. Goodbye missus,
Harry, good bye Graig. Yes, she's just lovely. Yes,
yes, you know it's really quitenice, isn't she? Oh uh huh,
(28:37):
Billy love them to be jealous ofit, jealous I was you know,
gee, Paul, when you wentout of here this afternoon, I
well, let's lose I know,Greg, That's why I came back.
Oh, Paul, you are lovely? Come here? Oh did you mean
(29:02):
what you said a little while ago? What was that you said? You
hadn't the slightest intention of marrying anybody? What do you think, darling?
I think we'd better see the captain. Thank you, ladies and gentlemen.
(29:30):
This is all and two away again. We look enjoyed the night story.
Next week, Grand Marquis will offerthe rib tippling story of an actor and
actress who, in throwing things ateach other very nearly throw a good play
right out of business. We thinkyou'll enjoy h Donald's Fat's play Wildcats Strike.
Good Night Night's original play Sweet Voyagerwas written by Joe Brenzblack and produced
(30:06):
by Norman Seldon. Allen Say playedGreg and Beryl Vaughn played Paula. The
orchestra was conducted by Joseph Crichio withoriginal music composed by Amosustrum. Once for
the next performance when Grand Marquee,Will Agan plays with light and color high
in the gay Airways, inviting youto join our audience for a performance of
Wildcat Strike. You're announcer Cleve Kirby. Grand Marquee is produced in Chicago.
(30:32):
This is NBC, the National BroadcastingCompany. Broadcasting Company
The National Broadcasting Companies Land Marquis,Land Marquis Lighted by Stars, Sleeking,
Glowing, blazing with millions lights andcolors against the night sky. The National
Broadcasting Companies Mammoth Billboard announces another excitingevening in the world of mate Billy to
(00:35):
Night. Land Marquis stars Allen Tolaywith Barrel Vaughn in a light matted tale
of love on the High Seas byJoe Brenzback entitled Sweet Voyagers. An hour
before the play itself, here's abreeding from nbcge on Star Olan Soulay,
(00:58):
Thank You, Please, Servy,and Brief Ladies and Gentlemen. Today's story
revolves around some very curious antics onthe broad Atlantic, young and obliging Greg's
Saunders bound for New York, whochivalry is not dead, only to spend
several wakeful, nicely pains. Beforeit's all over. He finds himself in
the middle of a neat triangle involvingthe devil, a sweet young thing,
(01:21):
the deep blue sea, and hisown very much occupied state room. Greg's
troubles are just beginning as he embarksat the English Sports All the show and
that should take care of it.I believe well, have a good trip,
(01:44):
break my boy, hat. I'msure I will. Oh, hello
there, my dear, be rightwith you? You had just called all
the show a hockey. I verywell, Greg, I think we've covered
everything. If there's anything in NewYork you can't handle, got near table.
I'll do that, mister Harris,And you might keep an eye on
my wife and daughter on the flipover, keep them out of trouble.
(02:08):
You better come along if you expectto get off. The boat's waiting for
my dear. Oh, mister syou mind if I leave by hesbox here?
I don't know why I've been carryingit new mind? No, no,
a Thomas Harry's Well, let's goup then, sholle we coming Greg
after you. Mister Harris. Areyou sure you're warm enough with dear?
(02:36):
Oh, I'm fine. Mother.If you're sure, there's no point in
catching pull the first hour out.Just smell that air, don't you love
to see mister Saunders? Well,yeah, it's very nice scenarios. I
can hardly believe we're really on ourway. We were going to wait for
mister Horsley, you know, butheaven knows when he'll be coming home.
(02:57):
I imagine he'll be several months.Yes see, it's a lot of work
to set up in your office,and he seems to want to handle himself.
Father's always said, but to dosomething, well, you must do
what you're saying. Yes, dear, and I suppose he's right, and
you're going to take care of thingsat home march mister Saunders, Tomas Harris
gets back. Mister Harris has alot of confidence in you. I'll tell
you that much. Oh, yes, mister Saunders. He talked about you
(03:19):
a great deal. Yeah, wellhe's been very nice to me. He
takes you're a queen cuts don't thereis, mister Saunders. Ruth here,
so heaven knows it's true. Butsometimes I almost feel that you're one of
the family. I'm glad you feelthat way, missus Harrison. It's been
hearing so much about you. Isuppose now during the voice I hope you'll
(03:43):
have a chance really to get quiteto mister Saunder. Oh yes, huh,
oh, yes, of course.Well I'm afraid this Reece is a
bit chilly for me. Will youexcuse me, mister Saunders. Oh you
needed to come, Ruth. Itwouldn't be philoperous both of is it,
mister Saunders Goba, Miss Harris,m hm, well here we are.
(04:09):
Yeah, it's a call for you, is it? Oh? I think
it's wonderful. Oh well, haveyou ever been to England before? No?
Oh, I see you know.I'm awesome glad you're going back with
us. I was afraid it wasgoing to be an awfully borning trip,
(04:29):
you know it. Maybe we're justgetting started. Oh no, I think
it'll be wonderful now. Uh huh, well that's hope. So Missaris,
please call me Ruth? All right, Ruth? Do you mind if I
call you Greg? I think it'smuch friendlier. Well, I mean father's
always talking about you, and I'veseen you. It is awfuse and everything.
(04:50):
It's not as though we've just met. And the scene still waste a
lot of time being formal. Imean, unless you just don't like a
person at all, don't you thinkso? And I, uh, I
can't say that. I really thoughtabout it, and it's it's rude.
I suppose you're right. Oh,I'm glad you agree with me. I
was afraid you might think I wasbeing well, uh, aggression, of
(05:13):
course not. I can be youknow, Uh, I mean to forgo
see someone she likes. Why shouldn'tshe go after him? No reason?
I thought you know something great?No, what I think I like you?
Oh? Well I look, uhyou excuse me, I have to
(05:34):
well, I'll see you later.Oh I'm sure you will. Mister Shandy
nice see see ah sanctuary. OhI'm sorry, wrong room. Excuse me,
(05:56):
no, but he that was mystate room. I beg your pardon,
miss, but you're in the wrongroom. This is for sorry.
Oh I'm all right. I almostgot lost myself coming down here. Do
you remember your room? No?You see? Never mind, I'll call
the story. You can. No, don't do that though. If you
(06:18):
didn't, well, if you've forgottenthe number, I'm all right. I'll
just be going. I'm told you. Sorry to bother with you. I'm
sure I can't help you. Thankyou, good time, good luck?
Say you what's your name? Oh? Well, that's wasting time trying to
be formal. Harassed woman feature herwandering in. Here's funny that girls should
(06:46):
forget her room. Well back again? Hey, what's them out of her?
Come out of my closet? Didyou hear me? I said,
come out of that? Will youlook what's this all about? It?
All right? I'm coming, okay, what does it do it? Speaking
of pardon sir, but did theyoung iron the enter room just now?
(07:10):
A young lady? Oh yeah,to tub your heir. But from the
end of the corridor it did lookas though she went in here. Well
what did you look like? Wasthere more than one? Sir? Oh
yeah, I mean if I shouldbe oh see, sir, then she's
not here, not unless she's hidingin the Closet's very amazing. I'm sorry
(07:32):
to bother you, sir, Areall right? What's she done? The
fact is, sir, Jesus soawry still are you sure? Oh?
Yes, sir, came aboard withthe visitors at the doctor. I'm mocked
her at the time, recognized herquite easily just now rather striking young lady,
Sir, I may say so,m well, I hope you find
(07:55):
her, yes, sir, thankyou, sir. All right, I
can come out of the closet now, Cozy, I've known you were coming.
I might have arranged for a biggerclauses. Thanks after Saundry Gregg say
fine, fine, now that we'vemet, goodbye, goodbye, But where
(08:18):
would I do so? Where dosto aways go, I'm a said,
I don't know you see, Ihaven't had much experience just sing want to
turn you had some outside my stateroom. Well, I suppose I'll have to
sooner or later. I'd like verymuch to help you, miss Bradford,
but just now I'm not in themood be romantic. So all right,
it is very nice if you're notto tell us stewish or very foolish.
(08:41):
I haven't decided that's good. Pleasejust a minute rule what should we do
in the closet? All right,and try not to sneeze. We're coming.
I'm coming. Well, what canI do for You'm not mad?
Are you about? What I mean? It wasn't very nice to me to
(09:05):
teage you like I did. Iwant to apologize you less rather abruptlyn.
Oh, so that's it. Sure, your apology accepted. And now I've
got a lot of things to do. That isn't what I came down about.
Mother said she left her hat dockhere if I look, No,
of course not. But I don'tthink it's here. I don't see it
anywhere. No, I don't either, But oh I know, pats the
(09:28):
stupid it in the closet with yoursteel chase the closet. But no,
no, I don't think it's youhave to find out Paris the rude.
I'm sure it's not a closet.No, no, I've not said there
before you came and I didn't seeno problem again, no, no,
yeah, no rude. I seeyou said you didn't see it. Huh
(09:54):
what what do you know about that? I think you were hiding it on
purpose, just to get easy.Do you really forgive me for teasing you
this afternoon? For sure? Ofcourse I do want to be friends Greg.
Alright, you fine, find wonderfulanything you say. I'm also glad
you feel that way. Coming outto dinner. It's almost time. Well,
I'll be along a few minutes.You go ahead. Oh do look
(10:16):
for you? Good bye, Grace. She must be in there, miss
Bradman. Where are you? Oh? All right? Come on out from
under that tapcoat? Do you hearme? Come on out? Will you?
What? But grief? She's founded? Are you still here? Okay?
(10:50):
I turn on the light. Fastbrought you something to eat from dinner?
Oh you shouldn't have done that?Why not? I've been doing things
I shouldn't all day? You feelbetter. Yes, little it is dreadful
of me to see. Well,who should help that? Now? What's
about about? All about? Yeah? You? For instance? Why did
you leave home? Oh? Weto begin with? I rent with my
(11:13):
mother mother. Oh, it's whereI don't know you see, my home
is in Philadelphia. You're nothinglish,no, though I thought I do found
it. You see, my motherwas English and we read there to live
just after my father died. Iwas quite small then two years ago mother
died, And now now you decidedto go back to Philadelphia. Well,
it's too meetic at any rate.I didn't have much money, so well
(11:35):
here I am. Don't remind me. It is dreadful for you, Isn't
it only temporarily? My sweet youngboy? Do you can bet on that?
Are you going to turn me in? That depends? Ye? Well,
since you're not feeling well, I'mgoing to give you a break.
You can stay here and rest untilmidnight. After that you're on your own.
(11:56):
Goodn't it? Well? All right? But what will you do hanging
until midnight? Dance? What youhaving? Ships? Dance? Announced dinner?
Oh? Will your lady's friend bethere? What the one that came
in the fast? Oh? Yes, so what I just wondered? It's
(12:16):
you pitty? Well? Yes,what difference does that make? And I
hope you have a good time.Oh, don't you worry? I will.
(12:41):
Oh, it's loving you to givehim a drink. I could dance
all night. Where do you thinkyou're bout? Oh? Good art,
isn't it? Are you worried aboutsomething? I mean you must be thinking
about something. Well, I wasjust wondering what time it was. Oh
(13:01):
that's not very nice. Don't youlike to dance with me? Yeah?
Yes you? Uh, you dancedvery well, Ruth. That's what I
said this afternoon, isn't it?I mean about going after someone? You
lie? What? I don't knowwhat you're talking about? Yes, you
do. You're broody? Oh,don't be silly. What is it?
Then? Something's bothering you? Don'tyou feel well? Well? Well,
(13:22):
I do have a slight headache.We sat for a while. If you
want to, would you mind?I think we'd better where so soon?
Aren't you going to finish the dance? Mister Saunders has a headache? Yes,
if you'll excuse me, I thinkperhaps i'd better go to my room.
Oh no, it does. He'sa shame point to leave missus White,
(13:43):
leave Nike. I know, butI mean, well, I should
get to sleep. My head.You off, I'll see you in the
morning. Roof Miss Harry, Oh, I think you're just being mean.
Well, I am sorry, butwell the net JUSTI s pray. Oh,
poor boy, he must say,yes, he's been acting awfully movie.
(14:05):
You want my opinion, Ruth here, I think he's just chin you
do. After all, you arethe boss his daughters. I can see
why it might make him uncomfortable.You don't think he has a headache.
He looks perfectly all right to me. I wouldn't give all surprised if you
were up on death this moment,just standing there looking off into space and
feeling sorry for himself. And thenI like that, my dear, do
(14:28):
you really think he is? Isuppose you couldn't find out if you wanted
to. Great bet you hello,I thought you were going to bet your
(14:50):
room. He just stopped up forbreath of air. Thought it might clear
my head me too. Well,I guess i'll go down now. Do
you want me to come with you? Why should you? Well? I
mean, if you're really feeling badly, you shouldn't be wondering about the ship
by yourself. You might fall overboardor something. That segreggy is all that?
(15:11):
Oh, you're just being heroic.I don't think you really want to
go to your room at all,but I do. Well, maybe when
you are he grouth. Won't yourmother be worried? Shouldn't you back pretty
soon? Oh? She knows whereI am. It's all right. Great.
It's dark up here, isn't it. Yeah, it's too Yeah,
(15:35):
maybe you better go down where it'slike? Oh no, I like it.
Doesn't it do something to your remindsme that i'd better get some sleep.
But that's what you mean. Now, why don't you run along like
a good little girl? Well youneedn't treat you like a child, that's
all. I'm twelve. I'm sorry. Don't you like me at all?
Of course? Oh? I thinkyou're just wonderful. Yeah, well,
(16:04):
hey, I know it's all right, but please say where it's just boiled.
Let's just wish here in the moonlightand watch the sun come on the
sun. Now, love here,unless you want me to walk you down
your room. No, you arewonderful, Green, I'm terrific, tens
(16:40):
of it. That's just a huh. You did give me a start then,
Why you were twistedn't that deckcare?Well? Forget me, but I
thought but that something was wrong.He where am I? Oh game?
Sorry, sir? You seem tohave been asleep? Oh yeah, II
(17:04):
five estatemom is comfortable, sir,stayed road. You're falling asleep up here?
Sir. I thought perhaps you wereuneasy last night. Oh no,
everything's fine, fine? Yeah,So what time is it? Just shorter
eight o'clock sir. They'll be servingbreakfast soon. Oh thanks, not at
(17:25):
all, sir. Yeah, wellbegging your importance, sir. But well
further, seems to be a bitof piper for truding from your left too.
But it stopped me as odd sirsaying it there? Oh oh yeah,
that's an old laundry list. Thankyou joan of course, sir.
(17:52):
Well I'll see you later, Isuppose. Oh yes, sir, excuse
me, sir, M wat's thesun come out? We don't know what's
this all about? M M gregdear hmm, it got awfully cold,
and I don't think it was verynice of you to go to sleep.
(18:15):
Maybe we can see the sunrise someother time. You looked so cute.
I didn't have the heart to wakeyou. I'll come to your stateroom and
get you for breakfast. Love,Ruthie, I'll come to your stateroom.
Stateroom. Oh we smoke, it'salmost timeful breakfast. Now it's that Huique.
(18:42):
Yes, has this Harris been downhere yet? Why? No?
Should she happen? That's something?So now, Miss Bradford, you didn't
come back last night? No,but now it was awfully nice of you.
I mean it works out beautifully ifit's not too hard on you.
What are you talking about? Whyyou're finding another place to see so I
can stay here? I'm terribly gratefully. No, wait a minute, you're
(19:03):
a way ahead of yourself, younglady. Just got up, rude,
not dressed yet? Well, looksrude. You go out ahead. I'll
be some time yet. No,no, no, I'll see you in
(19:26):
the dining room. You go ahead, sure? Sure? Are you bad?
Close? I thought you were jokingyou off to look Miss Bradford.
Never mind about her. Now you'regetting out of here. No, I
mean you didn't come back last night. I told you that I changed my
(19:47):
mind. No thanks, then Ican't stay No, not another minute.
You saw what almost happened. Don'tyou what if Miss Harrison had come down
before I got back. I'm sorry, Miss Bradford for this thing just gone
on long enough. I'll give youjust ten seconds to get out of here.
Ten seconds now, please, I'veoh, all right, three seconds
(20:11):
second, yes, and that's final. Oh, good morning, mister Sanders
(20:32):
up early again today on you,sir. Good morning Steward, Yes,
sir, I can't sleep late anymore. Then it might be the weather,
sir, bit roth these past threeor four days there more the same to
die, I should say yes,yes, I've noticed, really appreciate the
snug birthdays, nights, ey,sir, I pretty the legs with the
night watch. Well, cheerio,sir, goodbye. Uh let's see for
(21:02):
a be see ah, here weare, Paula. Oh guys, what
up? Beautiful bed? M Yeah, good morning mm tires. But you
don't look as though you're slept verymuch? Oh great, glad do you
(21:25):
steep? I told you a friendof mine. Well, coffee is very
good. You have bags under youreyes optical illusion. Great? How does
your friends happen to have the roomfor you? I told all the rooms
for food? Huh oh he he'sa very thin fellow. It doesn't be
wonder why he's been going to hisroom every night instead of coming here.
He hasn't said anything yet. Stopworrying. What's his name? What difference
(21:47):
is it make? You're all right, aren't you? Yes? But I
feel dreadful. Everything's fine. Let'sstop talking about it, all right?
Greg? Are you sure it's beenall right time? Look, Paula.
After six nights on that deck,I'm in no mood? Oh that is
on deck? You mean you think? Oh? Greg? Excited? I
hadn't sleep somewhere. Why didn't youtell me? This is the point.
(22:11):
You couldn't have done anything. Icould I I wouldn't have stayed here.
I side. No, it doesn'tmatter. As long as you come this
part, you might as well seeit through. It'll be in New York
in two days and then what well, I don't know. You try to
sneak off the ship. I supposehe won't work, Greig. Besides,
I'm tired of living like a convict. You're tired? How about me?
You in here, me on thedeck all night, and that Harris grolling
(22:33):
my hair all day? I mean, you've had it pretty sot off hiding
all the time, afrade to moveby or sleeping on the deck and running
around with that root? And whatyou got to do with it? Right?
Nothing? Nothing at all? Whydid you mention it? You mentioned
your first besides? What does hismess now? Paula? If you'll just
be reading reasonable? If I wantto call it quick, that's my business.
(22:56):
Well all right, I don't knowwhat I'm arguing about it. I
don't care what you do. Iadn't make that fuck about. Don't bind
me, give yourself up, jumpoverboard you anything? You're like the guys
wont good tie? Falla her business? I gave mm hmm anyway, I
got my bed back. Oh gosh, what's the overboard? Oh no,
(23:22):
you wouldn't sure sure? Who isit? You don't like your to?
Why she was thinking over the livehush and then we'll to I'm not you
whoa? Why don't they do somethingthat's wrong? Thinking about the vice bit
chopping today? Oh de s youcan see your name just beyond that you're
here? Oh my code. No, I wouldn't kill that time we did
(23:47):
it another man over ball, manover ball? That yeah, no,
pall up, Yeah, I'm coming, hang on, I'll get you.
(24:11):
Where are you all right? Allright, I've got you. I'll kick
your feet. Come on, getyour head up, please, darling.
What what would you say? Ruth? Oh? No, oh? Oh?
(24:44):
What happened from now? Now?Now? It's all right, Missus
Londers. Just take it easy.But what the seams, young lady got
a headlock on you. You passedout just before we fished you out of
the water. Oh thanks, CaptainJones, the only one that gets thanks,
Missus Hounders. You hadn't kept missHarris a float until we got there,
we might have lost the passenger.She all right, amazing, She'll
(25:07):
be around to see you presently.I imagine. Where are we back in
your state room, mississ Ounders,all safe my stake room. Why what's
the matter? But oh yeah,I've forgotten she gave herself up? Mmm?
She alright? I told you she'sfine. There's not a thing to
worry about when you do it.Well, I don't know as I need
(25:29):
to do anything, he said.Maybe keep an eye on her. There
won't be any trouble, of course, not unless she falls overboard again overboard?
Oh but maybe coming. Oh hello, Missus Harris of Coursey. He's
all right now. Cool, dearboy, how do you feel it?
Hello? Missus Haren Ruth, Oh, Craig, it was just the bravest
(25:49):
thing I've ever heard of. I'veawfully proud of you and grateful. I
think we're all proud of him,Miss heared Well, I guess you young
people can get along without me.Oh, don't go, Captain John Well,
I have the ship to run,mister Saunders. I just wanted to
be sure you were comfortable and ifI can do anything for you, JUN
(26:15):
don't know what it would be,unless, less, of course, you
wanted to get married or something.Well. As a matter of fact,
Captain John Oh great. Well,now, mister Saunders, I don't know
that. I don't know what tosay. I mean, it was lovely
and romantic and everything, but butI didn't think you get serious. Oh
but she is young, mister waiteda long engagement to happen. Oh,
(26:41):
please understand, Greg, I meanI do like you, but gosh,
I'm not not a colleging. Well, mister Saunders, seems you've made a
mistake. Please a few people Await a minute, I'll finish what I
was going to say. Excite yourself. I'm not excited the first place.
I have just intention of marrying anybody. Then what for you? Saying,
(27:03):
Captain Jones, did you mean thatabout wanting to do something for me?
Never meant anything more? Mister Saunders. Just name it well, and I
very much appreciate anything you can dofor Miss Bradford. Who the story stowaway?
What are you talking about? He'stalking about me, Captain Joe Paula,
Why your class? Oh no,no, no, no, wait
(27:29):
a minute soon, all right,young lady, what is all this?
You shall be? I haven't aticket. I meant to give myself up
when I lost my nerves. Ihadn't hear during all this, pecle,
I see where he's an American citizen. Captain, I'll about for it.
Well, you said you'd like todo something for me. Yes, I
know, mister Saunders. But hehad to do was name it, didn't
(27:52):
you? Yeah? Thanks? Willask I must say she looks for by
Captain Joe not talk what you'd expect. Well, all right, I may
be sticking my neck out, butcome up to my quarters and we'll see
what we can do. That's terriblynice. If you, Captain Jones,
oh, don't like me, don'tblame me still. Promise is a promise.
I'll be expecting you. Yes,we'll come right away, Captain Jones,
(28:14):
and thank you. I suppose weshould go too. Yes, I
think it's awfully exciting. Yeah,well see you later route. Goodbye missus,
Harry, good bye Graig. Yes, she's just lovely. Yes,
yes, you know it's really quitenice, isn't she? Oh uh huh,
(28:37):
Billy love them to be jealous ofit, jealous I was you know,
gee, Paul, when you wentout of here this afternoon, I
well, let's lose I know,Greg, That's why I came back.
Oh, Paul, you are lovely? Come here? Oh did you mean
(29:02):
what you said a little while ago? What was that you said? You
hadn't the slightest intention of marrying anybody? What do you think, darling?
I think we'd better see the captain. Thank you, ladies and gentlemen.
(29:30):
This is all and two away again. We look enjoyed the night story.
Next week, Grand Marquis will offerthe rib tippling story of an actor and
actress who, in throwing things ateach other very nearly throw a good play
right out of business. We thinkyou'll enjoy h Donald's Fat's play Wildcats Strike.
Good Night Night's original play Sweet Voyagerwas written by Joe Brenzblack and produced
(30:06):
by Norman Seldon. Allen Say playedGreg and Beryl Vaughn played Paula. The
orchestra was conducted by Joseph Crichio withoriginal music composed by Amosustrum. Once for
the next performance when Grand Marquee,Will Agan plays with light and color high
in the gay Airways, inviting youto join our audience for a performance of
Wildcat Strike. You're announcer Cleve Kirby. Grand Marquee is produced in Chicago.
(30:32):
This is NBC, the National BroadcastingCompany. Broadcasting Company
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