July 24, 2025 • 29 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Terrific entertainment, Sheer Melvin Douglas and we were Dancing, Plus
a Hero and Overalls Joe Smith American starring Robert Young
with Marsha.
Speaker 2 (00:10):
Hunt Thatt, Thursday, Lowe State, Grummans Chinese.
Speaker 3 (00:21):
Hell.
Speaker 4 (00:25):
The Jello Program Current to you from the New NBC
Studios in San Francisco, starring Jack Fenney with Mary Livingston,
Tel Harris, Dennis A. Rochester and Yours Truly, Don Wilson.
The Orchotrope's a program with We Did It Before.
Speaker 2 (00:46):
Friends.
Speaker 4 (00:46):
The next time you have Jello for dessert, if you
don't notice that it's better than ever, because today that
famous flavor that is made Jello, America's favorite jelatin dessert
is even richer and more delicious thanks to Jello's new
and exclusive from says, this new processional locks in the
Jello flavor, protect it for your enjoyment. Heightens the pleasure
that Jello gives you now more than ever before. You'll
(01:09):
find real joy in Jello. You'll thrill to its bright,
shimmering beauty, and you'll know a new delight in its
tangies zestful flavor. Flavor is refreshing, is the juicy ripe
fruit itself. But pull to yourself what tempting goodness you
get in Jello's new locked in flavor. Open a package
of jello. Notice that there's no tell tal roma, no
(01:30):
sign of escaping flagrance and flavor.
Speaker 1 (01:32):
Then dissolve the tiny jello particles, and notice how.
Speaker 4 (01:35):
Jello's captive goodness comes pouring out. Delightfully good, gloriously rich.
Get jello tomorrow and discover what a lot of extra
enjoyment you get in Jello's locked in flavor.
Speaker 2 (02:14):
That was we did it before, played by the orchestra.
Speaker 4 (02:17):
And now, ladies and gentlemen, as you all know, we
are assembled here today to dedicate the new NBC building
in San Francisco.
Speaker 5 (02:31):
Yes, sir, God is.
Speaker 4 (02:32):
Only sitting and proper on this momentous occasion that we.
Speaker 2 (02:35):
Bring you a man who was also pleasant when.
Speaker 4 (02:37):
Robert Fulton dedicated the first team most Jack Benny.
Speaker 2 (02:50):
Thank you, thank you, thank you. Julo again, there's a
Jack Benny talking to.
Speaker 4 (02:57):
A brand new microphone and don I'm in two good
a mood today, mister Benny, Hello, mic hello, Max Pesting passing.
Speaker 6 (03:11):
Oh say okay, go ahead.
Speaker 2 (03:21):
Gelo again.
Speaker 4 (03:22):
This is Jack Benny Doff talking and Don, I'm in
too good a mood today.
Speaker 5 (03:27):
Hello Mic Hello, mix deathing passing? Okay, go ahead, uh
jelo again.
Speaker 4 (03:45):
This is Jack Benny talking and Don I'm in too
good a mood today.
Speaker 7 (03:49):
Hello Steve, Hello, Hello Steve.
Speaker 2 (03:54):
Wait a minute, what happened to Matt? He just got drafted? Oh?
Speaker 4 (04:02):
I was wondering anyway, Don, I am really in a
marvelous mood today.
Speaker 2 (04:07):
Here we are in.
Speaker 4 (04:08):
This beautiful building, and a cure of the thrill being
here for the opening of these new studios, isn't it? Yes, Jack,
I've never seen such a gorgeous layoffs. The surroundings are
so luxurious, and the page boys and ushers have such
swanky uniforms.
Speaker 2 (04:20):
You think the page boys are swanky? Don you know
that apple machine they've got backstage? Yes?
Speaker 4 (04:26):
Well I got an apple out of it just now,
and the worm was wearing a tuxedo.
Speaker 2 (04:38):
I didn't mind that.
Speaker 4 (04:39):
So much, but he looked me straight in the eye
and said, you better be good tonight, buddy.
Speaker 2 (04:43):
There's a worm I hate so fresh.
Speaker 4 (04:47):
And another thing, Jack, I've never seen such courteous and
obliging staff. Well, the service is simply wonderful. Service is right, Don,
Have you have you noticed the beautiful elevator operators they
have here?
Speaker 5 (04:58):
Oh? I sure have.
Speaker 4 (05:00):
Talk about servant I said in the elevator a while ago,
and the girl said to me up down, or shall
we neck? I took up like a darn pool.
Speaker 2 (05:14):
Imagine. But seriously, Jack, this.
Speaker 4 (05:16):
Building represents the last word in scientific advancement.
Speaker 2 (05:19):
It certainly does.
Speaker 4 (05:20):
It's a testimonial to the ingenuity of twentieth century communications.
Speaker 2 (05:24):
That's right, it's a tribute.
Speaker 4 (05:25):
To modern engineering and a milestone in the progress of radio. Yes, Don,
and in a couple of hours Fred Allen will be
on the air and proved that all this was in vain.
You know, Don Allen's program is the only major BOWS
unit I ever saw that never went any place. But
(05:50):
getting back to the dedication of this building, I think
that we.
Speaker 7 (05:55):
Right this way.
Speaker 2 (05:56):
Folk, follow me, everybody. It's a studio way, a sight
seeing tour right in the middle of the program. Now, folk,
let me call your attention to this beautiful auditorium.
Speaker 4 (06:08):
Note the apple green walls, the vivid orange drapes, and
the big blue eyes of our master of Pharamon. Now listen, buddy,
We're right in the middle of a broadcast.
Speaker 2 (06:18):
Quiet.
Speaker 4 (06:19):
Please, this room can see three hundred and twenty five people,
or six hundred and fifty if they want to cuddle.
Speaker 2 (06:27):
Now, look, buddy, are there any questions? Please? Hey?
Speaker 8 (06:29):
Yes?
Speaker 7 (06:29):
What time is it?
Speaker 9 (06:30):
Bustle for Cataloma?
Speaker 2 (06:32):
Mary, come here, I'll stick around. We're on the air.
Speaker 3 (06:44):
Okay, see you later, abercommie.
Speaker 4 (06:46):
I'll follow me, folks, and we'll proceed if the studio
b If you get lonesome, Mary, I'll be down the hall. Mary,
what's the idea of following that guide around on a
sightseeing tour?
Speaker 10 (06:56):
I drop my hands.
Speaker 2 (06:58):
You won't give it back to me? Oh you know.
Speaker 9 (07:02):
Jack, I went all through the building in a cure.
Speaker 2 (07:04):
Is going Hi? You're telling me? Yes, Murray.
Speaker 4 (07:07):
Jack was remarking about the beautiful girls that run the elevator.
Speaker 9 (07:10):
You think there's something you ought to see? The cute
fellow that runs up state elevator. He looks just like
Caesar Romero.
Speaker 2 (07:16):
Caesar Romeo. Yeah.
Speaker 9 (07:17):
When I got on, he said, ups down or.
Speaker 3 (07:19):
Shall we run us?
Speaker 5 (07:23):
Well?
Speaker 2 (07:23):
That is service. I'd happened to come up on the
freight elevator. Anyways, I got a hot.
Speaker 3 (07:27):
Tip from a girlfriend of mine.
Speaker 4 (07:30):
Oh, I'll have to ride down with that guy. I
want to brush up on my Charleston.
Speaker 2 (07:37):
Of course, NBC.
Speaker 4 (07:41):
NBC is so commercial, he'll probably charge me tenpence a dance.
Speaker 3 (07:44):
You know, what do you mean commercial?
Speaker 11 (07:47):
NBC is tatting all of our expenses while we're here
in San Francisco.
Speaker 2 (07:51):
They are.
Speaker 11 (07:52):
Yeah, they're paying for all us food, taxis and entertainment.
Speaker 2 (07:58):
They are.
Speaker 3 (08:02):
And they're even paying our hotel bills.
Speaker 2 (08:05):
Well, that's settled that. I'm going to get a room tonight.
Speaker 12 (08:14):
Mary, Mary, Are you sure NVC is paying for our
food too?
Speaker 2 (08:19):
Of course? Why don't somebody tell me these things?
Speaker 4 (08:22):
I've been here two days? How do I know how
much food I've had?
Speaker 9 (08:26):
Very simple?
Speaker 11 (08:27):
Just take the sandwiches you brought up some Los Angeles
and subtrack the ones you didn't eat.
Speaker 4 (08:33):
Now, I only packed a couple of sandwiches and I
ate them on the train the long trip, and I
got hungry.
Speaker 9 (08:38):
Well, if you were hungry, why didn't eat?
Speaker 3 (08:39):
And the diner the diner, yeah, you ought to go
in one sometime.
Speaker 9 (08:43):
They got tables and waiters and everything.
Speaker 4 (08:47):
I know. I know where do you think I get
my toothbakes on the train.
Speaker 3 (08:52):
Now?
Speaker 2 (08:52):
Worsh out at all about NVC paying our expenses though,
you know when they first.
Speaker 5 (08:57):
Light fIF way.
Speaker 2 (08:57):
Well tell me every play.
Speaker 4 (09:00):
Hey, this is getting to be us. Let me call
your attention to this beautiful auditorium. Note the apple green walls,
the vivid orange grapes, and the old gray wig on
our master's side. Now, Jess, some minute, buddy, Buddy's my brother.
Speaker 6 (09:17):
I am ab acropt.
Speaker 2 (09:20):
I don't care who you are.
Speaker 4 (09:20):
I don't want you interrupting in the middle of a broadcast.
Speaker 2 (09:23):
Quiet, please, there are three hundred people now seated in
the studio. Folks, twenty five walked out since I was
here last. That's a lie. I'll beat it, will you?
Are there any questions? Please? Yes?
Speaker 13 (09:35):
Why don't we get to trim Town or Dinna Benny?
Speaker 4 (09:50):
That terrific applause you just heard, Folks is breaking Benny's tire.
Speaker 8 (09:53):
Oh get on, Frances, guy, Say mister Benny, I was
out in front of the building just now, and you
know that.
Speaker 4 (10:02):
Oh hello, hello Dennis, having a good time up here.
Speaker 5 (10:05):
Well, but I'm a little lonely.
Speaker 2 (10:08):
Lonely, that's too bad.
Speaker 8 (10:10):
Say mister Bennie. I was out in front of the
building just now, and you know that big what are you?
Speaker 7 (10:13):
Uh?
Speaker 2 (10:14):
What?
Speaker 6 (10:18):
What?
Speaker 2 (10:22):
What? What do you mean? Lonely? Didn't you call that
telephone number I gave you? Yeah, but a girl answer,
so I hung up you you hung off.
Speaker 4 (10:36):
I like to play hide to get Well, that makes sense,
but only to you.
Speaker 8 (10:41):
Say, mister Bennie. I was out in front of the
building just now. And you know that big mural that
got there, that's got all different cours.
Speaker 5 (10:47):
Yes, well the booklet said.
Speaker 8 (10:49):
That's got one million, seven dred and fifty two thousand,
eight hundred and twelve individual pieces of pile in it.
Speaker 6 (10:54):
That's a lie.
Speaker 2 (11:01):
How do you know?
Speaker 1 (11:02):
I counted them?
Speaker 2 (11:04):
You counted them. I never saw anyone so suspicious.
Speaker 9 (11:07):
Well, it's your own fault, Jack. Then it wasn't the
least the cynical, so it came to work for you.
Speaker 2 (11:12):
What do you mean.
Speaker 9 (11:13):
Every tata you make them guess which wall it shall?
It's cowlry under.
Speaker 4 (11:20):
Well, certainly I just make a game out of it.
Speaker 2 (11:22):
I hope I win pretty soon.
Speaker 4 (11:24):
I gotta have a tooth pick, Oh has a tooth
and bother you Dennis, let's have a look at it.
Speaker 9 (11:33):
You can't fix it here way l after the program.
Speaker 2 (11:35):
I wasn't fixing.
Speaker 4 (11:36):
I was looking, Oh, Jenny, dear well, Dennis, Dennis, Oh
we're nuts. That's the end of the season, you know, Uh, Dennis,
I think I think we're about ready for a musical.
Speaker 2 (11:57):
Salute to this new building.
Speaker 4 (11:59):
So let's have your n Okay, wait a minute, I
better test that new microphone before you sing, Steve, it's
all right, allomac allo, Steve testing testing almac allow, Steve.
Speaker 2 (12:19):
Well, it's working, all right.
Speaker 1 (12:20):
Go ahead, sing, kid.
Speaker 7 (12:38):
You are with.
Speaker 10 (12:42):
My phone.
Speaker 14 (12:45):
Even for your fall away, I can hear them use it.
Speaker 2 (12:53):
But.
Speaker 10 (12:55):
With you, you are always in my fall.
Speaker 14 (13:02):
And when tis a bather Gray, I remember, have you
pay Nanda the fun breakpool. Just before I go to sleep,
there's a rundettle Hicky.
Speaker 7 (13:24):
And the dream I always need help me forget where
for I don't know.
Speaker 10 (13:33):
I cop one one saw me again?
Speaker 7 (13:41):
And my darling, do we do?
Speaker 10 (13:45):
You are always in my fall?
Speaker 7 (13:49):
Just before I go to sleep.
Speaker 5 (13:53):
There's a rundez Hicky.
Speaker 14 (13:56):
And the dream I always need help you forget where.
Speaker 7 (14:07):
I don't know exactly why, but I'm sure will need.
Speaker 2 (14:19):
My door.
Speaker 10 (14:23):
We do.
Speaker 4 (14:27):
You with.
Speaker 10 (14:32):
More back?
Speaker 2 (14:47):
I was always in my heart done by Dennis Day.
Speaker 4 (14:50):
And just think, Dennis, that's the first song to him
to emanate.
Speaker 1 (14:57):
Bad word the monkey with there too, And just think.
Speaker 4 (15:00):
Na's that's the first song to emanate from this new building.
Speaker 2 (15:03):
That's a hot one. What what do you mean that's
the hot one?
Speaker 13 (15:08):
How that got by the sensors. I'll never know what
are you talking about.
Speaker 2 (15:16):
I've been around. I've been around.
Speaker 6 (15:18):
Be quiet, silly, guys, No.
Speaker 2 (15:25):
Use postponing it. I got to have a talk with
that kid. And now, folks, and write this way. Folks,
follow me, everybody. That's the studio. Ay, well, here we
go again.
Speaker 4 (15:37):
Oh let me call your attention to the apple green walls,
the vivid orange draits, and the pink elephants skipping about
in the orchestra. Now, buddy, for the last time, I please,
I mean questions, please? Yes, where's Phil Harris, my favorite bandleader?
Speaker 2 (15:55):
All right, my sir, come over? Gee, what a reception.
Speaker 4 (16:05):
Thank heavens. I'm not egotistical. We had to rehearse him
on that word egotistic though.
Speaker 5 (16:12):
Fair.
Speaker 2 (16:12):
We're waiting for you.
Speaker 4 (16:13):
He's got a program to do. Now beat there, Okay,
follow me.
Speaker 2 (16:16):
Folks, nothing's gonna happen here.
Speaker 4 (16:17):
Anyway, I'm gonna report that guy. Well, well expectant.
Speaker 6 (16:24):
I uh, it's gonna be a bother in a couple
of days.
Speaker 2 (16:31):
You know.
Speaker 4 (16:31):
Well, I've been trying to get hold of you all day.
Speaker 2 (16:33):
Where are you stopping?
Speaker 4 (16:34):
Well, Frankie, my guitar player, and me checked in at
the Fairmount. We got the bridles sweep the bridle swee days.
Speaker 2 (16:41):
How do you like it?
Speaker 6 (16:42):
Let's go hot.
Speaker 4 (16:43):
Last night Frankie married the chambermaid n a sleep.
Speaker 6 (16:45):
In the lobby.
Speaker 4 (16:51):
Well, I'm glad to hear the Frankie is finally settled down.
Speaker 2 (16:57):
I uh, I must send his ride some sort of
a wedding present. Don't send her a mock. She's got
eight of my.
Speaker 4 (17:07):
Oh, maybe i'll send her a night's galvanized.
Speaker 2 (17:09):
Pail or something. I'll have it monogram. What's her name, Phil?
I don't know, Hey, frank you, what's her name?
Speaker 5 (17:15):
I don't know?
Speaker 4 (17:16):
Hey, have a yet, I'll just send her a plane pale.
Speaker 2 (17:30):
And Ancidentally, Phil, just because NBC is paying.
Speaker 1 (17:33):
Your expenses in San Francisco, you didn't.
Speaker 2 (17:35):
Have to splurge on a suite.
Speaker 8 (17:37):
She is NBC paying mister Harris's expensive up here.
Speaker 1 (17:40):
Yes, Dennis and now, ladies and gentlemen, are.
Speaker 7 (17:42):
They paying mine too? Yes?
Speaker 2 (17:44):
Yes Dennis. And now, ladies and gentlemen.
Speaker 13 (17:46):
Then let you and I check out of that all
night movie.
Speaker 4 (17:58):
Don't worry, Dennis, We're moving over to the Palace Hotel.
Speaker 2 (18:01):
Can we get a bride a sweet tooth? Or well? Yes,
I please? Hotel has crowded. I wish I had my hope.
Speaker 6 (18:07):
Chest here, my cook pajamazon.
Speaker 2 (18:14):
Oh should.
Speaker 4 (18:17):
And now, ladies and gentlemen, as I started to announce
for our feature attraction this evening, the Benny Fisherman's.
Speaker 1 (18:24):
Wharf isn't the only thing around here that smells.
Speaker 4 (18:26):
Players will present an original drama in honor of this
new NBC building. Now it isn't common knowledge, but approximately
one hundred years ago, on the very spot where this
great edifice now stands, there was a little gambling house
(18:47):
and dance hall known as the Happy.
Speaker 2 (18:49):
Hour Tea Room. Yes, sir, a happy Hour Tea Room.
Faul of how to get that name? A guy ordered
Tina once and a bouncer slapped him.
Speaker 6 (18:56):
Till he was happy.
Speaker 4 (19:00):
I play this evening, Ladies and gentlemen, we are going
to reenact a scene that took place on this very
spot over ninety years ago. I will be the proprietor
of the happy hour, that famous gambler, Jack Ace fucking.
Speaker 9 (19:15):
You're going to be a gambler.
Speaker 2 (19:16):
Yeah, sure, why not?
Speaker 9 (19:18):
You wouldn't bet four dollars at Oakland Bridge goes to Oakland.
Speaker 2 (19:23):
I'll take that bet. Not a gamblery anyway. Mary.
Speaker 4 (19:28):
In our play, you're going to be Lulu Davenport, my sweetheart,
oh fine, who is madly in love with a handsome
young bartender.
Speaker 3 (19:37):
Oh fine.
Speaker 4 (19:41):
Looks like the part of the bartender will be played
by Phil Harris.
Speaker 1 (19:47):
Phil, here's a book on how to make drinks?
Speaker 5 (19:49):
Are you kidding?
Speaker 2 (19:53):
Definitely? Now, Dennis, you're going to be an old prospector.
You think you can do it? Flamed Stan Night ten, Yes.
Speaker 15 (20:00):
Sir, that was last week, now, Don Don Wilson, Yes, Jack,
we want some authentic San Francisco atmosphere.
Speaker 4 (20:12):
So you're going to play the part of knob Hill.
Lay down or lie down rather, I'm sorry, Morty, lie
down and.
Speaker 2 (20:23):
Now, folks, this thrilling and nostalgic.
Speaker 4 (20:25):
Drama of yesteryear will go on immediately after.
Speaker 2 (20:29):
I'll take it.
Speaker 6 (20:31):
Hello, Hello, mister Benny's Rochester.
Speaker 2 (20:39):
Hello, Rochester. Where I am?
Speaker 5 (20:41):
I'm caloed from Wolfman Boss.
Speaker 2 (20:42):
I'm stopping with friends.
Speaker 4 (20:43):
Is Well, it's about time you called. I've been trying
to locate you for two days.
Speaker 5 (20:48):
I just ran across myself myself.
Speaker 2 (20:57):
What what are you talking about?
Speaker 10 (20:59):
Well?
Speaker 2 (20:59):
You see, I was born in Oakland, bors uh huh.
Speaker 4 (21:02):
Ever since I got here, fattything to's been delightfully out
of focus. I can imagine. Now, Rochester, you work for me,
don't you?
Speaker 2 (21:16):
Yes? In other words, your job is not to be
in Oakland, but here in San Francisco at my hotel.
Is that correct?
Speaker 4 (21:23):
Yes, you're supposed to unpack my bags, press my clothes,
and answer the poem. Now, what happened first time the
pone rang?
Speaker 2 (21:30):
It was for me.
Speaker 4 (21:34):
Well, listen, Rochester, you come over to my hotel immediately.
We're leaving for Los Angeles tomorrow. I don't want you
to miss that train.
Speaker 2 (21:40):
That's why I called your boss. Can I spend the
week up here?
Speaker 12 (21:43):
You see?
Speaker 2 (21:43):
Next Wednesday is my birthday? Next Wednesday is your birthday, Rochester.
If I remember correctly.
Speaker 4 (21:50):
You celebrated your birthday about a month ago.
Speaker 2 (21:52):
I did, Yes, you did.
Speaker 5 (22:01):
Well, you can take my word to this boss.
Speaker 2 (22:03):
I'm blessing.
Speaker 4 (22:07):
You better blushed, and I walked on that plane tomorrow afternoons.
Speaker 2 (22:09):
Goodbye, goodbye.
Speaker 1 (22:11):
Don't say pauls Now.
Speaker 2 (22:13):
What doesn't this lives to need a new maid or something?
A new maid? No, not that I know of.
Speaker 7 (22:18):
Okay, so long, I'll think of something.
Speaker 6 (22:21):
Money.
Speaker 2 (22:24):
Rochester, Rochester?
Speaker 10 (22:26):
Who are you talking?
Speaker 5 (22:27):
There?
Speaker 4 (22:28):
Every time I take that guy fromwhere I could never
find him play there?
Speaker 5 (23:55):
That was good.
Speaker 4 (23:56):
Under the Apple Breedway by Bill Harrison is dogs, Bill.
I want to congratulate you on the wait. The boys
are all dressed up for this great occasion.
Speaker 2 (24:02):
Yeah, hey they Natty Nattie is right. They're all shaved,
every one of them. How that happened?
Speaker 4 (24:07):
One of the boys ran across a lady barber down
the street.
Speaker 1 (24:12):
I know there must have been an added attraction there somewhere.
Speaker 11 (24:14):
And now ladies and gentlemen, you know selling Jack used
to go with a lady Barbara and Rock Kegan, Oh.
Speaker 2 (24:20):
Forget it.
Speaker 11 (24:20):
If they were even engage me married till a terrible
thing happened Mary.
Speaker 2 (24:25):
I said, forget it, no, no, no, what happened Mary?
Speaker 9 (24:28):
One day she stacked a hot towel on Jack's face.
Speaker 3 (24:30):
And then picked his pocket.
Speaker 1 (24:34):
The dirtiest trick I ever.
Speaker 2 (24:35):
Had plate on me.
Speaker 4 (24:36):
And now, ladies and gentlemen, there I wasn't a chair
number dreaming that.
Speaker 2 (24:41):
Christina was a crook? What it looks like?
Speaker 4 (24:46):
And now, ladies and gentlemen, all right, so I pay
for my haircuts? Now who cares for pat your attraction?
This evening we present a saga of the early days
in San Francisco entitled Jack eight Hawkins Revenge or he
didn't mean to kill her, but he did it?
Speaker 2 (25:03):
Thank Red.
Speaker 4 (25:04):
Take it, mister Uh, take it, mister Wilson. The time,
ladies and Gentlemen is April, in the year of eighteen
forty nine. The scene in the office of Jack Ace
Hawkins at the Happy hour gambling emporium curtain usual.
Speaker 6 (25:27):
I had enough of this.
Speaker 2 (25:28):
Take that, Helias, I'll jurn flies annoy me.
Speaker 11 (25:36):
Two another killing. You're the meanest man in these parts, Jackets.
Speaker 2 (25:50):
Just make that Ace. I'll feel more comfortable. I's business tonight, Lulu.
Speaker 11 (25:56):
Pretty slow, someone pouring the glasses in the roulette wheel
are gone.
Speaker 2 (26:00):
Things sure have been tough lately.
Speaker 4 (26:04):
Come in, there's some news for your age. That's some
news for you the hell. Yep, they just discovered gold.
That shutter's mill gold it cutter's meal.
Speaker 3 (26:14):
How do you know?
Speaker 2 (26:15):
I read it in Herb Kane's column. That boy sure
gets around. Hear that, Lulu a gold rush?
Speaker 4 (26:24):
Come on, let's go out and mingle with the customers.
And I'm gonna make a fortune tonight.
Speaker 2 (26:28):
Or my name ain't jacket Jack eight crocket gone? I
gotta change that name?
Speaker 10 (26:36):
Mm one?
Speaker 2 (26:42):
Am we lose more? Don piano players? Well, that's crowd
of crop thinkers. They all got gold.
Speaker 4 (26:56):
I'm gonna criminal suckers, Lulu and buy you an emerald
as big as my fist.
Speaker 9 (27:00):
Well, I'll make it a good one this time. The
last one you bought me, said s Kevin.
Speaker 3 (27:03):
Up on us.
Speaker 4 (27:06):
Don't worry, hey, Curly, give me a drink with you, okay,
sallets bee lemon post. Put a mickey in it to
kill the teas odzle business?
Speaker 2 (27:15):
Curley, How you doing fine with.
Speaker 4 (27:17):
A sticky bear on my fingers. I'm taking in more
than you are.
Speaker 2 (27:21):
You better watch yourself, Curly. The one thing that can't
stand it's a crook. Hey, Pardoner, have my little service here,
will it be, clem? I'll have a dish of yellow.
With that you locked in flavors yellow?
Speaker 4 (27:32):
You want a straighter with slash banana? Three men were
men in those days? A stranger, I see you got
a big bag of gold us there. I'd like to
play little stud poker with me?
Speaker 7 (27:44):
Oh?
Speaker 2 (27:45):
Thanks, would rather dance with Lulu either. We we can't lose.
Go ahead, pardon me, mister looking French. Hawkin's the famous
crook at deambler, Imie Hawkins. What can I do for you? Well,
it just got in through soutter's meal and I'm looted.
You know where I can double my money? I sure do,
(28:06):
partner shit, ride down here at this table. I'll teach
you how a little play little game called high card. Okay,
here Parker, the hold me yo yo, Now this is.
Speaker 1 (28:19):
For one hundred dollars. We both cut in the high card.
Speaker 4 (28:23):
Win.
Speaker 2 (28:25):
Go ahead?
Speaker 4 (28:25):
What's your card? Seventy diamonds? What's yours? Seven and a
half a diamond?
Speaker 2 (28:32):
I win? So we tried again. Here isn't a close one? Okay?
This for another hundred? Go ahead? Take a card? What
is it?
Speaker 1 (28:44):
Shli Chanda Greenstone hoots seven hundred?
Speaker 2 (28:49):
How did that get in there? Take another one? Okay,
what do you got? Holy smoke?
Speaker 6 (28:54):
Well, what is it?
Speaker 2 (28:55):
The zero heart? You win again? That's two hundred. I'll
tell you what, stranger, Let's cut the card just once
more for all the goal you got? Well do you say? Okay?
But I want to keep me yoyo? Fair enough?
Speaker 4 (29:10):
This time I'll take a card first. Hmm, I got
the jagged club. What's yours?
Speaker 2 (29:16):
Stranger?
Speaker 4 (29:17):
Well, what's your card? There's something wrong here? I got
a knee an. Why you're nothing but a low down
Stephen's tea. I'm not taking your gold, stranger.
Speaker 2 (29:26):
And I'm not taking it right now. Oh no, you
do what out?
Speaker 3 (29:29):
Five?
Speaker 9 (29:29):
Ain't time?
Speaker 2 (29:30):
Yes, and I'm going to Utah. I'll give you that gould, stranger,
hope to show me away. This program came to you
from San Francisco.
Speaker 1 (29:39):
This is the National Broadcasting Company k f I, Los Angeles,
Earls Anthony Incorporated, Pack of distributors. Keep up morale with
lovely hands, protect nails and polish with seal coldly
Terrific entertainment, Sheer Melvin Douglas and we were Dancing, Plus
a Hero and Overalls Joe Smith American starring Robert Young
with Marsha.
Speaker 2 (00:10):
Hunt Thatt, Thursday, Lowe State, Grummans Chinese.
Speaker 3 (00:21):
Hell.
Speaker 4 (00:25):
The Jello Program Current to you from the New NBC
Studios in San Francisco, starring Jack Fenney with Mary Livingston,
Tel Harris, Dennis A. Rochester and Yours Truly, Don Wilson.
The Orchotrope's a program with We Did It Before.
Speaker 2 (00:46):
Friends.
Speaker 4 (00:46):
The next time you have Jello for dessert, if you
don't notice that it's better than ever, because today that
famous flavor that is made Jello, America's favorite jelatin dessert
is even richer and more delicious thanks to Jello's new
and exclusive from says, this new processional locks in the
Jello flavor, protect it for your enjoyment. Heightens the pleasure
that Jello gives you now more than ever before. You'll
(01:09):
find real joy in Jello. You'll thrill to its bright,
shimmering beauty, and you'll know a new delight in its
tangies zestful flavor. Flavor is refreshing, is the juicy ripe
fruit itself. But pull to yourself what tempting goodness you
get in Jello's new locked in flavor. Open a package
of jello. Notice that there's no tell tal roma, no
(01:30):
sign of escaping flagrance and flavor.
Speaker 1 (01:32):
Then dissolve the tiny jello particles, and notice how.
Speaker 4 (01:35):
Jello's captive goodness comes pouring out. Delightfully good, gloriously rich.
Get jello tomorrow and discover what a lot of extra
enjoyment you get in Jello's locked in flavor.
Speaker 2 (02:14):
That was we did it before, played by the orchestra.
Speaker 4 (02:17):
And now, ladies and gentlemen, as you all know, we
are assembled here today to dedicate the new NBC building
in San Francisco.
Speaker 5 (02:31):
Yes, sir, God is.
Speaker 4 (02:32):
Only sitting and proper on this momentous occasion that we.
Speaker 2 (02:35):
Bring you a man who was also pleasant when.
Speaker 4 (02:37):
Robert Fulton dedicated the first team most Jack Benny.
Speaker 2 (02:50):
Thank you, thank you, thank you. Julo again, there's a
Jack Benny talking to.
Speaker 4 (02:57):
A brand new microphone and don I'm in two good
a mood today, mister Benny, Hello, mic hello, Max Pesting passing.
Speaker 6 (03:11):
Oh say okay, go ahead.
Speaker 2 (03:21):
Gelo again.
Speaker 4 (03:22):
This is Jack Benny Doff talking and Don, I'm in
too good a mood today.
Speaker 5 (03:27):
Hello Mic Hello, mix deathing passing? Okay, go ahead, uh
jelo again.
Speaker 4 (03:45):
This is Jack Benny talking and Don I'm in too
good a mood today.
Speaker 7 (03:49):
Hello Steve, Hello, Hello Steve.
Speaker 2 (03:54):
Wait a minute, what happened to Matt? He just got drafted? Oh?
Speaker 4 (04:02):
I was wondering anyway, Don, I am really in a
marvelous mood today.
Speaker 2 (04:07):
Here we are in.
Speaker 4 (04:08):
This beautiful building, and a cure of the thrill being
here for the opening of these new studios, isn't it? Yes, Jack,
I've never seen such a gorgeous layoffs. The surroundings are
so luxurious, and the page boys and ushers have such
swanky uniforms.
Speaker 2 (04:20):
You think the page boys are swanky? Don you know
that apple machine they've got backstage? Yes?
Speaker 4 (04:26):
Well I got an apple out of it just now,
and the worm was wearing a tuxedo.
Speaker 2 (04:38):
I didn't mind that.
Speaker 4 (04:39):
So much, but he looked me straight in the eye
and said, you better be good tonight, buddy.
Speaker 2 (04:43):
There's a worm I hate so fresh.
Speaker 4 (04:47):
And another thing, Jack, I've never seen such courteous and
obliging staff. Well, the service is simply wonderful. Service is right, Don,
Have you have you noticed the beautiful elevator operators they
have here?
Speaker 5 (04:58):
Oh? I sure have.
Speaker 4 (05:00):
Talk about servant I said in the elevator a while ago,
and the girl said to me up down, or shall
we neck? I took up like a darn pool.
Speaker 2 (05:14):
Imagine. But seriously, Jack, this.
Speaker 4 (05:16):
Building represents the last word in scientific advancement.
Speaker 2 (05:19):
It certainly does.
Speaker 4 (05:20):
It's a testimonial to the ingenuity of twentieth century communications.
Speaker 2 (05:24):
That's right, it's a tribute.
Speaker 4 (05:25):
To modern engineering and a milestone in the progress of radio. Yes, Don,
and in a couple of hours Fred Allen will be
on the air and proved that all this was in vain.
You know, Don Allen's program is the only major BOWS
unit I ever saw that never went any place. But
(05:50):
getting back to the dedication of this building, I think
that we.
Speaker 7 (05:55):
Right this way.
Speaker 2 (05:56):
Folk, follow me, everybody. It's a studio way, a sight
seeing tour right in the middle of the program. Now, folk,
let me call your attention to this beautiful auditorium.
Speaker 4 (06:08):
Note the apple green walls, the vivid orange drapes, and
the big blue eyes of our master of Pharamon. Now listen, buddy,
We're right in the middle of a broadcast.
Speaker 2 (06:18):
Quiet.
Speaker 4 (06:19):
Please, this room can see three hundred and twenty five people,
or six hundred and fifty if they want to cuddle.
Speaker 2 (06:27):
Now, look, buddy, are there any questions? Please? Hey?
Speaker 8 (06:29):
Yes?
Speaker 7 (06:29):
What time is it?
Speaker 9 (06:30):
Bustle for Cataloma?
Speaker 2 (06:32):
Mary, come here, I'll stick around. We're on the air.
Speaker 3 (06:44):
Okay, see you later, abercommie.
Speaker 4 (06:46):
I'll follow me, folks, and we'll proceed if the studio
b If you get lonesome, Mary, I'll be down the hall. Mary,
what's the idea of following that guide around on a
sightseeing tour?
Speaker 10 (06:56):
I drop my hands.
Speaker 2 (06:58):
You won't give it back to me? Oh you know.
Speaker 9 (07:02):
Jack, I went all through the building in a cure.
Speaker 2 (07:04):
Is going Hi? You're telling me? Yes, Murray.
Speaker 4 (07:07):
Jack was remarking about the beautiful girls that run the elevator.
Speaker 9 (07:10):
You think there's something you ought to see? The cute
fellow that runs up state elevator. He looks just like
Caesar Romero.
Speaker 2 (07:16):
Caesar Romeo. Yeah.
Speaker 9 (07:17):
When I got on, he said, ups down or.
Speaker 3 (07:19):
Shall we run us?
Speaker 5 (07:23):
Well?
Speaker 2 (07:23):
That is service. I'd happened to come up on the
freight elevator. Anyways, I got a hot.
Speaker 3 (07:27):
Tip from a girlfriend of mine.
Speaker 4 (07:30):
Oh, I'll have to ride down with that guy. I
want to brush up on my Charleston.
Speaker 2 (07:37):
Of course, NBC.
Speaker 4 (07:41):
NBC is so commercial, he'll probably charge me tenpence a dance.
Speaker 3 (07:44):
You know, what do you mean commercial?
Speaker 11 (07:47):
NBC is tatting all of our expenses while we're here
in San Francisco.
Speaker 2 (07:51):
They are.
Speaker 11 (07:52):
Yeah, they're paying for all us food, taxis and entertainment.
Speaker 2 (07:58):
They are.
Speaker 3 (08:02):
And they're even paying our hotel bills.
Speaker 2 (08:05):
Well, that's settled that. I'm going to get a room tonight.
Speaker 12 (08:14):
Mary, Mary, Are you sure NVC is paying for our
food too?
Speaker 2 (08:19):
Of course? Why don't somebody tell me these things?
Speaker 4 (08:22):
I've been here two days? How do I know how
much food I've had?
Speaker 9 (08:26):
Very simple?
Speaker 11 (08:27):
Just take the sandwiches you brought up some Los Angeles
and subtrack the ones you didn't eat.
Speaker 4 (08:33):
Now, I only packed a couple of sandwiches and I
ate them on the train the long trip, and I
got hungry.
Speaker 9 (08:38):
Well, if you were hungry, why didn't eat?
Speaker 3 (08:39):
And the diner the diner, yeah, you ought to go
in one sometime.
Speaker 9 (08:43):
They got tables and waiters and everything.
Speaker 4 (08:47):
I know. I know where do you think I get
my toothbakes on the train.
Speaker 3 (08:52):
Now?
Speaker 2 (08:52):
Worsh out at all about NVC paying our expenses though,
you know when they first.
Speaker 5 (08:57):
Light fIF way.
Speaker 2 (08:57):
Well tell me every play.
Speaker 4 (09:00):
Hey, this is getting to be us. Let me call
your attention to this beautiful auditorium. Note the apple green walls,
the vivid orange grapes, and the old gray wig on
our master's side. Now, Jess, some minute, buddy, Buddy's my brother.
Speaker 6 (09:17):
I am ab acropt.
Speaker 2 (09:20):
I don't care who you are.
Speaker 4 (09:20):
I don't want you interrupting in the middle of a broadcast.
Speaker 2 (09:23):
Quiet, please, there are three hundred people now seated in
the studio. Folks, twenty five walked out since I was
here last. That's a lie. I'll beat it, will you?
Are there any questions? Please? Yes?
Speaker 13 (09:35):
Why don't we get to trim Town or Dinna Benny?
Speaker 4 (09:50):
That terrific applause you just heard, Folks is breaking Benny's tire.
Speaker 8 (09:53):
Oh get on, Frances, guy, Say mister Benny, I was
out in front of the building just now, and you
know that.
Speaker 4 (10:02):
Oh hello, hello Dennis, having a good time up here.
Speaker 5 (10:05):
Well, but I'm a little lonely.
Speaker 2 (10:08):
Lonely, that's too bad.
Speaker 8 (10:10):
Say mister Bennie. I was out in front of the
building just now, and you know that big what are you?
Speaker 7 (10:13):
Uh?
Speaker 2 (10:14):
What?
Speaker 6 (10:18):
What?
Speaker 2 (10:22):
What? What do you mean? Lonely? Didn't you call that
telephone number I gave you? Yeah, but a girl answer,
so I hung up you you hung off.
Speaker 4 (10:36):
I like to play hide to get Well, that makes sense,
but only to you.
Speaker 8 (10:41):
Say, mister Bennie. I was out in front of the
building just now. And you know that big mural that
got there, that's got all different cours.
Speaker 5 (10:47):
Yes, well the booklet said.
Speaker 8 (10:49):
That's got one million, seven dred and fifty two thousand,
eight hundred and twelve individual pieces of pile in it.
Speaker 6 (10:54):
That's a lie.
Speaker 2 (11:01):
How do you know?
Speaker 1 (11:02):
I counted them?
Speaker 2 (11:04):
You counted them. I never saw anyone so suspicious.
Speaker 9 (11:07):
Well, it's your own fault, Jack. Then it wasn't the
least the cynical, so it came to work for you.
Speaker 2 (11:12):
What do you mean.
Speaker 9 (11:13):
Every tata you make them guess which wall it shall?
It's cowlry under.
Speaker 4 (11:20):
Well, certainly I just make a game out of it.
Speaker 2 (11:22):
I hope I win pretty soon.
Speaker 4 (11:24):
I gotta have a tooth pick, Oh has a tooth
and bother you Dennis, let's have a look at it.
Speaker 9 (11:33):
You can't fix it here way l after the program.
Speaker 2 (11:35):
I wasn't fixing.
Speaker 4 (11:36):
I was looking, Oh, Jenny, dear well, Dennis, Dennis, Oh
we're nuts. That's the end of the season, you know, Uh, Dennis,
I think I think we're about ready for a musical.
Speaker 2 (11:57):
Salute to this new building.
Speaker 4 (11:59):
So let's have your n Okay, wait a minute, I
better test that new microphone before you sing, Steve, it's
all right, allomac allo, Steve testing testing almac allow, Steve.
Speaker 2 (12:19):
Well, it's working, all right.
Speaker 1 (12:20):
Go ahead, sing, kid.
Speaker 7 (12:38):
You are with.
Speaker 10 (12:42):
My phone.
Speaker 14 (12:45):
Even for your fall away, I can hear them use it.
Speaker 2 (12:53):
But.
Speaker 10 (12:55):
With you, you are always in my fall.
Speaker 14 (13:02):
And when tis a bather Gray, I remember, have you
pay Nanda the fun breakpool. Just before I go to sleep,
there's a rundettle Hicky.
Speaker 7 (13:24):
And the dream I always need help me forget where
for I don't know.
Speaker 10 (13:33):
I cop one one saw me again?
Speaker 7 (13:41):
And my darling, do we do?
Speaker 10 (13:45):
You are always in my fall?
Speaker 7 (13:49):
Just before I go to sleep.
Speaker 5 (13:53):
There's a rundez Hicky.
Speaker 14 (13:56):
And the dream I always need help you forget where.
Speaker 7 (14:07):
I don't know exactly why, but I'm sure will need.
Speaker 2 (14:19):
My door.
Speaker 10 (14:23):
We do.
Speaker 4 (14:27):
You with.
Speaker 10 (14:32):
More back?
Speaker 2 (14:47):
I was always in my heart done by Dennis Day.
Speaker 4 (14:50):
And just think, Dennis, that's the first song to him
to emanate.
Speaker 1 (14:57):
Bad word the monkey with there too, And just think.
Speaker 4 (15:00):
Na's that's the first song to emanate from this new building.
Speaker 2 (15:03):
That's a hot one. What what do you mean that's
the hot one?
Speaker 13 (15:08):
How that got by the sensors. I'll never know what
are you talking about.
Speaker 2 (15:16):
I've been around. I've been around.
Speaker 6 (15:18):
Be quiet, silly, guys, No.
Speaker 2 (15:25):
Use postponing it. I got to have a talk with
that kid. And now, folks, and write this way. Folks,
follow me, everybody. That's the studio. Ay, well, here we
go again.
Speaker 4 (15:37):
Oh let me call your attention to the apple green walls,
the vivid orange draits, and the pink elephants skipping about
in the orchestra. Now, buddy, for the last time, I please,
I mean questions, please? Yes, where's Phil Harris, my favorite bandleader?
Speaker 2 (15:55):
All right, my sir, come over? Gee, what a reception.
Speaker 4 (16:05):
Thank heavens. I'm not egotistical. We had to rehearse him
on that word egotistic though.
Speaker 5 (16:12):
Fair.
Speaker 2 (16:12):
We're waiting for you.
Speaker 4 (16:13):
He's got a program to do. Now beat there, Okay,
follow me.
Speaker 2 (16:16):
Folks, nothing's gonna happen here.
Speaker 4 (16:17):
Anyway, I'm gonna report that guy. Well, well expectant.
Speaker 6 (16:24):
I uh, it's gonna be a bother in a couple
of days.
Speaker 2 (16:31):
You know.
Speaker 4 (16:31):
Well, I've been trying to get hold of you all day.
Speaker 2 (16:33):
Where are you stopping?
Speaker 4 (16:34):
Well, Frankie, my guitar player, and me checked in at
the Fairmount. We got the bridles sweep the bridle swee days.
Speaker 2 (16:41):
How do you like it?
Speaker 6 (16:42):
Let's go hot.
Speaker 4 (16:43):
Last night Frankie married the chambermaid n a sleep.
Speaker 6 (16:45):
In the lobby.
Speaker 4 (16:51):
Well, I'm glad to hear the Frankie is finally settled down.
Speaker 2 (16:57):
I uh, I must send his ride some sort of
a wedding present. Don't send her a mock. She's got
eight of my.
Speaker 4 (17:07):
Oh, maybe i'll send her a night's galvanized.
Speaker 2 (17:09):
Pail or something. I'll have it monogram. What's her name, Phil?
I don't know, Hey, frank you, what's her name?
Speaker 5 (17:15):
I don't know?
Speaker 4 (17:16):
Hey, have a yet, I'll just send her a plane pale.
Speaker 2 (17:30):
And Ancidentally, Phil, just because NBC is paying.
Speaker 1 (17:33):
Your expenses in San Francisco, you didn't.
Speaker 2 (17:35):
Have to splurge on a suite.
Speaker 8 (17:37):
She is NBC paying mister Harris's expensive up here.
Speaker 1 (17:40):
Yes, Dennis and now, ladies and gentlemen, are.
Speaker 7 (17:42):
They paying mine too? Yes?
Speaker 2 (17:44):
Yes Dennis. And now, ladies and gentlemen.
Speaker 13 (17:46):
Then let you and I check out of that all
night movie.
Speaker 4 (17:58):
Don't worry, Dennis, We're moving over to the Palace Hotel.
Speaker 2 (18:01):
Can we get a bride a sweet tooth? Or well? Yes,
I please? Hotel has crowded. I wish I had my hope.
Speaker 6 (18:07):
Chest here, my cook pajamazon.
Speaker 2 (18:14):
Oh should.
Speaker 4 (18:17):
And now, ladies and gentlemen, as I started to announce
for our feature attraction this evening, the Benny Fisherman's.
Speaker 1 (18:24):
Wharf isn't the only thing around here that smells.
Speaker 4 (18:26):
Players will present an original drama in honor of this
new NBC building. Now it isn't common knowledge, but approximately
one hundred years ago, on the very spot where this
great edifice now stands, there was a little gambling house
(18:47):
and dance hall known as the Happy.
Speaker 2 (18:49):
Hour Tea Room. Yes, sir, a happy Hour Tea Room.
Faul of how to get that name? A guy ordered
Tina once and a bouncer slapped him.
Speaker 6 (18:56):
Till he was happy.
Speaker 4 (19:00):
I play this evening, Ladies and gentlemen, we are going
to reenact a scene that took place on this very
spot over ninety years ago. I will be the proprietor
of the happy hour, that famous gambler, Jack Ace fucking.
Speaker 9 (19:15):
You're going to be a gambler.
Speaker 2 (19:16):
Yeah, sure, why not?
Speaker 9 (19:18):
You wouldn't bet four dollars at Oakland Bridge goes to Oakland.
Speaker 2 (19:23):
I'll take that bet. Not a gamblery anyway. Mary.
Speaker 4 (19:28):
In our play, you're going to be Lulu Davenport, my sweetheart,
oh fine, who is madly in love with a handsome
young bartender.
Speaker 3 (19:37):
Oh fine.
Speaker 4 (19:41):
Looks like the part of the bartender will be played
by Phil Harris.
Speaker 1 (19:47):
Phil, here's a book on how to make drinks?
Speaker 5 (19:49):
Are you kidding?
Speaker 2 (19:53):
Definitely? Now, Dennis, you're going to be an old prospector.
You think you can do it? Flamed Stan Night ten, Yes.
Speaker 15 (20:00):
Sir, that was last week, now, Don Don Wilson, Yes, Jack,
we want some authentic San Francisco atmosphere.
Speaker 4 (20:12):
So you're going to play the part of knob Hill.
Lay down or lie down rather, I'm sorry, Morty, lie
down and.
Speaker 2 (20:23):
Now, folks, this thrilling and nostalgic.
Speaker 4 (20:25):
Drama of yesteryear will go on immediately after.
Speaker 2 (20:29):
I'll take it.
Speaker 6 (20:31):
Hello, Hello, mister Benny's Rochester.
Speaker 2 (20:39):
Hello, Rochester. Where I am?
Speaker 5 (20:41):
I'm caloed from Wolfman Boss.
Speaker 2 (20:42):
I'm stopping with friends.
Speaker 4 (20:43):
Is Well, it's about time you called. I've been trying
to locate you for two days.
Speaker 5 (20:48):
I just ran across myself myself.
Speaker 2 (20:57):
What what are you talking about?
Speaker 10 (20:59):
Well?
Speaker 2 (20:59):
You see, I was born in Oakland, bors uh huh.
Speaker 4 (21:02):
Ever since I got here, fattything to's been delightfully out
of focus. I can imagine. Now, Rochester, you work for me,
don't you?
Speaker 2 (21:16):
Yes? In other words, your job is not to be
in Oakland, but here in San Francisco at my hotel.
Is that correct?
Speaker 4 (21:23):
Yes, you're supposed to unpack my bags, press my clothes,
and answer the poem. Now, what happened first time the
pone rang?
Speaker 2 (21:30):
It was for me.
Speaker 4 (21:34):
Well, listen, Rochester, you come over to my hotel immediately.
We're leaving for Los Angeles tomorrow. I don't want you
to miss that train.
Speaker 2 (21:40):
That's why I called your boss. Can I spend the
week up here?
Speaker 12 (21:43):
You see?
Speaker 2 (21:43):
Next Wednesday is my birthday? Next Wednesday is your birthday, Rochester.
If I remember correctly.
Speaker 4 (21:50):
You celebrated your birthday about a month ago.
Speaker 2 (21:52):
I did, Yes, you did.
Speaker 5 (22:01):
Well, you can take my word to this boss.
Speaker 2 (22:03):
I'm blessing.
Speaker 4 (22:07):
You better blushed, and I walked on that plane tomorrow afternoons.
Speaker 2 (22:09):
Goodbye, goodbye.
Speaker 1 (22:11):
Don't say pauls Now.
Speaker 2 (22:13):
What doesn't this lives to need a new maid or something?
A new maid? No, not that I know of.
Speaker 7 (22:18):
Okay, so long, I'll think of something.
Speaker 6 (22:21):
Money.
Speaker 2 (22:24):
Rochester, Rochester?
Speaker 10 (22:26):
Who are you talking?
Speaker 5 (22:27):
There?
Speaker 4 (22:28):
Every time I take that guy fromwhere I could never
find him play there?
Speaker 5 (23:55):
That was good.
Speaker 4 (23:56):
Under the Apple Breedway by Bill Harrison is dogs, Bill.
I want to congratulate you on the wait. The boys
are all dressed up for this great occasion.
Speaker 2 (24:02):
Yeah, hey they Natty Nattie is right. They're all shaved,
every one of them. How that happened?
Speaker 4 (24:07):
One of the boys ran across a lady barber down
the street.
Speaker 1 (24:12):
I know there must have been an added attraction there somewhere.
Speaker 11 (24:14):
And now ladies and gentlemen, you know selling Jack used
to go with a lady Barbara and Rock Kegan, Oh.
Speaker 2 (24:20):
Forget it.
Speaker 11 (24:20):
If they were even engage me married till a terrible
thing happened Mary.
Speaker 2 (24:25):
I said, forget it, no, no, no, what happened Mary?
Speaker 9 (24:28):
One day she stacked a hot towel on Jack's face.
Speaker 3 (24:30):
And then picked his pocket.
Speaker 1 (24:34):
The dirtiest trick I ever.
Speaker 2 (24:35):
Had plate on me.
Speaker 4 (24:36):
And now, ladies and gentlemen, there I wasn't a chair
number dreaming that.
Speaker 2 (24:41):
Christina was a crook? What it looks like?
Speaker 4 (24:46):
And now, ladies and gentlemen, all right, so I pay
for my haircuts? Now who cares for pat your attraction?
This evening we present a saga of the early days
in San Francisco entitled Jack eight Hawkins Revenge or he
didn't mean to kill her, but he did it?
Speaker 2 (25:03):
Thank Red.
Speaker 4 (25:04):
Take it, mister Uh, take it, mister Wilson. The time,
ladies and Gentlemen is April, in the year of eighteen
forty nine. The scene in the office of Jack Ace
Hawkins at the Happy hour gambling emporium curtain usual.
Speaker 6 (25:27):
I had enough of this.
Speaker 2 (25:28):
Take that, Helias, I'll jurn flies annoy me.
Speaker 11 (25:36):
Two another killing. You're the meanest man in these parts, Jackets.
Speaker 2 (25:50):
Just make that Ace. I'll feel more comfortable. I's business tonight, Lulu.
Speaker 11 (25:56):
Pretty slow, someone pouring the glasses in the roulette wheel
are gone.
Speaker 2 (26:00):
Things sure have been tough lately.
Speaker 4 (26:04):
Come in, there's some news for your age. That's some
news for you the hell. Yep, they just discovered gold.
That shutter's mill gold it cutter's meal.
Speaker 3 (26:14):
How do you know?
Speaker 2 (26:15):
I read it in Herb Kane's column. That boy sure
gets around. Hear that, Lulu a gold rush?
Speaker 4 (26:24):
Come on, let's go out and mingle with the customers.
And I'm gonna make a fortune tonight.
Speaker 2 (26:28):
Or my name ain't jacket Jack eight crocket gone? I
gotta change that name?
Speaker 10 (26:36):
Mm one?
Speaker 2 (26:42):
Am we lose more? Don piano players? Well, that's crowd
of crop thinkers. They all got gold.
Speaker 4 (26:56):
I'm gonna criminal suckers, Lulu and buy you an emerald
as big as my fist.
Speaker 9 (27:00):
Well, I'll make it a good one this time. The
last one you bought me, said s Kevin.
Speaker 3 (27:03):
Up on us.
Speaker 4 (27:06):
Don't worry, hey, Curly, give me a drink with you, okay,
sallets bee lemon post. Put a mickey in it to
kill the teas odzle business?
Speaker 2 (27:15):
Curley, How you doing fine with.
Speaker 4 (27:17):
A sticky bear on my fingers. I'm taking in more
than you are.
Speaker 2 (27:21):
You better watch yourself, Curly. The one thing that can't
stand it's a crook. Hey, Pardoner, have my little service here,
will it be, clem? I'll have a dish of yellow.
With that you locked in flavors yellow?
Speaker 4 (27:32):
You want a straighter with slash banana? Three men were
men in those days? A stranger, I see you got
a big bag of gold us there. I'd like to
play little stud poker with me?
Speaker 7 (27:44):
Oh?
Speaker 2 (27:45):
Thanks, would rather dance with Lulu either. We we can't lose.
Go ahead, pardon me, mister looking French. Hawkin's the famous
crook at deambler, Imie Hawkins. What can I do for you? Well,
it just got in through soutter's meal and I'm looted.
You know where I can double my money? I sure do,
(28:06):
partner shit, ride down here at this table. I'll teach
you how a little play little game called high card. Okay,
here Parker, the hold me yo yo, Now this is.
Speaker 1 (28:19):
For one hundred dollars. We both cut in the high card.
Speaker 4 (28:23):
Win.
Speaker 2 (28:25):
Go ahead?
Speaker 4 (28:25):
What's your card? Seventy diamonds? What's yours? Seven and a
half a diamond?
Speaker 2 (28:32):
I win? So we tried again. Here isn't a close one? Okay?
This for another hundred? Go ahead? Take a card? What
is it?
Speaker 1 (28:44):
Shli Chanda Greenstone hoots seven hundred?
Speaker 2 (28:49):
How did that get in there? Take another one? Okay,
what do you got? Holy smoke?
Speaker 6 (28:54):
Well, what is it?
Speaker 2 (28:55):
The zero heart? You win again? That's two hundred. I'll
tell you what, stranger, Let's cut the card just once
more for all the goal you got? Well do you say? Okay?
But I want to keep me yoyo? Fair enough?
Speaker 4 (29:10):
This time I'll take a card first. Hmm, I got
the jagged club. What's yours?
Speaker 2 (29:16):
Stranger?
Speaker 4 (29:17):
Well, what's your card? There's something wrong here? I got
a knee an. Why you're nothing but a low down
Stephen's tea. I'm not taking your gold, stranger.
Speaker 2 (29:26):
And I'm not taking it right now. Oh no, you
do what out?
Speaker 3 (29:29):
Five?
Speaker 9 (29:29):
Ain't time?
Speaker 2 (29:30):
Yes, and I'm going to Utah. I'll give you that gould, stranger,
hope to show me away. This program came to you
from San Francisco.
Speaker 1 (29:39):
This is the National Broadcasting Company k f I, Los Angeles,
Earls Anthony Incorporated, Pack of distributors. Keep up morale with
lovely hands, protect nails and polish with seal coldly
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