August 6, 2025 • 24 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The Yellow program sarrying Zack Fonny with Mary Livingson and
Si Harrison his orchestra. The orchestra opens the program with
I'm bubbling over from the motion sexture, wake up and
list game. You hat right, use suits, ripe spring flowers.
Speaker 2 (00:31):
All this on the site that makes.
Speaker 1 (00:32):
Easter Parade the bright and colorful scene.
Speaker 3 (00:34):
It is the scene that you.
Speaker 2 (00:35):
Can see only once a year.
Speaker 1 (00:37):
But here's the delight of the iron that thrilled the
taste that you can enjoy the year round. Jello what
issert Yes, Indeed, when you bring on a colorful mold
of jell Off, you certainly give your family a tree.
What dessert should look as good as the taste, And
that's one of the many grand things about Jello. It
looks delicious, and it is delicious and refreshing for the
flavor of real fresh fruit. Jello has that extra rich flavors,
(01:00):
which makes it the most popular Johnson dessert in the world.
At writing up your menus with a gay yellow dessert,
water Yellow and any of its six delicious flavors tomorrow
from your dealer.
Speaker 2 (01:09):
Look for the big red letters on the box.
Speaker 4 (01:11):
They spells Jello.
Speaker 1 (01:37):
That's I'm bubbling over played by Phil Harrison his orchestra
in Hollywood. And now, ladies and gentlemen, we take you
to the Durburn Street station in Chicago, where we find
Jack and the rest of the gang about the board
the trains for California.
Speaker 2 (01:48):
Take it away, Chicago. I'm a baggage, pa Hey, red Gap,
carry my grips a little higher. There's some things hanging out.
Speaker 5 (02:04):
Yes, the oh board train leaving on track seven Arkansas City,
Dodge City, six City, Tarton City, Salt Lake City, and stay.
Speaker 2 (02:18):
Lock the grips down here, I get my crowd together. Yes,
mister Bunny, the name's Benny. Well, this is Eastless.
Speaker 6 (02:30):
Come along here, sin the thing.
Speaker 7 (02:32):
We'll be leaving any and this I'll look my best.
Jack Sanny, I want to auto grass. Wait till we
get to Hollywood and even get a good one.
Speaker 2 (02:39):
Say done. Yes, there have you seen Mary and Kenny?
We haven't got my time.
Speaker 1 (02:42):
Oh it's all Mary standing in front of the hotel
a little while ago.
Speaker 2 (02:44):
That's fine. Why don't he get over here? He's waiting
for cabs. I met her new Eastern half. Hope the
depot matches her dress. Stevie and find her and Kenny too.
Speaker 6 (02:53):
Okay, Oh the board strain leaving for San Pego, San.
Speaker 5 (02:59):
Diego, say in San Francisco, showing park.
Speaker 8 (03:02):
Temple in.
Speaker 7 (03:07):
Hellow Jack, Hello Mary, all steps, Yeah, where's the pain
for San Hollywood?
Speaker 2 (03:12):
Right over there? See what you're all? Bundle up. I
bet you're glad you're leaving all his ice.
Speaker 7 (03:15):
And snow, he said, I'm so gold, I'm all deep tempos.
That's goose well, I got more than one. Oh hey,
red gap, Yes.
Speaker 2 (03:23):
Sir, take my grips to car twenty four drawing roommate.
Speaker 1 (03:26):
I did that three times already, and the lady he's
owing them out.
Speaker 2 (03:36):
That's right. I'm in lower seven. I was thinking of
taking a drawing room folk, so sank conductor. Where does
I train lead from the one to Los Angeles? Tracts? Eight, nine, ten, eleven,
and twelve. It's a pretty long train, isn't it. The
engineer brought it in sideways.
Speaker 9 (03:52):
The mine depollway, Oh b train leaving for one to
call them a zoo tree.
Speaker 3 (04:00):
All the more.
Speaker 6 (04:01):
Friss finals frisk seven, stop.
Speaker 2 (04:04):
Me, I'll have to take that trip sometimes. Da hen,
we better get to our car. No, I'm not getting idol, Kenny,
get there, say marry, run over the newsand and buy
me a magazine with which one? Oh anything, get me
a copy of the New Deist. I like those outdoors
scene Okay, Oh, I gotta send a wire, say inform
(04:26):
agent clerk. Yes, where can I send a telegram to
my wife? Is sir? Birthday? Thanks? Thanks mister Benny.
Speaker 9 (04:33):
Yes, my daughter in up.
Speaker 1 (04:34):
I'm getting your autograph.
Speaker 2 (04:35):
You might, Oh not at all.
Speaker 9 (04:37):
I'm so sad you're going to be.
Speaker 2 (04:38):
On the train.
Speaker 7 (04:39):
And here you are, Dolly, Thanks, mister Penny.
Speaker 2 (04:42):
Well, well, so you're the little girl who wants my autograph.
Speaker 7 (04:45):
Yeah, ain't nice.
Speaker 2 (04:46):
Screwey listen, pardon me, lady.
Speaker 9 (04:52):
I'm looking for my gang or married.
Speaker 2 (04:54):
To get me that magazine.
Speaker 7 (04:55):
And here it is Jack the newdist Thanks, and here's
some smoke glasses.
Speaker 2 (04:58):
More glasses? What are they for?
Speaker 7 (05:00):
When you get to page ten?
Speaker 2 (05:03):
Give me that I'm reading it continued? Sorry, oh, tag tax,
you're Timmy? Hello everybody? Hey Kenny, where have you been?
The train leaves in two minutes.
Speaker 8 (05:09):
Well, I was singing a bass.
Speaker 2 (05:10):
You picked a fine time. What's that towels taken out
of your shirt?
Speaker 8 (05:13):
I'm not dry?
Speaker 9 (05:14):
Yet.
Speaker 2 (05:16):
No, you're not dry yet. What have you got in
that bucket?
Speaker 8 (05:19):
I'm taking some snow to California.
Speaker 2 (05:21):
My mother never saw any No, isn't that silly? Mayor?
It'll be warter by the time we get there.
Speaker 9 (05:25):
My mother will believe me, no doubt, no doubt.
Speaker 2 (05:34):
Well, well go on, let's get on the train. Well,
let's see, we haven't got much time.
Speaker 6 (05:39):
Let's say, oh, Fort there, leaving on fresh nine for
Fort Madison, Kansas City, Crawberry, RedBerry with your trunk, terry
orange tremon, stop for turkey and whine.
Speaker 2 (05:54):
That's last, say done? Did you buy that announcer? So,
but I'll reward him. Well, let's go. Our car's up forward,
come an.
Speaker 7 (06:00):
Only listen, you can get the fireman autograph, pator.
Speaker 2 (06:02):
See where's car twenty four?
Speaker 5 (06:04):
Oh?
Speaker 2 (06:04):
Here we are, Mary, thank you, Yes, I'll come.
Speaker 7 (06:06):
Lets you off the crowded. Why look at those three
men riding under it.
Speaker 2 (06:09):
Well they'll probably fresh air. Fee's coming here here Mary,
I'll help you up, you too, Don and Kenny. Don't
still have bucket of snow? I won't here you are
red cat here fifty ten. This is a dime. Look
at your script, not the coin.
Speaker 3 (06:26):
Good bike to got.
Speaker 2 (06:28):
By?
Speaker 4 (06:33):
Oh, Jack, let me think.
Speaker 2 (06:34):
Here for God? Why I spoke you? What do you
want to snow? She was on the trane.
Speaker 7 (06:38):
I bet he wants to stop for heights in the
bucket here, I'll get in the car.
Speaker 10 (07:03):
Contact the n.
Speaker 2 (08:43):
Here's a long ride, isn't it done? Yeah? Where are
we now?
Speaker 1 (08:46):
Jack?
Speaker 2 (08:47):
I don't know. It looks like New Mexico. Our dress
last night? Oh that's so good. Not so good. I'm
not built for an upper berth. Now you look more
like it's some potsman. Must have slept on your back.
You were snoring yellow all night. Yes, I had a
country into this knifemare say?
Speaker 7 (09:05):
Yeah? Are there any windows in upper berths?
Speaker 6 (09:07):
No?
Speaker 7 (09:08):
And who is our waving ass?
Speaker 2 (09:13):
You got me? How'd you sleep? Mary?
Speaker 7 (09:15):
I was just past the night. Ride in and eat
the home? Do you want to hear it?
Speaker 1 (09:18):
Not?
Speaker 8 (09:18):
Now?
Speaker 2 (09:18):
Married a porter? Porter el? What time do we get
to Albuquerque?
Speaker 7 (09:24):
Who?
Speaker 2 (09:26):
Albuquerque?
Speaker 7 (09:27):
I don't know?
Speaker 4 (09:28):
Do we stop there?
Speaker 2 (09:30):
Well?
Speaker 9 (09:31):
Certainly we stopped there, Mama, m I've.
Speaker 2 (09:38):
Better about that.
Speaker 1 (09:41):
Yeah, yeah, I do that.
Speaker 2 (09:43):
Oh what's the name of that crown? To give Albuquerque? Alba? Cookie?
What's it gonna drink? Up the fine porter we got. Well,
maybe when we don't stop there, jank, go on. I've
made this trip a thousand times.
Speaker 7 (09:59):
Do you want to hear my home now?
Speaker 2 (10:00):
A thousand times? No, I'm going into lunch.
Speaker 7 (10:03):
Pardon me, mister Denny.
Speaker 2 (10:04):
Yes, ma'am, I'm the.
Speaker 6 (10:05):
Lady who saught her.
Speaker 9 (10:05):
What is your autographic stations?
Speaker 2 (10:07):
Oh, the little girl is going to Hollywood.
Speaker 1 (10:08):
Yes, she's going into picture of Milican dere Mister.
Speaker 2 (10:11):
Benny wants to meet you. Well, I was going to lunch.
Speaker 9 (10:13):
Really what we just had ours?
Speaker 7 (10:16):
Just come here, Milicen. You know she sings just like
Lily Pond.
Speaker 2 (10:20):
Well I heard miss Pond. So don't bother with Milicent.
I'm she's so modest.
Speaker 7 (10:25):
I always have to port her, not for I. You
don't married, come Milicent sing, but it's a Benny or
don't bother.
Speaker 2 (10:31):
She's probably nerderus, no love, no lot, very good god.
Oh really she has great possibilities. Thank you, and take
(10:52):
your hands off her. Next. Oh, pardon me about lunch?
Deck Who can eat now?
Speaker 8 (11:00):
Oh?
Speaker 2 (11:00):
Conductor? Conductor? Yes, sir? What time do we get to Albuquerque? Albuquerque?
Is that on this line? I always has been. What
time do we get there. What time is it now? Twell? Twenty?
Thank you? Lala la la la la la.
Speaker 7 (11:16):
I bet he's going in a picture too. Oh, listen
to my palmer, do you, James?
Speaker 2 (11:20):
Oh? Mary, I'm so tired.
Speaker 7 (11:21):
I want to Dear Old e shir Dear Old Easter,
you are with us once again?
Speaker 2 (11:25):
Where do you mister diddy? My daughter?
Speaker 7 (11:27):
Oh lady, please, I don't who want to contest.
Speaker 8 (11:29):
In that slice?
Speaker 2 (11:30):
He's going into pictures. Oh so you're going to be
in pictures, Milicine, Yeah.
Speaker 7 (11:33):
Until a director gets fresh with me?
Speaker 9 (11:38):
What a long career you'll have, Mary, Milicin.
Speaker 2 (11:43):
Milicin's want a contest?
Speaker 7 (11:45):
Contest? Looks like a water buffalo.
Speaker 2 (11:48):
You've never seen a water buffalo.
Speaker 7 (11:50):
I've never seen anything like Milicin.
Speaker 2 (11:51):
Eva.
Speaker 7 (11:52):
Why dear Old Easter, Dear Old Easter, you are with you?
Speaker 3 (11:56):
Well?
Speaker 2 (11:56):
Hell, Kenny, I just leave last night, Kenny.
Speaker 9 (11:58):
Oh, I have more both this time.
Speaker 2 (12:01):
I hung my pants from the rope of train stop
that kind of a train. Where have you been all morning?
Do you and a pointer closed?
Speaker 9 (12:13):
My apple?
Speaker 8 (12:13):
Brodk You think he's wait until I got out?
Speaker 2 (12:16):
And you mean he folded dropping up?
Speaker 3 (12:17):
Yeah?
Speaker 2 (12:18):
Why don't you do something about it.
Speaker 9 (12:19):
Before I could think of anything, I saw a sweep.
Speaker 3 (12:22):
See, I sure do need air.
Speaker 2 (12:23):
Sit out and open the window. They're all helping Kenny,
And don't stick your head out, I say.
Speaker 7 (12:28):
Kenny, you want here? I eat your poem?
Speaker 9 (12:30):
Sure?
Speaker 2 (12:31):
Murray?
Speaker 7 (12:31):
Oh boy, an audience. You're old Easter. Dear old Easter,
you are with us on once again, with your guy
Easter lily and your products from the hens.
Speaker 2 (12:39):
Wow. I love your each bull Gunges, magazines and programs.
Speaker 6 (12:43):
Get your programs there.
Speaker 2 (12:45):
You can't tell one pasture from another without a program.
And what kind of a train is this? Hey boy?
What time do we get to Albuquerque?
Speaker 3 (12:53):
We certainly do our bull, isn't that awful?
Speaker 7 (13:00):
I love your etr bunny shammer while and shammer cane
and the yellow so delicious. Howard bobbles on the train?
Speaker 2 (13:07):
Hey, I noticed that? Hey Porter, Yes, when I got
on the train yesterday, I gave you a super press.
Where is it here?
Speaker 6 (13:13):
I'm lazy?
Speaker 2 (13:14):
Don't I remind you of seven press? Yeah? What did
you find out about Albutquerque? He can't president it? There's
an aren't you? Albuquerque is a town?
Speaker 6 (13:25):
You better check on this.
Speaker 2 (13:30):
I better get off this.
Speaker 9 (13:31):
Train too, Say Jack, Yeah, what's this hanging around my nurse?
That's a mail bag? And I told you to keep
your head in.
Speaker 2 (13:39):
I'll look at you.
Speaker 8 (13:42):
I'm mild, be strong. We can get along as long
as you fucking while there's a moon on? Why bird
to long?
Speaker 6 (14:00):
Why heavy?
Speaker 8 (14:02):
You and by.
Speaker 3 (14:07):
You can be sure right.
Speaker 8 (14:16):
Than beside me all the way of future.
Speaker 4 (14:23):
With a smile, lasting.
Speaker 3 (14:26):
Me and I have the worthy of you lost me a.
Speaker 2 (15:03):
Very good Kenny. I'm sure your song will be a
big hit Sunday.
Speaker 7 (15:06):
I'll say it was, Say Jack, looks like we're pulling
into a station.
Speaker 2 (15:10):
That's right, we're flowing down. Hey, Kenny, look out of
the window and see what town is this? Okay?
Speaker 7 (15:15):
The train shopcat? Where are we?
Speaker 2 (15:18):
What does the sign say, Kenny? What town is this?
Waiting room? Waiting room, New Mexico. It's fine, I mean
let me look out there, Hey John, we're in Albuquerque.
Speaker 9 (15:30):
I know the train stop here.
Speaker 2 (15:31):
I'm going out just there, Yeah, me too, Await for me,
Hey porter, how long do we stop here? Where in Albuquerque?
Speaker 9 (15:42):
There?
Speaker 4 (15:43):
You gorg here?
Speaker 2 (15:47):
There's no use talking to him. Come on, Mary, I
gotta send a wire watch the stiff. Hey, Jack, look
at those in ben killing things where right there? I'm
going open by a Tommy Rock.
Speaker 9 (16:00):
To Tommy Hawk.
Speaker 2 (16:01):
Go ahead, Kenny, don't be late for the train. John
send that wire for me, will you? Okay?
Speaker 7 (16:05):
Oh Jack? Look at Kenny buying something from that Indian.
Speaker 2 (16:08):
He said, hello Indian private English? Oo oo oo oh.
Tell her what you want, Kenny.
Speaker 9 (16:18):
Me wants Tommy Hawk.
Speaker 2 (16:19):
How much cost him? Why?
Speaker 7 (16:21):
Why?
Speaker 9 (16:21):
Some dope?
Speaker 2 (16:24):
Oo? You said it? Come on, Mary, we haven't much time.
I want to go in that little novelty shop and
buy some moccasins.
Speaker 7 (16:29):
And I got the attemption to my mother.
Speaker 2 (16:31):
Yeah, let's go, Hey Mary, look at that sign. He's
big bargains. Let's go in the will customers step into
my big boom and look it up in Amaya. Hindians
is est He's an Indian, all right? And what can
(16:54):
I do for you? My tell face, lunch man. I
want to get a pair of moccasins. Pech a LEFTI
one of the Sorry they don't split him up. Hey, Papa,
give me a Nichols, right, that's my little spooks.
Speaker 7 (17:11):
Yeah, I look at those faces. I'd like to buy
one to Mama.
Speaker 2 (17:14):
This beg here it's a real retel snake point.
Speaker 7 (17:16):
It's pitty.
Speaker 2 (17:17):
Hey, wait a minute, this one is moving day cat.
That'll be dead by SunDog. Thet't not handle that, Mary.
I like to see a pair of moccasins. Yeah, you
are the finest moccasins made by our price. And what
tribe is that? The ponies shoppies? Well, i've heard of them,
say these moccasins. I'm bad you haven't got much of
a selection here? Who am I Lorsan? Well, well i'll
(17:46):
take this pair. Wrap him up? Would you like him at?
That's and I blenk it or rush me. I just
want moccasins, That is all, Papa. I want on Nichols.
Why ain't in the faith? Could be nos in the faith?
So hear you answer? This will be two ninety eight.
Is that anything else? No? Thanks, lady, mine attend the boot.
Would you use a couple of igloos? Seep iglows? What's
(18:09):
an Indian doing with an iglo? I used to be
on Eskimo. I'm stuck with him, never.
Speaker 7 (18:15):
Mind, calm Mary, oh Jack, look at that totem Paul.
Speaker 2 (18:18):
That's my vife. I'm stuck with her too, well welcome, bye,
thank you, call again exact, hurry up with it for training,
be right with you? Come on, everybody, or John, did
you send that wire to Phil Harrit?
Speaker 7 (18:38):
Yes, he got a.
Speaker 2 (19:46):
N back here that would swing high swing low from
(20:42):
the motion picture of the same name, played by yours
truly Phil Harris and his horse. And I want to
say that it sure is a pleasure to be back
on this program again. Thanks Bill.
Speaker 7 (20:51):
How prutle Buck get here?
Speaker 1 (20:52):
Why?
Speaker 2 (20:53):
Hello, Andy, you'll be here any minute now. I wish
you'd get here. I got a swell pleasant point if
he brought me one.
Speaker 9 (21:03):
Hey, class, Hey, look at this Andy, he is two
(21:23):
ways nineties sent.
Speaker 2 (21:25):
Yeah, say thought, Can I take this home?
Speaker 9 (21:28):
I want to show it to my chicken. Go ahead, Andy,
but break.
Speaker 2 (21:34):
It to him gently. There. Let me see that many
new minutes here, y' don I know what you're looking for.
It's at the bottom of the page under dessert. Yes there,
it is, right between the coconut custard pie and the
chocolate fuddy. Yes, sir, and it looks just as tempting
as ever. I wonder if they mean jelly oh candy,
you're boiled there? Hey, Jack, you sure did a lot
of stuffing in New York, didn't Did I come here Phil?
(21:56):
You too? Andy? Listen, I got some stuff that said
you with him. You know, we gotta beat less. You
can talk all you wanna, boys, So let me tell
you something that there are plenty of rooms in New
York too. There are certainly, Listen. I kicked a waiter
at the Waldorf Astoria and he told me it was
the first dime he'd ever seen. Radamask Jack tell us
(22:20):
about those nightclubs? Yeah, how about those corners? Girls?
Speaker 9 (22:23):
Were they pretty well?
Speaker 2 (22:24):
I don't know. Wilson was always in front of me.
I don't know, or say, fellas Lokan. I got so
much to tell you, it'll take days. He come on over,
come on over here in the corner. Okay, you know
what to do?
Speaker 4 (22:33):
Boys, No what, No time.
Speaker 2 (23:03):
This is the last number of the twenty sixth program
in the New Jello series. And we'll be with you
again next Sunday night at the same time. And I
want to thank all my friends in New York and
walk Keegan, those two big towns for their hospitality. And Kenny,
I want to wish you success is coming Thursday when
you open up the Paramount Theater.
Speaker 7 (23:20):
Franky Jack says Jack, and I say something.
Speaker 2 (23:22):
Sure, Mary, go ahead, if that's your Tella.
Speaker 7 (23:24):
I gave my autographs too, and Kansas City is listening in.
Will you please return my gold Cancil impression?
Speaker 2 (23:31):
Oh he couldn't have been that good looking. Good night, folks, happy.
Speaker 4 (23:40):
Thanks, that's the work. Is a prim on our program
that I see the courtesy of Water Brothers, WI Wings two.
Speaker 9 (23:52):
Marvelous for words.
Speaker 2 (23:53):
It's called the Pictures, Very Willing and label. This is
the Red Network of the Nactual Broadcasting Company mm hm,
heyf los Angelessen
The Yellow program sarrying Zack Fonny with Mary Livingson and
Si Harrison his orchestra. The orchestra opens the program with
I'm bubbling over from the motion sexture, wake up and
list game. You hat right, use suits, ripe spring flowers.
Speaker 2 (00:31):
All this on the site that makes.
Speaker 1 (00:32):
Easter Parade the bright and colorful scene.
Speaker 3 (00:34):
It is the scene that you.
Speaker 2 (00:35):
Can see only once a year.
Speaker 1 (00:37):
But here's the delight of the iron that thrilled the
taste that you can enjoy the year round. Jello what
issert Yes, Indeed, when you bring on a colorful mold
of jell Off, you certainly give your family a tree.
What dessert should look as good as the taste, And
that's one of the many grand things about Jello. It
looks delicious, and it is delicious and refreshing for the
flavor of real fresh fruit. Jello has that extra rich flavors,
(01:00):
which makes it the most popular Johnson dessert in the world.
At writing up your menus with a gay yellow dessert,
water Yellow and any of its six delicious flavors tomorrow
from your dealer.
Speaker 2 (01:09):
Look for the big red letters on the box.
Speaker 4 (01:11):
They spells Jello.
Speaker 1 (01:37):
That's I'm bubbling over played by Phil Harrison his orchestra
in Hollywood. And now, ladies and gentlemen, we take you
to the Durburn Street station in Chicago, where we find
Jack and the rest of the gang about the board
the trains for California.
Speaker 2 (01:48):
Take it away, Chicago. I'm a baggage, pa Hey, red Gap,
carry my grips a little higher. There's some things hanging out.
Speaker 5 (02:04):
Yes, the oh board train leaving on track seven Arkansas City,
Dodge City, six City, Tarton City, Salt Lake City, and stay.
Speaker 2 (02:18):
Lock the grips down here, I get my crowd together. Yes,
mister Bunny, the name's Benny. Well, this is Eastless.
Speaker 6 (02:30):
Come along here, sin the thing.
Speaker 7 (02:32):
We'll be leaving any and this I'll look my best.
Jack Sanny, I want to auto grass. Wait till we
get to Hollywood and even get a good one.
Speaker 2 (02:39):
Say done. Yes, there have you seen Mary and Kenny?
We haven't got my time.
Speaker 1 (02:42):
Oh it's all Mary standing in front of the hotel
a little while ago.
Speaker 2 (02:44):
That's fine. Why don't he get over here? He's waiting
for cabs. I met her new Eastern half. Hope the
depot matches her dress. Stevie and find her and Kenny too.
Speaker 6 (02:53):
Okay, Oh the board strain leaving for San Pego, San.
Speaker 5 (02:59):
Diego, say in San Francisco, showing park.
Speaker 8 (03:02):
Temple in.
Speaker 7 (03:07):
Hellow Jack, Hello Mary, all steps, Yeah, where's the pain
for San Hollywood?
Speaker 2 (03:12):
Right over there? See what you're all? Bundle up. I
bet you're glad you're leaving all his ice.
Speaker 7 (03:15):
And snow, he said, I'm so gold, I'm all deep tempos.
That's goose well, I got more than one. Oh hey,
red gap, Yes.
Speaker 2 (03:23):
Sir, take my grips to car twenty four drawing roommate.
Speaker 1 (03:26):
I did that three times already, and the lady he's
owing them out.
Speaker 2 (03:36):
That's right. I'm in lower seven. I was thinking of
taking a drawing room folk, so sank conductor. Where does
I train lead from the one to Los Angeles? Tracts? Eight, nine, ten, eleven,
and twelve. It's a pretty long train, isn't it. The
engineer brought it in sideways.
Speaker 9 (03:52):
The mine depollway, Oh b train leaving for one to
call them a zoo tree.
Speaker 3 (04:00):
All the more.
Speaker 6 (04:01):
Friss finals frisk seven, stop.
Speaker 2 (04:04):
Me, I'll have to take that trip sometimes. Da hen,
we better get to our car. No, I'm not getting idol, Kenny,
get there, say marry, run over the newsand and buy
me a magazine with which one? Oh anything, get me
a copy of the New Deist. I like those outdoors
scene Okay, Oh, I gotta send a wire, say inform
(04:26):
agent clerk. Yes, where can I send a telegram to
my wife? Is sir? Birthday? Thanks? Thanks mister Benny.
Speaker 9 (04:33):
Yes, my daughter in up.
Speaker 1 (04:34):
I'm getting your autograph.
Speaker 2 (04:35):
You might, Oh not at all.
Speaker 9 (04:37):
I'm so sad you're going to be.
Speaker 2 (04:38):
On the train.
Speaker 7 (04:39):
And here you are, Dolly, Thanks, mister Penny.
Speaker 2 (04:42):
Well, well, so you're the little girl who wants my autograph.
Speaker 7 (04:45):
Yeah, ain't nice.
Speaker 2 (04:46):
Screwey listen, pardon me, lady.
Speaker 9 (04:52):
I'm looking for my gang or married.
Speaker 2 (04:54):
To get me that magazine.
Speaker 7 (04:55):
And here it is Jack the newdist Thanks, and here's
some smoke glasses.
Speaker 2 (04:58):
More glasses? What are they for?
Speaker 7 (05:00):
When you get to page ten?
Speaker 2 (05:03):
Give me that I'm reading it continued? Sorry, oh, tag tax,
you're Timmy? Hello everybody? Hey Kenny, where have you been?
The train leaves in two minutes.
Speaker 8 (05:09):
Well, I was singing a bass.
Speaker 2 (05:10):
You picked a fine time. What's that towels taken out
of your shirt?
Speaker 8 (05:13):
I'm not dry?
Speaker 9 (05:14):
Yet.
Speaker 2 (05:16):
No, you're not dry yet. What have you got in
that bucket?
Speaker 8 (05:19):
I'm taking some snow to California.
Speaker 2 (05:21):
My mother never saw any No, isn't that silly? Mayor?
It'll be warter by the time we get there.
Speaker 9 (05:25):
My mother will believe me, no doubt, no doubt.
Speaker 2 (05:34):
Well, well go on, let's get on the train. Well,
let's see, we haven't got much time.
Speaker 6 (05:39):
Let's say, oh, Fort there, leaving on fresh nine for
Fort Madison, Kansas City, Crawberry, RedBerry with your trunk, terry
orange tremon, stop for turkey and whine.
Speaker 2 (05:54):
That's last, say done? Did you buy that announcer? So,
but I'll reward him. Well, let's go. Our car's up forward,
come an.
Speaker 7 (06:00):
Only listen, you can get the fireman autograph, pator.
Speaker 2 (06:02):
See where's car twenty four?
Speaker 5 (06:04):
Oh?
Speaker 2 (06:04):
Here we are, Mary, thank you, Yes, I'll come.
Speaker 7 (06:06):
Lets you off the crowded. Why look at those three
men riding under it.
Speaker 2 (06:09):
Well they'll probably fresh air. Fee's coming here here Mary,
I'll help you up, you too, Don and Kenny. Don't
still have bucket of snow? I won't here you are
red cat here fifty ten. This is a dime. Look
at your script, not the coin.
Speaker 3 (06:26):
Good bike to got.
Speaker 2 (06:28):
By?
Speaker 4 (06:33):
Oh, Jack, let me think.
Speaker 2 (06:34):
Here for God? Why I spoke you? What do you
want to snow? She was on the trane.
Speaker 7 (06:38):
I bet he wants to stop for heights in the
bucket here, I'll get in the car.
Speaker 10 (07:03):
Contact the n.
Speaker 2 (08:43):
Here's a long ride, isn't it done? Yeah? Where are
we now?
Speaker 1 (08:46):
Jack?
Speaker 2 (08:47):
I don't know. It looks like New Mexico. Our dress
last night? Oh that's so good. Not so good. I'm
not built for an upper berth. Now you look more
like it's some potsman. Must have slept on your back.
You were snoring yellow all night. Yes, I had a
country into this knifemare say?
Speaker 7 (09:05):
Yeah? Are there any windows in upper berths?
Speaker 6 (09:07):
No?
Speaker 7 (09:08):
And who is our waving ass?
Speaker 2 (09:13):
You got me? How'd you sleep? Mary?
Speaker 7 (09:15):
I was just past the night. Ride in and eat
the home? Do you want to hear it?
Speaker 1 (09:18):
Not?
Speaker 8 (09:18):
Now?
Speaker 2 (09:18):
Married a porter? Porter el? What time do we get
to Albuquerque?
Speaker 7 (09:24):
Who?
Speaker 2 (09:26):
Albuquerque?
Speaker 7 (09:27):
I don't know?
Speaker 4 (09:28):
Do we stop there?
Speaker 2 (09:30):
Well?
Speaker 9 (09:31):
Certainly we stopped there, Mama, m I've.
Speaker 2 (09:38):
Better about that.
Speaker 1 (09:41):
Yeah, yeah, I do that.
Speaker 2 (09:43):
Oh what's the name of that crown? To give Albuquerque? Alba? Cookie?
What's it gonna drink? Up the fine porter we got. Well,
maybe when we don't stop there, jank, go on. I've
made this trip a thousand times.
Speaker 7 (09:59):
Do you want to hear my home now?
Speaker 2 (10:00):
A thousand times? No, I'm going into lunch.
Speaker 7 (10:03):
Pardon me, mister Denny.
Speaker 2 (10:04):
Yes, ma'am, I'm the.
Speaker 6 (10:05):
Lady who saught her.
Speaker 9 (10:05):
What is your autographic stations?
Speaker 2 (10:07):
Oh, the little girl is going to Hollywood.
Speaker 1 (10:08):
Yes, she's going into picture of Milican dere Mister.
Speaker 2 (10:11):
Benny wants to meet you. Well, I was going to lunch.
Speaker 9 (10:13):
Really what we just had ours?
Speaker 7 (10:16):
Just come here, Milicen. You know she sings just like
Lily Pond.
Speaker 2 (10:20):
Well I heard miss Pond. So don't bother with Milicent.
I'm she's so modest.
Speaker 7 (10:25):
I always have to port her, not for I. You
don't married, come Milicent sing, but it's a Benny or
don't bother.
Speaker 2 (10:31):
She's probably nerderus, no love, no lot, very good god.
Oh really she has great possibilities. Thank you, and take
(10:52):
your hands off her. Next. Oh, pardon me about lunch?
Deck Who can eat now?
Speaker 8 (11:00):
Oh?
Speaker 2 (11:00):
Conductor? Conductor? Yes, sir? What time do we get to Albuquerque? Albuquerque?
Is that on this line? I always has been. What
time do we get there. What time is it now? Twell? Twenty?
Thank you? Lala la la la la la.
Speaker 7 (11:16):
I bet he's going in a picture too. Oh, listen
to my palmer, do you, James?
Speaker 2 (11:20):
Oh? Mary, I'm so tired.
Speaker 7 (11:21):
I want to Dear Old e shir Dear Old Easter,
you are with us once again?
Speaker 2 (11:25):
Where do you mister diddy? My daughter?
Speaker 7 (11:27):
Oh lady, please, I don't who want to contest.
Speaker 8 (11:29):
In that slice?
Speaker 2 (11:30):
He's going into pictures. Oh so you're going to be
in pictures, Milicine, Yeah.
Speaker 7 (11:33):
Until a director gets fresh with me?
Speaker 9 (11:38):
What a long career you'll have, Mary, Milicin.
Speaker 2 (11:43):
Milicin's want a contest?
Speaker 7 (11:45):
Contest? Looks like a water buffalo.
Speaker 2 (11:48):
You've never seen a water buffalo.
Speaker 7 (11:50):
I've never seen anything like Milicin.
Speaker 2 (11:51):
Eva.
Speaker 7 (11:52):
Why dear Old Easter, Dear Old Easter, you are with you?
Speaker 3 (11:56):
Well?
Speaker 2 (11:56):
Hell, Kenny, I just leave last night, Kenny.
Speaker 9 (11:58):
Oh, I have more both this time.
Speaker 2 (12:01):
I hung my pants from the rope of train stop
that kind of a train. Where have you been all morning?
Do you and a pointer closed?
Speaker 9 (12:13):
My apple?
Speaker 8 (12:13):
Brodk You think he's wait until I got out?
Speaker 2 (12:16):
And you mean he folded dropping up?
Speaker 3 (12:17):
Yeah?
Speaker 2 (12:18):
Why don't you do something about it.
Speaker 9 (12:19):
Before I could think of anything, I saw a sweep.
Speaker 3 (12:22):
See, I sure do need air.
Speaker 2 (12:23):
Sit out and open the window. They're all helping Kenny,
And don't stick your head out, I say.
Speaker 7 (12:28):
Kenny, you want here? I eat your poem?
Speaker 9 (12:30):
Sure?
Speaker 2 (12:31):
Murray?
Speaker 7 (12:31):
Oh boy, an audience. You're old Easter. Dear old Easter,
you are with us on once again, with your guy
Easter lily and your products from the hens.
Speaker 2 (12:39):
Wow. I love your each bull Gunges, magazines and programs.
Speaker 6 (12:43):
Get your programs there.
Speaker 2 (12:45):
You can't tell one pasture from another without a program.
And what kind of a train is this? Hey boy?
What time do we get to Albuquerque?
Speaker 3 (12:53):
We certainly do our bull, isn't that awful?
Speaker 7 (13:00):
I love your etr bunny shammer while and shammer cane
and the yellow so delicious. Howard bobbles on the train?
Speaker 2 (13:07):
Hey, I noticed that? Hey Porter, Yes, when I got
on the train yesterday, I gave you a super press.
Where is it here?
Speaker 6 (13:13):
I'm lazy?
Speaker 2 (13:14):
Don't I remind you of seven press? Yeah? What did
you find out about Albutquerque? He can't president it? There's
an aren't you? Albuquerque is a town?
Speaker 6 (13:25):
You better check on this.
Speaker 2 (13:30):
I better get off this.
Speaker 9 (13:31):
Train too, Say Jack, Yeah, what's this hanging around my nurse?
That's a mail bag? And I told you to keep
your head in.
Speaker 2 (13:39):
I'll look at you.
Speaker 8 (13:42):
I'm mild, be strong. We can get along as long
as you fucking while there's a moon on? Why bird
to long?
Speaker 6 (14:00):
Why heavy?
Speaker 8 (14:02):
You and by.
Speaker 3 (14:07):
You can be sure right.
Speaker 8 (14:16):
Than beside me all the way of future.
Speaker 4 (14:23):
With a smile, lasting.
Speaker 3 (14:26):
Me and I have the worthy of you lost me a.
Speaker 2 (15:03):
Very good Kenny. I'm sure your song will be a
big hit Sunday.
Speaker 7 (15:06):
I'll say it was, Say Jack, looks like we're pulling
into a station.
Speaker 2 (15:10):
That's right, we're flowing down. Hey, Kenny, look out of
the window and see what town is this? Okay?
Speaker 7 (15:15):
The train shopcat? Where are we?
Speaker 2 (15:18):
What does the sign say, Kenny? What town is this?
Waiting room? Waiting room, New Mexico. It's fine, I mean
let me look out there, Hey John, we're in Albuquerque.
Speaker 9 (15:30):
I know the train stop here.
Speaker 2 (15:31):
I'm going out just there, Yeah, me too, Await for me,
Hey porter, how long do we stop here? Where in Albuquerque?
Speaker 9 (15:42):
There?
Speaker 4 (15:43):
You gorg here?
Speaker 2 (15:47):
There's no use talking to him. Come on, Mary, I
gotta send a wire watch the stiff. Hey, Jack, look
at those in ben killing things where right there? I'm
going open by a Tommy Rock.
Speaker 9 (16:00):
To Tommy Hawk.
Speaker 2 (16:01):
Go ahead, Kenny, don't be late for the train. John
send that wire for me, will you? Okay?
Speaker 7 (16:05):
Oh Jack? Look at Kenny buying something from that Indian.
Speaker 2 (16:08):
He said, hello Indian private English? Oo oo oo oh.
Tell her what you want, Kenny.
Speaker 9 (16:18):
Me wants Tommy Hawk.
Speaker 2 (16:19):
How much cost him? Why?
Speaker 7 (16:21):
Why?
Speaker 9 (16:21):
Some dope?
Speaker 2 (16:24):
Oo? You said it? Come on, Mary, we haven't much time.
I want to go in that little novelty shop and
buy some moccasins.
Speaker 7 (16:29):
And I got the attemption to my mother.
Speaker 2 (16:31):
Yeah, let's go, Hey Mary, look at that sign. He's
big bargains. Let's go in the will customers step into
my big boom and look it up in Amaya. Hindians
is est He's an Indian, all right? And what can
(16:54):
I do for you? My tell face, lunch man. I
want to get a pair of moccasins. Pech a LEFTI
one of the Sorry they don't split him up. Hey, Papa,
give me a Nichols, right, that's my little spooks.
Speaker 7 (17:11):
Yeah, I look at those faces. I'd like to buy
one to Mama.
Speaker 2 (17:14):
This beg here it's a real retel snake point.
Speaker 7 (17:16):
It's pitty.
Speaker 2 (17:17):
Hey, wait a minute, this one is moving day cat.
That'll be dead by SunDog. Thet't not handle that, Mary.
I like to see a pair of moccasins. Yeah, you
are the finest moccasins made by our price. And what
tribe is that? The ponies shoppies? Well, i've heard of them,
say these moccasins. I'm bad you haven't got much of
a selection here? Who am I Lorsan? Well, well i'll
(17:46):
take this pair. Wrap him up? Would you like him at?
That's and I blenk it or rush me. I just
want moccasins, That is all, Papa. I want on Nichols.
Why ain't in the faith? Could be nos in the faith?
So hear you answer? This will be two ninety eight.
Is that anything else? No? Thanks, lady, mine attend the boot.
Would you use a couple of igloos? Seep iglows? What's
(18:09):
an Indian doing with an iglo? I used to be
on Eskimo. I'm stuck with him, never.
Speaker 7 (18:15):
Mind, calm Mary, oh Jack, look at that totem Paul.
Speaker 2 (18:18):
That's my vife. I'm stuck with her too, well welcome, bye,
thank you, call again exact, hurry up with it for training,
be right with you? Come on, everybody, or John, did
you send that wire to Phil Harrit?
Speaker 7 (18:38):
Yes, he got a.
Speaker 2 (19:46):
N back here that would swing high swing low from
(20:42):
the motion picture of the same name, played by yours
truly Phil Harris and his horse. And I want to
say that it sure is a pleasure to be back
on this program again. Thanks Bill.
Speaker 7 (20:51):
How prutle Buck get here?
Speaker 1 (20:52):
Why?
Speaker 2 (20:53):
Hello, Andy, you'll be here any minute now. I wish
you'd get here. I got a swell pleasant point if
he brought me one.
Speaker 9 (21:03):
Hey, class, Hey, look at this Andy, he is two
(21:23):
ways nineties sent.
Speaker 2 (21:25):
Yeah, say thought, Can I take this home?
Speaker 9 (21:28):
I want to show it to my chicken. Go ahead, Andy,
but break.
Speaker 2 (21:34):
It to him gently. There. Let me see that many
new minutes here, y' don I know what you're looking for.
It's at the bottom of the page under dessert. Yes there,
it is, right between the coconut custard pie and the
chocolate fuddy. Yes, sir, and it looks just as tempting
as ever. I wonder if they mean jelly oh candy,
you're boiled there? Hey, Jack, you sure did a lot
of stuffing in New York, didn't Did I come here Phil?
(21:56):
You too? Andy? Listen, I got some stuff that said
you with him. You know, we gotta beat less. You
can talk all you wanna, boys, So let me tell
you something that there are plenty of rooms in New
York too. There are certainly, Listen. I kicked a waiter
at the Waldorf Astoria and he told me it was
the first dime he'd ever seen. Radamask Jack tell us
(22:20):
about those nightclubs? Yeah, how about those corners? Girls?
Speaker 9 (22:23):
Were they pretty well?
Speaker 2 (22:24):
I don't know. Wilson was always in front of me.
I don't know, or say, fellas Lokan. I got so
much to tell you, it'll take days. He come on over,
come on over here in the corner. Okay, you know
what to do?
Speaker 4 (22:33):
Boys, No what, No time.
Speaker 2 (23:03):
This is the last number of the twenty sixth program
in the New Jello series. And we'll be with you
again next Sunday night at the same time. And I
want to thank all my friends in New York and
walk Keegan, those two big towns for their hospitality. And Kenny,
I want to wish you success is coming Thursday when
you open up the Paramount Theater.
Speaker 7 (23:20):
Franky Jack says Jack, and I say something.
Speaker 2 (23:22):
Sure, Mary, go ahead, if that's your Tella.
Speaker 7 (23:24):
I gave my autographs too, and Kansas City is listening in.
Will you please return my gold Cancil impression?
Speaker 2 (23:31):
Oh he couldn't have been that good looking. Good night, folks, happy.
Speaker 4 (23:40):
Thanks, that's the work. Is a prim on our program
that I see the courtesy of Water Brothers, WI Wings two.
Speaker 9 (23:52):
Marvelous for words.
Speaker 2 (23:53):
It's called the Pictures, Very Willing and label. This is
the Red Network of the Nactual Broadcasting Company mm hm,
heyf los Angelessen
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!