July 30, 2025 • 27 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The Jello program starrying Jack Benny with Mary Livingston and
Phil Harrison his orchestra. The orchestra opens a program with
be a Good Sport from Love and Hissor. One of
(00:21):
our listeners from Boston writes that was be a Good
(00:43):
Sport played by the orchestra. Now, ladies and gentlemen, we
bring you a man who doesn't sing like Crosby, who
doesn't photograph like Gable, who cannot act like Muni. Yep,
he's in the movies, Jack Benny.
Speaker 2 (01:04):
Thank you very much. You lo Again there's Jack Benny
talking and don you kind of floored me with that introduction.
Of course, I'm in the movie. I mean not sing
like Crosby or act like Paul Muni, but I do
photograph well. And you know it.
Speaker 1 (01:18):
Now, that isn't just what I said, Jack, I merely
said that you don't photograph as.
Speaker 2 (01:23):
Well as Gable. Now, wait a minute, Don that might
be a debatable point. After all, it is a matter
of opinion. You have your side of it and the
rest of us have mine.
Speaker 3 (01:36):
I'm afraid you don't grasp my thought.
Speaker 2 (01:38):
Jack.
Speaker 1 (01:38):
Now, I don't mean that you're hideous or anything like that.
Speaker 2 (01:43):
Well, that's dog gone sweet of you.
Speaker 1 (01:48):
What I'm trying to say, Jack, is that Gable is
a rugged, muscular, outdoor type of man.
Speaker 3 (01:53):
You know he goes in for sports like hunting and fishing.
Speaker 2 (01:56):
Well, what do you think I do? I spent the
whole morning reading field and screams. And for your information,
don I sleep without pajamas winter and summer?
Speaker 4 (02:08):
Go on?
Speaker 2 (02:09):
You're kitty? Oh I am a say hell? Yes, Jack,
You've stayed overnight of my house. Lots of times I
sleep without pajamas, don't I?
Speaker 3 (02:16):
Yeah, but you got sleeves in the blankets.
Speaker 2 (02:24):
You should talk the way you dress for bed. You
even wear a night halt you meet my boots, Bob Beanie. Yeah,
any man that'll wear a night half.
Speaker 3 (02:40):
Well, I have to protect my hair. I can't put
it in a drawer and go to bed like you do.
Speaker 2 (02:48):
Now that's silly because I never wore a toupee in
my life.
Speaker 3 (02:51):
What was that on your head and your last picture?
Speaker 2 (02:53):
Spinach?
Speaker 3 (02:55):
Yes, but it sure had a nice wave in it.
Speaker 2 (02:59):
Anyway, who started off? Let's talk about my lot and
how I photograph and Gable and everything.
Speaker 1 (03:04):
Well, Jack arn revel on the paper just justice that
you're going to start your new picture pretty soon?
Speaker 2 (03:09):
Oh that how you happen to bring it up there? Well, yes,
I am, I am done, and I want to tell you, fellas,
it's going to be a swell picture right up my alley.
Speaker 3 (03:18):
They've already sent me.
Speaker 2 (03:19):
A script and I'm going to get Hello, Mary, They've
already sent me a script, and I'm going to go down.
Speaker 3 (03:25):
How goes?
Speaker 5 (03:26):
Well?
Speaker 2 (03:27):
Hello, Arry, They've already sent me a script and I'm
going to write it down.
Speaker 3 (03:31):
I am Mary, glad to see you.
Speaker 2 (03:33):
They've already Please Marry, they've already.
Speaker 3 (03:36):
Sent me a script, and you don't fellas.
Speaker 2 (03:38):
I do feel at this time they've really cost the
true Benny.
Speaker 1 (03:42):
Well, Jack Arne thought your mouse picture captured your personality
very nicely, well.
Speaker 2 (03:46):
Done, not completely. It did have the outer means, you know,
a surface portrayal, But in this new picture you're going
to see the inner means, you know, deep down inside.
See I can highway. Let's release me too.
Speaker 3 (04:01):
I'd like to see what your liver looks like.
Speaker 2 (04:03):
And that's not what I meant at all.
Speaker 1 (04:11):
Well, tell me, Jack, what kind of a part are
you going to play?
Speaker 5 (04:13):
What characters?
Speaker 2 (04:14):
Well? Down, it's something very human, something that everybody understands.
Speaker 6 (04:19):
And still did Kenny get here yet?
Speaker 4 (04:21):
No?
Speaker 2 (04:22):
And still it has its humor and deep quality.
Speaker 6 (04:26):
I feel that at least that day never gets here
on time.
Speaker 2 (04:30):
Mary, I'm talking. Oh, then I don't blame him anyway,
Fellas in this new picture, I play the part of
a cleptomaniac, clept a maniac. Yeah, you know one of
those fellows who imagines he's sick all the time. You know,
you know a fellow that's always taking pills.
Speaker 3 (04:49):
Why that's hypochondriact.
Speaker 1 (04:51):
A clepto maniac is a thief.
Speaker 2 (04:53):
Well, anyway, I play the part of a big word,
and I'm a very wealthy man.
Speaker 3 (05:05):
Well, Jack, what about the love in?
Speaker 2 (05:07):
Who's your leading lady? Oh she's beautiful, Don, She's that
a new European star that just came over from Vienna.
Her name is Francisca gall She's really gorgeous.
Speaker 6 (05:16):
Who's your leading man?
Speaker 2 (05:18):
Well they haven't, Cassie, I am who's your leading man?
Which reminds me Mary, Just before you came in, Don
insinuated that I don't photograph like Gable.
Speaker 6 (05:33):
Why that's silly. You got him beat a mile.
Speaker 2 (05:35):
Certainly, And listen don say.
Speaker 6 (05:38):
Wait a minute, you mean Clark Gables. Yes, Oh, didn't
forget us.
Speaker 2 (05:45):
Don't worry, I'll do oraw right romantically, you know Fellaws. Yeah,
I can't be nervous today, you know Fellas working with
a girl like Francisca goll it'll sure be a kick
doing those love scenes. Gee, I hope I won't be nervous.
Speaker 5 (06:00):
Yeah.
Speaker 6 (06:01):
Remember that big love scene you had with Gail Patrick
in your last picture, Jack, What about it? You were
so backbard he kept ducking behind it all the time.
Speaker 2 (06:08):
Well, I had to. I had my lines written on
her back, and believe me, I'll learn my part thoroughly
next time.
Speaker 6 (06:20):
You know, Jack, I'm awfully sorry he's going to make
this new picture. I wish he wasn't ready yet. Why Mary, Well,
I've got the most wonderful idea for a love story
and it just sits you who are key?
Speaker 2 (06:30):
Oh?
Speaker 4 (06:30):
It?
Speaker 2 (06:30):
Does they your idea? Well, I don't want to hear it.
Speaker 3 (06:32):
I'll give the kid a chance. What's it all about, Murray?
Speaker 6 (06:35):
Well? The scene is a Jaget island in the South Seas,
and Jack is alone on this island with Carl Lombard.
Speaker 2 (06:42):
Oh, with Carol Lombard say, that's a well idea. What happened?
Speaker 6 (06:47):
Well, when the picture opened, Carol is scene swimming away
from the island and Jack is shouting to it.
Speaker 2 (06:52):
Oh she leaves me right at the start of the picture. Yes,
that's a fine story, don't complain.
Speaker 6 (07:00):
And I had gobbled there and she swam away too.
Speaker 2 (07:06):
Oh, say the women take to me like a duck
to water. Is there more to it? Yes?
Speaker 6 (07:12):
Now here you are all alone on this Jserten, Yes, yes,
And you don't know what to do, so you start
carving your initials in a palm tree, which later turns
out to be a babboon.
Speaker 2 (07:25):
A bab boon.
Speaker 6 (07:26):
This is the beginning of a beautiful friendship.
Speaker 2 (07:33):
I see. Well, if the baboon swims away, I quit.
But at that there's a situation there. Now who could
play the bab boon?
Speaker 3 (07:42):
Maybe you could double Jack?
Speaker 2 (07:43):
Try it. Is there any more to it? Mary?
Speaker 7 (07:46):
Oh?
Speaker 2 (07:47):
Sure?
Speaker 6 (07:47):
Now here you are all along, I know, I know.
Speaker 2 (07:51):
Well.
Speaker 6 (07:51):
All of a sudden, a bottle is washed up on
the shore.
Speaker 2 (07:54):
A bottle, yes, So you.
Speaker 6 (07:56):
Pick it up, pull off the cork at fifty cars
thrilled jump house.
Speaker 2 (08:00):
Well it's a little unbelievable, but at least I have company.
Then what happened?
Speaker 6 (08:05):
They all swim away?
Speaker 2 (08:09):
Now wait a minute, Mary, that's going too far. What's
the name of your picture anyway?
Speaker 6 (08:13):
Little swimming?
Speaker 2 (08:20):
Well that's fit, but I'm not interested in it, so
let's change the subject. Othel, Yeah, are your boys ready
for the next number?
Speaker 3 (08:27):
No, they all swam away.
Speaker 2 (08:29):
All they did. Eh, we'll make them come back.
Speaker 5 (08:31):
I can't do it, Polly.
Speaker 2 (08:32):
Caught up with the chorus. Girl, Oh, well, here I
go to splash, slash dunk.
Speaker 4 (08:38):
I'm swimming now, Paul's.
Speaker 2 (10:35):
At the same time. What was that number? Fill a
tango or a fox drive the Australian crawl. Oh we're
quite a quality tonight, aren't we you?
Speaker 1 (10:44):
Yes, and ladies and gentlemen, if you wish to enter
this water carnival, swim to your nearest grocer, wring yourself
out and say give me a package of jello.
Speaker 2 (10:53):
Gurgle gurgle. Well, boy meets gurgle. That was very clever
and certainly afropol. Now where were we here?
Speaker 6 (11:03):
So here you are all alone on this desert island.
Speaker 2 (11:06):
Mary, I'm not going to be on that desert island
because I'm not going to play the part. Get Phil
Harris to play it.
Speaker 6 (11:11):
Oh no, I want the girl to swim away.
Speaker 2 (11:19):
I suppose Smell would be right at home on a
desert island with fifty girls. Yeah, well you play it then.
Oh hello, Kenny, Hello Jan.
Speaker 5 (11:30):
I hope you weren't worrying about me.
Speaker 2 (11:32):
Oh no, no, where were you?
Speaker 3 (11:33):
I was down in a drug store eating.
Speaker 5 (11:36):
Oh, had a mallet, milk, chakra.
Speaker 3 (11:38):
Soda, bacon and tomato, sandwich, marshmallow, sunny in a bowl soup.
Speaker 2 (11:43):
Mine, goodness, you ate all of that. You must have
been awfully hungry.
Speaker 7 (11:48):
No, it wasn't that.
Speaker 3 (11:49):
I knew I wanted something, but I just couldn't put
my finger on it.
Speaker 2 (11:55):
Well, you certainly tried.
Speaker 5 (11:58):
See I'm uncomfortable.
Speaker 2 (12:00):
Why don't you take them by carbon of the soda.
Speaker 5 (12:02):
Where I put it.
Speaker 2 (12:05):
Well, I hope you'll be able as thing. Say, Kenny,
you should have been here. Mary was telling me the
plot of a story he wrote there. She wrote, Say
I helped write that. Oh so you helped Mary with it?
Huh he did not.
Speaker 6 (12:18):
All he thought of was the island I put the
water around it.
Speaker 2 (12:22):
Well that was brilliant.
Speaker 5 (12:24):
Yeah, say Jack I've read in the papers. You're going
to start the new picture pretty soon, is that right?
Speaker 2 (12:30):
Yes, Kenny, in a few weeks. They're casting the picture now.
I play opposite that new European star, Francisca gall Oh.
Speaker 5 (12:37):
Yes, see that Peganese via.
Speaker 2 (12:46):
Pekanese. And she's beautiful too. You know she's from Vienna, Vianna. Yeah.
Speaker 6 (12:52):
See that's a coincident.
Speaker 2 (12:55):
What's the co incident? You're from vul Keegan, that's walk
Kegan with a W. Anyway, Kenny's going to be a
pretty swell picture. And Francisca, this girl whom I married,
is uh oh say, I just thought of something. Oh
this is awful, Jack. I promised to call her up
and make a date to read the script over with her. Mary,
(13:16):
get miss Goll on the phone. Will you please wait
a minute. Here's the here's the number.
Speaker 6 (13:20):
Okaye opera to get me Hollywood two seven three four.
Speaker 2 (13:25):
And I'm kind of anxious to see her and Starcraharsey.
You know, I hope she doesn't.
Speaker 6 (13:29):
Think hell no, miss Dall please yes, miss Doll from Vienna.
Speaker 2 (13:34):
That's Vienna v I hope she isn't doing anything tonight,
said I.
Speaker 6 (13:38):
Miss Doll Jack's any calling here? Y'are Jack?
Speaker 2 (13:41):
Thanks? Good evening, Miss Goll.
Speaker 7 (13:44):
I'll viad his aide.
Speaker 3 (13:47):
Oh that comes later, I think, Well Vox knew?
Speaker 5 (13:53):
I mean.
Speaker 7 (13:58):
Darn you?
Speaker 2 (13:59):
Mary. Oh? Oh I'm five fine, Thank you, Miss Goll?
How are you well? Are you enjoying Hollywood? Can't be?
Speaker 6 (14:10):
That's funny?
Speaker 2 (14:11):
Why? Ms Goal, I just called to find out when
you're when you like me to come over for rehearsal?
Mm hmm. Well how about tonight after the broadcast? I said,
after the broadcast? Oh, yes, yes, I'm on the radio.
She just got in town Folk. Well I could get
(14:32):
there by nine thirty. Oh that would be too late.
Well I could hurry over. I could run over.
Speaker 6 (14:40):
Why don't you roll over?
Speaker 2 (14:41):
Mary? Well, all right, Miss Gall, I'll be there right
after the program. Well goodbye? What's that mister Harris? Oh
do you know Phil? Well? Ms Goll, we wouldn't want
any interruptions during the rehearsal. You know, you know the
old saying three is a crowd. Oh you don't. Well, yes,
(15:08):
if you feel all right, I'll be glad to bring
him along.
Speaker 3 (15:12):
The more the merrier, I always say.
Speaker 2 (15:16):
Goodbye. How long have you known her? Phil?
Speaker 3 (15:23):
All about a week. I'll be glad to go along.
Speaker 2 (15:25):
Yes, do that. All I want to do is rehearse
and get out. Surely a matter of business with me?
Speaker 3 (15:32):
Well, I had nothing to do with it.
Speaker 2 (15:33):
She asked for me, and all I wanted to say,
you had anything to do with it?
Speaker 3 (15:37):
Well, you're not mad, are you?
Speaker 2 (15:38):
Of course I'm not mad?
Speaker 7 (15:40):
Mad?
Speaker 5 (15:40):
What poor oh Jack?
Speaker 3 (15:42):
I'll go ahead and sing, I've had enough.
Speaker 2 (15:44):
Of your back talk?
Speaker 5 (15:47):
Oh gee, what are you waiting for?
Speaker 3 (15:50):
Someday? That can't drive me?
Speaker 7 (15:52):
Nothing? Nothing seemed to matter anymore, didn't know where I
(16:17):
was heading for. I'm a standing steal. No one cote
that came and knock knock, knocking at my dow w
(16:44):
right him, None rows the shadows away, no war write him.
I'm my body, Matty Morment and my first law.
Speaker 3 (17:09):
Matthew mos Hello, form my.
Speaker 7 (17:18):
Oh and I forgot the gloom mother call, and I
have found my daughter? Then and there? Why come new
(17:53):
and Love?
Speaker 2 (18:19):
I was love walking from Gold and Folly, sung by
Kenny Baker, and was very good. An Now, folks, where
you mad at Jack? I'm not mad when I have
to rehearse with my leading lady. I don't see why
the whole world has to tag along.
Speaker 5 (18:35):
Still's the one that's going I'm not.
Speaker 2 (18:37):
You can bet your aunt Susie or not. You got
an aunt Susie.
Speaker 3 (18:42):
What are you picking on him for? I'm the guy
you're mad at.
Speaker 2 (18:45):
I'm not mad at anybody.
Speaker 5 (18:46):
So let's drop it.
Speaker 2 (18:49):
An our folks, I mean an ow folk. If my
cash will calm.
Speaker 6 (18:55):
Down, come down somewhere.
Speaker 2 (18:57):
Cut off that Dutch comedy Mary Tonight, ladies and gentlemen.
For our feature attraction, we are going to present a
play of newspaper life, a stirring, fast moving drama of
the press entitled Behind the Front Page or Scoop Benny's Scoop.
(19:17):
I'll play the part of Scoop Benny, editor in chief
of the New York Daily Bulletin, a fearless journalist and
the sworn enemy of Gangland. The rest of my cash
will be reporters. The opening scene is the editorial office
of the Daily Bulletin, New York City, Curtain Youth, Good.
Speaker 6 (19:42):
Morning, Daily Bulletin, Daily Bulletin, jes A Momently, I'll connect you.
Speaker 2 (19:48):
Wow, Yeah, there's a scoop. Oh, hello, Callahan, anything new
on the Harrington murder? I'm holding the front page. Open
watch you know the murderer. Good work, Callahan. How did
you find out? Oh? You read it in the Express? Callahan?
Your fires. This paper's got the worst bunch of reporters
(20:12):
in New York City.
Speaker 6 (20:13):
What's the matter, snoop?
Speaker 2 (20:14):
That's cool, Eliphan found out who murdered Harrington the banker?
He read it in the Express?
Speaker 6 (20:22):
Well, who killed Harrington?
Speaker 2 (20:23):
I'm gone. I forgot to ask him. Here's three cents.
Go out and buy an Express.
Speaker 6 (20:28):
It's a nickel.
Speaker 2 (20:29):
Now, well, let it go. It's a fine. How do
you do hey, cheap cheap? I got it, I got it.
You gotta walk, Harris. I just found out who killed
Harrington the banker. Oh I suppose you read it in
the Express? No, the Oscalusa Gazette. Thanks your fire? What again, Oscalusa?
(20:54):
How did they beat us? To us?
Speaker 6 (20:55):
How did they beat us? You didn't even know Franklin D.
Roosevelt was elected until you missed you were in the newsreels.
Speaker 2 (21:07):
All right, you should talk after that assignment you were
on today, I sent you down to the boat interview
Robert Taylor, and what happened? You didn't even get a story.
Speaker 6 (21:14):
Well, he didn't know any.
Speaker 2 (21:20):
I don't believe it. That's the way he's been traveling.
You're fired too, A shut up?
Speaker 5 (21:26):
What hey, school school?
Speaker 3 (21:29):
I got it, I got it, god walk.
Speaker 5 (21:30):
Basically I found out who killed Harrington the banker?
Speaker 2 (21:33):
Oh?
Speaker 3 (21:33):
Where did you read it?
Speaker 5 (21:34):
In the woman's home companions?
Speaker 2 (21:38):
That's ridiculous. I couldn't have been there.
Speaker 5 (21:40):
It was too right next to a recipe for angel cakes.
Speaker 2 (21:45):
Well, how do they find the murderer?
Speaker 5 (21:47):
You take two cups of flowering whine up a name?
Speaker 2 (21:55):
I wonder I'm not a nervous wreck with this staff
around were yesterday's paper.
Speaker 6 (22:00):
Didn't print one?
Speaker 2 (22:02):
We didn't print a paper yesterday? Why not?
Speaker 6 (22:05):
Nobody thought of it?
Speaker 2 (22:07):
It's a fine daily paper.
Speaker 6 (22:09):
We don't go to press as often as your pants?
Speaker 2 (22:14):
He said, it is there a remote possibility that we
published a paper today?
Speaker 4 (22:19):
Yes?
Speaker 6 (22:19):
Here it is.
Speaker 2 (22:20):
Now, let's have it. Well, of all things, Miss Stewart
sending our Broadway columns. Yes, that guy's been getting away
with murder.
Speaker 6 (22:30):
What's the matter?
Speaker 3 (22:31):
Why did you send for me?
Speaker 7 (22:33):
Chief?
Speaker 2 (22:34):
Yes, Wilson, take a look at this column of yours.
What famous dessert is that?
Speaker 5 (22:39):
Way about?
Speaker 2 (22:39):
Flight bananas? Hmm? That's fine?
Speaker 5 (22:50):
Well, what's wrong with that?
Speaker 2 (22:52):
And look at this, there's no truth of the report
that strawberry, raspberry, cherry, orange, lemon and lime have fifth
A fine news, We're chief.
Speaker 5 (23:01):
People will eat that up.
Speaker 2 (23:03):
They'll eat what what? That's what I want to know?
Speaker 3 (23:05):
Oh started I left off Jello.
Speaker 2 (23:08):
I'm putting it right away and use those big red
less cusha Chief, say, Livy, Yesop, I was just thinking,
I don't care who confess to the Harrington murder. The
guy behind that killing was none other than Nails Mulligan.
Nails Mulligan, Yes, And I'm gonna print that.
Speaker 6 (23:23):
You better lay off nails. You've been writing them a
lot lately.
Speaker 2 (23:26):
And I'm gonna write him right out of town. The
rat a man a chief Chief, I got it, I
got it, you got what amazos? Run for your life.
I wish he'd light I'd fire him too. I get
(23:46):
your notebook, Livy. I want to dictate another trail about
nails Mulligan. That'll curl his hair.
Speaker 6 (23:51):
You better be careful. Mulligan says he's gonna get you
one of these days until you pull a lead.
Speaker 2 (23:55):
Oh yeah, well listen, Livy, Soop Fenny ain't worrying about
fat mugs. Not me. Hey, chief, Chief, what is a baker?
I was just down to sixteenth Street and I saw
Cooper's Department store burns out right to the ground. You did,
where's your story?
Speaker 5 (24:08):
I didn't get one.
Speaker 2 (24:09):
It didn't get a story at a fire? Why not?
Speaker 5 (24:11):
I was toasting marshmallows, Baker, that's the last straw. You're fired.
Speaker 7 (24:20):
Okay, see tomorrow, Chief.
Speaker 6 (24:23):
Darn If nobody believes me, say soup, what are you
going to run that editorial about Nails Mulligan in tonight's edition?
Speaker 2 (24:31):
Yes I am, and I'd like to see his face
when he reads it. The school we can't say stunk folks.
Speaker 6 (24:39):
Well, i'd be on my guard if I were you.
Speaker 2 (24:40):
Ah, forget it, Hey, Chief, here's a package just came
for you by special messenger. Looks important. Let's have it.
Speaker 6 (24:46):
Don't open it?
Speaker 4 (24:47):
Soop?
Speaker 2 (24:48):
Why not?
Speaker 6 (24:48):
Maybe it's a bomb.
Speaker 3 (24:49):
George might be from Nail's Mulligan.
Speaker 2 (24:51):
Yeah, I better not touch it. Let's somebody else do it.
Where's that guy I hired last week? Open packages?
Speaker 6 (24:57):
He opened one?
Speaker 2 (25:01):
Oh, when it comes down fire him? Wait wait a minute,
do you hear anything? Listen?
Speaker 4 (25:09):
I do?
Speaker 6 (25:10):
It's tickings and it is a bomb.
Speaker 3 (25:12):
I better throw it out.
Speaker 2 (25:13):
Don't do that if I do evidence, But I love
the lavator. Oh no, that is lavator. Maybe you can
find Mulligan's fingerprints on her. Hey, Livy, Yes, it's Charlie
Chan on the phone right away.
Speaker 6 (25:30):
What's his home number?
Speaker 2 (25:31):
Whoever heard of Charlie Chan at home? Yes, that's the operator.
Speaker 6 (25:34):
To get him, okay, operator, get me Charlie Chan. Hurry,
please what you don't.
Speaker 2 (25:39):
Know where he is?
Speaker 5 (25:40):
Suit?
Speaker 2 (25:40):
And try Charlie Cann at the opera? I know he
was there.
Speaker 6 (25:43):
Get me Charlie cannot the opera. What he's out there either?
Speaker 2 (25:46):
Hmm, it's still ticket? Quick, Try Charlie Chann at the
race track.
Speaker 6 (25:49):
Operator gave me Charlie tat at the race tack?
Speaker 2 (25:51):
What's that?
Speaker 4 (25:52):
Oh?
Speaker 2 (25:52):
Suit?
Speaker 6 (25:52):
What he wants to know? What race he's in?
Speaker 7 (25:55):
Mind?
Speaker 4 (25:56):
I know?
Speaker 2 (25:57):
Try Charlie channert Monty Carlo and hurry's the bomb is
still ticket? It's getting older?
Speaker 6 (26:02):
Hey, operator, get me Charlie can collar.
Speaker 4 (26:04):
Hurry, Livy, hurry, Oh Charlie, I got Charlie Chess.
Speaker 6 (26:13):
Who here he is?
Speaker 2 (26:14):
That's fine, that's him. How I can get off of
this chandelier way?
Speaker 7 (26:17):
Hell?
Speaker 2 (26:41):
The last number of the seventeenth program in the New
Jello series. And we'll be with you again next Sunday
night at the same time when we will present our
version of Samuel Goldwyn's masterpiece Hurricane. Remember, folks, next week
we take you to that romantic island of Manacura, the
South Seas, the trophies, the beautiful needed girls on the beach.
Speaker 6 (27:02):
I'll bet they swim away.
Speaker 2 (27:03):
They will not. Good Night, folks,
The Jello program starrying Jack Benny with Mary Livingston and
Phil Harrison his orchestra. The orchestra opens a program with
be a Good Sport from Love and Hissor. One of
(00:21):
our listeners from Boston writes that was be a Good
(00:43):
Sport played by the orchestra. Now, ladies and gentlemen, we
bring you a man who doesn't sing like Crosby, who
doesn't photograph like Gable, who cannot act like Muni. Yep,
he's in the movies, Jack Benny.
Speaker 2 (01:04):
Thank you very much. You lo Again there's Jack Benny
talking and don you kind of floored me with that introduction.
Of course, I'm in the movie. I mean not sing
like Crosby or act like Paul Muni, but I do
photograph well. And you know it.
Speaker 1 (01:18):
Now, that isn't just what I said, Jack, I merely
said that you don't photograph as.
Speaker 2 (01:23):
Well as Gable. Now, wait a minute, Don that might
be a debatable point. After all, it is a matter
of opinion. You have your side of it and the
rest of us have mine.
Speaker 3 (01:36):
I'm afraid you don't grasp my thought.
Speaker 2 (01:38):
Jack.
Speaker 1 (01:38):
Now, I don't mean that you're hideous or anything like that.
Speaker 2 (01:43):
Well, that's dog gone sweet of you.
Speaker 1 (01:48):
What I'm trying to say, Jack, is that Gable is
a rugged, muscular, outdoor type of man.
Speaker 3 (01:53):
You know he goes in for sports like hunting and fishing.
Speaker 2 (01:56):
Well, what do you think I do? I spent the
whole morning reading field and screams. And for your information,
don I sleep without pajamas winter and summer?
Speaker 4 (02:08):
Go on?
Speaker 2 (02:09):
You're kitty? Oh I am a say hell? Yes, Jack,
You've stayed overnight of my house. Lots of times I
sleep without pajamas, don't I?
Speaker 3 (02:16):
Yeah, but you got sleeves in the blankets.
Speaker 2 (02:24):
You should talk the way you dress for bed. You
even wear a night halt you meet my boots, Bob Beanie. Yeah,
any man that'll wear a night half.
Speaker 3 (02:40):
Well, I have to protect my hair. I can't put
it in a drawer and go to bed like you do.
Speaker 2 (02:48):
Now that's silly because I never wore a toupee in
my life.
Speaker 3 (02:51):
What was that on your head and your last picture?
Speaker 2 (02:53):
Spinach?
Speaker 3 (02:55):
Yes, but it sure had a nice wave in it.
Speaker 2 (02:59):
Anyway, who started off? Let's talk about my lot and
how I photograph and Gable and everything.
Speaker 1 (03:04):
Well, Jack arn revel on the paper just justice that
you're going to start your new picture pretty soon?
Speaker 2 (03:09):
Oh that how you happen to bring it up there? Well, yes,
I am, I am done, and I want to tell you, fellas,
it's going to be a swell picture right up my alley.
Speaker 3 (03:18):
They've already sent me.
Speaker 2 (03:19):
A script and I'm going to get Hello, Mary, They've
already sent me a script, and I'm going to go down.
Speaker 3 (03:25):
How goes?
Speaker 5 (03:26):
Well?
Speaker 2 (03:27):
Hello, Arry, They've already sent me a script and I'm
going to write it down.
Speaker 3 (03:31):
I am Mary, glad to see you.
Speaker 2 (03:33):
They've already Please Marry, they've already.
Speaker 3 (03:36):
Sent me a script, and you don't fellas.
Speaker 2 (03:38):
I do feel at this time they've really cost the
true Benny.
Speaker 1 (03:42):
Well, Jack Arne thought your mouse picture captured your personality
very nicely, well.
Speaker 2 (03:46):
Done, not completely. It did have the outer means, you know,
a surface portrayal, But in this new picture you're going
to see the inner means, you know, deep down inside.
See I can highway. Let's release me too.
Speaker 3 (04:01):
I'd like to see what your liver looks like.
Speaker 2 (04:03):
And that's not what I meant at all.
Speaker 1 (04:11):
Well, tell me, Jack, what kind of a part are
you going to play?
Speaker 5 (04:13):
What characters?
Speaker 2 (04:14):
Well? Down, it's something very human, something that everybody understands.
Speaker 6 (04:19):
And still did Kenny get here yet?
Speaker 4 (04:21):
No?
Speaker 2 (04:22):
And still it has its humor and deep quality.
Speaker 6 (04:26):
I feel that at least that day never gets here
on time.
Speaker 2 (04:30):
Mary, I'm talking. Oh, then I don't blame him anyway,
Fellas in this new picture, I play the part of
a cleptomaniac, clept a maniac. Yeah, you know one of
those fellows who imagines he's sick all the time. You know,
you know a fellow that's always taking pills.
Speaker 3 (04:49):
Why that's hypochondriact.
Speaker 1 (04:51):
A clepto maniac is a thief.
Speaker 2 (04:53):
Well, anyway, I play the part of a big word,
and I'm a very wealthy man.
Speaker 3 (05:05):
Well, Jack, what about the love in?
Speaker 2 (05:07):
Who's your leading lady? Oh she's beautiful, Don, She's that
a new European star that just came over from Vienna.
Her name is Francisca gall She's really gorgeous.
Speaker 6 (05:16):
Who's your leading man?
Speaker 2 (05:18):
Well they haven't, Cassie, I am who's your leading man?
Which reminds me Mary, Just before you came in, Don
insinuated that I don't photograph like Gable.
Speaker 6 (05:33):
Why that's silly. You got him beat a mile.
Speaker 2 (05:35):
Certainly, And listen don say.
Speaker 6 (05:38):
Wait a minute, you mean Clark Gables. Yes, Oh, didn't
forget us.
Speaker 2 (05:45):
Don't worry, I'll do oraw right romantically, you know Fellaws. Yeah,
I can't be nervous today, you know Fellas working with
a girl like Francisca goll it'll sure be a kick
doing those love scenes. Gee, I hope I won't be nervous.
Speaker 5 (06:00):
Yeah.
Speaker 6 (06:01):
Remember that big love scene you had with Gail Patrick
in your last picture, Jack, What about it? You were
so backbard he kept ducking behind it all the time.
Speaker 2 (06:08):
Well, I had to. I had my lines written on
her back, and believe me, I'll learn my part thoroughly
next time.
Speaker 6 (06:20):
You know, Jack, I'm awfully sorry he's going to make
this new picture. I wish he wasn't ready yet. Why Mary, Well,
I've got the most wonderful idea for a love story
and it just sits you who are key?
Speaker 2 (06:30):
Oh?
Speaker 4 (06:30):
It?
Speaker 2 (06:30):
Does they your idea? Well, I don't want to hear it.
Speaker 3 (06:32):
I'll give the kid a chance. What's it all about, Murray?
Speaker 6 (06:35):
Well? The scene is a Jaget island in the South Seas,
and Jack is alone on this island with Carl Lombard.
Speaker 2 (06:42):
Oh, with Carol Lombard say, that's a well idea. What happened?
Speaker 6 (06:47):
Well, when the picture opened, Carol is scene swimming away
from the island and Jack is shouting to it.
Speaker 2 (06:52):
Oh she leaves me right at the start of the picture. Yes,
that's a fine story, don't complain.
Speaker 6 (07:00):
And I had gobbled there and she swam away too.
Speaker 2 (07:06):
Oh, say the women take to me like a duck
to water. Is there more to it? Yes?
Speaker 6 (07:12):
Now here you are all alone on this Jserten, Yes, yes,
And you don't know what to do, so you start
carving your initials in a palm tree, which later turns
out to be a babboon.
Speaker 2 (07:25):
A bab boon.
Speaker 6 (07:26):
This is the beginning of a beautiful friendship.
Speaker 2 (07:33):
I see. Well, if the baboon swims away, I quit.
But at that there's a situation there. Now who could
play the bab boon?
Speaker 3 (07:42):
Maybe you could double Jack?
Speaker 2 (07:43):
Try it. Is there any more to it? Mary?
Speaker 7 (07:46):
Oh?
Speaker 2 (07:47):
Sure?
Speaker 6 (07:47):
Now here you are all along, I know, I know.
Speaker 2 (07:51):
Well.
Speaker 6 (07:51):
All of a sudden, a bottle is washed up on
the shore.
Speaker 2 (07:54):
A bottle, yes, So you.
Speaker 6 (07:56):
Pick it up, pull off the cork at fifty cars
thrilled jump house.
Speaker 2 (08:00):
Well it's a little unbelievable, but at least I have company.
Then what happened?
Speaker 6 (08:05):
They all swim away?
Speaker 2 (08:09):
Now wait a minute, Mary, that's going too far. What's
the name of your picture anyway?
Speaker 6 (08:13):
Little swimming?
Speaker 2 (08:20):
Well that's fit, but I'm not interested in it, so
let's change the subject. Othel, Yeah, are your boys ready
for the next number?
Speaker 3 (08:27):
No, they all swam away.
Speaker 2 (08:29):
All they did. Eh, we'll make them come back.
Speaker 5 (08:31):
I can't do it, Polly.
Speaker 2 (08:32):
Caught up with the chorus. Girl, Oh, well, here I
go to splash, slash dunk.
Speaker 4 (08:38):
I'm swimming now, Paul's.
Speaker 2 (10:35):
At the same time. What was that number? Fill a
tango or a fox drive the Australian crawl. Oh we're
quite a quality tonight, aren't we you?
Speaker 1 (10:44):
Yes, and ladies and gentlemen, if you wish to enter
this water carnival, swim to your nearest grocer, wring yourself
out and say give me a package of jello.
Speaker 2 (10:53):
Gurgle gurgle. Well, boy meets gurgle. That was very clever
and certainly afropol. Now where were we here?
Speaker 6 (11:03):
So here you are all alone on this desert island.
Speaker 2 (11:06):
Mary, I'm not going to be on that desert island
because I'm not going to play the part. Get Phil
Harris to play it.
Speaker 6 (11:11):
Oh no, I want the girl to swim away.
Speaker 2 (11:19):
I suppose Smell would be right at home on a
desert island with fifty girls. Yeah, well you play it then.
Oh hello, Kenny, Hello Jan.
Speaker 5 (11:30):
I hope you weren't worrying about me.
Speaker 2 (11:32):
Oh no, no, where were you?
Speaker 3 (11:33):
I was down in a drug store eating.
Speaker 5 (11:36):
Oh, had a mallet, milk, chakra.
Speaker 3 (11:38):
Soda, bacon and tomato, sandwich, marshmallow, sunny in a bowl soup.
Speaker 2 (11:43):
Mine, goodness, you ate all of that. You must have
been awfully hungry.
Speaker 7 (11:48):
No, it wasn't that.
Speaker 3 (11:49):
I knew I wanted something, but I just couldn't put
my finger on it.
Speaker 2 (11:55):
Well, you certainly tried.
Speaker 5 (11:58):
See I'm uncomfortable.
Speaker 2 (12:00):
Why don't you take them by carbon of the soda.
Speaker 5 (12:02):
Where I put it.
Speaker 2 (12:05):
Well, I hope you'll be able as thing. Say, Kenny,
you should have been here. Mary was telling me the
plot of a story he wrote there. She wrote, Say
I helped write that. Oh so you helped Mary with it?
Huh he did not.
Speaker 6 (12:18):
All he thought of was the island I put the
water around it.
Speaker 2 (12:22):
Well that was brilliant.
Speaker 5 (12:24):
Yeah, say Jack I've read in the papers. You're going
to start the new picture pretty soon, is that right?
Speaker 2 (12:30):
Yes, Kenny, in a few weeks. They're casting the picture now.
I play opposite that new European star, Francisca gall Oh.
Speaker 5 (12:37):
Yes, see that Peganese via.
Speaker 2 (12:46):
Pekanese. And she's beautiful too. You know she's from Vienna, Vianna. Yeah.
Speaker 6 (12:52):
See that's a coincident.
Speaker 2 (12:55):
What's the co incident? You're from vul Keegan, that's walk
Kegan with a W. Anyway, Kenny's going to be a
pretty swell picture. And Francisca, this girl whom I married,
is uh oh say, I just thought of something. Oh
this is awful, Jack. I promised to call her up
and make a date to read the script over with her. Mary,
(13:16):
get miss Goll on the phone. Will you please wait
a minute. Here's the here's the number.
Speaker 6 (13:20):
Okaye opera to get me Hollywood two seven three four.
Speaker 2 (13:25):
And I'm kind of anxious to see her and Starcraharsey.
You know, I hope she doesn't.
Speaker 6 (13:29):
Think hell no, miss Dall please yes, miss Doll from Vienna.
Speaker 2 (13:34):
That's Vienna v I hope she isn't doing anything tonight,
said I.
Speaker 6 (13:38):
Miss Doll Jack's any calling here? Y'are Jack?
Speaker 2 (13:41):
Thanks? Good evening, Miss Goll.
Speaker 7 (13:44):
I'll viad his aide.
Speaker 3 (13:47):
Oh that comes later, I think, Well Vox knew?
Speaker 5 (13:53):
I mean.
Speaker 7 (13:58):
Darn you?
Speaker 2 (13:59):
Mary. Oh? Oh I'm five fine, Thank you, Miss Goll?
How are you well? Are you enjoying Hollywood? Can't be?
Speaker 6 (14:10):
That's funny?
Speaker 2 (14:11):
Why? Ms Goal, I just called to find out when
you're when you like me to come over for rehearsal?
Mm hmm. Well how about tonight after the broadcast? I said,
after the broadcast? Oh, yes, yes, I'm on the radio.
She just got in town Folk. Well I could get
(14:32):
there by nine thirty. Oh that would be too late.
Well I could hurry over. I could run over.
Speaker 6 (14:40):
Why don't you roll over?
Speaker 2 (14:41):
Mary? Well, all right, Miss Gall, I'll be there right
after the program. Well goodbye? What's that mister Harris? Oh
do you know Phil? Well? Ms Goll, we wouldn't want
any interruptions during the rehearsal. You know, you know the
old saying three is a crowd. Oh you don't. Well, yes,
(15:08):
if you feel all right, I'll be glad to bring
him along.
Speaker 3 (15:12):
The more the merrier, I always say.
Speaker 2 (15:16):
Goodbye. How long have you known her? Phil?
Speaker 3 (15:23):
All about a week. I'll be glad to go along.
Speaker 2 (15:25):
Yes, do that. All I want to do is rehearse
and get out. Surely a matter of business with me?
Speaker 3 (15:32):
Well, I had nothing to do with it.
Speaker 2 (15:33):
She asked for me, and all I wanted to say,
you had anything to do with it?
Speaker 3 (15:37):
Well, you're not mad, are you?
Speaker 2 (15:38):
Of course I'm not mad?
Speaker 7 (15:40):
Mad?
Speaker 5 (15:40):
What poor oh Jack?
Speaker 3 (15:42):
I'll go ahead and sing, I've had enough.
Speaker 2 (15:44):
Of your back talk?
Speaker 5 (15:47):
Oh gee, what are you waiting for?
Speaker 3 (15:50):
Someday? That can't drive me?
Speaker 7 (15:52):
Nothing? Nothing seemed to matter anymore, didn't know where I
(16:17):
was heading for. I'm a standing steal. No one cote
that came and knock knock, knocking at my dow w
(16:44):
right him, None rows the shadows away, no war write him.
I'm my body, Matty Morment and my first law.
Speaker 3 (17:09):
Matthew mos Hello, form my.
Speaker 7 (17:18):
Oh and I forgot the gloom mother call, and I
have found my daughter? Then and there? Why come new
(17:53):
and Love?
Speaker 2 (18:19):
I was love walking from Gold and Folly, sung by
Kenny Baker, and was very good. An Now, folks, where
you mad at Jack? I'm not mad when I have
to rehearse with my leading lady. I don't see why
the whole world has to tag along.
Speaker 5 (18:35):
Still's the one that's going I'm not.
Speaker 2 (18:37):
You can bet your aunt Susie or not. You got
an aunt Susie.
Speaker 3 (18:42):
What are you picking on him for? I'm the guy
you're mad at.
Speaker 2 (18:45):
I'm not mad at anybody.
Speaker 5 (18:46):
So let's drop it.
Speaker 2 (18:49):
An our folks, I mean an ow folk. If my
cash will calm.
Speaker 6 (18:55):
Down, come down somewhere.
Speaker 2 (18:57):
Cut off that Dutch comedy Mary Tonight, ladies and gentlemen.
For our feature attraction, we are going to present a
play of newspaper life, a stirring, fast moving drama of
the press entitled Behind the Front Page or Scoop Benny's Scoop.
(19:17):
I'll play the part of Scoop Benny, editor in chief
of the New York Daily Bulletin, a fearless journalist and
the sworn enemy of Gangland. The rest of my cash
will be reporters. The opening scene is the editorial office
of the Daily Bulletin, New York City, Curtain Youth, Good.
Speaker 6 (19:42):
Morning, Daily Bulletin, Daily Bulletin, jes A Momently, I'll connect you.
Speaker 2 (19:48):
Wow, Yeah, there's a scoop. Oh, hello, Callahan, anything new
on the Harrington murder? I'm holding the front page. Open
watch you know the murderer. Good work, Callahan. How did
you find out? Oh? You read it in the Express? Callahan?
Your fires. This paper's got the worst bunch of reporters
(20:12):
in New York City.
Speaker 6 (20:13):
What's the matter, snoop?
Speaker 2 (20:14):
That's cool, Eliphan found out who murdered Harrington the banker?
He read it in the Express?
Speaker 6 (20:22):
Well, who killed Harrington?
Speaker 2 (20:23):
I'm gone. I forgot to ask him. Here's three cents.
Go out and buy an Express.
Speaker 6 (20:28):
It's a nickel.
Speaker 2 (20:29):
Now, well, let it go. It's a fine. How do
you do hey, cheap cheap? I got it, I got it.
You gotta walk, Harris. I just found out who killed
Harrington the banker. Oh I suppose you read it in
the Express? No, the Oscalusa Gazette. Thanks your fire? What again, Oscalusa?
(20:54):
How did they beat us? To us?
Speaker 6 (20:55):
How did they beat us? You didn't even know Franklin D.
Roosevelt was elected until you missed you were in the newsreels.
Speaker 2 (21:07):
All right, you should talk after that assignment you were
on today, I sent you down to the boat interview
Robert Taylor, and what happened? You didn't even get a story.
Speaker 6 (21:14):
Well, he didn't know any.
Speaker 2 (21:20):
I don't believe it. That's the way he's been traveling.
You're fired too, A shut up?
Speaker 5 (21:26):
What hey, school school?
Speaker 3 (21:29):
I got it, I got it, god walk.
Speaker 5 (21:30):
Basically I found out who killed Harrington the banker?
Speaker 2 (21:33):
Oh?
Speaker 3 (21:33):
Where did you read it?
Speaker 5 (21:34):
In the woman's home companions?
Speaker 2 (21:38):
That's ridiculous. I couldn't have been there.
Speaker 5 (21:40):
It was too right next to a recipe for angel cakes.
Speaker 2 (21:45):
Well, how do they find the murderer?
Speaker 5 (21:47):
You take two cups of flowering whine up a name?
Speaker 2 (21:55):
I wonder I'm not a nervous wreck with this staff
around were yesterday's paper.
Speaker 6 (22:00):
Didn't print one?
Speaker 2 (22:02):
We didn't print a paper yesterday? Why not?
Speaker 6 (22:05):
Nobody thought of it?
Speaker 2 (22:07):
It's a fine daily paper.
Speaker 6 (22:09):
We don't go to press as often as your pants?
Speaker 2 (22:14):
He said, it is there a remote possibility that we
published a paper today?
Speaker 4 (22:19):
Yes?
Speaker 6 (22:19):
Here it is.
Speaker 2 (22:20):
Now, let's have it. Well, of all things, Miss Stewart
sending our Broadway columns. Yes, that guy's been getting away
with murder.
Speaker 6 (22:30):
What's the matter?
Speaker 3 (22:31):
Why did you send for me?
Speaker 7 (22:33):
Chief?
Speaker 2 (22:34):
Yes, Wilson, take a look at this column of yours.
What famous dessert is that?
Speaker 5 (22:39):
Way about?
Speaker 2 (22:39):
Flight bananas? Hmm? That's fine?
Speaker 5 (22:50):
Well, what's wrong with that?
Speaker 2 (22:52):
And look at this, there's no truth of the report
that strawberry, raspberry, cherry, orange, lemon and lime have fifth
A fine news, We're chief.
Speaker 5 (23:01):
People will eat that up.
Speaker 2 (23:03):
They'll eat what what? That's what I want to know?
Speaker 3 (23:05):
Oh started I left off Jello.
Speaker 2 (23:08):
I'm putting it right away and use those big red
less cusha Chief, say, Livy, Yesop, I was just thinking,
I don't care who confess to the Harrington murder. The
guy behind that killing was none other than Nails Mulligan.
Nails Mulligan, Yes, And I'm gonna print that.
Speaker 6 (23:23):
You better lay off nails. You've been writing them a
lot lately.
Speaker 2 (23:26):
And I'm gonna write him right out of town. The
rat a man a chief Chief, I got it, I
got it, you got what amazos? Run for your life.
I wish he'd light I'd fire him too. I get
(23:46):
your notebook, Livy. I want to dictate another trail about
nails Mulligan. That'll curl his hair.
Speaker 6 (23:51):
You better be careful. Mulligan says he's gonna get you
one of these days until you pull a lead.
Speaker 2 (23:55):
Oh yeah, well listen, Livy, Soop Fenny ain't worrying about
fat mugs. Not me. Hey, chief, Chief, what is a baker?
I was just down to sixteenth Street and I saw
Cooper's Department store burns out right to the ground. You did,
where's your story?
Speaker 5 (24:08):
I didn't get one.
Speaker 2 (24:09):
It didn't get a story at a fire? Why not?
Speaker 5 (24:11):
I was toasting marshmallows, Baker, that's the last straw. You're fired.
Speaker 7 (24:20):
Okay, see tomorrow, Chief.
Speaker 6 (24:23):
Darn If nobody believes me, say soup, what are you
going to run that editorial about Nails Mulligan in tonight's edition?
Speaker 2 (24:31):
Yes I am, and I'd like to see his face
when he reads it. The school we can't say stunk folks.
Speaker 6 (24:39):
Well, i'd be on my guard if I were you.
Speaker 2 (24:40):
Ah, forget it, Hey, Chief, here's a package just came
for you by special messenger. Looks important. Let's have it.
Speaker 6 (24:46):
Don't open it?
Speaker 4 (24:47):
Soop?
Speaker 2 (24:48):
Why not?
Speaker 6 (24:48):
Maybe it's a bomb.
Speaker 3 (24:49):
George might be from Nail's Mulligan.
Speaker 2 (24:51):
Yeah, I better not touch it. Let's somebody else do it.
Where's that guy I hired last week? Open packages?
Speaker 6 (24:57):
He opened one?
Speaker 2 (25:01):
Oh, when it comes down fire him? Wait wait a minute,
do you hear anything? Listen?
Speaker 4 (25:09):
I do?
Speaker 6 (25:10):
It's tickings and it is a bomb.
Speaker 3 (25:12):
I better throw it out.
Speaker 2 (25:13):
Don't do that if I do evidence, But I love
the lavator. Oh no, that is lavator. Maybe you can
find Mulligan's fingerprints on her. Hey, Livy, Yes, it's Charlie
Chan on the phone right away.
Speaker 6 (25:30):
What's his home number?
Speaker 2 (25:31):
Whoever heard of Charlie Chan at home? Yes, that's the operator.
Speaker 6 (25:34):
To get him, okay, operator, get me Charlie Chan. Hurry,
please what you don't.
Speaker 2 (25:39):
Know where he is?
Speaker 5 (25:40):
Suit?
Speaker 2 (25:40):
And try Charlie Cann at the opera? I know he
was there.
Speaker 6 (25:43):
Get me Charlie cannot the opera. What he's out there either?
Speaker 2 (25:46):
Hmm, it's still ticket? Quick, Try Charlie Chann at the
race track.
Speaker 6 (25:49):
Operator gave me Charlie tat at the race tack?
Speaker 2 (25:51):
What's that?
Speaker 4 (25:52):
Oh?
Speaker 2 (25:52):
Suit?
Speaker 6 (25:52):
What he wants to know? What race he's in?
Speaker 7 (25:55):
Mind?
Speaker 4 (25:56):
I know?
Speaker 2 (25:57):
Try Charlie channert Monty Carlo and hurry's the bomb is
still ticket? It's getting older?
Speaker 6 (26:02):
Hey, operator, get me Charlie can collar.
Speaker 4 (26:04):
Hurry, Livy, hurry, Oh Charlie, I got Charlie Chess.
Speaker 6 (26:13):
Who here he is?
Speaker 2 (26:14):
That's fine, that's him. How I can get off of
this chandelier way?
Speaker 7 (26:17):
Hell?
Speaker 2 (26:41):
The last number of the seventeenth program in the New
Jello series. And we'll be with you again next Sunday
night at the same time when we will present our
version of Samuel Goldwyn's masterpiece Hurricane. Remember, folks, next week
we take you to that romantic island of Manacura, the
South Seas, the trophies, the beautiful needed girls on the beach.
Speaker 6 (27:02):
I'll bet they swim away.
Speaker 2 (27:03):
They will not. Good Night, folks,
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