121. The 1980's Special!

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hey, what's up, nostalgia nerds. We have a call for
action here, but I think just gonna explain it better
than I can.

Speaker 2 (00:04):
Listener. If you're retired of underfunding health organizations that support
people that are affected or affected by HIV and AIDS
related illness, then go to our show notes and you
will see a link that you can donate to the
twenty twenty five Cascade AIDS Walk supported by Cascade AIDS
Project in Portland, Oregon. You can join Gus, Gus and Friends.

(00:26):
That's the link that the group that we have going on.
If you donate twenty dollars at least, then you get
assigned photo of Gus Gus.

Speaker 1 (00:35):
And maybe a few other little fun things that we
might throw in there too. But if you don't know
how to do the show notes, which I don't know
how to do show notes really, you can also go
to our Instagram and Facebook and we have the information
either in our bio or in our somewhere else on Facebook.

Speaker 2 (00:50):
Yeah, let's support our people that are fighting the good fight,
and let's let's come together. So join Gus, Gus and I.
If you're in the Portland area, feel free to join
us on Saturday September thirteenth at the Riverfront Park in Portland, Oregon.
And then or like I said, find us and support
us and support this great cause.

Speaker 1 (01:13):
And what if I lost both my hands tomorrow?

Speaker 2 (01:15):
You could be a seat model start. I was sixteen
at the time or fifteen and uh, And then hook
it up with a witch and that was that. Cats
can smile apparently.

Speaker 1 (01:29):
Whoa weird.

Speaker 2 (01:30):
Yeah, but it doesn't always mean that they're happy.

Speaker 1 (01:34):
Lucy receives a call from what I can only assume
is the future winner of every acting award ever.

Speaker 2 (01:39):
Yeah, Jimmy Moon is a star. Her look looks weren't
part of this issue.

Speaker 1 (01:46):
He's like, I had to sell my last top hat
for Jannas.

Speaker 2 (01:49):
Maybe this is not appropriate eitherther but.

Speaker 1 (01:51):
Let's see what's up, nostalgia nerds. I hope you're ready
for a totally radical, gnarly, tubular, bodacious episode of notable nostalgia.

Speaker 2 (02:04):
Cowabunga, that's nineties eighties I think.

Speaker 1 (02:07):
First up, I feel like Cowabunga came from the Ninja Turtles.
And actually, if you look, that's a signed that that's
signed by Kevin Eastman. Oh nice, Yeah, pretty cool. But
they started in the eighties. So I feel like it's eightiesn.

Speaker 2 (02:18):
Okay, cool? What we did there? Well, I'm excited to
Should we travel back? Yeah?

Speaker 1 (02:23):
Should we?

Speaker 2 (02:23):
Just?

Speaker 1 (02:24):
Well, just we'll explain what we're doing. We're gonna go
back in time really quick. We're going to talk about
our favorite song, album, and movie from the nineteen eighties.

Speaker 2 (02:32):
Cool, let's get in the time machine.

Speaker 1 (02:43):
Whoa, we're here the eighties way different? Wow?

Speaker 2 (02:47):
Oh is that Reagan? Who am?

Speaker 1 (02:49):
I remember? His wife's nickname was the throat Goat? Oh
was it?

Speaker 2 (02:54):
Yeah?

Speaker 1 (02:54):
I guess she's like a she.

Speaker 2 (02:57):
Was like a movie star back in the day.

Speaker 1 (02:59):
Yeah, he was. I didn't know she was a movie through,
but I heard something that she would like go down
on dudes in the studio all the time. So they
called her the throat Goat.

Speaker 2 (03:07):
Yeah.

Speaker 1 (03:07):
I don't know if that's true, because I feel like
goat is like a newer term, like greatest of all time.

Speaker 2 (03:12):
So I don't know, maybe her, maybe maybe the former
first Lady. Maybe it was the goat because she was
on all hands and knees and she kind of looked
like a goat.

Speaker 1 (03:21):
Or maybe she made a sound of a goat, a
goat man, goat oh, she's still alive. I don't think,
I hope not. I would. I remember speaking of that
throat goat thing. I was talking to one of my friends,
uh or I was talking to somebody at a bar,
and we're talking about like I just have my my

(03:42):
head's full of just just dumb random knowledge, right Yeah.
And then so I was like, yeah, my friends used
to call me if they had questions about stupid shit,
and a lot of times I would know the answer,
and so they would call me Google before Google even started.
But I was like, wait, no, they didn't. Would they
call me that if there's no such thing as Google

(04:02):
the time? Why would they go this guy's Google?

Speaker 2 (04:04):
You know, your brain made it seem like they did
call you Google before Google.

Speaker 1 (04:08):
Yeah, I don't know why. And I was like, wait, no,
why would they call me that that there's no reason
for them to call me that.

Speaker 2 (04:13):
I had a similar thing when when I was a kid,
I was so convinced that I invented flying cars that
when I when I watched the Jetsons, I'd be like,
that was my idea. Yeah, And I'm sure my sister
was like, you're a fucking asshole.

Speaker 1 (04:26):
I think it's like Hannahbarberrier like, we gotta get ahold
of those guys. Yeah, that's funny.

Speaker 2 (04:30):
Oh my god, I'm excited to chat about the eighties. Like,
which of the seasons, seasons of the decades so far, sixties, seventies, now, eighties,
which one was the one that was, like, bye, I
am like the easiest for you?

Speaker 1 (04:41):
That's I'd probably say the seventies. I'm not a like,
I just I'm not very knowledgeable about the sixties, so
that was kind of tough. I love the seventies and
I don't really like the eighties very much, so like,
but there's some bangers, of course from the eighties, but
I think seventies.

Speaker 2 (04:54):
What about you, seventies was definitely the easiest. What was
going on scandal wise in the I know, I'm gonna
have some trivia later, but was there like a war
going on because the Vietnam was like in the sixties
or seventies, right.

Speaker 1 (05:05):
Yeah, sixties, late seventies. I think that the Iran contra
thing was in the eighties where it turns out we
were giving money to Iran to fight or we were
giving money to Afghanist I don't know. America has its
fingers in a lot of weird fucking places. But I
know the Iran counter thing was going on.

Speaker 2 (05:21):
I was like that a Nintendo game.

Speaker 1 (05:23):
Yeah, kind of like with the two like moscular guys
up down, up, down, left, right left right, baba. I
think it's like ninety nine.

Speaker 2 (05:30):
I loved it when they laid down because they were
studs culture. They were like those guns. What are you
doing in there? Jeff just playing Nicolas, just playing Nintendo.

Speaker 1 (05:39):
Don't worry about it. I remember when I lived in Virginia.
That's when I first saw that code and my friend
I was like, oh my gosh it blew mime. I
didn't know like codes are really a thing for video
games until he showed me that. I was like, I
don't know you could do that. It was crazy.

Speaker 2 (05:54):
Oh right, should we jump into this situation?

Speaker 1 (05:57):
Yeah? I'm down. Should we start with best song? Let's
do it, all right, We'll let you go.

Speaker 2 (06:01):
First, all right, my My number one song of the
nineteen eighties was Private Dancer by teenage Turner.

Speaker 1 (06:10):
And the men both the same.

Speaker 2 (06:14):
You don't look at their faces, you.

Speaker 3 (06:19):
Don't ask emmon, I'm your frid pass a dancer.

Speaker 2 (06:25):
Fun. Do what you want me to do? I'm your
pride dance dance of harm honey and any old nails.
I'm your friend dancer.

Speaker 1 (06:40):
Dancer.

Speaker 2 (06:42):
Don't want you? Yes, a friend dance that's a harmonic.

Speaker 1 (06:51):
Deals are.

Speaker 2 (06:56):
Okay? Do you have any reministion of reministion, I'm gonna
go with it, like reministion of this song.

Speaker 1 (07:03):
No, I don't think I've heard this song before.

Speaker 2 (07:05):
So this is definitely when when Tina Turner like took
a turn more for like. It was like a darker,
more kind of sexy like kind of voice, structure and song,
and it was originally written for somebody else. I I
didn't lookup who because I don't want to click another link,
but it got thrown over to her, and this is
like her post ike phase. I was gonna ask, okay, yeah,

(07:25):
And then it came out in nineteen eighty four, which
we need to get into nineteen eighty four at some point,
like on a future episode, because like something about that number,
like that year. It's just like brought up so much
in pop culture. I think we might have itched on
this before. Do you remember this at all?

Speaker 1 (07:39):
No, not specifically eighty four. I know that that book
that nineteen eighty.

Speaker 2 (07:42):
Five Okay, maybe that's what it is. And itched is
another oh sidebar so raspberries, And there was another one
another saying that I I'll come back to it, but
oh raspberries is that a sing?

Speaker 1 (07:56):
I feel like I could see it being saying like
someone's like, oh peaches, like I've heard that stuff, so
I could see Oh right, Okay, that.

Speaker 2 (08:02):
Was just a tidebar. Okay, So this song reached number
seven on the Billboard Hot one hundred. It was, uh,
just I don't know, just like the power of the song.
I don't know. Here's what I'm gonna say about the
song that I was giggling when we were playing it
was this was a song I should not have been
listening to as a child. But this is what I
would categorize as a swing song. So we maybe my

(08:24):
sister had a swing set, so it would classically blee bey, uh,
you know Backstreet Boys and Spice Girls and some TLC
like in Vogue, like those kind of ones. But sometimes
like Tina Turner would get into that mix, or like
Whitney and Mariah or you know SWV like that kind
of thing. But we should not be children singing Private Dancer. Sure,

(08:46):
but it was definitely what I would categorize as a
swing song.

Speaker 1 (08:49):
But I also feel like two at that time, you
probably didn't really understand what the lyrics were. So I
don't know if it's like a super you know, they
have that there is that thing to where it's like
if if you show something you know bad and a
kid doesn't understand, then there's no harm. But if they
if they know what it is and they understand, then
they already knew what it was, so it doesn't really matter,

(09:10):
you know, So I don't know, it's kind of weird.

Speaker 2 (09:11):
It was kind of a good I was putting this
together because I've seen, you know, strippers and movies and
stuff like that when I was a child, Because like
we talked on a previous episode, the Summer special about
Vivcate a Fox playing exotic dancer, so we always saw
it from that point of view that like maybe it
was taboo, but it was always like these beautiful women
and Tina Turner gorgeous. But the first time I eighteenth birthday,

(09:34):
I did all the eighteen year old things like the
strip club, bought some cigarettes, went to the porn shop,
lottery tickets, all that jazz and when I went to
the strip club. It was a it was a very
like what the fuck. It was not like I'm not
judging the stripper, do your thing, girl, but it just
was not what I expected.

Speaker 1 (09:51):
Yeah, because you know movies, they not all movies, but
a lot of movies they kind of glamorize it and everything,
and then you know, when you're there, you're just like, oh, dude,
that guy hasn't stopped fucking being creepy the whole you
know what I mean, Like it's a really kind of
intense situation.

Speaker 2 (10:03):
We were like the you know, the kid We were adults,
but the kids in the in the in the establishment,
and then they were like creepy guys with a cowboy hats,
like staring at him. And I remember another time I
went to the strip club. This stripper was not getting tips.
The dancer was talking tips, and so she sat on
the stage during the song, crossed her arms, crossed her legs,
and just put her head down until people started tipping.

Speaker 1 (10:24):
So sad.

Speaker 2 (10:25):
Yeah, she was like not giving it away for free.
But then I think I told you in this other episode,
I went to this strip club and this stripper was
like putting her vagina in my face, and then like
fifteen minutes later, she was like, do you want a
private dance? And I had to be like, girl, your
job on the stage is to tempt the guys and
to tease them and to get them wanting more. You

(10:45):
just gave away the whole cat, the whole cow.

Speaker 1 (10:48):
Yeah, that's what I think private dances. I think the
point is to rub against your junk until you like,
come in your pants. Oh she is, But I'm like,
that's disgusting because then for all the rest of the
night you're gonna have fucking come in your pants. I'm like,
who would want that?

Speaker 2 (11:01):
Is that what that happens?

Speaker 1 (11:03):
I've never had one one day because I would be
too fucking nervous. I wouldn't be able to enjoy myself.
Like my friends like, I'm probably if I had to
put a number on probably say five times, maybe seven
at that. I rarely have gone to ship club, and
a lot of times my friends are like, oh, let's
you know, get you. I'm like, no, I won't enjoy myself.
I'm gonna be awkward, and if you do, I'm just
gonna walk out like I'm not fucking doing that. But

(11:23):
I don't understand what the other purpose would because you
can't touch them.

Speaker 2 (11:26):
Yeah, so you just give them extra money. Then you
could do more things, I guess. But like I went
to a the Sojia Green, but I would just trip
club and I was like, oh, usually I'm gay and
then the I'm always gay, but the girls come over
and then they like when they find out that I'm gay,
I like speak or move or whatever. Then they like
their guts hang out. At that point, they're like cool,
you're chill. But then one time it was like my
birthday or something and all of the girls like lined

(11:49):
I got on stage, they sat me down. All the
girls like lined up and their goal was to like
try to get me. It's sexually excited down there. Oh no,
And all they were doing was like plopping down on
my and I was like, this is so uncomfortable. Like
all this is doing is just validating my point that
like this, even if it was the choice I chose, right, yeah,

(12:10):
Like that hit my penis, like yeah that's why.

Speaker 1 (12:14):
Yeah, I've never really enjoyed strip clubs. And again, no,
do your thinger. I don't give a I mean, that's
not why I dislike them. I don't think there's anything
wrong with them, just me personally not a big fan.
One of the first times I went to a ship
club though, we were there was this big circle in
the middle of the room was like the main stage,
and We're all sitting there and I'm fucking freezing cold,
and I'm like, is anybody else like insanely cold right now? Wow? Well,

(12:36):
after a little bit, we like get up and leave,
And then before we actually leave, I look and there's
like a huge air conditioner right underneath my, like in
front of me. So I'm just sitting in front of
like I think the only air conditioning the whole place.
I'm like, this is miserable.

Speaker 2 (12:48):
But if we go to a strip club ever, I'll
make sure to bring like a little afghan with you,
Like you're the only guy in the strip club that's
like chi chili, give me the heat turned on?

Speaker 1 (13:02):
Oh my god.

Speaker 2 (13:02):
Okay, yeah yeah. So this song definitely brings up nostalgia
from like my twenties when I was like a dirty
little horror and like going to strip clubs all the time.
But no, I've I like the liberation of maybe the
song's a little bit darker, but the liberation of her
being you know, the stuff with Ike and and then

(13:23):
you know, kind of reclaiming her sexuality with a more
provocative song during the eighties, which I think he's talking
about this in the seventies episode. The seventies with especially
with gay culture was more you know, free love and
like the sixties that kind of thing, and then we
go through like the pendulum swing, and the eighties was
a little bit more of like a conservative time, it
seems in a lot of society. So I thought that

(13:44):
this was a good song for her, and not to
just talk about her body, because she's a fuse powerhouse everything,
but like what body part do you think of when
you think of Tina?

Speaker 1 (13:53):
Her legs?

Speaker 2 (13:53):
Fuck yeah, her legs on like one of the Diva
specials on damn It on H what's it called VH one.
Her legs even in like seventies were a kick it.

Speaker 1 (14:04):
Yeah. She didn't like what twenty eighteen or something like
that or like twenty Yeah, but I remember saw a
picture of her in like sixteen or eighteen or something
like that. I was like, damn, she looks really fucking
good for ages. Still, Yeah, it's crazy.

Speaker 2 (14:16):
You can feel free bourbon to the bike if you want. Oh,
did you ever watch the Mad Max sequel? Uh uh?
Something with the dome like death Dome or.

Speaker 1 (14:25):
Power Dome like the original from like the seventies or.

Speaker 2 (14:29):
Yeah, so it's a long time. It's a sequel with yeah,
with Harrison not her mel Gibson, and she plays like
kind of the the second year. She don't remember second Billy. Yeah,
we need to watch that. Yeah, and then and then
it's a sidebar on Tina turned. One other thing I
don't want to say is what's love got to do
with it? With Angela Bassett? She should have won the Oscar.

(14:50):
Then they, you know, kind of pityfucked her a couple
of years ago when she lost the Oscar again and
they gave her like an honorary one. But Angela Bassett
is probably the most beautif full woman.

Speaker 1 (15:00):
Yeah for sure. She's wait, yeah, gorgeous. It is crazy.

Speaker 2 (15:03):
Yeah, so this is this is my number one song
of the eighties.

Speaker 1 (15:06):
Well, it's funny that you did this kind of thing
about her, kind of like opening up, kind of like
freeing herself from kind of what it was before, because
the song I'm Gonna Play is kind of similar to
so really.

Speaker 4 (15:29):
She said, I want to go home to summons. You
see now obviously being alone, Why don't you come with me?
I send my babies at home. She's probably worried tonight.
I didn't call on the phone to seven.

Speaker 2 (15:43):
I'm already, Diana, what not?

Speaker 4 (15:45):
The mate said, the boy baby, I'm all right, said
I'm not gonna dog because I'm fucking the get.

Speaker 3 (15:55):
She said, he's not coming.

Speaker 2 (15:56):
Back because.

Speaker 1 (16:17):
Michael Jackson Dirty Diana. I love that song. It was
written by Michael Jackson, was produced by Quincy Jones. As
from the album Bad and the whole album was him
trying to be a little bit more like dangerous and
kind of not so like Thriller esque and like Michael
Jackson and Jackson five back in the day, so kind
of the same thing. Came out in nineteen eighty eight.

(16:37):
It charted number one on the Billboard Top one hundred.
Kind of a cool fact here. The video was filmed
in March of eighty eight, and it won the very
first award for Number one Video in the World at
the first World Music Awards. Kind of crazy. That's pretty huge, Yeah,
but no, I just love you know. I've always liked
Michael Jackson my entire life. I remember I thought I

(17:00):
was black until my mom said if we were black,
we would look like Michael Jackson. And I was like, oh,
that's when I realized we weren't black. Oh well, and
I was like probably five or something like that. But
uh no, he has a great voice, great music, dancing,
uh you know this and stuff that may or may
not have happened. That's awful. But you know, we've had
this discussion a lot during this podcast. Inherently most people

(17:23):
are just fucking awful. So I don't know, you gotta
separate the art.

Speaker 2 (17:27):
I guess the one thing that okay, So he has
a lot of skeletons in his closet probably, and.

Speaker 1 (17:32):
I don't have the elephant man skeleton or something, probably.

Speaker 2 (17:35):
But like, the thing I can't get passed is the
dangling the kid out the window. Like we all like,
I don't hate him for that. I'm just like, we
talk about hanging our kids out the window.

Speaker 1 (17:47):
Don't do it, Yeah, we don't do it. Well, Like,
I don't know his mom was good to him, but
like I don't know if he I don't know if
he knew it was wrong to do that. Yeah, because
he's never been around kids.

Speaker 2 (17:58):
Oh oh, God, yeah, I guess it, Like, which one
do you want?

Speaker 1 (18:03):
Blake?

Speaker 2 (18:04):
Do you want to be dead? Older? Hanging out the window?
But no, I think this is definitely the era that
I like Michael Jackson the best. I think, like, I'm
not gonna go ahead and listen to like Jackson five, Aby,
that's that's weird if I if I'm like middle aged
listening to like Jackson five. But but no, this time,
this era was definitely a good one.

Speaker 1 (18:22):
Yeah. No, I thought it was really cool. And he
just has a great voice, Like have you ever listened
to this without the music behind where it's just his vocals? Huh, oh,
good thing you haven't. Because to go home because.

Speaker 2 (18:35):
I'm retired to see you now? He sleep being alone?

Speaker 1 (18:38):
Why don't you come with me?

Speaker 2 (18:40):
I send My baby is at home. She's probably worried tonight.
I didn't call on the phone to say that I'm alright.

Speaker 4 (18:47):
Diana walked out to me, just said I'm tonight that
I read to the phone saying baby, and I'm all right,
I said, but I locked the door because I fuck.

Speaker 1 (18:57):
Got the keet. She said, He's not gone. The kind
of raspiness his voice is so fucking good. But no,
I've like why, I've read a bunch about Michael Jackson.
I watched like almost every documentary again, but I got
some critic reviews of when this came out, and most
people didn't like this. I guess, which is crazy, so uh,

(19:21):
let me see. Stephen Thomas felt that Dirty Diana and
Man in the Mirror were showcasing Jackson at his worst.
Music critic Oh, these are all music critics, by the way,
I don't really know what like magazines they are because
you've said, yeah, because they're from the eighties, so like
some haveing some don't. But Robert Chris Gao viewed Dirty

(19:43):
Diana as a misogynistic It was as misogynistic as any
piece of metal suck my cock music. I fucking hate
that eighties metal shit. I can't stand this stuff. But
John Parrales described Dirty Diana as reducing Jackson to a
terrified women. John Tatlock considered Dirty Diana as a confused

(20:04):
This One's Pretty tough as a confused, lumbering slog of
a song. Jackson was never convincing in this kind of role,
a boy child trying to write a song about the
kind of women he never meets in the kind of
places he's certainly never been to. Oh okay, they really
moved for hied this one Caddy. Yeah, but one person
from Rolling Stone, this is like the best one I

(20:26):
could find. I mean, I'm sure if I like really looked,
there's some people. But he gave a song a positive review.
He called it a filler still or she called it
a pier fillers. She called it a piller. She still
commented that the song, along with speed Demon, is what
makes bad Richer sexier and better than Thriller's Forgettables. So

(20:48):
they do. Yeah, so it wasn't like the number one
song in the world, but some notable people that have
covered this Bruno, mars Evanescence and The Weekend, And I
thought The Weekend did a great version of it. So yeah,
and I think that the song just badass. I love
the song. It makes me like like party, I'm like fuck. Yeah.

Speaker 2 (21:02):
You know, it's definitely a song that, like, I've heard
a lot of, but it's not one of my kind
of go chos when I think of Michael Jackson necessarily.
Oh sure, but one of my favorite Michael Jackson song
is the Free Willy songs. Oh yeah, yeah, that's that
music video with a movie powerful.

Speaker 1 (21:20):
Wait is that the one that goes like, hey, free Willy,
how you doing over there? You have some brand new
skates on and some new hair. I hope you don't
eat too much rice because you'll turn into a mice.

Speaker 2 (21:32):
You just make that up.

Speaker 1 (21:33):
Yeah, I haven't worked on it for a few years. Up,
you haven't worked for a few years.

Speaker 2 (21:39):
Kayleen and I would make up like I'm so one
of all the lyrics to the songs and really, I'm
so confused you. I'm so confused. You control my pee,
nobody knows you can poop on me or something like that.
And because we're adults now with.

Speaker 1 (21:56):
Alicia Keiths song like I keep following in an as
of love with a horse?

Speaker 2 (22:05):
Why horse?

Speaker 1 (22:06):
I don't know?

Speaker 2 (22:06):
They are the sexiest animal.

Speaker 1 (22:09):
Yeah, you know, speaking of that, I guess, well, I guess,
uh So the whole mermaid thing, I think it became
from manates because they ill because I guess like when
manatees were floating, they kind of looked like people, so
then they thought there was like swimming people, but they're manatees.
And I guess the vagina of amanity feels the most

(22:32):
like a human one. So I think that. I guess
those old times were like fucking.

Speaker 2 (22:37):
Man, the faces of something a body shame amanite, but
like the faces of amanity look like like Wilford Brindley,
Like that's what they love, you know, they look like
I never see like a like a manate that looks
like uh, you know Charlie's Farron.

Speaker 1 (22:52):
Yeah that's true. Yeah I did.

Speaker 2 (22:53):
I'd be like, that's so complex, that's so complex.

Speaker 1 (22:58):
Looks that man's head looks just like Charlie's there.

Speaker 2 (23:01):
Yeah, that would need to be a shirt for sure.
That's oh. I love it. So yeah, good job Michael Jackson.

Speaker 1 (23:09):
He's not doing he's not doing too well right now? No,
all right?

Speaker 2 (23:13):
What is my number one album? Is Duran Duran. The
album is real. I'll go get wrong me down, Catgether

(23:34):
the show.

Speaker 1 (24:00):
Not a wisewhere side. Yeah, so good.

Speaker 2 (24:53):
That's just like I went through I think somewhere in
my twenties, like early I would say early twenties went
through really hardcore Duran Duran era because everything's airs to me, sure,
but I just love Duran Duran like they This is nostalgic,
not for my childhood, but definitely yeah, I said. My twenties,
it was go to karaoke for me, like Rio.

Speaker 1 (25:15):
Is the first song, right, Yeah, I really liked that song.
I've never heard it until I looked it up. That
song was dope a shit so good.

Speaker 2 (25:21):
And then this album came out in an eighty two
and just the video when they're on like the sailboat
or whatever, it's just very like iconic early VH one
each MTV oh music videos like very kind of poorly
shot too. But and then what's the ordinary world on?
You know? Karaoke? And I have a karaoke little story.
So when I was in my twenties, I hit up

(25:41):
karaoke bars all the time, and for some reason there
was someone in the in the bar that just wasn't
feeling me. And they told me that I had sausage
nipples because did you have no shirt of I have
no idea, Like my shirt definitely could have came off.
I don't know, so it seems unlikely to Duran. Duran,

(26:02):
but I just went hard about how she was such
a fucking whore and she was a little stupid bitch
and like she's gonna get come in later. Like I
just went hard on this chick as I was on
stage like singing Duran Duran. Yeah, I roasted her hard.

Speaker 1 (26:16):
I love that you said during Durance doesn't seem.

Speaker 2 (26:18):
Like songs that like like Backstreet boys like as uh,
let's it quit playing the games of my heart like
their shirts come Yeah, my shirt could have came off
in my twenties to that song. But Duran Duran, like,
I don't know. But one of the songs that is
completely five star like many of them, is a song
called the Chauffeur And it's just very like haunting, and

(26:40):
the video like it's black and white and the dance
scene is just very hypnotic and trans trans not trans Uh,
what's the word I'm looking for. I don't know what
I'm looking for, but just very haunting. It's just beautifully
choreographed and just odd and I just love that. And
then this was like they were part of what was

(27:01):
known as like the Second British Invasion, which so the
Beatles were part of like the British invasion. But like,
is that is that rooted in like the invasion like
the Revolutionary War?

Speaker 1 (27:13):
No, Like oh maybe maybe that's no, Maybe I don't know,
maybe that's where they got the name from.

Speaker 2 (27:18):
So we got away from like the British people were
not we like, my people invaded this country and killed
your people and then and then the Revolutionary War happened, right.

Speaker 1 (27:28):
Yeah, yeah, well kind of it's the killing of the
natives were from from like fourteen hundred to like kind
of now, oh oh my god.

Speaker 2 (27:37):
So which side was the indigenous people? What side were
they on? Probably the Britons ones.

Speaker 1 (27:43):
I don't know. I don't I'm not that versed in it,
but uh, yeah, this is so heavy. Yeah, I think
it's kind of like which enemy is worse? I guess
at the time, you know.

Speaker 2 (27:52):
I don't know, but but I just think saying British
invasion is very odd to say. And like if there
was like a band from you know, Afghanistan, like Afghanistan invasion,
like would you say that. I don't know.

Speaker 1 (28:04):
I wonder if there's like multiple like if there's like
ten really dope bands from Afghanistan that got really famous.

Speaker 2 (28:09):
Maybe yeah, maybe.

Speaker 1 (28:12):
They start they start killing Indians every time. Every time
is what it.

Speaker 2 (28:16):
Takes to become American. Jesus stop it with people. Okay,
So yeah, the amazing, amazing, amazing. The cover art is
very like nostalgic too. It just reminds me of those
really corny, tacky like hair salons in the eighties.

Speaker 1 (28:34):
I think on the Fri, I think that's what they're
called her Nagels.

Speaker 2 (28:38):
Like that that woman who's like very like her skin
is literally white with the black short hair like a
kind of glamour shot.

Speaker 1 (28:45):
Yeah, yeah, yeah, they're called Nagel. I think the person
who did it was Patrick Nagel. That's why they called naval.
Oh wow, yeah, crazy.

Speaker 2 (28:50):
Should have I invented something that I can call it,
like a keller?

Speaker 1 (28:53):
That's yeah, yeah, for sure. Invent something really cool though,
like a computer.

Speaker 2 (28:59):
But no, and then said something with my coworker, A
by shovel. So it's a shovel that has two shovels
on it, by shovele by shovel like it. So there's
two shovels, so it's shovel. And then this isn't so funny?

Speaker 1 (29:15):
Are they the opposite direction?

Speaker 2 (29:16):
It would make more sense for them to be facing
the same direction. But two shovels, but I think right
on top of each other, next to each other, like
at like sixty degree angles.

Speaker 1 (29:28):
Yeah, but there is one on top of the other one.

Speaker 2 (29:30):
Yeah. Yeah, it's like a pole like this, you can't
see it, Yeah, like that, but then go down slightly
like that. Yep, boom, it's a by shovel. Yeah. Anyways, Okay,
what is that? Did render it? Okay? This album came
out in eighty two and it's just amazing, Like this
just takes me back and just listening to those three songs,

(29:51):
like it just takes me back to a simpler time.
And there is a song on a later album, I
think it was in the nineties, and there's a song
that I just fucking love. It's called the Electric barber
Do yourself a favor, Go listen to it. It's more electronical,
but it's I think that it's singing about having sex
with a like a sex robot, like a sex toy. Yeah,

(30:12):
plug you in and dim the lights. Electric barberrella, your
perfect skin, something that fill you up. It's just very graphic.

Speaker 1 (30:21):
You know, we're pretty liberal like you and I. Now,
do you think in like twenty or thirty years, like
when people are trying to get married to robots are
gonna be like no, no human robot marriage and they're like, Grandpa,
you're being robosexual or no, No, you're being a no,
you're being robo phobic, robophobic, like I'm just telling you

(30:42):
a marriage between a human and a human, and they're
like your old grandpa.

Speaker 2 (30:45):
Well yeah, they used to say that, like with the
gay right. They're like, the next thing they're going to
want to do is marry their dog. But then I
watch but then I watch these like shows where but
then I watch these shows where people get married to
like roller coasters, and I'm like, oh, maybe these were right,
Like maybe this guy is like married to his car

(31:06):
and then like had an affair with like another car,
and I'm like, okay, like maybe we did take it
too far, Like okay, what's your number?

Speaker 3 (31:17):
One?

Speaker 1 (31:17):
I do want to say Duran Duran That second song,
the Do Do Do Do Dude, that's the only song
I knew of them before, and for some reason my head,
I thought I wouldn't like Duran Duran, But looking through
the songs to pick them, I'm gonna do a Duran
Duran deep dive because I liked every one of those
songs that I was picking for this one. So thank you.

Speaker 2 (31:35):
I'm pretty sad now I'm gonna listen to them. There
is tobly summer vibe, summer vibe music.

Speaker 1 (31:41):
Oh yeah yeah, being on a boat maybe or something,
or do some cocaine. Uh, but I am going to
play the very first song that reached number one, the
very first rap album that reached number one on the
Billboard two hundred oh drop.

Speaker 3 (32:06):
I'm showing on the corner hanat someone's gay. Just being
in my lasting ends a lot of pray, a lot
of girls, and a lot of persons.

Speaker 2 (32:16):
Twenty to automatic gold Off Pierson.

Speaker 3 (32:18):
Got my head and my bucket, my fingers on the trigger.

Speaker 2 (32:22):
My father's getting bigger, My boss is getting big off.
Some voices got trapped.

Speaker 3 (32:26):
Soft voices got faswig at the kind of voices add
in your face.

Speaker 2 (32:31):
Floa, lets just don't go so load.

Speaker 1 (32:34):
I used to turn boat lets you don't go.

Speaker 2 (32:39):
So illa, used the.

Speaker 3 (32:43):
Old bred new so everybody get super lou road even.

Speaker 2 (32:49):
Not like a cold soft clip boats.

Speaker 3 (32:55):
See days, listen to.

Speaker 2 (32:57):
The music, furst things get off the ball.

Speaker 1 (33:02):
It's top.

Speaker 3 (33:03):
It's a little story I got to tell about three
bad brothers. You know so well, it's sudden ways back
in history with that rap me I had a little
hookey names. Paul Reviews just being my horsey in a
court up here runs growth the lance kicking up stretch,
shut of slashes on my tau, put them into themand

(33:24):
one lonely BC ip all by myself, a thousand no
blotsk the sun is beating down on my baseball high.

Speaker 2 (33:32):
Hell.

Speaker 1 (33:33):
Yes, I love BC Boys. If you've been listening to
this podcast, that's no surprise. I you know what's crazy.
I listened to rap before I listened to the BC Boys,
Like I was like in the Eazy E and Bone
Thugs and DMX and things like that. And I didn't
hear BC Boys until I was like sixth grade, maybe
seventh grade. Well, I knew I probably hurt. Well, I
didn't get into them. Like I heard the Intergalactic Song

(33:55):
when I was in fourth grade, and that's fun, you know, cool.
But I got the CD when I was like in
six or seventh grade, and it kind of opened up
rap a little bit more to me, just because all
the rap I listened to prior before that was kind
of like more gangster, kind of darker, and this was
like fun, Like I was like, oh shit, this is
like a good time type rap, you know, And then
it kind of broadened you to like, you know, run
DMC and things like for me at least after that.

(34:16):
But this album's license to ill. It's my BAC Boys.
It came out in nineteen eighty six. It sold over
ten million copies. This actually isn't their first CD. They
actually had two albums before this. They had a punk CD. Oh,
and then I just found out while doing research they
had another CD where it's just like kind of skits
but it was a lot of prank calling. But then
they had like beats on there too, so it was

(34:37):
like a jerky Boys. I've never heard this. I gotta
look into that. But I love the CD because I
love the eight to eight kicks, like, and I think
most of the beats are dope with this one. I
do think a lot of the beats have the guitar,
which is fine, but they just kind of overdo that
a little bit. It's kind of my only like if
I had the nick pick nit pick the CD, it's
gonna be there's a lot of guitars on it, which

(34:58):
you're fine. But Rick Rubin was like a producer on
this or something, so that makes sense. But it has
like a fun punk rock feel to it with it
being you know, rap, which I think is really cool.
I like that they made it kind of a joke,
but in a really well thought out rhyme. It's almost
like every line they have is a great one liner.
But they just kind of go back and forth. And
I'm not saying they're the best rappers of all time.

(35:20):
There's way better rappers, but the way they deliver it
and the way they're having fun and silly but they're
also good lyrics and they're going back and forth is great.
Like I think that's a really amazing thing to be
able to do. I do think they brought rap to
a bigger audience. Being white run DMC was playing huge shows,
but they were opening for Madonna before they got oh right,
So if you think about like and they were like

(35:41):
they kind of went aggressive at it cause they were
like really into wrestling at the time, like the eighties wrestling,
So they would be like, we know, you didn't come
here for this type of music, but we're gonna, you know,
knock your fucking socks off and shit. And then so
they would like do their whole set and have fun
and make it a big, you know, spectacle, and like
with early BC boys, they definitely have kind of like
a like a what like a what's that like when

(36:03):
you're with all the dudes that are in college?

Speaker 2 (36:05):
What's that called fraternity?

Speaker 1 (36:07):
Yeah, they had like a frat frat bro type persona,
And I think it's just because they were so young,
they basically got a blank check. Like on their first tour,
they had a thirty for thirty foot dick, you know,
and they were just like all about women and partying
and everything. But then they actually, you know, write, like
a few years after that, they were like, that was
fucking dumb. Sorry, guys, you know, we shouldn't do that
type of shit. But I definitely get it because if

(36:28):
I was like nineteen ish and someone's like, hey, you're
gonna go on tour, what do you guys want? I
think that'd be hilarious. Give me a thirty foot dick?
Why not? You know, just I don't know, I think
it's hilarious. But I went down and I rated every
one of their songs okay for this album, so Ryman
and Stealing seven out of ten New Style That's the
first track on this eight out of ten, mainly because

(36:50):
that ending is so sick that whoa. I love that
eight and the eight to eight kicks. That bass sound,
that boom boom is so fucking dope. Uh She's It's okay.
Six out of ten. It's kind of like a funny,
you know song or whatever. Posse in effect eight out
of ten. And I realized all the songs that I
rate higher, they don't really have any of those guitar
sounds in the background. So Slow Ride seven point five

(37:13):
out of ten. Girls six out of ten. I'm not
a big fan of that one. Actually might lower it down,
maybe like a five point five. It's okay, it's just
the beat's kind of weird. It's almost like I don't
like a French clown song.

Speaker 2 (37:26):
I don't know.

Speaker 1 (37:26):
It's fine. Fight for Your Right not a big just
because I haven't heard it so fucking much. It's it's
an okay song. Six out of ten. No Sleep Till Brooklyn,
same thing. I've heard that one thousand million times six
out of ten. Paul Revere, which is the last song
that I played, is a nine point five out of ten.
I think that's one of the best hip hop songs
of all time. Hold It Now, Hit It seven point five.

(37:49):
Brass Monkey six point five. It's an okay song, But
I just I think it's just fun to party two
slow and Low nine out of ten and time to
Get Ill and nine out of ten. So yeah, I
just love BC Boys. And you know, like twenty fifteen
or something like that, that's probably two maybe twenty ten,
something like that. But they had a Hip Hop Honors
Award VH one and it was BC Boys and like,

(38:12):
I mean, Wu Tang was there, Ice Cube, Uh nah,
I mean everybody was there and they were rocking to
b C Boys because you know, they I think since
they didn't take it super serious, they didn't get the
whole thing kind of like where like Eminem and Vanilla
Iis did like, you know, it's prominently black music, and

(38:32):
now we got these white boys. But I think since
they kind of did it fun, they weren't trying to
say like this is how you got to do it.
They were just having fun with it. I think they
surpassed that, like they were like, oh, these dudes are
just having fun doing hip hop. That's what hip hop's
all about. So I love BC Boys, though.

Speaker 2 (38:45):
What's going on with Paul Revere the song? Yeah, Like
Paul Revere was somebody from like colonial times.

Speaker 1 (38:53):
Yeah, he was. He was like the two by I
think it's the name. I don't know why they named
it that, but he was the one that's like two
by c one by one candle. I see two candles
by about the French people coming in or the British people.
British people not French.

Speaker 2 (39:07):
Okay, because in a previous episode, like the Summer special,
we talked about LFO Summertime Girl Summer Girls, and they
they mentioned Paul Revere.

Speaker 1 (39:18):
Yeah, so I wonder if it's ba. I wonder if
they're mentioning the old American revolutionist or if they're mentioning
the beat boys Paul.

Speaker 2 (39:25):
I would probably think the beastie boys, right, Like.

Speaker 1 (39:28):
Yeah, I don't know. He did say the Sonnet from
William Shakespeare though, so maybe maybe he's a history buff.
But that beats really dope because they play it's backwards.
That's why it sounds so cool. Like they made a
beat and then play it backwards. That's like it's sick. Yeah,
I think it's one of the best hip hop songs
of all time.

Speaker 2 (39:46):
Okay, I'm Google Google shmoggling, and I just want to
see what they said about Paul Revere, and I'm thinking
like they did say Paul Revere, right, LFO, Yeah, like
something about Paul Revere. I feel okay, there was a
good man named Paul Revere. I feel much better baby
when you're near you like fun dip and cheer we coke.

(40:08):
So that's just interesting that out of all of like
the people in history, this this dude was mentioned twice
because of Beastie Boys and LFO.

Speaker 1 (40:19):
Yeah, I mean what he did? You know in the
midnight run. That's kind of we kind of forgot about that.

Speaker 2 (40:25):
We really need to do, like the next time we
do like a Blast from the Past series, we need
to do like the eighteen nineties and then yeah, seventeen
seventeen ninety. Yeah, it'd be like what was the best
song of you know, if we went.

Speaker 1 (40:37):
To seventy hundreds, I would literally just be singing Hamilton
the whole thing. Yeah, all of it.

Speaker 2 (40:43):
Yeah, oh my god. That yeah, like one of the
big fads of that time, or like the trends or
the scandals, Like we could really do a deep dive.
We be like a Ouiji board and try to get
like these people from the history to I talk to.

Speaker 1 (40:55):
And he's like, has anybody sang about me.

Speaker 2 (40:58):
Like when he was back in history and doing shit,
I doubt I wonder if he was, Like I really
hope like three blonde white guys like, well, I think.

Speaker 1 (41:07):
It's cool because they're all Jewish and so three Jewish
Jude had the number one selling rap city of the eighties.
That's fucking wild. That's crazy.

Speaker 2 (41:15):
So uh, Bastie Boys to me growing up, it was
kind of like they were in my side profile. Like
it's like if I went to like the zoo and
we got to like the Tigers. But at that time,
I was like really hungry and like was eating my
burger as we were walking by, Like I think I
kind of missed it, but I definitely like know that
they were have a place in like history of pop

(41:38):
culture for sure.

Speaker 1 (41:39):
Yeah. That's so yeah. When I'mca died, that's when I
took two days off of work and just fucking party
and listen to BC.

Speaker 2 (41:44):
Like I was bumping like when I was growing up,
like you know Monica and like when Tony Braxton came
out with the new album, I was listening to that.
So I like it wasn't a lot of crossover from
like the Divas to Beastie Boys, except for the Madonna thing.
That's a very fun fact though.

Speaker 1 (41:57):
Yeah, the very first tour was opening for Madonna. I
don't know how they I don't know how they got
into that, but that's wild and maybe oh wait, I think, well, no,
for Madonna's from Detroit, so I don't know. I was like,
maybe there's some hometown. I don't know.

Speaker 2 (42:08):
It's how you were wondering how they got into that.
It wasn't really hard to get into Donna. Oh she
banged the vanilla eyes.

Speaker 1 (42:17):
Yeah, I think he was like in the book, and
that's what like pissed them off or pissed him off
so much because she has like a sex book.

Speaker 2 (42:22):
Oh gosh, so she banged him. She banged Sean Penn,
she banged uh guy Ritchie. She just like I think,
does she bang and at Benning's husband Warren Baby? Probably?

Speaker 1 (42:35):
I don't know. I feel like Warren Baby is kind
of old for that.

Speaker 2 (42:38):
But maybe I don't know. Are you looking up who
she banged?

Speaker 1 (42:42):
Saying? Who's the book? But I can't find it. But
there's a skateboard trick called the Madonna And there's if
you do it one leg and if you do the
other leg, it's called the Seawan Pen, which is kind
of cool.

Speaker 2 (42:52):
I feel like Madonna looked like somebody that would have
a missing leg. But okay, so my, oh there is
something so who So vanilla Ice.

Speaker 1 (43:01):
Was of Naomi Campbell appeared in the book. I'm I
bet like, Oh, I think it's just like explicit images.
I don't know if she actually banged them, but I
feel like her and van Ice.

Speaker 2 (43:14):
I feel like if somebody was like Madonna, banevilla Ice
would be like, I do not doubt that.

Speaker 1 (43:18):
Yeah, I mean that makes yeah that one?

Speaker 2 (43:21):
Okay, Andy my number? Are you ready for movies to
switch her? Oh? Yeah? So my number one movie of
the eighties is a nineteen eighty three movie called The Outsiders.

Speaker 3 (43:35):
Get They're looking for us.

Speaker 2 (43:36):
This is our territory. I wish that you could concentrate
on something else, just once in a while.

Speaker 1 (43:45):
What's your name? Tony boy Curtis?

Speaker 2 (43:49):
These are greatius who tried to pick upon her? Women?

Speaker 4 (44:03):
Must be some place to music that Grazier's so ships
must be some place with plain ordinary feople.

Speaker 2 (44:17):
You'd be careful.

Speaker 1 (44:20):
Ain't it hurting?

Speaker 3 (44:21):
Normal gold pull book?

Speaker 2 (44:34):
Oh my god?

Speaker 1 (44:35):
So good.

Speaker 2 (44:36):
So this is a film out adaptation of the nineteen
sixty seven novel that we like read in school, right, Like, yeah,
this is a school read by se Hinton who was
a female.

Speaker 1 (44:46):
So well, okay, think it right. But I get where
you're coming from because I wouldn't have known that either,
because I feel like the way she tapped into how
like dudes feel is yeah, I mean like that's yeah
I felt. Yeah. When I first found out she a
female wrote this, I was like, oh wow, Like I

(45:07):
didn't know, so I feel and she was a teenager.

Speaker 2 (45:09):
When she wrote it. Yeah really yeah, And then I
just assumed and it's not do something like when is
it true when like female writers they would use initials
so they wouldn't.

Speaker 1 (45:22):
Yeah, so they wouldn't think that they were female. Yeah.

Speaker 2 (45:23):
Yeah. So this movie was directed by Francis Ford Coopola,
which is crazy. So did he do Godfather right or
one of those things?

Speaker 1 (45:31):
So yeah. He also went to World War two and
got a lot of footage for like movies for America
to like play in theaters prior to movies to kind
of make the war effort. People are like, holy shit.
So he recorded World War two a lot of it.

Speaker 2 (45:44):
Yeah, he's still alive.

Speaker 1 (45:45):
No, I think he did recently.

Speaker 2 (45:47):
Oh okay, I'm like, what a dick going, Like, all
these boys are going over there to fight for like
humans and like the world, and he's like, I'm gonna film.

Speaker 1 (45:54):
It well, but the War Department asked him to They
needed America, you know, like we need more support.

Speaker 2 (46:00):
They try to draft me, and I'm like, can I
just do like some filing. Yeah, Like I want to
be bad ass like Tom Hanks, but not that bad ass.

Speaker 1 (46:08):
My buddy told me, he goes, if I ever got drafted,
he goes, I'd either win every single award that you
could possibly win or die in like five seconds. Yeah. Yeah.

Speaker 2 (46:18):
So yeah. The plot is, you know, it takes place
I'm guessing like the fifties or whatever, but it you know,
the two groups, the Greasers, which I think the cool
ones for sure, and then the socias that are like
the popular jocks like yeah, and Okay, this is the
part that makes me because I'm a brat pack fanatic.
I love them. I love Breakfast Clout, all these ones. Okay,

(46:40):
so this is the list of characters and actors. This
is amazing. Okay, So we have Dally played by Matt Dyllon, who.

Speaker 1 (46:46):
Looks so cool.

Speaker 2 (46:47):
Yeah, he's so fucking badass. He looks like a like
he's made of wax or something like his his face
just looks like it was newly formed, like a Really,
he looks like he should be like in a discount
Madam Tusso's Okay. Johnny is played by Ralph Machio. I
cannot say that, motherfucker.

Speaker 1 (47:05):
He was the second oldest filming that movie and he looks.

Speaker 2 (47:07):
Like that's ridiculous. Was the oldest one Patrick Swayze I
would hope, so I would hope that like Patrick Swayzey
in this movie. But Ralph, like I've never saw a
worst death, Like I've never seen the death that I
was like, Okay, let's wrap this up, like like I
would be like, not, let's wrap this up. I got brunch. Okay.

(47:31):
We have pony Boy played by see Thomas Howell, and
all I'm gonna say is two words, soul.

Speaker 1 (47:35):
Man, you know watch that. I've never seen it.

Speaker 2 (47:42):
I know that in different times, even those podcasts, I've
said some pretty fucked up things. But where was there
somebody that nobody was like, hey, guys, this is not
a good idea to do a movie about blackface, Like,
this is not a good idea the whole time. God,
he's fucking word.

Speaker 1 (47:59):
Okay.

Speaker 2 (47:59):
We have Dairy by Patrick Swayze. Love him like ghost
dirty dancing. He was just amazing. His brother, on the
other hand, I think is a stupid piece of shit.
So no, no legitimate reason. But I was watching Million
Dollar Matchmaker, which listener, run, don't walk to your TV
and watch a million dollar Matchmaker. It's a fucking hot mask.

Speaker 1 (48:19):
Patrick Swayze has a brother.

Speaker 2 (48:20):
Yeah, oh my god, if you want the same thing,
I said the same thing. But during the episode that
he's on, he does not let you forget that he's
Patrick sweeze brother. He's like the guy. The woman's like, oh,
what are you into? Well? I was really into this,
but then my brother died Patrick Sweeze, and I was like,
is this guy a millionaire? But he's worth four million?

(48:41):
But I'm like, which, that's a lot more than I have.
But like, no, I don't like this. Okay. So we
have Soda Pop played by Rob Lowe.

Speaker 1 (48:51):
This movie. He is so gorgeous. He is one of
the best looking at people of all time in this
movie for sure.

Speaker 2 (48:56):
Oh my god, amazing. We have Steve, played by Tom Cruise. Yeah,
so I still I'm like one of those people. I know,
he's a part of a colt and like pretty much
up there, it hasn't really like closed minded ideas about
like mental health and whatever. But he's Tom fucking Cruise.

Speaker 1 (49:12):
He's Tom fucking Cruise. I think he's one of like
he there's I don't think there's a lot of like
Hollywood actors left anymore, Like yeah, I mean there because
I think a lot of them they get roles now,
and I think like Marvel did a lot of this,
Like you know, there's, oh, this guy's playing Captain America. Okay,
who Chris Evans? I know, but basically things like that.
But I feel like there's very few people left that

(49:33):
are like, oh, this is a Tom Cruise movie, so
let's go see it. Brad Pitt, you know things like that.

Speaker 2 (49:38):
Yeah, Like yeah, because who else, Like I don't know
many movies besides my super specific niches that I would
be like, who's who's a movie star? Right now? Like
I'm getting super tickle to my privates that uh, Uma
Thurman's making a comeback because I just fucking love Uma Thurman. Yeah,
Charlie sayern I think is a movie star.

Speaker 1 (49:57):
I love the who else is the movie? Like the
reason I saw F one. I'm not really like those movies,
but it's because I love Brad Pitt and the movie
was a lot of fun. So this is this is
coming to August fifth. Yeah, but if it's still in theaters,
I suggest seeing it in theaters.

Speaker 2 (50:11):
Fuck yeah. Okay, So going down the list, because this
list is fucking long. We have two Bit played by
Emilia Estevez, and.

Speaker 1 (50:17):
I feel like they and two Bit in the books
is way better than they actually did in the movie.
He's a lot better in the books, but he did
great in the movie though, too so, and.

Speaker 2 (50:26):
He's just icon him with Mighty Dogs. We got Breakfast Club.
He's royalty with his dad. His dad's fucking hot, and
then his brother is a fucking hot mess.

Speaker 1 (50:36):
Oh my god.

Speaker 2 (50:36):
Winning we have Cherry played by Diane Lane. She's she's gorgeous,
like sure, forget about it. And then we have Bob
played by Leif Garrett. So he's seventies teen heart throb, heroin,
addict and drunk driver. Not no shame, no shame, but
you see that awkward behind the music back in the

(50:57):
day yeah, for sure.

Speaker 1 (50:58):
They like what they meet. Yeah, me at a fucking
park and it's like and then his buddies like, you
actually did me a favor by having me lose my legs?

Speaker 2 (51:07):
What the fuck man favor by getting like ten million
dollars or whatever? Yeah, yeah, yeah, I would be No,
I'm not gonna say it. Okay, So here are some
of the quotes that I still I still quote to
this day from this movie. Why aren't you afraid of us?
Like you was dalling? Yeah, so good? Mustines are two? Oh,
let's do it for Johnny Man. That's pretty powerful. And

(51:29):
then just the iconic stay Golden pony boy for sure. Yeah,
so yeah, this movie.

Speaker 1 (51:34):
Is so good. No, I love this movie. And I
remember the first time I read the book. Uh my
mom showed me this movie and I was really young
and I loved it. And then I read the book
in school and I fucking fell in love. And then
somehow I saw that se Hint and she wrote other books.
So then I read Rumblefish. That was then this is now.
Couldn't get into texts, but Rumblefish is amazing. But I

(51:58):
think that was then. This is now is a better
book than the Outsiders, and I fucking loved The Outsiders.
But I remember the first time I read the book,
they had extra scenes in the book that didn't have
in the movie, and that blew my mind. I guess, actually,
that's probably the first movie book I ever read it. Yeah, movie,
but yeah. And then I remember reading the book again
later on a few years later, and they didn't have that,

(52:20):
and so they had different versions of the.

Speaker 2 (52:22):
Book and I was like, what, I didn't know that
editions or what.

Speaker 1 (52:26):
Yeah, yeah, and they added a little bit. I'm not sure,
I don't know why, but there's scenes where they're like
running after everything happens after like Johnny dies, and then
they run after and they catch them. And then if
you have the Blue Ear the DVD of like the
thirty or fortieth anniversary or whatever, you can watch that
scene in the movie. So I was like, oh, crazy,
this is kind of how a picture in my head.
So that was pretty cool. But no, great fucking choice.

(52:46):
This movie is amazing. I think it's every every child
should see this movie, you know, like a coming of age.

Speaker 2 (52:53):
This was one that, like the book and the movie
tie in, like was a good one for school because
I did not fucking like we had to read The
Great Gatsby, Like that's not a kid book.

Speaker 1 (53:03):
That's so funny because my coworker today said that we
read The Great Gatsby in high school and I don't
remember reading that. The only book I remember now is
this and The Hobbit. I've tried to start The Great
Gasbee like four times and I can't get into it.

Speaker 2 (53:16):
No, I'm I'm. As I started to read it, I'm
like like loading my musket because I'm gonna shoot myself.
So I so when I move, I always I never
want to get rid of, like my DVDs because I
always keep on. But I was going through and I had,
I think three copies of The Outsiders. I'm like this, okay,
that makes sense. The other movies I had caught multiple
copies of which blow my mind and Keiley knows this
one is this movie that came out in the two

(53:38):
thousands called Annapolis or Annapolis or what. It's like a
naval academy and it has James Franco and Tyresee talking
about I had multiple copies of that, and the other
one was like Babe, like Babe too, Pig in the City. Yeah,
like those those are the move. Oh babe makes sense.
I love Babe, don't get me wrong, Like I love Babe,

(54:00):
I love pigs. But in Apple, I don't remember ever
really watching that movie unless it was like for like,
you know, back in the day before porn. Oh, sure,
there's a lot of like Shirtless, you know, Tyrese. But yeah, anyway,
so that's my number one movie of the eighties. Like,
there's so many other we just talked about, Like on
the seventies episode, there's the Rocky horror follow up, Shock Treatment,

(54:20):
but I felt like I just really talked about that
a lot. Yeah, but this movie, I definitely was one
that I wish I would have got into, like the Goonies,
because I recently watched The Goonies a few years ago
with Jackson, and I was like, I wish I had
this one growing up.

Speaker 1 (54:33):
That's so funny. You say that because I'm I'm in
the same boat as you are. I didn't say, maybe
I saw I lived in Astoria. Yeah, so maybe I
saw when I was a little kid, but I don't
really remember it too much. But when I saw it
as an adult, I'm like, yeah, it's okay, but it
doesn't feel like a kid movie. It feels like an
adult making a kid movie, and it just throws it

(54:53):
off a little bit.

Speaker 2 (54:54):
But I think if I would have watched it as
like a seven year old, I would have been like,
this is it? Ye?

Speaker 1 (54:58):
Same with like ET. For me feel like if I
was a kid when I saw ET, I would have
enjoyed it. But it was awful.

Speaker 2 (55:03):
You wouldn't You wouldn't. That movie traumatized the fuck out
of me. We talked about this before.

Speaker 1 (55:09):
Were no people that have seen ET as a kid.
They think it's one of the best movies ever, and
I've never seen it. I saw it when I was
like twenty six, and I'm like, that is garbage. I
don't know why anybody enjoyed that movie.

Speaker 2 (55:22):
I have so I watched it as a kid and
I was terrified. Like a listener for this new to
the podcast, we went to Universal Studios and we went
on the ET ride. As soon as I discovered the
ET was into the cart with us, I tried to
jump off and my mom had to hold me in.
Every night, I would cry until my kid. My mom
and my dad rolled my desk chair out of my
room because it looked at ET.

Speaker 1 (55:42):
My witch is bonkers. After like the second I've been like, hey,
should we get rid of this?

Speaker 2 (55:46):
Yeah, every fucking night. And then my sister, like a
couple of years later, when Furby's came around, there was
like an ET forbe, So she gave me that and
that started going off in the middle of the night.
That nobody likes ET. If you like ET, you're full
of fucking shit.

Speaker 1 (56:00):
No, or you haven't watched it since you were like
five or whatever. People watch it.

Speaker 2 (56:04):
If you're alone and you're a kid sitting outside and
then alien comes up to you, you would be like scared.
Fucking I know he's scared at the beginning. I would
have fucking murdered that that that alien.

Speaker 1 (56:13):
Yeah, I saw this thing recently on some social media goes.
If ET came around me and my friend, so we
would have beat it to death with hammers, like yeah, probably,
nothing's scary as fuck, you know, Oh.

Speaker 2 (56:21):
I would break it. Fucking I was rooting for the
government people. I was like, you go get that motherfucker.
Yeah yeah. And I was not that I'm anti immigration,
but I'm like get out of get out yeah yeah, no, no,
I'm I'm I'm for the other for humans to come here,
not aliens.

Speaker 1 (56:39):
See, I think we're already starting in twenty years, are
going to be uh anti alien, anti robot. Here we go,
here we go.

Speaker 2 (56:46):
All right, you're gonna be voting for.

Speaker 1 (56:47):
Donald Trump Junior. Yeah, he just has a good ideas,
like yeah, this is.

Speaker 2 (56:54):
Yeah.

Speaker 1 (56:54):
Oh my god, God damn it, oh God.

Speaker 2 (56:56):
Okay, Andy, what is your number one movie of the
nineteen eighties?

Speaker 1 (57:00):
I'm with you on There were so many good movies
to choose from, and I almost chose a few, but
this one I saw as a little kid with my dad.
I've shown my daughter's this. It's a really well written movie.
It came out at the very beginning of nineteen eighty.
It's a little movie called Blues Brothers.

Speaker 2 (57:16):
Okay Street, Chicago.

Speaker 1 (57:27):
It's one hundred and six miles from Chicago.

Speaker 2 (57:30):
Got a full tank of gas, half a pack of cigarettes.
It's dark and we're wearing sunglasses. Hit it.

Speaker 3 (57:46):
Right.

Speaker 1 (57:48):
They're not gonna catch us. We're on a mission from God.
You just tell us where they are, you know, be
no trouble.

Speaker 2 (58:06):
Of unnecessarily violence, and the apprehension of the Blues Brothers
has been approve.

Speaker 1 (58:16):
Are you the police, No, ma'am, We're musicians so good
and listener. I do want to apologize if this episode
has been really loud. I just realized our headphones were
turned down a little bit. Oh my god, I think
we've just been screaming.

Speaker 2 (58:34):
We've been yelling this whole time, so I get away.

Speaker 1 (58:39):
They're really episode.

Speaker 2 (58:44):
That was just yelling about et that was even more yelling.

Speaker 1 (58:49):
Yeah, it sounds so loud though that I turned them off.
Oh I love it. Oh my gosh. But this, like
I said as we came up nineteen eighty, it's directed
by John Landis do you know about John Landers?

Speaker 2 (59:00):
John landas the director. Okay, yeah, but.

Speaker 1 (59:03):
He's directed a bunch of shit. But he got two
kids killed during the making of the Twilight movie from
like a helicopter stunt. And he was told multiple times
that like, hey, this is you, don't do this, it's bad,
but he did it anyways. He got them killed by
continuing the movie. Yeah, he goes, no, we don't need
to cut, we can still do it, and then like,
I can't remember, but I think the helicopter crashed and

(59:24):
killed two kids, but it was across the season there.

Speaker 2 (59:26):
I think nobody cares, Oh god, but I think some
people like the pilot should take some of the blame
and the terrence too, for like objecting their kids or
subjecting their kids. And maybe the kids were assholes.

Speaker 1 (59:36):
Yeah, we don't know. Yeah, maybe they're the next Hitler. Yeah,
but this was written by Dan Aykroyd and John Landis.
The budget was twenty seven to thirty million dollars. But
it's kind of a funny story. I don't know how funny.
It is kind of mildly interesting, I guess. But so
they started, they started filming this movie before the script
was done and before the budget was actually finalized. So

(59:57):
they finally get a call from the studio and the
studio is like, okay, you have twelve million dollars. And
then the production the production assistant did the numbers and
he told Joe Landis he goes, We've already spent twelve
million dollars. Oh no, So then they moved it up
to thirty million.

Speaker 2 (01:00:11):
That's a lot of money back then, yeah, for sure.

Speaker 1 (01:00:13):
Yeah, because that same year came out the third or
the second one of the Star Wars movies came out,
and that but just on eighteen million.

Speaker 2 (01:00:21):
So oh heroin the Heroin? What no drugs? Like What
are they use all that money for Brothers? Is it
more impressive than Star Wars? Yeah? Oh wow?

Speaker 1 (01:00:35):
They they they got sixty police cars to smash. This
is before CGI, so it's all like legit cars and everything.
But here's the synopsis of Blues Brothers. Jake Blues rejoins
his brother Elwood after being released from prison. But the
duo has just days to you to reunite their old
R and B band and save the Catholic home where

(01:00:57):
the two were raised, out running the police as they
hair through Chicago. So the reason like this movie so much.
Oh let me tell you. Let me just show you
the cast. So let me just go to the cast.
The cast is wild. We have Jake, John Belushi, Elwood,
Dan Ackroyd, mystery Woman, Carrie Fisher, Burn Mercer, John Candy, Tucker, McElroy,
Charles Napier, Miss Murphy, Aretha Franklin, the Reverend James Brown,

(01:01:20):
Curtis Cab Callaway, Ray Ray, Charles head Nazi, Henry Gibson, Waiter,
Paul Rubins, corrections Officer, Frank Oz, County Assessor Steven Spielberg.
And then you have the whole Blues Brothers band, which
a lot of them were the musicians for Saturn Alive.

Speaker 2 (01:01:35):
Damn, this is crazy.

Speaker 1 (01:01:36):
Yeah right, So here's some fun facts. They used over
sixty police cars to crash during the making of this movie.
They drop a pinto from twelve hundred feet up from
a helicopter, a pino like the Pento car. Oh crazy, right,
they started all right? Told that they started shooting already.
It's kind of a fucked up fact. And oh so

(01:01:57):
the budget was twenty seven to thirty million, and in
the box office it made one hundred and fifteen million.
But here's kind of a fucked up fact. And they
probably would have made more money. But the president of
the studio didn't like the movie, probably one for the
extra money it costs, but two because of how many
black people were in the movie. So when it came
to release the movie, the head of the studio said
they were only going to release in half of the

(01:02:17):
normal theaters and only in black areas. You thought white
people wouldn't want to see a black movie. And he
was worried black people would go to white neighborhoods to
see the movie and cause crime.

Speaker 2 (01:02:27):
How fucking racist, like, and he was so in this
he like put that out there.

Speaker 1 (01:02:32):
Well, that's what people around him were saying. That's why
it wasn't released in many theaters. It's like, fucking hey,
that's just awful, you know. But the reason I like,
it's a really good classic buddy comedy. But this one
is a musical too, which is a lot of fun.
I think. I think by Aretha Franklin is amazing in
this movie. She plays the guitarists wife, and so basically

(01:02:53):
they have to get the band back together, and a
lot of it is them going to the band like
different band because Jake was in prison for years the
band broke up. They need to get five thousand dollars
because the orphanage they grew up in is about to
close because right when he got out of prison, Ellwo's like,
we gotta go see the penguin. Man, I'm not gonna
go see the fucking penguin. And that's the nun that
raised him. So she's like, well, we're about to go under.

(01:03:16):
We need money, and Jake's like, oh, five grand I'll
get it by to you tomorrow and she's like not,
you're dirty money. So then they go, well, we need
got to figure something out. So they go to church
and that's where they meet. That's where they see James
Brown and he's doing a song and they fucking you know.
He's like, we got it the band. We got to
get the band back together, and that's like their mission
from God, you know. So a lot of them trying
to find the band members and bring them back together.

(01:03:38):
But they get the band back together pretty quickly. So
because if you think about it, that seems like, Okay,
that's the whole movie. They're gonna play a gig, get
the money. No, they get the band back together pretty quickly,
but they can't find gigs. The very first gig they
end up playing at some like honky Tonk redneck bar,
and uh, they are supposed to make two hundred bucks,
but the band during three hundred dollars worth of beer,

(01:03:59):
so they runoff. And so now they're getting chased by
rednecks and they're getting chased by cops because right when
they get picked up by right when Jake gets picked
up from prison, Elwood run from the cops and now
they're about to go back to prison if they get costs.
So they're already getting chased by the cops. They're getting
chased by rednecks. They destroy a whole mall for this movie.

(01:04:21):
They're driving in a mall with like multiple cop cars
chasing them and it's one of the coolest like car
scenes ever, and all these like Peru One, Imports, Toys,
r us they're all like businesses and they're smashing it
through windows and it's crazy, right, But so then that
goes bad the the Redneck bar place, so then they're
onto the next gig. They're on the next gig and

(01:04:42):
they're waiting in traffic. They're like, what the fuck and
there's all these like Nazis protesting about something, right being Nazis,
and they're on this like bridge protesting and then Old goes, hey,
what's going on up there, and he goes, fucking Nazis, man,
they won their right to protest. And then Jake goes,
I fucking hate Nazis. So then they just gun it
and they like try to hit them all, but all
the Nazis jump off the bridge, so now they're getting

(01:05:04):
chased by Nazis too, oh right. So but all while
all this is happening, this random lady, this mystery woman,
keeps trying to kill them with like a bazooka and
a flamethrower and shit, and that's Carrie Fisher. So they're
getting chased by some random woman, Nazis, rednecks and cops
and it's just a really fun movie and the music

(01:05:25):
is great in it. It's just like I love buddy comedies,
and it's a really well written movie. This is the problem,
this is what we need to do to fix it.
But now there's gonna be a lot of hijinks in
the way between us fixing it. It goes by really quick.
It's a two hour movie, but with all the acting
or all the chases, the crashes, the singing and everything,
it just goes by super fast. And if you haven't

(01:05:47):
seen it, it's one movie where I think you can
watch it over and over again and enjoy it. It's
a great drinking movie because all the great music too.

Speaker 2 (01:05:52):
So yeah, oh my god, Yeah, I don't. I don't think.
I think it's the same thing as with Beastie Boys.
It was like there, I'm sure my I liked it
a lot, but I just never really like, really appreciated it.

Speaker 1 (01:06:04):
But I need to.

Speaker 2 (01:06:04):
I I space completely that Carrie Fisher and I just
fucking love her.

Speaker 1 (01:06:09):
Well, she was dating Dan Arkoyd at the top. That's
how they got her. And during the movie the John
Landers is like, carry you need to watch John Belushi
to make sure he doesn't do too much cocaine. Carrie Fisher,
that's horrible.

Speaker 2 (01:06:24):
You know it's given. Uh, what kind of joke can
I make?

Speaker 1 (01:06:28):
I feel like someone with a horse, that something of
the horse telling a horse not to tell another horse
not to you hate? I don't know.

Speaker 2 (01:06:35):
Yeah, yeah, listener, put it and insert your own joke.

Speaker 1 (01:06:40):
We're tired, but it's funny. On your movie thing you
did some favorite quotes. I did too. One of my
favorite quotes is, we're on a mission from God. Of course,
We're one hundred and six miles to Chicago. We've got
a full take of gas, half a pack of cigarettes,
it's dark and we're in sunglasses. Get it.

Speaker 2 (01:06:56):
How fuck it?

Speaker 1 (01:06:56):
Let me see here, Illinois Nazis. I hate Illinois Nazis.
Let me see here. I've wrote a few other ones.
How much for the little girls, how much for the women?
I want to buy your women, sell me your children
so that one one of their bandmates is now like
a major d in the really fancy restaurant. So to
get him back, they go to the restaurant. He's like, guys,

(01:07:18):
I have a cushy gieg here. I'm not gonna leave.
And they go, all right, we'll came and get a table.
He's like no, and so they're just make they're just
being awful and trying to get him, you know, fired
and everything. Let me see here, it's an old Mount
Prospect police car. Ellwood says, and Jake goes, the day
I get out of prison, my own brother picks me
up in a police car. And then my favorite quote
from the movie is they're looking for the bandmates. So

(01:07:39):
they go to this house and you're talking to the
lady and they knock on the door and hey, you're
looking for this person. Later goes, are you the police?
Elle goes, no, ma'am, we're musicians. That means anything. But
it's a fun fucking movie. If you like Ray Charles,
Aretha Franklin, Cap Callaway, James Brown, any of that blues,

(01:08:00):
R and B stuff, you're gonna really love this movie.

Speaker 2 (01:08:02):
So I don't have to like check this out and
do a deep dive in this.

Speaker 1 (01:08:05):
It's one of my favorite drinking movies. Let me know
when we'll do a drinking the Blues Brother Drink Watching
the Night. It's such a fun movie. I love it.

Speaker 2 (01:08:11):
We can almost like just get fucked up and watch
it and just record ourselves watching it. Yeah we could, yes,
so pretty much the listener would just be like, oh wow,
you know my god, I love it. I think you're
talking about buddy comedies. I feel like we should maybe
with chat GBT like come up, or maybe we could
just be creative souls and have our own buddy comedic adventure.

(01:08:31):
I feel like we would be really good in a movie.
Just say, comic comic, like a buddy comedy.

Speaker 1 (01:08:37):
I have a few ideas already.

Speaker 2 (01:08:39):
What's what's an idea you have?

Speaker 1 (01:08:40):
Well, this is already trademarks, so don't steal anybody. A
heist buddy movie. But of Jesus.

Speaker 2 (01:08:46):
Oh so we're Jesus.

Speaker 1 (01:08:49):
Kind of Jesus is the main character. We're two of
the disciples, and the whole point is we're trying to
scam the system. So they go, Okay, after you die,
wink wink, you'll come back a live three days and
we have to make the whole thing, but make it
like a bank heist movie like comedy. Right, it's kind
a fun idea.

Speaker 2 (01:09:04):
I like that because like they have so there's so
many buddy comedies, like going back to like a well,
would you consider some like it hot a buddy comedy?
Have you seen that with Marilyn Monroe and the two
guys are like going to cover as women. It's like
black and white?

Speaker 1 (01:09:18):
Oh wow, isn't uh? I know what you're talking about?
Is it the guy from Ugly or Ugly Gray Man?
Grumpy Man? Oh?

Speaker 2 (01:09:26):
Is it?

Speaker 1 (01:09:26):
Oh?

Speaker 2 (01:09:26):
I think so?

Speaker 1 (01:09:27):
Is this Lemon?

Speaker 2 (01:09:27):
Yeah? Yeah, John not John Lennon Jack Lemon Jack? Yeah, yeah,
that's a good. Yeah, buddy, I think we would be
iconic for a buddy Oh for sure.

Speaker 1 (01:09:36):
Yeah.

Speaker 2 (01:09:36):
No.

Speaker 1 (01:09:36):
I love buddy comedies. They're some of my favorite movies.

Speaker 2 (01:09:38):
Okay, Andy, I think we nailed it with our top
movie song and album. So I want to do a
quick game because we've been something I my bro Era
and I've been doing like a lot of smash for
past talk. This is going to be a game of
smashing past, but it's going to be notable bling stuff,
stuff from the eighties. Okay, So smash you like it,

(01:10:00):
pass you don't like it? Okay, So number one the
brat pack pass Pass Number two Madonna at the VM's
singing like a virgin.

Speaker 1 (01:10:13):
Some of my very first like sexual memories is watching
VH one and seeing Madonna videos. So I'm gonna say, smash.

Speaker 2 (01:10:21):
Okay, Transformers, uh passed.

Speaker 1 (01:10:24):
I got into Beast for Beast Wars later, but I
never gotten Transformers.

Speaker 2 (01:10:29):
Okay, number four, I think I know the answer to
this one. Tampon gate O.

Speaker 1 (01:10:35):
Hell yeah, smash crazy so good.

Speaker 2 (01:10:38):
So listener. Back in the eighties, Charles was married to
Princess Diana and he's now the king, and he was
having an affair with the love of his life Camilla
and who's now the queen, and then he got on
on hot mic or like his phone got bugged or whatever,
saying that he wanted to be Camilla's tampon.

Speaker 1 (01:10:58):
Yeah, and then a long time ago, you and I
acted that out, but I can't remember the episode. I
don't want to go through like one hundred and twenty.

Speaker 2 (01:11:05):
Yeah, right, listener, if you know, let us know. Okay,
number five, smash her past the Challenger explosion.

Speaker 1 (01:11:13):
So I'm gonna say, uh past just because the tragedy.
But I've I went through this phase where I listened
to political speeches and I hate Reagan so fucking much.
But the way Reagan deflects that whole problem and also
finds a way to like kind of champion America at
the same time is beautiful. Just it's a really good speech.

(01:11:38):
But so I'm gonna say I can give her I'll
go either way.

Speaker 2 (01:11:42):
And listener to your deep dive. I did mine with
how big Bird was connected to it?

Speaker 1 (01:11:48):
Did you hear about that? Uh? I think Wait someone
with schools?

Speaker 2 (01:11:52):
Right, Yeah, they were. They were originally gonna have big
Bird like a guy in a costume with big Bird
on it, but that didn't work because he would have
had to be in the costume and like, spaceships aren't
designed for large birds. Yeah, so that's why they chose
the school teacher. So how fucked up would that have
been if they did make it work and Big Bird

(01:12:12):
died in the child because they would have had to
retire that character because it was streamed into all the schools.

Speaker 1 (01:12:17):
Yeah, all the schools are watching in real time. Wow.

Speaker 2 (01:12:19):
So you said pass or kind of a pass smash?

Speaker 1 (01:12:22):
Oh, I will say past. The explosion smashed the speech
even though I hate Reagan.

Speaker 2 (01:12:26):
Right, Okay. Six Sylvester stallone marrying and then divorcing Brigitte
Nielsen and only getting six million dollar divorce settlement. She
only got, So that part, I feel like is the past.

Speaker 1 (01:12:41):
I'm gonna say smash just because I feel like if
they didn't get married, there's less of a chance we
would have got.

Speaker 2 (01:12:46):
Flavor and her boom exactly because that brought her to
a new level of fame of like that fless celebrity fame,
and then she got with flavor, Flavor, Flavor of Love
and then our icon New York. Okay, number seven, neon just.

Speaker 1 (01:13:00):
The color in general.

Speaker 2 (01:13:01):
Yeah, smash yeah, mullets, oh pat hard path.

Speaker 1 (01:13:06):
I fucking and I don't even think it's funny when
people do like, oh I'm doing it, like what to
look like a fucking idiot? Like bunches rub shit on
your head like you look like an idiot? Then too,
I don't know.

Speaker 2 (01:13:15):
The only people I would give a pass to are
the lesbians. Sure like you you all have done enough?
You guys can you guys can just do it if
you want. Okay, number nine, Fanny packs, smash her pass.

Speaker 1 (01:13:28):
When I was younger, I would have passed, But now smash.

Speaker 2 (01:13:31):
Smash it, Yeah, because I think it's good.

Speaker 1 (01:13:34):
I mean, you can have band aids in there, tater tots,
anything you need to help you.

Speaker 2 (01:13:37):
Yeah. Yeah, I like that. You could have like one
of those like emergency like aluminum blankets, so when you
go to the strip club you can just cover up
with that. It's so cold in here. They probably do
that because of the titties.

Speaker 1 (01:13:51):
Well, I think I just had a bad seat. Oh okay,
because he actually makes sense to.

Speaker 2 (01:13:56):
Make him hard, Okay. Number ten John Lennon being murdered
Smasher pass.

Speaker 1 (01:14:01):
I really like the Beatles. I really like John Lennon,
So I'm gonna have to say past.

Speaker 2 (01:14:07):
So you but he had already broken up the Beatles. Yeah, yeah,
but honestly controversial point. I'm a big Wings fan. I know,
I know, I'm a fucking asshole for saying that, but
I'm like listening to some Wings and I'm like they're
pretty good. Like I know the Beatles are the bast
or whatever, but I'm like, give me some Paul McCartney

(01:14:28):
in the eighties.

Speaker 1 (01:14:28):
I just would have liked to see where John Lennon
went because I like his solo album I thought was
a really great Uh, I don't know.

Speaker 2 (01:14:34):
I really liked it would have been nice for John. Yeah,
I don't think that he should have died, but but
I wish that people like John Lennon. And because the
world is fucking crazy right now, I wish people like
John Lennon were here, Mister Rogers were here. I wish
those type of people were bett. I wish Betty White
was still alive. I wish those people were still here.

Speaker 1 (01:14:53):
During this time, James Taylor heard the shot that killed
John Lennon. Jesus, because they lived in the same apartment.
He was like, same, Parma coom Did he go outside?
And I think so when all the cops came, I
think he went out to look. But yeah, crazy right.

Speaker 2 (01:15:06):
Yeah, small world?

Speaker 1 (01:15:10):
Who was it?

Speaker 2 (01:15:10):
James Taylor?

Speaker 1 (01:15:11):
Yeah did it?

Speaker 2 (01:15:12):
Oh my god? Listener, let us know what your favorite
movies music were from or fads were from. I said
fads with a D.

Speaker 1 (01:15:24):
We're from the eighties.

Speaker 2 (01:15:26):
And then find us on social media and we do
have an awesome review that we want to play for
you or review play for you.

Speaker 1 (01:15:35):
We'll read it to Yeah, there we go. This review
is called it's a five star review, so we really
thank you a lot for giving us as five stars. Yeah,
the titles is the best podcast by Teddy Dogs seven
three eight three. I'll read the first and I'll let
you read the second. Absolutely love the podcast. Andy and
Jeff have unbeat beatable but I can't forget that. Absolutely

(01:15:57):
love the podcast. Andy and Jeff have unbeatable chemistry and
their nostalogic takes are hilarious. Every episode has me sobbing
tears from.

Speaker 2 (01:16:05):
Laughing second verse. Their humor is sharp, goofy, and perfectly timed.
I love dark and evil humor too. Huge. Shout out
to Guscus the Dog, the true m VP of the show,
keeping it up. Guys. Pro tip, have your podcast be
somebody straight and somebody gay, perfect humor combo.

Speaker 1 (01:16:24):
I just realized evil too, evil humor.

Speaker 2 (01:16:27):
Yeah, this person has evil hue.

Speaker 1 (01:16:30):
I love that they get it, Like that person definitely
gets us. That's it.

Speaker 2 (01:16:34):
They have evil humor and and and that kind and
then they're like, I need to leave a positive review.

Speaker 1 (01:16:38):
I love that so much.

Speaker 2 (01:16:40):
Yeah, now, shout out to gus Gus like, I haven't
talked about him in a hot minute, so yeah, follow
gus Gus on Instagram at Guscus Underscore the Dog, and
then yeah, we're We're excited were today the episode is
coming out and it is the award Galla night. Yes,
so we're gonna have to do a special report from
there and a recap episode. So thank you so much
for voting. Thank you, no, thank you for people that

(01:17:03):
did not vote, Fuck you. And then anyways, until next time.

Speaker 1 (01:17:09):
I am Jeff, I'm Andy Blooms.

Speaker 2 (01:17:11):
And be nice and we will see you next Tuesday.
Tell me a wire sister sires.

Speaker 1 (01:17:17):
Yeah, and that's a wrap for this episode of Notable Nostalgia.
We hope you enjoyed our trip down memory lane just
as much as we did. If you love reminiscing with us,
don't forget to subscribe great and leave a repeat and
be sure to tune in next time for more nostalgic
fund Notable Nostalgia was created by alij Ward, produced by

(01:17:38):
Andrew Lipsey, and edited by Andrew Lipsy. You can find
us at Facebook dot com, slash Notable Nostalgia, Instagram dot com,
slash Notable Nostalgia, and shoot us an email at Notable
Nostalgia ninety at gmail dot com. Catch you on the
flip side, Nostalgia Nerds

All Episodes

Episode Transcript

Popular Podcasts

Stuff You Should Know

Dateline NBC

On Purpose with Jay Shetty

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}121. The 1980's Special!

Episode Transcript

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}Stuff You Should Know

Dateline NBC

On Purpose with Jay Shetty

All Episodes

121. The 1980's Special!

Stuff You Should Know