Oliver Ruiz PodCast Con Marco Antonio Zepeda de: "BOSE", Entrevista, Tema de Interés, Presentación de Equipo y Mucho Más...

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
Hello Oliver Ruiz, from the traditionalin an Italian restaurant with a different concept,
the best of Italy to its palatein Mexico, in emerald area,
in Natizapán. We appreciate the spacethey are giving us to conduct these interviews
of the new season of their friendBolliveo Ruiz, the program in contact and
the International News Portal with a realreach in eighty- six countries. We

(00:25):
are very happy to be here and, above all, very grateful to our
friend Marco Zepeda of bus known asyou. People say it that way,
but the right way is box,right, so it' s right,
Marco, well welcome, very goodafternoon, how you are, very good.
Thank you very much, good afternoonto all and thank you for the
space. You allow me, becauseyou give him one, because a not

(00:49):
production, but a cath, alittle bit let' s say of these
equipments, but well, thanks forthe one that they are very stupid,
Ahorita, they will explain to usthe presentation of this team that is helping
us to have a super improvement ofaudios to, a good team to be
able to do things with quality ofexcellence. We are very grateful for the

(01:10):
sponsorship support in order to be ableto make this program possible and because,
thanks to Bous Presenta, it isalready present in the prestigious digital platforms,
all the most sounded nationally, internationally. We are already there and on social
networks as well, and above all, our downloadable and collectible digital magazine,
which you can see those who liketo read if you are going to loosen

(01:30):
up to read, do not worry. There is a narrative of the program
and a transcription in the English languageso that all our friends from the United
States, Greece, Italy, Franceand the countries that see us, because
we thank them Russia. We evenarrived thanks to the international organization AXONNAR,
an organization that its friend and serverpresides in Mexico, because we have a

(01:53):
platform and there we are in agroup where all the presidents know what we
are doing. So, then,it' s going to be able to
get to them and with better whatyou can say than nothing less, nothing,
much better than with box. Soit is good to take advantage of
these platforms, precisely also to reachother sides and well get to know a
little more the product again is acompletely international brand, already recognized and positioned.

(02:19):
So, well, this professional portableequipment is going to get to the
other side of the puddle. Yes, indeed, to the side of the
puddle and far beyond. There's an invitation I want to take advantage
of. Space. Friends, Iwill bring a select group of the best
in Mexico, from dance, culture, art and music, a club of
entrepreneurs that we have to visit forsoon, by the end of November,

(02:44):
we will go to Greece to givecontinuity to the bridge that we build of
hermandamiento there and, of course,if you accompany us there frame, for
it will be a mega blessing andjoy to be able to step on the
land of Greece And because there isthe present mark there until better for one
to go next to this, forthe exact people to work a lot.

(03:05):
Johannis Maronitis, to whom we senda greeting, is going to make us
an economic package that includes what islodging, attractions, coexistence. We'
re going to take some awards therethat we got from the seventy leaders.
There you were, indeed, sponsoringthe event. There I had the pleasure,
the honor and the joy of meetingyou. I don' t know
if you remember that I was giventhis three awards, one to assume the

(03:28):
server and friend for the work trajectoryand the other two to take to Greece,
precisely Joannis and George your caliz.We will make the presentation then,
taking advantage of that we will makedeliver the prizes that were recognized by the
twinning, for the support, thediffusion, the culture, the art and
everything that we have done in Mexicowith hand, with Greece. Then let
' s take those awards over there. And it goes beyond that, because

(03:50):
there' s going to be anevent there with media, special guests,
relatives of whom we' re goingto take those prizes and the tour.
Then you have to play counting forthe plane. We warn in time if
you want to accompany them and frames, if the brand is going to be
present there so that we are doingthis breaking the piggy so we can go

(04:11):
there. Excellent truth. All right, then, frame, before you tell
us about what the brand is,you talk about yourself, because this space
is one hundred percent for you todaywithout guests and nothing more than you are
here. We did this so thatyou could share with the audience that sees
us in Mexico and the world thatthey know you who frames seperate, well,

(04:35):
this one for everyone. Well,my name is Marco Antonio Cepeda Torres,
but we say fond frame, exactlyframe this and good. I'
m an older son of a familymade up of dad mom and a younger

(04:56):
brother, yes, I come froma family of musicians, completely from my
dad, the whole family from mydad, because he' s totally musicians.
Many are working in the same mediumof music. Okay then, well,
that' s why this whole approacharises as part of the music.
And, well, I' mgoing into the audio part, everything about

(05:17):
the audio, exactly how it wasthat I had personally you started with this
raid. Well, obviously, withall this, because it' s part
of all the musical attachment that Ihave with the family, with my dad,
with my uncles, the days,you want to take advantage to send
them a greeting, since you greetthem all there with reference, because something

(05:44):
that they are seeing me and thisyes. So, then, all that,
the musical cultural heritage is on theirpart. Then, from there several
channels were opened. I am aprofessional trainer, I am a marketer,
ok and well, that began toopen the doors for the work environment,
exactly work and especially within the samemusic. Not that has opened the doors

(06:08):
for me to be interacting with manyalready recognized artists here in Mexico. So,
well, that' s where thosedoors begin to open precisely in order
to enter this world. He's given me the audio market and so,
boos is the one who gave methe chance then, but you started

(06:30):
the engineering part, the audio productionpart or something. See what that was
like after people got to know youand know everything yes No, that'
s right, it was much laterthe same race. I already started opening
up some paths in marketing, andmuch of that was in the commercial part,

(06:51):
especially in the part of carrying outcommercial strategies or promotions market developments.
And so, well, the firstopportunity I had was in a technology environment,
but more focused on the printing thatwe are talking about in a company

(07:12):
that was dedicated no longer exists inthe company, but well, it was
a company that was practically dedicated tothe sale of consumables and printers, both
printers, lasers and inkjets. Fromthere, from another jump. From there
I went to the business part,but with Kimbelly Clark or with them I

(07:36):
started to work also in the marketingpart, especially in the field. That
is, practically your market studies hadthis way they were carried out in the
job area exactly and already from there, because, you started to carry out
your knowledge already in the field,in the companies, in gamerlegue you commented,
no yes, exactly I was doingeverything for the career, because while

(07:57):
I was studying, I worked atthe same time. So that helped me
a lot to start having that approach, that work experience, market experience,
already applying the knowledge, already tothe work part, and that was the
part that helped me a lot toget to boos and in this company that

(08:20):
in the comments you participated in thecampaign of clnex and shields. That'
s when the acquisition was made.Kimberly acquired the brand of soap shield.
Exactly, the brand is now positioned. The only thing that had to be
given is the focus precisely on positioning. But already as part of Kimbely Clark

(08:43):
' s product line family, andthat was up to you to be there.
The creator is not so much increativity, but rather in the development
of the market, or that itis encouraged and sexually milestone for the exhibition,
the exhibition of therefore in the marketyou already understand, understandings of self

(09:03):
service. And that also gave usthe push for Kimberly Clark to make the
decision and launch the brand of Soaps. But in Clinex CN brand Clinex it
still gives a good turnout. Andwhat you feel when it happens. That
' s what you suddenly find aGLINEX like that in Soaps and so on

(09:26):
and that you had there to putyour granite is very nice. The truth
is that you take satisfactions in whichyou begin to realize the fruits, that
it begins to give your work,or that everything is worth, all the
preparation, of course also the sacrificesand still, still have those satisfactions and

(09:46):
now here with BOWs. But howdid you get to boos O Sea give
thanks there you are presented the opportunity, because well, they saw me work,
they liked my pace of work andthey invited me to be part of

(10:09):
the team. Well, that's when I came in. I'
ve got four and a half yearsat the company and I' ve already
been with BOWs. In fact,now before the pandemic, during the pandemic,
done, I entered in July andsix months later we were in Pandemia
Wow. Then that transition was strong. Obviously, it was strong, because

(10:35):
one comes already with one, alreadywith a clear path, already hooked and
suddenly comes changes in the whole withcertain totally. So that' s when
we started to adapt to the newway of working, which is how they
were done before, that in orderto show a professional team we had to

(11:01):
resort to this kind of formats towhich we are, for example, arriving
exactly everything right now the digital part. They gave us the opportunity to occupy
the restaurant 100% without this diner. They gave us that space to give
us priority, but back then itwas all about the room stay and with
many protocols. And so it's a format of not coming near me

(11:24):
almost from here to there and mymouth covers are not exact. So that
part touched me this even I believethat that part also gave us already an
acquis and gave us a new modeof work. Not then I think more
than anything else. He took that, that experience to port. I'

(11:48):
m sure that even so, eventhough we didn' t have a way
of showing them, it was foundand so, well, that helped the
company keep holding on with the audioequipment, since many people, precisely part
of the entertainment of the people whowere locked in at home, were in

(12:11):
house, because they were looking fora way to have a leisure development at
home, and many people what theydid was start learning, playing musical instruments
or simply singing. Yes, infact, there were many well- known
singers who began to perform as concertsat home with the intention of motivating people
to give a little hope of distraction. Then there began to be concerts like

(12:39):
this at home with the platforms andfor social networks. Yeah, I think
that, well, it was kindof representative for you that the brand was
present in this kind of activity.Yeah, look at that, and we
were able to take this one,as he says, back in port.

(13:01):
Sure, the company is with ourlittle horse of strength, our little boy
from Troy, which is a teamcalled that one. Pro We will soon
make the presentation clear that yes,this is our team, that one pro
was the one who helped us becauseit is a smaller computer, rechargeable battery

(13:22):
laptop. So, then, theyhave the possibility to make the connection of
a microphone and even a WOW instrument, that is, it is a battle
team to use that rough one.And also, be very careful, friends,
because Marcu has a section in theprogram, especially from BWS, where
he will be giving us tips,tips, capsules and a lot of content

(13:43):
so that you can all know indetail the brand, the goodness it has.
And also, why it' simportant to have a boo team at
home, at your office, atan event, at a corporate or wherever
you need sound quality. It's because he' s preparing incredible content.
True, we are doing content thereprecisely so that you can know all

(14:07):
the features and all the benefits thatBOBs offers with its excellent professional portable equipment.
And so, you' re stillin BOWs to date and there'
s been a development of your activitieswithin busc which would be exactly so Mira.
I' m practically on the watchside of the brand in specialty stores.

(14:31):
Specialized stores are operated by stores thatsell audio instruments and some other accessories.
So, if I, for example, am looking to acquire equipment with
you, you can orient me ordirect or redirect to which store the equipment

(14:52):
is and advise. Obviously, tomy need, so it is today BOWs
is distributed in certain segments of themarket. Among these are specialized shops.
They are all those who, atleast here in Mexico City, are in
the historic center of this city,and so, well, we usually find

(15:16):
ourselves working at the RJ gallery storenumber eighteen in the Central Colony, which
is part of our authorized distributors inMexico City, exactly Mexico City, before
Federal District or FE exactly now andDMX, exactly so they are our authorized
distributors for the BOWs brand, wherewe can find all this range of professional

(15:37):
portable audio products that are specialized practicallyif for home use or domestic use,
for religious enclosures activations, but withmusical groups or s arming the pacho,
without that live exactly DJs at thePool Party conference, exactly like a conference,

(16:00):
is the radio program exactly, Imean, there are countless applications that
have these audio equipment ok excellent framework, because then it is your walk and
now with Bowse. That' swhat you' re taking here or exactly,

(16:26):
and today you' re bringing thisspecial team that' s going to
introduce itself to our friends who arewatching and listening to us. And so
go ahead, frame, time isyours. Thank you, well, you
' re practically here watching on screen. It' s a system he'
s in one for sixteen. Thisteam is called this way because well,
it has sixteen speakers that we havehere our media and sharp, precisely that

(16:53):
it does not have all the volume. I mean, yeah, no more
history, nothing more. He's helping us out here so he can
hear us. But these teams aremade for about three hundred and fifty people.
Just one or nothing else. Thisis just this one without the tower.
Not all that, all this comestogether. This is ours your buffer,

(17:18):
it' s a buffer that hasa new technology called ray strack wres
strack. It is a technology thathelps us to have a better profit in
serious, since our buffers put itin a certain context in which it is
suspended and it is what helps usto have a better this benefit in serious.

(17:41):
These are teams that no longer havea circular horn, as most buffers
who have it are calling it wowwaffles buff is. Not only are they
also their buffers, they are buffers, but the diff is that well,
the shape of the horn that givesour bass is completely different. So this

(18:07):
is a set armable. I mean, this is a piece and this is
the tower that does exactly, buthere in this part, what is our
horn that emits the bass is tohit your buffle softwoofer, the exact boom
boom. The battery already helps usto have normally you' re the one
that helps to flesh out the gradesto what' s coming out of audio

(18:33):
in our linear arrangement. So,a linear arrangement is called articulated. I
see that the internal speakers, whichI don' t know if is well
said, because you are, theexpert, are as intentionally moved exactly,
because more than intentionally more strategically exactlyyou are having one of the bocinitas have

(19:00):
a two- inch measure. Oneis looking to the left side and the
bottom side to the right side successivelyas far as the bottom part here.
That' s what helps us geta hundred and eighty- degree coverage,
that is, from where the equipmentis placed. It will give us a
coverage of 180 degrees, better explained, from where it is put. This

(19:26):
team. It' s making ahalf moon cover, that is, people
who find themselves in the corners aregoing to be hearing exactly as if they
were in the midwife in front,exactly, and that' s a 100
% innovated boos technology and a hundredpercent patented by the boos brand. No
one in the market, no onehas this technology and if it' s

(19:51):
patent, patented, then eSATA already. And good. It' s hard,
because now you know the secret recipeand I think these are years of
research, of study, of surveys, of a laboratory. I don'
t suppose so. In fact,I invite you to know a little more
about technology. There are clear trustplatforms where you can also watch videos and

(20:15):
all that is the story of Boss. If you key him on that platform,
you can put Boss, Boss'story, and that' s where
you' re going to explain whereand when it' s like this and
how you do it. We're going to annex it and I think
I' d like to do anarrative and I' m going to annex

(20:37):
the link so that then people canknow exactly in detail. It is a
very nice story, but well synthesizedin question of audio equipment technology is all
this done a previous investigation before takinga product line or a product as new
to the market. All this researchis done at MIT, which is at

(21:00):
the Massachusetts Institute Technology, which islocated in Boston. So, part of
what is done in conjunction with theEMAT and with the bous company There in
Boston is divided that almost eighty percentof the profits that are obtained from the

(21:22):
sale of our equipment, eighty percentgo towards the research of the MIT,
and the other twenty percent this isalready the directional, well for practically the
company that then that. That wason the part of the decisions that Dr

(21:44):
Armar Armar boos made that is ours, because practically our creator, not the
one who believed in was in chargeof creating the amazing brand of boos.
So that' s precisely from theadded values, that you have to emphasize,
that you have to spread, thatyou have to comment that when you

(22:07):
buy a Bosus team has technology,a patent, a style and that then
they had to know what they werelike to be able to make this product.
No yes, of course, thatalso comes from the needs of this
or. Be part of the story, it has a purpose, not of

(22:29):
why it is so clear for whatneed. Yes, not the brand what
you' re always looking for isto make life a little easier, also
to our users, to make themost portable, but without losing the audio
qualities. Yes, before we wereused to being carrying bigger and heavier boxes

(22:56):
and that, well, to itmay be coming to create certain injuries in
people. No, then, thattoo becomes impractical. That is, it
is not only thought of the enjoyment, the quality and the audio, but
also in the transfer, the loading, the transport and the aesthetics, especially

(23:18):
where it looks exact and that italso does not occupy much space, because
that part is also what we alsotake care of, is that this is
super practical, because, well,right now, we are not going to
disarm it. But when I sawit being mounted, first, there'
s this base, then there's this structure and it goes and this
is another piece. There are twopieces here only yes, this is the

(23:40):
support, this is an extension onlythe whole linear part where we have audio.
It' s all this arrangement ofan articulated exactly is like a bar
and obviously good, as all professionalteams are called long shot teams. So
this is professional. Obviously, exactlyit' s professional that doesn' t
work for what we were talking aboutearlier on all those activities and good is

(24:07):
for a larger number of people.We were talking about this one giving us
the scope to sound an event ofapproximately three hundred and fifty people with this
team alone with another. But ifI had a pair or, be it
another, the same, obviously itdoes help even more to have a better
coverage even more. I mean,this is super easy, I mean,

(24:27):
accessible and about three hundred and fiftypeople. Yeah, I' m doing
a great job. As for space, it only has one connection back here.
This one has to be connected tothe light. Yeah, it has
to be connected to the light.They are teams that also come to help
and make our user easier, whichcan be musicians DJ bands ONE to be

(24:53):
able to transport it, be ableto assemble it and be able to handle
it, as these systems also havea small three- channel mixer that comes
in the back part of here thatis so instrumental. Here are three channels.
In all three channels, channel oneand channel two we have a combo

(25:15):
- type connection. What it meansthat you can make plug terminal connections or
famous, six, three, aquarter and or XLR, also better known
as Canon, but well, thename is XLR. It has those two
inputs have completely independent volumes. Whichis volume. We also have a management

(25:40):
of serious, serious half- ygudqualifications And in channel one and two we
have a reverberance effect so that ourvoice, when it has output, listens
to us flat, but also hasan effect as if we were a little
bit, as a bigger place youknow, so that as a kind of

(26:03):
echo, like raising a bounce,no, no, no, like sound
somineros. That one really doesn't. No. Not something tyrannical.
It' s a pressure. Itis to give this a nuanced writing to
the voices, for the singers oreven for the same instrument especially when the
instrument is acul So for the nextprogram we' re going to have,

(26:26):
we' re going to have amusician is going to be nothing less,
nothing more than Markin Us Brown,Commissioner Panther or Group León. You have
to meet him. If he hadbeen present today, he could have thrown
in a pigeonhole without problems. There' s no problem here. So,
right now, we have the equipmentconnected to a console to give you even
more quality and gain and, ofcourse, cla. But, for example,

(26:48):
the console of us is left overbecause here gives me the channels so
I can connect directly exactly micros Yes, that you can connect. That'
s why you have three tickets ina channel. We have, for example,
in microphony, in channel two youcan connect your this your keyboard instrument

(27:14):
and channel three more, which isnot equally important. Of course, channel
three is our auxiliary, because therewe have a connectivity via bluetoot or we
can also be connecting our devices viacable when you connect via cable. This

(27:34):
one you have here also entrances three, five also called mini plug or usually
are the entries that have our cellphones or a tablet, exactly a tablet
or even the same laptop. Youalso have those audio inputs. We have
it here and it also has theoption so that it can be connected through

(27:57):
the famous pluk that I mentioned earlier, so that you can make the connection
of an external mixer through that plug. You can use our channel three,
which is the one that' sspecialized for that kind of great action.
So, for example, a soloistis not going to have any problems.
If you enter the track from yourtablet or from your laptop and connect it

(28:21):
gives more of a microphone. Someonewho sings with track exactly someone who brings
is voice and instrument, so it' s you, well you, it
' s just voice and instrument.Then no problem at all. And if,
maybe I' d like to throwanother sound or something extra, he
' s got the assistant. Theycan' t exactly do it through those

(28:41):
aids. It' s amazing,because it' s not only to set
up the pachanga, neither for aspace nor for a lecture, but also
for a concert. Maybe VIP of300 people who call him and I just
forgot the name. But that's how acoustic, as an amplog type
but it' s something more intimatewhere it helps you precisely to have those

(29:04):
performances with those artists, more intimate, because these teams have the ability to
cover the places for that number ofpeople, but for three hundred people it
' s a very good event.For example, in my case, that
I give lectures that have been ona massive level, small groups that I
call it that I am all terrainand even if someone opens the doors of

(29:27):
their home and we do it,that is, it is a team that
really, for my need would beleft over because maybe, when you make
it small that is, a hundredpeople something very vip or. A conference
room in a company isn' tthat big. It helps you a lot
of times. I always talk topeople who sometimes interact precisely have a team

(29:48):
for the best other we have exactly, we have a family, but with
this I used everything. Yeah,I mean, look, we' ve
always said better than just and notthat you fail and sound. It is
super important that we will also talklater about our topic of interest, the
production of events with framework. You' re going to give us your opinion

(30:10):
through this and if you want toleave your comments on the next program,
let' s read them, let' s talk about their opinions and we
' re going to send them greetingsalso because it' s very important that
you know a production that does notlater. We' re going to comment
it true that' s and goodare the applications that also in the brand

(30:30):
or with other audio systems, dependingon the needs, because good is how
we can make a good audio recommendation. OK. What else do you have
to tell us this team by modelis he one pro sixteen him one?
Pro sixteen I mean, pro sixteenl one bogs exactly which is a system

(30:51):
of a linear bar to a subbooferand with three audio audio inputs, exactly
three inputs. And in addition,they have different secalizations per channel. The
equalization I that you right now,I go well, yes, it has
them through channels, because you canequalize your means yagudos and bass to taste

(31:17):
in all three channels without affecting anyother channel. I mean, if you
sort the channel one in one way, you don' t affect either two
or three. Or you equalize independentlyof channel two do not affect channel one
or three. And so succession neitherthe three affects the one nor the two.
She' s amazing. Channel numberthree also helps you to have general
equations, in which they are dividedby an equalization that comes life. This

(31:45):
is what this equalization is called inthis system, in which you are going
to help that, through your mixer, you make all the mixture that you
want and the team is going toadapt to that equalization that you do in
your external equalization. He does haveanother one called music. Music esat.

(32:06):
Usually we use it or recommend itfor when some devices are used, such
as cellular laptop, our tablets,and you are having changes to those equializations.
And the last, which is calledspeech, which is precisely right now,
as it is right now in thatmention, which normally helps us to

(32:30):
have a better performance in yagudo mediaand the grave is attenuated a little more
so that it stands out above allour voices, the volume exaspers, are
equalizations that help you and you canselect it depending on the need you have
and something like that. Much toemphasize that it is very important and that

(32:55):
makes life easy to ours, toour executed before is that they can use
this mixer or by means of anapplication that can download it by depending on
their own positives, devices, asit can be by means of Android or
if it is by means exactly Iphonesand so on. Then I imagine this

(33:20):
app if I downloaded it from myphone and I had my phone here,
I could be moving it to howwe listen talking from there without having to
move the bed. Not attentively.That helps you, for example, the
musicians, because then the cestive alreadyto be moving, good to have prophone
that has to be moving back hereor the engineer, has to have an

(33:43):
engineer, that has to be crossingthis stage going to listen and go back
and talk to a microphone, thatall this has to do precisely with production.
So this is something that well yousay that maybe it wasn' t
like very prominent to mention, butI think it' s a very important
aspect. No, of course it' s important. It' s got

(34:05):
something, it' s very importantoutstanding, because that' s part of
the applications that these systems have.It is very important that you know that
you, they may be manipulating itfrom your device, without the need to
be on the side, to bephysically moving to the back of the team,
but you can do everything, awhole important mix. They can do

(34:29):
it and by means. There aresingers, precisely when they do the soul
check that already know as the lowlevel of if already has parameters, aha
then if they already bring the programmedparameters on the cell phone, because the
sequence and it is practically yes,nothing more. It' s a matter
of them already bringing in how theyare and all that time has their parameters

(34:49):
exactly if it helps you to doit in a shorter and well done time,
that is, if we' retalking, for example, about a
small festival of about 300 people,you don' t have to put in
either console or more things, becauseyou can already modulate everything from the application,

(35:09):
because you' re depending on thetype of application, that is if
you' re going to do itlike it already live this, if you
can do it through the application thathas here of the mixer, where you
can give it all the mixture thatyou want, especially in an easy way
and without having the previous knowledge.Not because to be able to move a

(35:31):
little more specific. Well, yeah, you already need a prior knowledge,
but this is what helps us.It' s precisely focused on everyone.
Those who have no knowledge, youcan handle it without any problem. For
someone who is not an expert inengineering, audio, or sound, of

(35:52):
all that, that is a commonuser to someone who might like to have
a sound quality, who may haveactivities where he needs a good team with
an impact of approximately three hundred andfifty people and who have no idea how
it is very easy, how touse, either with an application or manually
and above all, the assembly.This isn' t heavy. This fits

(36:16):
you smoothly in the back of yourcar. Or it' s part of
the front, because this fits youin a flash. That' s easy,
that' s excellent. All friendswho love bowls, if they want,
can even connect it not there alsowith a cable or something yes,
it could be nothing more than,well, if it is obviously for another

(36:37):
use. But it is important thatthese teams have the need to make the
connection. They are not rechargeable batteryequipment aha are in fact the brand.
At the moment, the only audioequipment that has rechargeable battery is that one
that we will later present here.It' s probably for me to get

(37:00):
to know him for a while,obviously it depends on who takes care of
him, but how long he cantake. Audio teams are going to love
you what you want when you're a good soto for the best,
already, yes, while you're a good user, the right use
where obviously you don' t overworkthis have it updated, you don'

(37:21):
t have to mean the computer hasyou are, in fact, tested twenty
- four times seven. They've been working them 24 hours for seven
days. If these teams are tested, as I told you in this way,
precisely because they are professional teams,that is, teams for a large

(37:43):
number of people or audience. Youuse a little rough. Not exactly so
yet it' s a rough usu. Then the water has some protection.
One is not for closed places,they are preferably, i e, open
and closed places, but obviously withthe sumo qui you should have when there
is perfect rain no, because itis very good. I mean, we

(38:04):
' re talking about a lifetime ofa team can go a long way.
It is very difficult to approximate approximately, because the team will last as long
as you make good use of it, yes the proper use and looking after
it not exactly. It' slike, for example, maybe a vehicle.
There are no classics that serve superwell and people take good care of

(38:28):
them, obviously, because it isanother term. But speaking of equipment,
a team can last you, forlife. Not that it is an investment,
because not only is it the factof a luxury, but you also
have the guarantee that, when acquiringa team of these is an investment because
it will last you a long time, it will be covered for need.
You bring technology, you bring innovation, you bring a patent, you bring

(38:52):
an easy armed one, that is, there are many details of added value
that maybe people, when they buya computer they don' t start thinking.
The only thing that might go awayis that it sounds really strong,
that I can make war on myneighbors and that I can hear me well,
not exactly, but they really don' t start to think about what
my need is, what I wantto use it for, where I'

(39:15):
m going to put it and whatthe right equipment is so that my need
can be covered. Not exactly,I mean as long as you, if
you keep giving him those good profits, the team gives you for a long
time. The example you gave ofclassic cars is very good. Today there
are many people who love precisely theclassic cars and the exhibitions exactly that there

(39:37):
is also the brand that put itexactly and that we have had the opportunity
to be working on those events ofclassic and exotic cars that, while you
give it the right use, yousee a car until the 1920s or they
continue to exhibit it and bring theminto operation. So it' s the

(40:00):
same thing as with the part ofan excellent audio team, something else that
is important that is worth highlighting fromthis team for the people who are listening
to us and watching, because lookright now. The part of the qualities
he gives you has already been mentionedand we are using it for the program.
Then the quality that you go andare listening to is a hundred percent

(40:22):
incredible improvement. That' s right, then. Practically I think yacision mention
rather, nothing more is to reinforcethat these c equipments have the versatility of
being portable, or that yes,excellent coverage and tone. Above all,

(40:42):
those are the values that these teamshave in a professional situation. 100%
professional recommended, not then it's amazing. Besides, I really like
design. We only have two wiresconnected, one that is the current and
the other that is connected to thecomputer we have. But it' s

(41:06):
really amazing. It' s worthit. I think they' re gonna
ask about the price. I don' t know the approximate price whether it
was worth the dollar or not.We have fixed prices. I was on
my way. The price of thisequipment is forty- four thousand seven hundred
and fifty, forty- four thousandseven hundred and fifty Mexican pesos. That

(41:28):
' s Mexican. They' revery easy to find. I recommend that
this is how they are to socialnetworks or present in the physical store of
RJ of Galleries. It is yourmusical space that that store is located in
Mesones eighteen Cologne center that soon wewill go there to make a recording of

(41:50):
a coverage so that they know thestore, they see the equipment there alone
exactly looked very good a rough useand that knows the store and then they
can go and give them all theattention. I imagine they' re going
to have promotions months without interest orthat I know yes, that' s
exactly what the promotions are all about. Explain exactly. Right now, we

(42:12):
can have a promotion, but it' s with that one propus Ahorita,
we have it in promotion of seventeenhundred and ninety- nine. Right now,
we have him in promotion in fifteennine hundred and ninety- nine.
And how many people can you reachfor? It' s a team I
was telling you about earlier, wewere telling them we' re exactly going.

(42:34):
It' s rechargeable battery that exportsexactly. It is very very portable
of already with some new technologies thatit would be very good already to present
stem already a little later that wewill leave it. Right now, it
' s a bit thick, butit' s equipment that' s already
on sale and that has great qualitiesand benefits for the different applications, because

(42:58):
we' re already talking about thisequipment and we' ll be presenting it
to all of you, because Ithink the price is worth and more that
there is exact promotion, and thisone also for the kindnesses and for what
it offers. If you have,you make me inside at the best of
competitive costs, because it is,well, not yes and look. The
truth is that they are prices alreadywhen they know it. They' re

(43:21):
fair prices for everything they do,for how they behave. The line is,
it' s made up of twomore teams. Family l one is
made up of l one by eight. Same technology, same design. The
only thing that changes is the numberof speakers, of Yagudo media and of
their buffer the one pro eight.We have eight speakers. Here we have

(43:45):
sixteen or the buffer changes size.The size of a team l one pro
eight is that seven by thirteen.In the Monsters event was this we occupied,
we occupied two models. He tookcare of this one. This ch
system you' re seeing, itwas the one that was placed in the

(44:07):
press area. So we remind youis an articulated linear arrangement of sixteen speakers
and here we have your buffers often by eighteen. There, at that
event I had the opportunity to participatein that interviewee and I thank the media.
Really there was easier than I thinkabout four hundred and five hundred people

(44:31):
average. There, in that space, yes, there was just one team,
one team and it helped and coveredus, per exactly yes, and
in the Monstern Music Awards we wereworking with the older brother of these teams
is the incredible Eleona, the onepro thirty- two, the euno pro

(44:51):
thirty- two. We worked twoteams, one at a time to get
what our mystery sounds are, goodtruth, others in as well as public
and looking to the bottom, exactlyto the front, I read him one
pro thirty- two and with aconfiguration of his buffer called sub two,
which is the same measure of thissubofer that we have, which is ten

(45:15):
by eighteen and the enclosure, becauseyou lived it awesome and it was there
in the place, it was crowded. Yeah, yeah, pretty much even
the lamps were people. Yes andwe were talking about about about me calculating
about nine hundred people approve of thetheater. He' s got nine hundred
and five. If I' mnot mistaken, more corridors and more exits.

(45:36):
Exactly then and the event was morepresented people, the press part that
was operating behind the backstage and stageand everything was awesome. Yeah, I
was fighting amazing. They are exactlyteams that have great behavior in qualities totally
live or with recorded music. Therewe are very much helped by these kinds

(46:00):
of events to show the goodness ofthese audio systems in live music and recorded
music. We had the same choicethat there were singers who carried their recorded
music and helped us precisely to knowall those characteristics and goodness that give the
family of l one pro in acompletely excellent live situation. No, the

(46:22):
truth is that for charity, theado and what was needed there was impressive.
I mean, we' ll beon our feet soon enough. Ah
our subject of interest, but Idon' t know if I frame.
You' d like to add somethingmore about the team. Yes, of
course, invite them, invite themto come and meet them, invite them

(46:43):
to attend and know our RJ gallerystore, your music space. That'
s where we all have all themodels and equipment of professional portable BOBs.
There you will be able to knowthe l one pro Ocho, the euno
pro d sixteen, the one prothirty two our teams that are directly ps

(47:06):
FE an eight hundred twelve that comehelped by their buffer f one and so
that you know the new, thenew team, the new team that is
now. In fact, we're in long tablecloths because we' re
showing our team' s new updateright now. It is a pro plus
and all that you will be ableto find there in this store, so

(47:30):
that you can know all the linesof professional portable box. And besides,
it will be a pleasure to attendto them we repeat the frame direction because,
maybe, someone is taking note thereand suddenly the pen was gone.
Something didn' t work out forhim. Of course I do. This
is inns number eighteen in the centercolony. There we are, Mexico City.

(47:53):
We are exactly between Bolivar and thestreet of excellent inns, very easy
to arrive. We are exactly superlocatedon the corner in the heart of the
CDMX. It would be great ifyou could add this yes clear on-
screen location. The location is goingto appear here in our digital magazine.

(48:15):
The link and the god gle mapsare going to appear so that when they
click on it they will take themthere. And we' re also going
to put the address in text andon the prestigious platforms, Spotify, Deazer
and all of the ones we're on. We will also attach the
link so that you can learn thedetailed history of BOWs. In addition to
being able to go to this storeand I would also love to go to

(48:37):
make a coverage where they know thestore physically where we do some sound tests,
taking advantage of the fact that theyare of long tablecloths, of course,
a pleasure to attend them and,obviously, so that they continue to
know all the magic that Bosws givesus in all their professional teams. I,
the truth I am fascinated, happyand very grateful for the special sponsorship

(48:58):
of BOWs because, well, forquality it is very important to have the
best brands and, above all,that confidence that one, when taking a
microphone you listen well, because thatis something that is really needed and sometimes
one suffers because, because they donot have a suitable equipment for the need

(49:19):
of And many times I have realizedthat people do not really know where to
go or who can orient us orhow? How to have information for which
team? No, a lot ofpeople go by sound, by marks,
by size, but they don't really know why they' re buying
the equipment? And then, orfor example, on the business issue,

(49:40):
they give the budget to the shoppingand the shopping. Ah says ah,
well for that you reach me whatI buy but it' s really not
covering my need. No, Imean, it' s not okay.
Sonorized, the horns, are notplaced in the place they should go.
The console doesn' t match anddetails we' re going to talk about.
Right now to get into our topicof interest, truth, framework,
excellent, yes, of course.So, well, what better of an

(50:04):
expert who can advise us, whocan talk to us, who can help
us with his experience and who isalso in one, is that I dare
say the best audio brand for you. It seemed that his time didn'
t get much to know that hewas very much thinking about the theater,
live at home, like people placedthe brand like that. But thanks to

(50:28):
the work you have done and thesame brand internationally, we now see it
everywhere. Yes, the brand alreadyhas several incursions into the audio. In
the home aureo, the professional portableaudio. We also already have audio called

(50:52):
workship. If I remember correctly,it is that area that is precisely to
have conferences within a boardroom in acompany. BOWs Bos Turing Turin is also
already working directly in stadiums. Infact, one of the stadiums that are

(51:15):
sonorized with BOWs? Here in Mexicois the stadium of Monterrey, the new
stadium of Monterrey, wow that isalready sonorized with BOWs. No wonder,
when you watch football games, youlisten exactly. Yes, another of the
places here in Mexico, which arealso sounding with bob stuuring is the auditorium
Baby La Perry is like a conventioncenter, but that' s the one

(51:37):
in Santa Fe. No, no, it' s not Black Berry,
ah the Blacker auditorium and the Babyover this is the one in insurgent and
still sewn up from the Chilpancingo subway. Yes, yes, yes, over
insurgent Fanzingo auditorium. And there's the auditorium exactly that many Soul Showcases
give them exact performances and makes inconcerts and true. Yes, there I

(52:01):
had in fact, one of thepresentations of that bob Sturing was with the
presentation of Gino vanell Or here inMexico City. There was the presentation of
the Bose Sturring in that auditorium theblack Berry and those that I remember also

(52:22):
one of the stadiums in Italy,I think it is the Stadium of Milan,
it is also sonorized with that partof BOWs, so well, already
used a lot of headdress, forexample, some that you could mention where
they were solorizing and having presence look. We' ve been working, we

(52:42):
' re always looking to be interveningin the best events. Here in Mexico,
I' ve had the opportunity tobe working on formula one. I
' ve been participating for four yearsin a row. He' s there,
I mean, he' s oneof the best. Yeah, see
if he does formulate one. It' s one of the big impact events

(53:07):
where the brand reaches a lot ofpeople. We' ve also been working
on NASCAR, NASCAR Mexico. Infact, he sends a greeting to Arturo
Chávez, who is with the personwith whom we enter to work at these
racing events, the Monster Musica Wards. Of course we have also been and

(53:32):
we have a place also sponsored herein Mexico. I recommend that you go
that it is Valquirico, or thatValquirico is in the state of Tlaxcala and
is a town with Italian architecture.I' d say and I dare,

(53:53):
I hope I' m not mistaken, it' s my medieval Italian.
Wow. There in Valquirico is avery nice one. So it' s
a place where everything is sounded byBob' s team at BOWs exactly have
different scenarios and all Valquirico' sscenarios are sonorized with the professional part of

(54:16):
Boa. In fact, there's a store and there' s a
specialized store where we have the saleof these audio equipment. And, moreover,
the part that is called consuming,that consuming is all that has our,
our speakers that we have for home, hearing aids, all those accessories,

(54:37):
the bars also for home, thetheaters at home we can find in
this store and that is the partof consuming. There, in Valquirico are
some of the events that are ofgreat importance and of great relevance precisely as
well as we work. We've been working with some ferrari cars agencies

(55:01):
mcclarents Roll Royce, who father amongothers and also the opportunity to be working
with bands that you already know.Among them we have already been working with
Gran Sur if I am so muchin one part, with phobia Alfonso André,

(55:28):
drummer and brings a project right nowalso good drummer from Caifanes and brings
his personal project with Alfonso André andamong other musicians that we have already been
working with this portable team and OliverRuiz And level is exactly yes. It
' s not going to be amazingbecause by November shortly, spending the electoral

(55:51):
life, I' m going tomake you known as minors, but get
ready for the official presentation of mynew reflective album and we' ll give
you all the details and especially there' s BOWs, as the official sponsor
of his humble servant and friend.Thanks to Boss and I thank Marco for
all the support. We have theopportunity to be sponsored for conference events and

(56:12):
so well, this coming event andour radio and television programs are thanks to
Boss. We' re playing withBoss, so you guys feel safe,
fearless, because I know you're listening to me with quality, excellence
and a good team. So geta team of BOWs pretty well worth it.
In addition, there are different budgetsand they fit into your pocket,
but above all to your need.Then you are looking for a team that

(56:37):
is really worth it, help you, cover the need, avoid even an
accident, a twist or a backpain. Or that I know, BOWs
has thought about the quality and careof the user. So, don'
t hesitate, find us, weare there at your command, we hope
to have j of galleries. Ofcourse we will, we' ll be

(56:59):
there soon. And well, buddy, we' re going to get into
our topic of interest about the productionof events that do and don' t.
I think we' re going totalk about all the negative and then
all the positive, so in yourexperience you' ve been because because it
was up to me in several eventsto see the montage and that you'
re there checking and with the audioengineers and all this, because it'

(57:21):
s very important. So let's go to our topic of interest,
interest that we already opened with Bosstoday. We are very happy to talk
with you leave us your comments andwith all pleasure in the following programs we
will read them completely live and well, our topic interests about the production of

(57:44):
events. There are positive things,there are negative things, but I always
believe that each event leaves you witha teaching, a learning and always areas
of opportunity to be able, therefore, to improve, not from all aspects.
But framework, what could you tellus in your experience regarding the production
of events, when you have participatedin different types of events and maybe even

(58:05):
some mentioned, of course look atinstance always we, as brand, always
seek that first the events where theyare going to make the presentation of the
teams, are the suitable ones,that are obviously directed to the right people.

(58:27):
It is clear to me that allpeople are always a potential to enjoy
being able to acquire a BOWs brandedaudio equipment for all those qualities that we
have already been coming, talking andbut already in the situation completely live of
events. Well, first of all, I' m in charge of seeing

(58:53):
and meeting the right characteristics of theevent. I have to focus on how
good it is that the people whoare going to hear it are the people
who can understand that part of theaudio, that when they listen to it,

(59:14):
they listen very well, that theylisten very well that the artists the
talent that is going to be heardthrough the team is also the right one,
because so, obviously, that theycan have the good projection exactly that

(59:35):
the people that they are going tohear is the right one and that they
have a good execution so that,obviously, our teams can sound like it
should be. And that' svery important, because the truth is,
I think it' s good.I speak to them from experience as a
lecturer and what I suffer from iswith audio. So what happened to me
there is that suddenly the volume isnot quite tenorous. I' m not

(01:00:00):
very pretentious or anything. I mean, I adapt sometimes to what' s
there and if I' m willingwith all the intention of power, then
having a team of my own isamazing. Thank you, Vous right now,
because I count on them and thenI feel super safe and calm.
And you' re gonna realize thenext presentations how I already sound about bwes.

(01:00:22):
But I can tell you that towhat I started in the two thousand
ten in Matamoros, Tamaulipas and itwas a tour of all the schools and
in some of them because sometimes,because there was no brand, a team,
even you had not joined and itwas up to you to throw the
capela and to you and to cryin the hall, in small groups,

(01:00:44):
and there were other places where theydid, maybe a team and maybe in
others where they did. I don' t honestly remember what equipment they have,
but I know if it' scomplex. And that part is very
delicate, because if you don't listen and far away you hear yourself,
but people don' t listen well, or that your voice isn'
t really your voice, that's also the one that sounds too serious

(01:01:07):
or too sharp, or as ifyou had a flu and more like that,
all those details are very important,because maybe you hear yourself loud but
distorted, or you listen very loudly, but with a little voice, so
you say hijole what that isn't my voice. And then, if

(01:01:28):
you don' t know how tomove him or the person that moves him
sometimes it can even be intentional.In the concerts you see that suddenly they
raise the microphone, they raise itin the bass, they raise the volume
or the artist does not, becauseit is a very delicate area where,
obviously, the show, the talent, because it seeks to look good,

(01:01:50):
listen well and have a projection.And if not, if there are qualifying
details that are not the channels orthe volume you use, then your presentation
can come down. No, yes, of course, the truth is that,
i e picia, the sound looks. That' s another thing that
you don' t one as partof the brand. We also have to
take care, because if the peoplewho run these, these systems by means,

(01:02:22):
for example, of external consoles,if they don' t have a
good handling, because obviously they're going to blame the team, of
course for not the one who's operating it, exactly important to highlight,
because they are two aspects that gohand in hand and that you can
blame it that it was good,very ugly the concert And besides, when

(01:02:44):
you paid or what I know clearand you say it' s not that
the sound was awful. It's already happened to us. I mean,
we' ve already had this event. The truth is that the opera,
the operating part, was not theright one and we had a lot
of feedback problems and, in theend of other things that were happening and

(01:03:07):
that, well, many people leftwith that bad taste of mouth the impression
exactly the perception that that was theproblem of the audio team, of the
audio equipment. But, well,we' ve had opportunities to redeem those
situations in which we' ve beenable to get out. Now you carry
the audio, but who operates itis someone who doesn' t know how

(01:03:29):
to operate it or who doesn't come out. No, no,
normally I mean it can touch youall. Yeah, sure, that'
s how it can be. Someonewho does know can handle it 100%,
no problem that people are audio engineers. Yeah, yeah this one,
but, well, there' susually amateurs who, and I mean it

(01:03:51):
that way, amateurs who don't have that experience, experience, and
get their hands on an important situation, that is, one more event,
let' s say in a certainway, and they don' t know
how to operate it. Those arethe people who can help the team not
sound like it really should. Ifit' s clear, then it'
s happened to you. That whichhas happened to us, has happened to

(01:04:13):
us many times. And it isalso this good also to comment that there
are many people who have that opennessand that at the moment that you start
to provide them with some of thoseexperiences or knowledge that we already know how
they behave clearly and when we startto give them some tips and that they

(01:04:38):
lend themselves above all and have thatposition, that disposition for then, so
that they can make the corrections oflives, so that it is Bowsen'
s team and as morally needed,as there are of the good and,
as there are, also of thebad. No And then, well,
unfortunately we found that on the way, but they have been more good than

(01:05:01):
evil. The bad guys did,of course, and suddenly, maybe,
someone who had a bad day andit was a bad day and it was
someone because it was so. No, but exactly that can lead to many
other circumstances. It' s veryvariable, but when that happens, then
that does. It is important thatpeople who maybe nothing else, go to
the concert, go to the event, excite them that passion and have fun,

(01:05:25):
but they leave with an idea thatthey really don' t know what
' s behind and this kind oftechnical aspects in terms of modulation, audio
and so on, because they arecontrolled by someone who runs the booth,
the snake or the sound that handlesthe consoles that the computer operates. And
another thing is to connect the computerthere and who modulates it or handles it.

(01:05:47):
Not the worst. Sure, well, in the production part, in
the assemblies, what is sought isalways good your server and so also with
my colleagues, who also are dedicatedto doing events, especially promotion of the
brand. We are in charge ofmaking the assembly of the same ones,

(01:06:13):
connection of the same ones. It' s an integral job. If that
takes the equipment to participate, weexactly carry the equipment for assembly, assembly,
all the backline part needed for connection. We' re talking about the
banners, the audio ideas of lightand all that we fight to make the

(01:06:38):
audio equipment work. We take themand we do the direct modulation of the
audio equipment, that is, theyask the person of the power console for
the opportunity. We interact there,there, we interact there, yeah,
I don' t complain there.I' ve always found opening with a

(01:06:58):
lot of audio engineers. They haveall been very good people are all in
which we always, well, wehave an interaction before starting the assembly that
is hear, where you put it, where we put it, how we
connect it, or I put itlike this. Hey, I got this
volume here, you got it overthere. We already started there with the

(01:07:19):
game you can go up there andalso to see how you listen to the
volume of that part of the console. So that' s where we start
to have that interest of the Exactlythat' s when there' s an

(01:07:39):
engineer of himself and an engineer alsoof means that' s going to take
the event. He' s alsotouched me and I' m also part
of the one who' s runningthat part. To say, I arrive
a lot and I connect and Iam the one who suddenly operate the mixer
so that, well, the talentthat is going to be sounding in the

(01:08:00):
meek best excellent way. And that' s where the famous soundcheck comes in
that before the event there' sthe assembly to do those tests. And
already in the event, mistakes arecorrected and better. Yes, of course,
the whole part of it is checkis a positive part both for the
talents that are going to be presented, as well as for the audio engineers,

(01:08:25):
because at the end of the day, the common end that that soundcheck
is going to have is that thepeople who are going to be who are
going to be the people who aregoing to perceive that quality of audio,
well, that is, in thebest and correct way, of course,

(01:08:45):
because they, after all, arethe main ones, are the listeners.
Obviously, we also count so thatour talents feel comfortable when they are executing
their instruments, as they are singing, they feel comfortable on stage and with
the audio equipment that sticks to them, that will serve them to sonorize and

(01:09:06):
how they will listen and how theirexecution will come out towards people. And
it' s that we practically speakas in I don' t know if
the word is right vision, segmentor explain it as follows. I mean,
I think of a phrase that Ishare, which is the sum of

(01:09:27):
talents. It' s success.So it' s a whole job that
even if you have a very goodteam, but if you don' t
operate the right way, then that' s going to look bad. But
if among the areas involved or thepeople who participate in the production of an
event, there is a good caderieavailable teamwork, at the end of the

(01:09:47):
day, they are all working forthe same goal, which is that the
event will come out as best aspossible with the quality of all the elements
and that all people can work there. What I have seen a lot as
pú sometimes, is that it becomesa very tense environment, not that everything
has to be generated At the momentwhen there is not a good one organize

(01:10:09):
a good planning, they are running. There are times under a timer that
connects at the moment that a wireis already missing that did not put that
if a band is assembled and anotherband is dismantled are details and the audience
that despairs, that gets tired andetcetera. Well, look when it'
s an adrenaline dad. Not that' s a very good adrenaline, of

(01:10:32):
course, because there are many thingsthat come out at the moment that are
unexpected, even if you' vealready stretched them. And yet, even
though you already have them under control, something can happen to you in the
development of the same event. Itis no longer the human error, but
it is no longer the soncheck,but it is already at the moment of
events already t exact. Then thisone looks at the most tense moments.

(01:10:55):
I think it' s finishing themontage and starting to use it in time
and shape, and finishing it intime and shape so that you can make
a good soundcheck with the invited talents, that the talents are in time and
form that are punctual appointments. Oneout of respect. I think that the

(01:11:16):
respect of people' s times isvery important, because suddenly there are musicians
who hang that their participation was somany minutes and, perhaps, they even
leave the track or make it.There are some musicians there who suddenly hang

(01:11:38):
a little bit longer. And that' s where it runs out. Everyone
happens to the times themselves when theyare festivals and that there is interaction in
exchange for scenarios. That' swhere, well, you' re struggling,

(01:12:00):
because you already have a time toend the band that' s going
to be redundant, finishing their presentation, their participation and with which you'
re going to start also then.That' s where you start to be
the porton counterclockwise the work of theengineers, of the production of the people

(01:12:21):
you see them running from one sideto another worried and that' s what
I meant with the moment of stress, not that then Ching has already slipped
out, got badly connected or somethingpassed a wire failed, yes, the
human error, which is normal,many factors that are some internal and even
external, yes, of course andalways will make a stone in the shoe.

(01:12:46):
But, I think part of thetense part is that already when you
finish and perform the sounchecks and alreadythe musicians feel like jalogy and that,
well they liked it and how theysounded, then they already start to make
less worries. Yeah, I thinkthe next level of concern on the part,

(01:13:11):
at least audio issues. The stressfulpart with you start, because he
usually starts it, because usually soundchecksmake them without people. When there are
people, it' s completely gossipand he leaves the nervousness in the audio
part. Audio behaves, the bustleof behaves in a different way when there

(01:13:35):
are no people and when there arepeople it also changes a lot with the
weather. Audio changes a lot withweather types. I mean, they'
re factors that intervene, they interveneexactly as you don' t know.
Yes, because normally we can bedoing right now, one is checking right

(01:13:59):
now in the east afternoon, butin the evening the temperature drops and the
audio behaves differently. If the instrumentsalso the same, the instruments with the
climate change much their tunings, thenI tell you in the day they may
be ringing in one way and inthe night it can already be deflated,

(01:14:21):
because also by the dropes this changenew climate faith yesterday at eight and it
sounded very good, and but youwill play at one and then what you
think that changes everything, that is, changes all this. These are the
external parts I was telling you about. There is an inner season and others
that are external and that is not100% in the hands that I know
exactly. So you start to seethat part of this stress in engineers and

(01:14:45):
that' s when you see thatconsoles are operating so that people get to
listen in an ideal way in anevent are normally I think the first five
songs, or I think that alreadyfrom six it' s like more relaxed
already the things you have to beoperating and that' s until when,

(01:15:10):
and you can also start enjoying theshow as well. Then it is the
opening and the first presentations. Speakingof a concert festival or something like that,
yes, that' s not allof them anymore imagine yourself in a
non- man- in- recivalfestival, every musical group or every talent.

(01:15:31):
Let' s generalize it. Theyhave their this, their way,
they already have their equations made,already precise and already today and every one.
You can already keep those equations whereyou just got here you can connect
now based on that, you canjust be moving. Some characteristics to keep

(01:15:57):
listening excellently and are important technical aspectsthat one, as an audience, sometimes
notes say that parents listen not orit is good, you are already half
deaf, but it turns out thatit was not a question that I am
deaf, but it was missing forthe best profit from you volume or something.
No, no, no, no, no, no, no,

(01:16:18):
no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no. Obviously, even
when you polish them during the processof the event, because he already listens,
the audience starts to like them andthat' s also part of a
group or a talent being cried outwhen you also take him. It'

(01:16:41):
s like football. Not in footballsometimes they always stand out, because the
core back, the runner, thereceiver, but sometimes we forget the people
who care for those players. Ofcourse they are what the famous lineers that
help and protect the core back,they help the runner to advance, run

(01:17:05):
and score the points that the quarterback for a while to be able to
receive the ball. A receiver.It' s the same thing. It
' s an exact teamwork that soa good talent can be heard in the
best way. If talent goes,it will always run its instrument well excellent,

(01:17:32):
but if it is not well equalized, it will not be heard as
really exactly. If you so manytimes we' ve heard that the singer
hears. You can' t hearit. The singer is, is,
is performing in the same way withexcellence, but it is not heard.

(01:17:53):
You don' t hear us ifthen it' s curious, but they
' re talking and everything and theirmicrophone doesn' t ring and you don
' t hear it' s connectedand it turns out it' s off.
Yes, of course, it's already things that are already happening,
and that' s also part ofthe experience of the talents of the
performers. I heard that you shouldnever hit the microphone. No, and

(01:18:14):
there are people who beat him upand it' s talk, but don
' t hit him. Not becauseif a lot of people do it and
listen to me, they listen andit' s not the best way to
get noticed to see if it's heard or not. They are being
glued to and damaged from microphones,as they are expensive and damaged if there
are microphones that are very very simplespecial can be damaged and also the audio

(01:18:38):
equipment is damaged. Yes, asa consequence of not being a chain girl.
Yeah, well, real frame.We are very happy and grateful to
Bosse. Thank you for everything you' ve shared with us. And first
God, because we' re goingto go to the store located in that
is in Mesones number eighteen, inthe RJ center colony of Galleries, your

(01:18:58):
musical space, very easy. Youcan find it to us, as well
as RJ from Galleries. That's where you can find us, that
' s where you can visit us. They will be able to see and
hear them, because in a waysaid in action, these professional portable equipments,
there we can show them all thecharacteristics and benefits that the brand can

(01:19:23):
give them in this shop. Iremind you of Mesones eighteen Colonia centro,
between Bolívar Street and Mesones. Herewe are to serve you excellent, because
we will go live to know thereand give us the turn, know more
equipment and bring you more quality andeverything you want so that you can know
the brand of Bogs. Dear Marcos. I don' t know if you

(01:19:45):
want to share anything else about oursubject of interest to people that you consider
important that it has come to mind. What do I know, well,
just to tell you this great disciplineof the audio part, because it is
also operated by people, by peoplewho also help us make these events a

(01:20:10):
success, so that all the talentsare also a success and are part of
that spinal cord also of a greatevent. Also give them the comment that
well, then bosses, for allpeople do not be afraid close listen so

(01:20:34):
that you can know of all thosecharacteristics, all those benefits that the brand
can give you. So let's keep the fear, especially in the
part that it' s an investmentwhat you' re going to do in
audio quality, with all these featuresthat you mentioned. I have mentioned to

(01:20:56):
them that above all all these patternsof technology that bobse is presenting to them
are patented and no one will beable to offer them, no one has
them more than bus so they askfor the fear and we wait for them
so that they can continue to givethemselves a delight of the brand and thank

(01:21:20):
you above all the space also theinvitation so that people can continue to know
to make a little more of thebrand and all the work that is held
behind the brand of boos. Onthe contrary, therefore, very grateful for
the sponsorship, the support, thepresence this special section, that each VAS
program will have in frame, thatwill be talking to us different topics so
that you can know the team andalso with many special guests. If you

(01:21:43):
want to participate in our program,you want to be interviewed to make known
your talent, skill, quality orexperience. We are completely at your disposal,
so we invite you to be partof the program. And you reminded
me of my fear tour lecture overcomewith fear. I have already overcome my
fears with bous Buenos without fear,so also take advantage of the discounts promotions

(01:22:06):
and have the quality and security ofthe confidence that you will sound good,
you will listen well, and ifyou do not look well, then it
is no longer a question of butthe most important thing always an event is
the quality of sound and audio andthe confidence and security that the brand offers
you. So, fellas, staytuned. I don' t know if

(01:22:26):
you want to send a greeting ora comment to say goodbye to our program
today, because thank you, agreeting to everyone, to everyone who will
see us and who will surely belistening to us, because surely afterwards,
of course, really and they willbe able to us, to be reproducing

(01:22:49):
whenever they want, wherever they wantand at whatever time. To send them
a very affectionate greeting this and good, for we are at your command.
Anything, we will be reading allyour comments that will make any questions,
any comments you want to know aboutthe driving brand or something with great pleasure.

(01:23:12):
We' re at your disposal.That' s where we read them.
Thank you very much, advice alsobecause it helped us how to modulate
with the sound. We did severaltests here before the production of this program.
We' re very grateful, Marco, that God Bless you, it
' s been a pomento, agreeting to your family carda. Also thank
you very much and a thank youbecause they are always throwing batons at you.
Thank you very much and friends,because do not miss this capsule,

(01:23:36):
this program, this podcast interview onall prestigious platforms, on social networks and
so on, download the format ofcollectible magazine from this article that will be
presenting shortly and you will be ableto download it. Les. Let'
s leave the link under this exclusiveand special interview. We thank the traditional

(01:23:59):
restaurant and such in Esmeralda area,Natizapán, Zaragoza, where we are producing
our new season. We will soonhave an exclusive and an interview to let
you know their facilities, the menuand the concept that they are bringing from
Italy, to Mexico, to Atizapánfor the world. Friends, therefore,
may God bless you and in thenext program a lot of special guest music

(01:24:23):
and much more with your friend OliverRuiz. I' ve already overcome my
fears because I sound like boo Thankyou very much, Marco, thank you,
Bless us. We' ll seeyou all soon till next time.

All Episodes

Episode Transcript

Popular Podcasts

Two Guys, Five Rings: Matt, Bowen & The Olympics

iHeartOlympics: The Latest

Milan Cortina Winter Olympics

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Oliver Ruiz PodCast Con Marco Antonio Zepeda de: "BOSE", Entrevista, Tema de Interés, Presentación de Equipo y Mucho Más...