April 16, 2026 • 59 mins
The Bridge is available on the iHeart Radio app
Episode 511
Sammy Chand interviews Akaash Singh, an Indian comedian, is preparing for a big concert at Radio City Music Hall, aiming to sell out the 6000-seat venue. He discusses the challenges of crowd work and the importance of creating a safe space for his audience. Akash also addresses rumors about his personal life, emphasizing the strength of his marriage and the importance of open communication and humor within his relationship. Sammy talks to Sunny Grewal about the interview Sammy had with Akaash as Sunny shares his thoughts about the exchange. Sammy is joined by Maneesh X Fader, as Maneesh previews his song Vairian. The Rukus Avenue Radio Allstars stop by the show, Dr Roy, Rhianna, and Doyeeta. Aashi Arora stops by to preview her show this Sunday as she interviews Shayla Higginbotham. Sammy delivers his thoughts on the Comedy scene, and weaves together the week’s shows by singling out that everyone that was celebrated this week were products of their own identity. None of them have ever compromised who they are to become the stars they are now. Not Zakhir Khan, Not Vir Das, and not Akaash Singh.
0:00 Sammy Opening
12:34 Dr Roy presents the Word On The Avenue
17:28 Aashi Arora previews her show
22:52 Sammy Interviews Akaash Singh
36:48 Maneesh X Fader previews his song
40:12 Sammy interviews Sunny Grewal
50:34 Rhianna delivers Diaspora Rising Report
54:20 Doyeeta delivers Artist Spotlight
57:42 Sammy Chand delivers Closing remarks
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-bridge-by-sammy-chand--6650619/support.
Sammy Chand's daily radio show on Rukus Avenue Radio is the leading Indian music and culture show in the world. The one hour show airs daily worldwide.
"South Asian music podcast," "Punjabi music show," "Bollywood commentary," "Indian diaspora radio", "Indian Music", "Top Indian Radio Show", "Punjabi Radio Show", "Indian Radio Host", "Punjabi Radio Host".
Episode 511
Sammy Chand interviews Akaash Singh, an Indian comedian, is preparing for a big concert at Radio City Music Hall, aiming to sell out the 6000-seat venue. He discusses the challenges of crowd work and the importance of creating a safe space for his audience. Akash also addresses rumors about his personal life, emphasizing the strength of his marriage and the importance of open communication and humor within his relationship. Sammy talks to Sunny Grewal about the interview Sammy had with Akaash as Sunny shares his thoughts about the exchange. Sammy is joined by Maneesh X Fader, as Maneesh previews his song Vairian. The Rukus Avenue Radio Allstars stop by the show, Dr Roy, Rhianna, and Doyeeta. Aashi Arora stops by to preview her show this Sunday as she interviews Shayla Higginbotham. Sammy delivers his thoughts on the Comedy scene, and weaves together the week’s shows by singling out that everyone that was celebrated this week were products of their own identity. None of them have ever compromised who they are to become the stars they are now. Not Zakhir Khan, Not Vir Das, and not Akaash Singh.
0:00 Sammy Opening
12:34 Dr Roy presents the Word On The Avenue
17:28 Aashi Arora previews her show
22:52 Sammy Interviews Akaash Singh
36:48 Maneesh X Fader previews his song
40:12 Sammy interviews Sunny Grewal
50:34 Rhianna delivers Diaspora Rising Report
54:20 Doyeeta delivers Artist Spotlight
57:42 Sammy Chand delivers Closing remarks
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-bridge-by-sammy-chand--6650619/support.
Sammy Chand's daily radio show on Rukus Avenue Radio is the leading Indian music and culture show in the world. The one hour show airs daily worldwide.
"South Asian music podcast," "Punjabi music show," "Bollywood commentary," "Indian diaspora radio", "Indian Music", "Top Indian Radio Show", "Punjabi Radio Show", "Indian Radio Host", "Punjabi Radio Host".
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
South Asian music and culture can.
Speaker 2 (00:02):
Be found around the world.
Speaker 3 (00:05):
We tracked down the best and presented here for you
on Ruckus Avenue Radio.
Speaker 4 (00:15):
Hey, this is Shava and you're listening to The Bridge
with Semi Chom.
Speaker 5 (00:19):
Hey this is Jed here and you're listening to the
Bridge with Sami Chum.
Speaker 6 (00:24):
Yeah, Hanji, Hanji, Hunji.
Speaker 7 (00:31):
Suck.
Speaker 6 (00:34):
My name is Sammy John and welcome everybody to an
April sixteenth edition of The Bridge. Got a great one
for you. Today. We'll be joined by comedian A Gosh
Singh and Nikash is stopping by today ahead of his
(00:57):
really big Radio City Music Hall concert this weekend. And
I want everybody to go out there and support this show.
It's quite a monumental performance. And we wanted to support
Oh Gosh on his journey for this big show this weekend,
and so we're having him stop by and tell us
about this big show he's got planned. He we'll talk
(01:21):
to A Gosh about let's just call it life, liberty
and the pursuit of happiness. We'll get to the bottom
of it today and as we do every Thursday on
this show, we'll be joined by Sonny Guttawall. Sonny and
I always chitchat about life, liberty and the pursuit of happiness.
(01:45):
There you go. We'll be joined by the Ruckus Avenue
Radio All Stars, as we do every day here on
this great hour. And we'll be joined today by Maniche
ex Fader as he plays his brand song called Vania
Looking forward to it. We'll be joined today by Ashi Aurra.
(02:10):
She stops by for a preview of her Sunday show,
But Ladies and Gentlemen, today's episode, I'm really excited about it.
Speaker 8 (02:22):
You know.
Speaker 6 (02:23):
This week on the Bridge, we've been talking about South
Asian artists who broke through on the world's biggest stages.
On Monday was Asha Bosley her twelve thousand songs. On
Tuesday it was Atajit Singh and his seven billion streams.
On Wednesday it was Diljito Coachella. Today, I want to
talk about a different kind of stage, the comedy stage,
(02:45):
because here's something that does not get talked about enough.
South Asians are really, really funny, and the rest of
the world is finally catching on. Welcome to the Bridge, everybody.
Speaker 9 (03:00):
You don't.
Speaker 2 (03:02):
But but the don't.
Speaker 6 (03:10):
But lay.
Speaker 2 (03:14):
All your got again.
Speaker 9 (03:15):
I don't.
Speaker 1 (03:21):
But the leg.
Speaker 6 (03:25):
But do we come on.
Speaker 9 (03:30):
He put your left me at this honey he name.
Speaker 2 (03:34):
Don't you be see your sady doll.
Speaker 10 (03:37):
Geniy so no not they.
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Say, oh yard, it's Chicano.
Speaker 10 (03:45):
Put a generaty good here your doning but the living.
Speaker 1 (03:55):
But the the green.
Speaker 9 (04:04):
Man.
Speaker 1 (04:07):
No body thing.
Speaker 3 (04:29):
Don't know you got there, make.
Speaker 11 (04:32):
Up art, get on the pure like your kid got
the artic.
Speaker 1 (04:37):
Want to put your call.
Speaker 12 (04:38):
Him when we are got a gay bahasa ard look God,
they get the Nama.
Speaker 1 (04:47):
Get the way body, but the green.
Speaker 8 (04:57):
Man. Honey on your Briday Day.
Speaker 6 (05:45):
It's the fourth song from his Chapter four EP that
he just released last Friday. It's shub. The song is
called broken and we played the other three songs Monday,
Tuesday and Wednesday. There it is for you grade EP.
I think the song Bounce is probably my favorite of
the four. But see what the public says. This one's
(06:07):
got a nodula.
Speaker 8 (06:09):
Carlos Son.
Speaker 1 (06:12):
Aur lok me.
Speaker 8 (06:16):
Matt so.
Speaker 13 (06:26):
Ya ya are holiday yah are holiday?
Speaker 14 (06:45):
So there they are then the holiday to n there
(07:08):
we are then the holiday and it's only to Nina.
(07:32):
Come bodies and Na on the pach, the Honda, the
General Arena, Garla.
Speaker 13 (07:46):
Holaday where they are.
Speaker 1 (07:50):
The holiday to.
Speaker 2 (07:55):
There they are then a holiday.
Speaker 6 (08:31):
This Making Memories ep was a great one, it really was.
We had Ikey sing on the show and he talked
about this being the greatest work that he had done
so far, and I think is still the case. It's
a great ep. It's aging so well. Making Memories got
a nod. That song called Softly going from one classic
(08:52):
to another. The song is called insane.
Speaker 12 (08:57):
And his Colob the oar Umar the Holy Head your tone,
but Emmon day Parkling Colover the but Umar the Holy.
Speaker 15 (09:17):
And no natural league, Jona Hallow Leak, Jona sort to
that honey even pot leak or Johnny Harry Ferdy along
with your little John and.
Speaker 2 (09:36):
Emon Day park And it's a.
Speaker 12 (09:38):
Glover the Day Umar the Holy heady toon Emon day
Barkling is all Glover the of Umar the Holy her tone.
Speaker 1 (09:57):
Shot anyway back in then no many you can and
the Garden the little Journy Jory I said, no look
at them.
Speaker 10 (10:17):
Sorry Glama diaml the Holy today and sorry Glama dimad
laid the Holy to them.
Speaker 16 (10:36):
Mary cockylically carry Majockey Ray Love Perpe, Jory.
Speaker 13 (10:48):
Bars up Ama cardenal Berday.
Speaker 17 (10:54):
Monday Park Sorry, Tanama Ta day Lay, How He's Sorry,
the Lamada Umar, the Holy.
Speaker 10 (11:15):
Sorry, the load Laid Holiday.
Speaker 12 (11:24):
Sorry, Glover, Divarr Umar, the Holly Hornerra.
Speaker 6 (11:39):
That's a p delon. The song is called insane. No
talking about comedians here as we are today. Of the
most radical thing that Zakar Khan ever did was not
sell out Madison Square Garden. The most radical thing he
ever did was do in India. And he didn't translate
himself with the world. He made the world come to him.
(12:02):
You know, if that sounds familiar, That's exactly what Dilji
did at Coachella, and that's exactly what Asha Bosley did
for sixty years. The language was never the barrier, you
know what I mean. It was just all about them
and who they were as artists. So always something to remember. Now,
let's bring in doctor Roy to the show. What's up
Doctor Roy?
Speaker 18 (12:21):
Hey guys, this is doctor Boy with Today's word on
the Avenue in Film and TV News. In a recent interview,
filmmaker Farakhan revealed that Shara Khan had been a long
term fan of the singer King and even introduced her
to his music. The Best continues as his track with
Nick shonas Monmejan is still taking the chartbusters by storm.
(12:43):
In media news, Semi Rhna's special Still Alive has now
crossed forty four million views on YouTube since its release.
Blending humor with deeply personal storytelling, Ranna reflects on the
Kushmdia Bunded Exodus and his recent controversies with this show,
India Got Latent, which is now coming back for season two,
and eventineers at the Western Qualifiers of Red Bull Dancer
(13:05):
Style in Las Vegas, Hareni Nila Kandan brought Part Not
Damn to a freestyle street dominated arena without changing its essence.
Her performance wasn't just about fusion, but about assertion, proving
that classical Indian forms don't need reinvention, just a new
lens to be truly seen. That's it for today's Word
on the Avenue.
Speaker 6 (13:24):
Until next time, Thank you, doctor Roy, Thank you so
much for that. We've got a big episode for you
all today. A Gosh Sing is stopping by Sunny, Gotta
Wall is stopping by Ashi Aurora. Got some great music
for you as well. This song right here is called Total.
It's by.
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He had the ConA to Mango.
Speaker 19 (14:18):
Con con.
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Coner.
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You had a less party on the beef corner, very
dis sheet ConA prey joint family beach heath ConA ConA
and commercial corner cone con lakes a deep corner, clean
(14:52):
and neat corner. I'm g o d ConA Supper under
Jeep Cook, Melly Come May Come, and I had a
(15:27):
dog to put a star born Michayla promoter Coture in
a motor T Advanced Comar the Gold Total g.
Speaker 2 (15:41):
Jac called the vocal.
Speaker 5 (15:44):
An Lamon to put super Supper, Noble g Ariana Global
G Model, Thtal three.
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Three ex o for three.
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Loker Gijuman and water per gas on the Joker three
to exactly set Garnie Man and Grumberger, the Odeal hip Hopper,
(16:29):
th Mamoru mat Museum, Joomp Marabella Roadway came in a
local named proper G Purple g G Girl Brand to
(16:51):
per Than gar manicoper g Ok.
Speaker 6 (17:05):
Songs called total Big How do you have to be
a hip hop song right there, signaling a strong year
ahead for the genre. I'm sure got a big hour
for you. We'll have Manish x Fader stop by with
his song called Verdia and he'll be doing it very
shortly here. But now let's bring in Ashi Aurora to
the show. How are you today? Ashi?
Speaker 20 (17:28):
Thanks Sammy. This week on leaders Creating Ruckus, I'll be
talking to Sheila Higginbot them all about change, creating it,
managing it, and rising above it despite you not liking it.
As leaders, we all have to manage through the ever
changing chaos around us. Tune in this Sunday at four
pm Pacific Standard Time.
Speaker 21 (17:49):
Back to you, Sammy, Thank you so much.
Speaker 6 (17:51):
Ashi, See you on Sunday at four pm. This song
is called gheta hua adijit sing. Right after to this,
we'll be joined by a gosh sing get ready for
that to a.
Speaker 22 (18:06):
Girmedy yeha iedy to amedy sorry rahitedy tomedy man who ra.
Speaker 1 (18:20):
To a girmedy.
Speaker 22 (18:23):
Hugellated to gmedy little jalated to a germedy man who
dera beta mahamo colab.
Speaker 23 (18:42):
Marajaha eddy bamasha be.
Speaker 1 (19:01):
Got hurrah hurrah hera very a got her.
Speaker 24 (19:21):
Rather marry you have I Teddy too, other Mary sorry
rah hey Teddy two other married man.
Speaker 22 (19:52):
Bully can't chop up their awesome low Fa you should talk.
Speaker 1 (19:58):
You had to John whoo.
Speaker 25 (20:02):
Rahtika Mary Barati on the cover on you can't jump
up to the awesome navy to Josa de ca come
haro on Ava had job made bahamada Hana.
Speaker 26 (20:22):
Yeah he had Amedy for son of Terra to Ugermedy
tos amana Terra two Ugermedy man Terra.
Speaker 8 (20:40):
Ma home but to in collab.
Speaker 22 (20:45):
Meraja steady barham horb horbha.
Speaker 1 (20:57):
Ga uh young glass there her h.
Speaker 22 (21:12):
You have ied to over many sorry nty.
Speaker 8 (21:17):
To the.
Speaker 1 (21:25):
Pisa guys, I got my pizza.
Speaker 9 (21:29):
Guys.
Speaker 21 (21:29):
Come my god, there's a Liza guys.
Speaker 1 (21:33):
I got my back my.
Speaker 8 (21:36):
Pizza.
Speaker 1 (21:37):
Guys.
Speaker 27 (21:37):
Come, oh my god, there's a.
Speaker 1 (21:40):
Very Mohammed. But maje le.
Speaker 25 (21:42):
Nab or don't you say but you can't tell you
Nabby here put your wrong up about the Nabby Helena.
Speaker 1 (21:55):
You charn the heck heard up?
Speaker 21 (21:59):
Joe, please want to go hit.
Speaker 8 (22:03):
See this.
Speaker 6 (22:04):
Let me get Jama.
Speaker 1 (22:06):
Mary join, do you too, lover?
Speaker 9 (22:12):
Mary?
Speaker 22 (22:13):
Have I edy too Overmedy sorry do very to Othermedy who.
Speaker 25 (22:28):
Mohama to go to in colub Marajaha y bom.
Speaker 1 (22:40):
Got hurt.
Speaker 6 (22:44):
He got Hurrah, How did you think? Shush?
Speaker 2 (22:51):
What's such?
Speaker 8 (22:52):
Dave?
Speaker 6 (22:55):
Folks, it's my distinct pleasure to introduce to you, mister
gosh sing.
Speaker 28 (23:01):
What's up, buddy?
Speaker 14 (23:02):
How are you you?
Speaker 28 (23:02):
Punjumpy?
Speaker 6 (23:03):
I am brother? Are we doing this in Punjumbia?
Speaker 8 (23:05):
What? Well?
Speaker 29 (23:05):
By the way you said my name, Okay, well, I
mean I'm not Fudumby, but I can tell you're Punjumbi.
Speaker 7 (23:10):
By the way you said my name, I know, my man.
Speaker 6 (23:12):
Some certain words just come out of our mouths a
certain way, you know.
Speaker 29 (23:15):
Yeah, every everybody else is va gosh everything dumb?
Speaker 6 (23:20):
You know that's that's a really interesting observation the cosh. Well, listen, brother,
I know you're getting ready for the big concert going
on this weekend, this Saturday at the Radio City Music Hall. Listen?
Are you ready for this? Are you terrified? What's the deal?
Speaker 28 (23:37):
Oh? So much stress, dude, so much stress. I feel
good about so you are.
Speaker 29 (23:41):
Comedians work on their their set like for a long time,
especially before you do a high stake show and a
bigger market. So I feel pretty good about the set,
very good, I think great. But pressure of selling six
thousand tickets so like I think a week ago, I
was at like thirty five hundred, which you could.
Speaker 28 (23:57):
Get the great number of great sell anyway's great.
Speaker 29 (24:00):
If you walk into a place at seat six thousand
and there's only thirty five hundred people there, you're like, Wow,
this guy's a loser.
Speaker 28 (24:06):
This place is empty.
Speaker 29 (24:07):
So where we do sale? Indians do everything late, so
they're buying the tickets plate obviously the sale they're picking up,
but there's still it's just a lot of stress. Why
would Indians do anything without making exactly exactly.
Speaker 28 (24:18):
But you know what, they'll go.
Speaker 6 (24:19):
There'll be a line outside the door, around the corner.
You just wait, you'll see that.
Speaker 28 (24:22):
I'm hoping for it. Thank you for thank you.
Speaker 6 (24:25):
Gosh, your crowd work is just absolutely legendary.
Speaker 28 (24:28):
Oh thank you.
Speaker 6 (24:29):
And I love the way that you do it. It's
not a very easy thing to do, but you do
it so well. You know, And I'll tell you something,
you know, how do you do that? How do you
prepare yourself the audience? How do you develop a safe
space with them? Because what you do, man, it's it's
not easy. It's it's it's kind of like a balancing
act a little bit, you know what I mean.
Speaker 7 (24:49):
I've been doing this.
Speaker 29 (24:50):
I'm forty one, forty two because I've been doing comedy
like eighteen nineteen years. So you learn throughout the failure
what you can get away with them when you can't
get away with it. I'll also make an announcement at
the beginning of every show, and it's an honest thing.
Speaker 28 (25:02):
I don't I say, I don't want.
Speaker 29 (25:04):
People to like walk away feeling disrespected or hurt or whatever.
So if I go too far, or if you just
don't want to be talked to, give me like, I'll
give them a motion, like a cut it out motion,
and then I'll just move on.
Speaker 28 (25:15):
Yeah, And then at some point I was like, that's
my honest thing.
Speaker 29 (25:18):
I don't want people to walk out feeling bad about themselves,
So why don't I just say it? So I think
that helps me get away with more, but then also
decently learn through again nineteen years of doing this, how
to stolpen things, how to word things where you're still
kind of sharp but not too sharp.
Speaker 6 (25:32):
Right right? Oh gosh, I got a question for you, Yes, sir,
how's the personal life? With all that went down? My man,
I've been one to ask you how's married life?
Speaker 28 (25:43):
I mean, look, that was not fun.
Speaker 29 (25:45):
Obviously none of it was true, and I think people
it was more fun for them to believe the lies
than to like the most obvious ants, Like yeah, I
was a little that sucked watching that happen to your
wife because you make fun of me and makes me
insecure and whatever. But like, if you're just going to
run with these lives about my wife, that's tough.
Speaker 28 (26:02):
But it ended up being good for me and for us,
and I think it kind of got it. We were
lucky enough. I was lucky.
Speaker 29 (26:09):
Like this is weirdly how I found out I had any.
Speaker 28 (26:11):
Level of same.
Speaker 29 (26:12):
But I got to see the bad side first before
I could be seduced by the good side.
Speaker 28 (26:16):
So it was like, now I know, I don't that's
nothing I want.
Speaker 29 (26:19):
I want as we do family playing and we're talking
about having kids, I don't want them to have to
I want them to be able to say whatever they say.
Like my wife and I make jokes about each other
that y'all probably would find disrespectful, but like I truly
I call her an idiot all the time.
Speaker 28 (26:33):
I called her a.
Speaker 29 (26:34):
Dipshit last week, Like these are things that are funny
to us because we know each other, We love each other,
and I do think it's funny that some people, now
that they're like okay, find nothing that they made up
about her, which is crazy was true, but still she
was disrespectful to you. And it's like a lot of
those same people are the guys who are very anti
censorship for comedy. But if a woman is making jokes
(26:55):
about her husband, now you're kind of a snowflake about it.
I try to keep the same energy, be like, hey,
I legit, I'm not even making this up. I just
remembered this. I called her a bitch on our first date,
just to make sure she was cool with me being me.
Speaker 9 (27:09):
I just like dead ass.
Speaker 29 (27:10):
I was like this bitch jokingly, but like catching the waters.
And she and I are fooled because we know each
other very intimately. We are the only partners we've ever had.
We know she's been broke together, so like there's no
level of understanding of each other that these jokes are
fine with us. And that's something I want for my
kids too. I want us to all be able to
joke around with each other. Take the shot, even if
(27:32):
it hurts my feelings. I'll tell you, and then you
move on and that's it, like try to be funny,
and it's if you succeed amazing.
Speaker 28 (27:38):
It's not.
Speaker 27 (27:39):
It's all good.
Speaker 29 (27:39):
But like words or words and actions are different, and
in action, my wife has carried herself with a lot
of honor and dignity, even if you don't like the
words she said. It's been six months now. There's no
in like text messages or screenshots or photos or videos
that validate any.
Speaker 28 (27:54):
Of the rumors that were made up about her. And
tens of millions, hundreds of millions of people saw it.
Speaker 29 (27:58):
So if there was true, don't you think one guy
would have been like, yeah, in college, she and I
X y Z.
Speaker 28 (28:04):
Here's a screen, chet, here's a picture, here's.
Speaker 29 (28:06):
Her saying I had a great time, but none of
that came out.
Speaker 28 (28:08):
Yeah, yeah, yeah, so yeah.
Speaker 29 (28:10):
I think it's I just think it's a little Yeah.
It was ended up being good for me and my
wife and I are fantastic and like I know her
and she knows me, and God knows us, and that's
what we try to remember.
Speaker 6 (28:21):
I love that, brother, that's a great answer, and thank
you so much for sharing that with us. That's not
very easy to address. And I know a lot of
people have been kind of poking about it, so of course, yeah,
thank you.
Speaker 28 (28:31):
Of course I know everybody wondering, so we have to
admit it.
Speaker 6 (28:34):
Yeah, it's very class of you. Thank you so much.
You know, let's take this back to comedy. Yeah, you know, listen,
you you do podcasts for three hours, you're on stage,
you know, doing stand up. Those are two different worlds.
They almost take two different brains. You know, which ones
you do you enjoy the most? And what is it
(28:55):
that each of you know, each kind of medium takes
from you.
Speaker 28 (28:58):
Oh, it's just stage. Casting is like it's a job.
Speaker 29 (29:01):
Like I don't think God put me here to be
a podcaster, and I think if you, if you, thank God,
but he's here to be a.
Speaker 28 (29:06):
Podcast that's pretty lame. So I love stand ups. Stand
up to me is like a real art format. Podcasting
is cool.
Speaker 29 (29:13):
But also I realized most of the things that got
people in hot water, including stand ups our podcast. But
the jokes are jokes, and people somehow don't have my
wife and stuff that everybody was defended by podcast right,
And it's like, what's the upside of that? I don't
it's money, but like it's kind of everything else that
comes with it kind of sucks. So what are we
doing here?
Speaker 7 (29:32):
Yeah?
Speaker 6 (29:33):
Yeah, listen, big show this weekend. I know as a
creative you're always tinkering with your sat and kind of
playing around with it. Where are you at with this thing?
Are you ready for this Sunday? And you ready to
go with it?
Speaker 7 (29:47):
Yeah?
Speaker 29 (29:47):
I feel very good about the set. I think it's
in a really good place. I think it's my beast
material by far, I hope and everybody feels that way.
Speaker 28 (29:53):
Who comes out.
Speaker 29 (29:54):
But the idea of selling out six thousand tickets is done.
If I sell four thousand, great number, but you walk
in and the theater's only two thirds full and you're like, wow,
this guy sucks.
Speaker 28 (30:04):
So I passed fourth.
Speaker 29 (30:05):
Outand for the record, but I really want to sell
this out there.
Speaker 28 (30:08):
I mean a lot to me, so anybody who's listening,
but I take it. I'm sorry.
Speaker 29 (30:11):
The venue did not They will not allow me to
do discount codes Indians, so I do not have a
discount code. There was one of tree sale, but y'all
didn't do it. So because you do everything late, so
no discount go, but please still come out.
Speaker 28 (30:24):
I comit.
Speaker 29 (30:25):
We're going to put on a phenomenal show from the
moment you walk into the room and tell the moment.
Speaker 28 (30:29):
The show is over.
Speaker 29 (30:30):
I truly believe every single second there's something that will
be fun for you.
Speaker 28 (30:34):
Got nice, we got DJs, we got all that, you
got everything.
Speaker 6 (30:38):
Listen. And by the way, thanks so much for addressing
that whole discount code thing. I was about to get
hit up in my DMS for it, so.
Speaker 28 (30:43):
I know, I know I already have to. Yeah, absolutely sorry, Indians,
you got money, send it.
Speaker 6 (30:48):
Yeah, pull up everybody and listen. Everybody out in New York,
in Jersey, different places around the New York area, Brooklyn,
you know, come pull up to my man Nicasia. Yeah,
through everybody, come through.
Speaker 28 (31:04):
Dot com a K double AA. Also, last thing, don't
buy from like a third party website. Go to my website. Yes,
but a lot of times I didn't realize that was
famous enough for this.
Speaker 29 (31:12):
But there's people selling fake tickets to my show. Oh man,
things dot com go there.
Speaker 6 (31:17):
There you go, folks, or take a message.
Speaker 21 (31:19):
Yeah either one.
Speaker 6 (31:21):
Gosh, my man, thank you so much for joining me.
Speaker 28 (31:23):
Thank you appreciate you, thank you appreciate it.
Speaker 6 (31:26):
You got o gosh, this is Novenda right here.
Speaker 2 (31:42):
On the.
Speaker 30 (31:53):
John Fusty John and Grio. Okay, put your name you
(32:15):
grig job, Okay, put your name.
Speaker 2 (32:22):
Job. Did you go to the Lolcat? Then the para came,
did you go to the You know there is some
as m playing contain there is some art the comma
(32:50):
Marian Army put in your don't come to the job.
Speaker 8 (33:03):
To Joe.
Speaker 2 (33:06):
In your tone, don't come.
Speaker 8 (33:08):
To Joe your tone sing or.
Speaker 30 (33:16):
Very needy cho de gos jacket gender pretty his needy
job credit musicalitated Gilian and playing a credo Arbus.
Speaker 1 (33:37):
Penny call.
Speaker 2 (33:39):
On the Commodyamica Penich.
Speaker 31 (33:43):
Other being all cred some massical giant play your tone
credits ar.
Speaker 6 (33:56):
That was a great conversation with a Gosh saying and
Gosh getting ready for his big concert this Saturday in
New York City at the Radio City Music Hall. And
definitely go support the man Akash sing dot com a
K double a s h O, buy some tickets. Let's
(34:17):
show up, Let's pack that building from Here's rushmad called.
Speaker 32 (34:26):
Look at Youli, Chardiskala, march Chella, Hi Matia, Lika Vich's Lemoi.
Speaker 33 (35:05):
They love with the sony Go, They love with.
Speaker 9 (35:22):
With the.
Speaker 19 (35:24):
Keep with us Little America that they come with a
SI in America Manassaba Shamada time ways that the game
Mangaga Sony has been an Alia Childia Academy, Child Korea.
Speaker 1 (35:48):
Cool look at so good.
Speaker 32 (36:03):
WelCom Giamea.
Speaker 6 (36:13):
In Madabama, We're big fans of Rush Meat Car on
the show that song called and ladies and gentlemen, it's
(36:40):
now our time to bring in Niche x Fader to
the show as he's about to bring in his song Veria.
Speaker 2 (36:48):
Thank you Sammy.
Speaker 34 (36:49):
So this upcoming single is called Veria, which means enemies.
It features the very talented Romo Hunts and the track
represents souation flavors with urban music, similar to all my
release singles and also as a DJ, I've always tried
to showcase those sounds. But this time it is my
(37:11):
tribute to Doctor Trey, whose music has influenced me and
so many artists around the world. So the track should
be out on the first of me and I'm really
excited about the music video. It's been done by sam Battacharji,
who has won so many prestigious awards like the Dada
syb Falk Award. The music video has some cutting edge
(37:33):
EI programming in terms of audio. It showcases, you know,
the true essence of gangster hip hop from the nineties,
just like the Masters did it back in the day. Basically,
it is our Punjabi version of gangster hip hop and
I hope everyone enjoys it.
Speaker 12 (37:48):
Back to you, Sammy, thank.
Speaker 6 (37:50):
You so much, Manish, We're here for it. This song
is called Vadia and it features Romo Hans.
Speaker 35 (37:59):
Kid AMR cannot JR the ok okayally no, I but
it's supper rapper. He ran Ram cannot jr the okay
Personally no, I but it's person rapper but by sky
(38:25):
by by much, I say.
Speaker 6 (38:30):
The very raki a.
Speaker 35 (38:38):
Mar cannot do the l o graha that I but
supper rapp very raki Amar cannot do the.
Speaker 21 (38:51):
Ok gray that I but it up.
Speaker 28 (38:55):
Person but.
Speaker 2 (39:14):
You wanna came and.
Speaker 1 (39:19):
Diana son soon.
Speaker 28 (39:25):
T and and the time.
Speaker 9 (39:38):
Call and come on.
Speaker 1 (39:43):
The very ark okay okay very a kid.
Speaker 6 (40:12):
The song is called Vanya. I wanted to bring in
my buddy, Sonny. Got a while into the show. Was up, Sonny,
did you get a chance to hear that interview with
ash Sing?
Speaker 7 (40:22):
Dude, I'm gonna relate to that guy, think I am
funny thing.
Speaker 6 (40:28):
I really enjoyed that conversation, Sonny. It was you know,
he was really upfront, and I'm really happy that he
answered his question. Of course about his marriage. It's something
that everybody wants to know about, and he was very
open about it. And and of course he talked a
lot about his career and what he's doing. But I
think this interview was a moment for him as well.
(40:50):
I think he got a chance to address something that
everybody has been thinking about, and I think he hit
it right on the head.
Speaker 36 (40:58):
Acting you would do you with so warm and comforting,
and also you got him to you know, you're going
to do a safe space where he felt comfortable talking
about it.
Speaker 7 (41:08):
Do you know what I mean? And not every interviewer
can do.
Speaker 36 (41:11):
That is a skill in itself, just to make people
feel comfortable in these kinds of spaces.
Speaker 7 (41:15):
And don't forget the.
Speaker 36 (41:16):
Fact that you know, he was like, I don't know,
so when you asked him about his wife. Was this
something that was be prepared Did he know about it
or is it something that you just asked off the cough.
Speaker 7 (41:26):
I mean, you know, like something like that.
Speaker 36 (41:28):
I guess you you cannot be really think about it
or you're prepared.
Speaker 6 (41:33):
I did prepare him, you know, it was something that
was I didn't want to feel like I was ambushing
him on the air with a question that was so personal,
because you know, there's this public persona thing going on,
but you got to forget you forget it's a husband
and wife and their private dynamic is playing out in public,
and so I don't want to just pull that into
(41:53):
the front of this conversation like that, And so I
did prepare him. I said, listen, I if it's okay
with you, do you mind if I ask you the
personal question. And he was open with it, and he
was like, yeah, man, totally cool with it and totally open.
And I just loved how he hit it head on.
And you know, the answer was great because he said, listen,
I know that people have this kind of thought as
(42:14):
to what's going on, but you know, in our private life,
we're completely happy with each other. And I've seen and
there's no evidence of any of these false rumors that
were being spread. And apparently, you know, there are people
around him that were doing that, and so he kind
of knew where the information was getting leaked out and
it was just just down to them as a couple
kind of remaining strong through it all. And I think
(42:35):
they did that and that's what he was reflecting on,
I think in that interview. And so but it was
an interesting conversation. Nonetheless, Oh god, yeah, I mean, don't.
Speaker 36 (42:42):
Forget when it first came out as a station that
reflects from the culture and what's going on, and especially
with the support of people from our community and the mainstream.
Like he is, he is mainstream, he's not. He's not
he's not an Indian. He's talking about Indian things. You're
just a comedian talking about his experiences of what that
may be. And the fact that we commented on the
(43:04):
station about this incident with his wife and her podcast
and her remark, I think it would have been I
think it would have been a missed opportunity if you
didn't ask him, because I think it's something that he
feels that, Oh, they talked about this situation, but they
also gave me the chance to sort of address it
as well, and I think that just gives credit to
(43:24):
the station that we have the freedom to have these
kinds of conversations and also bring on the people that
we are talking about and give them the opportunity to
give their side of event, you know what I mean,
because there all speculation unless you're in that room with
each other. I mean, that's a husband and wife relationship.
We don't know what happens. And I said this on
the I think I said this to you as well.
Speaker 7 (43:43):
As long as you happy with his wife with whatever
he does it, that's between them two.
Speaker 36 (43:48):
But what's coming out And maybe and I did say
this is well, I'm sure about her, you know her
experience on these you know, and the language or how
she presented herself. Maybe a bit more guidance would have
been appropriate, you know what I mean.
Speaker 7 (44:01):
Yeah, And he's just skill, because don't get this guy.
He's a comedian. He's really good at what he does.
He's been doing it for years, you know what I mean.
He's like grafted.
Speaker 6 (44:10):
He's a pro.
Speaker 36 (44:10):
He didn't just turn up on YouTube and he was
overnight success.
Speaker 7 (44:13):
He's been grafting.
Speaker 36 (44:14):
And you know how comedy club then you and and
I guess you would know bet than I because he's
it's in America that he's you know, cut his teeth.
Speaker 7 (44:22):
And did the groundwork.
Speaker 6 (44:23):
Yeah, he has been really working the scene for a while,
and you know, there is a public persona and there's
a private persona, right, and I think that you know,
they're probably skating in between those two worlds. But it
was a fascinating conversation. I think. You know, listen, you
take a step back from this. The gentleman is about
to perform at Radio City Hall here in New York
City in front of six seven thousand people, which is
(44:45):
going to be an amazing accomplishment on a personal level.
So you know, he's rebounded well from this, and I'm
proud of him, you know, as a friend, and I
think that it's something that we can all take something
away from that. No matter what may be going on
in the private life or whatever, you sometimes got to
put your head down and just go face the world
and you know, and go be funny on top of that,
(45:05):
which is so hard to do nothing.
Speaker 36 (45:07):
And he is a funny guy. I mean, like you's
good at he's good at breaking people down in the audience.
You know, Like there's some comedians who are like my
favorite comedians are people like you know, I've said this before,
but I've just mentioned this one, Billy Connolly. I love
the way that he sets up a joke and he
takes you on a story and if you heckle him,
or if you interrupt him, he gets pissed the fuck off.
(45:28):
But then he missed me saying, look, you just broke
the I'm trying to paint you a picture here and
there's a punchline he cut thee And when you get
and when you and when you watch him, no one heckled.
Speaker 7 (45:40):
Well, no one heckled him, right.
Speaker 36 (45:42):
And if you go to one of those kind of
comedian shows that any pictures that are setting.
Speaker 7 (45:46):
Up a joke, you don't want them to be interrupted.
Speaker 36 (45:48):
You want to sit back and let them paint that
picture for you, you know what I mean. And there's
comedians like him, like like a gosh, who are like,
come on, bring it on.
Speaker 7 (45:58):
I'm here for you, man. Give me what you've got.
What what do you do for a living? What's that
company you're going? Who's that with you?
Speaker 6 (46:03):
He's one of the.
Speaker 36 (46:04):
Crowd working kind of comedian. Yeah, yes, a lot of
comedians do recently, you know what I mean. And that's
a skill youself. I can't wait for him to come
to London, Yeah, I.
Speaker 6 (46:14):
Can't wait for you. An interview would be a great conversation, Sonny. Yeah, yeah, yeah,
I can't have all this fun all the time hanging
out with you, right, Sonny.
Speaker 4 (46:24):
So you know, there you go.
Speaker 6 (46:26):
Great talking with you, Sonny. I'll see you next week, brother,
next week. God, thank you, thank you Sonny. Great Sunny.
Got a while. Check out a show Monday afternoon, five
pm Pacific Standard time. Right here on the signal, here's
a saying.
Speaker 8 (46:40):
Get Russian son head, it's.
Speaker 1 (46:52):
Jack this.
Speaker 8 (47:00):
The looming me. Then ya got this secret name.
Speaker 1 (47:09):
Yello the hera to get jat the data.
Speaker 8 (47:14):
Shaes had abor.
Speaker 27 (47:18):
Pravati, Yes of the loves, the hands a night.
Speaker 37 (47:23):
Ama talk abos so a lie you Hani the bear
she had on.
Speaker 38 (47:38):
Yes s' steemusday da johanahead.
Speaker 1 (47:45):
Do fine BANDI, Oh god, yeah, I got this ya
gandhi what to call sus a kid and he called
the bye.
Speaker 27 (48:00):
I called the job birdym in the bandy, I'm something
body hit and I talk gardy come to him and say,
oh God to MyD had a clean child, yamaya kaki
(48:25):
ya kadi and they chad that your cook from me
or suona chine.
Speaker 8 (48:37):
From the head.
Speaker 1 (48:38):
I got a cold guy who said the lado.
Speaker 27 (48:43):
I got a sort I had no suppose I got
to jove she had those a she.
Speaker 9 (48:51):
Li gotta man your go hadlada.
Speaker 38 (48:57):
Jeli got to put should he Huggy shid do memut
your buddy Hugy Shire go Honey the mass.
Speaker 1 (49:12):
And hug He Shy put your super hell holl be everybody,
hug he shot.
Speaker 38 (49:23):
Shy, put your super head you everybunny Huggy Shi Sho.
Speaker 8 (49:38):
Yoshian. So the head's gentle mine to.
Speaker 11 (49:42):
Get in, Theylla said Jack Marco getting me. It's your
young guess Jack getting your pool.
Speaker 38 (49:53):
Okay, I'm getting Mac adding me de lo me me then.
Speaker 8 (50:01):
Get me.
Speaker 6 (50:04):
The great Arhiman Sir, I'm the great the jet saying
collaborating for us here to kick off twenty twenty six,
and they dropped that song, SONNHATI give me my favorites
of the year. Already A conversation with a gosh sing
was great. Big shout out to Sunny Godo Wall for
(50:26):
stopping by today and having a fun chat with me.
Speaker 9 (50:28):
There.
Speaker 6 (50:30):
What a great episode. Now let's bring in Rihanna to
the show. What's up? Rihanna?
Speaker 7 (50:33):
Hey?
Speaker 39 (50:33):
Everyone, this is Random with the News only on dasp
rising on Rakus Avenue Radio You're Home Away from Home.
We close the week with Opportunity for youth and responsibility
and Technology. Nepal's government has introduced a workforce development program
targeting youth employment and vocational training. With a large young
population and migration pressures, job creation remains critical to long
term economic stability. These initiatives aim to produce outward labor
(50:55):
dependency and strengthen domestic industries. Government's worldwideer accelerating discussion and
join artificial intelligence regulation focusing on data privacy, misinformation risks,
and labor displacement. South Asians remain heavily represented in global
tech sectors, place in the diaspora at the center of
AI innovation and governance debates. Youth empowerment builds nations, Responsible
innovations build trust. South Asia's next chapter depends on both,
(51:17):
but tell us your thoughts. Follow at rakas Any Radio.
This is Random with the news every Monday through Thursday
on my Heart Radio and Rosave Radio dot Com.
Speaker 2 (51:23):
See you guys next week.
Speaker 6 (51:24):
Thank you so much, Rihanna, See you next week. Our
episode tomorrow is our patented top twenty countdown show. Make
sure you guys tune in for that begins at nine
am in the morning and we run through twenty of
the hottest songs on this show.
Speaker 21 (51:40):
Can't wait, Holy holy son, who is.
Speaker 9 (52:02):
Down on you?
Speaker 7 (52:03):
Deep?
Speaker 1 (52:03):
Okay, not to go down to know who this peer?
Speaker 40 (52:13):
Not to par not to work, Kathaba for kit Hi
par not to work, Kia, but pea fora Hi becoming
at the.
Speaker 4 (52:31):
Lay goes to proof really going to proof.
Speaker 1 (52:37):
To worry because.
Speaker 41 (52:40):
Kitting attack it the miss Marty, maybe Charmant garling at
your lukating get tacks smarting, maybe charpan Cali at your
luve a co.
Speaker 42 (52:53):
About it in your back your do not put under
a cartoon the former a puna my daughter, the.
Speaker 21 (53:07):
Pich on you.
Speaker 13 (53:10):
Below, Camel go.
Speaker 1 (53:15):
Down on you deeplow Camel, go this.
Speaker 41 (53:25):
I know manas honey.
Speaker 1 (53:27):
Then Kiko comp.
Speaker 41 (53:32):
How made we Insunia?
Speaker 1 (53:35):
They took.
Speaker 41 (53:38):
Nay listener, Canny jail you made Reding He's the bog.
Speaker 21 (53:49):
To Toronto be a t o O.
Speaker 41 (53:51):
Kitting jettack it, the smarting Mike Sure but until okay,
but Han Kit and Jetta smarting, Mini.
Speaker 9 (53:59):
Youre.
Speaker 6 (54:04):
My buddy, just me not there getting together there with
jim Ma Wai the song is called Haji Mustan. Now, folks,
let's bring in our own Douita da Gupta to this party.
How are you today, Douita Hi?
Speaker 1 (54:20):
Everyone?
Speaker 4 (54:21):
This is the data Eurakasavni radio music correspondent back with
another artist, Spotlight today. We're spotlighting in their Pomoga, the
Punjab singer, songwriter and collaborator whose smooth vocals and modern
Punjabi hip hop style has helped shape a fresh sound
in the global scene. Best known for his creative partnership
with Jenny Natan in Their Pool, has steadily built a
(54:43):
strong fang based through tracks that next catchy hooks, Punjabi
storytelling and contemporary production. In twenty twenty five, he took
a major step forward with the release of the collaborative
album Nice Day in the Pin, featuring standout songs like
best Friend, Brown, Brown, Rang Kikata and Crazy and Love,
showing his versatility across romantic melodies and upbeat anthem style tracks.
(55:06):
He also appeared on collaborations like m Foward, Doctors Us,
and Jenni Notathan, continuing to expand his reach across international
Punjabi music audiences heading into twenty twenty six. In their
book kept the momentum strong with his latest single pr
Again with Jenny Nothan, released in February, proving his consistency
and growth as an artist known for blending malatting vocals
(55:27):
with modern production and relatable lyrics in their Polmoga continues
to build his identity as one of the key voices
pushing Punjabi pop and hip hop forward, delivering music that
feelds both global and deeply rooted in Punjabi culture.
Speaker 9 (55:41):
Well that's all for me.
Speaker 4 (55:42):
Stay tuned for more only on Ruckus Avenue Radio.
Speaker 6 (55:45):
Thank you so much, Dreta in the Palmoga, Jenny Nata
and this is Miss Buja, Canadian Dreams.
Speaker 2 (55:56):
Data, the Hurricane. They are just the gang.
Speaker 7 (56:03):
Put the.
Speaker 2 (56:11):
John and He's Hurrica for you.
Speaker 9 (56:15):
With you.
Speaker 7 (56:18):
But the jam the I can need Daddy Dream, the
gn The I.
Speaker 3 (56:21):
Can need Danny Dream the cat the Joy I can
eat Eddy Dream, But the Jam I canna Daddy Dream,
the j.
Speaker 1 (56:31):
I can need.
Speaker 6 (56:35):
Morning. I forgot the yard.
Speaker 9 (56:39):
And the money a name, but he's a king number
for me to me.
Speaker 2 (56:53):
Luck after.
Speaker 9 (56:56):
They can.
Speaker 42 (56:58):
Customer the stream.
Speaker 3 (57:03):
But the jam the I canned Danny Dream Jet then
I can dreams the Karen get the John.
Speaker 2 (57:11):
You can net Anny Dream, but the Jam I can
nave Dy Dream Jet.
Speaker 1 (57:16):
The John Cannet.
Speaker 2 (57:21):
Looking like data.
Speaker 1 (57:23):
Cities around.
Speaker 13 (57:26):
The will double.
Speaker 9 (57:27):
You got to go to China High remember.
Speaker 1 (57:41):
John Bick Crime.
Speaker 3 (57:43):
But the Jam I can nave Danny dream Jet, the
gnat Danny dream as the Kan get the John.
Speaker 9 (57:51):
I can meet Anny Dream Dream and.
Speaker 6 (57:58):
Miss Canadian Dream. That song called a little controversy out
there because of some kind of terms bunched together that
maybe contradict certain spiritual people's kind of standards. And so
I'll leave that there for you. But man, they're good.
Jenninathanderbaum Ooga. Nobody better out there to be stewards of
(58:20):
this culture for sure. Listen, let's talk about some comedy here. Know,
ver Das won an International Emmy, Zaker Khan sold out
the Madison Square Garden in Hindi. Gosh Sing is that
radio city this weekend. Montpret Sing was right here on
the show last week. And none of them, not one
got there by being less than who they are. Verdas
(58:41):
didn't tone down his politics, Zaker Khan didn't sweitch to
English all of a sudden, and a Gosh didn't soften
his edges pre didn't leave Punjabi at the door. They
all walked in fully themselves and the rooms filled up.
That's not a coincidence. That's a pattern, and it's the
same pattern I've been talking about all week long. Asha
(59:03):
Bosley sang in her own voice for sixty years, del
Jet War to Coachella. The comedians did the same thing.
They just made you laugh while doing it. South Asians
are funny. We've always been funny. The world is just
finally paying attention. That's the bridge. I'll see you guys
tomorrow for the Top twenty Countdown show. Here's Simmer and
(59:27):
Jawdry and chat here see you tomorrow.
Speaker 43 (59:30):
Did is a little funny stall Anny did look Nju
but Anny Kulakanaco with honey John arm It is a
clean of a hobby in the Southern Ckyta.
Speaker 1 (59:51):
Look God anymore, Honey, This
South Asian music and culture can.
Speaker 2 (00:02):
Be found around the world.
Speaker 3 (00:05):
We tracked down the best and presented here for you
on Ruckus Avenue Radio.
Speaker 4 (00:15):
Hey, this is Shava and you're listening to The Bridge
with Semi Chom.
Speaker 5 (00:19):
Hey this is Jed here and you're listening to the
Bridge with Sami Chum.
Speaker 6 (00:24):
Yeah, Hanji, Hanji, Hunji.
Speaker 7 (00:31):
Suck.
Speaker 6 (00:34):
My name is Sammy John and welcome everybody to an
April sixteenth edition of The Bridge. Got a great one
for you. Today. We'll be joined by comedian A Gosh
Singh and Nikash is stopping by today ahead of his
(00:57):
really big Radio City Music Hall concert this weekend. And
I want everybody to go out there and support this show.
It's quite a monumental performance. And we wanted to support
Oh Gosh on his journey for this big show this weekend,
and so we're having him stop by and tell us
about this big show he's got planned. He we'll talk
(01:21):
to A Gosh about let's just call it life, liberty
and the pursuit of happiness. We'll get to the bottom
of it today and as we do every Thursday on
this show, we'll be joined by Sonny Guttawall. Sonny and
I always chitchat about life, liberty and the pursuit of happiness.
(01:45):
There you go. We'll be joined by the Ruckus Avenue
Radio All Stars, as we do every day here on
this great hour. And we'll be joined today by Maniche
ex Fader as he plays his brand song called Vania
Looking forward to it. We'll be joined today by Ashi Aurra.
(02:10):
She stops by for a preview of her Sunday show,
But Ladies and Gentlemen, today's episode, I'm really excited about it.
Speaker 8 (02:22):
You know.
Speaker 6 (02:23):
This week on the Bridge, we've been talking about South
Asian artists who broke through on the world's biggest stages.
On Monday was Asha Bosley her twelve thousand songs. On
Tuesday it was Atajit Singh and his seven billion streams.
On Wednesday it was Diljito Coachella. Today, I want to
talk about a different kind of stage, the comedy stage,
(02:45):
because here's something that does not get talked about enough.
South Asians are really, really funny, and the rest of
the world is finally catching on. Welcome to the Bridge, everybody.
Speaker 9 (03:00):
You don't.
Speaker 2 (03:02):
But but the don't.
Speaker 6 (03:10):
But lay.
Speaker 2 (03:14):
All your got again.
Speaker 9 (03:15):
I don't.
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But the leg.
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But do we come on.
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He put your left me at this honey he name.
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Don't you be see your sady doll.
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Geniy so no not they.
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Put a generaty good here your doning but the living.
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But the the green.
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Man.
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No body thing.
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Don't know you got there, make.
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Up art, get on the pure like your kid got
the artic.
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Want to put your call.
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Him when we are got a gay bahasa ard look God,
they get the Nama.
Speaker 1 (04:47):
Get the way body, but the green.
Speaker 8 (04:57):
Man. Honey on your Briday Day.
Speaker 6 (05:45):
It's the fourth song from his Chapter four EP that
he just released last Friday. It's shub. The song is
called broken and we played the other three songs Monday,
Tuesday and Wednesday. There it is for you grade EP.
I think the song Bounce is probably my favorite of
the four. But see what the public says. This one's
(06:07):
got a nodula.
Speaker 8 (06:09):
Carlos Son.
Speaker 1 (06:12):
Aur lok me.
Speaker 8 (06:16):
Matt so.
Speaker 13 (06:26):
Ya ya are holiday yah are holiday?
Speaker 14 (06:45):
So there they are then the holiday to n there
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we are then the holiday and it's only to Nina.
(07:32):
Come bodies and Na on the pach, the Honda, the
General Arena, Garla.
Speaker 13 (07:46):
Holaday where they are.
Speaker 1 (07:50):
The holiday to.
Speaker 2 (07:55):
There they are then a holiday.
Speaker 6 (08:31):
This Making Memories ep was a great one, it really was.
We had Ikey sing on the show and he talked
about this being the greatest work that he had done
so far, and I think is still the case. It's
a great ep. It's aging so well. Making Memories got
a nod. That song called Softly going from one classic
(08:52):
to another. The song is called insane.
Speaker 12 (08:57):
And his Colob the oar Umar the Holy Head your tone,
but Emmon day Parkling Colover the but Umar the Holy.
Speaker 15 (09:17):
And no natural league, Jona Hallow Leak, Jona sort to
that honey even pot leak or Johnny Harry Ferdy along
with your little John and.
Speaker 2 (09:36):
Emon Day park And it's a.
Speaker 12 (09:38):
Glover the Day Umar the Holy heady toon Emon day
Barkling is all Glover the of Umar the Holy her tone.
Speaker 1 (09:57):
Shot anyway back in then no many you can and
the Garden the little Journy Jory I said, no look
at them.
Speaker 10 (10:17):
Sorry Glama diaml the Holy today and sorry Glama dimad
laid the Holy to them.
Speaker 16 (10:36):
Mary cockylically carry Majockey Ray Love Perpe, Jory.
Speaker 13 (10:48):
Bars up Ama cardenal Berday.
Speaker 17 (10:54):
Monday Park Sorry, Tanama Ta day Lay, How He's Sorry,
the Lamada Umar, the Holy.
Speaker 10 (11:15):
Sorry, the load Laid Holiday.
Speaker 12 (11:24):
Sorry, Glover, Divarr Umar, the Holly Hornerra.
Speaker 6 (11:39):
That's a p delon. The song is called insane. No
talking about comedians here as we are today. Of the
most radical thing that Zakar Khan ever did was not
sell out Madison Square Garden. The most radical thing he
ever did was do in India. And he didn't translate
himself with the world. He made the world come to him.
(12:02):
You know, if that sounds familiar, That's exactly what Dilji
did at Coachella, and that's exactly what Asha Bosley did
for sixty years. The language was never the barrier, you
know what I mean. It was just all about them
and who they were as artists. So always something to remember. Now,
let's bring in doctor Roy to the show. What's up
Doctor Roy?
Speaker 18 (12:21):
Hey guys, this is doctor Boy with Today's word on
the Avenue in Film and TV News. In a recent interview,
filmmaker Farakhan revealed that Shara Khan had been a long
term fan of the singer King and even introduced her
to his music. The Best continues as his track with
Nick shonas Monmejan is still taking the chartbusters by storm.
(12:43):
In media news, Semi Rhna's special Still Alive has now
crossed forty four million views on YouTube since its release.
Blending humor with deeply personal storytelling, Ranna reflects on the
Kushmdia Bunded Exodus and his recent controversies with this show,
India Got Latent, which is now coming back for season two,
and eventineers at the Western Qualifiers of Red Bull Dancer
(13:05):
Style in Las Vegas, Hareni Nila Kandan brought Part Not
Damn to a freestyle street dominated arena without changing its essence.
Her performance wasn't just about fusion, but about assertion, proving
that classical Indian forms don't need reinvention, just a new
lens to be truly seen. That's it for today's Word
on the Avenue.
Speaker 6 (13:24):
Until next time, Thank you, doctor Roy, Thank you so
much for that. We've got a big episode for you
all today. A Gosh Sing is stopping by Sunny, Gotta
Wall is stopping by Ashi Aurora. Got some great music
for you as well. This song right here is called Total.
It's by.
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Con con.
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Coner.
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dis sheet ConA prey joint family beach heath ConA ConA
and commercial corner cone con lakes a deep corner, clean
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and neat corner. I'm g o d ConA Supper under
Jeep Cook, Melly Come May Come, and I had a
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dog to put a star born Michayla promoter Coture in
a motor T Advanced Comar the Gold Total g.
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Jac called the vocal.
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An Lamon to put super Supper, Noble g Ariana Global
G Model, Thtal three.
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Loker Gijuman and water per gas on the Joker three
to exactly set Garnie Man and Grumberger, the Odeal hip Hopper,
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th Mamoru mat Museum, Joomp Marabella Roadway came in a
local named proper G Purple g G Girl Brand to
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per Than gar manicoper g Ok.
Speaker 6 (17:05):
Songs called total Big How do you have to be
a hip hop song right there, signaling a strong year
ahead for the genre. I'm sure got a big hour
for you. We'll have Manish x Fader stop by with
his song called Verdia and he'll be doing it very
shortly here. But now let's bring in Ashi Aurora to
the show. How are you today? Ashi?
Speaker 20 (17:28):
Thanks Sammy. This week on leaders Creating Ruckus, I'll be
talking to Sheila Higginbot them all about change, creating it,
managing it, and rising above it despite you not liking it.
As leaders, we all have to manage through the ever
changing chaos around us. Tune in this Sunday at four
pm Pacific Standard Time.
Speaker 21 (17:49):
Back to you, Sammy, Thank you so much.
Speaker 6 (17:51):
Ashi, See you on Sunday at four pm. This song
is called gheta hua adijit sing. Right after to this,
we'll be joined by a gosh sing get ready for
that to a.
Speaker 22 (18:06):
Girmedy yeha iedy to amedy sorry rahitedy tomedy man who ra.
Speaker 1 (18:20):
To a girmedy.
Speaker 22 (18:23):
Hugellated to gmedy little jalated to a germedy man who
dera beta mahamo colab.
Speaker 23 (18:42):
Marajaha eddy bamasha be.
Speaker 1 (19:01):
Got hurrah hurrah hera very a got her.
Speaker 24 (19:21):
Rather marry you have I Teddy too, other Mary sorry
rah hey Teddy two other married man.
Speaker 22 (19:52):
Bully can't chop up their awesome low Fa you should talk.
Speaker 1 (19:58):
You had to John whoo.
Speaker 25 (20:02):
Rahtika Mary Barati on the cover on you can't jump
up to the awesome navy to Josa de ca come
haro on Ava had job made bahamada Hana.
Speaker 26 (20:22):
Yeah he had Amedy for son of Terra to Ugermedy
tos amana Terra two Ugermedy man Terra.
Speaker 8 (20:40):
Ma home but to in collab.
Speaker 22 (20:45):
Meraja steady barham horb horbha.
Speaker 1 (20:57):
Ga uh young glass there her h.
Speaker 22 (21:12):
You have ied to over many sorry nty.
Speaker 8 (21:17):
To the.
Speaker 1 (21:25):
Pisa guys, I got my pizza.
Speaker 9 (21:29):
Guys.
Speaker 21 (21:29):
Come my god, there's a Liza guys.
Speaker 1 (21:33):
I got my back my.
Speaker 8 (21:36):
Pizza.
Speaker 1 (21:37):
Guys.
Speaker 27 (21:37):
Come, oh my god, there's a.
Speaker 1 (21:40):
Very Mohammed. But maje le.
Speaker 25 (21:42):
Nab or don't you say but you can't tell you
Nabby here put your wrong up about the Nabby Helena.
Speaker 1 (21:55):
You charn the heck heard up?
Speaker 21 (21:59):
Joe, please want to go hit.
Speaker 8 (22:03):
See this.
Speaker 6 (22:04):
Let me get Jama.
Speaker 1 (22:06):
Mary join, do you too, lover?
Speaker 9 (22:12):
Mary?
Speaker 22 (22:13):
Have I edy too Overmedy sorry do very to Othermedy who.
Speaker 25 (22:28):
Mohama to go to in colub Marajaha y bom.
Speaker 1 (22:40):
Got hurt.
Speaker 6 (22:44):
He got Hurrah, How did you think? Shush?
Speaker 2 (22:51):
What's such?
Speaker 8 (22:52):
Dave?
Speaker 6 (22:55):
Folks, it's my distinct pleasure to introduce to you, mister
gosh sing.
Speaker 28 (23:01):
What's up, buddy?
Speaker 14 (23:02):
How are you you?
Speaker 28 (23:02):
Punjumpy?
Speaker 6 (23:03):
I am brother? Are we doing this in Punjumbia?
Speaker 8 (23:05):
What? Well?
Speaker 29 (23:05):
By the way you said my name, Okay, well, I
mean I'm not Fudumby, but I can tell you're Punjumbi.
Speaker 7 (23:10):
By the way you said my name, I know, my man.
Speaker 6 (23:12):
Some certain words just come out of our mouths a
certain way, you know.
Speaker 29 (23:15):
Yeah, every everybody else is va gosh everything dumb?
Speaker 6 (23:20):
You know that's that's a really interesting observation the cosh. Well, listen, brother,
I know you're getting ready for the big concert going
on this weekend, this Saturday at the Radio City Music Hall. Listen?
Are you ready for this? Are you terrified? What's the deal?
Speaker 28 (23:37):
Oh? So much stress, dude, so much stress. I feel
good about so you are.
Speaker 29 (23:41):
Comedians work on their their set like for a long time,
especially before you do a high stake show and a
bigger market. So I feel pretty good about the set,
very good, I think great. But pressure of selling six
thousand tickets so like I think a week ago, I
was at like thirty five hundred, which you could.
Speaker 28 (23:57):
Get the great number of great sell anyway's great.
Speaker 29 (24:00):
If you walk into a place at seat six thousand
and there's only thirty five hundred people there, you're like, Wow,
this guy's a loser.
Speaker 28 (24:06):
This place is empty.
Speaker 29 (24:07):
So where we do sale? Indians do everything late, so
they're buying the tickets plate obviously the sale they're picking up,
but there's still it's just a lot of stress. Why
would Indians do anything without making exactly exactly.
Speaker 28 (24:18):
But you know what, they'll go.
Speaker 6 (24:19):
There'll be a line outside the door, around the corner.
You just wait, you'll see that.
Speaker 28 (24:22):
I'm hoping for it. Thank you for thank you.
Speaker 6 (24:25):
Gosh, your crowd work is just absolutely legendary.
Speaker 28 (24:28):
Oh thank you.
Speaker 6 (24:29):
And I love the way that you do it. It's
not a very easy thing to do, but you do
it so well. You know, And I'll tell you something,
you know, how do you do that? How do you
prepare yourself the audience? How do you develop a safe
space with them? Because what you do, man, it's it's
not easy. It's it's it's kind of like a balancing
act a little bit, you know what I mean.
Speaker 7 (24:49):
I've been doing this.
Speaker 29 (24:50):
I'm forty one, forty two because I've been doing comedy
like eighteen nineteen years. So you learn throughout the failure
what you can get away with them when you can't
get away with it. I'll also make an announcement at
the beginning of every show, and it's an honest thing.
Speaker 28 (25:02):
I don't I say, I don't want.
Speaker 29 (25:04):
People to like walk away feeling disrespected or hurt or whatever.
So if I go too far, or if you just
don't want to be talked to, give me like, I'll
give them a motion, like a cut it out motion,
and then I'll just move on.
Speaker 28 (25:15):
Yeah, And then at some point I was like, that's
my honest thing.
Speaker 29 (25:18):
I don't want people to walk out feeling bad about themselves,
So why don't I just say it? So I think
that helps me get away with more, but then also
decently learn through again nineteen years of doing this, how
to stolpen things, how to word things where you're still
kind of sharp but not too sharp.
Speaker 6 (25:32):
Right right? Oh gosh, I got a question for you, Yes, sir,
how's the personal life? With all that went down? My man,
I've been one to ask you how's married life?
Speaker 28 (25:43):
I mean, look, that was not fun.
Speaker 29 (25:45):
Obviously none of it was true, and I think people
it was more fun for them to believe the lies
than to like the most obvious ants, Like yeah, I
was a little that sucked watching that happen to your
wife because you make fun of me and makes me
insecure and whatever. But like, if you're just going to
run with these lives about my wife, that's tough.
Speaker 28 (26:02):
But it ended up being good for me and for us,
and I think it kind of got it. We were
lucky enough. I was lucky.
Speaker 29 (26:09):
Like this is weirdly how I found out I had any.
Speaker 28 (26:11):
Level of same.
Speaker 29 (26:12):
But I got to see the bad side first before
I could be seduced by the good side.
Speaker 28 (26:16):
So it was like, now I know, I don't that's
nothing I want.
Speaker 29 (26:19):
I want as we do family playing and we're talking
about having kids, I don't want them to have to
I want them to be able to say whatever they say.
Like my wife and I make jokes about each other
that y'all probably would find disrespectful, but like I truly
I call her an idiot all the time.
Speaker 28 (26:33):
I called her a.
Speaker 29 (26:34):
Dipshit last week, Like these are things that are funny
to us because we know each other, We love each other,
and I do think it's funny that some people, now
that they're like okay, find nothing that they made up
about her, which is crazy was true, but still she
was disrespectful to you. And it's like a lot of
those same people are the guys who are very anti
censorship for comedy. But if a woman is making jokes
(26:55):
about her husband, now you're kind of a snowflake about it.
I try to keep the same energy, be like, hey,
I legit, I'm not even making this up. I just
remembered this. I called her a bitch on our first date,
just to make sure she was cool with me being me.
Speaker 9 (27:09):
I just like dead ass.
Speaker 29 (27:10):
I was like this bitch jokingly, but like catching the waters.
And she and I are fooled because we know each
other very intimately. We are the only partners we've ever had.
We know she's been broke together, so like there's no
level of understanding of each other that these jokes are
fine with us. And that's something I want for my
kids too. I want us to all be able to
joke around with each other. Take the shot, even if
(27:32):
it hurts my feelings. I'll tell you, and then you
move on and that's it, like try to be funny,
and it's if you succeed amazing.
Speaker 28 (27:38):
It's not.
Speaker 27 (27:39):
It's all good.
Speaker 29 (27:39):
But like words or words and actions are different, and
in action, my wife has carried herself with a lot
of honor and dignity, even if you don't like the
words she said. It's been six months now. There's no
in like text messages or screenshots or photos or videos
that validate any.
Speaker 28 (27:54):
Of the rumors that were made up about her. And
tens of millions, hundreds of millions of people saw it.
Speaker 29 (27:58):
So if there was true, don't you think one guy
would have been like, yeah, in college, she and I
X y Z.
Speaker 28 (28:04):
Here's a screen, chet, here's a picture, here's.
Speaker 29 (28:06):
Her saying I had a great time, but none of
that came out.
Speaker 28 (28:08):
Yeah, yeah, yeah, so yeah.
Speaker 29 (28:10):
I think it's I just think it's a little Yeah.
It was ended up being good for me and my
wife and I are fantastic and like I know her
and she knows me, and God knows us, and that's
what we try to remember.
Speaker 6 (28:21):
I love that, brother, that's a great answer, and thank
you so much for sharing that with us. That's not
very easy to address. And I know a lot of
people have been kind of poking about it, so of course, yeah,
thank you.
Speaker 28 (28:31):
Of course I know everybody wondering, so we have to
admit it.
Speaker 6 (28:34):
Yeah, it's very class of you. Thank you so much.
You know, let's take this back to comedy. Yeah, you know, listen,
you you do podcasts for three hours, you're on stage,
you know, doing stand up. Those are two different worlds.
They almost take two different brains. You know, which ones
you do you enjoy the most? And what is it
(28:55):
that each of you know, each kind of medium takes
from you.
Speaker 28 (28:58):
Oh, it's just stage. Casting is like it's a job.
Speaker 29 (29:01):
Like I don't think God put me here to be
a podcaster, and I think if you, if you, thank God,
but he's here to be a.
Speaker 28 (29:06):
Podcast that's pretty lame. So I love stand ups. Stand
up to me is like a real art format. Podcasting
is cool.
Speaker 29 (29:13):
But also I realized most of the things that got
people in hot water, including stand ups our podcast. But
the jokes are jokes, and people somehow don't have my
wife and stuff that everybody was defended by podcast right,
And it's like, what's the upside of that? I don't
it's money, but like it's kind of everything else that
comes with it kind of sucks. So what are we
doing here?
Speaker 7 (29:32):
Yeah?
Speaker 6 (29:33):
Yeah, listen, big show this weekend. I know as a
creative you're always tinkering with your sat and kind of
playing around with it. Where are you at with this thing?
Are you ready for this Sunday? And you ready to
go with it?
Speaker 7 (29:47):
Yeah?
Speaker 29 (29:47):
I feel very good about the set. I think it's
in a really good place. I think it's my beast
material by far, I hope and everybody feels that way.
Speaker 28 (29:53):
Who comes out.
Speaker 29 (29:54):
But the idea of selling out six thousand tickets is done.
If I sell four thousand, great number, but you walk
in and the theater's only two thirds full and you're like, wow,
this guy sucks.
Speaker 28 (30:04):
So I passed fourth.
Speaker 29 (30:05):
Outand for the record, but I really want to sell
this out there.
Speaker 28 (30:08):
I mean a lot to me, so anybody who's listening,
but I take it. I'm sorry.
Speaker 29 (30:11):
The venue did not They will not allow me to
do discount codes Indians, so I do not have a
discount code. There was one of tree sale, but y'all
didn't do it. So because you do everything late, so
no discount go, but please still come out.
Speaker 28 (30:24):
I comit.
Speaker 29 (30:25):
We're going to put on a phenomenal show from the
moment you walk into the room and tell the moment.
Speaker 28 (30:29):
The show is over.
Speaker 29 (30:30):
I truly believe every single second there's something that will
be fun for you.
Speaker 28 (30:34):
Got nice, we got DJs, we got all that, you
got everything.
Speaker 6 (30:38):
Listen. And by the way, thanks so much for addressing
that whole discount code thing. I was about to get
hit up in my DMS for it, so.
Speaker 28 (30:43):
I know, I know I already have to. Yeah, absolutely sorry, Indians,
you got money, send it.
Speaker 6 (30:48):
Yeah, pull up everybody and listen. Everybody out in New York,
in Jersey, different places around the New York area, Brooklyn,
you know, come pull up to my man Nicasia. Yeah,
through everybody, come through.
Speaker 28 (31:04):
Dot com a K double AA. Also, last thing, don't
buy from like a third party website. Go to my website. Yes,
but a lot of times I didn't realize that was
famous enough for this.
Speaker 29 (31:12):
But there's people selling fake tickets to my show. Oh man,
things dot com go there.
Speaker 6 (31:17):
There you go, folks, or take a message.
Speaker 21 (31:19):
Yeah either one.
Speaker 6 (31:21):
Gosh, my man, thank you so much for joining me.
Speaker 28 (31:23):
Thank you appreciate you, thank you appreciate it.
Speaker 6 (31:26):
You got o gosh, this is Novenda right here.
Speaker 2 (31:42):
On the.
Speaker 30 (31:53):
John Fusty John and Grio. Okay, put your name you
(32:15):
grig job, Okay, put your name.
Speaker 2 (32:22):
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did you go to the You know there is some
as m playing contain there is some art the comma
(32:50):
Marian Army put in your don't come to the job.
Speaker 8 (33:03):
To Joe.
Speaker 2 (33:06):
In your tone, don't come.
Speaker 8 (33:08):
To Joe your tone sing or.
Speaker 30 (33:16):
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job credit musicalitated Gilian and playing a credo Arbus.
Speaker 1 (33:37):
Penny call.
Speaker 2 (33:39):
On the Commodyamica Penich.
Speaker 31 (33:43):
Other being all cred some massical giant play your tone
credits ar.
Speaker 6 (33:56):
That was a great conversation with a Gosh saying and
Gosh getting ready for his big concert this Saturday in
New York City at the Radio City Music Hall. And
definitely go support the man Akash sing dot com a
K double a s h O, buy some tickets. Let's
(34:17):
show up, Let's pack that building from Here's rushmad called.
Speaker 32 (34:26):
Look at Youli, Chardiskala, march Chella, Hi Matia, Lika Vich's Lemoi.
Speaker 33 (35:05):
They love with the sony Go, They love with.
Speaker 9 (35:22):
With the.
Speaker 19 (35:24):
Keep with us Little America that they come with a
SI in America Manassaba Shamada time ways that the game
Mangaga Sony has been an Alia Childia Academy, Child Korea.
Speaker 1 (35:48):
Cool look at so good.
Speaker 32 (36:03):
WelCom Giamea.
Speaker 6 (36:13):
In Madabama, We're big fans of Rush Meat Car on
the show that song called and ladies and gentlemen, it's
(36:40):
now our time to bring in Niche x Fader to
the show as he's about to bring in his song Veria.
Speaker 2 (36:48):
Thank you Sammy.
Speaker 34 (36:49):
So this upcoming single is called Veria, which means enemies.
It features the very talented Romo Hunts and the track
represents souation flavors with urban music, similar to all my
release singles and also as a DJ, I've always tried
to showcase those sounds. But this time it is my
(37:11):
tribute to Doctor Trey, whose music has influenced me and
so many artists around the world. So the track should
be out on the first of me and I'm really
excited about the music video. It's been done by sam Battacharji,
who has won so many prestigious awards like the Dada
syb Falk Award. The music video has some cutting edge
(37:33):
EI programming in terms of audio. It showcases, you know,
the true essence of gangster hip hop from the nineties,
just like the Masters did it back in the day. Basically,
it is our Punjabi version of gangster hip hop and
I hope everyone enjoys it.
Speaker 12 (37:48):
Back to you, Sammy, thank.
Speaker 6 (37:50):
You so much, Manish, We're here for it. This song
is called Vadia and it features Romo Hans.
Speaker 35 (37:59):
Kid AMR cannot JR the ok okayally no, I but
it's supper rapper. He ran Ram cannot jr the okay
Personally no, I but it's person rapper but by sky
(38:25):
by by much, I say.
Speaker 6 (38:30):
The very raki a.
Speaker 35 (38:38):
Mar cannot do the l o graha that I but
supper rapp very raki Amar cannot do the.
Speaker 21 (38:51):
Ok gray that I but it up.
Speaker 28 (38:55):
Person but.
Speaker 2 (39:14):
You wanna came and.
Speaker 1 (39:19):
Diana son soon.
Speaker 28 (39:25):
T and and the time.
Speaker 9 (39:38):
Call and come on.
Speaker 1 (39:43):
The very ark okay okay very a kid.
Speaker 6 (40:12):
The song is called Vanya. I wanted to bring in
my buddy, Sonny. Got a while into the show. Was up, Sonny,
did you get a chance to hear that interview with
ash Sing?
Speaker 7 (40:22):
Dude, I'm gonna relate to that guy, think I am
funny thing.
Speaker 6 (40:28):
I really enjoyed that conversation, Sonny. It was you know,
he was really upfront, and I'm really happy that he
answered his question. Of course about his marriage. It's something
that everybody wants to know about, and he was very
open about it. And and of course he talked a
lot about his career and what he's doing. But I
think this interview was a moment for him as well.
(40:50):
I think he got a chance to address something that
everybody has been thinking about, and I think he hit
it right on the head.
Speaker 36 (40:58):
Acting you would do you with so warm and comforting,
and also you got him to you know, you're going
to do a safe space where he felt comfortable talking
about it.
Speaker 7 (41:08):
Do you know what I mean? And not every interviewer
can do.
Speaker 36 (41:11):
That is a skill in itself, just to make people
feel comfortable in these kinds of spaces.
Speaker 7 (41:15):
And don't forget the.
Speaker 36 (41:16):
Fact that you know, he was like, I don't know,
so when you asked him about his wife. Was this
something that was be prepared Did he know about it
or is it something that you just asked off the cough.
Speaker 7 (41:26):
I mean, you know, like something like that.
Speaker 36 (41:28):
I guess you you cannot be really think about it
or you're prepared.
Speaker 6 (41:33):
I did prepare him, you know, it was something that
was I didn't want to feel like I was ambushing
him on the air with a question that was so personal,
because you know, there's this public persona thing going on,
but you got to forget you forget it's a husband
and wife and their private dynamic is playing out in public,
and so I don't want to just pull that into
(41:53):
the front of this conversation like that, And so I
did prepare him. I said, listen, I if it's okay
with you, do you mind if I ask you the
personal question. And he was open with it, and he
was like, yeah, man, totally cool with it and totally open.
And I just loved how he hit it head on.
And you know, the answer was great because he said, listen,
I know that people have this kind of thought as
(42:14):
to what's going on, but you know, in our private life,
we're completely happy with each other. And I've seen and
there's no evidence of any of these false rumors that
were being spread. And apparently, you know, there are people
around him that were doing that, and so he kind
of knew where the information was getting leaked out and
it was just just down to them as a couple
kind of remaining strong through it all. And I think
(42:35):
they did that and that's what he was reflecting on,
I think in that interview. And so but it was
an interesting conversation. Nonetheless, Oh god, yeah, I mean, don't.
Speaker 36 (42:42):
Forget when it first came out as a station that
reflects from the culture and what's going on, and especially
with the support of people from our community and the mainstream.
Like he is, he is mainstream, he's not. He's not
he's not an Indian. He's talking about Indian things. You're
just a comedian talking about his experiences of what that
may be. And the fact that we commented on the
(43:04):
station about this incident with his wife and her podcast
and her remark, I think it would have been I
think it would have been a missed opportunity if you
didn't ask him, because I think it's something that he
feels that, Oh, they talked about this situation, but they
also gave me the chance to sort of address it
as well, and I think that just gives credit to
(43:24):
the station that we have the freedom to have these
kinds of conversations and also bring on the people that
we are talking about and give them the opportunity to
give their side of event, you know what I mean,
because there all speculation unless you're in that room with
each other. I mean, that's a husband and wife relationship.
We don't know what happens. And I said this on
the I think I said this to you as well.
Speaker 7 (43:43):
As long as you happy with his wife with whatever
he does it, that's between them two.
Speaker 36 (43:48):
But what's coming out And maybe and I did say
this is well, I'm sure about her, you know her
experience on these you know, and the language or how
she presented herself. Maybe a bit more guidance would have
been appropriate, you know what I mean.
Speaker 7 (44:01):
Yeah, And he's just skill, because don't get this guy.
He's a comedian. He's really good at what he does.
He's been doing it for years, you know what I mean.
He's like grafted.
Speaker 6 (44:10):
He's a pro.
Speaker 36 (44:10):
He didn't just turn up on YouTube and he was
overnight success.
Speaker 7 (44:13):
He's been grafting.
Speaker 36 (44:14):
And you know how comedy club then you and and
I guess you would know bet than I because he's
it's in America that he's you know, cut his teeth.
Speaker 7 (44:22):
And did the groundwork.
Speaker 6 (44:23):
Yeah, he has been really working the scene for a while,
and you know, there is a public persona and there's
a private persona, right, and I think that you know,
they're probably skating in between those two worlds. But it
was a fascinating conversation. I think. You know, listen, you
take a step back from this. The gentleman is about
to perform at Radio City Hall here in New York
City in front of six seven thousand people, which is
(44:45):
going to be an amazing accomplishment on a personal level.
So you know, he's rebounded well from this, and I'm
proud of him, you know, as a friend, and I
think that it's something that we can all take something
away from that. No matter what may be going on
in the private life or whatever, you sometimes got to
put your head down and just go face the world
and you know, and go be funny on top of that,
(45:05):
which is so hard to do nothing.
Speaker 36 (45:07):
And he is a funny guy. I mean, like you's
good at he's good at breaking people down in the audience.
You know, Like there's some comedians who are like my
favorite comedians are people like you know, I've said this before,
but I've just mentioned this one, Billy Connolly. I love
the way that he sets up a joke and he
takes you on a story and if you heckle him,
or if you interrupt him, he gets pissed the fuck off.
(45:28):
But then he missed me saying, look, you just broke
the I'm trying to paint you a picture here and
there's a punchline he cut thee And when you get
and when you and when you watch him, no one heckled.
Speaker 7 (45:40):
Well, no one heckled him, right.
Speaker 36 (45:42):
And if you go to one of those kind of
comedian shows that any pictures that are setting.
Speaker 7 (45:46):
Up a joke, you don't want them to be interrupted.
Speaker 36 (45:48):
You want to sit back and let them paint that
picture for you, you know what I mean. And there's
comedians like him, like like a gosh, who are like,
come on, bring it on.
Speaker 7 (45:58):
I'm here for you, man. Give me what you've got.
What what do you do for a living? What's that
company you're going? Who's that with you?
Speaker 6 (46:03):
He's one of the.
Speaker 36 (46:04):
Crowd working kind of comedian. Yeah, yes, a lot of
comedians do recently, you know what I mean. And that's
a skill youself. I can't wait for him to come
to London, Yeah, I.
Speaker 6 (46:14):
Can't wait for you. An interview would be a great conversation, Sonny. Yeah, yeah, yeah,
I can't have all this fun all the time hanging
out with you, right, Sonny.
Speaker 4 (46:24):
So you know, there you go.
Speaker 6 (46:26):
Great talking with you, Sonny. I'll see you next week, brother,
next week. God, thank you, thank you Sonny. Great Sunny.
Got a while. Check out a show Monday afternoon, five
pm Pacific Standard time. Right here on the signal, here's
a saying.
Speaker 8 (46:40):
Get Russian son head, it's.
Speaker 1 (46:52):
Jack this.
Speaker 8 (47:00):
The looming me. Then ya got this secret name.
Speaker 1 (47:09):
Yello the hera to get jat the data.
Speaker 8 (47:14):
Shaes had abor.
Speaker 27 (47:18):
Pravati, Yes of the loves, the hands a night.
Speaker 37 (47:23):
Ama talk abos so a lie you Hani the bear
she had on.
Speaker 38 (47:38):
Yes s' steemusday da johanahead.
Speaker 1 (47:45):
Do fine BANDI, Oh god, yeah, I got this ya
gandhi what to call sus a kid and he called
the bye.
Speaker 27 (48:00):
I called the job birdym in the bandy, I'm something
body hit and I talk gardy come to him and say,
oh God to MyD had a clean child, yamaya kaki
(48:25):
ya kadi and they chad that your cook from me
or suona chine.
Speaker 8 (48:37):
From the head.
Speaker 1 (48:38):
I got a cold guy who said the lado.
Speaker 27 (48:43):
I got a sort I had no suppose I got
to jove she had those a she.
Speaker 9 (48:51):
Li gotta man your go hadlada.
Speaker 38 (48:57):
Jeli got to put should he Huggy shid do memut
your buddy Hugy Shire go Honey the mass.
Speaker 1 (49:12):
And hug He Shy put your super hell holl be everybody,
hug he shot.
Speaker 38 (49:23):
Shy, put your super head you everybunny Huggy Shi Sho.
Speaker 8 (49:38):
Yoshian. So the head's gentle mine to.
Speaker 11 (49:42):
Get in, Theylla said Jack Marco getting me. It's your
young guess Jack getting your pool.
Speaker 38 (49:53):
Okay, I'm getting Mac adding me de lo me me then.
Speaker 8 (50:01):
Get me.
Speaker 6 (50:04):
The great Arhiman Sir, I'm the great the jet saying
collaborating for us here to kick off twenty twenty six,
and they dropped that song, SONNHATI give me my favorites
of the year. Already A conversation with a gosh sing
was great. Big shout out to Sunny Godo Wall for
(50:26):
stopping by today and having a fun chat with me.
Speaker 9 (50:28):
There.
Speaker 6 (50:30):
What a great episode. Now let's bring in Rihanna to
the show. What's up? Rihanna?
Speaker 7 (50:33):
Hey?
Speaker 39 (50:33):
Everyone, this is Random with the News only on dasp
rising on Rakus Avenue Radio You're Home Away from Home.
We close the week with Opportunity for youth and responsibility
and Technology. Nepal's government has introduced a workforce development program
targeting youth employment and vocational training. With a large young
population and migration pressures, job creation remains critical to long
term economic stability. These initiatives aim to produce outward labor
(50:55):
dependency and strengthen domestic industries. Government's worldwideer accelerating discussion and
join artificial intelligence regulation focusing on data privacy, misinformation risks,
and labor displacement. South Asians remain heavily represented in global
tech sectors, place in the diaspora at the center of
AI innovation and governance debates. Youth empowerment builds nations, Responsible
innovations build trust. South Asia's next chapter depends on both,
(51:17):
but tell us your thoughts. Follow at rakas Any Radio.
This is Random with the news every Monday through Thursday
on my Heart Radio and Rosave Radio dot Com.
Speaker 2 (51:23):
See you guys next week.
Speaker 6 (51:24):
Thank you so much, Rihanna, See you next week. Our
episode tomorrow is our patented top twenty countdown show. Make
sure you guys tune in for that begins at nine
am in the morning and we run through twenty of
the hottest songs on this show.
Speaker 21 (51:40):
Can't wait, Holy holy son, who is.
Speaker 9 (52:02):
Down on you?
Speaker 7 (52:03):
Deep?
Speaker 1 (52:03):
Okay, not to go down to know who this peer?
Speaker 40 (52:13):
Not to par not to work, Kathaba for kit Hi
par not to work, Kia, but pea fora Hi becoming
at the.
Speaker 4 (52:31):
Lay goes to proof really going to proof.
Speaker 1 (52:37):
To worry because.
Speaker 41 (52:40):
Kitting attack it the miss Marty, maybe Charmant garling at
your lukating get tacks smarting, maybe charpan Cali at your
luve a co.
Speaker 42 (52:53):
About it in your back your do not put under
a cartoon the former a puna my daughter, the.
Speaker 21 (53:07):
Pich on you.
Speaker 13 (53:10):
Below, Camel go.
Speaker 1 (53:15):
Down on you deeplow Camel, go this.
Speaker 41 (53:25):
I know manas honey.
Speaker 1 (53:27):
Then Kiko comp.
Speaker 41 (53:32):
How made we Insunia?
Speaker 1 (53:35):
They took.
Speaker 41 (53:38):
Nay listener, Canny jail you made Reding He's the bog.
Speaker 21 (53:49):
To Toronto be a t o O.
Speaker 41 (53:51):
Kitting jettack it, the smarting Mike Sure but until okay,
but Han Kit and Jetta smarting, Mini.
Speaker 9 (53:59):
Youre.
Speaker 6 (54:04):
My buddy, just me not there getting together there with
jim Ma Wai the song is called Haji Mustan. Now, folks,
let's bring in our own Douita da Gupta to this party.
How are you today, Douita Hi?
Speaker 1 (54:20):
Everyone?
Speaker 4 (54:21):
This is the data Eurakasavni radio music correspondent back with
another artist, Spotlight today. We're spotlighting in their Pomoga, the
Punjab singer, songwriter and collaborator whose smooth vocals and modern
Punjabi hip hop style has helped shape a fresh sound
in the global scene. Best known for his creative partnership
with Jenny Natan in Their Pool, has steadily built a
(54:43):
strong fang based through tracks that next catchy hooks, Punjabi
storytelling and contemporary production. In twenty twenty five, he took
a major step forward with the release of the collaborative
album Nice Day in the Pin, featuring standout songs like
best Friend, Brown, Brown, Rang Kikata and Crazy and Love,
showing his versatility across romantic melodies and upbeat anthem style tracks.
(55:06):
He also appeared on collaborations like m Foward, Doctors Us,
and Jenni Notathan, continuing to expand his reach across international
Punjabi music audiences heading into twenty twenty six. In their
book kept the momentum strong with his latest single pr
Again with Jenny Nothan, released in February, proving his consistency
and growth as an artist known for blending malatting vocals
(55:27):
with modern production and relatable lyrics in their Polmoga continues
to build his identity as one of the key voices
pushing Punjabi pop and hip hop forward, delivering music that
feelds both global and deeply rooted in Punjabi culture.
Speaker 9 (55:41):
Well that's all for me.
Speaker 4 (55:42):
Stay tuned for more only on Ruckus Avenue Radio.
Speaker 6 (55:45):
Thank you so much, Dreta in the Palmoga, Jenny Nata
and this is Miss Buja, Canadian Dreams.
Speaker 2 (55:56):
Data, the Hurricane. They are just the gang.
Speaker 7 (56:03):
Put the.
Speaker 2 (56:11):
John and He's Hurrica for you.
Speaker 9 (56:15):
With you.
Speaker 7 (56:18):
But the jam the I can need Daddy Dream, the
gn The I.
Speaker 3 (56:21):
Can need Danny Dream the cat the Joy I can
eat Eddy Dream, But the Jam I canna Daddy Dream,
the j.
Speaker 1 (56:31):
I can need.
Speaker 6 (56:35):
Morning. I forgot the yard.
Speaker 9 (56:39):
And the money a name, but he's a king number
for me to me.
Speaker 2 (56:53):
Luck after.
Speaker 9 (56:56):
They can.
Speaker 42 (56:58):
Customer the stream.
Speaker 3 (57:03):
But the jam the I canned Danny Dream Jet then
I can dreams the Karen get the John.
Speaker 2 (57:11):
You can net Anny Dream, but the Jam I can
nave Dy Dream Jet.
Speaker 1 (57:16):
The John Cannet.
Speaker 2 (57:21):
Looking like data.
Speaker 1 (57:23):
Cities around.
Speaker 13 (57:26):
The will double.
Speaker 9 (57:27):
You got to go to China High remember.
Speaker 1 (57:41):
John Bick Crime.
Speaker 3 (57:43):
But the Jam I can nave Danny dream Jet, the
gnat Danny dream as the Kan get the John.
Speaker 9 (57:51):
I can meet Anny Dream Dream and.
Speaker 6 (57:58):
Miss Canadian Dream. That song called a little controversy out
there because of some kind of terms bunched together that
maybe contradict certain spiritual people's kind of standards. And so
I'll leave that there for you. But man, they're good.
Jenninathanderbaum Ooga. Nobody better out there to be stewards of
(58:20):
this culture for sure. Listen, let's talk about some comedy here. Know,
ver Das won an International Emmy, Zaker Khan sold out
the Madison Square Garden in Hindi. Gosh Sing is that
radio city this weekend. Montpret Sing was right here on
the show last week. And none of them, not one
got there by being less than who they are. Verdas
(58:41):
didn't tone down his politics, Zaker Khan didn't sweitch to
English all of a sudden, and a Gosh didn't soften
his edges pre didn't leave Punjabi at the door. They
all walked in fully themselves and the rooms filled up.
That's not a coincidence. That's a pattern, and it's the
same pattern I've been talking about all week long. Asha
(59:03):
Bosley sang in her own voice for sixty years, del
Jet War to Coachella. The comedians did the same thing.
They just made you laugh while doing it. South Asians
are funny. We've always been funny. The world is just
finally paying attention. That's the bridge. I'll see you guys
tomorrow for the Top twenty Countdown show. Here's Simmer and
(59:27):
Jawdry and chat here see you tomorrow.
Speaker 43 (59:30):
Did is a little funny stall Anny did look Nju
but Anny Kulakanaco with honey John arm It is a
clean of a hobby in the Southern Ckyta.
Speaker 1 (59:51):
Look God anymore, Honey, This
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