May 14, 2026 • 59 mins
May 14, 2026 — “The Great Negotiation of the Collaboration”
The Bridge is available on the iHeart Radio app
Episode 533
ON TODAY'S SHOW
Sammy Chand's Friday show is a special collaborations edition — an hour of East-West collaborations between Indian and non-Indian artists, with each record carrying its own story. The hour opens with Diljit Dosanjh, David Guetta, and Sia on Ranjha, then threads through Ed Sheeran and Arijit Singh on Sapphire, Karan Aujla and OneRepublic on Tell Me, Nas with Sid Sriram and Steel Banglez on Times, Jackson Wang and Diljit on Buck, Jay Sean and Lil Wayne on Down, AR Rahman with Shuba, Mayssa Kara, and Brandon Diaz on Jamal, Ed Sheeran and Karan Aujla on Symmetry, Coldplay and Jasleen Royal on We Pray, Stefflon Don and Sidhu Moosewala on Dilemma, Tesher and Jason Derulo on Jalebi Baby, King and Nick Jonas on Maan Meri Jaan, Sammy Chand's own collaboration with Tisha Campbell on Don't Walk Away, AP Dhillon and Stormzy on Problems Over Peace, Diljit and Sia on Hass Hass, Karan Aujla and OneRepublic on Admiring You, and Panjabi MC and Jay-Z on the closer — Beware of the Boys. In his closing remarks, Sammy makes the case from inside the rooms — what an East-West collaboration actually costs, why each one is an act of trust, and why the songs that live in that math are the future of this music business. Plus Dr. Roy on Word On The Avenue and Doyeeta Das Gupta with the Artist Spotlight.
FEATURED MUSIC
Ranjha — Diljit Dosanjh, David Guetta, Sia Sapphire — Ed Sheeran, Arijit Singh Tell Me — Karan Aujla, OneRepublic Times — Nas, Sid Sriram, Steel Banglez Buck — Jackson Wang, Diljit Dosanjh Down — Jay Sean, Lil Wayne Jamal — AR Rahman, Shuba, Mayssa Kara, Brandon Diaz Symmetry — Ed Sheeran, Karan Aujla We Pray — Coldplay, Jasleen Royal Dilemma — Stefflon Don, Sidhu Moosewala Jalebi Baby — Tesher, Jason Derulo Maan Meri Jaan — King, Nick Jonas Don't Walk Away — Sammy Chand, Tisha Campbell Problems Over Peace — AP Dhillon, Stormzy Hass Hass — Diljit Dosanjh, Sia Admiring You — Karan Aujla, OneRepublic Beware of the Boys — Panjabi MC, Jay-Z
FEATURED GUESTS & CONTRIBUTORS Dr. Roy — Word On The Avenue, daily Rukus Avenue Radio All-Stars segment Doyeeta Das Gupta — Artist Spotlight, daily Rukus Avenue Radio All-Stars segment
RUNDOWN 0:00 Sammy Opening 2:30 Ranjha — Diljit Dosanjh, David Guetta, Sia 5:20 Sammy 5:34 Sapphire — Ed Sheeran, Arijit Singh 8:22 Sammy 8:51 Tell Me — Karan Aujla, OneRepublic 11:24 Sammy 11:47 Dr Roy with the Word On The Avenue 13:06 Sammy 13:22 Times — Nas, Sid Sriram, Steel Banglez 16:10 Sammy 16:54 Buck — Jackson Wang, Diljit Dosanjh 19:31 Sammy 20:36 Down — Jay Sean, Lil Wayne 23:34 Sammy 24:22 Jamal — AR Rahman, Shuba, Mayssa Kara, Brandon Diaz 27:54 Sammy 28:17 Symmetry — Ed Sheeran, Karan Aujla 31:07 Sammy 31:44 We Pray — Coldplay, Jasleen Royal 34:50 Sammy 35:16 Dilemma — Stefflon Don, Sidhu Moosewala 38:11 Sammy 38:41 Jalebi Baby — Tesher, Jason Derulo 41:03 Sammy 41:31 Maan Meri Jaan — King, Nick Jonas 44:15 Sammy 44:48 Don't Walk Away — Sammy Chand, Tisha Campbell 48:16 Sammy 49:06 Doyeeta Das Gupta delivers the Artist Spotlight 50:05 Sammy 50:36 Problems Over Peace — AP Dhillon, Stormzy 52:34 Sammy 53:01 Hass Hass — Diljit Dosanjh, Sia 55:06 Sammy 55:41 Admiring You — Karan Aujla, OneRepublic 57:31 Sammy Chand Closing Remarks 59:24 Beware of the Boys — Panjabi MC, Jay-Z
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-bridge-by-sammy-chand--6650619/support.
Sammy Chand's daily radio show on Rukus Avenue Radio is the leading Indian music and culture show in the world. The one hour show airs daily worldwide.
"South Asian music podcast," "Punjabi music show," "Bollywood commentary," "Indian diaspora radio", "Indian Music", "Top Indian Radio Show", "Punjabi Radio Show", "Indian Radio Host", "Punjabi Radio Host".
The Bridge is available on the iHeart Radio app
Episode 533
ON TODAY'S SHOW
Sammy Chand's Friday show is a special collaborations edition — an hour of East-West collaborations between Indian and non-Indian artists, with each record carrying its own story. The hour opens with Diljit Dosanjh, David Guetta, and Sia on Ranjha, then threads through Ed Sheeran and Arijit Singh on Sapphire, Karan Aujla and OneRepublic on Tell Me, Nas with Sid Sriram and Steel Banglez on Times, Jackson Wang and Diljit on Buck, Jay Sean and Lil Wayne on Down, AR Rahman with Shuba, Mayssa Kara, and Brandon Diaz on Jamal, Ed Sheeran and Karan Aujla on Symmetry, Coldplay and Jasleen Royal on We Pray, Stefflon Don and Sidhu Moosewala on Dilemma, Tesher and Jason Derulo on Jalebi Baby, King and Nick Jonas on Maan Meri Jaan, Sammy Chand's own collaboration with Tisha Campbell on Don't Walk Away, AP Dhillon and Stormzy on Problems Over Peace, Diljit and Sia on Hass Hass, Karan Aujla and OneRepublic on Admiring You, and Panjabi MC and Jay-Z on the closer — Beware of the Boys. In his closing remarks, Sammy makes the case from inside the rooms — what an East-West collaboration actually costs, why each one is an act of trust, and why the songs that live in that math are the future of this music business. Plus Dr. Roy on Word On The Avenue and Doyeeta Das Gupta with the Artist Spotlight.
FEATURED MUSIC
Ranjha — Diljit Dosanjh, David Guetta, Sia Sapphire — Ed Sheeran, Arijit Singh Tell Me — Karan Aujla, OneRepublic Times — Nas, Sid Sriram, Steel Banglez Buck — Jackson Wang, Diljit Dosanjh Down — Jay Sean, Lil Wayne Jamal — AR Rahman, Shuba, Mayssa Kara, Brandon Diaz Symmetry — Ed Sheeran, Karan Aujla We Pray — Coldplay, Jasleen Royal Dilemma — Stefflon Don, Sidhu Moosewala Jalebi Baby — Tesher, Jason Derulo Maan Meri Jaan — King, Nick Jonas Don't Walk Away — Sammy Chand, Tisha Campbell Problems Over Peace — AP Dhillon, Stormzy Hass Hass — Diljit Dosanjh, Sia Admiring You — Karan Aujla, OneRepublic Beware of the Boys — Panjabi MC, Jay-Z
FEATURED GUESTS & CONTRIBUTORS Dr. Roy — Word On The Avenue, daily Rukus Avenue Radio All-Stars segment Doyeeta Das Gupta — Artist Spotlight, daily Rukus Avenue Radio All-Stars segment
RUNDOWN 0:00 Sammy Opening 2:30 Ranjha — Diljit Dosanjh, David Guetta, Sia 5:20 Sammy 5:34 Sapphire — Ed Sheeran, Arijit Singh 8:22 Sammy 8:51 Tell Me — Karan Aujla, OneRepublic 11:24 Sammy 11:47 Dr Roy with the Word On The Avenue 13:06 Sammy 13:22 Times — Nas, Sid Sriram, Steel Banglez 16:10 Sammy 16:54 Buck — Jackson Wang, Diljit Dosanjh 19:31 Sammy 20:36 Down — Jay Sean, Lil Wayne 23:34 Sammy 24:22 Jamal — AR Rahman, Shuba, Mayssa Kara, Brandon Diaz 27:54 Sammy 28:17 Symmetry — Ed Sheeran, Karan Aujla 31:07 Sammy 31:44 We Pray — Coldplay, Jasleen Royal 34:50 Sammy 35:16 Dilemma — Stefflon Don, Sidhu Moosewala 38:11 Sammy 38:41 Jalebi Baby — Tesher, Jason Derulo 41:03 Sammy 41:31 Maan Meri Jaan — King, Nick Jonas 44:15 Sammy 44:48 Don't Walk Away — Sammy Chand, Tisha Campbell 48:16 Sammy 49:06 Doyeeta Das Gupta delivers the Artist Spotlight 50:05 Sammy 50:36 Problems Over Peace — AP Dhillon, Stormzy 52:34 Sammy 53:01 Hass Hass — Diljit Dosanjh, Sia 55:06 Sammy 55:41 Admiring You — Karan Aujla, OneRepublic 57:31 Sammy Chand Closing Remarks 59:24 Beware of the Boys — Panjabi MC, Jay-Z
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-bridge-by-sammy-chand--6650619/support.
Sammy Chand's daily radio show on Rukus Avenue Radio is the leading Indian music and culture show in the world. The one hour show airs daily worldwide.
"South Asian music podcast," "Punjabi music show," "Bollywood commentary," "Indian diaspora radio", "Indian Music", "Top Indian Radio Show", "Punjabi Radio Show", "Indian Radio Host", "Punjabi Radio Host".
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
South Asian music and culture can.
Speaker 2 (00:02):
Be found around the world.
Speaker 3 (00:05):
We tracked down the best and presented here for you
Ruckus Avenue Radio.
Speaker 4 (00:15):
Hey, this is cal Ben.
Speaker 5 (00:16):
You're listening to The Bridge with Sammy John.
Speaker 6 (00:19):
Hey, this is viv Does and you're listening to the Bridge.
Speaker 1 (00:21):
It's Sammy John on Ruckus Avenue Radio.
Speaker 5 (00:26):
BABYO b bol.
Speaker 1 (00:31):
Good, great things.
Speaker 5 (00:32):
Everybody. My name is Sammy John, and welcome everybody to
a May fourteenth edition of The Bridge. Got a great
hour for you, and this is a very special Thursday
episode because what we're gonna do is something very unique
that we have never done on this show before. We're
(00:55):
rolling out an entire hour of cross cultural collaborations on
this show. So what we're doing is we're taking some
of the leading Indian South Asian artists. I'm playing songs
that they have collaborated with American or Western artists with
(01:16):
and I'm looking forward to not only playing these songs
for you today, but talking a little bit about them.
I'll share my insights as to what really makes up
these songs and what makes them successful, what is the metric?
Gotta be fun. We'll be joined today by Doctor Royas Guptas.
(01:43):
They bring us things from around the diaspora. Today, Doctor
Roy with the Daily Word on the avenue, I'm gonna
cover an artist spotlight for you today. A lot of
great stuff going on around the signal. If you're around
Ruckus Abney Radio, check them out Tonight at eight pm
(02:06):
Indian Standard time will be airing. They were on right
before me this morning on ruckus Abney Radio. Get ready
for them again tonight. As I mentioned to you, it's
a world of collaborations out there. Some of them make sense,
(02:26):
some of them don't. A lot of them sound great,
some of them don't. We'll dive into the great ones today.
Let's start with this one.
Speaker 7 (02:36):
Vid the kadeti until everybody ge kadi, until everybody give here.
You don't munde up of ali vid de kadeti until
everybody givion.
Speaker 8 (02:59):
Bell man numbers on the calie.
Speaker 7 (03:04):
With the kati dunail. Everybody, hiy, very heat.
Speaker 2 (03:10):
In the shave.
Speaker 7 (03:11):
You here to see a yardman of it, very heat
in the shave. You here to see a yardman of
a delivered taven Hold on hold a live delivered dave.
Heaven hold her lady would delivery tell not that they've
play hold on, hold would delivery tell not that they've
(03:32):
play hold on, hold on with the katy dun jail.
Everybody he the k n jail. Everybody gili with the
kathi unjail.
Speaker 8 (03:48):
Everybody viola be s no nero la be their man
numbers on the Carlie.
Speaker 9 (04:03):
That, don't everybody, Yeah, you look like the lover I've
been seeing in my dreams. Kisses on my color. We
see you look like the lover I've been open. Now
we're fine times into your Harby's sitting around my mind.
Speaker 6 (04:24):
Lady, deliver the heather.
Speaker 10 (04:27):
Hold hold, I.
Speaker 11 (04:28):
Mean only one one more mommage your time at the hold.
Speaker 6 (04:32):
Lady, deliver the hold hold up, I.
Speaker 11 (04:36):
Mean only one.
Speaker 7 (04:38):
My heart by showing up showing up with that, don't everybody.
Speaker 12 (04:45):
That.
Speaker 2 (04:46):
Don't everybody give any problem up of alli.
Speaker 13 (04:52):
With that.
Speaker 2 (04:54):
Don't everybody.
Speaker 1 (04:56):
I think you're saying, no need o be.
Speaker 8 (05:01):
You see needle good veal numbers on the corni.
Speaker 2 (05:09):
Nikai everybody.
Speaker 12 (05:20):
Yeah.
Speaker 5 (05:20):
It's one of the big highlights of the collaborative world
over this last month or so. David Getta Delgito Songs Sea.
The song is called Ranjah and it's produced by David ghetta.
This next one is Zat Sheeran saying you glue.
Speaker 11 (05:37):
You can't her in fraction the light.
Speaker 14 (05:40):
You can't help but shine shin no, no, you carry
the world on your back. Look at you tonight, the
light your fays.
Speaker 11 (05:57):
You ain't exploded in like five.
Speaker 15 (06:01):
Woods the sky step up to.
Speaker 2 (06:05):
Your body, but you put your nom me. Don't you
win the body?
Speaker 16 (06:09):
I can do this, Abby Tooby danced until the morning,
Go the baby boat sleep, Tell me um umba to
sit down about again?
Speaker 2 (06:15):
Tell me about about you put your own be. Don't
you win the party?
Speaker 16 (06:19):
I can do this, Abby good be danced util the morning,
go the baby boot sleep, Tell me jump jumma, sit
down about.
Speaker 2 (06:25):
Again under the lipod range this under the lit many
mamas the look.
Speaker 17 (06:33):
Do you do? You know?
Speaker 11 (06:36):
That's it?
Speaker 18 (06:36):
Anna Na, that't houck man, No corner, you're AM's.
Speaker 11 (06:42):
Pen and the bar gave Barty.
Speaker 10 (06:47):
Goe Jack Jack today said Joe, shut up your body
and you put you know me? Don't you win the party?
Speaker 1 (06:59):
I can this, hobby?
Speaker 16 (07:00):
Can you began to do the morning on the baby
won't sleep, um um baby.
Speaker 2 (07:06):
Talk your body by your push Hobby got you the party?
I can do this hobby. Can we dance to the
morning on the baby won't sleep?
Speaker 18 (07:17):
I am at Chard mcay and I'm not.
Speaker 11 (07:22):
Going to be light and you child a fire, but
let us to get in our warm group.
Speaker 16 (07:33):
But your guy more joy, get the day, bunga lat
packet and the COMPARI haven't internet out and.
Speaker 17 (07:47):
Push.
Speaker 2 (07:49):
Can't you mate the party? I can do this hobby
to be danced toil in the morning when the baby
won't sleep? The body Passion true.
Speaker 19 (08:13):
Stut two of the biggest artists on the planet right
there on one song.
Speaker 5 (08:25):
And I don't think you could have imagined it going
any better than that song. Sapphire ed Sheeran sing, I
love that one. It's a great song.
Speaker 11 (08:37):
It's one of the.
Speaker 5 (08:38):
Better collaborative songs that we're gonna play in this hour.
And this is a pretty good one too. One Republic
got a Dodola. The song is called tell.
Speaker 6 (08:50):
Me Get Down.
Speaker 20 (09:00):
That's a day They slow j pauling get down. That's
a I see card. They Hey, Charlie, that's Admi. I'm
not trying to say you're trying to tell you what
it is. I want to give you everything that don't.
Speaker 2 (09:16):
Be on events. I card.
Speaker 11 (09:18):
Listen that the king Garden the money now the key.
Speaker 21 (09:25):
On.
Speaker 2 (09:26):
That's the day, Harley John, that's the day.
Speaker 21 (09:34):
Tell me, tell me, tell me, tell met me got.
Speaker 11 (09:49):
Mam Ma, I just kill me, so you gotta god
got tell me so you gotta gol got to me.
Speaker 20 (10:03):
Terrible loaches about in art are Karada he does then
as Amanda Sarama, he does, Menura collad many a para
data could have a security theory. Lord manaybody who is akada.
Speaker 11 (10:25):
The theory?
Speaker 2 (10:26):
High that's the day. Yell that today, woo.
Speaker 17 (10:43):
Tell me.
Speaker 11 (10:50):
Caraman, just give me so you got got got tell
me you gotta go that.
Speaker 17 (10:59):
Tell me.
Speaker 1 (11:03):
You gotta tell me.
Speaker 5 (11:25):
Probably wondering how two artists from totally different corners of
the world get together. Few ways agencies that share common
clients is one record labels that have clients in common,
and then the good old social network. They run into
each other in different places, and we'll talk more about
it here. Now let's bring in doctor roy to the show.
(11:46):
Stop doctor Roy.
Speaker 22 (11:47):
Hey, guys, this is doctor Froywood. Today's word on the Avenue.
In film and TV news, global star Prianca Jobra Jonas
is continuing her international streak with the survival thriller Reset,
where she stars opposite Orlando Bloom. Following major projects alongside
Idris Elba and John Cena, the role further cements for
expanding presence in global cinema. Critics, however, have noticed that
(12:08):
she's been typecast as only in action star, so let's
wait to see what Reset does for Brianca Jobrahm. In
media news, Indian Coo Tour laborer follow Guiney Shane Peacock
has unveiled a new campaign starring rising international model Pomika Yadev,
highlighting India's growing influence in global luxury fashion. Fresh off
of her break through presence with Chanel, Mumika represents a
(12:31):
new generation of Indian talent, confidently stepping onto the world
stage and breaking traditional beauty norms. In event News, at
the Medgala, designer Mayor Kirodra spotlighted the endangered Bengali craft
of Shola art in a striking Kotur moment created with
artisans from Gulgata. The intricate designs, traditionally carved from the
(12:52):
pith of an aquatic plant, are innovatively recreated using recycled
rubber waste and layered over a gold and silver Ganjibur.
I'm sorry blending sustainability, heritage and high fashion. That's it
for today's word on the Avenue until next time.
Speaker 5 (13:06):
Thank you so much for that, doctor Roy.
Speaker 2 (13:08):
Thank you.
Speaker 5 (13:10):
This next song another one of my personal favorites for sure.
I've played it one time before this week. It's produced
by Steel Bangles. It's Knaves with sis rerun there Worth.
Speaker 23 (13:24):
My sore broken there Worth, My maid was shaking some right.
Nohow we made it love one, not around say it's
just beginning.
Speaker 2 (13:44):
They're not doing real hard.
Speaker 17 (13:46):
I am.
Speaker 11 (13:49):
Out of paint.
Speaker 6 (13:52):
Shoulder looking at the head in the world.
Speaker 11 (13:56):
Not in the world way.
Speaker 23 (14:00):
Said a lot too far, like I was gonna drawn,
or there were time my soul so broken there worthig.
Speaker 2 (14:11):
My faith was shaking some right. Somehow we made it.
Speaker 11 (14:19):
Love was on the round.
Speaker 2 (14:21):
Nas say it's justice beginning. Yeah, you say, no longer killed.
Written by the Silken Linen.
Speaker 24 (14:28):
Never condemn it, never condescending before you hear something mistoke again.
If people love it, you'll see the pope on the
beach in.
Speaker 5 (14:34):
The tucket play the trumpet.
Speaker 1 (14:36):
Somehow, some way, we made it out the filth and.
Speaker 24 (14:38):
Garbage where people killed for Nasis, well as saying we
need to be brought again from the problems of Harlequins
and the Charlatans trying to stick they thoughts in them,
but they can kill the confidence.
Speaker 5 (14:46):
Let's say religious.
Speaker 24 (14:47):
But yoh see the crescent, see the illuminated crossing the
sky in the distance, or maybe your sister clouds. How
they shaped up my bushes. Tell let me never play
down my true existence.
Speaker 1 (14:57):
Forget what you know.
Speaker 24 (14:58):
Just take a leap, no matter how high up you all,
how deep, oh what height it is, be the mightiest.
Speaker 5 (15:04):
We've been in a tight spot fight.
Speaker 11 (15:08):
Mussel so broken that they worth.
Speaker 23 (15:14):
My faith was shaking someway somehow.
Speaker 11 (15:19):
We made it.
Speaker 23 (15:21):
No, one n't say it's just a begin it you
say it's.
Speaker 11 (15:27):
Just to begin.
Speaker 25 (15:31):
Coun didn't then it didn't, Then it can didn't. There
didn't there Oh there were muscle the broken. My faith
(15:56):
was shaking, shake some way, somehow.
Speaker 5 (16:01):
We made it.
Speaker 23 (16:05):
Well, they sun the beginning these days, just the beginning.
Speaker 5 (16:10):
Song is called times Steel Bangles nah sits re classic classic,
really looking forward to next week here on the show.
If you guys are familiar with the Render soundtrack one
and two, the original and then The Revenge. You know
how much of an impact that film has made on
(16:32):
Indian cinema overall. We'll talk about it. We'll get into
it next week and we'll cover the entire soundtrack one
and two in that week long special that we'll do.
So make sure you come join us. And this is
all ahead of this weekend's big Netflix rollout of the
Rendered The Revenge. Yeah you heard it here first got
(16:52):
an extended version, folks, go check it out.
Speaker 17 (16:55):
See you, see you worsday this, see you what it this?
Can you show you how to do?
Speaker 21 (17:04):
Is?
Speaker 17 (17:05):
Show you how it is? Show you how to is
like you show.
Speaker 11 (17:09):
You how to is?
Speaker 17 (17:10):
Ain't no sleep? We don't walk NV don't walk a
my guyes n see me and living out? Give me
that bother?
Speaker 26 (17:17):
Give me then get bad little thing smell wish to
turn around the bush. I was in the streets just there,
you know, I got hanging around the comfort green light
everything green light. You know, but what she toxic and
mean like can't get it past to the back room
while the best friends try to show her to that
today I thought this was a body Hey, ain't she
(17:37):
would catch me a body birth?
Speaker 17 (17:39):
And wish what did you please, I can try to
talk and getting lost in the group. Please say you
wanna dance? I wanna see you wanna this? You wanna
wanna see what dance you see?
Speaker 11 (17:49):
You want this?
Speaker 17 (17:51):
Make you show you how it is, show you how
to is, show you how to like you see you
know slee Wi, wow and pay, don't talk about buy
and see it? Give me there, give me there?
Speaker 6 (18:07):
But do you believe that upon aday other?
Speaker 17 (18:24):
Buddy? Daddy?
Speaker 6 (18:27):
What do you really tell about?
Speaker 17 (18:28):
Daddy?
Speaker 2 (18:36):
There somebody there.
Speaker 17 (18:39):
Past of this was a party and she would catch
me a party. I don't day you much for a
few I'm trying to talk against and any say you
want to dance? You want to dance? See you dance?
So you want to? And I'm like you, Sure you
had to dance. Sure you had a dance. Sure you had.
(19:03):
We don't love and don't look about and I can
show you how to day.
Speaker 5 (19:32):
A lot of people had. I guess the phrase is
mixed feelings about this song and Jackson Wang is an
Ada rising artist. Delgito songs one of our finest here
in the South Asian space and the two of them
getting together on a song that Jackson Wang had prepared
for his album, and then the collaboration happened and a
(19:55):
very unique way for dil Git to really tap into
that Asian market. And if you remember, this was ahead
of right when Bill jeth Was was headed over into
that neck of the woods there with his Illuminati tour,
So the timing of this was very opportunistic. There great
collaboration and a great collab between eighty eight Rising and
the dil G team. This next song was one of
(20:17):
the most iconic when it comes to Indian and non
South Asian artists. It's Jay Sean and Lil Wayne.
Speaker 1 (20:25):
The song is called down maybe.
Speaker 2 (20:27):
The sky you are know tonight it's not to lay
(20:51):
show a banna see howie lose Countra.
Speaker 27 (20:57):
So lead it behn get.
Speaker 28 (21:01):
Away way, So come on the flam as we make
a gray skatyay.
Speaker 2 (21:12):
So Baby, in a world you are my own lift.
Speaker 11 (21:16):
You are the loveleft de done.
Speaker 28 (21:18):
If the sky is falling down, you'll be my homeleft.
Speaker 11 (21:23):
No need to worry.
Speaker 29 (21:25):
Baby. Are you downtown down downtown?
Speaker 17 (21:32):
Baby?
Speaker 29 (21:32):
Are you downtown down downtown?
Speaker 11 (21:39):
See done?
Speaker 30 (21:40):
If the sky is falling down, just let it be
commanding your pipext gud I'll take you away.
Speaker 2 (21:50):
By johnas basing. You are private, so leave it behind because.
Speaker 1 (21:57):
We heaven that again.
Speaker 28 (22:00):
Wait wait, so come on flub min as we make
a gret Eskaty.
Speaker 11 (22:08):
So why don't you want wady?
Speaker 27 (22:10):
You want ready with my old world.
Speaker 28 (22:14):
You won't be long left in the sky is falling down.
Speaker 11 (22:19):
You'll be my home.
Speaker 17 (22:20):
Lift.
Speaker 29 (22:21):
No, Bbie, are you downtown down?
Speaker 11 (22:25):
Downtown?
Speaker 29 (22:30):
Baby? Are you downtown down downtown?
Speaker 18 (22:36):
You down in the skies falling down like she supposed
to be?
Speaker 2 (22:42):
She gets down loaf for me, down like her temperature
as me. She's zero degree, she called over freeze. I
got that girl from overseas.
Speaker 8 (22:51):
Now she's gonna miss America and I cannot be her
social Please, I'm fighting for this girl.
Speaker 6 (22:56):
The battle filler love.
Speaker 2 (22:58):
Don't then look like baby Cupis said it was, look buff.
Speaker 31 (23:01):
Don't you ever leave a Sadden me indefinitely, not vibably
and honestly, I'm down.
Speaker 32 (23:07):
I get you kind of meat.
Speaker 2 (23:12):
You will level if the sky is all down?
Speaker 15 (23:21):
Babe?
Speaker 29 (23:21):
Are you down?
Speaker 17 (23:28):
Baby?
Speaker 11 (23:29):
Are you down down?
Speaker 5 (23:34):
Shout out to Jay Shawn. The song is called down
and the collaboration with Lil Wayne right there iconic. I
remember when I first heard this and I fell out
of my chair.
Speaker 17 (23:45):
I was like, what.
Speaker 5 (23:48):
Great stuff? What a big song ended up being one
of the most successful songs, if not the most successful
song the Jay Shawn put out. For sure, this next
song We've got for you. The collaboration, indeed, it's amongst
some very interesting global artists. The foundation of this is
(24:08):
the great Arhimansur as he collaborates with my Sakara Shuba
and Brandon Diaz. The three of them do a wonderful
job on a song called Jamal.
Speaker 33 (24:33):
Yeah, you could be stronger, you could be you could
be the reason and life gets saved. Yeah, you could
be tough in or to break as soft as a
feather and hue in Spain. When you understand the faith,
don't fad. Life is a rebel. And on that game
when it's blacking boo and it's all the same, it's
a long way at the moment then.
Speaker 34 (24:54):
Hal fire away, half fire away. Yeah, yeah, yeah, I'm way.
Speaker 35 (25:12):
Them jummajama, when we gave it, beautiful them, jumma drama,
all of us up, beautiful, Let's get so good and
you say every single moment in flavor, So don't.
Speaker 36 (25:26):
Give up, don't give up, don't give up when the
tides get.
Speaker 11 (25:33):
Don't give up.
Speaker 2 (25:34):
Beautiful because I know what, don dony.
Speaker 33 (25:42):
I see the beautiful.
Speaker 11 (25:46):
Yeah, lay starts.
Speaker 33 (25:58):
No, I don't want to stop being on top of everything.
I've been working and this is my shot. So then missing.
Speaker 8 (26:10):
Yeah you could be strong, Yeah you could be It
could be the reason I gets see.
Speaker 2 (26:14):
Yeah, you could be tough and hard ruber soft as a.
Speaker 11 (26:18):
Feather around here.
Speaker 18 (26:18):
Want pain when you understand with the fake don'fing like
fizz the rebeling on that game win, it's that game blue,
when it's all the sick.
Speaker 11 (26:26):
It's a long way, but the moment down.
Speaker 37 (26:31):
Away, my jading is so beautiful, jam all of us.
A beautiful gets so good when you say every single
moment of flavor.
Speaker 11 (26:49):
So don give give the ties, Yeah, don't give us.
Speaker 28 (27:01):
I know I have to.
Speaker 11 (27:06):
Thank you.
Speaker 2 (27:07):
Rail Rising up, Rising up, Rail rising.
Speaker 11 (27:11):
Up, Rising up, moving on, moving on, moving on.
Speaker 2 (27:17):
Yeah, rising up, Rising up, Rising up, Rising up.
Speaker 27 (27:21):
Twanging, Yes, moving on, moving on, guys, you know, moving on,
guys up, moving on, moving on us.
Speaker 11 (27:46):
Rising up.
Speaker 5 (27:54):
If you're talking about these international collaborations you're talking about,
mister Armansur, that is certainly not the last song that
you will hear from him today. Got another one coming
at you. This one is special. The song is called symmetry.
(28:15):
Got a nodller with that sharing I don't know.
Speaker 2 (28:22):
Uban grabbed the cold.
Speaker 15 (28:27):
Ceiling.
Speaker 2 (28:28):
We've long to tubance just to shooskin, this is hard.
Speaker 18 (28:36):
It begins, keep me away to darkness, turns into a dyking.
Speaker 11 (28:42):
I don't care about time. Excuse me your.
Speaker 18 (28:47):
Making a painting candlesticker to thin, says THEO your auditor.
Speaker 29 (28:54):
Excuse me on that.
Speaker 20 (28:57):
Symmetry, Lady CAMELI record the girald.
Speaker 2 (29:16):
Ready, kay, rather the mic on.
Speaker 1 (29:20):
The the supernavid you curcas on the ready k.
Speaker 11 (29:31):
Okay, there is.
Speaker 28 (29:36):
Kna that's the one.
Speaker 1 (29:44):
There is. Didn't know we really love it, telling.
Speaker 11 (29:59):
Me you put the.
Speaker 1 (30:02):
Man a deep, don't put it.
Speaker 11 (30:08):
Dela caada a.
Speaker 17 (30:12):
Baby.
Speaker 11 (30:12):
Don't everybody had he.
Speaker 17 (30:21):
A today?
Speaker 9 (30:21):
Man?
Speaker 17 (30:24):
We can.
Speaker 1 (30:26):
Because I can live in an on the.
Speaker 16 (30:28):
Saving, in the moon of the Savings, on the same.
Speaker 18 (30:35):
Saying to darkness chance into a day. Okay, I don't
care about time.
Speaker 11 (30:42):
Excuse me your that make it okaysting.
Speaker 2 (30:47):
Candlestick for two days says.
Speaker 11 (30:49):
Look Jo, excuse me your.
Speaker 2 (30:55):
Symmetry. Yeah.
Speaker 5 (31:08):
This came out on the play EP four songs from
Ed Sheeran where he collaborates with all kinds of different
global artists and in a particular case like that one
called Symmetry, and the very first song that we played
earlier to start the show, actually the second one called Sapphire.
Those two collaborations with Ajit Singh and kat A Nogla,
(31:30):
two of the finest the South Asian music has to offer.
Ed Sheeran grabs them one and two songs right there
on the same EP. This is colplay with Justlyn Royle.
Speaker 6 (31:45):
And so.
Speaker 38 (32:00):
I'll give up, Pray that I'll do my best. Pray
that I can lift up Bram my brother is blessed
pain for.
Speaker 11 (32:07):
Love, gave it to your wins.
Speaker 2 (32:10):
Pray ah, judge nobody and forgive me my sense.
Speaker 38 (32:13):
I pray, we make pray my friend to pull through.
Pray as I take it onto others at.
Speaker 17 (32:19):
Too, praying on your love.
Speaker 11 (32:22):
We pray with every breath the.
Speaker 2 (32:24):
Worm and the valley of the shadow of death.
Speaker 11 (32:28):
And so we pray, so come show me the way.
Speaker 6 (32:31):
So we pray shutter and some recrystal place.
Speaker 11 (32:36):
You'll be singing, Faye.
Speaker 17 (32:39):
Pray that we make it to the end of the day.
Speaker 1 (32:42):
And so we pray, I know somewhere, and so we pray.
Speaker 31 (32:46):
I know somewhere that's something in the best. And so
they claim, I know somewhere. We'll fill no bad until
we make it.
Speaker 17 (32:54):
To the end of the day. Where did you.
Speaker 11 (33:01):
Read?
Speaker 9 (33:01):
This was a.
Speaker 11 (33:05):
Jag to a coming to the ladies?
Speaker 1 (33:09):
Are up very do coming?
Speaker 17 (33:14):
Okay?
Speaker 1 (33:17):
Oh my god, jaha to casas.
Speaker 11 (33:24):
And so we pray some more show me away.
Speaker 2 (33:28):
So we pray to shelter somewhere cost the place, and
so we pray, you'll be singing play yea to create
out the bay to the end of the day.
Speaker 31 (33:38):
And so I know somebody that happened as well, And
so they I know somebody that's something in the best, and.
Speaker 1 (33:45):
So they play I know somewhere.
Speaker 17 (33:47):
We count we made it to the end of the day.
Speaker 13 (33:54):
I prayer as a sleep and when cut inside my
head it is a frightening place. Keep us smiling face
only by disgrace, because last more than night candy.
Speaker 17 (34:07):
So we play.
Speaker 31 (34:10):
So we prayed, and so we prayed we'll be singing
bye bye nobody.
Speaker 2 (34:36):
I know somebody, I mad, somebody something the mesic.
Speaker 11 (34:43):
Until we've been bad.
Speaker 5 (34:50):
Yeah, this has to be one of the most genius
things that I've ever seen marketing a song. What they
did what Coldplay did was they used different artists around
the world as their feature artists for the song, and
in India they used Justlyine Royle. In different parts of
the world, they grabbed an artist from that specific area.
Just wonderful marketing. This one was a song that we
(35:12):
world premiered on this show. It's Stephan Dan.
Speaker 39 (35:17):
You don't want to die dilemma. Run anybody first, it
doves them, ready for the goal is winter. We'll not
take that. Where you can meet Mike Gone. You can
meet Mike Going want this die dilemma? Run anybody first,
doves them ready for the goal is winter. We'll not
take that. Where you can meet Mike Gone. You can
meet Mike Mike like Andando and when we pull upon
(35:39):
take care with the extension. Don't try to see what
get closed in. We'll make for the PATO. I'm starting
me with Mavado game. This Offisado. Make you sing like
the middle Evado, you botanist with the pot if it.
Speaker 17 (35:56):
Is life.
Speaker 39 (35:58):
And jo watch me in my life say the way
you up. If you make a judge whis know everybody
you see your faith. I don't want they died that them.
You're not being anybody fast with the love them. Ready
(36:19):
for the gold is when the we not take somewhere
you can meet Mike and you can meet Mike.
Speaker 2 (36:24):
My list died them.
Speaker 39 (36:26):
You're not being anybody face with the love them. Ready
for the goal is when the were not take somewhere
you can meet Mike and you can meet Mike.
Speaker 40 (36:34):
You carried South Hongo Kong, the character the double.
Speaker 1 (36:41):
Case to face.
Speaker 29 (36:43):
Thank you.
Speaker 1 (36:49):
Take your step Gill and.
Speaker 2 (36:52):
On the top job.
Speaker 5 (36:56):
That's also.
Speaker 40 (36:59):
Tell you the tear when you got only ill, you
have only your talk about that only come out to your.
Speaker 1 (37:11):
Kind of put you.
Speaker 39 (37:12):
You don't want to die the moth, you're not being
anybody first with its just the dogs them. Ready for
the gold is when the when not take somewhere you
can meet Mike go and you can meet Mike. Mike
wants die the moth. Don't not being anybody first, It's
just the dogs them. Ready for the gold is when
the we not take somewhere, you can meet Mike and
you can meet mine.
Speaker 5 (37:31):
My things that good.
Speaker 39 (37:33):
My name is just puff if yellow one warm and
the world does.
Speaker 2 (37:36):
Look off we could go a step if a chain.
Speaker 5 (37:38):
It broke off week when it's all come out.
Speaker 39 (37:41):
Think up and you know it's why you know, pay
from the wall and they dug them put.
Speaker 2 (37:47):
The buggets to sile.
Speaker 11 (37:50):
You're like a snap. I don't want a start. I
just want to wine up. But then began on me.
Speaker 39 (37:59):
Only you don't want to die them anybody, face them,
ready to go. When when I take somewhere, you can
meet myke, you.
Speaker 11 (38:09):
Can meet Mike.
Speaker 5 (38:10):
This song, it's such a great vibe. It brings me
back for sure, nostalgia right here on the bridge. The
song is called Dilemma. We World premiered the song. It's
produced by Steel Bengals. Steph lon Don such a great
track man, and shout out to of course the late
(38:31):
great shout out to Steph lon Don for having me
world premiered. Great stuff. Shout out to Steel Bengals.
Speaker 1 (38:44):
You know I came in for the cake again. The
money ain't the only thing stolen. She see the stars
in the race, soun as.
Speaker 41 (38:51):
You got in them face down my type. Wee go
be wifey, she freak, I love the night my money lemon,
I'm a dog killed Katy.
Speaker 1 (39:03):
No apology I don't that you want.
Speaker 20 (39:04):
To get crazy crazy shot take a slow that ship
ship probably.
Speaker 1 (39:13):
Hey baby, let me see it. I just want to
eat it.
Speaker 15 (39:19):
Let me see it.
Speaker 1 (39:22):
I really need book, baby, let me see it. I
just want to move.
Speaker 15 (39:32):
I know the things and things that you like. I
know the things and things that you like.
Speaker 1 (39:45):
Tell me how you feel.
Speaker 17 (39:47):
Looking like a movie start doing it for reals, looking
like a snack, looking like.
Speaker 11 (39:51):
A whole meal.
Speaker 18 (39:52):
Putin channel but your red bottom heels my strip like
bunny bondage.
Speaker 1 (39:57):
The shoddy bad she might be.
Speaker 28 (40:00):
Don't even Stoney up from hollywoods and Molly to test
you around the rule.
Speaker 1 (40:04):
Oh it's a world hid party. I don't know that
you want to get crazy crazy shine, take it slow
that ship come on, mayby be my shirt. You know
what I want to say. Hey, Babby, let me see it.
I just want to eat it.
Speaker 15 (40:21):
Let me see it.
Speaker 1 (40:24):
Oh, I really need it, Oh baby, let me see it.
Speaker 11 (40:29):
I just want to hear it.
Speaker 15 (40:34):
I know and dangers that you.
Speaker 11 (40:37):
Let me see it.
Speaker 29 (40:39):
I just want to.
Speaker 1 (40:44):
You know, I really need it, baby, Let me see you.
Speaker 2 (40:49):
I just want to hear you.
Speaker 36 (40:52):
Let me see it.
Speaker 2 (40:55):
I know the things that you.
Speaker 5 (41:03):
Jason Derulo get together with Tasha. The song is called
jellby Baby, and I think we all saw this music
video and you saw Jason doing the double chopin in
the music video there with Tasha. It's really well done,
great visuals, great track. Shout out to Tsher for producing
a hell of a track called jellyby Baby. This one
(41:25):
is one of the big collaborations between East and West.
Nick Jonas and King.
Speaker 42 (41:30):
Murderdi a kume dar Sikovy, Dick Ksakadani, du Jack Kushima
kunga souni merterre hotop Kamushikovy Dick Kasakadani, Sorry about them,
Masu Nungasni do the sun come up?
Speaker 2 (41:53):
If we can leave with your love? Don't go in
the nights day young and need.
Speaker 42 (41:59):
Me marry, don't let's go bug Hecky made a like
Augia better bagain.
Speaker 2 (42:10):
It is the South starts.
Speaker 43 (42:12):
I'm party in my arms from right to my face
on the well, from.
Speaker 42 (42:19):
My heart, from Monu menta with the dumba back to
the company. I commembers, I get a kumba to Monu really.
Speaker 29 (42:33):
Side line hall up.
Speaker 30 (42:35):
Started, line stole under you and from not to the
hoard of the lighter.
Speaker 11 (42:42):
The light sideline.
Speaker 30 (42:45):
Started line storm for you, and from not till the
after of my hounds to the tray desert.
Speaker 6 (42:53):
Just try to tear from your eyes.
Speaker 36 (42:56):
I would sing all to the gates that de haven't
given men I left open if.
Speaker 30 (43:01):
It touches the sweet surrender every moment with you, changer.
Speaker 2 (43:05):
When we put in our lips together.
Speaker 43 (43:08):
I know I get on your bread graverd by home
mad care to johanay, I.
Speaker 2 (43:16):
See it a present mangle.
Speaker 1 (43:19):
To come up.
Speaker 2 (43:23):
We can leave with your love.
Speaker 11 (43:26):
Don't go. In the ninth day, younger.
Speaker 30 (43:28):
Engineer Marry jams Copaga Hekia made our Legodanagia bergat to
money manature companty.
Speaker 43 (43:43):
From my eyes and ran through my face on the
wet from her heart on your Menita.
Speaker 42 (43:52):
But Jaichan and a douga Marck to the company our commembers.
Speaker 2 (43:58):
Agetakuga do monu.
Speaker 11 (44:01):
Me sunline sunline not sun Line.
Speaker 5 (44:15):
It's the afterlive version of this song called mon Maybe John.
It's King Nick Jonas and it was a big collaboration
put together by Warner Music to help King really roll
out his work. Great Clap Great Song became one of
the most popular ones a King has done so far.
(44:37):
All right, folks. This song is produced by me yours Truly.
The song is called Don't Walk Away. It's my collaboration
with Tsha Campbell.
Speaker 2 (45:00):
Don't You let Me one come?
Speaker 9 (45:04):
Yeah?
Speaker 44 (45:05):
Really went too far tonight, all the scream, shout and
case to fight.
Speaker 22 (45:16):
I know I was all right when we should be
making up.
Speaker 45 (45:24):
And now you're walking out the door and cry why
why said.
Speaker 2 (45:31):
That your love maid when I'm dead, say that you
love them? Canna make you mad? Said that? Baby?
Speaker 11 (45:39):
I'm all you.
Speaker 2 (45:40):
Don't you let me walker? Let No, we're not gone,
say that you love him? Baby, I'm the one say
that you love it. Don't let me escape? So me,
don't you let me walk away?
Speaker 15 (45:58):
Talk you from the.
Speaker 45 (46:02):
Way. Don't want don't felt.
Speaker 1 (46:22):
Want to say the lad.
Speaker 46 (46:27):
Dud what I really want to find? Fad Even though
one said.
Speaker 38 (46:40):
I know.
Speaker 4 (46:42):
That should have to go away, it's a way for
you to say it felt like that would be a
day would say it would carry you away from me,
from me. Don't leave, davey, baby, don't leave totally.
Speaker 2 (47:01):
Don't you walk away.
Speaker 43 (47:03):
From me that your maid and I'm dead said that you.
Speaker 2 (47:08):
Let im trying to make you name said, I love.
Speaker 44 (47:11):
Fabite, I'm all your Don't you let me walker?
Speaker 2 (47:17):
That we're not Johns said that you let them. Maybe
I'm the one said I you love. Don't let me escape?
Speaker 11 (47:27):
Stop me, don't you'll let me walk away?
Speaker 45 (47:32):
Drop you from your hollowen.
Speaker 11 (47:35):
My baby, let me walk away.
Speaker 17 (48:15):
Ah.
Speaker 5 (48:16):
It's one of my favorite songs that I've ever produced.
Can hear my voice in there too in the beatbox parts.
Shout out to Tisha, Thank you sister, it's great working
with you on this song. It's called Don't walk Away,
and it was featured in The Black Prince soundtrack in
(48:38):
a collaboration that put people like Sittinder Serfage, Tsha Campbell,
talib Quali, Nellie Fertado and so many other great artists
together on the same project. It was a soundtrack that
we did in collaboration with the film The Black Prince
and brl Stein Entertainment and so many other great folks
(48:58):
that get together for that one. That was a fun project. Now,
let's bring in Deuita Baz Gupta to this party. How
are you today, Douita?
Speaker 47 (49:07):
Thanks Sammy, Hey, we want This is the Theta Roka
Sauni Radio Music correspondent back with some fun thoughts about
your favorite artists, and we're talking about Ap Dylan, the
Indo Canadian beat bizzard who's turned Punjabi music into a
global phenomenon. Remember Brown Monday, Ermachale the Nacha songs are
cultural anthems that conquered charts in the UK, India and beyond,
(49:28):
with over five billion streams globally. Dylan wrote out his
song from gooda Sport to Vancouver to worldwide fame. The
hold Up is brand new single Toriysi Theoro drops a
whole new vibe. The Surprise is his first track ever
with the legendary Chera Kochelle, and she brings elegance and
emotional depth to the mix. This one's produced under Republic
Records and Universal Music Canada a big mouse on this.
(49:50):
He's now officially on one of the world's biggest labels.
Speaker 22 (49:53):
So if you're creating music.
Speaker 47 (49:54):
That hits your heart and moves your soul, queue up
tot C Thor, shream it now and let Ap the
Lint take you into his world.
Speaker 22 (50:01):
Bro Punjabi roots, meat, global resonance.
Speaker 5 (50:03):
Well that's all for me.
Speaker 22 (50:05):
Now back to you, Sammy.
Speaker 5 (50:06):
Thank you, very very much there Doria. I'm a big
fan of a P I think he's one of the
best we have in this space. And he's also one
of the most fearless, and he's taken his sound design
into places that many just do not have the courage
to do. But he also has the chops for it,
as we say. And here he is on a song
with an artist named Stormsey and the song is called
(50:28):
Problems over Piece and Ape is collaborated with all kinds
of people, but this one right here is certainly one
of my favorite.
Speaker 48 (50:54):
Anti does the s salvonology now kataboli go the lucky
cudy there kna the see savonology, now catarvlan got the
lucky cuddy? There not see Sarvonology, now Catabolkachari kajari package
(51:24):
colina coyot the.
Speaker 1 (51:30):
Hen va.
Speaker 48 (51:37):
Let's go go the lucky guy there not s Salvonology,
now catar.
Speaker 5 (51:44):
Go the lucky cudy.
Speaker 48 (51:45):
There the se Salvonology, now catarl go the lucky cudy
there na se Salvonology.
Speaker 11 (51:55):
Now catar.
Speaker 12 (51:57):
Okay I get it. You income a donor. You might
think I'm a joke man. Come out like grown ups.
Don't know what you feel but don't show us.
Speaker 1 (52:05):
I don't show us. I don't really talk.
Speaker 12 (52:08):
Too much that brow does everything that comes out of
my office.
Speaker 1 (52:10):
Bro, that's twenty four carrot reps.
Speaker 12 (52:11):
I'll just shut them. Can you flow you like? I've
got options? I come now, I say often they I
want peace, I want problems. Who's on what this?
Speaker 2 (52:18):
Wait and see?
Speaker 12 (52:19):
Me and AP had apgs me and AP got ap
money that we don't watch nothing that we hate TV.
Speaker 48 (52:24):
Go to the luggy Goudy. There not good, I see solvinglogy. Now,
go to the lucky gutty. There not good us of
the I see solvinglogy now.
Speaker 5 (52:35):
One of my favorites in our space for sure. He's
always been fearless with his sound design and got into
places that not many people have the chops to go into.
To be honest with you, he's great. Ap delone my
collaboration right there with Stormsy This song right here is
called Huss Huss and I think statistically one of the
(52:58):
most successful collaborations words with feel me.
Speaker 9 (53:02):
I'm the breeze baby on the ocean sky and his baby,
I'm the forest and the tweeze baby, You're the price
and I'm the wheels baby.
Speaker 17 (53:12):
You know.
Speaker 1 (53:14):
You want to make me back.
Speaker 11 (53:17):
I'll hold you.
Speaker 7 (53:17):
Don't get some one of the but you do digit
sonian butter football cutting boo. I'm glad, sweet the child, I'm.
Speaker 21 (53:33):
Glad to.
Speaker 15 (53:36):
See the.
Speaker 11 (53:43):
But don't stop.
Speaker 17 (53:48):
The sal.
Speaker 3 (53:54):
Y talk John over the safe hi opta coges and there.
Speaker 7 (54:09):
By thread bolas. The bolas squeeze the charge of you.
Speaker 32 (54:30):
But don't say.
Speaker 7 (54:47):
Lay sis squeeze the college of anglais to squeeze the
joy of you.
Speaker 17 (54:57):
And the.
Speaker 5 (55:07):
Shout out to see her and a shout out to
see her because she's singing in Punjabi right here. Shout
out to see her. She is from Australia and singing
like a Punjabi girl on that track with Sje. This
(55:28):
one features got An Algily getting together with an artist
named Preston Pablo. The song is produced by Iky Singh
and it's from the Making Memories EP that these two
gentlemen dropped about two years ago.
Speaker 20 (55:41):
There's out to mad kutar meat No they could get
(56:16):
the nod to get down.
Speaker 11 (56:23):
That's the kid. Johnny John com includes.
Speaker 2 (56:28):
VARs Coony Verus sol.
Speaker 11 (56:33):
And Loo.
Speaker 20 (56:36):
Okay that the guard to go Yay Tomas Yeah to
see I'm in a detO.
Speaker 2 (56:49):
Magically out to mad kut.
Speaker 5 (56:54):
O Jarney.
Speaker 2 (57:00):
John Deny to see Who's come a good.
Speaker 12 (57:06):
All.
Speaker 36 (57:06):
His hook was a single class Yes you gotta love
you bad oo baby got your hands on me?
Speaker 2 (57:13):
That gets old gerty what you look so kay.
Speaker 36 (57:16):
I just want to show you when it's me you
could be lifetime. You don't want to make you mine
and never let you boo sob digg it Jesus.
Speaker 5 (57:32):
Got a nodler Preston Pablo. The song is called Admiring You,
So I'm not making memories. EP. Great collaboration right there,
and I hope you enjoyed all of these collabs that
we played. You know, I've been making music for thirty years.
I've been part of some of these collaborations. I've sat
in those rooms, and I'll tell you something most listeners
(57:54):
never got to hear what an East West collaboration actually costs.
It's not a remix, it's not a fusion track. It's
two artists from two industries that don't share a language,
that don't share a publishing system, that don't share a
fan base, that don't share a release calendar, don't usually
share a label deciding to trust each other anyway. That's
(58:15):
months of email chains, and that's lawyers on both sides
untangling royalty splits and across countries that don't even have
the same copyright frameworks. That's translators in the studio making
sure the lyrics still means what it meant in the
first language. That's a label exec on one side having
to convince a label exec on another side that the
(58:36):
song will move the needle for both of them. And
by the time the listener here is the finished record
on the radio, every one of those obstacles has been
quietly solved. The artists made a third thing, something neither
side could have built alone. One plus one equals three.
Speaker 17 (58:54):
Here.
Speaker 5 (58:54):
That's the math of collaboration when it actually works. And
every single song you heard on this show today is
that math lived out. Every record on this hour was
an exact act of trust. Tomorrow, on the show, we
count down the twenty songs the Diaspora is moving this week.
I want you to listen for which one of these
records started rooms like the ones that I just described,
(59:18):
because the ones that did are the future of this
music business. See you guys tomorrow.
Speaker 2 (59:23):
The data backet can happen laugh in the United States,
Brook of New York. Shit boy, you met me up too,
the data backet an get a con.
Speaker 5 (59:36):
I'm speed trap.
Speaker 49 (59:40):
We got the street slap over the season shop EMC
in the Rap. I came to see to my nies
in a spot. On the count of three, drop your body.
Speaker 5 (59:48):
Like your side.
Speaker 2 (59:49):
Want young too, You wan two three young
Speaker 49 (59:54):
Hos of snake charm and move your body like a
snake mama to make me want to put the
South Asian music and culture can.
Speaker 2 (00:02):
Be found around the world.
Speaker 3 (00:05):
We tracked down the best and presented here for you
Ruckus Avenue Radio.
Speaker 4 (00:15):
Hey, this is cal Ben.
Speaker 5 (00:16):
You're listening to The Bridge with Sammy John.
Speaker 6 (00:19):
Hey, this is viv Does and you're listening to the Bridge.
Speaker 1 (00:21):
It's Sammy John on Ruckus Avenue Radio.
Speaker 5 (00:26):
BABYO b bol.
Speaker 1 (00:31):
Good, great things.
Speaker 5 (00:32):
Everybody. My name is Sammy John, and welcome everybody to
a May fourteenth edition of The Bridge. Got a great
hour for you, and this is a very special Thursday
episode because what we're gonna do is something very unique
that we have never done on this show before. We're
(00:55):
rolling out an entire hour of cross cultural collaborations on
this show. So what we're doing is we're taking some
of the leading Indian South Asian artists. I'm playing songs
that they have collaborated with American or Western artists with
(01:16):
and I'm looking forward to not only playing these songs
for you today, but talking a little bit about them.
I'll share my insights as to what really makes up
these songs and what makes them successful, what is the metric?
Gotta be fun. We'll be joined today by Doctor Royas Guptas.
(01:43):
They bring us things from around the diaspora. Today, Doctor
Roy with the Daily Word on the avenue, I'm gonna
cover an artist spotlight for you today. A lot of
great stuff going on around the signal. If you're around
Ruckus Abney Radio, check them out Tonight at eight pm
(02:06):
Indian Standard time will be airing. They were on right
before me this morning on ruckus Abney Radio. Get ready
for them again tonight. As I mentioned to you, it's
a world of collaborations out there. Some of them make sense,
(02:26):
some of them don't. A lot of them sound great,
some of them don't. We'll dive into the great ones today.
Let's start with this one.
Speaker 7 (02:36):
Vid the kadeti until everybody ge kadi, until everybody give here.
You don't munde up of ali vid de kadeti until
everybody givion.
Speaker 8 (02:59):
Bell man numbers on the calie.
Speaker 7 (03:04):
With the kati dunail. Everybody, hiy, very heat.
Speaker 2 (03:10):
In the shave.
Speaker 7 (03:11):
You here to see a yardman of it, very heat
in the shave. You here to see a yardman of
a delivered taven Hold on hold a live delivered dave.
Heaven hold her lady would delivery tell not that they've
play hold on, hold would delivery tell not that they've
(03:32):
play hold on, hold on with the katy dun jail.
Everybody he the k n jail. Everybody gili with the
kathi unjail.
Speaker 8 (03:48):
Everybody viola be s no nero la be their man
numbers on the Carlie.
Speaker 9 (04:03):
That, don't everybody, Yeah, you look like the lover I've
been seeing in my dreams. Kisses on my color. We
see you look like the lover I've been open. Now
we're fine times into your Harby's sitting around my mind.
Speaker 6 (04:24):
Lady, deliver the heather.
Speaker 10 (04:27):
Hold hold, I.
Speaker 11 (04:28):
Mean only one one more mommage your time at the hold.
Speaker 6 (04:32):
Lady, deliver the hold hold up, I.
Speaker 11 (04:36):
Mean only one.
Speaker 7 (04:38):
My heart by showing up showing up with that, don't everybody.
Speaker 12 (04:45):
That.
Speaker 2 (04:46):
Don't everybody give any problem up of alli.
Speaker 13 (04:52):
With that.
Speaker 2 (04:54):
Don't everybody.
Speaker 1 (04:56):
I think you're saying, no need o be.
Speaker 8 (05:01):
You see needle good veal numbers on the corni.
Speaker 2 (05:09):
Nikai everybody.
Speaker 12 (05:20):
Yeah.
Speaker 5 (05:20):
It's one of the big highlights of the collaborative world
over this last month or so. David Getta Delgito Songs Sea.
The song is called Ranjah and it's produced by David ghetta.
This next one is Zat Sheeran saying you glue.
Speaker 11 (05:37):
You can't her in fraction the light.
Speaker 14 (05:40):
You can't help but shine shin no, no, you carry
the world on your back. Look at you tonight, the
light your fays.
Speaker 11 (05:57):
You ain't exploded in like five.
Speaker 15 (06:01):
Woods the sky step up to.
Speaker 2 (06:05):
Your body, but you put your nom me. Don't you
win the body?
Speaker 16 (06:09):
I can do this, Abby Tooby danced until the morning,
Go the baby boat sleep, Tell me um umba to
sit down about again?
Speaker 2 (06:15):
Tell me about about you put your own be. Don't
you win the party?
Speaker 16 (06:19):
I can do this, Abby good be danced util the morning,
go the baby boot sleep, Tell me jump jumma, sit
down about.
Speaker 2 (06:25):
Again under the lipod range this under the lit many
mamas the look.
Speaker 17 (06:33):
Do you do? You know?
Speaker 11 (06:36):
That's it?
Speaker 18 (06:36):
Anna Na, that't houck man, No corner, you're AM's.
Speaker 11 (06:42):
Pen and the bar gave Barty.
Speaker 10 (06:47):
Goe Jack Jack today said Joe, shut up your body
and you put you know me? Don't you win the party?
Speaker 1 (06:59):
I can this, hobby?
Speaker 16 (07:00):
Can you began to do the morning on the baby
won't sleep, um um baby.
Speaker 2 (07:06):
Talk your body by your push Hobby got you the party?
I can do this hobby. Can we dance to the
morning on the baby won't sleep?
Speaker 18 (07:17):
I am at Chard mcay and I'm not.
Speaker 11 (07:22):
Going to be light and you child a fire, but
let us to get in our warm group.
Speaker 16 (07:33):
But your guy more joy, get the day, bunga lat
packet and the COMPARI haven't internet out and.
Speaker 17 (07:47):
Push.
Speaker 2 (07:49):
Can't you mate the party? I can do this hobby
to be danced toil in the morning when the baby
won't sleep? The body Passion true.
Speaker 19 (08:13):
Stut two of the biggest artists on the planet right
there on one song.
Speaker 5 (08:25):
And I don't think you could have imagined it going
any better than that song. Sapphire ed Sheeran sing, I
love that one. It's a great song.
Speaker 11 (08:37):
It's one of the.
Speaker 5 (08:38):
Better collaborative songs that we're gonna play in this hour.
And this is a pretty good one too. One Republic
got a Dodola. The song is called tell.
Speaker 6 (08:50):
Me Get Down.
Speaker 20 (09:00):
That's a day They slow j pauling get down. That's
a I see card. They Hey, Charlie, that's Admi. I'm
not trying to say you're trying to tell you what
it is. I want to give you everything that don't.
Speaker 2 (09:16):
Be on events. I card.
Speaker 11 (09:18):
Listen that the king Garden the money now the key.
Speaker 21 (09:25):
On.
Speaker 2 (09:26):
That's the day, Harley John, that's the day.
Speaker 21 (09:34):
Tell me, tell me, tell me, tell met me got.
Speaker 11 (09:49):
Mam Ma, I just kill me, so you gotta god
got tell me so you gotta gol got to me.
Speaker 20 (10:03):
Terrible loaches about in art are Karada he does then
as Amanda Sarama, he does, Menura collad many a para
data could have a security theory. Lord manaybody who is akada.
Speaker 11 (10:25):
The theory?
Speaker 2 (10:26):
High that's the day. Yell that today, woo.
Speaker 17 (10:43):
Tell me.
Speaker 11 (10:50):
Caraman, just give me so you got got got tell
me you gotta go that.
Speaker 17 (10:59):
Tell me.
Speaker 1 (11:03):
You gotta tell me.
Speaker 5 (11:25):
Probably wondering how two artists from totally different corners of
the world get together. Few ways agencies that share common
clients is one record labels that have clients in common,
and then the good old social network. They run into
each other in different places, and we'll talk more about
it here. Now let's bring in doctor roy to the show.
(11:46):
Stop doctor Roy.
Speaker 22 (11:47):
Hey, guys, this is doctor Froywood. Today's word on the Avenue.
In film and TV news, global star Prianca Jobra Jonas
is continuing her international streak with the survival thriller Reset,
where she stars opposite Orlando Bloom. Following major projects alongside
Idris Elba and John Cena, the role further cements for
expanding presence in global cinema. Critics, however, have noticed that
(12:08):
she's been typecast as only in action star, so let's
wait to see what Reset does for Brianca Jobrahm. In
media news, Indian Coo Tour laborer follow Guiney Shane Peacock
has unveiled a new campaign starring rising international model Pomika Yadev,
highlighting India's growing influence in global luxury fashion. Fresh off
of her break through presence with Chanel, Mumika represents a
(12:31):
new generation of Indian talent, confidently stepping onto the world
stage and breaking traditional beauty norms. In event News, at
the Medgala, designer Mayor Kirodra spotlighted the endangered Bengali craft
of Shola art in a striking Kotur moment created with
artisans from Gulgata. The intricate designs, traditionally carved from the
(12:52):
pith of an aquatic plant, are innovatively recreated using recycled
rubber waste and layered over a gold and silver Ganjibur.
I'm sorry blending sustainability, heritage and high fashion. That's it
for today's word on the Avenue until next time.
Speaker 5 (13:06):
Thank you so much for that, doctor Roy.
Speaker 2 (13:08):
Thank you.
Speaker 5 (13:10):
This next song another one of my personal favorites for sure.
I've played it one time before this week. It's produced
by Steel Bangles. It's Knaves with sis rerun there Worth.
Speaker 23 (13:24):
My sore broken there Worth, My maid was shaking some right.
Nohow we made it love one, not around say it's
just beginning.
Speaker 2 (13:44):
They're not doing real hard.
Speaker 17 (13:46):
I am.
Speaker 11 (13:49):
Out of paint.
Speaker 6 (13:52):
Shoulder looking at the head in the world.
Speaker 11 (13:56):
Not in the world way.
Speaker 23 (14:00):
Said a lot too far, like I was gonna drawn,
or there were time my soul so broken there worthig.
Speaker 2 (14:11):
My faith was shaking some right. Somehow we made it.
Speaker 11 (14:19):
Love was on the round.
Speaker 2 (14:21):
Nas say it's justice beginning. Yeah, you say, no longer killed.
Written by the Silken Linen.
Speaker 24 (14:28):
Never condemn it, never condescending before you hear something mistoke again.
If people love it, you'll see the pope on the
beach in.
Speaker 5 (14:34):
The tucket play the trumpet.
Speaker 1 (14:36):
Somehow, some way, we made it out the filth and.
Speaker 24 (14:38):
Garbage where people killed for Nasis, well as saying we
need to be brought again from the problems of Harlequins
and the Charlatans trying to stick they thoughts in them,
but they can kill the confidence.
Speaker 5 (14:46):
Let's say religious.
Speaker 24 (14:47):
But yoh see the crescent, see the illuminated crossing the
sky in the distance, or maybe your sister clouds. How
they shaped up my bushes. Tell let me never play
down my true existence.
Speaker 1 (14:57):
Forget what you know.
Speaker 24 (14:58):
Just take a leap, no matter how high up you all,
how deep, oh what height it is, be the mightiest.
Speaker 5 (15:04):
We've been in a tight spot fight.
Speaker 11 (15:08):
Mussel so broken that they worth.
Speaker 23 (15:14):
My faith was shaking someway somehow.
Speaker 11 (15:19):
We made it.
Speaker 23 (15:21):
No, one n't say it's just a begin it you
say it's.
Speaker 11 (15:27):
Just to begin.
Speaker 25 (15:31):
Coun didn't then it didn't, Then it can didn't. There
didn't there Oh there were muscle the broken. My faith
(15:56):
was shaking, shake some way, somehow.
Speaker 5 (16:01):
We made it.
Speaker 23 (16:05):
Well, they sun the beginning these days, just the beginning.
Speaker 5 (16:10):
Song is called times Steel Bangles nah sits re classic classic,
really looking forward to next week here on the show.
If you guys are familiar with the Render soundtrack one
and two, the original and then The Revenge. You know
how much of an impact that film has made on
(16:32):
Indian cinema overall. We'll talk about it. We'll get into
it next week and we'll cover the entire soundtrack one
and two in that week long special that we'll do.
So make sure you come join us. And this is
all ahead of this weekend's big Netflix rollout of the
Rendered The Revenge. Yeah you heard it here first got
(16:52):
an extended version, folks, go check it out.
Speaker 17 (16:55):
See you, see you worsday this, see you what it this?
Can you show you how to do?
Speaker 21 (17:04):
Is?
Speaker 17 (17:05):
Show you how it is? Show you how to is
like you show.
Speaker 11 (17:09):
You how to is?
Speaker 17 (17:10):
Ain't no sleep? We don't walk NV don't walk a
my guyes n see me and living out? Give me
that bother?
Speaker 26 (17:17):
Give me then get bad little thing smell wish to
turn around the bush. I was in the streets just there,
you know, I got hanging around the comfort green light
everything green light. You know, but what she toxic and
mean like can't get it past to the back room
while the best friends try to show her to that
today I thought this was a body Hey, ain't she
(17:37):
would catch me a body birth?
Speaker 17 (17:39):
And wish what did you please, I can try to
talk and getting lost in the group. Please say you
wanna dance? I wanna see you wanna this? You wanna
wanna see what dance you see?
Speaker 11 (17:49):
You want this?
Speaker 17 (17:51):
Make you show you how it is, show you how
to is, show you how to like you see you
know slee Wi, wow and pay, don't talk about buy
and see it? Give me there, give me there?
Speaker 6 (18:07):
But do you believe that upon aday other?
Speaker 17 (18:24):
Buddy? Daddy?
Speaker 6 (18:27):
What do you really tell about?
Speaker 17 (18:28):
Daddy?
Speaker 2 (18:36):
There somebody there.
Speaker 17 (18:39):
Past of this was a party and she would catch
me a party. I don't day you much for a
few I'm trying to talk against and any say you
want to dance? You want to dance? See you dance?
So you want to? And I'm like you, Sure you
had to dance. Sure you had a dance. Sure you had.
(19:03):
We don't love and don't look about and I can
show you how to day.
Speaker 5 (19:32):
A lot of people had. I guess the phrase is
mixed feelings about this song and Jackson Wang is an
Ada rising artist. Delgito songs one of our finest here
in the South Asian space and the two of them
getting together on a song that Jackson Wang had prepared
for his album, and then the collaboration happened and a
(19:55):
very unique way for dil Git to really tap into
that Asian market. And if you remember, this was ahead
of right when Bill jeth Was was headed over into
that neck of the woods there with his Illuminati tour,
So the timing of this was very opportunistic. There great
collaboration and a great collab between eighty eight Rising and
the dil G team. This next song was one of
(20:17):
the most iconic when it comes to Indian and non
South Asian artists. It's Jay Sean and Lil Wayne.
Speaker 1 (20:25):
The song is called down maybe.
Speaker 2 (20:27):
The sky you are know tonight it's not to lay
(20:51):
show a banna see howie lose Countra.
Speaker 27 (20:57):
So lead it behn get.
Speaker 28 (21:01):
Away way, So come on the flam as we make
a gray skatyay.
Speaker 2 (21:12):
So Baby, in a world you are my own lift.
Speaker 11 (21:16):
You are the loveleft de done.
Speaker 28 (21:18):
If the sky is falling down, you'll be my homeleft.
Speaker 11 (21:23):
No need to worry.
Speaker 29 (21:25):
Baby. Are you downtown down downtown?
Speaker 17 (21:32):
Baby?
Speaker 29 (21:32):
Are you downtown down downtown?
Speaker 11 (21:39):
See done?
Speaker 30 (21:40):
If the sky is falling down, just let it be
commanding your pipext gud I'll take you away.
Speaker 2 (21:50):
By johnas basing. You are private, so leave it behind because.
Speaker 1 (21:57):
We heaven that again.
Speaker 28 (22:00):
Wait wait, so come on flub min as we make
a gret Eskaty.
Speaker 11 (22:08):
So why don't you want wady?
Speaker 27 (22:10):
You want ready with my old world.
Speaker 28 (22:14):
You won't be long left in the sky is falling down.
Speaker 11 (22:19):
You'll be my home.
Speaker 17 (22:20):
Lift.
Speaker 29 (22:21):
No, Bbie, are you downtown down?
Speaker 11 (22:25):
Downtown?
Speaker 29 (22:30):
Baby? Are you downtown down downtown?
Speaker 18 (22:36):
You down in the skies falling down like she supposed
to be?
Speaker 2 (22:42):
She gets down loaf for me, down like her temperature
as me. She's zero degree, she called over freeze. I
got that girl from overseas.
Speaker 8 (22:51):
Now she's gonna miss America and I cannot be her
social Please, I'm fighting for this girl.
Speaker 6 (22:56):
The battle filler love.
Speaker 2 (22:58):
Don't then look like baby Cupis said it was, look buff.
Speaker 31 (23:01):
Don't you ever leave a Sadden me indefinitely, not vibably
and honestly, I'm down.
Speaker 32 (23:07):
I get you kind of meat.
Speaker 2 (23:12):
You will level if the sky is all down?
Speaker 15 (23:21):
Babe?
Speaker 29 (23:21):
Are you down?
Speaker 17 (23:28):
Baby?
Speaker 11 (23:29):
Are you down down?
Speaker 5 (23:34):
Shout out to Jay Shawn. The song is called down
and the collaboration with Lil Wayne right there iconic. I
remember when I first heard this and I fell out
of my chair.
Speaker 17 (23:45):
I was like, what.
Speaker 5 (23:48):
Great stuff? What a big song ended up being one
of the most successful songs, if not the most successful
song the Jay Shawn put out. For sure, this next
song We've got for you. The collaboration, indeed, it's amongst
some very interesting global artists. The foundation of this is
(24:08):
the great Arhimansur as he collaborates with my Sakara Shuba
and Brandon Diaz. The three of them do a wonderful
job on a song called Jamal.
Speaker 33 (24:33):
Yeah, you could be stronger, you could be you could
be the reason and life gets saved. Yeah, you could
be tough in or to break as soft as a
feather and hue in Spain. When you understand the faith,
don't fad. Life is a rebel. And on that game
when it's blacking boo and it's all the same, it's
a long way at the moment then.
Speaker 34 (24:54):
Hal fire away, half fire away. Yeah, yeah, yeah, I'm way.
Speaker 35 (25:12):
Them jummajama, when we gave it, beautiful them, jumma drama,
all of us up, beautiful, Let's get so good and
you say every single moment in flavor, So don't.
Speaker 36 (25:26):
Give up, don't give up, don't give up when the
tides get.
Speaker 11 (25:33):
Don't give up.
Speaker 2 (25:34):
Beautiful because I know what, don dony.
Speaker 33 (25:42):
I see the beautiful.
Speaker 11 (25:46):
Yeah, lay starts.
Speaker 33 (25:58):
No, I don't want to stop being on top of everything.
I've been working and this is my shot. So then missing.
Speaker 8 (26:10):
Yeah you could be strong, Yeah you could be It
could be the reason I gets see.
Speaker 2 (26:14):
Yeah, you could be tough and hard ruber soft as a.
Speaker 11 (26:18):
Feather around here.
Speaker 18 (26:18):
Want pain when you understand with the fake don'fing like
fizz the rebeling on that game win, it's that game blue,
when it's all the sick.
Speaker 11 (26:26):
It's a long way, but the moment down.
Speaker 37 (26:31):
Away, my jading is so beautiful, jam all of us.
A beautiful gets so good when you say every single
moment of flavor.
Speaker 11 (26:49):
So don give give the ties, Yeah, don't give us.
Speaker 28 (27:01):
I know I have to.
Speaker 11 (27:06):
Thank you.
Speaker 2 (27:07):
Rail Rising up, Rising up, Rail rising.
Speaker 11 (27:11):
Up, Rising up, moving on, moving on, moving on.
Speaker 2 (27:17):
Yeah, rising up, Rising up, Rising up, Rising up.
Speaker 27 (27:21):
Twanging, Yes, moving on, moving on, guys, you know, moving on,
guys up, moving on, moving on us.
Speaker 11 (27:46):
Rising up.
Speaker 5 (27:54):
If you're talking about these international collaborations you're talking about,
mister Armansur, that is certainly not the last song that
you will hear from him today. Got another one coming
at you. This one is special. The song is called symmetry.
(28:15):
Got a nodller with that sharing I don't know.
Speaker 2 (28:22):
Uban grabbed the cold.
Speaker 15 (28:27):
Ceiling.
Speaker 2 (28:28):
We've long to tubance just to shooskin, this is hard.
Speaker 18 (28:36):
It begins, keep me away to darkness, turns into a dyking.
Speaker 11 (28:42):
I don't care about time. Excuse me your.
Speaker 18 (28:47):
Making a painting candlesticker to thin, says THEO your auditor.
Speaker 29 (28:54):
Excuse me on that.
Speaker 20 (28:57):
Symmetry, Lady CAMELI record the girald.
Speaker 2 (29:16):
Ready, kay, rather the mic on.
Speaker 1 (29:20):
The the supernavid you curcas on the ready k.
Speaker 11 (29:31):
Okay, there is.
Speaker 28 (29:36):
Kna that's the one.
Speaker 1 (29:44):
There is. Didn't know we really love it, telling.
Speaker 11 (29:59):
Me you put the.
Speaker 1 (30:02):
Man a deep, don't put it.
Speaker 11 (30:08):
Dela caada a.
Speaker 17 (30:12):
Baby.
Speaker 11 (30:12):
Don't everybody had he.
Speaker 17 (30:21):
A today?
Speaker 9 (30:21):
Man?
Speaker 17 (30:24):
We can.
Speaker 1 (30:26):
Because I can live in an on the.
Speaker 16 (30:28):
Saving, in the moon of the Savings, on the same.
Speaker 18 (30:35):
Saying to darkness chance into a day. Okay, I don't
care about time.
Speaker 11 (30:42):
Excuse me your that make it okaysting.
Speaker 2 (30:47):
Candlestick for two days says.
Speaker 11 (30:49):
Look Jo, excuse me your.
Speaker 2 (30:55):
Symmetry. Yeah.
Speaker 5 (31:08):
This came out on the play EP four songs from
Ed Sheeran where he collaborates with all kinds of different
global artists and in a particular case like that one
called Symmetry, and the very first song that we played
earlier to start the show, actually the second one called Sapphire.
Those two collaborations with Ajit Singh and kat A Nogla,
(31:30):
two of the finest the South Asian music has to offer.
Ed Sheeran grabs them one and two songs right there
on the same EP. This is colplay with Justlyn Royle.
Speaker 6 (31:45):
And so.
Speaker 38 (32:00):
I'll give up, Pray that I'll do my best. Pray
that I can lift up Bram my brother is blessed
pain for.
Speaker 11 (32:07):
Love, gave it to your wins.
Speaker 2 (32:10):
Pray ah, judge nobody and forgive me my sense.
Speaker 38 (32:13):
I pray, we make pray my friend to pull through.
Pray as I take it onto others at.
Speaker 17 (32:19):
Too, praying on your love.
Speaker 11 (32:22):
We pray with every breath the.
Speaker 2 (32:24):
Worm and the valley of the shadow of death.
Speaker 11 (32:28):
And so we pray, so come show me the way.
Speaker 6 (32:31):
So we pray shutter and some recrystal place.
Speaker 11 (32:36):
You'll be singing, Faye.
Speaker 17 (32:39):
Pray that we make it to the end of the day.
Speaker 1 (32:42):
And so we pray, I know somewhere, and so we pray.
Speaker 31 (32:46):
I know somewhere that's something in the best. And so
they claim, I know somewhere. We'll fill no bad until
we make it.
Speaker 17 (32:54):
To the end of the day. Where did you.
Speaker 11 (33:01):
Read?
Speaker 9 (33:01):
This was a.
Speaker 11 (33:05):
Jag to a coming to the ladies?
Speaker 1 (33:09):
Are up very do coming?
Speaker 17 (33:14):
Okay?
Speaker 1 (33:17):
Oh my god, jaha to casas.
Speaker 11 (33:24):
And so we pray some more show me away.
Speaker 2 (33:28):
So we pray to shelter somewhere cost the place, and
so we pray, you'll be singing play yea to create
out the bay to the end of the day.
Speaker 31 (33:38):
And so I know somebody that happened as well, And
so they I know somebody that's something in the best, and.
Speaker 1 (33:45):
So they play I know somewhere.
Speaker 17 (33:47):
We count we made it to the end of the day.
Speaker 13 (33:54):
I prayer as a sleep and when cut inside my
head it is a frightening place. Keep us smiling face
only by disgrace, because last more than night candy.
Speaker 17 (34:07):
So we play.
Speaker 31 (34:10):
So we prayed, and so we prayed we'll be singing
bye bye nobody.
Speaker 2 (34:36):
I know somebody, I mad, somebody something the mesic.
Speaker 11 (34:43):
Until we've been bad.
Speaker 5 (34:50):
Yeah, this has to be one of the most genius
things that I've ever seen marketing a song. What they
did what Coldplay did was they used different artists around
the world as their feature artists for the song, and
in India they used Justlyine Royle. In different parts of
the world, they grabbed an artist from that specific area.
Just wonderful marketing. This one was a song that we
(35:12):
world premiered on this show. It's Stephan Dan.
Speaker 39 (35:17):
You don't want to die dilemma. Run anybody first, it
doves them, ready for the goal is winter. We'll not
take that. Where you can meet Mike Gone. You can
meet Mike Going want this die dilemma? Run anybody first,
doves them ready for the goal is winter. We'll not
take that. Where you can meet Mike Gone. You can
meet Mike Mike like Andando and when we pull upon
(35:39):
take care with the extension. Don't try to see what
get closed in. We'll make for the PATO. I'm starting
me with Mavado game. This Offisado. Make you sing like
the middle Evado, you botanist with the pot if it.
Speaker 17 (35:56):
Is life.
Speaker 39 (35:58):
And jo watch me in my life say the way
you up. If you make a judge whis know everybody
you see your faith. I don't want they died that them.
You're not being anybody fast with the love them. Ready
(36:19):
for the gold is when the we not take somewhere
you can meet Mike and you can meet Mike.
Speaker 2 (36:24):
My list died them.
Speaker 39 (36:26):
You're not being anybody face with the love them. Ready
for the goal is when the were not take somewhere
you can meet Mike and you can meet Mike.
Speaker 40 (36:34):
You carried South Hongo Kong, the character the double.
Speaker 1 (36:41):
Case to face.
Speaker 29 (36:43):
Thank you.
Speaker 1 (36:49):
Take your step Gill and.
Speaker 2 (36:52):
On the top job.
Speaker 5 (36:56):
That's also.
Speaker 40 (36:59):
Tell you the tear when you got only ill, you
have only your talk about that only come out to your.
Speaker 1 (37:11):
Kind of put you.
Speaker 39 (37:12):
You don't want to die the moth, you're not being
anybody first with its just the dogs them. Ready for
the gold is when the when not take somewhere you
can meet Mike go and you can meet Mike. Mike
wants die the moth. Don't not being anybody first, It's
just the dogs them. Ready for the gold is when
the we not take somewhere, you can meet Mike and
you can meet mine.
Speaker 5 (37:31):
My things that good.
Speaker 39 (37:33):
My name is just puff if yellow one warm and
the world does.
Speaker 2 (37:36):
Look off we could go a step if a chain.
Speaker 5 (37:38):
It broke off week when it's all come out.
Speaker 39 (37:41):
Think up and you know it's why you know, pay
from the wall and they dug them put.
Speaker 2 (37:47):
The buggets to sile.
Speaker 11 (37:50):
You're like a snap. I don't want a start. I
just want to wine up. But then began on me.
Speaker 39 (37:59):
Only you don't want to die them anybody, face them,
ready to go. When when I take somewhere, you can
meet myke, you.
Speaker 11 (38:09):
Can meet Mike.
Speaker 5 (38:10):
This song, it's such a great vibe. It brings me
back for sure, nostalgia right here on the bridge. The
song is called Dilemma. We World premiered the song. It's
produced by Steel Bengals. Steph lon Don such a great
track man, and shout out to of course the late
(38:31):
great shout out to Steph lon Don for having me
world premiered. Great stuff. Shout out to Steel Bengals.
Speaker 1 (38:44):
You know I came in for the cake again. The
money ain't the only thing stolen. She see the stars
in the race, soun as.
Speaker 41 (38:51):
You got in them face down my type. Wee go
be wifey, she freak, I love the night my money lemon,
I'm a dog killed Katy.
Speaker 1 (39:03):
No apology I don't that you want.
Speaker 20 (39:04):
To get crazy crazy shot take a slow that ship
ship probably.
Speaker 1 (39:13):
Hey baby, let me see it. I just want to
eat it.
Speaker 15 (39:19):
Let me see it.
Speaker 1 (39:22):
I really need book, baby, let me see it. I
just want to move.
Speaker 15 (39:32):
I know the things and things that you like. I
know the things and things that you like.
Speaker 1 (39:45):
Tell me how you feel.
Speaker 17 (39:47):
Looking like a movie start doing it for reals, looking
like a snack, looking like.
Speaker 11 (39:51):
A whole meal.
Speaker 18 (39:52):
Putin channel but your red bottom heels my strip like
bunny bondage.
Speaker 1 (39:57):
The shoddy bad she might be.
Speaker 28 (40:00):
Don't even Stoney up from hollywoods and Molly to test
you around the rule.
Speaker 1 (40:04):
Oh it's a world hid party. I don't know that
you want to get crazy crazy shine, take it slow
that ship come on, mayby be my shirt. You know
what I want to say. Hey, Babby, let me see it.
I just want to eat it.
Speaker 15 (40:21):
Let me see it.
Speaker 1 (40:24):
Oh, I really need it, Oh baby, let me see it.
Speaker 11 (40:29):
I just want to hear it.
Speaker 15 (40:34):
I know and dangers that you.
Speaker 11 (40:37):
Let me see it.
Speaker 29 (40:39):
I just want to.
Speaker 1 (40:44):
You know, I really need it, baby, Let me see you.
Speaker 2 (40:49):
I just want to hear you.
Speaker 36 (40:52):
Let me see it.
Speaker 2 (40:55):
I know the things that you.
Speaker 5 (41:03):
Jason Derulo get together with Tasha. The song is called
jellby Baby, and I think we all saw this music
video and you saw Jason doing the double chopin in
the music video there with Tasha. It's really well done,
great visuals, great track. Shout out to Tsher for producing
a hell of a track called jellyby Baby. This one
(41:25):
is one of the big collaborations between East and West.
Nick Jonas and King.
Speaker 42 (41:30):
Murderdi a kume dar Sikovy, Dick Ksakadani, du Jack Kushima
kunga souni merterre hotop Kamushikovy Dick Kasakadani, Sorry about them,
Masu Nungasni do the sun come up?
Speaker 2 (41:53):
If we can leave with your love? Don't go in
the nights day young and need.
Speaker 42 (41:59):
Me marry, don't let's go bug Hecky made a like
Augia better bagain.
Speaker 2 (42:10):
It is the South starts.
Speaker 43 (42:12):
I'm party in my arms from right to my face
on the well, from.
Speaker 42 (42:19):
My heart, from Monu menta with the dumba back to
the company. I commembers, I get a kumba to Monu really.
Speaker 29 (42:33):
Side line hall up.
Speaker 30 (42:35):
Started, line stole under you and from not to the
hoard of the lighter.
Speaker 11 (42:42):
The light sideline.
Speaker 30 (42:45):
Started line storm for you, and from not till the
after of my hounds to the tray desert.
Speaker 6 (42:53):
Just try to tear from your eyes.
Speaker 36 (42:56):
I would sing all to the gates that de haven't
given men I left open if.
Speaker 30 (43:01):
It touches the sweet surrender every moment with you, changer.
Speaker 2 (43:05):
When we put in our lips together.
Speaker 43 (43:08):
I know I get on your bread graverd by home
mad care to johanay, I.
Speaker 2 (43:16):
See it a present mangle.
Speaker 1 (43:19):
To come up.
Speaker 2 (43:23):
We can leave with your love.
Speaker 11 (43:26):
Don't go. In the ninth day, younger.
Speaker 30 (43:28):
Engineer Marry jams Copaga Hekia made our Legodanagia bergat to
money manature companty.
Speaker 43 (43:43):
From my eyes and ran through my face on the
wet from her heart on your Menita.
Speaker 42 (43:52):
But Jaichan and a douga Marck to the company our commembers.
Speaker 2 (43:58):
Agetakuga do monu.
Speaker 11 (44:01):
Me sunline sunline not sun Line.
Speaker 5 (44:15):
It's the afterlive version of this song called mon Maybe John.
It's King Nick Jonas and it was a big collaboration
put together by Warner Music to help King really roll
out his work. Great Clap Great Song became one of
the most popular ones a King has done so far.
(44:37):
All right, folks. This song is produced by me yours Truly.
The song is called Don't Walk Away. It's my collaboration
with Tsha Campbell.
Speaker 2 (45:00):
Don't You let Me one come?
Speaker 9 (45:04):
Yeah?
Speaker 44 (45:05):
Really went too far tonight, all the scream, shout and
case to fight.
Speaker 22 (45:16):
I know I was all right when we should be
making up.
Speaker 45 (45:24):
And now you're walking out the door and cry why
why said.
Speaker 2 (45:31):
That your love maid when I'm dead, say that you
love them? Canna make you mad? Said that? Baby?
Speaker 11 (45:39):
I'm all you.
Speaker 2 (45:40):
Don't you let me walker? Let No, we're not gone,
say that you love him? Baby, I'm the one say
that you love it. Don't let me escape? So me,
don't you let me walk away?
Speaker 15 (45:58):
Talk you from the.
Speaker 45 (46:02):
Way. Don't want don't felt.
Speaker 1 (46:22):
Want to say the lad.
Speaker 46 (46:27):
Dud what I really want to find? Fad Even though
one said.
Speaker 38 (46:40):
I know.
Speaker 4 (46:42):
That should have to go away, it's a way for
you to say it felt like that would be a
day would say it would carry you away from me,
from me. Don't leave, davey, baby, don't leave totally.
Speaker 2 (47:01):
Don't you walk away.
Speaker 43 (47:03):
From me that your maid and I'm dead said that you.
Speaker 2 (47:08):
Let im trying to make you name said, I love.
Speaker 44 (47:11):
Fabite, I'm all your Don't you let me walker?
Speaker 2 (47:17):
That we're not Johns said that you let them. Maybe
I'm the one said I you love. Don't let me escape?
Speaker 11 (47:27):
Stop me, don't you'll let me walk away?
Speaker 45 (47:32):
Drop you from your hollowen.
Speaker 11 (47:35):
My baby, let me walk away.
Speaker 17 (48:15):
Ah.
Speaker 5 (48:16):
It's one of my favorite songs that I've ever produced.
Can hear my voice in there too in the beatbox parts.
Shout out to Tisha, Thank you sister, it's great working
with you on this song. It's called Don't walk Away,
and it was featured in The Black Prince soundtrack in
(48:38):
a collaboration that put people like Sittinder Serfage, Tsha Campbell,
talib Quali, Nellie Fertado and so many other great artists
together on the same project. It was a soundtrack that
we did in collaboration with the film The Black Prince
and brl Stein Entertainment and so many other great folks
(48:58):
that get together for that one. That was a fun project. Now,
let's bring in Deuita Baz Gupta to this party. How
are you today, Douita?
Speaker 47 (49:07):
Thanks Sammy, Hey, we want This is the Theta Roka
Sauni Radio Music correspondent back with some fun thoughts about
your favorite artists, and we're talking about Ap Dylan, the
Indo Canadian beat bizzard who's turned Punjabi music into a
global phenomenon. Remember Brown Monday, Ermachale the Nacha songs are
cultural anthems that conquered charts in the UK, India and beyond,
(49:28):
with over five billion streams globally. Dylan wrote out his
song from gooda Sport to Vancouver to worldwide fame. The
hold Up is brand new single Toriysi Theoro drops a
whole new vibe. The Surprise is his first track ever
with the legendary Chera Kochelle, and she brings elegance and
emotional depth to the mix. This one's produced under Republic
Records and Universal Music Canada a big mouse on this.
(49:50):
He's now officially on one of the world's biggest labels.
Speaker 22 (49:53):
So if you're creating music.
Speaker 47 (49:54):
That hits your heart and moves your soul, queue up
tot C Thor, shream it now and let Ap the
Lint take you into his world.
Speaker 22 (50:01):
Bro Punjabi roots, meat, global resonance.
Speaker 5 (50:03):
Well that's all for me.
Speaker 22 (50:05):
Now back to you, Sammy.
Speaker 5 (50:06):
Thank you, very very much there Doria. I'm a big
fan of a P I think he's one of the
best we have in this space. And he's also one
of the most fearless, and he's taken his sound design
into places that many just do not have the courage
to do. But he also has the chops for it,
as we say. And here he is on a song
with an artist named Stormsey and the song is called
(50:28):
Problems over Piece and Ape is collaborated with all kinds
of people, but this one right here is certainly one
of my favorite.
Speaker 48 (50:54):
Anti does the s salvonology now kataboli go the lucky
cudy there kna the see savonology, now catarvlan got the
lucky cuddy? There not see Sarvonology, now Catabolkachari kajari package
(51:24):
colina coyot the.
Speaker 1 (51:30):
Hen va.
Speaker 48 (51:37):
Let's go go the lucky guy there not s Salvonology,
now catar.
Speaker 5 (51:44):
Go the lucky cudy.
Speaker 48 (51:45):
There the se Salvonology, now catarl go the lucky cudy
there na se Salvonology.
Speaker 11 (51:55):
Now catar.
Speaker 12 (51:57):
Okay I get it. You income a donor. You might
think I'm a joke man. Come out like grown ups.
Don't know what you feel but don't show us.
Speaker 1 (52:05):
I don't show us. I don't really talk.
Speaker 12 (52:08):
Too much that brow does everything that comes out of
my office.
Speaker 1 (52:10):
Bro, that's twenty four carrot reps.
Speaker 12 (52:11):
I'll just shut them. Can you flow you like? I've
got options? I come now, I say often they I
want peace, I want problems. Who's on what this?
Speaker 2 (52:18):
Wait and see?
Speaker 12 (52:19):
Me and AP had apgs me and AP got ap
money that we don't watch nothing that we hate TV.
Speaker 48 (52:24):
Go to the luggy Goudy. There not good, I see solvinglogy. Now,
go to the lucky gutty. There not good us of
the I see solvinglogy now.
Speaker 5 (52:35):
One of my favorites in our space for sure. He's
always been fearless with his sound design and got into
places that not many people have the chops to go into.
To be honest with you, he's great. Ap delone my
collaboration right there with Stormsy This song right here is
called Huss Huss and I think statistically one of the
(52:58):
most successful collaborations words with feel me.
Speaker 9 (53:02):
I'm the breeze baby on the ocean sky and his baby,
I'm the forest and the tweeze baby, You're the price
and I'm the wheels baby.
Speaker 17 (53:12):
You know.
Speaker 1 (53:14):
You want to make me back.
Speaker 11 (53:17):
I'll hold you.
Speaker 7 (53:17):
Don't get some one of the but you do digit
sonian butter football cutting boo. I'm glad, sweet the child, I'm.
Speaker 21 (53:33):
Glad to.
Speaker 15 (53:36):
See the.
Speaker 11 (53:43):
But don't stop.
Speaker 17 (53:48):
The sal.
Speaker 3 (53:54):
Y talk John over the safe hi opta coges and there.
Speaker 7 (54:09):
By thread bolas. The bolas squeeze the charge of you.
Speaker 32 (54:30):
But don't say.
Speaker 7 (54:47):
Lay sis squeeze the college of anglais to squeeze the
joy of you.
Speaker 17 (54:57):
And the.
Speaker 5 (55:07):
Shout out to see her and a shout out to
see her because she's singing in Punjabi right here. Shout
out to see her. She is from Australia and singing
like a Punjabi girl on that track with Sje. This
(55:28):
one features got An Algily getting together with an artist
named Preston Pablo. The song is produced by Iky Singh
and it's from the Making Memories EP that these two
gentlemen dropped about two years ago.
Speaker 20 (55:41):
There's out to mad kutar meat No they could get
(56:16):
the nod to get down.
Speaker 11 (56:23):
That's the kid. Johnny John com includes.
Speaker 2 (56:28):
VARs Coony Verus sol.
Speaker 11 (56:33):
And Loo.
Speaker 20 (56:36):
Okay that the guard to go Yay Tomas Yeah to
see I'm in a detO.
Speaker 2 (56:49):
Magically out to mad kut.
Speaker 5 (56:54):
O Jarney.
Speaker 2 (57:00):
John Deny to see Who's come a good.
Speaker 12 (57:06):
All.
Speaker 36 (57:06):
His hook was a single class Yes you gotta love
you bad oo baby got your hands on me?
Speaker 2 (57:13):
That gets old gerty what you look so kay.
Speaker 36 (57:16):
I just want to show you when it's me you
could be lifetime. You don't want to make you mine
and never let you boo sob digg it Jesus.
Speaker 5 (57:32):
Got a nodler Preston Pablo. The song is called Admiring You,
So I'm not making memories. EP. Great collaboration right there,
and I hope you enjoyed all of these collabs that
we played. You know, I've been making music for thirty years.
I've been part of some of these collaborations. I've sat
in those rooms, and I'll tell you something most listeners
(57:54):
never got to hear what an East West collaboration actually costs.
It's not a remix, it's not a fusion track. It's
two artists from two industries that don't share a language,
that don't share a publishing system, that don't share a
fan base, that don't share a release calendar, don't usually
share a label deciding to trust each other anyway. That's
(58:15):
months of email chains, and that's lawyers on both sides
untangling royalty splits and across countries that don't even have
the same copyright frameworks. That's translators in the studio making
sure the lyrics still means what it meant in the
first language. That's a label exec on one side having
to convince a label exec on another side that the
(58:36):
song will move the needle for both of them. And
by the time the listener here is the finished record
on the radio, every one of those obstacles has been
quietly solved. The artists made a third thing, something neither
side could have built alone. One plus one equals three.
Speaker 17 (58:54):
Here.
Speaker 5 (58:54):
That's the math of collaboration when it actually works. And
every single song you heard on this show today is
that math lived out. Every record on this hour was
an exact act of trust. Tomorrow, on the show, we
count down the twenty songs the Diaspora is moving this week.
I want you to listen for which one of these
records started rooms like the ones that I just described,
(59:18):
because the ones that did are the future of this
music business. See you guys tomorrow.
Speaker 2 (59:23):
The data backet can happen laugh in the United States,
Brook of New York. Shit boy, you met me up too,
the data backet an get a con.
Speaker 5 (59:36):
I'm speed trap.
Speaker 49 (59:40):
We got the street slap over the season shop EMC
in the Rap. I came to see to my nies
in a spot. On the count of three, drop your body.
Speaker 5 (59:48):
Like your side.
Speaker 2 (59:49):
Want young too, You wan two three young
Speaker 49 (59:54):
Hos of snake charm and move your body like a
snake mama to make me want to put the
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