May 19, 2026 • 59 mins
May 19, 2026 "Decoding Part 1"
The Bridge is available on the iHeart Radio app
Episode 535
ON TODAY'S SHOW
Sammy Chand's Tuesday show is day two of Dhurandhar Week — and today the focus shifts to the music itself. The hour opens with Aari Aari, a Shashwat Sachdev production stacking Bombay Rocker, Reble, Jasmine Sandlas, and Khan Saab — the kind of cross-generational, multi-language collaboration that defines the Dhurandhar sonic universe. From there the show threads through the new pulse: Jai Dhir's Moon, Sanju Rathod's chart-topping Marathi cut Bangles, Dhee's Tamil Vari Vari, Sahib Samra's 1 Day. Sammy plays five more Shashwat Sachdev productions across the hour — Aakhir Ishq with Jubin Nautiyal, Jaiye Sajana with Jasmine Sandlas and Satinder Sartaaj, Hum Pyar Karne Wale (a multi-generational reimagining featuring Queen Herby, Anuradha Paudwal, and Udit Narayan), Main Aur Tu with Jasmine Sandlas, and a fresh cut Destiny featuring Token, Vaibhav Gupta, and Shahzad. Plus Sammy's daily Indian cinema correspondent Anushka Arora stops in with a substantial conversation — perfectly placed during Dhurandhar Week when Indian film is everyone's beat. Neesh previews his show. Dr. Roy on Word On The Avenue. Doyeeta Das Gupta with the Artist Spotlight. The hour closes with Yashraj's Mujhe Ye Gaana Pasand Hai and Shubh's Bounce — both chart presences keeping the countdown momentum alive going into Wednesday.
FEATURED MUSIC
Aari Aari — Bombay Rocker, Reble, Jasmine Sandlas, Khan Saab, Shashwat Sachdev
Moon — Jai Dhir
Bangles — Sanju Rathod
Aakhir Ishq — Jubin Nautiyal, Shashwat Sachdev
Vari Vari — Dhee
1 Day — Sahib Samra
Phir Se — Arijit Singh
Destiny — Token, Vaibhav Gupta, Shahzad
Jaiye Sajana — Jasmine Sandlas, Satinder Sartaaj, Shashwat Sachdev
Hum Pyar Karne Wale — Queen Herby, Anuradha Paudwal, Udit Narayan, Shashwat Sachdev
Main Aur Tu — Jasmine Sandlas, Shashwat Sachdev
Mujhe Ye Gaana Pasand Hai — Yashraj
Bounce — Shubh
FEATURED GUESTS & CONTRIBUTORS
Anushka Arora — Indian cinema correspondent. Conversation at 39:54 — Dhurandhar Week timing puts her squarely on her beat
Neesh — Previews his show
Dr. Roy — Word On The Avenue, daily Rukus Avenue Radio All-Stars segment
Doyeeta Das Gupta — Artist Spotlight, daily Rukus Avenue Radio All-Stars segment
RUNDOWN
0:00 Sammy Opening
2:30 Aari Aari — Bombay Rocker, Reble, Jasmine Sandlas, Khan Saab, Shashwat Sachdev
5:44 Sammy
6:16 Moon — Jai Dhir
8:45 Sammy
9:05 Bangles — Sanju Rathod
12:14 Sammy
12:45 Dr Roy with the Word On The Avenue
14:01 Sammy
14:06 Aakhir Ishq — Jubin Nautiyal, Shashwat Sachdev
18:06 Sammy
18:59 Neesh
20:12 Sammy
20:34 Vari Vari — Dhee
23:31 Sammy
23:52 1 Day — Sahib Samra
26:57 Sammy
27:28 Phir Se — Arijit Singh
32:57 Sammy
33:10 Destiny — Token, Vaibhav Gupta, Shahzad
36:24 Sammy
36:54 Jaiye Sajana — Jasmine Sandlas, Satinder Sartaaj, Shashwat Sachdev
39:54 Sammy Chand interviews Anushka Arora
45:40 Hum Pyar Karne Wale — Queen Herby, Anuradha Paudwal, Udit Narayan, Shashwat Sachdev
48:42 Sammy
49:00 Doyeeta Das Gupta delivers the Artist Spotlight
50:24 Sammy
50:48 Main Aur Tu — Jasmine Sandlas, Shashwat Sachdev
53:54 Sammy
54:05 Mujhe Ye Gaana Pasand Hai — Yashraj
56:32 Sammy Chand delivers the Closing Remarks
58:06 Bounce — Shubh
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-bridge-by-sammy-chand--6650619/support.
Sammy Chand's daily radio show on Rukus Avenue Radio is the leading Indian music and culture show in the world. The one hour show airs daily worldwide.
"South Asian music podcast," "Punjabi music show," "Bollywood commentary," "Indian diaspora radio", "Indian Music", "Top Indian Radio Show", "Punjabi Radio Show", "Indian Radio Host", "Punjabi Radio Host".
The Bridge is available on the iHeart Radio app
Episode 535
ON TODAY'S SHOW
Sammy Chand's Tuesday show is day two of Dhurandhar Week — and today the focus shifts to the music itself. The hour opens with Aari Aari, a Shashwat Sachdev production stacking Bombay Rocker, Reble, Jasmine Sandlas, and Khan Saab — the kind of cross-generational, multi-language collaboration that defines the Dhurandhar sonic universe. From there the show threads through the new pulse: Jai Dhir's Moon, Sanju Rathod's chart-topping Marathi cut Bangles, Dhee's Tamil Vari Vari, Sahib Samra's 1 Day. Sammy plays five more Shashwat Sachdev productions across the hour — Aakhir Ishq with Jubin Nautiyal, Jaiye Sajana with Jasmine Sandlas and Satinder Sartaaj, Hum Pyar Karne Wale (a multi-generational reimagining featuring Queen Herby, Anuradha Paudwal, and Udit Narayan), Main Aur Tu with Jasmine Sandlas, and a fresh cut Destiny featuring Token, Vaibhav Gupta, and Shahzad. Plus Sammy's daily Indian cinema correspondent Anushka Arora stops in with a substantial conversation — perfectly placed during Dhurandhar Week when Indian film is everyone's beat. Neesh previews his show. Dr. Roy on Word On The Avenue. Doyeeta Das Gupta with the Artist Spotlight. The hour closes with Yashraj's Mujhe Ye Gaana Pasand Hai and Shubh's Bounce — both chart presences keeping the countdown momentum alive going into Wednesday.
FEATURED MUSIC
Aari Aari — Bombay Rocker, Reble, Jasmine Sandlas, Khan Saab, Shashwat Sachdev
Moon — Jai Dhir
Bangles — Sanju Rathod
Aakhir Ishq — Jubin Nautiyal, Shashwat Sachdev
Vari Vari — Dhee
1 Day — Sahib Samra
Phir Se — Arijit Singh
Destiny — Token, Vaibhav Gupta, Shahzad
Jaiye Sajana — Jasmine Sandlas, Satinder Sartaaj, Shashwat Sachdev
Hum Pyar Karne Wale — Queen Herby, Anuradha Paudwal, Udit Narayan, Shashwat Sachdev
Main Aur Tu — Jasmine Sandlas, Shashwat Sachdev
Mujhe Ye Gaana Pasand Hai — Yashraj
Bounce — Shubh
FEATURED GUESTS & CONTRIBUTORS
Anushka Arora — Indian cinema correspondent. Conversation at 39:54 — Dhurandhar Week timing puts her squarely on her beat
Neesh — Previews his show
Dr. Roy — Word On The Avenue, daily Rukus Avenue Radio All-Stars segment
Doyeeta Das Gupta — Artist Spotlight, daily Rukus Avenue Radio All-Stars segment
RUNDOWN
0:00 Sammy Opening
2:30 Aari Aari — Bombay Rocker, Reble, Jasmine Sandlas, Khan Saab, Shashwat Sachdev
5:44 Sammy
6:16 Moon — Jai Dhir
8:45 Sammy
9:05 Bangles — Sanju Rathod
12:14 Sammy
12:45 Dr Roy with the Word On The Avenue
14:01 Sammy
14:06 Aakhir Ishq — Jubin Nautiyal, Shashwat Sachdev
18:06 Sammy
18:59 Neesh
20:12 Sammy
20:34 Vari Vari — Dhee
23:31 Sammy
23:52 1 Day — Sahib Samra
26:57 Sammy
27:28 Phir Se — Arijit Singh
32:57 Sammy
33:10 Destiny — Token, Vaibhav Gupta, Shahzad
36:24 Sammy
36:54 Jaiye Sajana — Jasmine Sandlas, Satinder Sartaaj, Shashwat Sachdev
39:54 Sammy Chand interviews Anushka Arora
45:40 Hum Pyar Karne Wale — Queen Herby, Anuradha Paudwal, Udit Narayan, Shashwat Sachdev
48:42 Sammy
49:00 Doyeeta Das Gupta delivers the Artist Spotlight
50:24 Sammy
50:48 Main Aur Tu — Jasmine Sandlas, Shashwat Sachdev
53:54 Sammy
54:05 Mujhe Ye Gaana Pasand Hai — Yashraj
56:32 Sammy Chand delivers the Closing Remarks
58:06 Bounce — Shubh
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-bridge-by-sammy-chand--6650619/support.
Sammy Chand's daily radio show on Rukus Avenue Radio is the leading Indian music and culture show in the world. The one hour show airs daily worldwide.
"South Asian music podcast," "Punjabi music show," "Bollywood commentary," "Indian diaspora radio", "Indian Music", "Top Indian Radio Show", "Punjabi Radio Show", "Indian Radio Host", "Punjabi Radio Host".
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
South Asian music and cultures can be.
Speaker 2 (00:03):
Found around the world. We tracked down the best and
it presents it here for you.
Speaker 3 (00:09):
On Ruckus Allahu Radio. You know what's going on.
Speaker 4 (00:15):
This is Side Summer and you're listening to The Bridge
with Sammy chant.
Speaker 5 (00:19):
Hey, this is Red here and you're listening to The
Bridge with Sammy Chunk.
Speaker 6 (00:23):
Hey, this is Iky and you're listening to Burkis Avenue Radio.
Speaker 7 (00:28):
God the Modeling Brunnon.
Speaker 2 (00:32):
What's up?
Speaker 7 (00:35):
Thank you for finding me. Thank you very much. I
do my best to be found, you know. Hope you
guys are well.
Speaker 8 (00:47):
Thank you very much for tuning in to May nineteenth
edition of The Bridge. I spent a lot of time
in front of my screen last night render the very
first one just came out several months ago, and uh
(01:10):
really got a chance to watch it again, and my goodness,
shout out to Aksha Khanna. Really what a great job
he did in the first one, and to see it
again like that was just to see it in the
context you kind of feel his absence in the second one.
You know, I'm looking forward to seeing the second one tonight,
(01:34):
as I invite you all to do so and to
help you talk about the film. Today, I'll be joined
by the Professor as I call her of Indian Cinema.
We'll be joined today by Annushka Aurora. Anushka and I
have been talking about the The Runder film here for
the last several months. Set to tie it together in
(01:57):
a week long tribute like this has been particularly interesting
for us. I called the Panushkasa. I'll see you Tuesday morning.
We'll be joined today by Niche got the Ruckus Avenue
Radio all stars in the bag today as well. Got
(02:19):
a little bit of new music to play for you.
But today, folks, we're gonna turn our attention to Render
the Revenge and really play some music from that very
well celebrated soundtrack. The names on this second soundtrack maybe
not as big and as vast as the first.
Speaker 7 (02:39):
One, but equally equally's effective.
Speaker 8 (02:44):
This song is called Adi Yadi Welcome to the bridge.
Speaker 3 (02:56):
Watch and get the.
Speaker 9 (03:05):
Matter on your head.
Speaker 10 (03:13):
Haughti yachty hoy, the.
Speaker 3 (03:38):
Hati yachty hot.
Speaker 11 (03:50):
Yeah, my father raced me, al went out. I would
killed for my people. That don't make me a center.
From the coast to the trains, everybody know the name
coming from We got just to maintain that you got it. Ego,
shut a fucking me no, and they cut that money
like I'm punning up to see no gee coat, no
problem in my geno cut the brough.
Speaker 7 (04:07):
Can you stand on?
Speaker 1 (04:07):
What's between?
Speaker 6 (04:08):
Does cops in the paper like they were crussing on
each other, pro making deputy bits of me. I'm making
a couple of mother crazy. It's turning laziest, probably to
proct probably probably because I was probably probably warns a
mother puts a mother two hands on that nick like
I was turning mother. So if I go to sleep,
I've probably burning covers. Burn the covers. If the covers burn,
I gotta turn the matress hoe getting the first pick
you wanted to pick like a boarding caption.
Speaker 3 (04:54):
Come on, b.
Speaker 8 (05:45):
I mean, what an incredible lineup of artists on the
song Shash, what Sucks Dead, the Musical Foundation, He's got Bombay, Rockers, Earshot,
Comel consab Rebel, Token, Jasmine Sandlist, Sure you Duvanshi. A
great lineup of artists right there, all on one track
(06:06):
to start off our Tuesday show. This song right here
is Jay Dear's latest It's called Moon, and we'll get
back to the soundtracks.
Speaker 2 (06:43):
Song Dimonzi.
Speaker 3 (07:19):
Jesus and able to but you should able to pull me,
able to.
Speaker 2 (07:30):
Name john is, able to hold on me to.
Speaker 12 (07:37):
His home pop charger play big talking to a Courtney
and I should have well been also to offer to act.
Speaker 3 (08:14):
Johnny how.
Speaker 13 (08:19):
Demons we've had jed there on this show before. I'm
(08:48):
a big fan.
Speaker 8 (08:49):
I think he's going some big places in this business
for sure. That song called Moon and one of his
brand new singles for everybody to check.
Speaker 10 (08:57):
Out right there.
Speaker 8 (08:59):
This libe is so much fun. You can roll down
the windows if your weather permits.
Speaker 13 (09:04):
Plait loudla allergy bug.
Speaker 14 (09:11):
Am, I just over, that's my just over to talk.
Speaker 15 (09:17):
So I talk Jose Jerry, Jerry.
Speaker 14 (09:20):
Just like a katy Berry, give me through the delivertion
di gol mine flex Cuddy, very very classy, sashy, flashy,
flashy baby to our hestire pally to Hollywood Party.
Speaker 3 (09:35):
Why do you live a good da? Now allergy bug.
Speaker 14 (09:41):
Am, I just over turn, that's my just over turn.
Speaker 7 (09:48):
But the little more salah.
Speaker 16 (09:54):
Am, I just over.
Speaker 14 (09:56):
That's my just over, not the dargon halim. The playlist
that's nice and now now gnawn now getting okay, Persson
a la sang about the Sooners A pa rat the
dagon hamit he the playlist that's nice and now now
gnaw gnaw getting okay. Persson A sang about the Sooners
(10:20):
a pa good labby good labby girl.
Speaker 7 (10:22):
Hi, did your son?
Speaker 2 (10:23):
Every son?
Speaker 14 (10:24):
Every Geeva is Alena hell all last allergy bang bang, I'll.
Speaker 17 (10:37):
Just over it.
Speaker 18 (10:39):
That's my just over it.
Speaker 14 (10:40):
Tell did you fundr it just sound worthy car guitar
rap from gow to the Google. I'm raising no cup
from the silence, no violence and when I a staff
majos as when she's in Gagarah this terran kinda kra
(11:09):
read a bangle black goggle with camera Cardala hamane Cardala
hey go.
Speaker 19 (11:16):
Gotti's buddy teacher Dardy billionaire correct group Foreigner is the
bar reason personly the mar the pe top like mast
you feeling a Tamati pi wife has a kernel Bankai
sound authentic, the classic romantic hi bag. That's Mala la
(11:54):
la ritira.
Speaker 9 (11:59):
Alma.
Speaker 7 (12:13):
Yeah he does that. It's his copyright stuff.
Speaker 3 (12:17):
The sound is very happy.
Speaker 8 (12:19):
Very infectious, and he's one of my favorite Marati artists
out there. Sanduratord right there a song called Beangles. It's
currently in our top five of our Top twenty Countdown show.
And today, folks, we've been shining a light on the
Render the Revenge in light of the brand new Undika
cut that hit Netflix this past weekend, and we'll be
(12:39):
talking about the songs as we go along in this hour.
And now let's bring in Doctor Roy to this party.
How are you Doctor Roy?
Speaker 20 (12:46):
Hey, guys, this is Doctor Roy with today's word on
the Avenue. In Film and TV News. Two months after
bringing back household signboards at theaters, a sur under, The
Revenge has made its international OTT release on Netflix with
huge tradings and viewership across the globe. However, India does
have to wait for its OTT release, coming out in
(13:06):
June only on Geo Hotstar. In Media News, UK businessman
Peter Singhverdi has acquired the historic necklace once owned by
Maharani Jindn Gore at a London auction for eighty eight
thousand dollars, calling it an important piece of Seak heritage.
Verdi said preserving the legacy of Maharani Jindn and Maharaja
(13:27):
Ranjitsingh was deeply personal for the Sikh community. In event News,
a historic spiritual milestone unfolded in Brazil as Latin America
witnessed the consecration of its first ever Lord, Ganesha Murti
at the Vishfavidia Cultural Central in Petropolis. Joined by devotees
and India's Ambassador to Brazil, Daneshpatia. The ceremony feature traditional
(13:49):
Veilic rituals and marked a significant moment for the growing
global presence of Hindu culture and spirituality in South America.
That's it for today's word on the avenue until next time.
Speaker 7 (14:00):
Thank you, doctor Roy. This song right here is called kleish.
Speaker 21 (14:06):
Manadah Medvadoman milish ku voishku jo in dnojona gave.
Speaker 3 (14:25):
Me am the reveal.
Speaker 22 (14:32):
Sign Homan massa hassi whom.
Speaker 21 (14:38):
There s whomman jijona manaa.
Speaker 3 (14:44):
Ha donk who did it?
Speaker 22 (14:50):
Bossy ish kume jomanada ha.
Speaker 3 (15:00):
You got.
Speaker 9 (15:03):
Mail?
Speaker 23 (15:03):
Could he.
Speaker 3 (15:07):
Mail? Could he is?
Speaker 24 (15:09):
Could the hard man had a heart.
Speaker 3 (15:13):
Made by heart? Man made nice?
Speaker 21 (15:19):
Could voice?
Speaker 9 (15:24):
Could les you go on the job?
Speaker 3 (15:29):
Give me a man the food?
Speaker 22 (16:17):
No man a hot amnaucoma shoo.
Speaker 3 (16:25):
Man a hot dog.
Speaker 15 (16:27):
She shout jod co.
Speaker 22 (16:31):
Megh by local man, How don't say true? No man
a hat hot Cooper bo Ho cassle ve vassil.
Speaker 3 (16:49):
The booty no hot coover but hocussive.
Speaker 22 (16:59):
Vassive through foody das you haddaketdaady, maby golivea John sut
your hair said you got human man I had a
(17:20):
don't go Huma, then buzz Excoomena Jomana had a.
Speaker 3 (17:33):
Don't go who.
Speaker 21 (17:36):
Malady malady, excooda mana a.
Speaker 22 (17:47):
Merry bad man made ganacoo your.
Speaker 15 (18:06):
Yeah.
Speaker 8 (18:06):
It's remarkable what Shushwa Sachdev did on these two soundtracks.
Speaker 7 (18:10):
He really did. He's doing the job of many men
of the last several years.
Speaker 8 (18:17):
This job of completing the entire spectrum of a soundtrack
was left to more than one composer, sometimes up to
as many songs as they were in the film. You
went to a different composer for that sound But what
shush what has done in this soundtrack. In both of them,
(18:37):
he was able to cover the entire spectrum of stuff
that he needed to do for the soundtrack by himself.
An incredible, incredible achievement and something a bit of a throwback,
if you will. Now, let's bring a niche. The host
of the show called the Garage Mahal as he gives
your preview of what to expect today a five pm
(18:57):
right here on the signal.
Speaker 7 (18:58):
What's up Niche? Ye oh, what is up?
Speaker 4 (19:01):
Ruckus Avenue Radio. Fam This is Niche, the host of
the Garage Bahal They sy Drops and I got a
brand new episode coming up this week. And all you
gotta do is tune in every Tuesday at five pm PST.
And I'm gonna be playing the hottest South Asian music
in the world. Now, what makes the sy Drops so
unique is we don't just play the hits. We play
music from up and coming artists that one day you're
(19:23):
gonna say I listened to them before they were cool.
So if you want to hear California neo soul, we
got Avara with her new single Levitate. I got my
guys Zashan Bee with his song Ain't No Love in
the City. I also got house music from Punjabi MC. Yeah,
PUNJABIMC is making house music, y'all. And of course we
(19:44):
have to honor Asha Bosle, so we're gonna be playing
a little bit of her music as well as her
feature on the New Gorilla's album. And justa heads up,
the Gorillas released a South Asian inspired album and they'll
actually be touring in India very soon. So if you
want the insights gup on the hottest South Asian diaspora
music in the world. Tune into my show The Garage
(20:05):
Bahall the sy Drops every Tuesday at five pm p
s t here on Ruckus Avenue Radio.
Speaker 7 (20:11):
Back to you, Sammy, Thank you, See you at five o'clock.
Speaker 6 (20:14):
Brother.
Speaker 8 (20:15):
Can't wait to check out your show. Can't wait to
check out that playlist. Aniche has always got one of
the most exciting playlists on all of Ruckus Avenue Radio.
Speaker 7 (20:24):
Make sure you come hang out with him at five
pm today p t.
Speaker 3 (20:30):
This right here.
Speaker 8 (20:30):
One of my favorite artists out there right now. Her
name is d The song is called Buddy Buddy.
Speaker 25 (20:43):
Mendone soada.
Speaker 26 (21:13):
Very area very very very very very very very very
very very very far very very very very very bare
very very very ba very very very.
Speaker 27 (21:30):
Far really.
Speaker 9 (21:35):
Hard.
Speaker 3 (21:39):
Yeah, I mean.
Speaker 1 (21:43):
It, hey, Golla, I want to.
Speaker 26 (21:55):
Get pun my younger college, want put it away access.
Speaker 1 (22:04):
You gonna Jayasing.
Speaker 26 (22:14):
March on a war wey loved algic very very very
very very ba very very very very very very very
very very very very bad, very very bad.
Speaker 27 (22:33):
Ya really yellow, Yes, Lord.
Speaker 26 (22:46):
Sad word what calog Yeah, lipolo.
Speaker 1 (23:02):
And he's did it out.
Speaker 27 (23:15):
One of the.
Speaker 7 (23:19):
Even that's the right there.
Speaker 8 (23:34):
Australian dumble singer the song Buddy Buddy her herself no
stranger to the film industry as well.
Speaker 7 (23:43):
Great track.
Speaker 8 (23:44):
This next song We've got for you is a song
called one Day. The artist name is Sahib Samra. It's
from the UK.
Speaker 7 (23:53):
That great to deterior.
Speaker 5 (23:59):
I say, lean Lug, you're like Jove, but you not craz.
How they can apparture to put you know, core har
diug crecy, but you to that create you could be
that he the head come a good day up here
and luck you're looking job, but you kriz. They can
(24:23):
a party to put your dream.
Speaker 10 (24:29):
But you.
Speaker 2 (24:32):
Many things.
Speaker 3 (24:33):
I can a pordic recordation, you know the gentleman the movie.
Can't you not the fun of how many holiday?
Speaker 5 (24:49):
The sarda a cruse handy okay.
Speaker 9 (24:52):
Is hello mother?
Speaker 2 (24:53):
So he does then he's no the sou a cave
and there he could.
Speaker 3 (25:01):
Him na Mary mother, Mary mother.
Speaker 5 (25:06):
Talking the bark not ty, how do not the room
girls day up heady in me.
Speaker 3 (25:14):
Not to your job?
Speaker 2 (25:18):
Oh easy life I wish started.
Speaker 5 (25:25):
He's got you do that crec di that terror that
could he terra bad?
Speaker 3 (25:33):
Come a good day? You could he there is ale
and lug.
Speaker 5 (25:37):
You're like Jove, but you not how they can departure
to put your Diagya.
Speaker 2 (25:48):
He got you to there that he that he bad,
come a good day? Up here is lean you're looking job.
Speaker 17 (25:58):
But.
Speaker 5 (26:00):
To put you create the great.
Speaker 28 (26:06):
Man the man Hipper made hast crazy, humble and study merrily,
to make a girl.
Speaker 5 (26:17):
That hate it abatis in Atack Honey London, Toronto, tacky
all the colon. No manager Carlo Cusa does to create
Carbasa to Korea. Bology has to tell the dog doesn't
(26:41):
create the Marge come up to do to.
Speaker 2 (26:46):
Korea knelt.
Speaker 5 (26:50):
Yesterday, recreate the upcomony, make up the monkey to Leo.
Speaker 8 (26:56):
The Leo certainly want to watch coming out of the
UK right now? Well, my friends turn to me and says,
kind of reminds me of Jima Wayan. Yeah, I can
see that a little bit of a UK version, if
you will. That song called one Day, one of our
top ten songs. Right now on the bridge, this song
right here to me, I mean to me, maybe the
(27:17):
most memorable to come out of both of these films,
The Runder two the Revenge here has the big one.
The song is called erse and that's what Adijit saying.
Speaker 7 (27:29):
Do do not.
Speaker 1 (27:35):
Dirt but der.
Speaker 29 (27:44):
Yeah, don't say marky many right, yeah, don't say.
Speaker 30 (28:06):
Johnny GUSI perce and a body some jam from Cortom
do normOn Eperson, a nobody some jam room her Cortom
do he Normony person and a body some jam from
(28:33):
the cart I'm I'm on eperson a numbody some jee
room her Cortom do norm on epen donham listener you
(30:00):
go jeeve her chatty byta already the Heiti goingbo very
dotc sighata.
Speaker 3 (30:15):
There is Eva going juice her.
Speaker 2 (30:23):
Man job do not ta tell.
Speaker 30 (30:29):
Symmathy may by Homas so John not ti.
Speaker 3 (30:38):
A Sami there are.
Speaker 18 (30:47):
Uh go.
Speaker 3 (30:52):
You sobbin the homy bly so oh God.
Speaker 31 (31:09):
Joany GOSSI person and I'm petty something jem them my
cartom do Norman Everson and I'm party.
Speaker 1 (31:25):
Something jitter.
Speaker 3 (31:27):
Them my cartom do the money person and I'm body.
Speaker 16 (31:34):
Some j.
Speaker 30 (31:36):
From Catom Moneyson and I body something jem them cart
them do them money be said abdy some jet term
(32:42):
from fatom doenrmon epson a nobody, some jet term room
marm do normOn eve.
Speaker 8 (32:58):
Yeah, it's the crown Jewel, the two films so far
in my eyes. That song called fit is it?
Speaker 7 (33:04):
What did you sing? This song is called destiny man
utter gar Yes.
Speaker 3 (33:11):
So please, don't you lie to me?
Speaker 32 (33:14):
Who am I supposed to be?
Speaker 3 (33:17):
Should I change's close to me?
Speaker 2 (33:20):
Whurst destiny, don't lie to me.
Speaker 6 (33:25):
I never quit going hard enough, never quit showing everyone,
never quit killing.
Speaker 2 (33:29):
What I toss, Never quit when it.
Speaker 6 (33:31):
Got too much, It got too much off, and it
got too much quickly.
Speaker 2 (33:33):
It got me, but it never got in me. I
thought that he'd give me back when they would.
Speaker 6 (33:37):
Never quit making fun of me, Never quit saying you
want to be, Never quit those comparisies, Never quit the unfairs.
Don't you remember which school suspension me?
Speaker 3 (33:44):
Mom? Be worth early?
Speaker 6 (33:45):
Don't you remember me hiding myself just.
Speaker 3 (33:47):
So you don't hurt me?
Speaker 6 (33:48):
Never quit when I should have quit, Never quit what
supposed when I could talk under fishing left hand the
joke you supposed to win?
Speaker 2 (33:54):
I never quit staying.
Speaker 6 (33:55):
Versaonal could I quit taking personal then I quit catering
Who's minute because I quit taking opinion. Never if we're
trying to be better, never quit, never surrender, never mistaking
these letters, never put in the pressure.
Speaker 3 (34:05):
However, whoever, would.
Speaker 2 (34:06):
Never never quit being me?
Speaker 3 (34:08):
Who better?
Speaker 25 (34:08):
You?
Speaker 9 (34:08):
Better?
Speaker 2 (34:09):
Not better?
Speaker 6 (34:09):
I never seen the feat. I never put running it
wondering when the gun go walf. I've never put gun
it because of my head. Still, none of y'all would
ever seen.
Speaker 2 (34:17):
Me smoll my roll.
Speaker 6 (34:18):
How he saw the tone of Paul destiny.
Speaker 3 (34:19):
My only gogle my.
Speaker 1 (34:28):
Kill.
Speaker 3 (34:30):
But who's shine?
Speaker 2 (34:36):
Then shine?
Speaker 6 (34:44):
I'm trying to listen to pain and brother the rain
and over the shames, a shame. I'm trying to listen
to pain and bread, the rain and over the shames.
When it's shame gone, John, then my brain going. When
you feel the same, what is to do to you?
I mean, you're gonna let it kill you A you're
gonna let it breed. Don't take me as a joke,
Just take me how I is?
Speaker 3 (35:04):
I kid?
Speaker 6 (35:04):
You don't know how to stop it, don't know how
to quit. No, I'd never quit run it running when
the go gole Waff, I'd never quldgun it got through
my head still, noney, y'all would ever see me slow
my brow how you saw on the tone of Paul's
destiny money goog.
Speaker 3 (35:18):
My nacky, got my nacky, got.
Speaker 9 (35:55):
Mad doagy?
Speaker 16 (36:11):
What's the.
Speaker 3 (36:14):
Shine?
Speaker 8 (36:20):
Shin vibe chazad lee on the vocals there the rapper
is token shush what such?
Speaker 7 (36:31):
There sat on the table for.
Speaker 8 (36:33):
Everybody to eat right there, and it's from the Under
the Revenge soundtrack And tonight, folks, I welcome you all
to see the Rendered the Revenge the Endeca cut tonight.
Speaker 7 (36:47):
Make sure you do that. This song is called Jay Sagna.
Speaker 8 (36:51):
Stay tuned for nushka aurorajolcomemedy.
Speaker 33 (37:06):
But the lat you taking a hundo comarina as you
breathed lin.
Speaker 2 (37:15):
Jesse ho ho, you know the hard to come my
body container you make your night. You breathe and you
say they ho you know some sorry hung back don't oh.
Speaker 34 (37:41):
Sorry, carda pussy Yes, son No sorry, card that pussy
a Yes.
Speaker 33 (38:06):
The want to come my mody and megapret someone.
Speaker 2 (38:18):
Sorry on the way.
Speaker 9 (38:21):
John D.
Speaker 17 (38:29):
S.
Speaker 34 (38:29):
I'm sorry, card a pussy Yes, so sorry, card pussy
A Yes.
Speaker 8 (39:35):
Yeah, folks, as I promised you here. She is the
professor of Indian center of the show.
Speaker 7 (39:40):
What's up Anushka? Hey, Sammy? All good?
Speaker 16 (39:43):
How are you all right?
Speaker 8 (39:45):
I've got this kind of you know, this film series
here in front of me. I've been dissecting it in
all kinds of different ways, using music, using the film
to tell the story of the impact of what these
two films have done of the last what the the last.
Speaker 7 (40:00):
Several months or so?
Speaker 19 (40:02):
Uh huh?
Speaker 9 (40:02):
You know what?
Speaker 3 (40:03):
Say you?
Speaker 8 (40:04):
How would you put the impact of these two films
in the perspective for folks?
Speaker 16 (40:10):
Look, you know, I can go on and on and
on about let's call it a franchise. Under one and
the under two. They haven't been just movies. They have
been It's been a whole movement in Indian cinema. Like
it has completely changed the game, no matter which aspect
we're talking about, from the music to the direction, to
(40:34):
the cinematography to the cast. Like we're talking, every single
thing is a ten on ten. Now if we talk
about the less of the movie, you're giving me a
four hour movie. Okay, actually you're not even a four
hour movie.
Speaker 34 (40:47):
You're giving me an.
Speaker 16 (40:48):
Eight hour movie. You're giving me a solid eight hour movie.
It's split into two parts in the year twenty twenty six,
when everyone's concentration span is no more than thirty seconds. Yeah,
we're in a time where we're doom scrolling, right, We're
just scrolling on our phone. But yet we have managed
to get or I say we, they have managed to
(41:09):
get every single person in theaters for not just the
first movie, but for the second movie. Now that speaks volumes. Dammy,
that speaks absolute volumes.
Speaker 3 (41:22):
And you know, if we really.
Speaker 16 (41:24):
Home in and if we really dissect the content, if
we dissect the story. Now, I've always said this, that
content is king. The story is king here, no matter
how much of a good cast you get, no matter
how much of an amazing soundtrack you have.
Speaker 7 (41:39):
Well to a movie, you know what it is the story.
Speaker 16 (41:43):
That makes it. And this has just proved it. Because
Under one and the Under two have completely proved that
content is king. You cannot you cannot go away from
that whatsoever. Look at the star cast. Just look at
the star cast. You have you know, the likes of
revising who this is? You know, everyone calling this is
(42:04):
kind of like a comeback movie because you know, his
last few movies they haven't worked at the box office,
which is fine, every actor goes through this, you know,
the best of the best go through it. But this
one has been a mighty one for every single actor
in any way, shape or form, so releasing anyway we
know this is this has you know, been his comeback movie.
(42:25):
Odren Rampas.
Speaker 7 (42:27):
Whoever thought whoever.
Speaker 16 (42:29):
Thought this was going to be such a meaty role, okay,
kna Like he was the talk of the town like
for the first one, and I think everybody missed him
in the second one.
Speaker 3 (42:40):
Of all.
Speaker 16 (42:41):
You know, everyone's like, you know, we need to to
come up back, but you know there was no way
he could come back because he died in the first one, right.
And then you have a TV star like Rocki Beddy.
I have grown up watching that guy on Indian TV
shows and for him to make that appearance and to
have that character in these films is absolutely solid.
Speaker 7 (43:02):
It is solid.
Speaker 16 (43:03):
I mean I can go on and on and talk
about the entire movement and the monster and the you
know box office a raw that you know this movie
has created. It is just really absolutely phenomenal. And I
just feel so happy that I get to live it.
I feel so happy because it just makes me so proud,
Like awards, no awards, It doesn't matter. I mean it
(43:26):
doesn't matter. Right, Like we have the soundtrack, like you
know Jasmine Sandlers as a female Indian singer. She has
carried that through the first one and the second one
with you know Shashworth Suve who has composed the music.
And when I say composed, he has really used the
old songs and how because let me tell you one
(43:49):
thing that terribly wrong. Yeah, it could have gone terribly wrong,
but he honestly, I just don't know how he did it.
But he is a word of magic. Yeah, it's unbelievable.
Speaker 8 (44:02):
I know you've seen the original Drunder the Revenge, and
I know you and I were sitting on the edge
of our seats waiting for Friday to come so we
can see the brand new unedited version or the extended
version of that.
Speaker 7 (44:15):
They call it the Undicka version.
Speaker 8 (44:17):
Right, So yes, yes, all right, without spilling the entire
beans here as far as what you saw and the
extended version, talk about that extended scene and everything in
between there.
Speaker 16 (44:29):
Yeah, I mean, like you said, I'm not going to
give too much of it away because I don't want to.
But the fact that we get undickar like that is
just the word itself. You know, if you've been a
fan of these two films, you know you can't miss this.
Like it's just extra. It's extra, it is what you
want to see.
Speaker 29 (44:47):
It's a bits that we didn't get to see in.
Speaker 16 (44:49):
Cinema and like it. Like like the title suggests, it
is raw and it is undeca. So you know, if
you haven't seen it, I suggest you watch it.
Speaker 7 (44:58):
It's time to head on over, right.
Speaker 8 (45:00):
So what we're doing, what we've been doing all week long,
was yesterday on Monday, we had everybody stop and say,
all right, we're gonna go through this week together. And
yesterday we had everybody watch the very first one. Again
it's like, all right, catch up tonight. Everybody is gonna
be asked to watch the Revenge tonight, so folks get
ready for tomorrow. We'll be back to kind of reflect
(45:22):
on it all and kind of you know, dissect it
all in another way.
Speaker 3 (45:26):
But ah, this is.
Speaker 8 (45:27):
Gonna be fun. Anushka, thank you so much for joining
us today and for bringing so much into this show.
Speaker 16 (45:33):
You're welcome Outwait Sammy.
Speaker 8 (45:35):
Great stuff and that's the great Anushka Aurora everybody, and
here's the next song for you.
Speaker 3 (45:49):
Money.
Speaker 1 (45:50):
Tell me how I got so shameless?
Speaker 2 (45:52):
Waken so hondayus.
Speaker 3 (46:03):
Put me I look at that.
Speaker 11 (46:08):
When I locates, my love is gonna be contagious.
Speaker 1 (46:11):
Wait for the day we got sap in the bitch
Let contain.
Speaker 15 (46:26):
Shot.
Speaker 1 (46:46):
I'm a babbach.
Speaker 35 (46:46):
Opened my door in my fur coat, dragging on the floor.
Speaker 9 (46:49):
It's a new world kind of hicks floor.
Speaker 35 (46:51):
When the bad girl walking, the bad girls more, I'm.
Speaker 9 (47:01):
A bad beach. Oput my dog in.
Speaker 35 (47:03):
My fur coat, dragging on the floor.
Speaker 23 (47:05):
It's a new world trying to Hicks God. When the
fat girl walk. If the bang girl's long, right or not,
I'm ready for the fight, pushing all my hesitant aside.
Sexy baby, you cannock to night and it's witchy mass again.
Speaker 2 (47:19):
The battle cry right or die.
Speaker 23 (47:21):
I'm ready for the fight and pushing all my hens
tense aside, sexy baby, you can not to dine.
Speaker 1 (47:26):
It's whitchy mass again.
Speaker 2 (47:27):
My battle cry.
Speaker 35 (47:28):
I'm a bad beach, open my door in my fur coat,
dragging on the floor.
Speaker 2 (47:32):
It's a new world. Try the hill when the bad
girl won't get the bad girl's long. I'm a fat beach.
Speaker 1 (47:36):
O put my dog in my fur coat dragging on
the floor.
Speaker 2 (47:39):
It's a new world to the ex girl. Won't get
the bad girl. I'm a bad beach.
Speaker 35 (48:03):
Open my door and my fur coat dragging on the floor.
Speaker 3 (48:06):
It's a new world time.
Speaker 35 (48:07):
The Higgs door, when the back girl punk in the
back girls more, I'm a bab beach of my door,
in my paco dragging on the door.
Speaker 9 (48:22):
It's a new world time the.
Speaker 1 (48:23):
HIGs door, when the back girl in the bank more.
Speaker 36 (48:27):
Somebody tell me how I'm so optatious?
Speaker 9 (48:35):
Was going to be contagious?
Speaker 7 (48:42):
I think shut what such?
Speaker 8 (48:43):
Dave is one of the few composers that can house
a song where Queen Herbie and Una Ryan shares the
same building along with un and Anon, Milind and Samir Anne.
What a great track there, And now let's bring Induta
Dakuta Hi.
Speaker 1 (49:02):
Everyone.
Speaker 17 (49:02):
This is Da Da s Gupta Eurakasavne radio music correspondent
back with another artist, Spotlight. Let's talk about Jasmine Soundless,
the Indian American singer, songwriter and performer whose fearless voice
and unapologetic style continue to redefine Punjabi and Bollywood music.
Born in Chillan, there and raised in California. Jasmine first
broke through with the hit Jarna Mille from Kick before
(49:25):
building a global fan based who songs like Illegal Weapon,
sip Zip and Tharas And In twenty twenty six, Jasmine
is having one of her biggest years yet. She's become
one of the most standout voices of the massively successful
Runda franchise, earning praise for track Sike may Or two, Jaya,
Sachna and Sharat, and the explosive title track, all showcasing
(49:46):
her signature blend of attitude, emotion and powerhouse vocals. Fans
online have even called her the voice of Truander, praising
the energy and intensity she brings to the soundtrack. Beyond
the music, Jasmine has been opening up about her personal journey,
speaking honestly about her struggles growing up in the US,
overcoming hardships, and finding strength through music. With her bold artistry,
(50:09):
unmistakable voice, and growing global impact, Jasmine Salas continues proving
why she remains one of the most influential and authentic
voices in South Asian music today.
Speaker 7 (50:20):
Well that's all for me.
Speaker 17 (50:21):
Stay tuned for more only on Ruckus Avenue Radio.
Speaker 7 (50:24):
She really is.
Speaker 8 (50:25):
She's become statistically, as I mentioned to you, the number one,
two or three artists depending on what statistic you're looking at,
in all of Punjabi music, and that includes del Jito, Songe,
gott Age, la Ap, whoever you want to think of.
She's right there, Jasmine Sandless. The song is called mah Oru.
Speaker 33 (50:50):
Jan Mandan Manjan Manjan God.
Speaker 2 (51:00):
Made after J.
Speaker 17 (51:01):
P f.
Speaker 2 (51:04):
So Now Man johny Man, Johnny Man John to come
to her now after you're married? The you mad after
lying Apple mid the hockey after ball, don't get a
(51:25):
honky rubber roll They lying and.
Speaker 33 (51:27):
Happened hoeyl don't get.
Speaker 9 (51:47):
Made Dian't you catch up?
Speaker 36 (52:05):
Kisa baby so much your touch l give me the
sweet problem wor class and me come clok yourself we
cant baby, thank you.
Speaker 9 (52:20):
Fa baby, that's.
Speaker 2 (52:26):
Prof me Come cross drop.
Speaker 15 (52:32):
Your sell.
Speaker 33 (52:34):
Matter your man fucking the proper joy of the corn.
Speaker 2 (52:47):
John Him and John Him and John Many?
Speaker 15 (52:56):
Did you man that?
Speaker 3 (52:57):
Did you person?
Speaker 2 (53:01):
John Mandon Mandan Manda that's you mad?
Speaker 15 (53:10):
You mad?
Speaker 3 (53:11):
Did you can think him?
Speaker 33 (53:17):
The hockey Costobold, rob Room look him.
Speaker 8 (53:27):
Land Shout out to Jasmine Sadless, California's very own. The
(53:59):
song is called man to her big collaboration with such
what such Dave. This song is by Yas.
Speaker 32 (54:07):
Mary Marco, Hassana, bs and Bob Rapra, Kamana persona person
Ulana Flanas, such a listener raj raps Gali person loved
s Juman Christina Blame Christina bus from San you and
(54:35):
a R. B B mc slon and I am an Aria,
I'm a great artist polarizing your looks Mary Marco, Hassana, Berson,
Bob Rapra, Kamana, person person Ulana, Bla, Flana Banas such.
Speaker 18 (54:59):
A Caliina chat Town, Percalina chat Town canby Mesiato or
could be Kenny patoun A.
Speaker 3 (55:20):
Means a cigarette Peter.
Speaker 18 (55:23):
Canny cause when guessing get me a MARIGNI got down
to the stab many bats a supermany An it's the
America Bank and even Bertal colleague Brown.
Speaker 7 (55:37):
Your canoe Bali just's gan Gli chat.
Speaker 32 (55:40):
Town Thomas Mers come on down, Mumma Dumlo come.
Speaker 3 (55:47):
Town by the name Agua.
Speaker 32 (55:51):
Versus Bani wil Bahana Bannato ry Mago Harna banda kamana sunda.
Speaker 3 (56:07):
Is such a.
Speaker 37 (56:13):
Kamana is such a gab frow b DC Mike miniacal bagos.
Speaker 32 (56:34):
Mega.
Speaker 8 (56:34):
That song is called Yeah Muja Ganapa Sunday and it's
by Yash Raj.
Speaker 7 (56:40):
And one of the top songs out there right now,
of course.
Speaker 8 (56:44):
And before the song, we were playing songs from the
Under the Revenge soundtrack, and I think Friday night, the
rest of you finally got to see raw Anandeka, the
brand new cut by Under the Revenge that was released
on Netflix and on this show where we care about
the music more than anything else. Here is what I
(57:06):
want you to think about now that you've seen it,
or we'll be seeing it tonight. Hopefully the extended soundtrack
changed the film. The songs that that the Odare couldn't
fit into the theatrical run weren't filler, they were structural.
There's a sequence in the extended cut that doesn't exist
in the theatrical version, and the entire emotional weight of
that sequence lives in the music. If you watched it
(57:29):
this weekend and felt something in your chest you didn't
feel in the theater back in March, that wasn't the footage.
Speaker 7 (57:35):
That was the score.
Speaker 8 (57:36):
That was the song that the the Daar wanted you
to hear and finally got to put in you Tomorrow
on this show, we go inside part two and the
cut itself. We play the music that was carrying the weight.
I want you to come.
Speaker 7 (57:51):
Back having watched it. We could talk about it together.
Speaker 8 (57:55):
I'll see you guys tomorrow. Have a great day, everybody,
and I'll leave you with this cut. One of my
favorites from the week. It's shoved.
Speaker 7 (58:02):
The song it's called Bounce.
Speaker 2 (58:04):
I have a great day.
Speaker 24 (58:06):
Play again down the contry, A harder Jack Cooley, a
friendly park Gofer.
Speaker 3 (58:20):
Ay.
Speaker 15 (58:23):
Ay place, no why.
Speaker 3 (58:30):
Like bad.
Speaker 2 (58:34):
Break in a bag and I'm gonna pay I can.
Speaker 3 (58:40):
Jack.
Speaker 24 (58:45):
We have mad Fla Sa.
Speaker 9 (58:54):
Harry and a Mania.
Speaker 24 (59:09):
This shoot Jamal the Bala ja Ja in a tall
play No no holding l car does be played again
now the coad jump Sandy Barga
South Asian music and cultures can be.
Speaker 2 (00:03):
Found around the world. We tracked down the best and
it presents it here for you.
Speaker 3 (00:09):
On Ruckus Allahu Radio. You know what's going on.
Speaker 4 (00:15):
This is Side Summer and you're listening to The Bridge
with Sammy chant.
Speaker 5 (00:19):
Hey, this is Red here and you're listening to The
Bridge with Sammy Chunk.
Speaker 6 (00:23):
Hey, this is Iky and you're listening to Burkis Avenue Radio.
Speaker 7 (00:28):
God the Modeling Brunnon.
Speaker 2 (00:32):
What's up?
Speaker 7 (00:35):
Thank you for finding me. Thank you very much. I
do my best to be found, you know. Hope you
guys are well.
Speaker 8 (00:47):
Thank you very much for tuning in to May nineteenth
edition of The Bridge. I spent a lot of time
in front of my screen last night render the very
first one just came out several months ago, and uh
(01:10):
really got a chance to watch it again, and my goodness,
shout out to Aksha Khanna. Really what a great job
he did in the first one, and to see it
again like that was just to see it in the
context you kind of feel his absence in the second one.
You know, I'm looking forward to seeing the second one tonight,
(01:34):
as I invite you all to do so and to
help you talk about the film. Today, I'll be joined
by the Professor as I call her of Indian Cinema.
We'll be joined today by Annushka Aurora. Anushka and I
have been talking about the The Runder film here for
the last several months. Set to tie it together in
(01:57):
a week long tribute like this has been particularly interesting
for us. I called the Panushkasa. I'll see you Tuesday morning.
We'll be joined today by Niche got the Ruckus Avenue
Radio all stars in the bag today as well. Got
(02:19):
a little bit of new music to play for you.
But today, folks, we're gonna turn our attention to Render
the Revenge and really play some music from that very
well celebrated soundtrack. The names on this second soundtrack maybe
not as big and as vast as the first.
Speaker 7 (02:39):
One, but equally equally's effective.
Speaker 8 (02:44):
This song is called Adi Yadi Welcome to the bridge.
Speaker 3 (02:56):
Watch and get the.
Speaker 9 (03:05):
Matter on your head.
Speaker 10 (03:13):
Haughti yachty hoy, the.
Speaker 3 (03:38):
Hati yachty hot.
Speaker 11 (03:50):
Yeah, my father raced me, al went out. I would
killed for my people. That don't make me a center.
From the coast to the trains, everybody know the name
coming from We got just to maintain that you got it. Ego,
shut a fucking me no, and they cut that money
like I'm punning up to see no gee coat, no
problem in my geno cut the brough.
Speaker 7 (04:07):
Can you stand on?
Speaker 1 (04:07):
What's between?
Speaker 6 (04:08):
Does cops in the paper like they were crussing on
each other, pro making deputy bits of me. I'm making
a couple of mother crazy. It's turning laziest, probably to
proct probably probably because I was probably probably warns a
mother puts a mother two hands on that nick like
I was turning mother. So if I go to sleep,
I've probably burning covers. Burn the covers. If the covers burn,
I gotta turn the matress hoe getting the first pick
you wanted to pick like a boarding caption.
Speaker 3 (04:54):
Come on, b.
Speaker 8 (05:45):
I mean, what an incredible lineup of artists on the
song Shash, what Sucks Dead, the Musical Foundation, He's got Bombay, Rockers, Earshot,
Comel consab Rebel, Token, Jasmine Sandlist, Sure you Duvanshi. A
great lineup of artists right there, all on one track
(06:06):
to start off our Tuesday show. This song right here
is Jay Dear's latest It's called Moon, and we'll get
back to the soundtracks.
Speaker 2 (06:43):
Song Dimonzi.
Speaker 3 (07:19):
Jesus and able to but you should able to pull me,
able to.
Speaker 2 (07:30):
Name john is, able to hold on me to.
Speaker 12 (07:37):
His home pop charger play big talking to a Courtney
and I should have well been also to offer to act.
Speaker 3 (08:14):
Johnny how.
Speaker 13 (08:19):
Demons we've had jed there on this show before. I'm
(08:48):
a big fan.
Speaker 8 (08:49):
I think he's going some big places in this business
for sure. That song called Moon and one of his
brand new singles for everybody to check.
Speaker 10 (08:57):
Out right there.
Speaker 8 (08:59):
This libe is so much fun. You can roll down
the windows if your weather permits.
Speaker 13 (09:04):
Plait loudla allergy bug.
Speaker 14 (09:11):
Am, I just over, that's my just over to talk.
Speaker 15 (09:17):
So I talk Jose Jerry, Jerry.
Speaker 14 (09:20):
Just like a katy Berry, give me through the delivertion
di gol mine flex Cuddy, very very classy, sashy, flashy,
flashy baby to our hestire pally to Hollywood Party.
Speaker 3 (09:35):
Why do you live a good da? Now allergy bug.
Speaker 14 (09:41):
Am, I just over turn, that's my just over turn.
Speaker 7 (09:48):
But the little more salah.
Speaker 16 (09:54):
Am, I just over.
Speaker 14 (09:56):
That's my just over, not the dargon halim. The playlist
that's nice and now now gnawn now getting okay, Persson
a la sang about the Sooners A pa rat the
dagon hamit he the playlist that's nice and now now
gnaw gnaw getting okay. Persson A sang about the Sooners
(10:20):
a pa good labby good labby girl.
Speaker 7 (10:22):
Hi, did your son?
Speaker 2 (10:23):
Every son?
Speaker 14 (10:24):
Every Geeva is Alena hell all last allergy bang bang, I'll.
Speaker 17 (10:37):
Just over it.
Speaker 18 (10:39):
That's my just over it.
Speaker 14 (10:40):
Tell did you fundr it just sound worthy car guitar
rap from gow to the Google. I'm raising no cup
from the silence, no violence and when I a staff
majos as when she's in Gagarah this terran kinda kra
(11:09):
read a bangle black goggle with camera Cardala hamane Cardala
hey go.
Speaker 19 (11:16):
Gotti's buddy teacher Dardy billionaire correct group Foreigner is the
bar reason personly the mar the pe top like mast
you feeling a Tamati pi wife has a kernel Bankai
sound authentic, the classic romantic hi bag. That's Mala la
(11:54):
la ritira.
Speaker 9 (11:59):
Alma.
Speaker 7 (12:13):
Yeah he does that. It's his copyright stuff.
Speaker 3 (12:17):
The sound is very happy.
Speaker 8 (12:19):
Very infectious, and he's one of my favorite Marati artists
out there. Sanduratord right there a song called Beangles. It's
currently in our top five of our Top twenty Countdown show.
And today, folks, we've been shining a light on the
Render the Revenge in light of the brand new Undika
cut that hit Netflix this past weekend, and we'll be
(12:39):
talking about the songs as we go along in this hour.
And now let's bring in Doctor Roy to this party.
How are you Doctor Roy?
Speaker 20 (12:46):
Hey, guys, this is Doctor Roy with today's word on
the Avenue. In Film and TV News. Two months after
bringing back household signboards at theaters, a sur under, The
Revenge has made its international OTT release on Netflix with
huge tradings and viewership across the globe. However, India does
have to wait for its OTT release, coming out in
(13:06):
June only on Geo Hotstar. In Media News, UK businessman
Peter Singhverdi has acquired the historic necklace once owned by
Maharani Jindn Gore at a London auction for eighty eight
thousand dollars, calling it an important piece of Seak heritage.
Verdi said preserving the legacy of Maharani Jindn and Maharaja
(13:27):
Ranjitsingh was deeply personal for the Sikh community. In event News,
a historic spiritual milestone unfolded in Brazil as Latin America
witnessed the consecration of its first ever Lord, Ganesha Murti
at the Vishfavidia Cultural Central in Petropolis. Joined by devotees
and India's Ambassador to Brazil, Daneshpatia. The ceremony feature traditional
(13:49):
Veilic rituals and marked a significant moment for the growing
global presence of Hindu culture and spirituality in South America.
That's it for today's word on the avenue until next time.
Speaker 7 (14:00):
Thank you, doctor Roy. This song right here is called kleish.
Speaker 21 (14:06):
Manadah Medvadoman milish ku voishku jo in dnojona gave.
Speaker 3 (14:25):
Me am the reveal.
Speaker 22 (14:32):
Sign Homan massa hassi whom.
Speaker 21 (14:38):
There s whomman jijona manaa.
Speaker 3 (14:44):
Ha donk who did it?
Speaker 22 (14:50):
Bossy ish kume jomanada ha.
Speaker 3 (15:00):
You got.
Speaker 9 (15:03):
Mail?
Speaker 23 (15:03):
Could he.
Speaker 3 (15:07):
Mail? Could he is?
Speaker 24 (15:09):
Could the hard man had a heart.
Speaker 3 (15:13):
Made by heart? Man made nice?
Speaker 21 (15:19):
Could voice?
Speaker 9 (15:24):
Could les you go on the job?
Speaker 3 (15:29):
Give me a man the food?
Speaker 22 (16:17):
No man a hot amnaucoma shoo.
Speaker 3 (16:25):
Man a hot dog.
Speaker 15 (16:27):
She shout jod co.
Speaker 22 (16:31):
Megh by local man, How don't say true? No man
a hat hot Cooper bo Ho cassle ve vassil.
Speaker 3 (16:49):
The booty no hot coover but hocussive.
Speaker 22 (16:59):
Vassive through foody das you haddaketdaady, maby golivea John sut
your hair said you got human man I had a
(17:20):
don't go Huma, then buzz Excoomena Jomana had a.
Speaker 3 (17:33):
Don't go who.
Speaker 21 (17:36):
Malady malady, excooda mana a.
Speaker 22 (17:47):
Merry bad man made ganacoo your.
Speaker 15 (18:06):
Yeah.
Speaker 8 (18:06):
It's remarkable what Shushwa Sachdev did on these two soundtracks.
Speaker 7 (18:10):
He really did. He's doing the job of many men
of the last several years.
Speaker 8 (18:17):
This job of completing the entire spectrum of a soundtrack
was left to more than one composer, sometimes up to
as many songs as they were in the film. You
went to a different composer for that sound But what
shush what has done in this soundtrack. In both of them,
(18:37):
he was able to cover the entire spectrum of stuff
that he needed to do for the soundtrack by himself.
An incredible, incredible achievement and something a bit of a throwback,
if you will. Now, let's bring a niche. The host
of the show called the Garage Mahal as he gives
your preview of what to expect today a five pm
(18:57):
right here on the signal.
Speaker 7 (18:58):
What's up Niche? Ye oh, what is up?
Speaker 4 (19:01):
Ruckus Avenue Radio. Fam This is Niche, the host of
the Garage Bahal They sy Drops and I got a
brand new episode coming up this week. And all you
gotta do is tune in every Tuesday at five pm PST.
And I'm gonna be playing the hottest South Asian music
in the world. Now, what makes the sy Drops so
unique is we don't just play the hits. We play
music from up and coming artists that one day you're
(19:23):
gonna say I listened to them before they were cool.
So if you want to hear California neo soul, we
got Avara with her new single Levitate. I got my
guys Zashan Bee with his song Ain't No Love in
the City. I also got house music from Punjabi MC. Yeah,
PUNJABIMC is making house music, y'all. And of course we
(19:44):
have to honor Asha Bosle, so we're gonna be playing
a little bit of her music as well as her
feature on the New Gorilla's album. And justa heads up,
the Gorillas released a South Asian inspired album and they'll
actually be touring in India very soon. So if you
want the insights gup on the hottest South Asian diaspora
music in the world. Tune into my show The Garage
(20:05):
Bahall the sy Drops every Tuesday at five pm p
s t here on Ruckus Avenue Radio.
Speaker 7 (20:11):
Back to you, Sammy, Thank you, See you at five o'clock.
Speaker 6 (20:14):
Brother.
Speaker 8 (20:15):
Can't wait to check out your show. Can't wait to
check out that playlist. Aniche has always got one of
the most exciting playlists on all of Ruckus Avenue Radio.
Speaker 7 (20:24):
Make sure you come hang out with him at five
pm today p t.
Speaker 3 (20:30):
This right here.
Speaker 8 (20:30):
One of my favorite artists out there right now. Her
name is d The song is called Buddy Buddy.
Speaker 25 (20:43):
Mendone soada.
Speaker 26 (21:13):
Very area very very very very very very very very
very very very far very very very very very bare
very very very ba very very very.
Speaker 27 (21:30):
Far really.
Speaker 9 (21:35):
Hard.
Speaker 3 (21:39):
Yeah, I mean.
Speaker 1 (21:43):
It, hey, Golla, I want to.
Speaker 26 (21:55):
Get pun my younger college, want put it away access.
Speaker 1 (22:04):
You gonna Jayasing.
Speaker 26 (22:14):
March on a war wey loved algic very very very
very very ba very very very very very very very
very very very very bad, very very bad.
Speaker 27 (22:33):
Ya really yellow, Yes, Lord.
Speaker 26 (22:46):
Sad word what calog Yeah, lipolo.
Speaker 1 (23:02):
And he's did it out.
Speaker 27 (23:15):
One of the.
Speaker 7 (23:19):
Even that's the right there.
Speaker 8 (23:34):
Australian dumble singer the song Buddy Buddy her herself no
stranger to the film industry as well.
Speaker 7 (23:43):
Great track.
Speaker 8 (23:44):
This next song We've got for you is a song
called one Day. The artist name is Sahib Samra. It's
from the UK.
Speaker 7 (23:53):
That great to deterior.
Speaker 5 (23:59):
I say, lean Lug, you're like Jove, but you not craz.
How they can apparture to put you know, core har
diug crecy, but you to that create you could be
that he the head come a good day up here
and luck you're looking job, but you kriz. They can
(24:23):
a party to put your dream.
Speaker 10 (24:29):
But you.
Speaker 2 (24:32):
Many things.
Speaker 3 (24:33):
I can a pordic recordation, you know the gentleman the movie.
Can't you not the fun of how many holiday?
Speaker 5 (24:49):
The sarda a cruse handy okay.
Speaker 9 (24:52):
Is hello mother?
Speaker 2 (24:53):
So he does then he's no the sou a cave
and there he could.
Speaker 3 (25:01):
Him na Mary mother, Mary mother.
Speaker 5 (25:06):
Talking the bark not ty, how do not the room
girls day up heady in me.
Speaker 3 (25:14):
Not to your job?
Speaker 2 (25:18):
Oh easy life I wish started.
Speaker 5 (25:25):
He's got you do that crec di that terror that
could he terra bad?
Speaker 3 (25:33):
Come a good day? You could he there is ale
and lug.
Speaker 5 (25:37):
You're like Jove, but you not how they can departure
to put your Diagya.
Speaker 2 (25:48):
He got you to there that he that he bad,
come a good day? Up here is lean you're looking job.
Speaker 17 (25:58):
But.
Speaker 5 (26:00):
To put you create the great.
Speaker 28 (26:06):
Man the man Hipper made hast crazy, humble and study merrily,
to make a girl.
Speaker 5 (26:17):
That hate it abatis in Atack Honey London, Toronto, tacky
all the colon. No manager Carlo Cusa does to create
Carbasa to Korea. Bology has to tell the dog doesn't
(26:41):
create the Marge come up to do to.
Speaker 2 (26:46):
Korea knelt.
Speaker 5 (26:50):
Yesterday, recreate the upcomony, make up the monkey to Leo.
Speaker 8 (26:56):
The Leo certainly want to watch coming out of the
UK right now? Well, my friends turn to me and says,
kind of reminds me of Jima Wayan. Yeah, I can
see that a little bit of a UK version, if
you will. That song called one Day, one of our
top ten songs. Right now on the bridge, this song
right here to me, I mean to me, maybe the
(27:17):
most memorable to come out of both of these films,
The Runder two the Revenge here has the big one.
The song is called erse and that's what Adijit saying.
Speaker 7 (27:29):
Do do not.
Speaker 1 (27:35):
Dirt but der.
Speaker 29 (27:44):
Yeah, don't say marky many right, yeah, don't say.
Speaker 30 (28:06):
Johnny GUSI perce and a body some jam from Cortom
do normOn Eperson, a nobody some jam room her Cortom
do he Normony person and a body some jam from
(28:33):
the cart I'm I'm on eperson a numbody some jee
room her Cortom do norm on epen donham listener you
(30:00):
go jeeve her chatty byta already the Heiti goingbo very
dotc sighata.
Speaker 3 (30:15):
There is Eva going juice her.
Speaker 2 (30:23):
Man job do not ta tell.
Speaker 30 (30:29):
Symmathy may by Homas so John not ti.
Speaker 3 (30:38):
A Sami there are.
Speaker 18 (30:47):
Uh go.
Speaker 3 (30:52):
You sobbin the homy bly so oh God.
Speaker 31 (31:09):
Joany GOSSI person and I'm petty something jem them my
cartom do Norman Everson and I'm party.
Speaker 1 (31:25):
Something jitter.
Speaker 3 (31:27):
Them my cartom do the money person and I'm body.
Speaker 16 (31:34):
Some j.
Speaker 30 (31:36):
From Catom Moneyson and I body something jem them cart
them do them money be said abdy some jet term
(32:42):
from fatom doenrmon epson a nobody, some jet term room
marm do normOn eve.
Speaker 8 (32:58):
Yeah, it's the crown Jewel, the two films so far
in my eyes. That song called fit is it?
Speaker 7 (33:04):
What did you sing? This song is called destiny man
utter gar Yes.
Speaker 3 (33:11):
So please, don't you lie to me?
Speaker 32 (33:14):
Who am I supposed to be?
Speaker 3 (33:17):
Should I change's close to me?
Speaker 2 (33:20):
Whurst destiny, don't lie to me.
Speaker 6 (33:25):
I never quit going hard enough, never quit showing everyone,
never quit killing.
Speaker 2 (33:29):
What I toss, Never quit when it.
Speaker 6 (33:31):
Got too much, It got too much off, and it
got too much quickly.
Speaker 2 (33:33):
It got me, but it never got in me. I
thought that he'd give me back when they would.
Speaker 6 (33:37):
Never quit making fun of me, Never quit saying you
want to be, Never quit those comparisies, Never quit the unfairs.
Don't you remember which school suspension me?
Speaker 3 (33:44):
Mom? Be worth early?
Speaker 6 (33:45):
Don't you remember me hiding myself just.
Speaker 3 (33:47):
So you don't hurt me?
Speaker 6 (33:48):
Never quit when I should have quit, Never quit what
supposed when I could talk under fishing left hand the
joke you supposed to win?
Speaker 2 (33:54):
I never quit staying.
Speaker 6 (33:55):
Versaonal could I quit taking personal then I quit catering
Who's minute because I quit taking opinion. Never if we're
trying to be better, never quit, never surrender, never mistaking
these letters, never put in the pressure.
Speaker 3 (34:05):
However, whoever, would.
Speaker 2 (34:06):
Never never quit being me?
Speaker 3 (34:08):
Who better?
Speaker 25 (34:08):
You?
Speaker 9 (34:08):
Better?
Speaker 2 (34:09):
Not better?
Speaker 6 (34:09):
I never seen the feat. I never put running it
wondering when the gun go walf. I've never put gun
it because of my head. Still, none of y'all would
ever seen.
Speaker 2 (34:17):
Me smoll my roll.
Speaker 6 (34:18):
How he saw the tone of Paul destiny.
Speaker 3 (34:19):
My only gogle my.
Speaker 1 (34:28):
Kill.
Speaker 3 (34:30):
But who's shine?
Speaker 2 (34:36):
Then shine?
Speaker 6 (34:44):
I'm trying to listen to pain and brother the rain
and over the shames, a shame. I'm trying to listen
to pain and bread, the rain and over the shames.
When it's shame gone, John, then my brain going. When
you feel the same, what is to do to you?
I mean, you're gonna let it kill you A you're
gonna let it breed. Don't take me as a joke,
Just take me how I is?
Speaker 3 (35:04):
I kid?
Speaker 6 (35:04):
You don't know how to stop it, don't know how
to quit. No, I'd never quit run it running when
the go gole Waff, I'd never quldgun it got through
my head still, noney, y'all would ever see me slow
my brow how you saw on the tone of Paul's
destiny money goog.
Speaker 3 (35:18):
My nacky, got my nacky, got.
Speaker 9 (35:55):
Mad doagy?
Speaker 16 (36:11):
What's the.
Speaker 3 (36:14):
Shine?
Speaker 8 (36:20):
Shin vibe chazad lee on the vocals there the rapper
is token shush what such?
Speaker 7 (36:31):
There sat on the table for.
Speaker 8 (36:33):
Everybody to eat right there, and it's from the Under
the Revenge soundtrack And tonight, folks, I welcome you all
to see the Rendered the Revenge the Endeca cut tonight.
Speaker 7 (36:47):
Make sure you do that. This song is called Jay Sagna.
Speaker 8 (36:51):
Stay tuned for nushka aurorajolcomemedy.
Speaker 33 (37:06):
But the lat you taking a hundo comarina as you
breathed lin.
Speaker 2 (37:15):
Jesse ho ho, you know the hard to come my
body container you make your night. You breathe and you
say they ho you know some sorry hung back don't oh.
Speaker 34 (37:41):
Sorry, carda pussy Yes, son No sorry, card that pussy
a Yes.
Speaker 33 (38:06):
The want to come my mody and megapret someone.
Speaker 2 (38:18):
Sorry on the way.
Speaker 9 (38:21):
John D.
Speaker 17 (38:29):
S.
Speaker 34 (38:29):
I'm sorry, card a pussy Yes, so sorry, card pussy
A Yes.
Speaker 8 (39:35):
Yeah, folks, as I promised you here. She is the
professor of Indian center of the show.
Speaker 7 (39:40):
What's up Anushka? Hey, Sammy? All good?
Speaker 16 (39:43):
How are you all right?
Speaker 8 (39:45):
I've got this kind of you know, this film series
here in front of me. I've been dissecting it in
all kinds of different ways, using music, using the film
to tell the story of the impact of what these
two films have done of the last what the the last.
Speaker 7 (40:00):
Several months or so?
Speaker 19 (40:02):
Uh huh?
Speaker 9 (40:02):
You know what?
Speaker 3 (40:03):
Say you?
Speaker 8 (40:04):
How would you put the impact of these two films
in the perspective for folks?
Speaker 16 (40:10):
Look, you know, I can go on and on and
on about let's call it a franchise. Under one and
the under two. They haven't been just movies. They have
been It's been a whole movement in Indian cinema. Like
it has completely changed the game, no matter which aspect
we're talking about, from the music to the direction, to
(40:34):
the cinematography to the cast. Like we're talking, every single
thing is a ten on ten. Now if we talk
about the less of the movie, you're giving me a
four hour movie. Okay, actually you're not even a four
hour movie.
Speaker 34 (40:47):
You're giving me an.
Speaker 16 (40:48):
Eight hour movie. You're giving me a solid eight hour movie.
It's split into two parts in the year twenty twenty six,
when everyone's concentration span is no more than thirty seconds. Yeah,
we're in a time where we're doom scrolling, right, We're
just scrolling on our phone. But yet we have managed
to get or I say we, they have managed to
(41:09):
get every single person in theaters for not just the
first movie, but for the second movie. Now that speaks volumes. Dammy,
that speaks absolute volumes.
Speaker 3 (41:22):
And you know, if we really.
Speaker 16 (41:24):
Home in and if we really dissect the content, if
we dissect the story. Now, I've always said this, that
content is king. The story is king here, no matter
how much of a good cast you get, no matter
how much of an amazing soundtrack you have.
Speaker 7 (41:39):
Well to a movie, you know what it is the story.
Speaker 16 (41:43):
That makes it. And this has just proved it. Because
Under one and the Under two have completely proved that
content is king. You cannot you cannot go away from
that whatsoever. Look at the star cast. Just look at
the star cast. You have you know, the likes of
revising who this is? You know, everyone calling this is
(42:04):
kind of like a comeback movie because you know, his
last few movies they haven't worked at the box office,
which is fine, every actor goes through this, you know,
the best of the best go through it. But this
one has been a mighty one for every single actor
in any way, shape or form, so releasing anyway we
know this is this has you know, been his comeback movie.
(42:25):
Odren Rampas.
Speaker 7 (42:27):
Whoever thought whoever.
Speaker 16 (42:29):
Thought this was going to be such a meaty role, okay,
kna Like he was the talk of the town like
for the first one, and I think everybody missed him
in the second one.
Speaker 3 (42:40):
Of all.
Speaker 16 (42:41):
You know, everyone's like, you know, we need to to
come up back, but you know there was no way
he could come back because he died in the first one, right.
And then you have a TV star like Rocki Beddy.
I have grown up watching that guy on Indian TV
shows and for him to make that appearance and to
have that character in these films is absolutely solid.
Speaker 7 (43:02):
It is solid.
Speaker 16 (43:03):
I mean I can go on and on and talk
about the entire movement and the monster and the you
know box office a raw that you know this movie
has created. It is just really absolutely phenomenal. And I
just feel so happy that I get to live it.
I feel so happy because it just makes me so proud,
Like awards, no awards, It doesn't matter. I mean it
(43:26):
doesn't matter. Right, Like we have the soundtrack, like you
know Jasmine Sandlers as a female Indian singer. She has
carried that through the first one and the second one
with you know Shashworth Suve who has composed the music.
And when I say composed, he has really used the
old songs and how because let me tell you one
(43:49):
thing that terribly wrong. Yeah, it could have gone terribly wrong,
but he honestly, I just don't know how he did it.
But he is a word of magic. Yeah, it's unbelievable.
Speaker 8 (44:02):
I know you've seen the original Drunder the Revenge, and
I know you and I were sitting on the edge
of our seats waiting for Friday to come so we
can see the brand new unedited version or the extended
version of that.
Speaker 7 (44:15):
They call it the Undicka version.
Speaker 8 (44:17):
Right, So yes, yes, all right, without spilling the entire
beans here as far as what you saw and the
extended version, talk about that extended scene and everything in
between there.
Speaker 16 (44:29):
Yeah, I mean, like you said, I'm not going to
give too much of it away because I don't want to.
But the fact that we get undickar like that is
just the word itself. You know, if you've been a
fan of these two films, you know you can't miss this.
Like it's just extra. It's extra, it is what you
want to see.
Speaker 29 (44:47):
It's a bits that we didn't get to see in.
Speaker 16 (44:49):
Cinema and like it. Like like the title suggests, it
is raw and it is undeca. So you know, if
you haven't seen it, I suggest you watch it.
Speaker 7 (44:58):
It's time to head on over, right.
Speaker 8 (45:00):
So what we're doing, what we've been doing all week long,
was yesterday on Monday, we had everybody stop and say,
all right, we're gonna go through this week together. And
yesterday we had everybody watch the very first one. Again
it's like, all right, catch up tonight. Everybody is gonna
be asked to watch the Revenge tonight, so folks get
ready for tomorrow. We'll be back to kind of reflect
(45:22):
on it all and kind of you know, dissect it
all in another way.
Speaker 3 (45:26):
But ah, this is.
Speaker 8 (45:27):
Gonna be fun. Anushka, thank you so much for joining
us today and for bringing so much into this show.
Speaker 16 (45:33):
You're welcome Outwait Sammy.
Speaker 8 (45:35):
Great stuff and that's the great Anushka Aurora everybody, and
here's the next song for you.
Speaker 3 (45:49):
Money.
Speaker 1 (45:50):
Tell me how I got so shameless?
Speaker 2 (45:52):
Waken so hondayus.
Speaker 3 (46:03):
Put me I look at that.
Speaker 11 (46:08):
When I locates, my love is gonna be contagious.
Speaker 1 (46:11):
Wait for the day we got sap in the bitch
Let contain.
Speaker 15 (46:26):
Shot.
Speaker 1 (46:46):
I'm a babbach.
Speaker 35 (46:46):
Opened my door in my fur coat, dragging on the floor.
Speaker 9 (46:49):
It's a new world kind of hicks floor.
Speaker 35 (46:51):
When the bad girl walking, the bad girls more, I'm.
Speaker 9 (47:01):
A bad beach. Oput my dog in.
Speaker 35 (47:03):
My fur coat, dragging on the floor.
Speaker 23 (47:05):
It's a new world trying to Hicks God. When the
fat girl walk. If the bang girl's long, right or not,
I'm ready for the fight, pushing all my hesitant aside.
Sexy baby, you cannock to night and it's witchy mass again.
Speaker 2 (47:19):
The battle cry right or die.
Speaker 23 (47:21):
I'm ready for the fight and pushing all my hens
tense aside, sexy baby, you can not to dine.
Speaker 1 (47:26):
It's whitchy mass again.
Speaker 2 (47:27):
My battle cry.
Speaker 35 (47:28):
I'm a bad beach, open my door in my fur coat,
dragging on the floor.
Speaker 2 (47:32):
It's a new world. Try the hill when the bad
girl won't get the bad girl's long. I'm a fat beach.
Speaker 1 (47:36):
O put my dog in my fur coat dragging on
the floor.
Speaker 2 (47:39):
It's a new world to the ex girl. Won't get
the bad girl. I'm a bad beach.
Speaker 35 (48:03):
Open my door and my fur coat dragging on the floor.
Speaker 3 (48:06):
It's a new world time.
Speaker 35 (48:07):
The Higgs door, when the back girl punk in the
back girls more, I'm a bab beach of my door,
in my paco dragging on the door.
Speaker 9 (48:22):
It's a new world time the.
Speaker 1 (48:23):
HIGs door, when the back girl in the bank more.
Speaker 36 (48:27):
Somebody tell me how I'm so optatious?
Speaker 9 (48:35):
Was going to be contagious?
Speaker 7 (48:42):
I think shut what such?
Speaker 8 (48:43):
Dave is one of the few composers that can house
a song where Queen Herbie and Una Ryan shares the
same building along with un and Anon, Milind and Samir Anne.
What a great track there, And now let's bring Induta
Dakuta Hi.
Speaker 1 (49:02):
Everyone.
Speaker 17 (49:02):
This is Da Da s Gupta Eurakasavne radio music correspondent
back with another artist, Spotlight. Let's talk about Jasmine Soundless,
the Indian American singer, songwriter and performer whose fearless voice
and unapologetic style continue to redefine Punjabi and Bollywood music.
Born in Chillan, there and raised in California. Jasmine first
broke through with the hit Jarna Mille from Kick before
(49:25):
building a global fan based who songs like Illegal Weapon,
sip Zip and Tharas And In twenty twenty six, Jasmine
is having one of her biggest years yet. She's become
one of the most standout voices of the massively successful
Runda franchise, earning praise for track Sike may Or two, Jaya,
Sachna and Sharat, and the explosive title track, all showcasing
(49:46):
her signature blend of attitude, emotion and powerhouse vocals. Fans
online have even called her the voice of Truander, praising
the energy and intensity she brings to the soundtrack. Beyond
the music, Jasmine has been opening up about her personal journey,
speaking honestly about her struggles growing up in the US,
overcoming hardships, and finding strength through music. With her bold artistry,
(50:09):
unmistakable voice, and growing global impact, Jasmine Salas continues proving
why she remains one of the most influential and authentic
voices in South Asian music today.
Speaker 7 (50:20):
Well that's all for me.
Speaker 17 (50:21):
Stay tuned for more only on Ruckus Avenue Radio.
Speaker 7 (50:24):
She really is.
Speaker 8 (50:25):
She's become statistically, as I mentioned to you, the number one,
two or three artists depending on what statistic you're looking at,
in all of Punjabi music, and that includes del Jito, Songe,
gott Age, la Ap, whoever you want to think of.
She's right there, Jasmine Sandless. The song is called mah Oru.
Speaker 33 (50:50):
Jan Mandan Manjan Manjan God.
Speaker 2 (51:00):
Made after J.
Speaker 17 (51:01):
P f.
Speaker 2 (51:04):
So Now Man johny Man, Johnny Man John to come
to her now after you're married? The you mad after
lying Apple mid the hockey after ball, don't get a
(51:25):
honky rubber roll They lying and.
Speaker 33 (51:27):
Happened hoeyl don't get.
Speaker 9 (51:47):
Made Dian't you catch up?
Speaker 36 (52:05):
Kisa baby so much your touch l give me the
sweet problem wor class and me come clok yourself we
cant baby, thank you.
Speaker 9 (52:20):
Fa baby, that's.
Speaker 2 (52:26):
Prof me Come cross drop.
Speaker 15 (52:32):
Your sell.
Speaker 33 (52:34):
Matter your man fucking the proper joy of the corn.
Speaker 2 (52:47):
John Him and John Him and John Many?
Speaker 15 (52:56):
Did you man that?
Speaker 3 (52:57):
Did you person?
Speaker 2 (53:01):
John Mandon Mandan Manda that's you mad?
Speaker 15 (53:10):
You mad?
Speaker 3 (53:11):
Did you can think him?
Speaker 33 (53:17):
The hockey Costobold, rob Room look him.
Speaker 8 (53:27):
Land Shout out to Jasmine Sadless, California's very own. The
(53:59):
song is called man to her big collaboration with such
what such Dave. This song is by Yas.
Speaker 32 (54:07):
Mary Marco, Hassana, bs and Bob Rapra, Kamana persona person
Ulana Flanas, such a listener raj raps Gali person loved
s Juman Christina Blame Christina bus from San you and
(54:35):
a R. B B mc slon and I am an Aria,
I'm a great artist polarizing your looks Mary Marco, Hassana, Berson,
Bob Rapra, Kamana, person person Ulana, Bla, Flana Banas such.
Speaker 18 (54:59):
A Caliina chat Town, Percalina chat Town canby Mesiato or
could be Kenny patoun A.
Speaker 3 (55:20):
Means a cigarette Peter.
Speaker 18 (55:23):
Canny cause when guessing get me a MARIGNI got down
to the stab many bats a supermany An it's the
America Bank and even Bertal colleague Brown.
Speaker 7 (55:37):
Your canoe Bali just's gan Gli chat.
Speaker 32 (55:40):
Town Thomas Mers come on down, Mumma Dumlo come.
Speaker 3 (55:47):
Town by the name Agua.
Speaker 32 (55:51):
Versus Bani wil Bahana Bannato ry Mago Harna banda kamana sunda.
Speaker 3 (56:07):
Is such a.
Speaker 37 (56:13):
Kamana is such a gab frow b DC Mike miniacal bagos.
Speaker 32 (56:34):
Mega.
Speaker 8 (56:34):
That song is called Yeah Muja Ganapa Sunday and it's
by Yash Raj.
Speaker 7 (56:40):
And one of the top songs out there right now,
of course.
Speaker 8 (56:44):
And before the song, we were playing songs from the
Under the Revenge soundtrack, and I think Friday night, the
rest of you finally got to see raw Anandeka, the
brand new cut by Under the Revenge that was released
on Netflix and on this show where we care about
the music more than anything else. Here is what I
(57:06):
want you to think about now that you've seen it,
or we'll be seeing it tonight. Hopefully the extended soundtrack
changed the film. The songs that that the Odare couldn't
fit into the theatrical run weren't filler, they were structural.
There's a sequence in the extended cut that doesn't exist
in the theatrical version, and the entire emotional weight of
that sequence lives in the music. If you watched it
(57:29):
this weekend and felt something in your chest you didn't
feel in the theater back in March, that wasn't the footage.
Speaker 7 (57:35):
That was the score.
Speaker 8 (57:36):
That was the song that the the Daar wanted you
to hear and finally got to put in you Tomorrow
on this show, we go inside part two and the
cut itself. We play the music that was carrying the weight.
I want you to come.
Speaker 7 (57:51):
Back having watched it. We could talk about it together.
Speaker 8 (57:55):
I'll see you guys tomorrow. Have a great day, everybody,
and I'll leave you with this cut. One of my
favorites from the week. It's shoved.
Speaker 7 (58:02):
The song it's called Bounce.
Speaker 2 (58:04):
I have a great day.
Speaker 24 (58:06):
Play again down the contry, A harder Jack Cooley, a
friendly park Gofer.
Speaker 3 (58:20):
Ay.
Speaker 15 (58:23):
Ay place, no why.
Speaker 3 (58:30):
Like bad.
Speaker 2 (58:34):
Break in a bag and I'm gonna pay I can.
Speaker 3 (58:40):
Jack.
Speaker 24 (58:45):
We have mad Fla Sa.
Speaker 9 (58:54):
Harry and a Mania.
Speaker 24 (59:09):
This shoot Jamal the Bala ja Ja in a tall
play No no holding l car does be played again
now the coad jump Sandy Barga
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