Like Blood Sisters an episode of The Creaking Door

Please enjoy Like Blood Sisters a great episode of the legendaryThe Creaking Door - A Classic Old Time radio Show

Episode Transcript

(00:11):
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Get the taste of the face thatsafe Express created, vel the faste that
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Get the face Chris and Jean seatedin the town and the h the

(02:46):
mate song of the crickets that lookedChris himself. Take up the tato Oh,
yes, we sit in the carright. Yet there is another sound

(03:07):
which you cannot be heard. Itfelt the silent, even tread of death,
and it stalks through the darkness surroundingus. Jone sits next to me,
but we do not speak. Deathhas built a high wall which separates
us. Whenever it began that evening, when she came round for supper,

(03:35):
Helly, Chris John, I wasbeginning to worry. I'm sorry, I'll
never do it again. Is thata bug? Chris? This is our
last day? What I continue again? But for a while? But what
is this? Oh? Please,let's not talk about it. But I've
got a right to talk about it. After all, we're engaged. Christ
Please please don't ask any more questions. Don't believe it's not to be this

(03:57):
way. It's just got to be. We began super Joan said across the
table. Finding a taste was calledat the pitch down. I had to
make her go. I had tofind out what was wrong? Can even

(04:17):
me, Chris? Nothing's wrong?But there is, Joan, something's happened
to you. I tell you notto ask, Chris. There's hunting you're
afraid of, because it's written allover you. Your eyes there, that
the way you sit there, everythingyou will say, everything you do,
right or wrong? Why should Ibe afraid of Why? All right?

(04:39):
Oh, I almost forgot. Therewas a phone call for you, Ja,
Yes, about half now before youcame a woman. She said she
was furning from that low park.Well that's all she said, except that
you would understand the message. Thecap joon was holding so out of her

(05:00):
hand and crashed on the draw fora moment. She said that he went
to the night, and then suddenlyshe wrote it out a chair and hurried
to the door. So wait,where are you going? I have an
appointment with the woman who called fromthe low bark. I'd like that.
I love my car. Why notat you guy out of bad park this

(05:23):
time of the night by yourself,because you must stay out of a while?
Is that the way it has tobe? Some day you'll understand.
Some day you'll understand. Interesting.After she'd gone, I thought of the

(05:46):
woman who had called from that lowbark. There was something more familiar about
her voice. Facing the room didn'thelp, so so I sat down and
swooped down the radio. I askedthe night tune to a police message.
You may call it collect that Iview it was more the just jumps Robert's

(06:06):
patrol CA thirty one. I'm callingheadquarters. Robert's patrol car thirty one to
headquarters as all as proceeding anober parkto investigate murder. Only by the time

(06:39):
I arrived and I said, apease, search lights and the pages of
prost of more with curiosity seekers.I want rule my apropies. Hey,
you know, I just turn myma if I come up the person who's
better turned all the other sensations.I let's get back there. If you
get them stand, I can idafind the body. I identify the boy.

(07:01):
Yes, I know the one whowas murdered. There's much left or
identify least night you come with me. I take the other side of fine.
I kind to stop me coming outhere. I told her, Hey,
wait a minute, when you're talkingabout it, but John, because
my can't say the Robert who gotmurdered murdered one. He got a all
me stuff. It wasn't a womanwho got fleshed. It was a man.

(07:34):
Yes, what is it? Don'tJohn? What he is? I
got to talk to you? Ithought it. Try of God, I
don't turn out tonight. It's goldto me. No, come in,
what is it? Chris? Whatdo I want to talk? About Stan

(07:56):
no part left? Did the murderup there? Murder? Why you ax
so surprised that you should know aboutit? You went out to Ludlow part
tonight? Why is day? Iwent there because you told me. The
woman I spoke to on the phoneshe was out there. I didn't go.
I changed my mind. I can'tstay home after the Shan's line,

(08:18):
what are you hiding? I spoketo the porter downstairs. He said he
saw you coming day fifteen minutes ago. Fifteen minutes ago? Were you told?
Where did you go after you left? Michels? I put my kid
in the garage and then I walked, I I said, Bose. I
walked longer than I realized. Where'dyou walked to? I can't remember?

(08:41):
Chris Peter asking him, now,where did you walk to? No?
Why I don't remember? Chris?Please, and I'm very tired. Please
go on. I go to town. In this waste paper basket, the
piled last in the air class eshe not look at them down they're covered

(09:01):
in bloods us how did they getinto my basket? But that stains are
still moist. And look at thems. Jac I come because your gloves,
Jed. I didn't wear that's wit. Who are you calling? I
will the police, Chris, quityou yours. Don't call the police because

(09:26):
they won't believe me. No onewill believe. Make sure I'd believe you
do him and stay put it down, Thank you. I wasn't very against
talks to the police. I justwanted to make you open up, too
bitter to tell me everything. Andnow what is it? What is it?

(09:48):
No one will believe. It's thatwoman, that horrible U, the
one who calls from not low bug, yes, oh plea evil in his
blackest devil himself. She's the onewho liked that man to death, to
night in the park. And yousay you weren't there. I wasn't there.

(10:09):
Then how do you know it wasa man who was murdered. I
didn't say whether it was a manor a woman. Didn't you know?
I didn't say how he was murdered. Yes, you knew he was slashed
to death. If you weren't there, then mixed up, Chris. But
I can't explain he was here justbefore you came. But that woman,
she told me what she did.She tell me every horrible detail. She

(10:31):
she made me. You keep sayingshe who woman? Leave me could.
I don't know what even not eventhat. The first time I saw her
was about two weeks ago. That'swhy I sat to break our day.
You remember, Yes, Well,one night when I came home, she
was here in the apartment. Iwas standing right here taking my head off,

(10:52):
and when I looked in the mirror, I saw her there behind me,
dinning at me, a terrible,hateful grin. She said they were
going to be like sisters. Thatsisters. Why didn't you tell me about
her before? I was afraid ofher? She has a strange power.
I can I can always feel her, yemmy. She said that if I

(11:13):
told any one, she'd kill me. Oh nah, I've told you.
That means I'll be murdered. Jillfind out and kill me is She went,
Joe, you'll be all right ifyou're telling the truth about this mad
woman. I am Chris, believeme it's the truth. Then I'll find
her. Jonah, I'll find herand stop it. I said out time

(11:41):
the screen, cheap little woman,no name, Jojo? Can I watch
gone? That's Jim's dist truth,that young woman and like Joe's eyes,
open hair like Jones and gray eyes. Not much but for one sent from
poor she made to my apartment andI, oh, this is at mister

(12:03):
Ryan about the phone call you gotlast night, the one you want me
to check out for you. Didyou find anything? Well, my best
friend Albred got the information handy,having a boyfriend who works in the telephone
exchange. You'll got the number thenfrom where the call was made in that
Noe Park. Oh funny thing aboutthat, mister Ryan. The call didn't
come from there, but he did. Oh no, mister Ryan, I

(12:24):
got the exact information. The callcame from seven eighty six till five.
That's numbers in the center of town. Six two June number. The call
came from June. We had seenthat Jose's face. Oh, mister Ryan,

(12:54):
Ah, there's something I can do. I'll miss Keith if any messages
come in from it. Godamn mispeakersflat it's Wickius. You're going this not
at those before you'll know. That'swhat I wanted to tell you this.
Viggers called off the hard before youcame in. She left a message says
to tell you she's gone to notthe park. Gay see idea to take

(13:30):
your serge and brother speaking, I'mkind to prevent another matter, do no
park when you're calling about fifteen minutestoo late. The ambulance is on its
way back from the park now,and there's a corpse inside with more miphos,
and you can come. Get threefives. Get the tape three fives

(13:56):
by staked flat. Get the tapeInternational, But that the tas uniquely is
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(14:20):
the taste that state expressed, thecreative feel, the tase that has made
three five. They came to hide, they got off international all success,
Get three five, Get the taste. Will will live us a stand in

(14:56):
the dark s I'd let us goback to Chris and hear what he has
got on his troubled mind. Fastby another aful leaving this burner, I'll

(15:20):
be a mad person completely in thesame human animals could kill like that.
But behind the woman, Oh whythat's why stopun with me in my mind?
And I went to turn the bandand all and when I walked up,
because would you bear the chair?I hadn't cold still one Chris,

(15:45):
Chris flack woman. Would hear thekim Chris, You've got to save me
from her. Sorry, it's toolate, Joe. Where have you been
here? Chris? I've been righthere all the time. Why do you
have your hat con Wharton coat?You've been out? No, I haven't
been out. I've been sitting righthere. There's fresh mud on your shoes.

(16:07):
I couldn't look to look at them, not from that soft earth,
out of nudlow pie. I didn'tgo to letdow Path. I wouldn't go
out, Kris. Then why didyou phone me and leave a message if
you were going out? I didn'tphone Joe. I want the tooth.
Where were you tonight? You areout of this apartment? Where did you
go? Don't you remember going on? I please believe me. I don't

(16:30):
remember anything. She does this tome. She comes to visit, and
I forget everything except that she washere? Joan, Are you sure there's
another woman? What what about you? Lean? That's what I said?
Is there warely a woman? Oroh there is there is? She's real
and lie you. You've got tobelieve me. I'm climbing to Jonah up

(16:52):
and crying with all my might.You'll know nothing about this new murder.
Yes, I know. She toldme. She told you about the second
matter. She told me that thesame kind of matter, ma'am deep knife
flashes, almost complete mutilation of theface. She's a horrible thing, Chris.
She aught She told me about it. She she lost a steamish laughs

(17:15):
at the right time. What comesto take me away from her where she
cannot find me? No, journal, No, you're staying here, and
tomorrow afternoon, I'm taking you toa doctor and doctor psychiatrist. You don't
believe what I've told you you,sir, but I don't think I'm I'm
mad. Just as I asked Darning, doctor Fisher may be able to help

(17:36):
both of us. I must takeI'm all right. I just thton,
you'll explain it all to doctor Phil, to my doctor. If you don't
believe me, then no one will, no matter what you say or do.
I'm not going to a doctor.I had that talk with Joe last

(18:00):
night. This afternoon I went tosee doctor Fisher. Known. I told
the doctor as much about Joe thatI felt it taste to be a clear
case of schizophrenia. Mister Ryan,split personality. But that can't surely be
doctored this young lady. I toldyou about it. It's aware of both
personalities. Mister Jackal was also awareof mister It's toss up, but that

(18:22):
was fiction. Fiction is off andno strangers and truth. These split personalities
now part of AVD. The suddenchanges identity and when the personality shift occurs.
Other changes are in the company andwhat you mean. Well, there
are of slight physical changes such aspastured gay and frequently vocal quality. Her

(18:42):
voice. I told you about that. The voice of the woman of the
was different, yet there was asimilar quality exactly, mister Ryan, I
strongly urge that your friend me givemedical attention as soon as possible. I
wanted to bring her with me today, doctor. She refused to come.
He told me there was some wayof getting it open. Me come in,

(19:04):
doctor, but there's someone waiting outside, a very agitated case. I'll
one alone and have them wait.Oh, she insist on seeing your immediately.
Her name is Jane Vickers. Mm hm hm. That was another
surprise, have you one. Joanwanted to help her sofa, but you

(19:27):
wanted to do it another. Ican understand it. I guess the office
and waited outside a tree back tothe rain. I stood there for about
ten minutes. Are the Queen capromus. I rushed across the back into
the building. I opened the doorof the doctor's office and then was standing

(19:49):
in the center of the room,coming hysterically on the floor seats with doctor
Fisher. His face was flesh tor I don't want to know, or

(20:15):
I'm taking in killdn't let any cutthe door. You will kill you man,
You'll kill doctor Fisher. You'll killthe other Chris se My sober from

(20:36):
his nice windowy, so you'll runacross the morning. I couldn't need the
stop. And this man brought youup five minute. Oh, Mom,
believe me because she see there's noother woman. John. It put you
all the time, the other possible. Oh killed doctor Fisher. And you'll
crazy mind you you thought you'd getyour invinded. And don't talk like that.
You've got to believe me. Thereis another one. It was you

(21:00):
who called me the other night.You called this the bat. But before
you came to my place, you'lluse the voice of your other personality.
That's why I didn't make ittize hid. You don't realize it now, you
don't realize all those terrible things.You're capable of joy if you love me.
Don't saying of you a man killerlike you. Wouldn't couldn't the other

(21:21):
woman? Jee, I told youthere is no other woman. You described
her to me, and that withyou too, thing like you, your
height, open hair like yours.You tell me you first saw her standing
behind you when you looked in amirror. You were looking at yourself,
herself found Chris, and not improved. You're here now, isn't it that

(21:44):
in the other room. I'll comewith me, Chris, I felt it.
I'll show you here, Chris,there see you. Oh the bedroom
was concreed. There was a mirrorof all directly opposite the doorway where we
go tonight. Because a chair wasa woman too. I make a nice

(22:07):
you got to do go, she'sgone. She would have to start out
with that car. She was neverhere. That coat you can see it's
still wet, yes, and it'syour coat. It is mine. But
she took it. She worried.Oh, first she must have been able
to hear what I told you.He'll kill me tonight and I meet a

(22:30):
poor park. You can stop thatnow, But don't you understand he'll kill
me, He says, I've cometo to park to meet her tonight.
He said that nothing could stop mefrom coming. She has a terrible power
over me. If you don't stopme, I know I will go.
You're going to Ludlow Park tonight.What I'm taking you there? But you'll
kill me. No, there won'tbe any other murder tonight, because there

(22:53):
is no other woman to kill you. That is why I'm taking you.
Don't pull so there is no otherwoman except you. Well, I do
not live pot at him minute nowand now we sit here in the car,

(23:17):
Joe sits next to me. Whichwould you want to speaking? Death
has got a high warm which weseparate us. I've just taken the keys
out of deep o Chris, I'mleaving you here in the car. No,
No, I can't. I gavea war. I'll be nearby.
Could you can't let you? Youcan't kill me. I told you.

(23:41):
I need to prove to you thatthere is no other woman to night.
You're the other in the carl.Oh, Chris, Wait? Wait,
Hello, Joe, you came tothe park just as I said you would.

(24:04):
He didn't believe. He didn't believeI told you no, I would
be leave you, and I warnedyou not to fell Why why did you
accuse me? Because one day Isaw you in the street. You were

(24:25):
so much like me. I toldyou we were like bloodsisters. Your God
and I evil. Yes, that'sit evil. That is why I became
so attached to you. God didn'tevil it cause it sting side by side

(24:49):
in the same body. Only itwasn't the same body. Wasn't you know
why I wanted you to come here, Joan, You don't going to kill
me. Yes, I'm going tokill you, but it isn't going to

(25:11):
look like murder, not at all, cause you said, no one believes
I exist, and after that Iwon't exist because you'll be dead. A
suicide. Suicide, no nice?This time? A gun, well one

(25:41):
I have here in my hand.It to look as though you shot yourself.
I'm afraid, Joe, Well,I think how wonderful death will be.
You won't be afraid anymore. Thepain bosses in a fleeting moment,

(26:03):
and then there's nothing lots to feelof fear. Now a shot from this
gun, jun Joon, I'll joinyour life. That's done, your favorite.

(26:33):
It was my gun. I lita police Force for twenty one years
and it's the first time I'd evershot a one. Before we left tonight,
I I tell if I hadn't touchedRobinson, thankful as I did.
He dead, yes, and thenseat, But I wouldn't not if ow
of you well well when he neverstill say about sisters, I do the

(27:26):
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(29:12):
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Cigarettes invite you to listen next Saturdayat nine o'clock when they will again present
the creaking door