Kanye Drake and Ray J are the reason the world is effed up😈

Well…you see the title…that’s the show lol…these men are clinically insane 😂💀😈

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Episode Transcript

Speaker 1 (00:27):
You wanna go to war, you go with me? You

(00:52):
gonna go a door? No, SA say good.

Speaker 2 (00:56):
Man, Oh no with me?

Speaker 3 (01:00):
Yeah take you.

Speaker 2 (01:02):
Bar the young guy you.

Speaker 1 (01:07):
Woll Wilson in the part of the.

Speaker 4 (01:14):
Whoping and noting the Costa.

Speaker 5 (01:15):
Want had the content because the bullets into the hand
until the moment I'm saying it turn bring it.

Speaker 6 (01:21):
But this is a something fucking world put in the
pop in the will aways old.

Speaker 2 (01:25):
Before talking about when you come bag the lot.

Speaker 7 (01:28):
Sis talk but costop you mon say you bore bolling
me cotting.

Speaker 8 (01:41):
Go what the hell?

Speaker 3 (01:45):
This walling.

Speaker 8 (01:48):
Wots of right and the guy forgets him.

Speaker 5 (01:51):
Anybody's happening the bodies and the same way they had
taken the sake in the finishing, the fuck is the
one that.

Speaker 9 (01:58):
A more mistake and fas I'm more thing, I'm by started.

Speaker 3 (02:02):
Straight down, I'm just gonna get nor I think it that's.

Speaker 4 (02:05):
Over the team and the only work as a big
broken the breeding.

Speaker 2 (02:09):
Ball the ball say like.

Speaker 3 (02:15):
With me trying to do.

Speaker 2 (02:21):
What the hell your b.

Speaker 10 (02:25):
Me?

Speaker 8 (02:26):
No you know somebody where they.

Speaker 9 (02:31):
That So if I talk to five by six.

Speaker 8 (02:38):
Pay pray from my down call whish the bag was
Let's see.

Speaker 11 (02:59):
Okay about.

Speaker 2 (03:14):
A ball by.

Speaker 12 (03:17):
Ball say.

Speaker 2 (03:22):
My dad, don't dang you go by all but the
episode go by the ball ball.

Speaker 8 (03:33):
Not take my second night? Don't you by.

Speaker 2 (03:47):
Your don't you know.

Speaker 10 (04:04):
With the li.

Speaker 5 (04:07):
Stle f b finding pray pray from my downfall with
the bag was not.

Speaker 3 (05:00):
To the people walking when you say.

Speaker 8 (05:08):
Keep the bring yourself to do, just then.

Speaker 6 (05:14):
The plain people walking with the coat keep the bring
yourself to set the.

Speaker 8 (05:27):
Mind, I said, And I watched the town something this
life the sick. But I've had the ts lis. Not
only mind remiss.

Speaker 11 (05:35):
I've been from making meditate and with the mind that
you're waiting, and then there's love of my life.

Speaker 12 (05:41):
Jesus's to a down to travel out my mind.

Speaker 6 (05:47):
But I'm get myself before I've been charge.

Speaker 12 (05:50):
I want to make the crept for life as the
design her.

Speaker 3 (05:54):
I'm not the cover I talked just.

Speaker 8 (05:56):
For accidents that cont must.

Speaker 6 (06:00):
The pay let them flow, see the glass flown.

Speaker 8 (06:06):
But I haven't.

Speaker 9 (06:08):
It's all the same.

Speaker 8 (06:10):
The PA.

Speaker 3 (06:22):
Got the play. He's called the doctor bod bucket. When
they come and say did you want did you codrink?

Speaker 6 (06:30):
Look at the mill and bring yourself and then see
just let the domoscene past and break the plane.

Speaker 8 (06:37):
He's called the doctor bod bucket.

Speaker 3 (06:39):
When they come say you think you want you did
you bring.

Speaker 6 (06:43):
Your look at the mill and bring you something left
the DNA scene. Just let the dogs freaking your man,
just a free the same team, mister spin he moved
coming to will.

Speaker 8 (06:55):
Set the less again. That grapes man, I'm looking at
you that they that's so wonderful, But the first start
gaging persons all to do they have to chase my blood.

Speaker 6 (07:05):
Rather that you be willing to be instrum meaning what
you need to do a little bit, but sweats when
you wouldn't trust the job. I've just trust made your
creamily the crimson bluehood on your bed.

Speaker 3 (07:16):
And rich in the better.

Speaker 8 (07:18):
But I just only psst.

Speaker 6 (07:21):
Wear from railrott to completing, then get into preach and
then passion your.

Speaker 9 (07:28):
First and to see the control that have to say,
to emphasize and the lady, my lady.

Speaker 8 (07:35):
The more I like just to be.

Speaker 3 (07:38):
Wearing before just start disturbing tail side.

Speaker 8 (07:41):
I didn't want to know and they didn't got disconsul at.

Speaker 11 (07:45):
Break the plain the over.

Speaker 3 (07:46):
Don't you fucking when they come saying you want you did.

Speaker 8 (07:50):
You not go look in the may of freaking out.
The doctor say just let the don the same.

Speaker 3 (07:57):
Pas take the plain.

Speaker 6 (08:01):
With the company said do you got did you think
of it is not did the pray youself? That just
that the domas.

Speaker 3 (08:43):
Bec another the line thing further returning.

Speaker 6 (08:47):
Home, sam my brain my main thing, if not the
front day, the pretty main thing from my own name.

Speaker 8 (09:02):
Not a rat.

Speaker 4 (09:04):
I said, a feel something what book up.

Speaker 1 (09:07):
To and to say, beach go maybe have to the
mind you I'm.

Speaker 7 (09:12):
First last, will not be fucking then nothing night, but
don gonsel.

Speaker 2 (09:18):
You up sucking really before and this is the boy.

Speaker 3 (09:21):
You said sun I teste.

Speaker 2 (09:24):
We'll still enjoy.

Speaker 9 (09:25):
Something tasty a fucking the sth that's the fusing.

Speaker 3 (09:28):
We ain't a mean.

Speaker 8 (09:31):
One is about them.

Speaker 9 (09:33):
That's a crown, not a rat.

Speaker 8 (09:39):
I said, I feel so I'm gonna see you because
we the past that he is telling.

Speaker 1 (09:44):
The the papant to.

Speaker 2 (09:45):
Anything I gave the team, but the notting you the league.

Speaker 9 (09:49):
A man said, put the funny in the last.

Speaker 2 (09:52):
Said so bella tell me we said, can't be a
nut that I'm talking.

Speaker 3 (09:56):
They went on Bundy and the goose.

Speaker 9 (09:58):
Out the count the mother suf want the but it
also when the young.

Speaker 3 (10:02):
From some society lead.

Speaker 13 (10:06):
One is a doctor, it's a black brother, not a
brack down.

Speaker 10 (10:14):
If one is.

Speaker 3 (10:18):
A duckdown, is the black not a bractic?

Speaker 8 (10:25):
I say, I feel.

Speaker 13 (10:31):
Just ride my four bag back out and said that

(10:55):
one is a knockdown and the tails the flat in town.

Speaker 9 (11:01):
So we get help down.

Speaker 8 (11:02):
Two fucking man be sick.

Speaker 3 (11:04):
That's what you told me sick?

Speaker 9 (11:07):
Why is it duck down?

Speaker 13 (11:09):
At it felt the black man down, so we need
your help down.

Speaker 2 (11:14):
Just what your plucking job?

Speaker 11 (11:15):
I let your buck a bout.

Speaker 3 (11:42):
Why is a doctor?

Speaker 9 (11:44):
I just club.

Speaker 11 (11:48):
Trying to back down.

Speaker 8 (11:50):
I say one things about that?

Speaker 3 (11:53):
Why is it doctor?

Speaker 10 (11:56):
I did the clown like that?

Speaker 9 (12:28):
Okay, Now I didn't mean to stop recording. I actually
meant to keep going, but the comment the co everything
coming to a head just startled me. Therefore I hit

(12:49):
the wrong button and accidentally stopped the recording. Therefore I
had to go through all this song and dance in
order for it to sound like an actual official radio production.
So M going to drive the stupid nonsense again. It's
ala Carte Academy for the hip and the shameless. Because

(13:13):
I have no sense and I don't care at this
point retire.

Speaker 3 (13:19):
I am.

Speaker 9 (13:21):
At this point the devil, and I'm here to bring
light and enlighten the masters because it's even lean shit.
So before I go off and we continue listening to
this interview of this bad the South of the South

(13:42):
out here struggling to say the world propagated, it's the consonants.
I think, just think it's the conten we're gonna cause again.
At least the dig is a good comedian and I
am not a comedian at all. I just am a
observer of the human can audition and I just comment

(14:03):
on such. But before that we had gotten and gone
down the slight tangent about one Uvrey Graham in which
I said he portion has commodified hip hop and made
it digestible to the masses, the retort of a one

(14:25):
lunar individual. And no, it was the Beyonce person and
the King Dardashian, and I'm like, what, I don't think
that's true, and she's like, oh this is how So
if you could don't mind before I do the thing
about you know, could you please tell me I keep

(14:48):
Gardashia and the one Beyonce Q knows made hip hop
digestible to the bases and no longer I guess or something.
So yeah, sure, so.

Speaker 14 (15:06):
Beyonce had just decided to leave her group MM on
the heels of the actual America's Sweetheart Aliyah, who had
just died. There was an opportunity then, I don't want that.
There was an opportunity. Oh, there was an opportunity then
for someone to come up. At the same time, there

(15:31):
was also this horr who had just accidentally quote unquote
released a sex tape.

Speaker 9 (15:37):
Who what horr are you talking about.

Speaker 15 (15:41):
Kim K?

Speaker 9 (15:42):
Is she a horror?

Speaker 12 (15:44):
If you got paid to have sex? By definition?

Speaker 9 (15:50):
Is there anything wrong with being There's nothing wrong with
being a whore, correct, clear.

Speaker 12 (15:56):
Something wrong with trying to pretend that you're not blood?

Speaker 9 (15:59):
But why she was trying to pretend that she wasn't
a whore, especially when women are all four horse.

Speaker 16 (16:07):
They weren't yet really pre Amber whatever her name was.

Speaker 9 (16:14):
Yeah, the whole hose was always uplifted in the hip
hop for forever.

Speaker 12 (16:20):
No whose were not uplifted and hip hop.

Speaker 17 (16:23):
That's all they have in videos as Oh they called
the video right, and then the niggas go and then
the niggas go home to their wives.

Speaker 12 (16:33):
Nobody was aspiring to be a hole.

Speaker 9 (16:36):
Of course they were.

Speaker 12 (16:39):
They wanted to look like one and and be the
kept one.

Speaker 9 (16:43):
No no, that was a live.

Speaker 12 (16:48):
Rappers. Wait, you know.

Speaker 14 (16:53):
That they didn't want to fuck rappers rappers so that
they could try because they're gonna be the one.

Speaker 9 (16:59):
No no, wait, at least a baby. But I'll say
that's a smart hole then okay, at least because you're
getting paid forever. Still a hole though, again, not knocking
the hustle. I'm saying, if it's a rich mark, yeah,
your name is it? Wailing with this. I'm not saying disagree.

(17:24):
I'm just saying, generally speaking, hold, wharedom per se wasn't
looked down in one community. Now, if we want to
start getting on a real big macro level and want
talking like adults, then we can actually have a conversation
about that hour yourself on the internet may not have
been that much of a flex if your Armenian possibly

(17:47):
just saying that's but that's a complicated conversation for you know,
nor mean, I know what I'm saying. How how far
do we want to go though?

Speaker 12 (17:55):
Hor and all?

Speaker 14 (17:59):
Because this time, because the rest of my argument is
during this time, in the early in the early two thousands,
before then, we were still very much getting all of
this pushback about.

Speaker 12 (18:15):
And there there was still very much.

Speaker 16 (18:17):
In popular culture this Puritans, this just because Simpson Pebo
like this ship like this is not being coming up
with the world.

Speaker 12 (18:40):
Okay, okay, okay, okay, stop, okay, stop it, okay.

Speaker 9 (18:43):
Stop stop before okay, Okay, answer something? Can I answer?
Can I answer?

Speaker 4 (18:48):
Can I Can I ask you question? Can I asked
you a question?

Speaker 12 (18:52):
Can I ask you a question?

Speaker 8 (18:53):
That?

Speaker 9 (18:54):
Okay? Okay?

Speaker 14 (18:55):
Because we've had this conversation. Understand, and I said before
before Beyonce made it big? Right for your middle aged parents?
What hip hop artists? Where they play? When did the
conversation change from when did the conversation change from oh
my gosh, does she have that? Onto oh girl, that's

(19:17):
cute at forty and fifty? That did not happen until Beyonce?

Speaker 18 (19:24):
This.

Speaker 4 (19:25):
Okay, what age?

Speaker 9 (19:26):
All right? What age? Because you're old? Is it? Hell?
What age? Twenties? You have to a bit late late teens?
Because again, she's not that big of a gap from
us three or four years.

Speaker 14 (19:44):
That's not huge, correct, I'm huge, That's not what we're
talking about it.

Speaker 9 (19:48):
But I'm agreeing with I'm agreeing with you partially. The
world I'm disconnected is that where in the world in
girls your age, was it pure tectical revolution, a gift
hip hop and the close and what said truth?

Speaker 12 (20:07):
I didn't.

Speaker 14 (20:07):
I didn't say in that age.

Speaker 4 (20:10):
Right, But I'm talking about but they're the culture.

Speaker 16 (20:14):
But there's that gap, right, So there's the teenage power
buying power, and.

Speaker 12 (20:19):
Then it skips over the twenties and thirties and then
get at this point, at this point, the twenties.

Speaker 14 (20:26):
And thirties did not have that buying power.

Speaker 9 (20:29):
Now, so when we started talking about so when we're.

Speaker 14 (20:33):
Talking about that time period, like you got power, but yes,
like when you're talking about what change the people who
were bringing in the most money, Yes, you already had
the teenagers, the younger folks who were into that culture.
You did not have the forties, right, you did not
have the forties and fifties.

Speaker 9 (20:52):
I agree, get it, But you're leaving the gap about
that huge gap of college and career buying power, which
is the massive influence.

Speaker 14 (21:04):
And we had all cover and we had already covered
that that they weren't out here by female lead hip
hop ship.

Speaker 12 (21:12):
We already covered that.

Speaker 4 (21:13):
Wait, hold on, now we're hold on.

Speaker 9 (21:16):
Now we're okay because you keep and I think you're
doing it because you're being an asshole and you're you
are big an asshole.

Speaker 4 (21:23):
Beyond is not hip hop. Stop it. You don't.

Speaker 9 (21:26):
She's not pop.

Speaker 4 (21:28):
You don't use problems R and B. So you go
call her girl and be leaving bualo, she.

Speaker 12 (21:33):
Was R and B.

Speaker 14 (21:34):
Don't come on, this is this is when she switched
over to hip hop.

Speaker 12 (21:40):
The whole question, the.

Speaker 9 (21:42):
Whole thing, what is becoming accessible? I agree?

Speaker 14 (21:45):
Okay, and I said, bing, they just when this Beyonce
and Kim K crossover happened.

Speaker 9 (21:50):
Right, and the KIMK is like, I guess, I guess
white girls. I guess being good in the hip hop
space and being able to prop off the or and
stripper and Kimp popp accessible everything with the whole body
congresses understood. I get that. I understand that now that

(22:12):
one is easy because we know who he is city
like a fucking that. But the other one is the
one I'm trying to morsel get my head around. Okay,
So she's marketed as a singer. She wasn't marketed non
killed Aliyah. She wasn't marketed as that. She was never
marketed as the girl next door.

Speaker 2 (22:33):
Never.

Speaker 9 (22:34):
She was always marketed as inaccessible.

Speaker 4 (22:37):
Beyonce as inaccessible always.

Speaker 9 (22:41):
Okay, I'm just making sure she was literally always put
him on that pedestal, Kelly accessible. She's marketing inaccessible by
accessible will try to be fucking adults.

Speaker 11 (22:52):
That I mean, like.

Speaker 4 (22:54):
I was not talking about you, talking about the stupid nigga.

Speaker 9 (22:57):
But yeah, by accessible, I mean that she seemed like
it's the one who talks to certain interviews. It's not
the flighty fool looking at the fly again. A rod pot,
That's what I'm saying. If doesn't, role would be a robot.

Speaker 12 (23:14):
But what do you think of?

Speaker 14 (23:16):
Is all changed the earth? It's so when this crossover happened.
But if she responsible for making hip hop accessible.

Speaker 9 (23:32):
That's why I'm asking, Because she's not smart, I'm sorry
the biblehead. What do you blame japetto with her? I
feel phil philosophy. Do you blame Japeto with a puppet?
They both have a degree of guilt, but one has
autonomy and one doesn't.

Speaker 4 (23:52):
That's even you're that's even with your system?

Speaker 14 (23:55):
Could she have went, I'm not gonna suck this forty
year old man's dick, so you can.

Speaker 3 (23:59):
Get on so.

Speaker 9 (24:02):
Making me argue your point. You know that's not true,
especially at that point. How long has she been the
industry under control her mama. You know this is to
be true, her mom and her dad. You know there
was a you know there was a level of control.

Speaker 14 (24:16):
This revision is history, and we're gonna try to reband
her rebrand.

Speaker 9 (24:20):
No no no, no no no no no no no
no no, I'm not no no no, I'm not saying.

Speaker 18 (24:27):
No no.

Speaker 9 (24:29):
She is an idiot. Listen, you are confusion victim wood
for stupidity correction. I never would like to pay Beyonce
you no cue for question mark, because the bitch always
looks confused. I never want to pay her out to
be a victim, because she is too rich and too

(24:50):
stupid to be one. She would be kidnapped and not
know she's being on hostage. That is the type of
bitch Beyonce is. I have no faith that she would
know if she was actually being exulted. I have absolute
the faith in that she would not know it because
I think mentally her brain does not even connected there
because she was one of those ditches in high school,

(25:12):
but she didn't even graduate. Just as she dop she
is like, but real talk, if we're talking about friend groups,
which group would she be in?

Speaker 18 (25:23):
Me?

Speaker 9 (25:23):
Girl dits right because she's not smart enough to actually
come back with any of the stuff, but she is
smarter to be controlled and has the esthetic to attract attention.
The mean girl would use her as the prop. So
I understand one hundred percent. The problem is a responsibility
because the problem is an idiot. But the problem also

(25:44):
is who propagated the prophe Was it the parents or
the fool or both?

Speaker 4 (25:51):
How could all three?

Speaker 9 (25:53):
Though? That's where I'm confused, because usually one is a
prime one has to take president in a pecking order, mother, father, husband,
somebody has to take control. And she has been gone
off the ends before even I think the fool? Or
was this after the fool?

Speaker 14 (26:13):
All of it both because at different time periods it
was one over the.

Speaker 9 (26:17):
Other, and at any point you said, well her antonomy,
she could have been like no mom, no dad, and
no food. Why do you think she didn't? And she
had money and power at that time. Technically, this is
why I say it was a choice.

Speaker 4 (26:31):
Okay, so.

Speaker 9 (26:36):
Why would one choose to be a fool that kind
of fool. I know it's a lot of power, but
still a lot of money and power. Still there's a
at the end of the day, you gotta look in
the mirror and be like, I'm actually stupid, Like I.

Speaker 16 (26:54):
Don't think stupid people look in the mirror and think
I'm actually stupid.

Speaker 9 (26:57):
That's not true.

Speaker 4 (26:58):
It has it can't be true, like like, no, first
of all, why are you laughing?

Speaker 9 (27:07):
Because it's just like, cuse you don't where I'm gonna
go because the thing I have to don't believe the
ugly people look the beer saying they know I have
been cursed by God my mama or damn fucked on
somebody who has been in biblical days and God pissed.
I notice why I look like this? And I'm going
to live to the world and make them believe I'm

(27:29):
not unattractive. I believe ugly people tell themselves that. You listen.
I know you thought I would understand it. She's like, listen,
the ugly people be talking too much. I said, yes,
the child, yes, the child understands. The youngly have a voice,
and the younger ones speaking, and the younger ones has
been speaking loudly lately, and I don't understand where in
the world is happen. Martin Luther King gave martinis. He

(27:51):
had a dream and it wasn't of the ugly. It
was a white women you have ruined and unders there
and not the white woman that y'all talks about. The
ugly ones. I saw that tapp leak. Those are some
ugly bitches. Saw shit. Why are y'all allowing you, first
of all, all you men who actually look like you

(28:12):
were the fuck? How dare you have sex with these
women whoa ain't shit? I blamed it. No, I'm doing it.
I'm saying loud. I'm saying the quiet part out loud,
and you're not gonna stop me. I blame rich an

(28:33):
attractive wayman. You raggedy bitches could be out here with
a pretty white girl that got some sense? You out
here just out here fucking anything? You just doing anything?
Why ain't gonna They're gonna just let them out in

(28:55):
the wild with the internet. What did you think these
other the bitches were going to do?

Speaker 4 (29:02):
Join forces? Shit, this is a horrible thing.

Speaker 9 (29:08):
Why would you do this? All the ugly bitches I
had fucked, I would treat them with cottis and respect
because I believe this bitch has the Internet, ain't shit
else to do. Y'all out here got money, y'all got
the opportunity, y'all. I've seen y'all. Y'all s white past
bitches where the fuck and fuck hip ho pow of mine?

(29:32):
And they wonder why they talking shit? Yes, they're gonna
get hacked. These bitches don't know the Internet. Look at them,
I mean the comment section underneath the link. The gods
were like these the bitch look like everything you would
expect to bitch to be ups have to look like.

(29:55):
That's what they said, Like, what did you think? And
it was gonna get leaked in it? There was seventy
soven thousand bitches in America with no sovereign security knowledge.
Showed their picture ID to the Internet, and then the
bitches underneath and said, I'm on it. I got found out,

(30:16):
but I didn't shown my license ha ha. Then the
nigga said, fool, the metadata on your picture shows the
location in which you shook the picture. So these fools
were able to glocate every one of these bitches and
where they lived because of the metadata on they bitches.
And these bitches said, but they ain't got my social bitch,

(30:38):
they know where you live. All this to talk shit
about white men who got money and options. So that's
why I said, white men who are attractive and have
and should be married and making children. You are out
here fucking the ugliest bitches alive and allowing them to

(31:00):
talk shit. And for that, I will hate you forever,
all of you, all of y'all lawyers, all your college
educated white men who should be on the farms somewhere
having some children. You out here arguing on the internet
with motherfucker's You out here arguing on the internet about
alpha males. You should be up under a bitch. And

(31:22):
while you all getting about alpha males, you fucking these
ugly bitches. And now I have to find out because
I didn't even want to know a t app. I
knew a t app was made by a gay man. No,
a bunch of ugly white bitches and the ugly you
know what, I'm not doing it. I'm not doing it.
You did it, You did it, You did it, and

(31:46):
they called it the tip. You now have ugly white
women stilling gay lingo gays be offended. The brand is over.

Speaker 12 (31:55):
It's over.

Speaker 9 (31:56):
It's a wrap t used to be used by James
who got up and washed their face. Have you seen
these bitches on this list? None of them bathe, none
of that, and they'reof all of the rainbow. It is black, White, Asian, Indian,
all them American, though, because nobody oversees would embarrass themselves

(32:20):
like this and go on a website when you have
attractive men in which they pills the picture and ugly
bitches talking shit and them thinking this makes sense while
he does not know what's happening at all. So the
men when they find out, are like I would like
to apologize to all men because I didn't know this

(32:40):
was taking place, and I would like to apologize for
fucking these bitches because I'm part of the problem, and
I appreciate him for doing this. He is part of
the problem.

Speaker 4 (32:51):
He knew what he did.

Speaker 9 (32:52):
He knows he's fucking with psychopads who are ugly. But
that's the problem. Ugly people have a voice, and now
we have people.

Speaker 4 (33:04):
Like Drake.

Speaker 9 (33:06):
Speaking, who all of you have called pretty. He calls
himself pretty. Listen you me nicks a keep hand. He
has called himself pretty because he wears pressed like a
pretty princess, wears lipstick, blip bloss and again he wears
bedazzled boots and bedazzle shirts and green pants.

Speaker 14 (33:29):
And bedazzled timberlands. If I'm gonna talk about it, talk about.

Speaker 9 (33:35):
It and to to to the to the rich white
suburban male. Again, I'm blaming y'all. Y'all have made Drake
a thing. You see, this is becoming a sharp over here.
We're gonna loop bring it home.

Speaker 14 (33:53):
We gonna bring it back to ship the white male
that is who he is.

Speaker 9 (33:57):
His problem where we're We're not there yet. Again, we're
trying to get to the central program. Again, you're jumping
far ahead. We're not even in athletics. We're trying to
get there. You're too far. We'll get back to Shannon
and OJ, which that in a sentence is insane, but
both listen. At least OJ solved this issue with white women.

(34:21):
Did I say that.

Speaker 4 (34:27):
He wasn't convicted. Y'all said he was wrong, y'all said
he did it. What that's a crime.

Speaker 9 (34:35):
Why should he go free? He killed her? Why because
she's white?

Speaker 19 (34:40):
What?

Speaker 2 (34:41):
Why?

Speaker 9 (34:42):
Oh he married her? What does that have to do
with the price of t in China. What are you
talking about? Unhinged? And then Shannon again didn't correct the problem.
The way oj did was that illegal way to get
rid of an issue, but he did it allegedly, but

(35:03):
he did. He did go to jail, So nobody kick it.

Speaker 10 (35:10):
Be mad.

Speaker 9 (35:10):
And you know what, that's the level of racism I
support because the judge said, mister Jackson, your ass had
the nerve to be back in my court room. That's
how I'm imagining went nerve to be back in my
courtroom after killing a white woman. Now you're here for

(35:32):
stealing your own ship.

Speaker 12 (35:34):
Oh okay, sorry, I can't loop the Kardashian and I
mean we did.

Speaker 9 (35:41):
We did the loop, so so we'll give it so
again we're gonna pivot back the horse. So he's like, okay,
so you killed this alleged white hole by being defended
by Kim Dardashian daddy, and you're back here, older, more decrepit,
with no lawyer when I should see you again in court, sir?

(36:02):
Why are you here because you had enough pride and
courage to steal about your husband.

Speaker 4 (36:10):
After writing after writing a book. If I hypothetically did.

Speaker 17 (36:15):
It this how I would have done it, how I
would have done it, and all you ragged this bitches
bought this book because it was a number one past
out and I hate New York Times.

Speaker 9 (36:27):
That's what I said. Why don't you write You need
to write a book say if I killed a president.
I'm not plotting on it, but I'm just saying, if
this was the plan, this is how I would to
go about it. But this ain't the bullet Like and
go and speak from the bullets perspective that hits from here,
and then you just go backwards and they're like, wait

(36:49):
what And they're like, I didn't try to assassinate the president.
They're like you just admitted, like, no, I'm speaking from
the bullets, pretending who the hell would speak from the
bullets person, Like that is how everybody felt when you
said you gotta quit it for murdering your wife. So Johnny,

(37:09):
I'm gonna write a black So this is what he's
telling Johnny Cochran allegedly, but for real though he's telling
Johnny Conchran or Johnny telling him, you know it would
be a great thing to do, say how you hypothetically
killed her? But Johnny, I didn't kill her. Say hypothetically,
you did do it, but I didn't. But you did.

Speaker 12 (37:27):
I did.

Speaker 4 (37:28):
Yes, I should write a book. That's a sucception you had.

Speaker 9 (37:33):
That's why I can't stand everybody in the world, because
whether it happened or not, it happened. So he was
before judge after writing a book, and the b and
the judges reading the book. I said that, he said, so,
mister Jackson, you said, hand.

Speaker 8 (38:02):
It out.

Speaker 9 (38:04):
They're like, mister Jackson, this is a legend of buns
and cantatas and evidence. I can't did you do it?
You can't ask me that. That's double jority, doesn't bitch
hold up, mister Jackson in this book that you I
didn't write that book. So you're telling me I can't

(38:34):
know because it's public. Because it was in the public domain.
I can't use that against him. Correct. Why because it's fiction. Oh,
because it's a fiction. I can't use this against him.

(38:55):
And this he was trying to chill his own thing.
That was a different crime. All right, Let me get
this straight. So so let me get this straight. So
everybody in the neighborhood knows I'm an habitual thief. I'm

(39:16):
known as sticky, sticky fingers McCoy, I left Malone, Yeah,
sticky fingers, my lord Malone.

Speaker 4 (39:30):
I'll get caught.

Speaker 9 (39:33):
On a speeding ticket. I get off, but I steal
the cops back. I go home and I tell you

(39:58):
all way, so I stole to come back and you replies,
why is the first thing?

Speaker 19 (40:06):
Like?

Speaker 9 (40:07):
Like, You're like, yes, I was going with my dad
just that. And the third cop pulled me over speed
and he let me off. So I stole's bad And
you're like why, He like, because I just be stealing it.
He's like, no, no, no, just be stealing things is fine.
You just said you was pulled over. You steal, nigga,

(40:33):
your car's full of store the car stolen. You just
got home and you told me so, I just stole
the cars back. He's coming here like dummy, why and
he like, yeah, I guess they think that far. You're

(40:53):
like no, no, no, no, no, no, you did think
that far because you steal. That's what you did. All
you do is think of the next move. Why would
you do this unless you wanted to get caught. So
we was standing the reason that obviously OJ felt his

(41:14):
time on the outside was too much. He's having too
much fun out here. He's gotten too old, he was bored,
he was drunk because you didn't realize most of this
is done off alcohol.

Speaker 14 (41:27):
So that's what happening.

Speaker 9 (41:30):
Yeah, and them going right back cause he's like you
can't standing outside, which is what I understand. Too much.
Freedom is one thing, but guilt is another. But then again,
you just can't write off stupid motherfuckers just need to
be locked up because O Jay should have just been
locked up just for being a problem for society. This

(41:53):
man for being innocent. Again, I'm standing by what they said.
This this man drove. This man I've driven in the
West Coast and Orthal needs to be behind bars for
that chase alone.

Speaker 12 (42:13):
You know what you're highlighting right now?

Speaker 14 (42:14):
For that chase alone Church again because.

Speaker 12 (42:20):
Praying for a lot time.

Speaker 9 (42:26):
I remember his think why tell about Vision's history. I
remember my dad and every nigga who went to work said,
get him. He clogging up traffic.

Speaker 20 (42:39):
The police niggas is killing fuckers in the hood because
they focus on his phoe get him. He divert police
resources that should be allocated to wat Ty. Reese's career
is starting those things that need to have focus.

Speaker 9 (42:58):
Needs to be stopped. You focusing your attention on the
wrong ship. Listen, I'm singing it. There's things cooking in
the West Coast that should be stopped.

Speaker 8 (43:14):
Right.

Speaker 4 (43:15):
Here's apparently claiming blood.

Speaker 9 (43:19):
Ho type of revision, type of prevision's history tipping because
you're arount the same.

Speaker 4 (43:25):
Time ty Reese is being baby boy of raging.

Speaker 9 (43:28):
Apparently is out here claiming sense whilst by your moesha
at the same time.

Speaker 4 (43:37):
Mind you, it's different. Okay, So an habitual.

Speaker 9 (43:41):
Liar is now we're Whitneys like talking about you ruined
generations of life? How are you you know what's watching him? No,
we go pivoting real quick because we need some levity. No,
because he just had an interview with Shannon, and I'm like,

(44:02):
first of all, Shannon, you ain't shit because and I
thought it was an old interview, so I was just
scrolling down my timeline. I knew it wasn't new. This
shit said live. I said, no, not Shannon in twenty
twenty five. Didn't bunt this thigga out of nowhere. This
motherfucker was like, I ain't killed witty, I said what

(44:23):
I said? I forgot that was even stop funny but
I had forgotten. I had realized that I thought Ragiel
was so insane. I forgot that there was a true

(44:46):
rumor that this actually might be true, that he was
responsible for death because another interview said that the old time,
he was probably saying, yeah, get Brandon, mother, he'd be
getting me to coke and Ragie do seem like that
nigga who would have been the errand boy and and
the little fuck buddy of Whitney. I will smoke anything.

(45:11):
Now Everybody's gonna get mad at me because I'm not
uplifted this moom like she was a danger, and I'm
saying Bobby Brown was the real victim in this entire relationship.

Speaker 14 (45:26):
She was not about about her being an angel because okay,
I don't know at the time, right after she had
come on Oprah interview and she had got clean and
then she got back with Bobby when she died, all
she deserved it.

Speaker 9 (45:45):
All she all, I'm like, hold on because everybody like
it's because people were mad as pushing tin And I said,
that's some real shit because he had the he had
the bathtub where she was in and put it on
the outcome. I said that niggah like that, but like
that's dessiccating tone. Call I'm like, what that's a cration?

(46:07):
Y'all mother, call these pitch of crackhead before you.

Speaker 12 (46:09):
Why she was alive.

Speaker 9 (46:10):
I was like, I was making sure that I wasn't
just fucked up. Okay, I'm making sure because every now
and then I'm like, am I just seeing shit? Or
you niggas? Are you just niggas? Just sally just saying
anything because it has to be gased, like because people
are like this was a night car. I'm like, y'allways,
call her. I was calling her crackhad more than I was,
And I told everybody I looked.

Speaker 12 (46:33):
Like, oh, I was so down.

Speaker 9 (46:35):
I was so damn I was listening. I was actually
listening to the Purple Rain the day that he died.
I know, these niggas wasn't like they was out here
saying that he was weird. He will hide. He always
owned some white visions. He pretentious, like I remember that verbatim,
and I'm like, hold on, I know. And then everybody
trying to act like we a't gonna talk about the
microphrevigion history because that's actually disgusting. But the MicroVision's history

(46:59):
and the Revision's history was fucked up. But the more
I hear about Michael, he needs his images like kind
of targets because michaelad ship correct because Baca has has
positive Vision's history in a in a different way than
Prince does. Like Prince Revision's history is like Prince was
ethereal and all types of things like, No, y'all niggas

(47:19):
call him weird when he was alive because y'all was jealous.
That's it. It was no but jealousy because and you
were mad because everything because everything was Princes everything.

Speaker 14 (47:31):
Niggas wasn't the terms that was sensionate edges. They were
getting ball spots. This is when they first started putting
in them thirty inch tracks and that wig and ship.

Speaker 9 (47:42):
No, because Princess everything that everybody like said that Princess
everything that Kat William Saxty is like unroonically like Prince
was unronically good at basketball. Prince was unrocky, just good
at everything. He's in brag about it. It's just whenever
people came against me, like he's competitive, so he's gonna
better than you add It ain't just he's one of

(48:02):
those people similar to me that I'm not the fastest
person off the block, but in a relay race, I'm
usually second a third because I have gaining speed and
everybody doesn't have gaining speed. People off the block, they
don't have gaining speed because they can just go second
to third. You have something and you like by all measurements.

(48:25):
If you're in a relay, the people, depending on where
you are, they're either gonna be ahead of you or
in front of you, just by just the way it
set up. You have to in your head say this
person is not going to stay in front of me,
and I'm going to pass that person. So that's something different,

(48:46):
and it's a it's a gift that occurs because a
you can't be beat, and be you can't be beat
because it's just something that's inside you, like, oh, ain't
nobody's gonna show me up in front of me? Like
fuck all the rest of y'all just in front of me.
How you gonna try to try to embarrass me in
front of me with something I do no which why

(49:07):
I understand why Prince had be for Maca Jackson. I
thought these chized that performance because mycod stuff was flawless
and everything were wrong in his situation, and then Quincy
Joe goes tooke the thing and say, and now Michael
Jackson tried to kill him, I mean first tried to
kill Machael Jackson. What if you're such an old ass up,
You're just out here repopulating the world with mixed babies
and talking shit like what is wrong with you? You're

(49:28):
too old for this? You're like, it wasn't even Prinson's, Like,
it wasn't even it won't even know, but it was
a fan and we all know how crazy those are.
Eminem really created a term for it that you motherfuckers
again will not acknowledge claim an eminemic culture vulture. Yet
Drake is literally saying I'm a vulture for the culture,
as in, I'm buying the culture memorabilia and y'all like
he is hip hop.

Speaker 4 (49:48):
That is the most assinine statement.

Speaker 9 (49:50):
That's why I was like, sure, Beyonce, it did damage
and made it accessible for women to buy, but again,
it's more difficult. I would debate for a woman to
women to get women to buy something for a woman
than a guy to get a woman to buy something
for a guy, Like I would always debate. That's an
uphill battle in itself. Like That's why I always say,
like female R and B is would be five hundred
times harder because you ain't got to convince.

Speaker 12 (50:13):
Hip hop she did it.

Speaker 16 (50:15):
But even if what you're saying is correct, she would
still did it.

Speaker 9 (50:19):
First, I'll saying for female R and B, I'll be
honest with you, she made I will say she made
that more accessible.

Speaker 14 (50:25):
Debatably, I agree because she can't say so true. She
did it for hip hop, but he did it for rap.

Speaker 12 (50:32):
Rap was not.

Speaker 18 (50:35):
This.

Speaker 4 (50:36):
So why are you saying hip hop though?

Speaker 9 (50:38):
And okay?

Speaker 4 (50:39):
Because so you say you for her is more of
a cultural thing.

Speaker 14 (50:45):
You could still say hip hop as a genre of
music and that it's not straight R and B.

Speaker 4 (50:50):
Okay, So okay, now you're okay.

Speaker 9 (50:52):
So you're so you literally delineate between So you think
hip hop, R and B and rap are two or
three states different sounds or genre? Really, Oh god, you're
a fucking European. You're so gross, because that's like, are
you gonna heard from grime in UK or app that

(51:14):
grime reperence can't UK reference to the would know UK
reperends talk about and I don't know the funk either
are because they speak with an accent and talking cursive
and sound like the guys are gonna be like that's
one of my favorite listen curs. You don't what like

(51:37):
I speak patroa and that makes sense because again it's
more so emphasis on a word. I mean patwa speaking
of cursive too. But take me, but please let me
not like, Yeah, you need to delineate this between because
this apparently hip hop and R and B are extremely

(51:59):
close in your ear and the boss and preach your bitches,
So how what the hell is the difference? Yeah, I
definitely gotta notice because hippo I oh jaw rule you
raggedy bitch.

Speaker 4 (52:12):
I know it's probably your fault. It is your fault.

Speaker 9 (52:15):
It's Jeffrey again, it's I know, these nucleuses of who've
made it problematic to women.

Speaker 3 (52:21):
I know it.

Speaker 4 (52:22):
It's always it's always been.

Speaker 14 (52:24):
It was like it from Crazy and Love.

Speaker 9 (52:26):
Bonnie and Claude.

Speaker 16 (52:29):
Always put it right on top of jo Ula la j.

Speaker 9 (52:36):
It's always a derivative.

Speaker 4 (52:38):
It's always a derivative. That because.

Speaker 9 (52:43):
Definitely not I agree, That's what I'm saying. When jay
Z did it, jay Z okay, for example, jay Z
had because you have a ventriolic hatred for jay Z
being that you're a woman. I mean it's true, like
if you're an actual woman, you generally have a vitriology.
You generally have one. It's like a normal huh actual Oh,

(53:06):
it means you are in touch with your feminine side,
I guess would be the most layman way to say it,
as in, you don't feign masculinity, as in, if you're
like a real hip hop head, you got a lot
of faint masculinity there, because if you're like deep, it's true, yeah,

(53:27):
because you have to because just not the sound is
in a feminine sound and not meant to be. It's
meant to be. It's meant to be divisive, it's meant
to turn off. It's scared old because it's like anything
that has like a certain type of rhythm. It's scarce
bitches away because it's too deep and too intellectual, and
it'll confused. Holes like old rap music is like kryptonite

(53:50):
the holes because literally, if you hear boom bap, holes
like turn that shit off because holes are stupid. You understand.
It's like the snap but her or something about it,
you know, like an intelligence. Niggas gonna come on and
bitch like I'm about to be confused. Don't do it.
Turn it off.

Speaker 12 (54:07):
I don't want to, But.

Speaker 9 (54:11):
It's not a knock. It's more like I don't wanna
be preached to again.

Speaker 8 (54:16):
I could.

Speaker 9 (54:16):
I could talk away like most of the ship when
I talk about bitches are stupid, Yes, but the stupid
bitches also pay for shit, so you have to talk
down to the level of bitches who were stupid, which
is more bitches. And if you're gonna be going under
boom bapshit, most of them bisies ain't gonna be like it,
and if they are, they have dyke.

Speaker 12 (54:35):
So if they're for hip hop, hip hop, he did.

Speaker 9 (54:40):
Okay, So that's what I'm saying. There was a clear
delineation between rap jay Z and I guess what you
call hip hop, which I guess would be the fusion
of like all the style and all the thing and
it can be like melodic. So that's what I'm assuming.
What you mean by hip hop is that hip hop
is a more melodic style and rappers of I guess

(55:01):
in your face style.

Speaker 12 (55:02):
Yes.

Speaker 16 (55:02):
Do you remember that lame ass que little Tiva movie
set it off?

Speaker 12 (55:07):
Uh? No, No, No, the one where she.

Speaker 14 (55:10):
Is in this hugely disproportionate relationship with the little common
with the no no no, what the little dark skinned do?

Speaker 12 (55:19):
How did you fall in love with hip hop? When
did you you remember that? Oh ships that the woman
comment in it?

Speaker 9 (55:26):
Probably because it sounds stupid you said disproportionate as stupid
common jumped to my brain either now a T. Diggs dude,
like I said, talking about ball headed disreported postly game,
irritated common dis jumps the brain because they're always in

(55:49):
the retarded ass roles about this is how a man
should be and the archetype of the bald headed dark
skin or ball headed light skinning. This is what every
male has to do with these two fools. One paces
nails and one is irritating and possibly a sexual predator.

Speaker 4 (56:09):
I'm going to let y'all aside which is which, but
both can.

Speaker 14 (56:12):
Be either almost cliche packaging it up for the general masses.

Speaker 18 (56:18):
That is the.

Speaker 21 (56:18):
Masculine, That is black masculinity, Internet ship. That's that hip
hop and that is yes, that is what we call
save hip hop. Common hip hop is save hip hop
hip hop. When you got on a Bill Cosby's water
is saved hip hop.

Speaker 9 (56:32):
Hip hop. When you wrapping around a trash can and
not afraid of a crackhead whooping your ass. That is
save hip hop comment. How to hell you in the
streets of Chicago safe? Shut up looking like yourself. You
should be robbed every day. Nobody believes you, sir. And
now we're at Chicago, we're here, so again, all of

(56:55):
this has to do with him and everybody. I would
like to just say right now, this podcast is now
taking a left turn and we're going to talk about
the problem in not only America, but in my life,
the world, and your life. If you don't understand who

(57:18):
I'm talking about, I'm about to write the best conspiracy
theory that I'm going about to prove on the phase
of this Earth, and I'm going to start at the beginning.
I'm starting at the end. Connie West is the reason
why Earth is the current predicament that's in. I can

(57:44):
defend this. Do you believe I could defend it?

Speaker 8 (57:47):
Yes?

Speaker 9 (57:48):
Okay, verse, I want to have fun because you've hear
me read rape, but this is gonna be from your perspective,
and after you're a fan and you actually like one
of his grows albums, So I want to hear you. Yes, Kanye,
Kanye being Kanye being like literally the work the reason

(58:10):
for the world's els like right, So Kanye being the
biggest problem on earth and why he's him being eradicated
would probably be the world will be better off for it.
But not just him, everybody or everybody who's supported all
of it, but the Kanye being Kanye being the problem.

(58:31):
I want you, as an academic, to give me the
the four as in, Kanye is is the problem? Like
this is like everything wrong in life, like somewhere like
Kanye is like behind like you can insert horrible times

(58:53):
in your life. Kanye has been a part of it,
like whether you want to believe it or not. If
you think about one of the the albums, you're like,
and this about a bit, how did I end up?
And it's yet this album just don't happen to be playing,
and like you listening to an artist and you're like, oh,
I like this artist is somehow Kanye just pop up
or the feliate and you're like, how is Kanye even

(59:17):
in this? You can I'll say, I'll give you your time.
It's not been able to say why is Kanye the problem?
And that we're gonna go on my time.

Speaker 12 (59:27):
You literally broke this up and said how you.

Speaker 9 (59:29):
Can defend it. I can't defend it, but I just
want to hear an outsider who's herdmi ty raise and
who also believes that Kanye is problematic. How is Kanye problematic?
Because we all know that Kanye not only loves everybody,
he is absolutely supportive of Israel, of the Israel state.

Speaker 14 (59:48):
I mean maybe he just made hip hop more bitch
or rap more bitch made anyway, so it's set it
up for niggas like Drake to tee it up.

Speaker 9 (59:57):
Okay, So that would mean that that Kanye actually was
bro because he opened the doup for the door, which
is Drake.

Speaker 11 (01:00:04):
Okay.

Speaker 9 (01:00:06):
So Kanya have ever been left through the door? Should
been left through the door? Absolutely not, Okay? At what point?

Speaker 16 (01:00:15):
Didn't realize.

Speaker 9 (01:00:17):
Until like, right for a decade.

Speaker 12 (01:00:27):
Right for a decade.

Speaker 4 (01:00:28):
You're like, you're like, this man took the same thing.

Speaker 9 (01:00:33):
I'm like that, You're like that is the lazy ship
like and you're looking at me like, oh, You're like
do rappers like nope, nope, nope, no rapper actually does
that actually for the same song for team like and
never change and never change it. No, no, no, you
got too much stuff going on in your brain. You

(01:00:54):
gotta get it out, like you literally go crazy if
you don't get it out, Like that's why we like
ten years. You're like, okay, so as an an R,
what would you have said no? Because you like the
college drop aunt? So how would you how would you
said nah? How could you have said no? As like it?

Speaker 14 (01:01:13):
But you know why I liked it because it had
a classic sound. Now I know it didn't have a
classic sound, accurate.

Speaker 9 (01:01:21):
Home, just home. It just wasn't updating. You're like, you're like,
this sounds like it should be from the nineties.

Speaker 4 (01:01:28):
It's everybody like, this is really retro.

Speaker 9 (01:01:33):
It was on tape. He had it on tape. That's
a damn chack, Like you gain't like talking about revision
as history, like you actually give your music Patty like
I thought he was actually using the sad for he was.
He was just that late, he said, was that Jack Lady.
He did'n updated times. He just didn't update the tape.
That's it. He just didn't refuse to tape wild. So,

(01:02:00):
but what you would think it? So do you think
that's just a bad president. Absolutely, So what do you
think that does, because some people would say that is
tenacity and driving. You have so much faith in you're
proud and you refuse the change because it's art. So
what is your retort to that it's art? Because that
is their argument. That is art and it was meant

(01:02:22):
to be taken as is, and you're gonna take it.
That's why I'm Kanye, and you're gonna accept my art
for it being art. So you're what a man?

Speaker 4 (01:02:32):
It is just a complicated artist, and you're one who
is a.

Speaker 9 (01:02:37):
So this is what I mean.

Speaker 4 (01:02:39):
It's crazy worth But.

Speaker 9 (01:02:43):
I just said ask a question.

Speaker 10 (01:02:44):
So I.

Speaker 16 (01:02:47):
So, if we had wrap folks who stay remember.

Speaker 9 (01:03:01):
Remember you saw them documentary, so you know how he is.

Speaker 14 (01:03:04):
If we had folks who stayed entrenched and stayed being
the the barbership barbershop of the culture, then if he
would have came out with that and we would have said, fine,
let's give it, let's give it the benefit of the
doubt and say.

Speaker 8 (01:03:20):
He was just that.

Speaker 9 (01:03:23):
That my barbershop of the culture. You're saying that there
should have been some gatekeeper? Yes, are you saying? Okay,
So you're saying this should have been cultural gatekeeper. Yes, okay,
so so.

Speaker 8 (01:03:34):
Stay with me.

Speaker 14 (01:03:35):
So if we would give it the benefit of the
doubt and say that he just was that convinced of
his product, that means that one he should have something
else to back it up with. That is superior, because
if you were that convinced, that means that you've just
been honing your art since then.

Speaker 4 (01:03:56):
Right, But you like the second one?

Speaker 9 (01:03:58):
I don't.

Speaker 16 (01:03:58):
I said the first two, you said the first, and
I'm agreeing.

Speaker 12 (01:04:02):
No no, no, no, no, no no no.

Speaker 9 (01:04:04):
What's going on to.

Speaker 4 (01:04:07):
Like to follow up? Not just saying but you also
like to.

Speaker 12 (01:04:10):
But he's still not.

Speaker 8 (01:04:14):
Yet.

Speaker 12 (01:04:15):
Yes, but how did we let it get from two
good albums to this?

Speaker 14 (01:04:19):
Because then question in my opinion, because I don't even
like the third one in my opinion, with celebrity.

Speaker 9 (01:04:27):
And that's that and is that where?

Speaker 8 (01:04:31):
And what is it?

Speaker 9 (01:04:32):
The second one is where the transition with the tables
And he's like, yes, all all media is good media
and good publicity. That's what he became a celebrity exactly. Okay,
so you're said, but is it possible to stop No, Okay,
Devil's advocate can disorder. I'm not sure. More so asking
you a question because I mean, I've kind of seen it,

(01:04:54):
but then again, sometimes you can't help it. So I
don't know. Maybe you can tell me. Is it possible
to block somebody from becoming a celebrity?

Speaker 4 (01:05:03):
Absolutely?

Speaker 9 (01:05:04):
Okay, so it's possible, especially with enough resources in a
decent team, you can possible.

Speaker 12 (01:05:15):
LaToya.

Speaker 9 (01:05:16):
Wait, hold up, wait wait a minute, you don't think
was a celebrity.

Speaker 12 (01:05:21):
I mean, by Alah, we got I mean we stopped.

Speaker 14 (01:05:26):
We stopped jay Wie's career, we stopped Dame Dasher's career,
and we stopped a lia.

Speaker 9 (01:05:30):
No no, no, no, no no no no no not that.

Speaker 12 (01:05:32):
No no, no, no, no.

Speaker 9 (01:05:33):
Stopping is different. No, I'm saying, like, okay, it's like
bottle No, it's like bottling lightning. As a stay with me,
I was with you, I was always with you. With Alia,
I was almost staying with that because she never really
had a fall off. She had a fall out with
you died. But outside of that, I'm saying, when you

(01:05:59):
said that crossing, you saw where he was about to go.
And you know what he's capable of, as you know,
meaning that he is a disease, as in, he is insufferable,
as in the only one who could stop him was
Dame Dad because Dame daf would thrown him through a window.

(01:06:23):
That would beg the question on why A you would
ouse the handler because you thought you could control that.
That's a lot of bravado, but you, I guess. I'm
like everybody knows, there's only so much crazy you can control,
and everybody knows there's only so much money crazy can control,
and everybody knows. Eventually crazy comes to the fact of

(01:06:46):
who can control the masses, and it literally becomes louder
towards if he's literally become a coliseum. I'm getting at.
There had to be a point where they saw he
was going to He has already dove, he had the
protect to go. They knew this when he was talking
about George Bourds don't like black people, so they knew
it could easily swing. And I'm saying, whoever, whatever nationality,

(01:07:10):
they knew he could swing from saying something about black
people that if you keep going down that line, especially
if your dad is a radical academic, it can swing
very Malcolm X really quick. I'm saying anybody, even if
you're and there are black business people that understand there

(01:07:32):
are certain parts that are very radicalized, and they're like,
we need to keep that contained, not only for our money,
for for safety squeezes, the reason why people don't associate
with the Ani Mosam in New York. And then even
though there's a lot of record labels in New York
and the anassociate with anifahir con for obvious reasons, you

(01:07:53):
got time for the massade.

Speaker 18 (01:07:54):
How is this you?

Speaker 9 (01:07:56):
They ain't devil that I member, so asking a question
how none of these black people who are focused on
their own dollar and self interest and doesn't have to
be in his camp could be in the record label,
could be Quzi Jones, could be whoever, could be like, hey,
make sure he don't become that type of celebrity where
he has that type of power. That's all I'm saying. How,

(01:08:20):
if you're saying it's possible to contain it, why couldn't
at least that black elite say that is that one
is gonna be the problem. We need to stop that one,
at least them as black counsel to police their own
at least.

Speaker 14 (01:08:37):
And like we know it's true, lots of these pretentious
elites are not actually smart.

Speaker 4 (01:08:46):
So you are saying for self interest, though.

Speaker 14 (01:08:50):
You are saying, we have in jest but also in
seriousness called the AA genius because he will say, hey,
look at this, where people, anybody with any type of
depth whatsoever would look at that.

Speaker 12 (01:09:07):
And be like, y'all been walking to this strap.

Speaker 14 (01:09:10):
Yet ninety percent of the people are like, oh no,
and they don't see it because pretentious to lead ain't
typically deep literally pretentious. They're focused on the image. What
Kanye looked like. He was selling a good thing. He
was propping up beyond say he was putting Chicago on

(01:09:32):
his bag.

Speaker 12 (01:09:33):
He was working with his mama.

Speaker 9 (01:09:37):
From the day he walked out, this man talking about
Jesus walks and talking about fucking the hole in the
next So y'all was rolling with this and I'm like, this.

Speaker 4 (01:09:50):
Level of blasphemy is even beyond me.

Speaker 9 (01:09:52):
And I listen a Marilyn Manson and Arab was called
be a demon, and I'm like, y'all wild and he's
so cousin. I'm like, again, I don't have a problem
with him. They did them the Christian elite, and I'm
saying they could have stopped it.

Speaker 14 (01:10:11):
They didn't, like they thought they were smart enough to
manipulate him, Oh, stop it seriously, because oh look at
you at getting people back in up jurgery talking about Jesus.

Speaker 12 (01:10:23):
You don't remember how big that choir was.

Speaker 9 (01:10:26):
I don't remember how that shit what I remember it
because when I was watching it again, I thought it.

Speaker 14 (01:10:32):
Was they got manipulated because they said him and so.

Speaker 9 (01:10:38):
I love you like Sunday. She's like, I love you
like you my Sunday, my chick fil ake. What the
hell y'all? Because he did it on a gospel album.
He had all you niggas in white he done have
justin Bieber. He don't have mariy ln Mans. Now you're
talking about he might be Catholic? Now the hell going
on in this black ass club? This man is insane.

Speaker 14 (01:11:00):
Or he is a social engineering fucking genius.

Speaker 9 (01:11:03):
He is Jesus.

Speaker 3 (01:11:04):
I know he is.

Speaker 4 (01:11:05):
I know what he's doing because he looked at that.

Speaker 14 (01:11:08):
And saw exactly what he wanted them to see.

Speaker 9 (01:11:12):
And I'm confused.

Speaker 12 (01:11:13):
Do you and me sat there and looked at this
and went nah, Like I I.

Speaker 4 (01:11:19):
Thought you want a joke? And they were like why
they saved my life?

Speaker 14 (01:11:22):
I'm like, why, Kanye, You're a white girl, Like we
both like why I said, I said here.

Speaker 9 (01:11:29):
I said, Kanye what I said, Kanye, what's doing? And
then I'm like, once we go down that road for
us to end up down this pactacal road was about
to do. So all your motherfuckers too, because this is
who your worship it. I dope you enjoy yourself. All
y'all should be ashamed. Everything back in the world happened
to you, and hope besides catch you be shaved yourself.

(01:11:53):
This is Kanye West latest single. All y'all enjoy take
it in and this lim on knife to hear it.
Ben's drunken.

Speaker 2 (01:12:05):
Took my kids from me.

Speaker 8 (01:12:06):
Then they trust my day it can I get some
chaker with me.

Speaker 2 (01:12:10):
Came away to take it out.

Speaker 8 (01:12:11):
He comes tuck in a MA.

Speaker 9 (01:12:14):
He does have a way to take it out. He
could gut offline. He can say nothing. You don't need diapers,
you need a dance. Your teeth are union ings.

Speaker 12 (01:12:30):
Stop this.

Speaker 9 (01:12:31):
This man is sick. He looks the way. This is
what I mean, the ugly having a voice. You all
just out here letting niggas that no bitch with and
hisself respect would claim publicly, do you have.

Speaker 8 (01:12:50):
Man?

Speaker 9 (01:12:51):
I was positive.

Speaker 12 (01:12:52):
I was waiting on you to see him when he
was like twenty and I said, wait for you now.

Speaker 4 (01:12:56):
I said, who the hell is this child?

Speaker 12 (01:13:02):
Because you have before his album you hadn't seen what.

Speaker 4 (01:13:06):
He used to listen listen Joson.

Speaker 9 (01:13:11):
I would have been like fog Leghorn. I would be like, boy,
if you don't get away from get away from me. Boy,
you bothered me. I'm like, who are the I said,
if someone get the child away from me, like I
could see him, he would just be irritated, and I
would I would have knocked him out, like I see,
black is the one to see that. What I'm saying, niggas,

(01:13:33):
will heart problems be the pay of my existence because
I I'm always sitting there trying to say, these people need.

Speaker 14 (01:13:43):
To we should google the sound that a pacemaker makes
and just start that at the beginning, just right before
you say the title.

Speaker 12 (01:13:56):
And then that's.

Speaker 10 (01:14:00):
Like does himself?

Speaker 9 (01:14:14):
Okay? So the problem is bad, It's insane, and I
don't understand why people home leave them aloud. I need,

(01:14:34):
I just need, like I swear, no kind is that
person that this fool would stop me from. I'm always
sitting a saying every time I'm sitting there. Why there's
always loud negroes in the back. I have my hoodie
on it and I'm just looking over. I'm like, I'm
knocking out. I'm like, I'm gonna shut this off. I'm

(01:14:56):
about to shit it all this stuff right now now
we're talking about. I said, I'm about I'm about to
make every quiet real quick, like what you're talking about said,
I'm about to make this all this is about to
make this entire situation very quiet right now. Becau's a
lot of noise, like what you like on the noise,
I said, there's a lot of noise. I'm about to
make it real quick. The people want to feel some
type of way, I'm like, no, I hear a lot

(01:15:20):
of noise, as in negro nonsense, just shit chatting about nothing.
Kinda was one of them and all they did like
you should be good. Let's put a battery in his
back and give him an attention seeking drama queen, a
damn microphone and a bullhorn who moved masses again. He's

(01:15:45):
articulate enough to maneuver in a lot of spaces, and
he is a he drops names. Anybody who needs to
drop names is inadequate in life. This man order.

Speaker 4 (01:15:57):
Ines in and.

Speaker 9 (01:16:01):
Why you mentioned Eli must is building rockets. You ain't
making music, You're being irritating. And then when you make music,
you make irritating music and then call it art.

Speaker 12 (01:16:14):
Like, no, this is.

Speaker 9 (01:16:16):
Frustrating, because how are you an irritation? You have one
job as a music artist, make music. You make a
decent shoe. But again when he.

Speaker 4 (01:16:30):
Can't the man can't draw.

Speaker 9 (01:16:32):
So again, this is what I mean by low bar
ventry all if you designers need to be offended, people
like Kanye exists who cannot draw a straight line to
be abundantly clear, like if you told him listen, he
was staring at us ship listen. I promise you. I

(01:16:53):
promise you as a nept as you are, as you play,
you are as saying at doing art. If I said
I'm going to tell you how to draw stick figure.
If I say, if you draw a circle to a
connecting straight line vertically connecting line horizontal and the two
lines ninety degrees and you could pick the affront things
or whatever like that, you'll give me a decent stick person.

(01:17:14):
You give this the condang this fool d a bird,
like what the hell are you talking about? But you
don't understand. Brothers just trying to boxy mean in this construct. No, nigga,
it's the instruction. I asked, can you draw? And you
said no. I said, okay, but teach how to draw
stick figure? And I showed you exactly how How the
hell this girl luda have a stick figure? You got

(01:17:36):
a bird that don't even look like a bird. I
can just interpret that because I'm an actual artist and
you tend you said it's an eagle, bitch, is not.
It's not. It's not, it's not. It's not because the eagle.
We're looking at it and be like, first of.

Speaker 4 (01:17:53):
All, fuck you and America, what the fuck is wrong
with you?

Speaker 8 (01:17:57):
Wow?

Speaker 9 (01:17:57):
Like are you launch your goddamn eagle?

Speaker 18 (01:18:01):
Yo?

Speaker 9 (01:18:01):
Hold on, bitch, who you talking to?

Speaker 8 (01:18:03):
Like eagle?

Speaker 9 (01:18:04):
Like this is why animals don't associate with because they
ain't got typing people like him Kandie out here talking
about I drew a cat when he was a child.
Cat looking at him like this bitch got damn desk
and just say anything and looking at his mama like
have you raised this bitch out here again? You letting
people like Kanye communicate and just saying any fucking thing

(01:18:27):
and call himself an artist all the while can't design.
He is the designer who is telling other people I
needed to look like a shirt designer said one of
the dimensions of the shirt wring a little. Whoever, the

(01:18:51):
fuck when I tell you I throw phones in his heads?
Was like I said, He's like, like, I want to starve,
like I want to shine a star with a black backdrop. Well,
what come you wanted to shine?

Speaker 11 (01:19:05):
What color?

Speaker 9 (01:19:05):
You want to star? Wanted to shine this again? Do
it again?

Speaker 12 (01:19:13):
Oh?

Speaker 4 (01:19:14):
What is the what color is the star? Shiny? Doing
it again? Color?

Speaker 9 (01:19:19):
Brother? Color to star? Stars have colors. This is your design.
You are conveying your image in your head. To me,
color is the star in your head? It's a red star. Great,
and it's shiny. Got that part, brother, That's all that.

(01:19:40):
I simply have the color to star. You should have
known the color. Now we're not gonna do this because
you know what that means.

Speaker 12 (01:19:47):
Brother.

Speaker 9 (01:19:48):
I can read mine, and if I could read your
damn mind, I would have asked you what the colored
star was.

Speaker 4 (01:19:53):
And again we've wasted time and I'm not getting paid
for you.

Speaker 9 (01:19:57):
See how this is a loop. That's what I'm like.
I ain't got time. Kande is barely that. He's barely
that cause you done got the artist. He cussing the artists,
I said, and fuck Vergil in the grave, I said,
what is wrong with this man? His videographer out here
struggling to eat like TV dinners. He like, I'm happy

(01:20:19):
with my daughter. Can I send the footage? Yeah? Brother,
I want you to come to the to the tour
and film me again. Oh I haven't heard from you
in a couple of years. Yeah, you know, I've been
over your working with teeth pay and all the other
big big wigs and everything like that. But I want
you to come out and film me like we did
the old days. Didn't fly the man out, the man

(01:20:43):
flew him something of his own die. This man brought
his kids, and what did cat you be? He said,
I'll send you a ticket, but you got to find
your way out to bring all your equipment, and you
gonna do this up the stranger of the fact that
you're my friend. That's how he propagated it. But in

(01:21:04):
Kanye's mind it was because of Kanye Weston. I said,
so when you ain't just gonna say no to me?

Speaker 12 (01:21:10):
And I'm like, now, there are.

Speaker 9 (01:21:13):
Different novels of entitlement, I suppose, but you really got
like a lot of gold audacity for a dude who like,
I'm cut out the game because I kinda made a
little bit of money, I made some documentaries, and I
kind of goten named all by himself without Kanye help,
because like, I guess if Kanye not gonna help me,
I mean, I guess I'm a man's on me and
I'll just utilize the resources around me. And got into

(01:21:36):
Netflix himself with no help from Kanye, because to be clear,
he came out only a few years ago. They should
have been out because Netflix has been out for decades.
So that already is like fuck Kanye right there, because
that would be like, so you're saying your friend had
this shit the whole time, and you're saying that you

(01:21:57):
out here caring on saying all this shit, talking ship,
not making music. In the music arm you aren't making
is this is obviously music that the church would support.
And so this is church music, per Kanye Wiz Christians.

Speaker 8 (01:22:15):
Let little mine, this is what a church.

Speaker 9 (01:22:23):
According to Kanye, not just.

Speaker 1 (01:22:31):
People took my kids from me? Can they touched my banking?

Speaker 22 (01:22:34):
Can I guess the pingers and me count a way
to take it out. It comes Nucket A maid chance say,
I'm touching.

Speaker 3 (01:22:39):
My now they che I come down that. They don't talk.

Speaker 9 (01:22:43):
Don't may this she can I'm talking.

Speaker 8 (01:22:44):
I'm training.

Speaker 12 (01:22:45):
They telling me, hive me, I'm straying that I niggas
can see me.

Speaker 9 (01:22:47):
Get somebody.

Speaker 8 (01:22:48):
I'm telling me now, I'm good baby.

Speaker 9 (01:22:50):
They say, tell them to get up for Twitter, and
no said easy, No, I'm conn I do what I'm
mind you.

Speaker 4 (01:22:58):
This is a fifty three year old man with children.

Speaker 16 (01:23:01):
I can't believe you let me eat the box and cookies.

Speaker 9 (01:23:05):
That is crazy.

Speaker 10 (01:23:06):
But okay.

Speaker 12 (01:23:18):
My kids from me.

Speaker 9 (01:23:21):
Nobody's took his kids. Listen, Oh, Kim Kardashian, her mother,
her mother, I believe that your father has lost his
goddamn mind. You're not going there, this man, said Hal Hitler.
This man is insane. No, you're not going to your
father's house. This man is nuts.

Speaker 19 (01:23:39):
Chris just You's like, no, no, they're not going over there.
Their kids like, well, you know they are crying, fucking kids.

Speaker 9 (01:23:50):
No, why would they go over there?

Speaker 4 (01:23:53):
Have you seen he wrote a song. It's on the internet.

Speaker 9 (01:24:00):
Yeah, that is a bitter stit a been extreme, A
been extreme, Kim a bit a bit extreme. He changed
it nigga. Hell, mom, you can't say that, do it again?
Do it again? Being on Chris Jenna, So you noticed that.
It's like, but he said in this song, Mom, but

(01:24:21):
you know the nigga's racist. Miss you got kicked. I'm
not doing this with you. See he got us rged
with you see in the house. He's in the house
like that. He said disease. It's like he made this song.
So Chris Jenner couldn't argue about it. Chris Jenna want
to say, why hate that song?

Speaker 8 (01:24:40):
Bit? You know, why.

Speaker 9 (01:24:43):
Say because unfortunately somebody who's blood tied to me somehow
is if filiard with a song. I can't say anything
about for obvious reasons. Because for reasons, I can't say
anything about what song you're No, I'm not about to
say the song, fol who did it? Kanye? What are

(01:25:04):
you saying about? I'm not saying it is anti Semitic,
you know it's anti submit No, you know I can't
say that because then he goes dim the tarleest from
the kids see got me a rock in hard place.
So I can't say nothing, so no comment. That's why
you hear nothing from the family. Obviously they're not dumb. Again,

(01:25:25):
I understand what he's doing. Is it genius? Yes? Is
it's sick? Absolutely? Why people are allowing it? That's where
I'm confused, because I refuse to believe I'm the only
one who sees it. I refuse to believe that because
if that's the case, humanity is actually lost and everybody

(01:25:48):
is stupid, and the rapture should take place and just
kill all of them, just reset. Because if that's the case,
if they're saying, like, yes, we believe, if Coddie is
a rice out of mind, half those children said what
white woman ever? No black chicks? Possibly?

Speaker 12 (01:26:10):
Man, you got man, I get some shanker reekt away
to taken.

Speaker 22 (01:26:18):
They come stuck in the manon Trede. I'm talking to
my Nay Tree saying, I come down like the bag.

Speaker 8 (01:26:24):
I'm talking no training. They're telling me here, I'm saying
that hew niggas can see me your pumping. I'm trying.

Speaker 3 (01:26:29):
I come bad.

Speaker 1 (01:26:30):
You don't know no money your tham.

Speaker 9 (01:26:32):
I still can't kill Kisa.

Speaker 8 (01:26:33):
You don't know the money you're doing.

Speaker 12 (01:26:35):
I'm still don't get to see my channel tree. Niggas
see my tree.

Speaker 9 (01:26:38):
Every thing, don't see him hoppy feel So.

Speaker 12 (01:26:40):
Why he kill nass? He got the picture, I'm the feeling.

Speaker 9 (01:26:47):
Niggas don't understand. Let's say what he's on Twitter to
see on Twitter. But they don't understand, don't see his feelings.
So he became a Nazi. Yeah, he became the villain
now called Lucifer. So throughout history, the many villainous figures

(01:27:07):
you could prisonify, so I'm.

Speaker 8 (01:27:09):
Just gonna keep getting.

Speaker 4 (01:27:11):
There are.

Speaker 9 (01:27:14):
Movies it was, there are villains you could also personify.
There are books. We know he doesn't read, but there
are books that have villains. They're antagonists. But again he
doesn't know what words mean, so that's fine. He chose

(01:27:35):
the third rank willingly, so you really didn't hear me
No Lucifer Beckon. Okay, you know there's nobody comprehend Okay,

(01:28:12):
so this is I know. I can't say that this
is the trick because he knows if you because the
narrative is always if the beat don't hit, you can
say anything that is literally within the culture. If the
beat don't knock, you can say anything. But if it does,

(01:28:35):
like said, you can have the best words of the world.
If the beat sucks, nobody cares. That's why people are
saying crazy things like Jim Jones can rap better than
not because the Diplomats had really, really really good beats.
It just didn't have really, really really good rappers at all.
Jim Jones was the worst. Objectively, everybody agrees. Nobody, nobody

(01:29:01):
debates this. This is not a joke, this is not
a drill. Jip Joes is the worst out to deal
with math. Devil Bets would say Jim Joes is the worst.
Sober Hi the worst. Everybody would say it. Jim Jones
is at the bottom of everyone's list. Like nobody believes
Jim Jones is a top New York rapper. People forget

(01:29:24):
that he's a FW York rapper except for the fact
you said I'm a New York repper. Like, oh, you're
talking I management.

Speaker 16 (01:29:28):
It's just an inverded hell.

Speaker 9 (01:29:30):
Right, Like everybody thought he was just management until you
started rapping, Like, oh, you wrapped two, that's okay. I mean,
dang could, but he won't. I guess you want to
be better than dam Dad, but you want to Why
are you doing this, sir? You have too much money
for this, and you look like that, why are you doing?
And those braids are out of it needs to be

(01:29:52):
stuff like you just get them done and then put
a brush right through it. So like so you said,
I almost pend five hundred on these braids. And then
as soon as he gets out of it, you say,
I'm gonna do girl, give me a brush. She said,
why brush your beard? I ain't got a beard, bitch.

Speaker 4 (01:30:09):
Wrap the brush and.

Speaker 9 (01:30:10):
Pushing off the braids, You're like, what the fuck is
you just do? Shut up, bitch, I want to do
like this. I'm from the street. Okay, it's a seventy
five year old man talk bad from the street. We
don't care, Like can you run across the street? Not
really like you would like to get hit by New
York traffic and like, listen, rush hoard. I don't believe

(01:30:31):
he'll sprint. I don't believe he can sprint. I don't
believe it. He has too many change, too many jewelry,
He smokes too much. He's gonna trip fall, gonna fracture
a rib, and then you gonna be out for the
next five years and they gonna be talking shit from
the eye with a bed saying I meant to do it.
I meant to fall. Real niggas fall.

Speaker 18 (01:30:48):
What.

Speaker 9 (01:30:50):
Like niggas like him just make excuses about everything. And
I'm not about to go back and forth with a
whole nigga trying to live in moments of time that
wore a mistake. Ball was a mistake. Everybody knows this.
Everything you did was a mistake. It was just a
moment in time that niggas lost their mind and said
this sounds good. This man is a rap won't beat?
Like everybody knows New York is about rapping old beat.

(01:31:12):
You were the first one who revolutionized said the beat's
over there. You go the opposite direction intentionally because you're
too old not to know where a beat is. So
you're around too many niggas who wrap on beat for
you don't be off beat. You got to beat blue
Face just doing stupid shit like why like he's yes,
he is.

Speaker 4 (01:31:31):
Like part of the problems of the culture.

Speaker 9 (01:31:34):
I will say, Jim Jones is probably the problem is
the part of hip hop culture that everybody says, Yep,
that's the problem.

Speaker 4 (01:31:42):
Like when you say like outland and.

Speaker 9 (01:31:43):
Shit and you like people say it makes sense, like
when anybody could even entertain Jim Jones beating in the
conversation about rap.

Speaker 4 (01:31:51):
You know, you've lost the conversation. Why are we talking
about this and why is he being brought up?

Speaker 9 (01:31:58):
Raj being and anybody conversation which we're gonna diversit that
from a little bit. But after we finished this, because
again it's all centralizes around Kanye Ky is proplety because
again because now you have ray J out here talking
about that, I'm a blood and you know the sex
tape it was it was people said I released it

(01:32:21):
and it was revenged poor, but it's not really reversed poor.
But you know what, litigation is still going on. I
said fifteen things were saying, we need, first of all, litigation,
the third, why are you speaking fifteen? Like first of

(01:32:46):
all like it's a lot of information that nobody should know.
That was just diverus and nobody asked any of it.
All Shandon said was how are you doing? That's all
he said. He said, the sex it was released, but
I can't talk about it because bad may not be
venged poor. And even though somebody became famous off the tape,

(01:33:07):
I'm suffering the backlash and I got kids said what.

Speaker 8 (01:33:14):
That was off?

Speaker 9 (01:33:14):
The first two seconds, I said, this man has lost
his mind. But with that said, I forgot that he
was part of the problem. Barely killed Whitney Houston. But
I hate all this ship connected, all kinde faults. Let
me finish this song.

Speaker 3 (01:33:32):
Lost.

Speaker 12 (01:33:34):
I was lost.

Speaker 9 (01:33:35):
I don't even know how to see.

Speaker 4 (01:33:36):
Kanye and Rage I think are the problem black Man Central.

Speaker 9 (01:33:40):
I'm discovering it is because without the Kim Kardashian could
have been a decent one. But I'm rag Kanye, Kim
Kardashian could have been a decent woman. We would have
never heard his name. No, no, no stopping stop, honest moment,
no honest moment, honestly no, no, no, no, maybe maybe,

(01:34:02):
but that correct. She would have been correct. You're correct.
She would have passed him little friend, and she would
have faded into the would have faded in the background,
would have never heard from Earth. It was for ray Je,
Raglans and Kanye. Okay, so we agree it's both they fault.
So will start war. We'll start with this fool. We

(01:34:23):
got two more minutes up because the song is other's
planetary and now we're talking about this undeads rant, which
was Rayg's discussion bout you. I was in the streets
of Compton, as always said, Brandon ain't talking no more girl.
I couldn't get through it.

Speaker 18 (01:34:37):
I was.

Speaker 9 (01:34:37):
I was on the way to work, almost crashed. I'm like,
he came in incorrect, Like when you look at like
you hear his voice and he tries to be so
serious and then people keep talking about these stuff. He's like,
you know, allegedly I can't talk about that. What you mean,
allegedly you can't talk about this? Third while you speaking,

(01:34:59):
not even me, Allegedly I can't speak about a subject.
But let me tell you the bitch, fuck them? What
what are you talking about? This is Pretty's like I'm
trying to rebuild the image because I murdered somebody hypothetically
speaking positively looked at the Portdocus.

Speaker 4 (01:35:24):
It's not it's not murder. It's not murder.

Speaker 9 (01:35:30):
It is vehicular homicide. No, it's manslaughter. Is that is
legally man? Listen, listen. Everybody has hit and that's most
celebrities says nothing. Anybody was borrow I mean, accidents happened. Listen,

(01:35:57):
accidents happened. The windsail, cirstball that's a lot of weird
Shiells and all type. You're making it seem like it
was a crazy situation. And this woman simply accidentally tapped

(01:36:22):
somebody with the back guitar and the person said out
and they said, I'm seeing you for five hundred million,
and she's like, I kill like.

Speaker 12 (01:36:33):
Left up in the garage for.

Speaker 9 (01:36:36):
Saving what?

Speaker 16 (01:36:39):
First of all?

Speaker 12 (01:36:40):
First of all, first of all, that's.

Speaker 9 (01:36:42):
All just text.

Speaker 10 (01:36:42):
It that bad?

Speaker 9 (01:36:48):
What really is leaving someone? What really is that? Because
are you dead or are you going to be dead
if if intervention doesn't take place. We don't know how
Brandy allegedly intervened. We don't know. We don't know that

(01:37:11):
said listen, someone goes listen, they tut listen, they didn't go.
They almost went the problem liot listen. Brandy didn't need
to be brought up. Brain Jay was a problem. The
problem is him and Yadof are the problems. Again.

Speaker 4 (01:37:34):
We're just going to conclude with Yadolf's song.

Speaker 9 (01:37:37):
We got two minutes left, because clearly he's going to
say something inspirational for the kids like he said in
the College Dropouts, or he's going to say something that's
gonna reflect his Christian faith. And since it's Sunday, obviously
Chick fil A would support this message. And now we

(01:38:14):
got niggas that jump in. So the problem is that
he could have done this by himself. There were engineers,
there were producers, because if you believe he did this himself,
he's fooled you.

Speaker 16 (01:38:31):
Sounded like a gospel warner.

Speaker 9 (01:38:32):
Back then there was a gospel choir and Kirk Franklin
was probably in the studio and said, you went like
this in the background encouraging this because the pritty strong
that was stopping and carrying on, because I mean, listen,
if we're gonna go full heed this, I mean listen,
if we're going full heretic, go full heritage. I'm saying,

(01:38:56):
if you get on Sunday, Chick fil A, close here,
kind of entertain people and tell them that this is
guy's message for the church, and the church supports this
because obviously Jesus walks in Kanye, so Jesus obviously cantons
this message.

Speaker 4 (01:39:14):
Obviously, I mean, ain't no church in the wild.

Speaker 9 (01:39:18):
But according to Kanye, we need gospel zones in which
we say Kile Hitler.

Speaker 4 (01:39:28):
And we haven't gotten to the spoiler yet. But he
reads mine com.

Speaker 18 (01:39:36):
We get.

Speaker 9 (01:39:56):
Now with niggas, I would be offended. So while he's
putting the target y'all's back, niggas, you didn't say how
look unless you do. But if you don't, it's kind
of fucked up, friend, just to put a target at
your back and say, all my niggas nazis nigga, how
edna are y'all not just my nigga? That's a little weird,

(01:40:20):
especially if you don't speak out against it.

Speaker 12 (01:40:21):
Because I'm gonna slap everybody up in the head.

Speaker 9 (01:40:25):
Yeah, I mean the one who's didn't gonna slap everybody
like I'm trying to figure out the.

Speaker 4 (01:40:29):
One who said he about to just like who everybody?

Speaker 11 (01:40:32):
He like?

Speaker 4 (01:40:32):
I'm about to shoot the whole club here. My niggas
gonna die tonight.

Speaker 1 (01:40:35):
Whoo hoo, hoo hoo? Who?

Speaker 18 (01:40:38):
Who?

Speaker 9 (01:40:39):
Who gonna die tonight? I've exited the building. You dine
alone God in the place of glory. The fuck is
wrong with you? We die tonight?

Speaker 12 (01:40:49):
Ride to die?

Speaker 8 (01:40:50):
What go go?

Speaker 9 (01:40:53):
You rowed up the club, You done stole somebody, bitch.
You hit a nigga in the head with a bottle,
said we about to ride on these niggas. You're riding
home in an ambulance. I'm leaving. I don't know what's
wrong with stupid motherfucker. He is the one who get
people shot. Kanye is the one in during the slave
times with god niggas shot like we all running, what

(01:41:15):
the hell.

Speaker 8 (01:41:18):
In front of him?

Speaker 9 (01:41:20):
They got the guns trained in front of him. You said,
y'all ready to die?

Speaker 2 (01:41:25):
What the hell is wrong with you?

Speaker 4 (01:41:28):
Why are you talking?

Speaker 9 (01:41:30):
We just had that meeting, you know.

Speaker 12 (01:41:32):
What, Shoot him, shoot shoot him like like.

Speaker 4 (01:41:38):
That's how it goes. And then you've got the lip at.

Speaker 9 (01:41:41):
Like, yeah, that one gotta go because I mean, you
know what, brod people ain't that bad because they at
least can figure out that some if there's one that's
actually gonna kill you know what, he would get us killed.
It's like, you know what, he would go to another plantation,

(01:42:03):
say that. You know what, that master's would talk to you.
He would fuck uproa.

Speaker 18 (01:42:06):
You know what.

Speaker 9 (01:42:07):
We gotta get him, get him, you know what, all
out war on him. We're doing it. Black white dang,
we don't see no color. Stop it. We gotta stop
him that. You know what kind of is one who
would bring people together to destroy him. I can commend
him on that he can bring together mutual hatred amongst

(01:42:27):
different groups that got sense to say, we collectively believe
you are a lunatic, you are black on society. You
need to be stopped and should get no airtime. Now,
the problem with that is that those are intelligent people.

(01:42:47):
They're unfortunately not a lot of you around. So we
have to deal with the stupid masses he talks to.
So we talk to the stupid masses.

Speaker 23 (01:42:59):
I e.

Speaker 9 (01:42:59):
All of your children who are stupid, and there's a
lot of them because all of you have decided to repopulate. Unfortunately,
the horrible decision are all of yours part and y'all
should be ashamed of yourself having kids. So you now
have stupid children listening to Kanya. Congratulations, they're all on Twitch. Congratulations.

(01:43:23):
You've given them unfettered actions to the internet. Congratulations. You've
now created an army of Kanye fans that can neither
read nor write, and they don't know what mine comp
is and now we're going to investigate and try to
read it. Y'all are great parents. To be abundantly clear,
all of y'all who said that eminem of early investment
are ruining the youth. All y'all who was pushing all

(01:43:44):
that at the church. Your children are now reading mine
comf left. That's this slee spirit. All y'all who were
saying the music was the devil, Your children are now
reading mine comt fucking knowing how to fuck, knowing, how
to cook, crack. Your children, your Christian babies now are

(01:44:08):
reading mine cough because why the hero cook? You've reading
it and this makes sense, Han, y'all just gonna let
this happen. This makes sense the puritanic ones, that makes sense, Han.

(01:44:33):
A lot of violence and drug dealing. The music sure
situational mine cough. There's a lot of degrees between Jes
and mine cought. A lot of degrees, A lot of
degrees between Jez and mine comf. A lot of degrees.

(01:44:58):
You can go so ut your logical to get education
little about it. You can go economics, go a lot
of things. You talk about moving drugs, we talk about
mind comf. That's an ideology. That's different song. If somebody's
pussing an ideology in Christianity, which is an ideology, if

(01:45:18):
you find that problematic, I don't see how you can't.
It's a little strange. Can't really square that circle right there? Again,
the one saying Jesus Walks is now saying he reads
mind comf and your kids grow up on the internet
are finding him a heroine of God? Could y'all say

(01:45:39):
he's a heroine of God and you're now letting him
influence in you because his fucking kids are on his
music now and he did a song with fucking Diddy's
kid and Art and his fucking daughter and a song
called Kim Are You sick? Y'all are insane, like y'all
are clinically insane, like clinically but clinically you let him

(01:46:02):
do a song with Sean Calm's son and his daughter
called Kim Triple quadruple Entundra. If you want, it's fucked up,
because again, you can do many because again, y'all are dumb.
Song given to you. You can say it's an ode

(01:46:25):
to somebody's wife, which one? Leave it up to you,
because that's the problem with mm ewit. You can say
it's an ode to eminem. That would make it even
more problematic, correct, because not only is that plagiarism and
playing in the face of Eminem all while calling him
a wife supremacist. Yes he has done that, saying that

(01:46:47):
he's not in the culture. Yes he has done that.
Yes he has always put himself above Evan Eminem. Yes
he has done that. Whenever he has top list, he
never lists Eminem. Yes he has done that. So we
can say that, which would make him on original a
non artist, a fucking fraud, dumb ass and jackass. Now

(01:47:12):
the ass all that he thinks he's being not a
rebel because again talking about double treble andandras, then we're
going to talk about the Eminem song. Was the implication
which Kim died, was the implication which Kim is alive,
was the implication what may he want to do with that?
Because what is the implication? You have your daughter on

(01:47:36):
that song? Again, that is not reading deep into anything
at all, that is surface, because that's not even listening
to it. And that's just the title. And knowing the
type of individual that he is and that he is
smart enough and would think just like that if you're
a type of max manipulator, would do that as one

(01:48:02):
who reads those type of people were cyber threat analysis
work for the government, work for the Navy in challenges specialists.
I have to know what intelligence is. Intelligence gathering is
looking at literally how people use information. What would he
use information for the worse in his own benefit? So

(01:48:23):
what would he weaponize words? So was it gonna weaponize
words that have an effect? But word has an effect? Kim?
Why would you name a song on Sean Colm's son
album called Kim and have your daughter on it? As
Kanye West? Don't know, but you know it's just music.

(01:49:16):
If anybody's wondering what the at the end of it is,
that is Hitler's speech. Of course he scrubbed this from
the internet because you want to know what the Shawn
was shouting out.

Speaker 4 (01:49:34):
Now, oh the song sound a little different.

Speaker 9 (01:49:42):
Now, well, this is the first time.

Speaker 8 (01:49:50):
She will.

Speaker 18 (01:49:58):
She would have.

Speaker 11 (01:50:03):
I said.

Speaker 9 (01:50:10):
Telling you that, okay, So he bleeped out, how am
I acting like Hitler? So he bleeped out Hitler because
of course you want this album to be released to
the kids. And Hitler is a cuss word to Kanye

(01:50:33):
because he's had to come to Jesus moment. I even
beside friend to kill him. And now he won't say
the word to Hitler even though that's what he meant.
But will follow one. What did he say afterwards? Okay,
he's a fucking digger. Okayspects that nobody asked this man

(01:51:02):
this Nobody asked if anybody went to any island. Nobody
asked who went to the island. Nobody even knew if
there was an island. We know what island he's referring to.
What does this have to do with him? Why is
he telling people's business? Does he know a pedophile?

Speaker 12 (01:51:25):
Ing?

Speaker 9 (01:51:27):
If he has an information that is called cooking and
mean that he's withholding evidence. If you're withholding evidence, that's
the crime. Why would he be committing a crime on
an outbum? Why would he be saying these things as
the public an? He thinks the word hitler's the worst.
They get the song. But again we're dealing with a genius.

(01:51:57):
So what did the dennisn't have me some nitrous? So
he stole nitrous from the dentist, and the man is free.

(01:52:24):
He said, really, mind, come two chapters for a go
to sleep? Rocket squashed the rockets swashed the cuss because
all my niggas nazis see. He tried to bleep it
out because he didn't get the greatest reception when he
initially released it because he felt he could hide behind
the guise of, oh, it's just art and I'm a

(01:52:45):
black person, so I can say whatever I want and
I could just call it part. So we're not gonna
do comparisons because that would be stupid because we already
know what the comparisons are and nobody's dumb enough to
do in a reverse. So and when it's time for

(01:53:08):
these shitanigans, the man is clinically insane. Everybody involved in
this is clinically insane, and anybody who's bording this is
clinically insane. Because again, this man needs help. It needs
to be stopped. But says noney, y'all will do it.
Clearly somebody who actually has talent with do you know

(01:53:31):
who that is?

Speaker 18 (01:53:33):
What?

Speaker 10 (01:53:34):
Can he do?

Speaker 9 (01:53:35):
Nothing? Why? Because he does not have the talent, the
lyrical skill, or the ability to make music as fast
or as good as I can. So that's why I
shamelessly provom my music throughout. That is why I just
read and talked shit and let my music speak for itself,

(01:53:56):
because all my music is not an implication on what
I will do. I will kill him. I don't like him,
and if he bothers me. I will kill him because
he has a dog and he keeps fucking around veterans
and other people will bother him. You better around with kids,

(01:54:18):
You bring kids in situations. You gotta all to doing kids.
He's ruining music, just ruining lives. He's just stupid and
every time I turn around just bab bobs up like
a damn boil nowhere or know why anybody give him?
Just what to draw?

Speaker 3 (01:54:36):
What she would.

Speaker 8 (01:54:43):
She would, she would.

Speaker 9 (01:54:59):
Tell rebuttantly Claire, he will not say the word hitler,

(01:55:19):
but he will say the word fucking nigger, because obviously
that is good for chills from the here. The word
it learns not because hitler is clearly worse than the
word nigga, according to Kanye West. So that is that.
And now the other band of the world's existence, You're

(01:55:43):
about to hear the musical stylings a man who needs
no introduction, a man who should be a shamed of
himself for existing. I certainly hope I can't find you
know who's taking down? It was taking? Was that the
ends of what this man was saying, that Moss's damn

(01:56:06):
mind maybe just a future?

Speaker 8 (01:56:17):
What the hell?

Speaker 9 (01:56:21):
Oh no, this is what it was?

Speaker 15 (01:56:24):
Oh my god, it's people.

Speaker 11 (01:56:31):
I yeah, that's true cause we in the tobaccosons.

Speaker 9 (01:56:34):
Are where you much a fucking.

Speaker 8 (01:56:37):
Girl, sir?

Speaker 11 (01:56:39):
Yeah, this is the intro. So you good? Oh no
no no, no, no, no, no, no no see I'm
about to intro you in. Oh oh okay, if this
is okay, I'm not ready. Keep that keep that.

Speaker 15 (01:56:51):
Sound by keep that sound.

Speaker 23 (01:56:53):
Body is there a little personal thing the one we
got that's gonna little sand blast out here we go,
So I like where.

Speaker 9 (01:57:00):
Yeah, and I'm still gonna pop in and tell you
like this, what'ski? What's popping?

Speaker 11 (01:57:05):
What it is?

Speaker 3 (01:57:06):
Or it ain?

Speaker 8 (01:57:06):
When it could be?

Speaker 9 (01:57:07):
With a shoe First of all, Cam Dowson is ridiculous.
So it got Kim dow mm looking like he just
stepped off the couple of cracker jackbox. You know, I

(01:57:28):
got rage yet with some dark shades talking about he
needs a personal fan and he didn't even know what
it was reported just five seconds into this interview.

Speaker 11 (01:57:41):
Did it be?

Speaker 8 (01:57:42):
What it what it was?

Speaker 9 (01:57:44):
What it could be?

Speaker 8 (01:57:45):
What it should be?

Speaker 18 (01:57:45):
What it is?

Speaker 24 (01:57:47):
What it could be, what it should be, what it
would be? I mean that this particular point of the tunction.
I don't even think uh uh uh an introduction is
even needed. Real, I mean, damn home, my man is
a singer, an actor, dead Mif you're an entrepreneur, I

(01:58:08):
mean a serial entrepreneur, reality TV veteran, a pop culture.

Speaker 9 (01:58:14):
Icon, a son, a brother, a father.

Speaker 24 (01:58:18):
And when I tell you that boy is entertained and
the boy is in entaned name, I present the son
and introduce to others.

Speaker 11 (01:58:27):
Mister rachel Man, I'm shy with that. That's a big intro.

Speaker 10 (01:58:30):
But I'm not a brother.

Speaker 15 (01:58:31):
No more.

Speaker 23 (01:58:32):
Man, I'm not a brother, no more bro because the
word just because I'm not brox boy, I'm not.

Speaker 11 (01:58:40):
A brother, he said. I'm son, a father, a brother.
I'm not a brother. Do you have any siblings? I
love my sister, but I don't think I'm a brother
no more.

Speaker 23 (01:58:56):
Can we get an extra because we in the tobaccoson
so I felt like you at the cigar.

Speaker 11 (01:59:01):
When I see it on.

Speaker 23 (01:59:01):
TV, I'm like, dangn you got a big ass blunt
it like it's a cigar y because it seem like
it's pre It seemed like evolded though, cause it look
it looks like a real good cigar.

Speaker 11 (01:59:10):
Interesting fact ooh itter.

Speaker 9 (01:59:18):
He doesn't know cigars are rope. You know what, I'm
not doing it. Nope. Mm mm, You'm not gonna trigger me.
Go go trigger.

Speaker 11 (01:59:26):
Just a fact I've never smoked with the devil. Wow,
I mean I see that thought. I mean, you're you're
you're a professional like Superman. Yuh, so you can't be
doing that shit.

Speaker 25 (01:59:36):
I was supposed to be six seven, but I started
smoking when I was swelt, so I studied my growth.

Speaker 15 (01:59:39):
Smoking though stuntuy the help growth it just or what
you smoke.

Speaker 8 (01:59:55):
I was smoking weed.

Speaker 25 (01:59:56):
I was looking like shirm well a couple of times,
but that was it was not okay okay, But ladies
and gentlemen when I was younger. This is the disclaimers
where we say Baltimore because you're an end for a treatment.
I have a list of questions that I wanna, uh

(02:00:17):
that I have obviously during our prep, but I.

Speaker 9 (02:00:20):
Wanna started this way. I just need more close role
with uh.

Speaker 11 (02:00:24):
You said you're not a brother.

Speaker 23 (02:00:25):
I'm just like, I'm just me man, I'm I'm i'm at,
I'm I'm dolo. I'm dolo, so whatever that is, and
and I'm good with that. But you know, if I
look around and I'm dolo forever and that's all that's
ever been, then what is it you grow out of?

(02:00:46):
Like this first phase of life, and there's a second phase.
In the second phase, a lot of the people in
the first phase are no longer there. It's like I
love changes, a thug changes, and best friends become strangers.

Speaker 11 (02:00:59):
And that's not mean Nod said that, it's just it's
so accurate in today's time. And as you grow, people
grow and you grow away. And when you grow.

Speaker 23 (02:01:10):
Away, sometimes you're gone. Sometimes it's done, and you try
to get it back. You try to like understand this
this first wave of things. But when you're treated exactly
like it was in the first wave, then you understand
what you have to do.

Speaker 11 (02:01:25):
You know what I'm saying. And so that's just where
I'm at. Like I care, but I don't give a fuck,
not even one bit of giving a fuck. But I
care so much about the people I love, but I
don't even I have people come over to try to
help me give a fuck and just give a fuck. Teachers,
I was like, man, I can't get it. I just can't.
That equation doesn't it.

Speaker 23 (02:01:46):
I can't find an answer when you like, give a fuck, Mike,
I try, but there's nothing on the other side of it.

Speaker 18 (02:01:53):
Yeah, I understand where you're at, but understand you know,
even to what you're saying growing apart. Do you feel
like that's just a time or that's the season? Do
you believe in rekindling something?

Speaker 23 (02:02:05):
In Absolutely? I think there's phases. There's phase one, two,
and if you can get to three and four, you're lucky.
If you get to phase two, you're lucky. And that's
just in life, right. It could be health, it.

Speaker 11 (02:02:15):
Could be something tragic, it could be anything.

Speaker 7 (02:02:17):
Right.

Speaker 23 (02:02:18):
So when somebody tells me I'll see you tomorrow, I
immediately go brow If that.

Speaker 11 (02:02:23):
Wasn't the most cockiest shit I've ever heard in my life.

Speaker 23 (02:02:26):
Tell her the nigga, you're gonna see it tomorrow. What
do you win You're gonna see me tomorrow? How you
guarantee yourself that much time?

Speaker 11 (02:02:33):
It's crazy to me. That's why I stay up for
days and shit like four or five days, get all
my work done, and then my body just crashes. I
don't go to sleep. Sleep has to like like consume
me for for it to happen.

Speaker 23 (02:02:48):
Because I be feeling like, it's just one day, bro,
And if I don't go to sleep for four days,
then one day is four days. That's what it equates
to in somebody else's dimension. And I think that's just
when my mind some songs. So that's why I don't know.
Maybe it's just a lot of misunderstanding.

Speaker 8 (02:03:04):
Is that a word?

Speaker 11 (02:03:05):
Misunderstanding? Misunderstanding? Not standing?

Speaker 23 (02:03:09):
Yeah, it was a lot, but yeah, a lot of
miss A lot a lot of misunderstanding.

Speaker 11 (02:03:14):
Yeah, you know, what do you want to talk about?
Let's let's let's go disruct. I mean shit, I mean
I think I just want to just get it off,
just get it, just lay it all out, starting work, well,
starting from ever, whenever, wherever you want to go.

Speaker 23 (02:03:31):
Because there's the four or five different narratives about way J.
And I take myself out of way Jay the character
because I'm a different person. But ray J the thing,
it's just it's just a lot of twisted It's just
a lot of in you windows that are off, and
a lot of times there's nothing you could do about it,

(02:03:52):
and a lot of people just fall off the deep
end and do crazy shit or end up here or
end up there because eventually you just cannot take it
anymore because you can't keep trying to.

Speaker 18 (02:04:02):
Tell the truth. Right, do you think you play into
those in you? And those are speculations.

Speaker 23 (02:04:08):
I think that once you, once you understand in these
phases that there it might possibly there's a possibility that
you won't overcome this. Right, there's a strong possibility you
could overcome it mentally, meaning you can make yourself believe
that you've overcome something, but deep down, did you overcome

(02:04:31):
it as a whole? Meaning from your perspective and the
other side if the other side continues the wrong perspective
of you, eventually you turn into that perspective because there's
nowhere else to go at that moment. Later, Yes, there's
always redemption, there's always rekindling with people you love.

Speaker 11 (02:04:50):
But you're lucky to get to.

Speaker 23 (02:04:52):
That phase because now we're in phase three and four
and then you're done. So for me, I'm just like
fuck it if it's me and I'm just out here
and I'm able to like be. I don't even call
it successful, cause making money to me is not successful.

Speaker 11 (02:05:07):
It's just comfort, you know.

Speaker 8 (02:05:08):
What I mean.

Speaker 11 (02:05:09):
But I'll be making money and I just don't it
doesn't matter like I don't wanna. I don't. I don't
look forward to anything but just being with my kids.
There's nothing besides my kids that I even I am
excited about. Nothing. Do you think you have purpose? Like
you look at what Diddy's going through, and somebody's mad.

(02:05:33):
Somebody's mad, and somebody has power and inflexing it.

Speaker 18 (02:05:38):
And so.

Speaker 23 (02:05:40):
In that case, I don't know that level of it
because I can't make anybody mad because I don't. I've
never had to deal with anybody. I've never had a
big as sponsorship deal. I've never had somebody get me
money to invest in any of my companies. I've always
been a one hundred percent bootstrap and I've always been

(02:06:01):
meet in any company that I've ever built. And we're
talking transportation, We're talking you know, earbrush, We're talking hardware.

Speaker 11 (02:06:08):
Right, which is probably one of the toughest bits to
get into it.

Speaker 23 (02:06:11):
But when I say I don't give a fuck, it's
because I'm always on time, and I always respect people.

Speaker 11 (02:06:16):
I always know what to do and what not to do.

Speaker 23 (02:06:18):
I always don't how to turn it on and turn
it off, so I don't give a fuck. Comes off
where I don't give.

Speaker 11 (02:06:23):
A fuck about people.

Speaker 23 (02:06:25):
But I don't give a fuck because I'm on point
and I'm always prepared business wise.

Speaker 11 (02:06:31):
Other than that, all this other shit, all this other
shit is where it just gets like tricky. You know
what I'm saying. I think I want to want to
mention this behind the scenes.

Speaker 18 (02:06:43):
Right you mentioned we had played a single that you
have about right now and played it and with that,
it's like this, this is the type of time and
that my MoMA right now?

Speaker 11 (02:06:57):
Do you care to share number one about your single?

Speaker 18 (02:07:01):
And also what is it about that saw that in
this specific moment, because.

Speaker 11 (02:07:07):
I ain't gonna lie. You came in on a thou aile,
I love it, but where like what's that true weapon?
But what's like I think I came in on like
a hundred.

Speaker 23 (02:07:19):
My thousand is crazy? I want to get to the
thousand here. I feel like, yeah, I won't hear nothing
up here. No, I wouldn't because you're way bigger than me.
I wouldn't play with you like that. Yeah, I wouldn't
do that. But looking around, like do I have a
room to move around? Do I have room to like

(02:07:41):
stretch like my thoughts? You know what I'm saying, And
I think it's I think it's facing here.

Speaker 11 (02:07:49):
Figuratively, but I see, like I like to stand up
and tell you how I feel. That's cool all while
I live.

Speaker 23 (02:07:58):
Yeah, but I'm staying white here. I like, I don't
want to go outside of the frame, but sometimes you
need to.

Speaker 26 (02:08:05):
You know, no, for sure, you're free to do whatever
you want to within the framework of everything. I think
right now, I think the burning question is what are
you going through that you want to share.

Speaker 11 (02:08:28):
I don't want to share. I don't know.

Speaker 23 (02:08:33):
I don't know if I want to share. I love sharing,
sharing is Karen, but I don't know what I want.

Speaker 10 (02:08:42):
I don't know.

Speaker 11 (02:08:43):
It's just people want to know some shit.

Speaker 23 (02:08:46):
And a lot of times when we're moving around or
even when I like before I saw all my shares
to Raycon, there was limits.

Speaker 11 (02:08:53):
That I could go. So if you look at those
phases like from seventeen.

Speaker 23 (02:08:56):
To like twenty two and twenty three, twenty seventy, it
was a different way because the discipline had to be different,
and you know, it's just a different approach. But once
that was done and I was able to get when
I needed there, when I deserved there, and from two
other places, that's when I was just like, man, fuck everybody,

(02:09:16):
and a song as called fuck all of them as
with me and my bro truth it's not my single
because I got I got the one which anniversary coming
out and that's like a really mature, respectful life. Everything
is there, from the music to the harmonies to the vocals.

Speaker 11 (02:09:32):
It's like my best work.

Speaker 23 (02:09:33):
But these songs right here represent where I'm at now,
and it's just like fuck them, fuck.

Speaker 11 (02:09:38):
All of them? What got you to like a lot
of terms?

Speaker 9 (02:09:41):
You know?

Speaker 11 (02:09:42):
I had these words said to me, so I'm ma,
sure what your So. A lot of times people.

Speaker 18 (02:09:46):
Judge the branches, but they don't care about really configuring
it back to the root.

Speaker 23 (02:09:53):
Oh you're talking rumb or tree, root and then tree
then branches because root than tree then branch.

Speaker 18 (02:10:00):
Yeah, but people see the bridge and don't care to
go back to the tree of the root exactly.

Speaker 11 (02:10:06):
So you went to the root. I was making sure
the tree was the second place to reverse it down
back to the root. Yeah. So if you go from
my root and then my tree is not it's not fair.

Speaker 23 (02:10:17):
It's all it's crazy. If we run it all the
way down, that's where we're going. It's loud but it's loud.

Speaker 11 (02:10:25):
It's loud.

Speaker 23 (02:10:26):
It's loud for somebody like me who this whole time,
I have like four people that fucks with me, that
work with me.

Speaker 11 (02:10:36):
That said, and in all of this chaotic.

Speaker 23 (02:10:42):
Like situations or like positions that we're in, it's us
against this whole fucking industry, bro. And the only way
to survive this industry is to not need the industry.
If not, you can't survive, not without doing what you
told And I don't know how to do that. I

(02:11:04):
don't know how to do When somebody tells me don't
do something, I do it just because you told me
don't do it, just because I mean, at this point,
I'm mature enough to not.

Speaker 11 (02:11:13):
Do stupid shit. But you put me to the challenge
when I'm young, I'm gonna do that shit.

Speaker 23 (02:11:19):
Or you tell me like I gotta go to school,
I'm never going to school.

Speaker 11 (02:11:23):
Now. It's not a good it's not good for the
kids to hear that.

Speaker 23 (02:11:30):
Because you have this McDonald's endorsement, you got Nike, or
you got you know what I'm saying.

Speaker 11 (02:11:35):
So Yo, we saw the interview. Cut that shit out, bro.
We done? Oh word, all right, I'll do better I'll
be like, because nobody will ever tell me nothing like that.

Speaker 3 (02:11:44):
Mm.

Speaker 23 (02:11:44):
So there's no substance here save us. There's no substance
here right now because you don't need it. If you
if you wanna win, you don't need that.

Speaker 11 (02:11:56):
You need something deeper than that. Substance is great, long Jey,
but he's great.

Speaker 23 (02:12:00):
But you have villains, you have superheroes, and then you
have everything around it or the Disneyland, You've got the
villains there. The kids don't want to take a picture
with the villains, but they still excited to see them.

Speaker 11 (02:12:11):
And the villains still got the dressing on in the back,
and they still.

Speaker 23 (02:12:14):
Got the people around them walking them through the park,
and they still get the bag because without those people,
Nicky and Minnie can't exist.

Speaker 11 (02:12:22):
You get what I'm saying. So when you're dealing in
this villain category, it could get tricky.

Speaker 23 (02:12:29):
It could get tricky because you can just keep throwing
the villains away, fucking them over and throwing them away.

Speaker 26 (02:12:34):
In this point in your life, would you consider yourself
a villain or a hero?

Speaker 23 (02:12:40):
A hero, well, I was quity or even a role
model With that, it would be let's stretch, Well.

Speaker 11 (02:12:48):
Who do you identify with like what like you used?

Speaker 18 (02:12:52):
It a perfect analogy for an example of villain hero
because or the Mickey and Minnie won't exist, do you?

Speaker 11 (02:13:03):
And Nicky and Minnie is a whack? That's another thing though.

Speaker 18 (02:13:10):
Right, take us back, because I think this is important
as we, you know, go through this journey.

Speaker 11 (02:13:19):
What was the most surprising thing about growing up in
the Northwood family that people wouldn't expect?

Speaker 10 (02:13:32):
Damn?

Speaker 23 (02:13:34):
Then, I never gave a fuck from the beginning that
I was always just doing shit that I wanted to do,
and now not being afraid to have to wait in
line longer to be myself because it could have been
a time where I could have easily been faster. I
could have been successful faster, but I would I have

(02:13:55):
to do like do it be a different like artist.
And when I got with for Whale, he wrote wait
a minute, like we hung out a lot of he understood.
He started to study like just my day to day,
and then he wrote and care songs.

Speaker 11 (02:14:08):
To like my life. And then it started to work,
and I was I'm from the.

Speaker 23 (02:14:13):
Land of whom Sunny days girl, It's been here, you
know what I'm saying some club shit talking about females
having a good time drinking and not.

Speaker 11 (02:14:19):
Giving a fuck.

Speaker 23 (02:14:20):
Right, success, but then after that you drown yourself in that,
and then you run into a wall because once you
get successful, the first few times or the first couple
of times, you do lose yourself.

Speaker 11 (02:14:34):
Yeah, well I would say this Ray. It's like, Bro,
you've been popping for a long time. People have known
of you and about you for a long time.

Speaker 18 (02:14:44):
Not just you, but obviously you know you're king and
Brandy being your sister.

Speaker 11 (02:14:50):
So successful. Was in the household, you know, at a
young age where you had to really navigate what that is.
You know what I'm saying. Yeah, I think was there
a specific moment where you realize that what you call normal?

(02:15:12):
Was it normal?

Speaker 9 (02:15:16):
Mm?

Speaker 11 (02:15:18):
I don't no, because it's like when you've been in
it since you was thirteen. I've been in it. What's
since your twenty five stars? Thirty two years in the game?

Speaker 23 (02:15:30):
Everything is nothing's normal, you know what I'm saying. That's
why a lot of artists are high because.

Speaker 11 (02:15:38):
It's two.

Speaker 23 (02:15:40):
You're already so up in the clouds you wanna float
through as you do your work with people, like people
are talking to you, but they're not really talking to you,
and you're telling them something, they aren't really listening to.

Speaker 11 (02:15:53):
You, because again, you become you become.

Speaker 23 (02:15:56):
A character like Disneyland, you were like a mini Mounse
or Nick, and people are like, you're not a real human.

Speaker 11 (02:16:03):
So none of this shit is like normal, you know
what I mean? It's all unnormal or un whatever the
word is. What's normal to you? What do you consider normal?

Speaker 18 (02:16:14):
Like not as broad as a day to day but
more or less like you know, you you describe yourself
as being the character right, well.

Speaker 11 (02:16:26):
Way J is to get yeah, sir, Yeah, that's a
that's a that's a business. Okay, what's the other side today?

Speaker 23 (02:16:33):
Some super nerdy shit bro we'll talk to I mean,
a bunch of TVs and a bunch of computers and
a bunch of like algorithm studies all day to run
the impressions and understand like what works and what don't
what doesn't on different platforms and try to be ten
steps ahead of everybody with whether it's streaming or whether
it's electric transportation, or whether it's earbuds versus headphones, and

(02:16:57):
then just building a crazy unit around each businusiness and
you know, putting a five year playing together and you
know you do that four times. It's moving all day.
So it's here here, here, here, and I got add
So it's a lot of digital things around the table.

Speaker 11 (02:17:12):
It's like seventeen things going on. What or who made
you this way? Like what made you kind of feel
like yo, like I like how that moves?

Speaker 18 (02:17:20):
You know what I'm saying, Like I see the business
men or business women that it's like, yo, I'm gonna
take that, put them up back and then boom, know
how you moving. That's not something that you taught yourself.
You had to have obviously seen it somewhere and where
was it?

Speaker 11 (02:17:35):
No I taught myself.

Speaker 23 (02:17:38):
I mean I've always been inspired by like Diddy or
Shug or Baby or Bassos for musk or whatever.

Speaker 18 (02:17:48):
You know.

Speaker 23 (02:17:48):
It's just different people for different things. Zuckerberg like. And
then a lot of my friends that I know in
business that you know, made own bottles of Coca cola
or like you know some of my other smart friends
that kind of guide me through the day to day
in business.

Speaker 11 (02:18:08):
Those are the people are kind of like follow.

Speaker 23 (02:18:12):
And then I implement this aggressive, like urban like energy
to it and I don't switch it. So yeah, I
understand everything. I understand everything from business, whether it's even
at numbers or whether it's on the board, whether whatever
we gotta do. If you tell me nine o'clock, I'm
here at nine o'clock. Thus I'm not late.

Speaker 11 (02:18:34):
If we get on the phone today at four, I'm
on the phone in ten fifty nine. That's a standard
when you're doing real business. I had to learn that
the hard way, you know what I'm saying.

Speaker 23 (02:18:42):
And it just started with just started school, the bike
and having to deal with that. It was a lot,
but I learned it hit the lake a little bit
and was able to like implement it into Raycon and
then we grew better on the second wave. This third
wave we're doing now it do better than both two
times with the projections and how we land it out.

(02:19:06):
It's very time consuming and it's very digital, and it's
where the future is going. So I can go off
the deep end. But I might be just running up
impressions at day and understanding a new algorithm, and instead
of me taking six months to apply the impact, I

(02:19:27):
can apply it the same day with a different controversial
approach that gives me a faster look at the algorithm.
Now I can pull it back and be like, all right,
I won't do it like this. Let's implement something more
positive or.

Speaker 11 (02:19:40):
You know, whatever it is new influencers.

Speaker 23 (02:19:42):
But when I start talking like that, now we're totally gone.
Now it's not okay no more, because I'll be saying
this shit that people are like, yo, like you start
daydreaming because it started getting weird.

Speaker 18 (02:19:53):
People don't give you enough credit by being extremely intentional
of why you do what you do because you never
cause you don't suppose to expose it.

Speaker 11 (02:20:03):
Yeah, but I I have to hear because nobody's seeing
it like they would see it from another artist. So
they're taking it extremely serious and it's affecting family and
how they feel about me. Okay, does that affect you No?

(02:20:28):
Does it affect me?

Speaker 26 (02:20:30):
No?

Speaker 11 (02:20:30):
But does it? It just depends on what it is.

Speaker 23 (02:20:34):
Like if it's taking away opportunities from the family, just
because then that affects me, how you how how anybody feels.

Speaker 11 (02:20:42):
Well you know. But if we're a unit, we all
have to do our part and make sure everybody, Like
if you look at Beyonce and jay Z Luyve's on
on stage, if whether she's still learning the dance moves
or she hasn't perfectly, then the next kids are coming up.

Speaker 23 (02:20:56):
Whether you see o'bian and omrian on stage or any
pretty much family business, everybody's together.

Speaker 11 (02:21:04):
What do you say? What I'm saying is I've been
exiled brow from your sister, not from my sister, because
I don't want her to be mad at me like
that because it's not hers.

Speaker 23 (02:21:13):
There's nothing she could do about it. But if there's
a Disney premier and I'm giving my daughter addressed to
go because you know, Brandy's in and I'm on my way,
and my cousin who's Brandy's manager, calls me and tells
me all way today that Disney it's an eighteen and

(02:21:36):
over joint tonight.

Speaker 11 (02:21:39):
I don't even know if Disney's ever been eighteen and over, Like,
you know what I mean. Just tell me you don't
want me to pull up because I'm a bad look
and I'm good with that.

Speaker 23 (02:21:48):
But don't play with me and tell me don't come
because it's a Disney eighteen and over event.

Speaker 11 (02:21:54):
I mean, it's like, it's okay, you know what I mean?
So from of that shit.

Speaker 23 (02:22:00):
It bothers me when I just like everything to be
on undred percent transparent and if.

Speaker 11 (02:22:04):
That's the case, I can deal with that. Can I
Can I be honest for something real?

Speaker 18 (02:22:07):
Quol? I think you know with doing you know, my
research and obviously hearing you speak, I think you are.

Speaker 11 (02:22:17):
You don't.

Speaker 18 (02:22:19):
You're deflecting an emotion that you and your feelings about,
primarily with your sister.

Speaker 11 (02:22:26):
No, Okay, now I'm given. I love my sister. I'm
what I'm saying is like I can't be. I can't lie.
So when you start talking family, I can't go and be.
I just can't. So I had to respond to that. Yeah,
and then it took it here. Yeah, but this isn't
the key like source of this energy I'm giving. Now,

(02:22:46):
that's that's like a body that's like this part of
my body of it.

Speaker 18 (02:22:50):
Yeah, but you have to understand this when I introduced
you as a father, as a son, as a brother.

Speaker 11 (02:22:58):
Now, because I'm.

Speaker 18 (02:23:01):
Telling you that just being a hundred I feel like
you're sensitive and you're not giving it the energy.

Speaker 11 (02:23:09):
That it deserves because it's just happening. Okay, is this
is just happening? What just happened? The way I feel
about what I'm.

Speaker 18 (02:23:17):
What event happened that made you feel this way, because
now it removes all speculations.

Speaker 23 (02:23:27):
I just I want to look bad, so I don't
want to say something, and then it reflects on the
other side, even possibly looking bad because I don't give
a fuck. But other sides care about that kind of shit.
They care about what people say, they care about the comments,
they care about. So I try to be sensitive with

(02:23:50):
certain opinions with certain people I really genuinely love, and
that's my sister. Like so as a level and after
walk a certain line because I want everybody to know
Brandy's the first person WoT ever put me on believing me,
took me out of town when I was getting in troubles.
Her and my mom brought me out on tour, saved

(02:24:11):
my life, moved me to the valley, and so I'm
always grateful. That's the most important in this phase. It's
now I have kids, and my kids is all that matter.
If my kids wasn't here, I wouldn't even give a fuck.

Speaker 11 (02:24:27):
No, I swear to that. But because it wouldn't matter,
it wouldn't matter.

Speaker 18 (02:24:30):
Why are you saying that you're not a brother if
you're identifying Brandy as your sister?

Speaker 11 (02:24:36):
On some sentences and no, she's my sister. I said,
I'm not a brother. Why are you saying that? Because
it's because I'm not, because I'm not. I don't know.

Speaker 23 (02:24:47):
I don't know why I'm saying that. I can't believe
I said it. I'm gonna keep it rid with you.
I don't know why I said that, but I said it,
so fuck it and I meant it.

Speaker 11 (02:24:56):
Do you?

Speaker 18 (02:24:57):
Are you saying it because the expectation that you set
forth for you it's not living up to what has
been displayed? Or is this something where you say, hey,
how I'm a feeling. I just feel like on some
effort bumpet.

Speaker 23 (02:25:16):
Like, nah, never that it's I'm never loosely chaotic on
thought like it's all. It all means something and it's
all strategic as far as what's happening. I just know
that family's family and we have each other's back. So
how am I supposed to explain that? Understand?

Speaker 11 (02:25:37):
I don't know what's what's If you're not a brother?

Speaker 3 (02:25:40):
What are you?

Speaker 8 (02:25:40):
Then?

Speaker 11 (02:25:41):
I'm a cunt? What does that mean? It means what
it means, I'm a cunt? Okay, I mean like that's
what I am. I don't know. I don't know. I
don't know what I'm doing.

Speaker 23 (02:25:58):
I mean right now, I didn't know this was gonna
I don't know how we got here because there's so
much to do or to say. But again, when you're
talking to me, I might go all the way over
here because I got a I literally got an issue,
like a mental AD.

Speaker 11 (02:26:12):
I got like an ad D and it's like a
couple other letters.

Speaker 23 (02:26:16):
I don't know what the fuck that be saying it is,
but that is something else too, and it's like and
it makes me like.

Speaker 11 (02:26:24):
Think a lot, but I get it.

Speaker 23 (02:26:26):
I sometimes start losing it and then I get frustrated
and I started like tripping.

Speaker 11 (02:26:30):
Can I can I make a an admittance.

Speaker 18 (02:26:37):
I really enjoy talking to people, and when I'm talking
to people, I don't necessarily always talk with the speaking
being for me to respond.

Speaker 11 (02:26:49):
I'm really talking to better understand.

Speaker 23 (02:26:52):
Yeah, I understand your curiosity, and it is why you
gotta hit shows. It's organic because you really are trying
to understanding. I know that, and that's why I wanted
to come front with you, because I'm like.

Speaker 11 (02:27:04):
I need to get to this show because this is
another when you when you go past your show. It's
a milestone for everybody. So that's why some.

Speaker 23 (02:27:11):
People come here nervous, because it's like it's a moment
and everybody's gonna see it. Like, I wish I got
nervous again, bro, Like I'm trying to understand, why don't
I feel the butterflies and shit?

Speaker 10 (02:27:25):
Bro?

Speaker 23 (02:27:26):
That shit weird? I get the whole Millennium tour, I
didn't feel anything. We got on stage. It was the
same as me getting on the tour bus. I had
no I just absolutely just did.

Speaker 9 (02:27:41):
I got.

Speaker 11 (02:27:42):
They would literally like, come give me.

Speaker 23 (02:27:44):
I would just throw on my clothes and be putting
on my jeans while we walk on stage, and while
when I.

Speaker 27 (02:27:47):
Go on my phone on stage, just having fun. Okay,
I never felt nervous, No, watch this. When was the
last time you were nervous? When was the last tell
me you have butterflues?

Speaker 11 (02:28:01):
Shit?

Speaker 12 (02:28:02):
I don't know.

Speaker 23 (02:28:03):
The last time I even heard that was Michael Jackson's
on mm hmm, I don't know. I don't fucking know, bro.
And it bothered me on tour because I was like,
why am I not nervous when I'm going up on
the stairs.

Speaker 11 (02:28:17):
It's weird.

Speaker 23 (02:28:18):
It bothered me because I was like I would see Sammy,
I'm like, yo, you ready, He's like yeah, let's go.

Speaker 11 (02:28:23):
He's like ready to go, like you know what I'm saying,
like the game time, and I just didn't even know
what that was.

Speaker 9 (02:28:31):
Bro.

Speaker 23 (02:28:32):
I would just go out there like if you've seen it,
you'll be like that was crazy. I would kill it though,
but after I would just go to the back and
just lay on the floor and just be like lit.

Speaker 8 (02:28:44):
Just just let hmm.

Speaker 11 (02:28:53):
Understands you the best that you can say, Oh, that
person knows my mom.

Speaker 23 (02:29:09):
My mom's seen it, and nobody else has seen it
like my mom's seen it. So I can tell you something,
but you won't believe it because it's certain things that
have been done in the industry and said. It's so
concrete to where the lies of it are the one

(02:29:31):
thousand absolute percent truth.

Speaker 11 (02:29:33):
There's no lie to that lie.

Speaker 23 (02:29:35):
It's been crafted so perfect to where you can't even
untie it even if you wanted to, even if the people.

Speaker 11 (02:29:42):
Told you that it was a lie.

Speaker 23 (02:29:44):
It was so embedded in your soul to where it's
something that that you've been trained to know.

Speaker 11 (02:29:51):
And we have a lot to do with that kind
of shit, and so eventually it's like you get rid
of example, I.

Speaker 23 (02:29:57):
Can show you an example, and then when I show
you the example, we should take a two. You see
the example, and then when I'm talking to you can
see like the ramifications of what I'm dealing with on
how how I gotta do this a little bit. But
I'm at the point now where like I'm about to
fucking crash and just say everything because I'm not a slave, bro.

(02:30:19):
I'm nobody's slave, and I'm nobody's cool nigga, and that's it.
And y'all niggas know what's happening. Y'all know what I'm
about to do. And I'm saying y'all because I gotta
keep it very vague, but it's y'all, y'all, and y'all,
it's y'all yeah, and then it's y'all, and then it's
those motherfuckers over there too, and there's nothing you can

(02:30:41):
do about it because I don't want your money.

Speaker 28 (02:30:43):
Suck my dick. Sorry, you were about to show me.
I mean to show you my farm. Yeah, I gotta
enough to show you.

Speaker 23 (02:31:17):
I really wanna tell you straight up off camera real quick,
and then come back in and just just do it
and then I'll show you to it. But I can
just tell you what I'm showing you, so it's super
blank cause I get in trouble if I just say
it out.

Speaker 11 (02:31:27):
Here because you can't. You can't say that you don't
give a you know, it's it's it's it's it's not that, bro,
I do I. I don't give a fuck. This ain't
that though. They I'll just let me sh just give
you a little insight on this shit. Bro. It's th bruh.
It's dangerous out here, bro too, it's shits serious. Well,

(02:31:48):
niggas don't really understand it, cause niggas really think that
we're running around here like.

Speaker 10 (02:31:55):
Just complaining. Let's go here, y'all come my glasses, the
the the shades.

Speaker 11 (02:32:16):
Yeah, so what you what's your skin? Right here? We
gonna click through it in what's yourn? I love don't
love to do that. But it's fine. It's nothing nice.
It's really dark. But the th th this, let me say,
can you plumb that? Can I'm this just pull up?
Settle me. That fucked 'em up? That fucked them up?

(02:32:39):
When I just said that, cause they're like this in
front of the camera watching this shit.

Speaker 10 (02:32:43):
Bro.

Speaker 11 (02:32:46):
Oh bro, they're gonna come for you.

Speaker 8 (02:32:51):
Guys.

Speaker 11 (02:32:52):
Bro, you gonna be like, damn okay, I get it
now right They're coming. They gonna shut this walking shit down.

Speaker 28 (02:32:57):
Watch your glasses, Bronna, shut this fucking thing down.

Speaker 10 (02:33:01):
Bro.

Speaker 23 (02:33:03):
That's why I'm happy you and like you just show
ship because so so so this is what they just
gave me to be a slave. You see who it is? Yes, sir, okay,
So there's so much of it. We've been doing this

(02:33:27):
ship for years. Bottom line is. Bottom line is this
is what they're doing to us.

Speaker 11 (02:33:44):
And just so I'm so confused right now. I know.
That's why it's easy for me to go off and
tell you what you got it so you're not all
the way in the dark because it's it's it's and
then and then we jumped right back into it, uh
briefing a mission. Uh, just just be patient, We're gonna.

Speaker 8 (02:34:06):
Be right back.

Speaker 11 (02:34:06):
This is where it'd be like d And then when
we sit down, it's like, okay, okay, what's going I
got shot?

Speaker 8 (02:34:16):
No, uh.

Speaker 3 (02:34:22):
You can.

Speaker 2 (02:34:27):
And thank God, shine to my friend you.

Speaker 8 (02:34:37):
Thank God.

Speaker 3 (02:34:44):
The way back. My mom.

Speaker 18 (02:34:55):
B so.

Speaker 8 (02:35:04):
First to be.

Speaker 3 (02:35:10):
Frankly, thank god the.

Speaker 8 (02:35:15):
Not a better basic.

Speaker 9 (02:35:17):
Gonna take to be a better person if they said
that thing.

Speaker 8 (02:35:25):
Away with.

Speaker 3 (02:35:42):
So serious five bill.

Speaker 9 (02:36:11):
Phrase dot no family the.

Speaker 3 (02:36:15):
Thing that your family thing that.

Speaker 13 (02:36:20):
That also make SI a possibility whenever a million dollars
many in the same sent that in centers.

Speaker 2 (02:36:28):
A pot of the l five in.

Speaker 4 (02:37:03):
The big time take Okay.

Speaker 3 (02:37:07):
Don't.

Speaker 2 (02:37:09):
About as.

Speaker 3 (02:37:22):
Given so.

Speaker 8 (02:37:49):
At the windows by being in the main way

Speaker 5 (02:37:59):
That episode macat that the body about the episode I