August 3, 2025 • 27 mins
A series that captures the essence of frontier life, portraying the challenges and adventures faced by those in the American West.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Gun Smoke Guns, starring William Conrad, the story of the
(00:44):
violin that moved west with Young America and the story
of a.
Speaker 2 (00:48):
Man who moved with it. I'm that man, Matt Dylon,
United States Marshall, the first man they look for and
the last they want to meet. It's a chance to
that just makes a man watchful.
Speaker 3 (01:03):
And a little lone man.
Speaker 4 (01:22):
Let's see now, all right, Sam, standstill.
Speaker 5 (01:27):
No, tain't nothing worth your trouble, miss kitty.
Speaker 6 (01:30):
Well it will be if it gets any worse.
Speaker 2 (01:33):
Lean over right.
Speaker 5 (01:36):
I don't think you to have a sure hand with
that needle.
Speaker 6 (01:38):
I don't worry, Sam. I'm not much of a seamstress,
but I ought to be able to catch up a
rip and a pair of bridges without doing much damage.
Speaker 3 (01:49):
There.
Speaker 4 (01:50):
Got how to hold it.
Speaker 7 (01:52):
Thank you, We welcome, Sam.
Speaker 6 (01:54):
I just hated to see you start the day with a.
Speaker 4 (01:56):
Hole in your breeches with that trailer doing.
Speaker 1 (01:59):
Town of gonna be hot enough.
Speaker 5 (02:01):
Yes, ma'am.
Speaker 2 (02:04):
He didn't go there he said, swunging door like I
hide someplace.
Speaker 3 (02:13):
That's kidding.
Speaker 5 (02:14):
I ain't hurting nobody.
Speaker 6 (02:16):
I'll handle this time.
Speaker 2 (02:22):
Alright.
Speaker 1 (02:22):
You can settle down.
Speaker 8 (02:24):
And why lady Raffi has got a friend.
Speaker 5 (02:27):
You two go along.
Speaker 2 (02:28):
She's hiding behind a gal.
Speaker 9 (02:30):
Play your drunk for her, I said, get along, big
strong man.
Speaker 7 (02:35):
Aren't you picking on the likes of Rappie?
Speaker 6 (02:38):
Now you get out of here and don't come back.
Speaker 2 (02:42):
Well, what do you think about it?
Speaker 4 (02:48):
That's all right now, Raffie, They son I.
Speaker 5 (02:52):
I wasn't doing nothing wrong, miss kitty.
Speaker 4 (02:55):
No, of course, you come on over and sit down.
Speaker 3 (02:58):
Huh.
Speaker 6 (03:01):
You know.
Speaker 5 (03:04):
It's a drama, mis kitty. They give me misery.
Speaker 4 (03:08):
I'm kind of the drum Yeah.
Speaker 3 (03:09):
I know that.
Speaker 5 (03:11):
Nothing wrong about wearing the drama.
Speaker 2 (03:13):
No, of course there Isn't you give it to me?
Speaker 5 (03:16):
That captain for anteet him. He told me to wear
it proud. Always done that, miss Kitty.
Speaker 4 (03:25):
I know you have athis.
Speaker 10 (03:28):
I don't hardly play the drum calls no more, don't
seem much need well no.
Speaker 4 (03:34):
With the wolves and all, But I always wear it.
Speaker 5 (03:39):
Like the captain said, I wear it proud.
Speaker 3 (03:42):
Folks give me misery.
Speaker 4 (03:44):
Well, I got no right to do it.
Speaker 5 (03:46):
You gonna always come in here when they do.
Speaker 4 (03:48):
Raffie, you don't have to be afraid.
Speaker 5 (03:52):
You're a true good lady, miss Kitty.
Speaker 4 (03:54):
I don't know about that. And yes, ma'am, you are,
you're a true good lady.
Speaker 3 (04:00):
RAFFI are you hungry?
Speaker 5 (04:03):
Well? I ain't weak with it, miss kitty, but it's
a fact I ain't eight yet.
Speaker 4 (04:11):
Well we'd better fix that.
Speaker 5 (04:14):
I ain't taking no more handout. But if you're hungry,
r I can work, miss kitty. Folks have just left me.
Speaker 3 (04:22):
If they just stop.
Speaker 4 (04:24):
Plaguing me and let me work, I could make out fine.
Speaker 3 (04:29):
All right?
Speaker 7 (04:29):
Then if Sam, yes, miss Kitty.
Speaker 6 (04:32):
Come in a minute, will you sure take Raffie out
of the woodshed?
Speaker 4 (04:37):
Will you?
Speaker 7 (04:37):
Sam?
Speaker 6 (04:38):
Set him the shopping that wood out there? He wants
to work for sure?
Speaker 4 (04:41):
Come along ago, I'm obliged to you, ma'ammo Oh, miss kitty, what.
Speaker 5 (04:49):
Will you watch after the drum for me?
Speaker 4 (04:53):
I wouldn't want nothing to happen to it after the
captain trusted it to me like he did.
Speaker 5 (04:57):
And sure, raff sure, how about you have to h
h uh?
Speaker 6 (05:20):
No, it was enough to break your heart as.
Speaker 8 (05:24):
Soon as it chopped the wood.
Speaker 7 (05:25):
He came back in and I gave him his money and.
Speaker 6 (05:30):
Hung that drum around his neck again and left. Poor boy.
Speaker 3 (05:35):
Yeah uh, you you want some work gravy, Kitty?
Speaker 5 (05:38):
H oh, thanks man, Doctor, No h.
Speaker 8 (05:41):
I mean it's better of this food not to cover
it up while you eat.
Speaker 2 (05:46):
You know where a rap he went?
Speaker 3 (05:47):
Kitty, No, No, I don't.
Speaker 6 (05:50):
He just appears now and again, and he's always in trouble.
Somebody's always plaguing him.
Speaker 4 (05:55):
As he says, no, it's a shame. What's the answer.
Speaker 3 (06:00):
So it's dark?
Speaker 6 (06:01):
What makes Raffie well?
Speaker 4 (06:04):
What makes him the way he is?
Speaker 8 (06:05):
And that's hard to say, kitty. Maybe there's just too
much war.
Speaker 5 (06:11):
He must have been very young during the fighting. His
mind hasn't grown to me older.
Speaker 2 (06:17):
Why would he hang on to the drum?
Speaker 9 (06:19):
Then?
Speaker 2 (06:19):
Dark it? It reminds him of a bad time.
Speaker 10 (06:22):
He can't tell about, he seems sure, man, Maybe because
the drum was the last thing he was ever proud of.
Speaker 9 (06:28):
No, Marshall, I couldn't help overhearing a conversation.
Speaker 3 (06:35):
I was sitting right over there.
Speaker 9 (06:37):
You've got good news, hey, you know, I think it's
important to know what this fellow raff he might do
the town had a right to know.
Speaker 8 (06:45):
Well, he can't tell for sure. He might go along
just as he is for the rest of his.
Speaker 4 (06:50):
Life, where he had drum around his neck and being
crucified for it, and then again he might decide.
Speaker 5 (06:57):
To turn on somebody some day.
Speaker 4 (06:58):
Well, you couldn't blame him.
Speaker 8 (07:00):
Well, then, Marshall, I say you ought to take steps.
Speaker 3 (07:03):
How do you figure that, Dobbe.
Speaker 9 (07:04):
Well, either way he isn't doing the town any good,
might turn mean and cause trouble. Even if he doesn't,
he gets in the way the town's normal citizens wandering
around that way wearing that drum night and day.
Speaker 2 (07:15):
Oh come on now, Dbey, I can't arrest the boy
for that.
Speaker 8 (07:18):
Well, doctor said he might cause trouble. It'd be better
to act now.
Speaker 2 (07:22):
You listen to me, Dobe. If he causes trouble, it'll
be because he's been driven to it by normal citizens.
Speaker 3 (07:29):
I've spent some time talking to him about it.
Speaker 2 (07:33):
Right here, Chester, somebody's been asked, Chester, that's the trouble Stun.
Speaker 7 (07:38):
You better come right away.
Speaker 2 (07:39):
It's that rapid blood. I told you, Marshorts, they'd done Chester.
Speaker 7 (07:43):
He done nothing, but some of the boys has got
increed down there at the livery table.
Speaker 2 (07:47):
You better come with us, doctor. Are you one of
those people who are always on the goal?
Speaker 9 (08:01):
Like you?
Speaker 1 (08:02):
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know you rely on them for accuracy at all times.
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(08:23):
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Speaker 2 (08:30):
You here on CBS Radio.
Speaker 1 (08:33):
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(08:55):
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no squeeze.
Speaker 2 (09:09):
H yeah, sloat, you're a rope, not a little full.
Swing the drum out, sure.
Speaker 7 (09:15):
If you want it, rapper, you'll have to draw out
on that branch.
Speaker 2 (09:19):
My drum, you give me my drums all out there.
It's too far. Oh, you can do it. Sure, looks
just like a monkey up there. Don't you have to
up no tree. You look like a monkey. Swinging the
drum out. More down the end of that limbit there.
(09:41):
It's getting kind of thin down there, bo I said,
swing that drums, all right, boll all right, righthead he
let's see you get your full drum.
Speaker 1 (09:52):
Crawl out there, go ahead, crawl Please, come on, if
you want it, go get it.
Speaker 2 (10:03):
It's too far. If you don't call out and get it, rappy,
I'm gonna shoot it full a hole like this.
Speaker 6 (10:13):
Please please don't shoot it.
Speaker 3 (10:15):
I'll get it then.
Speaker 8 (10:18):
That right, Let me pull in the drum ball.
Speaker 2 (10:23):
He's gonna fall.
Speaker 8 (10:24):
Sure, well, he's hurt hisself.
Speaker 2 (10:38):
Oh he's too simple to be hurt bad. Come on,
let let's get it all right. I got look at
the boy.
Speaker 3 (10:50):
Doc.
Speaker 2 (10:51):
Sure all right, you man, you running awful, hurry to
get away. All of a sudden Marshall, there ain't no
reason to hang around. The show's over, is that it?
I'm know what you're talking about, Marshall. This boy just
fell out in the tree. You know what I'm talking about?
All right? In son of the rest of you, man,
will Mark, I've got your real life till I get kyouts.
Are you listen to me? If I catch you, any
(11:13):
one of you deviling this boy again? Falling out of
a tree won't seem easy to you. I go on
and get out of here. Well, we was going anywhere.
Just remember you leave this boy alone?
Speaker 3 (11:33):
Well how is the doctor? Can't tell yet?
Speaker 4 (11:42):
Man, he's unconscious.
Speaker 5 (11:45):
I'll have to get him to.
Speaker 3 (11:46):
The office, all right.
Speaker 2 (11:48):
A couple of you men give us a hand here
to get him the ducks.
Speaker 9 (12:00):
Uh m.
Speaker 1 (12:09):
M and the.
Speaker 4 (12:17):
Hey go raff, Hey.
Speaker 3 (12:20):
That cool claw. Thought'll make you feel better. I mean, hey,
it hurts pretty bad, and it.
Speaker 5 (12:29):
It hurts well, I expect it does.
Speaker 3 (12:33):
You took quite a blow.
Speaker 7 (12:35):
But it's gonna be alright.
Speaker 3 (12:36):
Raft nothing to worry about.
Speaker 5 (12:45):
Does he come to duck?
Speaker 3 (12:46):
Yes, many, he's conscious. He gonna be alright, I think so.
Speaker 10 (12:51):
Man.
Speaker 4 (12:51):
Yeah, there's there's no signs of a fracture or or concussion.
Speaker 3 (12:55):
All that's good man. Uh raby you feeling better?
Speaker 5 (13:03):
My drum? You got my drum?
Speaker 3 (13:09):
Yeah, I got it. It's out of my office.
Speaker 5 (13:12):
W Well, nothing happened to it.
Speaker 3 (13:15):
I think it's safe enough. That's good.
Speaker 5 (13:21):
I sure do think you're Marcial.
Speaker 3 (13:23):
Alright, it's alright. You come get it when you're feeling better.
Speaker 2 (13:26):
Huh yes, sir, I gotta do that.
Speaker 6 (13:34):
You know.
Speaker 5 (13:36):
It seems like folks don't like me to wear it.
Speaker 3 (13:41):
Why don't they? Marshall, I don't. Maybe it's because I
just don't know any better.
Speaker 5 (13:51):
I ain't never hurt nobody. They ain't got no call.
Speaker 2 (13:56):
They hurt me, that's right. And folks to hurt me,
they ought to.
Speaker 10 (14:02):
Learn different, Marcial. Yeah, that's what I came to tell that.
How gonna see that they do? I can see it
real clear, Marshall, real queer them folks need to learn
it real good. M Folks that hurt me, they gotta
(14:29):
be taught different.
Speaker 8 (14:46):
That there's man almost doing.
Speaker 3 (14:55):
Oh I's trusting.
Speaker 7 (15:00):
Well, well, miss Dunne.
Speaker 11 (15:06):
What seems to me you'd want to know, Jenny, you
man should aren't open up the mail when he gets
it might even be going, Buschester, what are you mottering about? Well,
I just can't understand.
Speaker 3 (15:21):
It's don't know.
Speaker 11 (15:22):
After I went and fested it to you and all,
why you don't open me up?
Speaker 3 (15:27):
The man?
Speaker 2 (15:28):
All right, all right, Chester, I'll open it up expecting
something special.
Speaker 7 (15:35):
No sure what I mean?
Speaker 8 (15:37):
Tell you the truth. I could see there wasn't nothing
there worth bothering about.
Speaker 2 (15:40):
You put on a pretty good show of bothering.
Speaker 7 (15:43):
Well, it just seems to me that a man should
or to open up his mail, whether it's worth anything
or not.
Speaker 8 (15:49):
Marshall, you were two bullheaded s covering the list that's on.
Speaker 2 (15:52):
I told you last week, right there in the restaurant.
Speaker 5 (15:54):
I told you you ought to do something about it.
Speaker 2 (15:56):
All. Come on, Dobby, what are you spottering about?
Speaker 8 (15:58):
That boy that rightly blight?
Speaker 2 (16:00):
I told you he calls trouble. What's happened?
Speaker 9 (16:02):
It's worse than I even expected, and you could have
prevented Dolby.
Speaker 2 (16:06):
Quit babbling and tell me what's happened.
Speaker 3 (16:08):
He's killed him?
Speaker 2 (16:09):
Who's been killed?
Speaker 6 (16:10):
Who?
Speaker 8 (16:10):
Ramsey's been killed?
Speaker 2 (16:12):
And RAFFI did it. They found a drumstick by the
body and.
Speaker 5 (16:15):
Now we've got a lisen on our hands.
Speaker 2 (16:17):
Where are they.
Speaker 9 (16:17):
They're taking him to hang and it should never happened, Toby,
where are they?
Speaker 3 (16:22):
They're taking him up west of town?
Speaker 2 (16:26):
All right, come on Chester, bring the rifles.
Speaker 1 (16:53):
Here.
Speaker 3 (16:53):
There are stone in that cluss key.
Speaker 8 (16:55):
Yeah, we got him up on a horse.
Speaker 9 (17:00):
No, look, they've got the roof on meet.
Speaker 3 (17:02):
They're lucky.
Speaker 2 (17:12):
All right, Let him go.
Speaker 8 (17:15):
He was just trying to help the law.
Speaker 2 (17:17):
Marshal. I'll take care of the law, I said, let
him go.
Speaker 8 (17:21):
Sure, you can have him. If you want to waste
jail space on a murderer.
Speaker 2 (17:25):
I gotta have a lot more than your say so
on that slope.
Speaker 8 (17:28):
Why it's plain, it's plain. Everybody knows he had it
in for booll.
Speaker 2 (17:32):
Never mind slowed. If he needs to be tried, he'll
be tried by a judge, not by you. And that drums,
I said, never mind, shoot and tie wrap his hands
and take that gag out of his mouth and lead
his horse over here.
Speaker 8 (17:45):
Say that's my horse he's on, Marshal. You ain't gonna
take it.
Speaker 2 (17:48):
He's riding up back to town Slow. And I wouldn't
argue about.
Speaker 3 (17:51):
It if I were you. I Uh, I'm gonna have
(18:15):
to keep you here for a little while.
Speaker 10 (18:17):
Rafi's alright, Marshall, you ain't one that plagued me.
Speaker 3 (18:23):
No, No, nobody WHI plagued your hair? Now you can
go on in thank.
Speaker 5 (18:37):
Marshall.
Speaker 10 (18:38):
Mm what they're saying about me killing that bull Ramsey there? Well,
I don't think I ever killed nobody Marshall.
Speaker 3 (18:54):
And I hope you're right about that repee. I I don't.
Speaker 5 (18:59):
Recollect too good about last night. My head was hurting
real bad, and I just don't recollect too good.
Speaker 3 (19:08):
Well, don't worry about it. We'll find don't. Uh. I
know I was out there so.
Speaker 5 (19:16):
I was trying to coolb my head in the night.
Speaker 2 (19:21):
Alright, rather, yes, I'll see you later. Oh Marshall.
Speaker 3 (19:25):
Yeah, that's up.
Speaker 5 (19:28):
My drum Marshall. Have you got my drum?
Speaker 2 (19:33):
Uh? Chester?
Speaker 3 (19:33):
I founded uh, we'll take care of it for you.
Speaker 5 (19:37):
I thank you for that. Oh and here, Marshall, you
might as well take care of these two.
Speaker 3 (19:46):
Uh oh you got there.
Speaker 5 (19:51):
My drumsticks, Marshall. I I was keeping right here in
my shirt. I only got one set, you know, are
they both there?
Speaker 3 (20:02):
Shame both here?
Speaker 5 (20:05):
You take care of them for me, Marshall.
Speaker 3 (20:09):
Yeah, yeah, I'll do that.
Speaker 1 (20:27):
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put you back in tune. Kellogg's All Brand is the
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(20:49):
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appetizing taste and crispness.
Speaker 2 (21:03):
It never gets mushy and milk.
Speaker 8 (21:05):
So get back in tune and stay in tune.
Speaker 2 (21:08):
It's easy with the.
Speaker 1 (21:09):
One and only Kellogg's All Brand. A double L hyphen
b R A N say, reliable, pleasant. Millions enjoy it
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Brand to relieve irregularity.
Speaker 7 (21:39):
There, Armies certain, here's your change, and he's parcial.
Speaker 5 (21:45):
I'll be right with you, Marsha, I'll hurry, thank you.
Speaker 7 (21:48):
I should have that new bold category any d.
Speaker 3 (21:50):
Now I'm stopping again.
Speaker 5 (21:55):
Ms Purtons, Nowaday and Marshall, something new to you?
Speaker 2 (21:59):
I sure up? So Telly J want to see you
sell drums here.
Speaker 5 (22:04):
Well, I had a couple a few years ago.
Speaker 7 (22:07):
I cain't stockdom recent, Marshall, tell you truth, I don't
get much call for drums in dog City, I suppose not.
Speaker 2 (22:15):
I guess you don't get a call for drumsticks either.
Speaker 7 (22:20):
And that beats all.
Speaker 2 (22:22):
What do you mean?
Speaker 7 (22:23):
You'd think we was getting ready for a preade or something.
Speaker 3 (22:26):
How's that?
Speaker 7 (22:26):
You're the second feller in two days? Come in here
to ask him after drumsticks?
Speaker 6 (22:30):
Oh?
Speaker 2 (22:31):
Who was the other one?
Speaker 5 (22:32):
I don't pry to know his name?
Speaker 7 (22:34):
Marshall, big thin fella, you steam around town with bull Ramsey.
Speaker 2 (22:40):
Yeah, but you didn't have any drumsticks? Is that right?
Speaker 3 (22:43):
Oh?
Speaker 7 (22:44):
I found a pair of, Marshall, but I didn't really
need it.
Speaker 3 (22:48):
What do you mean?
Speaker 7 (22:49):
Well, this fellow only wanted one. I made him by
the two of though, what in car Nation was a
fellow always just one drumstick?
Speaker 3 (22:57):
Marshall?
Speaker 2 (22:57):
I see your letter jon Us.
Speaker 4 (23:13):
So the Marshal got there too fast voyage?
Speaker 3 (23:16):
Did he slow? No sense to it?
Speaker 8 (23:18):
No sense to it at all?
Speaker 4 (23:20):
Well, no, Lynch, you name a very nice thing to do.
Speaker 8 (23:25):
I ain't gonna make no difference to that boy. No
difference at Tall.
Speaker 4 (23:29):
I don't like I can't tell whether they're gonna hang
him one way or another.
Speaker 2 (23:34):
Sure is sure, Slow. I want to talk to you.
Speaker 8 (23:38):
I ain't hard to find, Marshalls.
Speaker 1 (23:40):
I want that other drumstick, drumstick he's here talking crazy, Marshall.
Speaker 2 (23:47):
I want the drumstick you didn't leave by Bold's body.
Speaker 8 (23:50):
Now listen here that Raffi he's the one with a drumstick.
Speaker 2 (23:54):
That's right, Slow, and he's still got two of them.
Speaker 8 (23:57):
Now listen, Marshall.
Speaker 2 (23:58):
I've been listening of the Jonas Jonas. Yeah, he sells
trump sticks.
Speaker 8 (24:04):
Well, it wasn't me, It was some other fella.
Speaker 3 (24:06):
No, it wasn't Slow.
Speaker 2 (24:07):
It was you trying to buy just one drumstick so
you could kill bull and blame Raffie.
Speaker 8 (24:11):
You can't prove it.
Speaker 2 (24:13):
I don't have to prove it because you're gonna tell
me about it, aren't you. It's not right, Slot, I
think Marsham, isn't that's right?
Speaker 6 (24:22):
Sat?
Speaker 2 (24:25):
Yeah? Yeah, all right, come on, I don't think Rafa
will mind giving up his cell to you. All right, Rafe,
(24:53):
here's your drum.
Speaker 4 (24:55):
Thank you kindly, Marshall. I'm proud to be wearing it
again yeah, Oh.
Speaker 2 (25:04):
Things'll be better for you around here now. I don't
think folks are gonna bother you anymore.
Speaker 3 (25:08):
I'm right glad to hear that.
Speaker 2 (25:11):
I'm pretty sure we can fix you up with some
odd jobs. Jonas and w already got some chores you can.
Speaker 3 (25:17):
Do, Thank you, Marshall.
Speaker 5 (25:19):
But I think it's time for me to be moving on.
Speaker 2 (25:25):
I can't say I blame you after the way they
treated you in Dodge, but things will be better.
Speaker 5 (25:30):
Now, maybe they will, Marshall, but it's time I'm.
Speaker 3 (25:37):
Moved on anyway. I don't know why.
Speaker 5 (25:41):
Well, I don't know why.
Speaker 10 (25:44):
Either, Marshall, but I don't rightly belong nowhere. I keep
looking for a place. I ain't never found it yet.
I just I keep moving on, and that's up to you. Funny,
ain't it, Marshall for a drummer boy like me.
Speaker 3 (26:08):
To be always out of step? A lot of folks
more out of step than you are. Ready, I see
him all the time.
Speaker 1 (26:50):
Gun Smoke for You's and directed in Hollywood by Norman McDonald,
stars William Conrad as Matt Dylan.
Speaker 8 (26:58):
US Marshall the Store.
Speaker 1 (27:00):
He was specially written for Gun Smoke by Marion Clark
with editorial supervision by John Meston. Harley Bear is Chester,
Howard mcneer is doc, and Georgia Ellis is kiddy. This
is George Walsh inviting you to join us again next
week when CBS Radio presents another story on gun smoke.
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Gun Smoke Guns, starring William Conrad, the story of the
(00:44):
violin that moved west with Young America and the story
of a.
Speaker 2 (00:48):
Man who moved with it. I'm that man, Matt Dylon,
United States Marshall, the first man they look for and
the last they want to meet. It's a chance to
that just makes a man watchful.
Speaker 3 (01:03):
And a little lone man.
Speaker 4 (01:22):
Let's see now, all right, Sam, standstill.
Speaker 5 (01:27):
No, tain't nothing worth your trouble, miss kitty.
Speaker 6 (01:30):
Well it will be if it gets any worse.
Speaker 2 (01:33):
Lean over right.
Speaker 5 (01:36):
I don't think you to have a sure hand with
that needle.
Speaker 6 (01:38):
I don't worry, Sam. I'm not much of a seamstress,
but I ought to be able to catch up a
rip and a pair of bridges without doing much damage.
Speaker 3 (01:49):
There.
Speaker 4 (01:50):
Got how to hold it.
Speaker 7 (01:52):
Thank you, We welcome, Sam.
Speaker 6 (01:54):
I just hated to see you start the day with a.
Speaker 4 (01:56):
Hole in your breeches with that trailer doing.
Speaker 1 (01:59):
Town of gonna be hot enough.
Speaker 5 (02:01):
Yes, ma'am.
Speaker 2 (02:04):
He didn't go there he said, swunging door like I
hide someplace.
Speaker 3 (02:13):
That's kidding.
Speaker 5 (02:14):
I ain't hurting nobody.
Speaker 6 (02:16):
I'll handle this time.
Speaker 2 (02:22):
Alright.
Speaker 1 (02:22):
You can settle down.
Speaker 8 (02:24):
And why lady Raffi has got a friend.
Speaker 5 (02:27):
You two go along.
Speaker 2 (02:28):
She's hiding behind a gal.
Speaker 9 (02:30):
Play your drunk for her, I said, get along, big
strong man.
Speaker 7 (02:35):
Aren't you picking on the likes of Rappie?
Speaker 6 (02:38):
Now you get out of here and don't come back.
Speaker 2 (02:42):
Well, what do you think about it?
Speaker 4 (02:48):
That's all right now, Raffie, They son I.
Speaker 5 (02:52):
I wasn't doing nothing wrong, miss kitty.
Speaker 4 (02:55):
No, of course, you come on over and sit down.
Speaker 3 (02:58):
Huh.
Speaker 6 (03:01):
You know.
Speaker 5 (03:04):
It's a drama, mis kitty. They give me misery.
Speaker 4 (03:08):
I'm kind of the drum Yeah.
Speaker 3 (03:09):
I know that.
Speaker 5 (03:11):
Nothing wrong about wearing the drama.
Speaker 2 (03:13):
No, of course there Isn't you give it to me?
Speaker 5 (03:16):
That captain for anteet him. He told me to wear
it proud. Always done that, miss Kitty.
Speaker 4 (03:25):
I know you have athis.
Speaker 10 (03:28):
I don't hardly play the drum calls no more, don't
seem much need well no.
Speaker 4 (03:34):
With the wolves and all, But I always wear it.
Speaker 5 (03:39):
Like the captain said, I wear it proud.
Speaker 3 (03:42):
Folks give me misery.
Speaker 4 (03:44):
Well, I got no right to do it.
Speaker 5 (03:46):
You gonna always come in here when they do.
Speaker 4 (03:48):
Raffie, you don't have to be afraid.
Speaker 5 (03:52):
You're a true good lady, miss Kitty.
Speaker 4 (03:54):
I don't know about that. And yes, ma'am, you are,
you're a true good lady.
Speaker 3 (04:00):
RAFFI are you hungry?
Speaker 5 (04:03):
Well? I ain't weak with it, miss kitty, but it's
a fact I ain't eight yet.
Speaker 4 (04:11):
Well we'd better fix that.
Speaker 5 (04:14):
I ain't taking no more handout. But if you're hungry,
r I can work, miss kitty. Folks have just left me.
Speaker 3 (04:22):
If they just stop.
Speaker 4 (04:24):
Plaguing me and let me work, I could make out fine.
Speaker 3 (04:29):
All right?
Speaker 7 (04:29):
Then if Sam, yes, miss Kitty.
Speaker 6 (04:32):
Come in a minute, will you sure take Raffie out
of the woodshed?
Speaker 4 (04:37):
Will you?
Speaker 7 (04:37):
Sam?
Speaker 6 (04:38):
Set him the shopping that wood out there? He wants
to work for sure?
Speaker 4 (04:41):
Come along ago, I'm obliged to you, ma'ammo Oh, miss kitty, what.
Speaker 5 (04:49):
Will you watch after the drum for me?
Speaker 4 (04:53):
I wouldn't want nothing to happen to it after the
captain trusted it to me like he did.
Speaker 5 (04:57):
And sure, raff sure, how about you have to h
h uh?
Speaker 6 (05:20):
No, it was enough to break your heart as.
Speaker 8 (05:24):
Soon as it chopped the wood.
Speaker 7 (05:25):
He came back in and I gave him his money and.
Speaker 6 (05:30):
Hung that drum around his neck again and left. Poor boy.
Speaker 3 (05:35):
Yeah uh, you you want some work gravy, Kitty?
Speaker 5 (05:38):
H oh, thanks man, Doctor, No h.
Speaker 8 (05:41):
I mean it's better of this food not to cover
it up while you eat.
Speaker 2 (05:46):
You know where a rap he went?
Speaker 3 (05:47):
Kitty, No, No, I don't.
Speaker 6 (05:50):
He just appears now and again, and he's always in trouble.
Somebody's always plaguing him.
Speaker 4 (05:55):
As he says, no, it's a shame. What's the answer.
Speaker 3 (06:00):
So it's dark?
Speaker 6 (06:01):
What makes Raffie well?
Speaker 4 (06:04):
What makes him the way he is?
Speaker 8 (06:05):
And that's hard to say, kitty. Maybe there's just too
much war.
Speaker 5 (06:11):
He must have been very young during the fighting. His
mind hasn't grown to me older.
Speaker 2 (06:17):
Why would he hang on to the drum?
Speaker 9 (06:19):
Then?
Speaker 2 (06:19):
Dark it? It reminds him of a bad time.
Speaker 10 (06:22):
He can't tell about, he seems sure, man, Maybe because
the drum was the last thing he was ever proud of.
Speaker 9 (06:28):
No, Marshall, I couldn't help overhearing a conversation.
Speaker 3 (06:35):
I was sitting right over there.
Speaker 9 (06:37):
You've got good news, hey, you know, I think it's
important to know what this fellow raff he might do
the town had a right to know.
Speaker 8 (06:45):
Well, he can't tell for sure. He might go along
just as he is for the rest of his.
Speaker 4 (06:50):
Life, where he had drum around his neck and being
crucified for it, and then again he might decide.
Speaker 5 (06:57):
To turn on somebody some day.
Speaker 4 (06:58):
Well, you couldn't blame him.
Speaker 8 (07:00):
Well, then, Marshall, I say you ought to take steps.
Speaker 3 (07:03):
How do you figure that, Dobbe.
Speaker 9 (07:04):
Well, either way he isn't doing the town any good,
might turn mean and cause trouble. Even if he doesn't,
he gets in the way the town's normal citizens wandering
around that way wearing that drum night and day.
Speaker 2 (07:15):
Oh come on now, Dbey, I can't arrest the boy
for that.
Speaker 8 (07:18):
Well, doctor said he might cause trouble. It'd be better
to act now.
Speaker 2 (07:22):
You listen to me, Dobe. If he causes trouble, it'll
be because he's been driven to it by normal citizens.
Speaker 3 (07:29):
I've spent some time talking to him about it.
Speaker 2 (07:33):
Right here, Chester, somebody's been asked, Chester, that's the trouble Stun.
Speaker 7 (07:38):
You better come right away.
Speaker 2 (07:39):
It's that rapid blood. I told you, Marshorts, they'd done Chester.
Speaker 7 (07:43):
He done nothing, but some of the boys has got
increed down there at the livery table.
Speaker 2 (07:47):
You better come with us, doctor. Are you one of
those people who are always on the goal?
Speaker 9 (08:01):
Like you?
Speaker 1 (08:02):
Our CBS newsmen are on the move all the time too,
always in the direction of the biggest news developments of
the day. Their own busy schedules give them a practical
understanding of the value listeners put upon their services. They
know you rely on them for accuracy at all times.
They have a first hand appreciation of the importance of
clarity and brevity as well. That all of these standards
(08:23):
are kept in mind by our highly skilled, highly experienced
newsmen is demonstrated over and over again in the frequent
news broadcast.
Speaker 2 (08:30):
You here on CBS Radio.
Speaker 1 (08:33):
The busier your own day, the more you'll appreciate the
efforts of our CBS News staff. These men offer you
a direct link with history day by day. But more
than that, they do their job with full regard for
your busy schedule. They keep you fully informed with no
waste of time, no waste of words for accuracy, brevity
and clarity, and used reports for news at frequent intervals
(08:55):
and at convenient times. Keep tune to CBS Radio every day,
no squeeze.
Speaker 2 (09:09):
H yeah, sloat, you're a rope, not a little full.
Swing the drum out, sure.
Speaker 7 (09:15):
If you want it, rapper, you'll have to draw out
on that branch.
Speaker 2 (09:19):
My drum, you give me my drums all out there.
It's too far. Oh, you can do it. Sure, looks
just like a monkey up there. Don't you have to
up no tree. You look like a monkey. Swinging the
drum out. More down the end of that limbit there.
(09:41):
It's getting kind of thin down there, bo I said,
swing that drums, all right, boll all right, righthead he
let's see you get your full drum.
Speaker 1 (09:52):
Crawl out there, go ahead, crawl Please, come on, if
you want it, go get it.
Speaker 2 (10:03):
It's too far. If you don't call out and get it, rappy,
I'm gonna shoot it full a hole like this.
Speaker 6 (10:13):
Please please don't shoot it.
Speaker 3 (10:15):
I'll get it then.
Speaker 8 (10:18):
That right, Let me pull in the drum ball.
Speaker 2 (10:23):
He's gonna fall.
Speaker 8 (10:24):
Sure, well, he's hurt hisself.
Speaker 2 (10:38):
Oh he's too simple to be hurt bad. Come on,
let let's get it all right. I got look at
the boy.
Speaker 3 (10:50):
Doc.
Speaker 2 (10:51):
Sure all right, you man, you running awful, hurry to
get away. All of a sudden Marshall, there ain't no
reason to hang around. The show's over, is that it?
I'm know what you're talking about, Marshall. This boy just
fell out in the tree. You know what I'm talking about?
All right? In son of the rest of you, man,
will Mark, I've got your real life till I get kyouts.
Are you listen to me? If I catch you, any
(11:13):
one of you deviling this boy again? Falling out of
a tree won't seem easy to you. I go on
and get out of here. Well, we was going anywhere.
Just remember you leave this boy alone?
Speaker 3 (11:33):
Well how is the doctor? Can't tell yet?
Speaker 4 (11:42):
Man, he's unconscious.
Speaker 5 (11:45):
I'll have to get him to.
Speaker 3 (11:46):
The office, all right.
Speaker 2 (11:48):
A couple of you men give us a hand here
to get him the ducks.
Speaker 9 (12:00):
Uh m.
Speaker 1 (12:09):
M and the.
Speaker 4 (12:17):
Hey go raff, Hey.
Speaker 3 (12:20):
That cool claw. Thought'll make you feel better. I mean, hey,
it hurts pretty bad, and it.
Speaker 5 (12:29):
It hurts well, I expect it does.
Speaker 3 (12:33):
You took quite a blow.
Speaker 7 (12:35):
But it's gonna be alright.
Speaker 3 (12:36):
Raft nothing to worry about.
Speaker 5 (12:45):
Does he come to duck?
Speaker 3 (12:46):
Yes, many, he's conscious. He gonna be alright, I think so.
Speaker 10 (12:51):
Man.
Speaker 4 (12:51):
Yeah, there's there's no signs of a fracture or or concussion.
Speaker 3 (12:55):
All that's good man. Uh raby you feeling better?
Speaker 5 (13:03):
My drum? You got my drum?
Speaker 3 (13:09):
Yeah, I got it. It's out of my office.
Speaker 5 (13:12):
W Well, nothing happened to it.
Speaker 3 (13:15):
I think it's safe enough. That's good.
Speaker 5 (13:21):
I sure do think you're Marcial.
Speaker 3 (13:23):
Alright, it's alright. You come get it when you're feeling better.
Speaker 2 (13:26):
Huh yes, sir, I gotta do that.
Speaker 6 (13:34):
You know.
Speaker 5 (13:36):
It seems like folks don't like me to wear it.
Speaker 3 (13:41):
Why don't they? Marshall, I don't. Maybe it's because I
just don't know any better.
Speaker 5 (13:51):
I ain't never hurt nobody. They ain't got no call.
Speaker 2 (13:56):
They hurt me, that's right. And folks to hurt me,
they ought to.
Speaker 10 (14:02):
Learn different, Marcial. Yeah, that's what I came to tell that.
How gonna see that they do? I can see it
real clear, Marshall, real queer them folks need to learn
it real good. M Folks that hurt me, they gotta
(14:29):
be taught different.
Speaker 8 (14:46):
That there's man almost doing.
Speaker 3 (14:55):
Oh I's trusting.
Speaker 7 (15:00):
Well, well, miss Dunne.
Speaker 11 (15:06):
What seems to me you'd want to know, Jenny, you
man should aren't open up the mail when he gets
it might even be going, Buschester, what are you mottering about? Well,
I just can't understand.
Speaker 3 (15:21):
It's don't know.
Speaker 11 (15:22):
After I went and fested it to you and all,
why you don't open me up?
Speaker 3 (15:27):
The man?
Speaker 2 (15:28):
All right, all right, Chester, I'll open it up expecting
something special.
Speaker 7 (15:35):
No sure what I mean?
Speaker 8 (15:37):
Tell you the truth. I could see there wasn't nothing
there worth bothering about.
Speaker 2 (15:40):
You put on a pretty good show of bothering.
Speaker 7 (15:43):
Well, it just seems to me that a man should
or to open up his mail, whether it's worth anything
or not.
Speaker 8 (15:49):
Marshall, you were two bullheaded s covering the list that's on.
Speaker 2 (15:52):
I told you last week, right there in the restaurant.
Speaker 5 (15:54):
I told you you ought to do something about it.
Speaker 2 (15:56):
All. Come on, Dobby, what are you spottering about?
Speaker 8 (15:58):
That boy that rightly blight?
Speaker 2 (16:00):
I told you he calls trouble. What's happened?
Speaker 9 (16:02):
It's worse than I even expected, and you could have
prevented Dolby.
Speaker 2 (16:06):
Quit babbling and tell me what's happened.
Speaker 3 (16:08):
He's killed him?
Speaker 2 (16:09):
Who's been killed?
Speaker 6 (16:10):
Who?
Speaker 8 (16:10):
Ramsey's been killed?
Speaker 2 (16:12):
And RAFFI did it. They found a drumstick by the
body and.
Speaker 5 (16:15):
Now we've got a lisen on our hands.
Speaker 2 (16:17):
Where are they.
Speaker 9 (16:17):
They're taking him to hang and it should never happened, Toby,
where are they?
Speaker 3 (16:22):
They're taking him up west of town?
Speaker 2 (16:26):
All right, come on Chester, bring the rifles.
Speaker 1 (16:53):
Here.
Speaker 3 (16:53):
There are stone in that cluss key.
Speaker 8 (16:55):
Yeah, we got him up on a horse.
Speaker 9 (17:00):
No, look, they've got the roof on meet.
Speaker 3 (17:02):
They're lucky.
Speaker 2 (17:12):
All right, Let him go.
Speaker 8 (17:15):
He was just trying to help the law.
Speaker 2 (17:17):
Marshal. I'll take care of the law, I said, let
him go.
Speaker 8 (17:21):
Sure, you can have him. If you want to waste
jail space on a murderer.
Speaker 2 (17:25):
I gotta have a lot more than your say so
on that slope.
Speaker 8 (17:28):
Why it's plain, it's plain. Everybody knows he had it
in for booll.
Speaker 2 (17:32):
Never mind slowed. If he needs to be tried, he'll
be tried by a judge, not by you. And that drums,
I said, never mind, shoot and tie wrap his hands
and take that gag out of his mouth and lead
his horse over here.
Speaker 8 (17:45):
Say that's my horse he's on, Marshal. You ain't gonna
take it.
Speaker 2 (17:48):
He's riding up back to town Slow. And I wouldn't
argue about.
Speaker 3 (17:51):
It if I were you. I Uh, I'm gonna have
(18:15):
to keep you here for a little while.
Speaker 10 (18:17):
Rafi's alright, Marshall, you ain't one that plagued me.
Speaker 3 (18:23):
No, No, nobody WHI plagued your hair? Now you can
go on in thank.
Speaker 5 (18:37):
Marshall.
Speaker 10 (18:38):
Mm what they're saying about me killing that bull Ramsey there? Well,
I don't think I ever killed nobody Marshall.
Speaker 3 (18:54):
And I hope you're right about that repee. I I don't.
Speaker 5 (18:59):
Recollect too good about last night. My head was hurting
real bad, and I just don't recollect too good.
Speaker 3 (19:08):
Well, don't worry about it. We'll find don't. Uh. I
know I was out there so.
Speaker 5 (19:16):
I was trying to coolb my head in the night.
Speaker 2 (19:21):
Alright, rather, yes, I'll see you later. Oh Marshall.
Speaker 3 (19:25):
Yeah, that's up.
Speaker 5 (19:28):
My drum Marshall. Have you got my drum?
Speaker 2 (19:33):
Uh? Chester?
Speaker 3 (19:33):
I founded uh, we'll take care of it for you.
Speaker 5 (19:37):
I thank you for that. Oh and here, Marshall, you
might as well take care of these two.
Speaker 3 (19:46):
Uh oh you got there.
Speaker 5 (19:51):
My drumsticks, Marshall. I I was keeping right here in
my shirt. I only got one set, you know, are
they both there?
Speaker 3 (20:02):
Shame both here?
Speaker 5 (20:05):
You take care of them for me, Marshall.
Speaker 3 (20:09):
Yeah, yeah, I'll do that.
Speaker 1 (20:27):
Out of tune because of irregularity. Kellogg's All Brand helps
put you back in tune. Kellogg's All Brand is the
natural way, the good food way, to end constipation caused
by lack of bulk in your diet. There's only one
all brand, Kellogg's All Brand. Its whole brand content gentles
(20:49):
away constipation, supplies your system with the bulk forming food
you need. Kellogg's All Brand is the only whole brand
cereal to bring you the combination of proved effect goodness,
appetizing taste and crispness.
Speaker 2 (21:03):
It never gets mushy and milk.
Speaker 8 (21:05):
So get back in tune and stay in tune.
Speaker 2 (21:08):
It's easy with the.
Speaker 1 (21:09):
One and only Kellogg's All Brand. A double L hyphen
b R A N say, reliable, pleasant. Millions enjoy it
every day. They know they can count on Kellogg's All
Brand to relieve irregularity.
Speaker 7 (21:39):
There, Armies certain, here's your change, and he's parcial.
Speaker 5 (21:45):
I'll be right with you, Marsha, I'll hurry, thank you.
Speaker 7 (21:48):
I should have that new bold category any d.
Speaker 3 (21:50):
Now I'm stopping again.
Speaker 5 (21:55):
Ms Purtons, Nowaday and Marshall, something new to you?
Speaker 2 (21:59):
I sure up? So Telly J want to see you
sell drums here.
Speaker 5 (22:04):
Well, I had a couple a few years ago.
Speaker 7 (22:07):
I cain't stockdom recent, Marshall, tell you truth, I don't
get much call for drums in dog City, I suppose not.
Speaker 2 (22:15):
I guess you don't get a call for drumsticks either.
Speaker 7 (22:20):
And that beats all.
Speaker 2 (22:22):
What do you mean?
Speaker 7 (22:23):
You'd think we was getting ready for a preade or something.
Speaker 3 (22:26):
How's that?
Speaker 7 (22:26):
You're the second feller in two days? Come in here
to ask him after drumsticks?
Speaker 6 (22:30):
Oh?
Speaker 2 (22:31):
Who was the other one?
Speaker 5 (22:32):
I don't pry to know his name?
Speaker 7 (22:34):
Marshall, big thin fella, you steam around town with bull Ramsey.
Speaker 2 (22:40):
Yeah, but you didn't have any drumsticks? Is that right?
Speaker 3 (22:43):
Oh?
Speaker 7 (22:44):
I found a pair of, Marshall, but I didn't really
need it.
Speaker 3 (22:48):
What do you mean?
Speaker 7 (22:49):
Well, this fellow only wanted one. I made him by
the two of though, what in car Nation was a
fellow always just one drumstick?
Speaker 3 (22:57):
Marshall?
Speaker 2 (22:57):
I see your letter jon Us.
Speaker 4 (23:13):
So the Marshal got there too fast voyage?
Speaker 3 (23:16):
Did he slow? No sense to it?
Speaker 8 (23:18):
No sense to it at all?
Speaker 4 (23:20):
Well, no, Lynch, you name a very nice thing to do.
Speaker 8 (23:25):
I ain't gonna make no difference to that boy. No
difference at Tall.
Speaker 4 (23:29):
I don't like I can't tell whether they're gonna hang
him one way or another.
Speaker 2 (23:34):
Sure is sure, Slow. I want to talk to you.
Speaker 8 (23:38):
I ain't hard to find, Marshalls.
Speaker 1 (23:40):
I want that other drumstick, drumstick he's here talking crazy, Marshall.
Speaker 2 (23:47):
I want the drumstick you didn't leave by Bold's body.
Speaker 8 (23:50):
Now listen here that Raffi he's the one with a drumstick.
Speaker 2 (23:54):
That's right, Slow, and he's still got two of them.
Speaker 8 (23:57):
Now listen, Marshall.
Speaker 2 (23:58):
I've been listening of the Jonas Jonas. Yeah, he sells
trump sticks.
Speaker 8 (24:04):
Well, it wasn't me, It was some other fella.
Speaker 3 (24:06):
No, it wasn't Slow.
Speaker 2 (24:07):
It was you trying to buy just one drumstick so
you could kill bull and blame Raffie.
Speaker 8 (24:11):
You can't prove it.
Speaker 2 (24:13):
I don't have to prove it because you're gonna tell
me about it, aren't you. It's not right, Slot, I
think Marsham, isn't that's right?
Speaker 6 (24:22):
Sat?
Speaker 2 (24:25):
Yeah? Yeah, all right, come on, I don't think Rafa
will mind giving up his cell to you. All right, Rafe,
(24:53):
here's your drum.
Speaker 4 (24:55):
Thank you kindly, Marshall. I'm proud to be wearing it
again yeah, Oh.
Speaker 2 (25:04):
Things'll be better for you around here now. I don't
think folks are gonna bother you anymore.
Speaker 3 (25:08):
I'm right glad to hear that.
Speaker 2 (25:11):
I'm pretty sure we can fix you up with some
odd jobs. Jonas and w already got some chores you can.
Speaker 3 (25:17):
Do, Thank you, Marshall.
Speaker 5 (25:19):
But I think it's time for me to be moving on.
Speaker 2 (25:25):
I can't say I blame you after the way they
treated you in Dodge, but things will be better.
Speaker 5 (25:30):
Now, maybe they will, Marshall, but it's time I'm.
Speaker 3 (25:37):
Moved on anyway. I don't know why.
Speaker 5 (25:41):
Well, I don't know why.
Speaker 10 (25:44):
Either, Marshall, but I don't rightly belong nowhere. I keep
looking for a place. I ain't never found it yet.
I just I keep moving on, and that's up to you. Funny,
ain't it, Marshall for a drummer boy like me.
Speaker 3 (26:08):
To be always out of step? A lot of folks
more out of step than you are. Ready, I see
him all the time.
Speaker 1 (26:50):
Gun Smoke for You's and directed in Hollywood by Norman McDonald,
stars William Conrad as Matt Dylan.
Speaker 8 (26:58):
US Marshall the Store.
Speaker 1 (27:00):
He was specially written for Gun Smoke by Marion Clark
with editorial supervision by John Meston. Harley Bear is Chester,
Howard mcneer is doc, and Georgia Ellis is kiddy. This
is George Walsh inviting you to join us again next
week when CBS Radio presents another story on gun smoke.
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