Switchfoot lead singer, Jon Foreman sits down with Bobby to talk about how close the band came to breaking up before “Meant to Live” became the song that changed everything. He opens up about the uncertain early years, the pressure of trying to keep the band together, and what it was like getting dropped when it felt like things were finally starting to move. Jon also shares some of the bad financial decisions they made along the way, what those mistakes taught him, and how those tough moments ended up shaping the future of the band. It’s a real conversation about setbacks, survival, and the twists that almost kept one of Switchfoot’s biggest songs from ever happening.
Watch The BobbyCast on Netflix!
Follow on Instagram: @TheBobbyCast
Follow on TikTok: @TheBobbyCast
See omnystudio.com/listener for privacy information.
Listen
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
Did anybody tell you anything about me coming into this
room at all?
Speaker 2 (00:10):
The only text I received was like five minutes before,
did you know where you were coming?
Speaker 3 (00:15):
No?
Speaker 1 (00:15):
No, So you just stringed, you just follow feet, and
you came here and you didn't know what you're walking into.
Speaker 3 (00:19):
Yeah, kind of didn't know.
Speaker 2 (00:20):
I knew you were affiliate with sports and the Dancing
with the Stars, and that was kind of it.
Speaker 1 (00:26):
Our guest today is John Foreman and the lead singer
of Switchfoot.
Speaker 3 (00:30):
I'm a big switch Foot fan.
Speaker 1 (00:31):
We were meant to live for so much more that
one and I dare you to move.
Speaker 3 (00:38):
I sing them perfectly too.
Speaker 1 (00:39):
He's a Grammy winning songwriter and the voice behind some
of the most well known songs and alternative rock. As
the lead singer of Switchfoot, he has led the band
through ten million albums sold crazy nearly three decades of touring,
and after five years, the band is back with their
fourteenth studio album, Forever Now, that comes out June twenty sixth.
(01:00):
I think you're going to love it if you like Switchfoot,
which I do. They got a brand new single, wake
Up Mister Crow. They're going on tour and this is
just a fun conversation about traveling and I know nothing
about surfing, surfing and music. So here he is John Foreman,
the lead singer of Switchfoot. John Good to see you, man. Yeah,
(01:20):
I've been a fan for a long time. I was
coming in and I left my radio show and I
was coming over and I was with my wife and
I said, Hey, do you know Switchfoot? And she said yeah,
because I know a lot of switch Foot songs. And
she's like eleven years younger than I am, eleven and
a half or so. And I said, what do you
know and she said Walk to Remember. And I was like, no,
I think you're talking about the wrong wrong band, And she'
(01:43):
was like, no you And I said, I don't know you,
and so we listened to you.
Speaker 3 (01:48):
Yeah, so our switch foots are different.
Speaker 1 (01:50):
My wife'switch Foot and my switch Foot are completely different.
Speaker 3 (01:53):
Because that's where she was.
Speaker 1 (01:54):
She knows, you know, she's probably seven songs deep on
you guys, which is significant for any band. And I
was I didn't even know you guys were in the
movie A Walk I don't think I've ever seen a.
Speaker 3 (02:04):
Walk to Remember. Yeah, yeah, I know.
Speaker 2 (02:06):
It is funny because we we had a ton of
songs in that movie, and yet that movie feels like
it represents a totally different cross section than say, the
songs we played you know two nights ago in Jersey,
like the songs that we would I don't. We haven't
played you Live in a long time. But yeah, I
(02:29):
still love those songs as well. It's feel like a
different band almost.
Speaker 1 (02:32):
Is there a type of person that knows you for
a different thing all?
Speaker 2 (02:36):
I mean, that's the funny thing. So I'm in this
other band, fiction Family that nobody knows about, with Sean
Walkins from Nickel Creek and a couple other guys and
this guy's I'm singing in switch Foot or I'm singing
a solo show and this guy comes up to me
(02:57):
and he's like, are you in a band? And like
I think I know where it's going, you know. He's like,
fiction Family, right.
Speaker 3 (03:05):
You know, And I'm like, yeah, that's me, you got me.
Speaker 1 (03:08):
It's funny how even with the people that will come
up to me, they'll know me. I can tell by
their age and their age, their age and their sex
what they know me from. Right, Like if it's a
dude and he's in his forties and fifties, he probably
listens to like my NFL show. If it's an old
lady she saw men dancing with the Stars, if it's
like a family American, like, I can tell when they're
(03:30):
coming up what they know me from. And I just
thought it was wild because I've been again, I've been
a fan of you guys forever. I did not know
you were in the movie. And my wife knows you
just from that, and she's like, I'm a massive fan
because of that.
Speaker 3 (03:40):
That's fun.
Speaker 2 (03:41):
My daughter probably, yeah, she would know you from Dancing
with the Stars.
Speaker 3 (03:45):
She would apologize to her for that. Yeah.
Speaker 1 (03:48):
For me, yeah, most people that didn't know me before
Dancing with the Stars didn't really enjoy me on Dancing
with the Stars.
Speaker 3 (03:55):
That takes some khone though. Man.
Speaker 1 (03:57):
My wife's all was like, you could do that, and
I'm like, no, I wouldn't. I don't think I ever
would they.
Speaker 3 (04:02):
Ever ask you to do it?
Speaker 1 (04:04):
I if they have, I've blocked it out. I don't think. I,
Like I said, that takes something special and I don't
know that I have it, So hats off. I have
a friend that was at a festival and I think
it was in like West Texas two thousand and two.
Or two thousand and three and you guys were playing
a five o'clock slot and I think it was after
(04:24):
Meant to Live a hit MTV, and he told me
that there were like twenty thousand people there for a
five o'clock slot because that song had popped so hard because.
Speaker 3 (04:35):
It had landed on MTV. Does that sound familiar to you?
Speaker 2 (04:39):
Yeah, that was a wild time. The whole experience of
that was surreal on a lot of levels because you
go from playing for twenty people that could kind of
care less, you know, to playing for a lot more
than that, and almost overnight, it felt like there.
Speaker 3 (05:00):
Was a big shift.
Speaker 2 (05:04):
Yeah, that was a strange period because that was our
fourth record and we made it with the attitude that,
you know, let's make one last record and then we'll
break up and get real jobs.
Speaker 3 (05:17):
No way.
Speaker 2 (05:17):
So yeah, that was like that was the mindset, let's
just give it all we have. And and we were
you know, independent at the time, and we recorded this
record up in La in a week and you know
had of course, you have high hopes you want to get.
Speaker 3 (05:33):
It out there.
Speaker 1 (05:34):
But right before the record came out, we got dropped
by Sony Records, And so I mean everything.
Speaker 3 (05:43):
If you're thinking through your life at.
Speaker 2 (05:46):
The age of you know, twenty three or so, you're
not thinking, oh, this is where everything turns around.
Speaker 3 (05:53):
You're thinking, Okay, well that's cool. That was a good run.
Speaker 2 (05:56):
Let's go back to college and yeah. So that was
that was my experience of that season.
Speaker 1 (06:02):
The first three records that you put out, were you
guys just grinding in a van.
Speaker 3 (06:06):
Yeah, we would.
Speaker 2 (06:09):
So there was this thing in the nineties and early
two thousands called cred and if like, you wanted to
get cred and the only way you could get cred
was by doing it the hard way. So it was
not seen as some sort of flaw. It was seen
as whoa, those guys they tour in a minivan and
(06:31):
they eat ramen, and that's so cool.
Speaker 3 (06:34):
They do that for their art.
Speaker 2 (06:36):
I don't know that nowadays it's cool, but that's the
way we saw it.
Speaker 3 (06:39):
So we would pack all our stuff.
Speaker 2 (06:42):
In the minivan, and you know, we drive across the
country a lot of times. It was a rental, rented
minivan and we're you know, we're a three piece at
the time, and we turned the car in with thousands
of miles at the end of the tour. The guy
like checking out in is like this has to be
a mistake. You guys put two thousand miles on this thing.
Speaker 3 (07:05):
So yeah, that was that was the early days when
you started.
Speaker 1 (07:08):
Were you just playing like in your town like was
or was the idea Let's just start booking shows immediately.
Speaker 2 (07:16):
So the dream when I was in high school, the
dream was to break even on an album that we
paid to record. So I spent you know, took all
my bus boy money from working at the restaurant and
spent it all on the studio and I did the math.
(07:36):
We needed to sell like two hundred and thirty copies
of this album and then we break even. And so
we had our sites real high. We wanted to sell
two hundred and thirty copies and when we did it,
that was success.
Speaker 3 (07:48):
You know, we did.
Speaker 2 (07:52):
You know, I think my brother and I were pretty resourceful.
We love the hustle, and it felt like we were
kind of cheating the system that we were actually breaking
even with rock and roll.
Speaker 3 (08:07):
But we had no thought.
Speaker 2 (08:08):
Of thinking like, oh this could actually you could get
a mortgage on a house with this kind of thing.
Speaker 4 (08:13):
You know.
Speaker 3 (08:13):
It was like, no, this is you have to graduate college,
you can get a real job, so you.
Speaker 1 (08:19):
Would record your albums at a small studio in California.
Speaker 3 (08:23):
We did the first few there.
Speaker 2 (08:26):
The first switch Foot record, we were actually recorded here
in Nashville. So what were you before Switchway? We were
a band called et cetera, Were you etc?
Speaker 3 (08:35):
Or just yeah, yeah, yeah?
Speaker 1 (08:37):
And how many of those guys were the guys that
ended up being a switchlay My brother, myself and a
drummer who he left to go back to the East Coast.
Speaker 2 (08:46):
And our drummer, now Chad, said we said, hey, you
should join our band, and he was like, well, let's
start a new one. And so that's that's why the
name changed. Well, yeah, we switched the switch names. We
had a another name in between, called chin Up, and
we thought that that was too hard to say, and
somehow switchfoot is easier, which it's not. I had a
(09:10):
lot of speech therapy as a kid, and I don't
know why we picked a Dave's switch Foot. It's it's yeah,
but it's that's that's what we thought was a better idea.
Speaker 1 (09:19):
I don't know how to serf. I'm from Arkansas. Water
makes me uncomfortable still, so I'm not a water okay,
salt or fresh either both land land okay, yeah. Way,
generally speaking, do you like being near the water, not
even like sitting at a lake or Okay? If if
(09:39):
I am, I need to be doing something. I need
to be doing some kind of activity. I just never
grew up on water. And my wife loves the beach.
Most people love the beach. Yeah, I just at this
point in my life, I just like some good WiFi.
Speaker 3 (09:52):
Okay, you know.
Speaker 1 (09:54):
What about Okay, what about the mountain or like a
field or the streams or or any of that.
Speaker 3 (10:01):
Do anything.
Speaker 1 (10:02):
I've been in some cool places. Yeah, if you say what,
let's go back and forth. Coolest places we've ever been,
things we've seen to be a fun exercise. I remember
the first time I saw the Grand Canyon. I was
blown away. I could not believe how grand it actually was.
One of those things that lives up to the name, right, Yes,
(10:22):
very few do. And I remember seeing the Grand Canyon
and I had a show on that GEO where I
had to go and clean the skybridge underneath that clear
thing people stand on, and so I'm on a single.
It sucked because I hate it's crazy suck. It was
the worst thing ever, but you're you were you clean
that thing from underneath on a road.
Speaker 3 (10:41):
Oh my gosh. Okay, now I've got some watching material.
I hated.
Speaker 1 (10:46):
It was the first episode, and you knew I didn't
die because there were like eight episodes.
Speaker 3 (10:50):
If they put it on Colley.
Speaker 1 (10:54):
The Grand Canyon was awesome, and I used that word
like it was meant it was awesome. I could not
believe it. I'd never seen anything physically like that before.
So that's going to be in my draft. We'll do
three each. Grand Canyon number one.
Speaker 3 (11:06):
Pick you're up.
Speaker 2 (11:08):
Okay, this one holds a special place in my heart.
There's this place called Uluwatu in Bali, and it's a
surfing spot that is legendary and been there many times,
and it is stunning. I mean, the secrets out on it.
It's no longer like this hidden thing. I think Richard
(11:32):
Branson and a bunch of people have houses Oprah or
whoever on the top of it. But it's like this
four hundred foot cliff that just goes straight.
Speaker 3 (11:40):
Down into the water. And then the.
Speaker 2 (11:44):
Entire that entire coast is exposed to huge Indian Ocean
monsoon season swells, and so some of the best waves.
There's this cave that you walk through to.
Speaker 3 (11:58):
Get to the ocean.
Speaker 2 (11:59):
So you go down these stairs that are connected only
at the bottom and the top, and there's monkeys that
live in the caves, and then you paddle out through
the cave into the ocean and it's just this living
reef and these world class waves firing off in front
of you. So that's that's a special place in my heart.
Speaker 1 (12:21):
Did you know I'm assuming the laura of it before
you got there and the when you got there.
Speaker 3 (12:25):
Did it live up to it even though you've heard
about it? Yeah, So.
Speaker 2 (12:31):
Being a surfer, it's funny because surfing it's a very
egalitarian sport where if you get to the spot and
you want to paddle out.
Speaker 3 (12:44):
Go for it.
Speaker 2 (12:45):
It's not like the super Bowl where you have to
get drafted and make your way there, you know, like
there's no one checking credentials or anything like that. But
every you know, I'd say probably ninety percent of the
surfers around the world would know what we're talking about.
And so, yeah, it absolutely lived up to the hype.
Speaker 1 (13:06):
My number two is going to be because I had
seen it on television my whole life and growing up
I lived in Troilither Park, so I never really thought
i'd get to leave the state, much less the country,
and it really wasn't that big. But just seeing the
Eiffel Tower in person was the coolest thing to me
because it was like I was getting to experience things farther.
Speaker 3 (13:26):
Away than I ever thought I would get.
Speaker 1 (13:28):
To experience things. Yeah, so it meant that to me. Yeah,
so to because I'm assuming you've been to Paris. Yeah,
and I love the seventh or twice now we love it,
like yeah, and we have my wife and I have
great memories of being there. And I remember the first
time we were driving in we weren't driving, somebody was
driving us and seeing like the top of it, and
you get and I just had this like overwhelming feeling of.
Speaker 3 (13:50):
Like I'm not I don't have to be that kid anymore.
Speaker 1 (13:53):
Wow, because I'm getting to see things I never thought
I would get to see and something I only thought
that felt fictional.
Speaker 3 (14:00):
Yeah, it almost.
Speaker 2 (14:01):
Those are those moments where it feels like it's almost
like a mythical innerplay where you're like, oh, yeah, I've
read Harry Potter and then oh no, actually, oh it's real,
you know, like.
Speaker 1 (14:12):
Yeah, that to me because the meaning to it. I'm
gonna put that as my number two. Seeing the Eiffel
Tower and then you get to basically go up to it.
We didn't go up in it, but you know, we
have a big picture in our house of us in
front of it. That means more to me than just
that old structure behind us. To me, it's something I
never thought I would get to see in person. Getting
to see it in person.
Speaker 3 (14:31):
Yeah, I love that. Okay.
Speaker 2 (14:33):
So my number two, I think the thing, so this
is going to be more of just a feeling that
I have in an entire country.
Speaker 3 (14:47):
So when I'm in India. We've been in India.
Speaker 2 (14:50):
Several times, and there's just this magnificent claustrophobic explosion of
color and smell and people and and taste and everything
is there. It feels otherworldly where you think to yourself, Okay,
(15:12):
I've arrived on some sort of Star Wars planet and
this is this is the way this planet behaves, because
there's no way this is Is this really Earth?
Speaker 3 (15:21):
You know? So safe to you there? I don't.
Speaker 2 (15:23):
Well, I've found that in most cultures, the it's the
brackish water. If we're going to go with a salt
saltwater freshwater analogy. That is, the feels like the places
that are dangerous, so like, for example, the border between
(15:44):
Mexico and the US. I never feel safe near the border,
but the further south you get into Mexico, the more
safe you feel. I feel the same thing in India,
like the further you get away from like the tourist spots,
the more you just feel like, oh, I can roll,
but I did. I never felt like I was letting
my guard down because it's such an abrasive affront on
(16:08):
every one of your senses all at once.
Speaker 1 (16:11):
It doesn't mean my list, but when I went to Haiti,
I kind of felt that way. Yeah, Like the further
I got out of town, yes, my heart could rest
a little. My resting heart rate actually fell a bit
because in town there's people, there's gun people are holding guns,
there's but once you get out, I feel like everybody
(16:31):
was a little more chill, like that everybody was a
condensed Yes, So I don't totally relate. India's always been
something that I guess have friends that have been And
one of my friends went landed in the airport.
Speaker 3 (16:43):
It was like, I'm not doing it came home.
Speaker 2 (16:45):
I get that it's a very visceral, uh affronting feeling
where you're you're completely engulfed in humans and not an
always pleasant way, you know, I think. But I do
think maybe being around crowds all the time at festivals
(17:07):
or whatever, maybe that helps a little bit with that
kind of thing.
Speaker 1 (17:11):
Okay, you got to go one more. Third one might
are going to be because of the way they made
me feel. Okay, I went to Japan, and this was
when I felt like, as different as everybody is, we're
all the same. Yeah. I went all the way around
the freaking world. Yeah, and I would see families doing
family things. Yeah, people solo doing solo people things, Dad's
(17:35):
religious everything that felt like it was supposed to be
so different from what we're taught, but it was just
the same.
Speaker 3 (17:43):
Yeah.
Speaker 1 (17:43):
Like there are universal languages, yeah, that we all share,
regardless of our cultures that we grew up in and
that were so bound to each other by them, even
if we constantly fight it or were taught were not
the same. Going to Japan made me feel like, man,
maybe I should listen to the news so much. Like
that's the feeling I got there because I felt like
(18:05):
I was exactly like them. Wow, when my whole life
I had been told that we're from different culture, so
we're so different. They use chopsticks, we use fox were
they're crazy. But in reality, what I learned by like
being there was God damn man, we're all the same,
just chasing the same thing, same dreams, same core values.
(18:26):
And that is how I felt about just being in
Japan in general, because it felt so foreign, because it
looked so different and it was so far, and there
were like two versions of it. There was like the
Japan that was like super chill, and there's like Space
Age Japan, and I was like, this is just like
the Jetson's crazy and there's Japanese music playing over and
had no idea, and I was learning, trying to say
(18:47):
the words like nisi wa and I was you know,
I got and I was saying the things. I was
trying as hard as I could, and they were so
appreciative that I was trying. And I remember just having
like a sense of man, Earth's kind of cool, like
I shouldn't fall into the traps that the divide.
Speaker 3 (19:01):
That's good.
Speaker 2 (19:01):
I love that, And I do think that travel is
probably the best education, you know. And yeah, I have
a friend from Taiwan who grew up here, moved there,
super smart guy, like double major math in computer science
in three years, and he's out to Taiwan and then.
Speaker 3 (19:25):
And he comes and visits and.
Speaker 2 (19:29):
He comes back to America and he's like, man, I thought, like,
he's like the same thing.
Speaker 3 (19:35):
He's like.
Speaker 2 (19:35):
I was reading the news and I was like, I
thought America was blowing up or something, I you know,
But then I realized I talk to people back home
in America, and I'm like, I don't know, Everything's fine.
Speaker 3 (19:46):
People are people, and.
Speaker 2 (19:47):
They still love each other, and they still love their family,
and they still are trying their best. And yeah, I
do think maybe the the thing that sells the news
often is the scandalous things in the in the margins,
and and for the most part, you know, people are
generally aiming for the right thing, you know.
Speaker 3 (20:10):
So that's a that's a good point.
Speaker 4 (20:12):
Let's take a quick pause for a message from our sponsor,
and we're back on the Bobby Cast.
Speaker 3 (20:27):
All right, hit me with your three, Okay, number three.
Speaker 1 (20:30):
I got so distracted by the story I wentn't even
thinking about it.
Speaker 3 (20:36):
Okay, So if we're gonna go with number three.
Speaker 2 (20:38):
I had the privilege of going to Italy with my
wife and it was a trip that had no agenda,
and it was a very you know, pre kids, and
I will never forget the taste. You know, you talk
about the feeling that you had. I'll never forget the tastes.
Speaker 3 (20:57):
It was. We just kind of want We had no plan.
We just get an airbnb.
Speaker 2 (21:04):
This is you know, back in the day, and every
day was just kind of a new adventure. And it
felt like I was. I was because of the way
we did it. So on kind of a micro level,
it was no, there's no we're going to do this
and this and this. I felt like we kind of
sunk down to the level of what it might have
(21:26):
been like on foot. You know, we didn't have a car.
We're just walking from from place to place. That'd probably
be my my third most memorable place on the planet.
Speaker 1 (21:37):
We went to Italy and I started just going places because,
like I said, I never went anywhere, and then I
had made money and I was single forever, so I
was like, I'm a do crap and I started chasing
things from television. Yeah, like I only went to Japan
because Jesse and the Rippers from Full House played there.
Speaker 3 (21:49):
Of course, right, why wouldn't you. I only went to
Hawaii because of the Ready Bunch.
Speaker 1 (21:54):
I only went to London because of friends like and
I went a lot of these places by myself. Even Wow,
that's great, because I was just like, I want to
see stuff. And when I met my wife, that's when
I actually started traveling with somebody. And we've been married
almost five years now, and we went to Italy. We've
gone twice now, but I would hear people talk.
Speaker 3 (22:13):
About that and go, you can eat whatever you want.
You don't even gain weight, And I was like, urban legend,
not real fake.
Speaker 1 (22:20):
Then we went, you can eat whatever you want because
there are no preservatives. They're not like us we're packaging
U ding doll for seven months before we eat them.
Speaker 3 (22:31):
They make their stuff to be eat right then.
Speaker 1 (22:33):
And you can eat all the stuff here that you
can't eat because it'll sit in you forever. And it's
I compared it to like Chinese food. Here you go,
you get stuffed on Chinese food. Two hours later you're like,
where did it go? That's how like the thick the
breads were in Italy, And I was like this is
a everybody was right.
Speaker 3 (22:50):
Yes, Italy was awesome. Yeah, Italy is amazing.
Speaker 1 (22:54):
We did a cooking class in someone's house, Like we
totally embraced it.
Speaker 3 (22:58):
I'm not an embracer.
Speaker 1 (22:59):
My wife is embraces okay, And she said we should
really experience this, like let's not go to because we
we did Florence, which is freaking crazy because I wanted
to see art, like I like the stuff. It's like
the water, Like I don't like the water for the
sake of the water. I don't want to go to
the town for the sake of the town, Like I
want to do stuff. Yes, yeah, yeah, So we're like,
my mom has the list?
Speaker 3 (23:18):
Do you have the list? Very much like things I
want to do. We got to check them off.
Speaker 1 (23:22):
So, you know, it's super funny since I used to
be the kid who's like, mom, quit it, like we're here,
we're in Hawaii, Like why do we have to have
a list?
Speaker 2 (23:31):
You know, it's just unfold and see what happens. And
now my wife is.
Speaker 1 (23:36):
So far that way that I freaking have a list
because she's you know, I'm like, oh my, somebody's got
to be at home, dude, I have to be the
list person.
Speaker 3 (23:44):
Yeah.
Speaker 1 (23:45):
We went out to a lady's house and she found
on some Angie's List Italy. I don't know what they
have over there, but some version of that.
Speaker 3 (23:52):
Yeah, and g and Jesus and so we we.
Speaker 1 (23:59):
Travel like twenty miles out of Florence and went to
her house and stayed the whole day and she just
like she's just a lady, just taught us how to
cook and we made pasta. It was really one of
those experiences that I wasn't looking forward to. But I'm
so grateful that I listened to my wife and we
did it. Yeah, because it's still like so special in
my heart. Wow.
Speaker 2 (24:18):
So do you do you have like those memory like
the all the all the recipes on lock and Usual.
Speaker 3 (24:25):
She does.
Speaker 1 (24:26):
She's a great cook, she knows how. There's once a
year we do homemade, all the homemade noodles and stuff
because we learned how to do that. Yeah, and it's
a process, like it takes hours to do. So I'll
commit to her once a year to do it.
Speaker 3 (24:40):
Yeah.
Speaker 1 (24:40):
But I think she learned two things from her specifically
that she does really well, and they're mostly improvements on pasta. Yeah,
I'm also not a pasta guy. Well yeah, I mean,
but the sauces, you know, it's right where like we're
like that, I've never tasted that before.
Speaker 3 (24:56):
How did you do that? It's all so fresh? I
guess right, it's all all so fresh. Just chop the
pine nuts right then and yeah, all of it.
Speaker 1 (25:04):
Yeah, so Italy to me, I have great memories there
of that and again just chasing television shows because that's
why I went places.
Speaker 2 (25:11):
So you know, it's funny for me. I had that
same experience of travel. You know, just if I if
they book us a show there, it's said, yeah, let's go.
I mean, even if it was a break even or
we'd lose a little money. Our very first tour was
in the UK. We got booked on a couple festivals
(25:35):
and we found out that the touring and surfing they
go hand in hand music and surfing because they both
require travel. And so while we're in London, we had
like four days left before we needed to fly home,
and we found out there were waves in France that
as swell was hitting. So we checked out of our
(25:57):
hotel and into Central Park with all our gear and
tried to sleep during the day, like sleep on our
gear so no one could steal it. But sleeping and
scent you know where at Hyde Park or wherever in London,
it's this band shows up to play like marching band.
We're like trying to sleep like it was comical. And
(26:20):
so now we're we haven't slept at all. We're wired
and we're trying to now make it through London at
night and not get mugged with all our instruments at
like subways and getting kicked out of places. But by
checking out of our hotel for that for those four days,
(26:40):
we saved enough money to get the chunnel over and
surf in France. And so those are like, those are
core memories for us as a band to think through.
Speaker 3 (26:51):
Yeah, and I.
Speaker 2 (26:51):
Wouldn't trade it now. My travel is is still a
beautiful thing. But having kids, I feel like a new
understanding of what home means. Because when you're twenty two
and you've dropped out of college and you're living at home,
(27:13):
travel means success, you know. But then as you grow older,
being home means success because I love my kids, I
love my wife, I want to be there, so yeah,
it totally changes the perspective. And then when I get
a chance I can actually bring my kids with me.
I brought my son to Alaska. We toured up there
(27:33):
this summer, and yeah, I want to pass on that
education to them.
Speaker 1 (27:39):
The first time that I had been to Hawaii, I
was in my thirties. I went by myself.
Speaker 3 (27:44):
It was America.
Speaker 1 (27:45):
I don't think I had a passport at that time,
so I stayed in the States.
Speaker 3 (27:48):
But I went where the time zone was off.
Speaker 1 (27:50):
Because I had to finish a book, okay, and if
my time's al was way different than everybody else's, then
I wouldn't be in the wheel.
Speaker 3 (27:58):
The emails weren't coming.
Speaker 1 (27:59):
There were like four five hours every day where I
did not have to worry about that. And so I
went to Hawaii by myself and I was staying at
a hotel.
Speaker 3 (28:07):
I was just riding.
Speaker 1 (28:07):
And again, Hawaii is a weird place for me to go.
But the Brady bunch went and they had that bad
luck mask. They threw it back in the oak. So
I just wanted to go and see it. Yeah, so
this is a Wahu. Well, first it was Honolulu, so
I bounced around a little bit, even by myself.
Speaker 3 (28:21):
Yeah.
Speaker 1 (28:22):
So first, because I didn't know what I was doing
I just went to Honolulu and stay at a hotel
and I was I thought I need to go do
something even by myself. And so I went to like
the Dole yeah where they make the pine app and
then I guess I make pineapples, but they you know,
the dole.
Speaker 3 (28:35):
Plant, yeah, right in the center.
Speaker 1 (28:36):
And so and then I went and hiked a did
a mountain by myself, and I remember asking somebody to
take a picture and they were like looking for the
other people to be in the picture, and I was like, nop,
just me, you know, like hold your arms out wide
and you take a picture. And so I thought I
should do something on the water. And I went down
and I don't know how to surf, and I wasn't
gonna take surf lessons, but I thought, I'll go and
get one of those like paddle stand up paddle boys. Yeah,
(28:58):
and I'll go and at least get on the wa
and have an experience doing that.
Speaker 3 (29:01):
And so I go and I'm on and I'm you.
Speaker 1 (29:04):
Know, strauch that thing to me so the board doesn't
fly off, but everybody's looking at me really weird, and
I'm like, either I'm killing this, and they're amazed at
a rookie or I'm doing something really wrong. And so
like I'm up, I'm standing up on the board. I'm
exact where I'm supposed to be, but people are like
looking at me, and then a lula me. He's like, oh,
they may recognize me. I got a couple of things
going maybe yeah, and it wasn't that. And so finally
(29:26):
a guy that I think he was giving lessons of
other people, he comes up and he's very nice and
he said, hey, man, that strap is not for your wrist,
it's for your ankle. So it's a strap, yes, yes, yeah, yeah,
so I had it on my wrist. I mean, you know,
different strokes. That's why everybody was staring at me. That's
really good.
Speaker 3 (29:45):
I was really like, I mean it doesn't go could
have gone neck, you know. I could have gone neck. Yeah,
maybe like a sweatban. My head's too big for the sweatman,
but I could have gone neck. But I did. Risk.
Speaker 1 (29:57):
Was surfing what brought you guys as the band together initially,
so kind of I definitely think it's what's kept us
together as a band.
Speaker 3 (30:08):
It's for people that don't participate.
Speaker 2 (30:12):
It sounds funny, but yeah, we were on surf teams
and high school and college. And I always joke UCSD,
the college we went to, is well known for you know,
math and science is not They don't have a football team,
but I will say our surf team is much better
than U. C.
Speaker 1 (30:30):
L A.
Speaker 3 (30:32):
And yeah, that's that was kind of.
Speaker 2 (30:35):
We'd go surfing, we'd make music, but you know, surfing
and music are both kind of you do it because
you love it. You're not thinking I'm going to I'm
going to crush it financially with this occupation.
Speaker 3 (30:51):
You know, surfing is it's.
Speaker 2 (30:53):
A blast, it's a passion, it's a lifestyle. It's a
way to connect with nature, yourself, other people. But you're
never thinking, oh, this is going to make me some money.
I think the same thing holds you with songs, where
I think songs are the scaffolding for the soul. They
get me to places I could never get to otherwise.
(31:15):
And yet the same approach was you know, until our
fourth record, we had that approach where it's like, oh,
of course we're never going to make money with us,
but we're going to pour our life into it because
it's beautiful.
Speaker 3 (31:28):
So why did you guys get dropped at that fourth record.
Speaker 2 (31:32):
We played a show in New York for the head
of Sony and he walked out second song after saying
a couple of expletives and did not like us and
thought we were not a good band.
Speaker 1 (31:50):
So he saw you play yeah and dropped you based
off a song he actually I think he.
Speaker 2 (31:54):
Walked out during a song called Darry to Move, which
ended up being one of.
Speaker 3 (31:58):
Our bigger songs. Yeah.
Speaker 2 (32:00):
Uh so we we finished the show and we're thinking, man,
that went pretty good, right, and our managers like, no,
it did not.
Speaker 4 (32:08):
You.
Speaker 2 (32:08):
I don't think it went well at all, And I
think you guys got dropped And it ended up being
the best thing that could have happened to us.
Speaker 3 (32:18):
Why because we.
Speaker 2 (32:21):
Were then relegated to this basically the farm team of Sony,
which was r D and on Sony tons of money,
tons of power, tons of clout, but we would have
been one of a bunch of other bands, and we
were in a very small ship in a big pond,
and on r D they were hungry and excited and
(32:45):
they were like, let's go.
Speaker 3 (32:47):
We love this, We love you guys.
Speaker 2 (32:49):
And you're our priority, and so we would just basically,
you know, we'd travel around the country plan for folks.
You know, we'd play our our show in the evening
and play for the radio station in the morning, and
halfway through the tour, that's kind of when the aggregate
(33:11):
sum of people started to change, you know. And yeah,
so that was a big turning point for us. And
I don't think it would have happened on Sony, So
that's what I mean. It was a blessing in disguise.
What was the success story of Meant to Live. Meant
to Live was a song that is it still feels
(33:35):
true for me. And when I say was, I feel
like I should say is. It still is a song
that feels like it resonates. There's several lines in it
that feel more poignant now and almost prescient than when
I wrote them. We want more than the wars of
our fathers. That line every night when I sing that,
(33:56):
especially now and being a dad, that feels feels like
a very poignant line, and I feel like it resonated
with people. Music is you know, to state the obviously
you're dealing with resonance, and you know that note that
you hit in the shower where it just keeps going
(34:17):
on forever and you think Wow, my voice is amazing.
You know, you found what's called the resonant frequency of
the room, where all matter will have a resonant frequency
at which it will vibrate. Say a truck drive by
and your window starts rattling this because the truck hit
the frequency at which your window rattles.
Speaker 3 (34:35):
Right.
Speaker 2 (34:35):
So I think that music not only on a physical
level of resonance, but also with the lyrical level. Something's
resonant with me, Like I hear a poem or I
read a book or a phrase and it feels like
it sticks with me and begins to move me in
a way. I think Meant to Live did that for
(34:59):
a lot of people, people where it resonated with them
and it felt like that fist in the air kind
of moment where they want to sing along with it.
Speaker 1 (35:08):
Was there a television performance or was it EMPTV or
was it a radio like what was kind of the
lever that actually like popped that song?
Speaker 3 (35:18):
Well, I mean we did all of them.
Speaker 2 (35:20):
You mentioned, you know, we were talking about the VC
Boys on Letterman. Yeah, we did Letterman, we did Leto,
we did EMPTV. There was there was one moment where
the last minute we were added to a radio show
at Madison Square Garden in New York City and it
(35:43):
was a last minute thing and so and they said, hey,
we want you to go out and play a.
Speaker 3 (35:48):
Couple of songs, just acoustic, just you and so.
Speaker 1 (35:54):
And it was and now that I'm thinking of it,
it was very odd. William Hung, I'm remember William Hung
was the Asma before us.
Speaker 3 (36:03):
Yes, she bangs American Banks.
Speaker 2 (36:04):
But you've got like Destiny's Child and Maroon five and
all these people everyone's backstage. Oh and also the Donald
Trump was there as the apprentice, right, so like it's
a cast of characters.
Speaker 3 (36:19):
What is Z one hundred? Yes, yeah, yeah, it Z
one hundred.
Speaker 2 (36:22):
And so I remember walking on stage with just an
acoustic guitar and uh and playing Meant to Live on
the acoustic guitar and having the entire Madison Square Guard
Garden singing along with me. And that was a moment
where I thought, Wow, they all know this song. That's
(36:45):
that's incredible.
Speaker 3 (36:46):
And those are moments that I feel like that is.
Speaker 2 (36:50):
Why I do what I do, whether it's an arena
or fourteen people backstage, or it could be I do
after shows where the show will finish and I'll go
to the parking lot in the back and send out
a tweet or Instagram and say, hey, let's keep the
night going where multiple people are all seeing the same thing.
(37:10):
When I was in high school going to the punk
show or church or wherever, it felt like, oh, I
resonate with this. I feel like I belong somewhere, And
in that moment at MSG, it felt like, Oh, I'm
a part of something bigger.
Speaker 3 (37:26):
Resonating's interesting.
Speaker 1 (37:27):
I just got off a call where I was being
interviewed about an artist that's killing it right now, and
they're like, why do.
Speaker 3 (37:35):
You think she's making it?
Speaker 1 (37:37):
And I said, well, first, you know, her songs are good,
and also the people she wrote with and sonically, you know.
And I said, you can have all eleven things, though,
and it's still not work. Yeah, Like if it were
a if you could predict it, if you could predict
what worked, Yeah, I think this job would be a
lot easier, I said, because I know I could list
(37:59):
all eleven of these things that I just said that
it's working for her that other people have done, and
for some reason it did not work. I said, but
you know what, it's so funny you said that. You said,
but you know why it's working is because it resonates
with people, like people either hear stories of themselves or
somebody they care about or root for, like there's something
that they're connecting to this artist music and this artist song.
(38:20):
And that was literally the conversation that I had with
the Wall Street Journal that was talking about music. And
it's such an odd thing because again, you can do
everything right and it's still not connect.
Speaker 3 (38:33):
Yeah, And then you.
Speaker 1 (38:35):
Could do everything wrong you connect like freaking crazy, yes,
because it would be like a video going viral that
someone is just like crappily shooting and holding up versus
one banks.
Speaker 2 (38:49):
I think that's a great example where you're like, Okay,
so why is that the song that everyone wants to
hear right now?
Speaker 1 (38:57):
And if you could predict it, or if you were
good enough to just do it every time, you would,
but really you can't, right, there's no way to produce
the perfect from the beginning, there's no way to produce
the perfect song.
Speaker 2 (39:10):
Well, because I think imperfections need to be there. I
think that's where the human component comes in, Like I
resonate with something that feels human to me, and to
be human to errors to human, right, to be human.
So we think like, okay, so we're looking I'm looking
at Miles Davis Kind of Blue.
Speaker 3 (39:31):
It's a perfect album. Hold that record up.
Speaker 1 (39:33):
Okay, there's a segment we do where and we donate
all these records eventually, so we have people bring in
records that mean a lot to them. And you've brought
in Miles Davis Kind of Blue. Why did you bring
that in? Okay, So this is my favorite album. I
think it's a perfect album.
Speaker 2 (39:46):
But it is a deeply human record because you have
these incredible artists, you know, masters of their craft, playing
the song for the first or the second time. Most
of the songs on here are first or second takes,
and I think that's where humanity comes in. I have
(40:08):
all these conversations with my friends that play jazz. They
talk about the bell curve where you have at the beginning,
you're you're so excited about the song, your interest, your
human connection with the song is at a peak, but
your aptitude to play the song is pretty low. These
guys not so much. But maybe the second take, third take,
(40:30):
four take, your aptitude gets better and better. You know
it better and better, so you now tenth take in
it's it's rope, it's all mapped out, but your interest
and your human connection with the song has gone down
because you've done it ten times.
Speaker 3 (40:45):
You just are kind of bored.
Speaker 2 (40:46):
So like usually like the fifth or sixth take, you're
like okay or fourth, it depends on what's happening. But
I think that's when I when I hear a perfect album,
I want to feel like there's humans that are making
the music, you know, because that's that's what resonates with me,
(41:07):
is the humanity, and that's what I feel like in
this what's perfect about it is that's the first or
second take you feel them kind of you feel the
song unfolding and it's nothing is forced about it.
Speaker 3 (41:19):
How did you start listening to Miles Davis?
Speaker 2 (41:21):
I played trumpet in junior high and so yeah, I
think this is a unique album though in the jazz world.
I mean, I think it's the most the best selling
jazz album of all time. So it definitely not only
resonated with me, but with a lot of people. But
(41:42):
I think it is you know, you talk about a
feeling that you had in Japan. Music is almost that
thing for a lot of us, where it's like a
smell where it takes you somewhere, and this album takes
me to a place that I want to go again
and again. It's a serene place that feels tranquil, it
(42:08):
feels human, but there's space for me there too, you know,
for my own thoughts to unfold. A lot of jazz,
incredible though it may be, is so filled with notes
and things that are flying by you that you really
have to pay attention. And this is an album where
it just kind of lets you drift again.
Speaker 3 (42:30):
We're back to the ocean, but.
Speaker 2 (42:31):
Maybe you're just kind of letting it take you where
it goes and you feel comfortable there.
Speaker 4 (42:37):
The Bobby cast will be right back. This is the
Bobby Cast.
Speaker 1 (42:51):
Flee also played the trumpet from Chili Pepper's Yeah and
he just did a jazz record, Yeah, And he talked
about how nervous he was and how after all the
forty years Chili Pepper's the highest level, that he still
felt like he did not have it in him to
pull off a successful jazz record that will be respected.
Speaker 3 (43:08):
Yeah. I mean, imposter syndrome is.
Speaker 2 (43:11):
At every level right where you're always like I don't know,
maybe I'm not sure, but when you delve into jazz.
That's when you know there's layers of mastery and everyone
can see right through it if you're faking it.
Speaker 1 (43:27):
You know, whatever happened with the guy that said we're
dropping switch Foot so he oh man because because it
turned out bad decision.
Speaker 2 (43:37):
Yeah, So after we sold two million copies, he brought
us back over and took a picture and talked about
artist development and all of these things. Of course he did,
but it was this thing where I don't like I
even now. I don't have any ill will or I
(43:58):
think he was trying his best. I think that's a
tough position to be in that I don't want his job,
and you can't change one thing without changing everything. So
I love the fact that I get to make music now.
I mean, we've done so many dumb things as a band.
We've signed record deals. The very first record deal we
(44:22):
signed as a band gave us seven thousand dollars every
record for our entire publishing, so seven thousand dollars per
album and published. That was for the first six albums.
So I mean, these are things that you look back
(44:43):
on and you're like, oh, that's a horrible financial decision.
We had a lawyer look at it found out he's
actually was also doing the legal stuff.
Speaker 3 (44:54):
But all these things, you can either be bitter.
Speaker 1 (44:57):
And like, oh, unt told think about all the numbers,
or you can say no, I mean I love where
I live. I love that I get to talk about
music with you, we got to talk about Miles Davis.
And none of this would happen if we hadn't to
sign that deal. I mean, sure, maybe a different deal,
(45:18):
maybe I meet a different woman. Maybe, but you can't
change one thing without changing everything. So I'm trying to
be content and fully present to the moment I'm in.
Speaker 3 (45:28):
Did you fill the pressure with Darry to Move? After
Meant to Live?
Speaker 1 (45:33):
Was that? Oh my god, we got one and it
was a crazy journey to get one.
Speaker 2 (45:37):
Yeah, Well the funny thing, okay, so here's a funny
story about Meant.
Speaker 3 (45:41):
To Live and Darry to Move.
Speaker 1 (45:43):
Dairy to Move appeared on the album before that, in
switch Foot's catalog, which is an album called.
Speaker 3 (45:51):
Learning to Breathe, and that.
Speaker 2 (45:54):
Was a song that we thought, wow, this is such
a beautiful song. We're going to play it first on
the album. And but it was the same kind of
thing where the record label we were on at the
time was like, yeah, pretty good song. Then nothing happened
with it, but it took you know, we were like,
we still think it's a great.
Speaker 3 (46:13):
Song when we were going to put it on.
Speaker 2 (46:15):
Another album, and so we put it on this one
beautiful Letdown and that's when people thought it was a
great song. So but it is that thing where perspective
is it changes everything, right, So like people will say, well,
it's not a hit like Meant to Live or Dairy
to Move, And in the back of my mind, I'm like, well,
(46:36):
those are all songs that people thought weren't hits, and
what is a hit?
Speaker 3 (46:40):
I think you know.
Speaker 2 (46:41):
Ultimately, again we're talking about resonance, so it's like, well,
what moves you. If it moves you, then go like
we just came out with a single wake Up Mister Crow,
and it's it's all the things that maybe you would say, hey,
this is not where music sat. But our goal was
to resonate with that fourteen year old kid who picked
(47:04):
up a guitar and started playing Zeppelin.
Speaker 3 (47:06):
You know that. We were like, let's make that album.
Speaker 2 (47:09):
And so then it becomes kind of irrelevant what anyone says,
because you feel it from here.
Speaker 3 (47:16):
The album comes out in June.
Speaker 1 (47:18):
That's correct, six six twenty six. Is there is there
a meeting behind that or I just remember the date
we there. We came up with all sorts of meanings
once we found out what the date was.
Speaker 2 (47:29):
Yeah, yeah, yeah, lots of meanings. Yeah yeah, thirteen Lucky thirteen,
double it and two.
Speaker 3 (47:36):
So yeah, it's a palindrome all of it. Yeah, it's
been five years. Huh, since it's been.
Speaker 2 (47:41):
A long time. Yeah, we've came out with the record.
The last record we made was recorded like the High
to COVID. There's so much tension, and I mean the
world has the tension is still there. But I felt
like this album is feels like as a band you
(48:06):
try on all sorts of different jackets.
Speaker 3 (48:08):
You're like, oh this this feels good. I like this.
Speaker 2 (48:10):
And as a songwriter you're always looking for new places,
you know, like your traveler. Right, this album feels like
it's a return to home where you think, oh, this
jacket feels nice, I'm comfortable in this. And again that
having the compass of well, what's going to make that
fourteen year old kid want to pick up the guitar.
Speaker 3 (48:31):
Let's make that record.
Speaker 1 (48:33):
Not the same at all but your new single. I
really liked Stars from you guys. Yes, they to me,
they feel a bit similar. Yeah, like and again, not
the same. I'm not saying they're the same. Yeah this
is you know, I'm a moron, but like that song
kind of made me feel like Stars made me feel.
Speaker 3 (48:51):
Yes, it does have a similar.
Speaker 2 (48:55):
It's they're both dropp d and they both have a
similar movement in the melody that's presented on the guitar.
Speaker 3 (49:02):
I totally agree.
Speaker 2 (49:03):
Oh good, Yes, And we have even thought about, like,
I want to make an intro that has one as
the intro and then you go into the other.
Speaker 3 (49:12):
I think that'd be really fun. Ah good. I love
when I'm not in it. No you're not.
Speaker 2 (49:15):
And actually that particular song is a motif that that
riff that appears in different forms. There's an upside down
version of it in a different song, and then it
comes back and again. It's kind of feels like like
an intentional thread to weave through the whole record.
Speaker 3 (49:33):
Are you a coffee guy? I love coffee. I'm trying
to get there. Okay, I hate coffee. Do you like tea?
Sweet tea? Okay? Only you? I mean I love it.
You're hitting all the boxes, like you know what.
Speaker 1 (49:48):
Like, It's just I feel like we're on the opposite
side on a lot of things, like let's go to
the beach.
Speaker 3 (49:52):
No, well, let's have some coffee. No, let's have some
sweet I love that. It's so good.
Speaker 1 (49:59):
I have been trying to will myself into liking coffee, okay,
because I do understand why people like coffee. I just
it just does not taste good to me. Do you
like okay, let's go back. Do you like coffee shops?
Speaker 3 (50:14):
Yeah?
Speaker 1 (50:14):
I like. I like a vibe of a coffee shop, especially.
I like the music in a coffee shop. I like
coffee house radio, I like all of that, everything, pastries, okay,
I like everything about coffee except the coffee.
Speaker 3 (50:28):
Okay, that's fair.
Speaker 2 (50:29):
It's kind of like me with smoking, Like I love
the idea of stepping outside and breathing for like five
minutes a couple of times a day and just hanging
with somebody and talking. I just don't like the idea of,
you know, smoking, but I love the you know. So
I feel like this is the same same concept. I'm
trying to drink coffee to make myself like it. I
(50:50):
just can't do it, well, is there if.
Speaker 1 (50:55):
You tried, like like kombucha or okay, and I love kombucha,
could you disguise it like put some kombucha in like
a coffee cup and just but then I feel like
I'm not doing it, like if I'm doing all that
work because I'm trying to do it so I socially
can just while everybody's drinking coffee because I've never I've
never had alcohol ever, I've never tasted alcohol. So since
(51:16):
I can't do that, I never did bars and stuff. Okay,
well I'm older now I do coffee. Yeah, but nobody
I just I can't get there coffee of coffee less coffee.
But again, it's like non alcoholic beer. Yeah, I don't
want to drink non coffee coffee.
Speaker 3 (51:32):
Yeah.
Speaker 1 (51:32):
The point of coffee is like for that, I just
didn't know if you could if you are a coffee guy.
Speaker 2 (51:37):
Or I love coffee, I really do, and I think
coffee like when when I show up in a new place,
I look on Yelp for coffee shops and there's usually
like two or three in a section of town, and
that's where I go, and it feels like coffee community conversation.
Speaker 3 (51:53):
I like all that culture. It all feels right there.
I love all that except coffee part for the coffee,
but yeah, I mean you can you can.
Speaker 1 (51:59):
Like kind of secondhand coffee, and I do it, and
that's mostly what I do. Yeah, and I can even
do like an espresso shot really in something like it
needs to be dumped over a cake.
Speaker 3 (52:09):
I did a whole cake with one shot.
Speaker 2 (52:11):
That My daughter, she's like, you know, she'll have like
the whatever, the latte with four donuts and everything.
Speaker 1 (52:19):
That's exactly how I have to do. Yeah, you have kids,
tell many kids.
Speaker 3 (52:23):
I have two.
Speaker 2 (52:23):
I have a fourteen year old daughter and a seven
year old son. Your story of coffee reminds me of Vegemite.
I was convinced I was going to move to Australia
and go to college there. And I was like, well,
their version of a PBJ and I'm going to be
on a budget because I'm in Australia is Vegemite.
Speaker 3 (52:39):
Sandwich. Could never figure out how to like Vegemite. It's
pretty disgusting. And so that's why I never went to Australia.
You know you never went. I never studied there. Oh,
I got to college. It kept you out of Australia. Oh,
I wear so many things. No, yeah, I can't stand it.
Speaker 1 (52:55):
Yeah, there's an exchange student when I was in high school.
Speaker 2 (53:02):
And then I'm like, dude, I'm coming back. I'm going
to fall in love with vegemite and yeah, never worked out.
Speaker 4 (53:09):
Let's take a quick pause for a message from our
sponsor and we're back on the Bobby Cast.
Speaker 3 (53:24):
I was asking about your kids, if you want, if
they love music. They do, and I so.
Speaker 2 (53:28):
My friend is an artist, visual artist, and his definition
of an artist is someone who appreciates beauty visually, can
take it in and appreciate it because he says, you know,
replicating something with your hands or creating something that's that's
(53:49):
a form of art, but even just taking it in
is that's the highest form of artistry. And I feel
like the same is true with music because I have
both my kids.
Speaker 3 (53:57):
They love it.
Speaker 2 (53:58):
They take it in and they can they'll play different instruments.
But I think too about you know kids that you
know have autism or different on the spectrum in different
ways that may never be able to replicate a song
or create it with their fingers, but the music moves
them in ways that maybe doesn't move anyone else in
(54:20):
the room. So yeah, they love music and they feel
it on that level. I think most kids, do you know,
I'm in the I asked, God, your kids. We had
a baby like two weeks ago, first baby, and so
now I'm just deciding what scientifically I want to do
to her to make her.
Speaker 1 (54:40):
Like you know the science experiment. Yes, yeah, and so
like what do I want to make her like? Well,
I will say this, you stack the deck. I had
all the playlists up until like five or six or seven.
You can you hold all the cards. So like I
would even take my daughter to record stores before she
(55:04):
could talk. There's a space, there's a spot called lose records.
All the records that you want, right, and I would pick.
I'd go through and pick albums that I wanted. I'd say, okay,
you want Miles Davis or do you want you know
this this Bob Dylan record? And it'd hold them up
both up to her and she would be like eh eh,
(55:25):
and I'd be like.
Speaker 3 (55:26):
Okay, put this one down.
Speaker 2 (55:28):
And then I'd pick up a David Bowie record, which
one do you want? And she would and so ultimately
she would pick what we would get and then we'd
go home and put it on and we'd listen to it.
And that was kind of one of our traditions. And
the other thing, I mean with Spotify or anything, you
are seating the field. You're you're you're saying, this is
(55:48):
music and it can be whatever you think good music is.
And that's what she's going to have as her foundational
element of what she loves, which is pretty awesome.
Speaker 3 (55:57):
Yeah, I'm looking forward to that.
Speaker 1 (56:00):
Gonna get he into coffee though, no coffee, Yeah, I mean,
so she's going to be like getting coffee in the
back alley, like you know, my dad doesn't let know
I'm doing this, but yeah, two final questions for you,
So talking about music, like, what what was it that
you listened to as a kid that you still find
(56:20):
that if you're putting music on, you still turn it
on because it makes you feel comfortable.
Speaker 5 (56:24):
Oh, So Aretha was My mom and dad are both musicians,
and so music was always on a lot of records
and my mom had a like mostly.
Speaker 2 (56:40):
Male artists looking back, and my mom didn't really tolerate
too many female singers she had.
Speaker 3 (56:46):
She was very particular. She loved motown. But so Aretha
was one.
Speaker 2 (56:50):
Of the the voices that felt like, you know, almost
like a mother kind of tone. For me, it just
felt like, you know that that's that's what Heaven sounds like.
So Aretha feels like my childhood.
Speaker 1 (57:07):
Final question, Well, let me say this first before we
get to the final question.
Speaker 3 (57:11):
And we mentioned it already.
Speaker 1 (57:12):
The new album Forever Now comes out June twenty sixth.
There's a lot of a lot of reasons for that date,
Like we talked about, Yes, wake Up mister Crow is
out now, and I'm not crazy for thinking that felt
a little bit like Stars at least to me.
Speaker 3 (57:25):
Yes made me feel like I was nervous.
Speaker 1 (57:26):
I was never say I feel it okay, good, thank you,
thank you, And I'd like you to be honest.
Speaker 3 (57:31):
I can show you why it feels. Please do which
that's tuned, yeah.
Speaker 1 (57:34):
Okay, so the uh yeah, so this is they're both
and dropped, which is definitely like the fourteen year old
tuning where you're like, yeah, fourteen year old, I love
(57:56):
that sounds heavy.
Speaker 3 (57:58):
So Stars is it has that right? And then the.
Speaker 1 (58:13):
So it has a drop D droning and they're also
very similar at BPMS and they have that a lot
of the dissonance.
Speaker 3 (58:24):
So yeah, they're they're they're they're brothers or sisters.
Speaker 2 (58:27):
I don't know the gender, but they're one of those too,
at least strong cousins.
Speaker 1 (58:30):
Yeah, I have double cousins. Ever heard of that?
Speaker 3 (58:32):
Oh? Is that an Arkansas thing? I don't know what
double cousins are. I'm sorry the idea.
Speaker 1 (58:39):
So my mom and her sister, two sisters, okay, married
my biological dad and his brother. No way, So two
sisters married two brothers, So all offspring, we're all doubled up.
Like to everybody that's related to me is related to them.
Speaker 2 (58:54):
I so the people that live in the alley behind
me when I was writing meant to live same thing.
Speaker 3 (59:02):
They're brothers that married two sisters. Yeah, so we're almost
incest but not quite. No, no, not no incest.
Speaker 1 (59:10):
No no, no, I agree that just said almost the tree
goes up with no branches come out, but it's not.
Speaker 3 (59:16):
Oh my gosh, but it almost feels.
Speaker 1 (59:18):
Yeah, it's yeah, like you can you can almost walk
off the cliff, but you didn't fall off the cliff
and die. That's where we are, okay, okay, yeah almost
almost almost final question. Okay, and please be honest with
me here because I'd asked, Hey, I wonder I want
to what John's like, because I'm always curious of an impression.
Before I get to make my first impression, I like
to tell you what that is. Did anybody tell you
(59:40):
anything about me coming into this room at all?
Speaker 2 (59:43):
The only text I received was like five minutes before,
did you.
Speaker 3 (59:47):
Know where you were coming? No?
Speaker 1 (59:49):
No, so you're just strained. You just fallow feet and
you came here and you didn't know what you're walking into.
Speaker 3 (59:52):
Yeah, kind of didn't know. I knew.
Speaker 2 (59:54):
I was like, I knew you were affiliate with sports
and the Dancing with the Stars, and that was kind of.
Speaker 1 (01:00:00):
That's hilarious because that's like my eighth and ninth jobs. Okay,
all right, so that's what I'm saying. Okay, good, So
what what what information did you have before you walked
in here?
Speaker 3 (01:00:09):
I can read you the text message. If that's okay, I.
Speaker 1 (01:00:11):
Hope it's like strikingly good looking, it's very attractive, super funny,
he smells great.
Speaker 2 (01:00:16):
Yes, why that was reletive irrelevant, but yeah, okay, it
says for the sake of posterity, pretending you've never heard
of Bobby bones for a second well known radio host
in the country. Space has a syndicated morning show on iHeartRadio.
He's also done some hosting. He's on American Idol as
a coach one, Dancing with the Stars and kind of
(01:00:40):
all over the place.
Speaker 3 (01:00:41):
Interviews should be fairly straightforward. Hit me up if you
have any questions. Oh, christ I will see you there shortly.
All right, So that was what I knew. Do you
know what this is on? No?
Speaker 1 (01:00:52):
Okay, so this is the show on Netflix. Okay, I'm
glad I didn't know. By the way, I'm Bobby. Nice
to meet John yet. I was like, yeah, that sounds fun.
I love talking about music. And I heard about the vinyl.
Speaker 3 (01:01:06):
Yeah. Component I'm like, yeah, that sounds great. Did you
enjoy this? I loved it? Okay, I love that. I mean,
what's not to love.
Speaker 1 (01:01:13):
We have to talk about our favorite spots on the
planet and Miles Davis.
Speaker 3 (01:01:19):
Okay, yeah, what I got to teach me some dance moves? Now, No,
you don't want that.
Speaker 1 (01:01:23):
Okay, you will somehow get worse if I teach you
anything dancing. What I was told was John is so nice,
it's going to blow you away. That was what I
was told about you coming in here. Okay, When I
say that, how does that make you feel?
Speaker 3 (01:01:39):
Nice?
Speaker 1 (01:01:39):
Is? Is?
Speaker 3 (01:01:40):
Is an interesting adjective? I agree, I agree.
Speaker 2 (01:01:44):
I appreciate being kind, and yet niceness is actually something
I'm trying to figure out come to terms with.
Speaker 1 (01:01:54):
Nice doesn't always resonate with me. Yes, but I think
it was meant in a way of you're really going
to like him because he's a very kind and he'll
be generous.
Speaker 3 (01:02:03):
Guy.
Speaker 1 (01:02:04):
I think that's what the sentiment was. Yes, and met fully,
but you're the grand Canon. You're better than the Grand
Canyon like I expected.
Speaker 3 (01:02:11):
And then whoa, look at this thing like it was.
Speaker 1 (01:02:14):
That Wow, Okay, I'll take it. Yes, like India status
grand king. Sure, okay, but yeah, I have trouble with
nice because there are people that are nice, but don't
it doesn't feel genuine Yeah.
Speaker 3 (01:02:25):
Well, and it's it's that thing where.
Speaker 2 (01:02:28):
Yeah, I think, yeah, there's a lot there, but I
think for me, yeah, nice is a strange one. And
I think I'm trying to present myself. I want to
be kind, I want to be honest. I want to
be and I think sometimes nice can shave off all
the But I'm coming to you with you know, some scruff.
Speaker 3 (01:02:47):
So here we go. I've really enjoyed this. I have
to thank you for your time.
Speaker 1 (01:02:52):
This has been awesome and we talked about the record
before you got here. Congratulations. And I'm just a big fans.
I've been a big fan for a long time, so
for me, this is thrilling to be able to sit
and spend this time with you and not totally swing
and miss on stars. Let's go, yes, yes, all right,
there he is, John. Thanks for your time.
Speaker 4 (01:03:09):
Man, all right, thank you, thanks for listening to a
Bobby Cast production
Did anybody tell you anything about me coming into this
room at all?
Speaker 2 (00:10):
The only text I received was like five minutes before,
did you know where you were coming?
Speaker 3 (00:15):
No?
Speaker 1 (00:15):
No, So you just stringed, you just follow feet, and
you came here and you didn't know what you're walking into.
Speaker 3 (00:19):
Yeah, kind of didn't know.
Speaker 2 (00:20):
I knew you were affiliate with sports and the Dancing
with the Stars, and that was kind of it.
Speaker 1 (00:26):
Our guest today is John Foreman and the lead singer
of Switchfoot.
Speaker 3 (00:30):
I'm a big switch Foot fan.
Speaker 1 (00:31):
We were meant to live for so much more that
one and I dare you to move.
Speaker 3 (00:38):
I sing them perfectly too.
Speaker 1 (00:39):
He's a Grammy winning songwriter and the voice behind some
of the most well known songs and alternative rock. As
the lead singer of Switchfoot, he has led the band
through ten million albums sold crazy nearly three decades of touring,
and after five years, the band is back with their
fourteenth studio album, Forever Now, that comes out June twenty sixth.
(01:00):
I think you're going to love it if you like Switchfoot,
which I do. They got a brand new single, wake
Up Mister Crow. They're going on tour and this is
just a fun conversation about traveling and I know nothing
about surfing, surfing and music. So here he is John Foreman,
the lead singer of Switchfoot. John Good to see you, man. Yeah,
(01:20):
I've been a fan for a long time. I was
coming in and I left my radio show and I
was coming over and I was with my wife and
I said, Hey, do you know Switchfoot? And she said yeah,
because I know a lot of switch Foot songs. And
she's like eleven years younger than I am, eleven and
a half or so. And I said, what do you
know and she said Walk to Remember. And I was like, no,
I think you're talking about the wrong wrong band, And she'
(01:43):
was like, no you And I said, I don't know you,
and so we listened to you.
Speaker 3 (01:48):
Yeah, so our switch foots are different.
Speaker 1 (01:50):
My wife'switch Foot and my switch Foot are completely different.
Speaker 3 (01:53):
Because that's where she was.
Speaker 1 (01:54):
She knows, you know, she's probably seven songs deep on
you guys, which is significant for any band. And I
was I didn't even know you guys were in the
movie A Walk I don't think I've ever seen a.
Speaker 3 (02:04):
Walk to Remember. Yeah, yeah, I know.
Speaker 2 (02:06):
It is funny because we we had a ton of
songs in that movie, and yet that movie feels like
it represents a totally different cross section than say, the
songs we played you know two nights ago in Jersey,
like the songs that we would I don't. We haven't
played you Live in a long time. But yeah, I
(02:29):
still love those songs as well. It's feel like a
different band almost.
Speaker 1 (02:32):
Is there a type of person that knows you for
a different thing all?
Speaker 2 (02:36):
I mean, that's the funny thing. So I'm in this
other band, fiction Family that nobody knows about, with Sean
Walkins from Nickel Creek and a couple other guys and
this guy's I'm singing in switch Foot or I'm singing
a solo show and this guy comes up to me
(02:57):
and he's like, are you in a band? And like
I think I know where it's going, you know. He's like,
fiction Family, right.
Speaker 3 (03:05):
You know, And I'm like, yeah, that's me, you got me.
Speaker 1 (03:08):
It's funny how even with the people that will come
up to me, they'll know me. I can tell by
their age and their age, their age and their sex
what they know me from. Right, Like if it's a
dude and he's in his forties and fifties, he probably
listens to like my NFL show. If it's an old
lady she saw men dancing with the Stars, if it's
like a family American, like, I can tell when they're
(03:30):
coming up what they know me from. And I just
thought it was wild because I've been again, I've been
a fan of you guys forever. I did not know
you were in the movie. And my wife knows you
just from that, and she's like, I'm a massive fan
because of that.
Speaker 3 (03:40):
That's fun.
Speaker 2 (03:41):
My daughter probably, yeah, she would know you from Dancing
with the Stars.
Speaker 3 (03:45):
She would apologize to her for that. Yeah.
Speaker 1 (03:48):
For me, yeah, most people that didn't know me before
Dancing with the Stars didn't really enjoy me on Dancing
with the Stars.
Speaker 3 (03:55):
That takes some khone though. Man.
Speaker 1 (03:57):
My wife's all was like, you could do that, and
I'm like, no, I wouldn't. I don't think I ever
would they.
Speaker 3 (04:02):
Ever ask you to do it?
Speaker 1 (04:04):
I if they have, I've blocked it out. I don't think. I,
Like I said, that takes something special and I don't
know that I have it, So hats off. I have
a friend that was at a festival and I think
it was in like West Texas two thousand and two.
Or two thousand and three and you guys were playing
a five o'clock slot and I think it was after
(04:24):
Meant to Live a hit MTV, and he told me
that there were like twenty thousand people there for a
five o'clock slot because that song had popped so hard because.
Speaker 3 (04:35):
It had landed on MTV. Does that sound familiar to you?
Speaker 2 (04:39):
Yeah, that was a wild time. The whole experience of
that was surreal on a lot of levels because you
go from playing for twenty people that could kind of
care less, you know, to playing for a lot more
than that, and almost overnight, it felt like there.
Speaker 3 (05:00):
Was a big shift.
Speaker 2 (05:04):
Yeah, that was a strange period because that was our
fourth record and we made it with the attitude that,
you know, let's make one last record and then we'll
break up and get real jobs.
Speaker 3 (05:17):
No way.
Speaker 2 (05:17):
So yeah, that was like that was the mindset, let's
just give it all we have. And and we were
you know, independent at the time, and we recorded this
record up in La in a week and you know
had of course, you have high hopes you want to get.
Speaker 3 (05:33):
It out there.
Speaker 1 (05:34):
But right before the record came out, we got dropped
by Sony Records, And so I mean everything.
Speaker 3 (05:43):
If you're thinking through your life at.
Speaker 2 (05:46):
The age of you know, twenty three or so, you're
not thinking, oh, this is where everything turns around.
Speaker 3 (05:53):
You're thinking, Okay, well that's cool. That was a good run.
Speaker 2 (05:56):
Let's go back to college and yeah. So that was
that was my experience of that season.
Speaker 1 (06:02):
The first three records that you put out, were you
guys just grinding in a van.
Speaker 3 (06:06):
Yeah, we would.
Speaker 2 (06:09):
So there was this thing in the nineties and early
two thousands called cred and if like, you wanted to
get cred and the only way you could get cred
was by doing it the hard way. So it was
not seen as some sort of flaw. It was seen
as whoa, those guys they tour in a minivan and
(06:31):
they eat ramen, and that's so cool.
Speaker 3 (06:34):
They do that for their art.
Speaker 2 (06:36):
I don't know that nowadays it's cool, but that's the
way we saw it.
Speaker 3 (06:39):
So we would pack all our stuff.
Speaker 2 (06:42):
In the minivan, and you know, we drive across the
country a lot of times. It was a rental, rented
minivan and we're you know, we're a three piece at
the time, and we turned the car in with thousands
of miles at the end of the tour. The guy
like checking out in is like this has to be
a mistake. You guys put two thousand miles on this thing.
Speaker 3 (07:05):
So yeah, that was that was the early days when
you started.
Speaker 1 (07:08):
Were you just playing like in your town like was
or was the idea Let's just start booking shows immediately.
Speaker 2 (07:16):
So the dream when I was in high school, the
dream was to break even on an album that we
paid to record. So I spent you know, took all
my bus boy money from working at the restaurant and
spent it all on the studio and I did the math.
(07:36):
We needed to sell like two hundred and thirty copies
of this album and then we break even. And so
we had our sites real high. We wanted to sell
two hundred and thirty copies and when we did it,
that was success.
Speaker 3 (07:48):
You know, we did.
Speaker 2 (07:52):
You know, I think my brother and I were pretty resourceful.
We love the hustle, and it felt like we were
kind of cheating the system that we were actually breaking
even with rock and roll.
Speaker 3 (08:07):
But we had no thought.
Speaker 2 (08:08):
Of thinking like, oh this could actually you could get
a mortgage on a house with this kind of thing.
Speaker 4 (08:13):
You know.
Speaker 3 (08:13):
It was like, no, this is you have to graduate college,
you can get a real job, so you.
Speaker 1 (08:19):
Would record your albums at a small studio in California.
Speaker 3 (08:23):
We did the first few there.
Speaker 2 (08:26):
The first switch Foot record, we were actually recorded here
in Nashville. So what were you before Switchway? We were
a band called et cetera, Were you etc?
Speaker 3 (08:35):
Or just yeah, yeah, yeah?
Speaker 1 (08:37):
And how many of those guys were the guys that
ended up being a switchlay My brother, myself and a
drummer who he left to go back to the East Coast.
Speaker 2 (08:46):
And our drummer, now Chad, said we said, hey, you
should join our band, and he was like, well, let's
start a new one. And so that's that's why the
name changed. Well, yeah, we switched the switch names. We
had a another name in between, called chin Up, and
we thought that that was too hard to say, and
somehow switchfoot is easier, which it's not. I had a
(09:10):
lot of speech therapy as a kid, and I don't
know why we picked a Dave's switch Foot. It's it's yeah,
but it's that's that's what we thought was a better idea.
Speaker 1 (09:19):
I don't know how to serf. I'm from Arkansas. Water
makes me uncomfortable still, so I'm not a water okay,
salt or fresh either both land land okay, yeah. Way,
generally speaking, do you like being near the water, not
even like sitting at a lake or Okay? If if
(09:39):
I am, I need to be doing something. I need
to be doing some kind of activity. I just never
grew up on water. And my wife loves the beach.
Most people love the beach. Yeah, I just at this
point in my life, I just like some good WiFi.
Speaker 3 (09:52):
Okay, you know.
Speaker 1 (09:54):
What about Okay, what about the mountain or like a
field or the streams or or any of that.
Speaker 3 (10:01):
Do anything.
Speaker 1 (10:02):
I've been in some cool places. Yeah, if you say what,
let's go back and forth. Coolest places we've ever been,
things we've seen to be a fun exercise. I remember
the first time I saw the Grand Canyon. I was
blown away. I could not believe how grand it actually was.
One of those things that lives up to the name, right, Yes,
(10:22):
very few do. And I remember seeing the Grand Canyon
and I had a show on that GEO where I
had to go and clean the skybridge underneath that clear
thing people stand on, and so I'm on a single.
It sucked because I hate it's crazy suck. It was
the worst thing ever, but you're you were you clean
that thing from underneath on a road.
Speaker 3 (10:41):
Oh my gosh. Okay, now I've got some watching material.
I hated.
Speaker 1 (10:46):
It was the first episode, and you knew I didn't
die because there were like eight episodes.
Speaker 3 (10:50):
If they put it on Colley.
Speaker 1 (10:54):
The Grand Canyon was awesome, and I used that word
like it was meant it was awesome. I could not
believe it. I'd never seen anything physically like that before.
So that's going to be in my draft. We'll do
three each. Grand Canyon number one.
Speaker 3 (11:06):
Pick you're up.
Speaker 2 (11:08):
Okay, this one holds a special place in my heart.
There's this place called Uluwatu in Bali, and it's a
surfing spot that is legendary and been there many times,
and it is stunning. I mean, the secrets out on it.
It's no longer like this hidden thing. I think Richard
(11:32):
Branson and a bunch of people have houses Oprah or
whoever on the top of it. But it's like this
four hundred foot cliff that just goes straight.
Speaker 3 (11:40):
Down into the water. And then the.
Speaker 2 (11:44):
Entire that entire coast is exposed to huge Indian Ocean
monsoon season swells, and so some of the best waves.
There's this cave that you walk through to.
Speaker 3 (11:58):
Get to the ocean.
Speaker 2 (11:59):
So you go down these stairs that are connected only
at the bottom and the top, and there's monkeys that
live in the caves, and then you paddle out through
the cave into the ocean and it's just this living
reef and these world class waves firing off in front
of you. So that's that's a special place in my heart.
Speaker 1 (12:21):
Did you know I'm assuming the laura of it before
you got there and the when you got there.
Speaker 3 (12:25):
Did it live up to it even though you've heard
about it? Yeah, So.
Speaker 2 (12:31):
Being a surfer, it's funny because surfing it's a very
egalitarian sport where if you get to the spot and
you want to paddle out.
Speaker 3 (12:44):
Go for it.
Speaker 2 (12:45):
It's not like the super Bowl where you have to
get drafted and make your way there, you know, like
there's no one checking credentials or anything like that. But
every you know, I'd say probably ninety percent of the
surfers around the world would know what we're talking about.
And so, yeah, it absolutely lived up to the hype.
Speaker 1 (13:06):
My number two is going to be because I had
seen it on television my whole life and growing up
I lived in Troilither Park, so I never really thought
i'd get to leave the state, much less the country,
and it really wasn't that big. But just seeing the
Eiffel Tower in person was the coolest thing to me
because it was like I was getting to experience things farther.
Speaker 3 (13:26):
Away than I ever thought I would get.
Speaker 1 (13:28):
To experience things. Yeah, so it meant that to me. Yeah,
so to because I'm assuming you've been to Paris. Yeah,
and I love the seventh or twice now we love it,
like yeah, and we have my wife and I have
great memories of being there. And I remember the first
time we were driving in we weren't driving, somebody was
driving us and seeing like the top of it, and
you get and I just had this like overwhelming feeling of.
Speaker 3 (13:50):
Like I'm not I don't have to be that kid anymore.
Speaker 1 (13:53):
Wow, because I'm getting to see things I never thought
I would get to see and something I only thought
that felt fictional.
Speaker 3 (14:00):
Yeah, it almost.
Speaker 2 (14:01):
Those are those moments where it feels like it's almost
like a mythical innerplay where you're like, oh, yeah, I've
read Harry Potter and then oh no, actually, oh it's real,
you know, like.
Speaker 1 (14:12):
Yeah, that to me because the meaning to it. I'm
gonna put that as my number two. Seeing the Eiffel
Tower and then you get to basically go up to it.
We didn't go up in it, but you know, we
have a big picture in our house of us in
front of it. That means more to me than just
that old structure behind us. To me, it's something I
never thought I would get to see in person. Getting
to see it in person.
Speaker 3 (14:31):
Yeah, I love that. Okay.
Speaker 2 (14:33):
So my number two, I think the thing, so this
is going to be more of just a feeling that
I have in an entire country.
Speaker 3 (14:47):
So when I'm in India. We've been in India.
Speaker 2 (14:50):
Several times, and there's just this magnificent claustrophobic explosion of
color and smell and people and and taste and everything
is there. It feels otherworldly where you think to yourself, Okay,
(15:12):
I've arrived on some sort of Star Wars planet and
this is this is the way this planet behaves, because
there's no way this is Is this really Earth?
Speaker 3 (15:21):
You know? So safe to you there? I don't.
Speaker 2 (15:23):
Well, I've found that in most cultures, the it's the
brackish water. If we're going to go with a salt
saltwater freshwater analogy. That is, the feels like the places
that are dangerous, so like, for example, the border between
(15:44):
Mexico and the US. I never feel safe near the border,
but the further south you get into Mexico, the more
safe you feel. I feel the same thing in India,
like the further you get away from like the tourist spots,
the more you just feel like, oh, I can roll,
but I did. I never felt like I was letting
my guard down because it's such an abrasive affront on
(16:08):
every one of your senses all at once.
Speaker 1 (16:11):
It doesn't mean my list, but when I went to Haiti,
I kind of felt that way. Yeah, Like the further
I got out of town, yes, my heart could rest
a little. My resting heart rate actually fell a bit
because in town there's people, there's gun people are holding guns,
there's but once you get out, I feel like everybody
(16:31):
was a little more chill, like that everybody was a
condensed Yes, So I don't totally relate. India's always been
something that I guess have friends that have been And
one of my friends went landed in the airport.
Speaker 3 (16:43):
It was like, I'm not doing it came home.
Speaker 2 (16:45):
I get that it's a very visceral, uh affronting feeling
where you're you're completely engulfed in humans and not an
always pleasant way, you know, I think. But I do
think maybe being around crowds all the time at festivals
(17:07):
or whatever, maybe that helps a little bit with that
kind of thing.
Speaker 1 (17:11):
Okay, you got to go one more. Third one might
are going to be because of the way they made
me feel. Okay, I went to Japan, and this was
when I felt like, as different as everybody is, we're
all the same. Yeah. I went all the way around
the freaking world. Yeah, and I would see families doing
family things. Yeah, people solo doing solo people things, Dad's
(17:35):
religious everything that felt like it was supposed to be
so different from what we're taught, but it was just
the same.
Speaker 3 (17:43):
Yeah.
Speaker 1 (17:43):
Like there are universal languages, yeah, that we all share,
regardless of our cultures that we grew up in and
that were so bound to each other by them, even
if we constantly fight it or were taught were not
the same. Going to Japan made me feel like, man,
maybe I should listen to the news so much. Like
that's the feeling I got there because I felt like
(18:05):
I was exactly like them. Wow, when my whole life
I had been told that we're from different culture, so
we're so different. They use chopsticks, we use fox were
they're crazy. But in reality, what I learned by like
being there was God damn man, we're all the same,
just chasing the same thing, same dreams, same core values.
(18:26):
And that is how I felt about just being in
Japan in general, because it felt so foreign, because it
looked so different and it was so far, and there
were like two versions of it. There was like the
Japan that was like super chill, and there's like Space
Age Japan, and I was like, this is just like
the Jetson's crazy and there's Japanese music playing over and
had no idea, and I was learning, trying to say
(18:47):
the words like nisi wa and I was you know,
I got and I was saying the things. I was
trying as hard as I could, and they were so
appreciative that I was trying. And I remember just having
like a sense of man, Earth's kind of cool, like
I shouldn't fall into the traps that the divide.
Speaker 3 (19:01):
That's good.
Speaker 2 (19:01):
I love that, And I do think that travel is
probably the best education, you know. And yeah, I have
a friend from Taiwan who grew up here, moved there,
super smart guy, like double major math in computer science
in three years, and he's out to Taiwan and then.
Speaker 3 (19:25):
And he comes and visits and.
Speaker 2 (19:29):
He comes back to America and he's like, man, I thought, like,
he's like the same thing.
Speaker 3 (19:35):
He's like.
Speaker 2 (19:35):
I was reading the news and I was like, I
thought America was blowing up or something, I you know,
But then I realized I talk to people back home
in America, and I'm like, I don't know, Everything's fine.
Speaker 3 (19:46):
People are people, and.
Speaker 2 (19:47):
They still love each other, and they still love their family,
and they still are trying their best. And yeah, I
do think maybe the the thing that sells the news
often is the scandalous things in the in the margins,
and and for the most part, you know, people are
generally aiming for the right thing, you know.
Speaker 3 (20:10):
So that's a that's a good point.
Speaker 4 (20:12):
Let's take a quick pause for a message from our sponsor,
and we're back on the Bobby Cast.
Speaker 3 (20:27):
All right, hit me with your three, Okay, number three.
Speaker 1 (20:30):
I got so distracted by the story I wentn't even
thinking about it.
Speaker 3 (20:36):
Okay, So if we're gonna go with number three.
Speaker 2 (20:38):
I had the privilege of going to Italy with my
wife and it was a trip that had no agenda,
and it was a very you know, pre kids, and
I will never forget the taste. You know, you talk
about the feeling that you had. I'll never forget the tastes.
Speaker 3 (20:57):
It was. We just kind of want We had no plan.
We just get an airbnb.
Speaker 2 (21:04):
This is you know, back in the day, and every
day was just kind of a new adventure. And it
felt like I was. I was because of the way
we did it. So on kind of a micro level,
it was no, there's no we're going to do this
and this and this. I felt like we kind of
sunk down to the level of what it might have
(21:26):
been like on foot. You know, we didn't have a car.
We're just walking from from place to place. That'd probably
be my my third most memorable place on the planet.
Speaker 1 (21:37):
We went to Italy and I started just going places because,
like I said, I never went anywhere, and then I
had made money and I was single forever, so I
was like, I'm a do crap and I started chasing
things from television. Yeah, like I only went to Japan
because Jesse and the Rippers from Full House played there.
Speaker 3 (21:49):
Of course, right, why wouldn't you. I only went to
Hawaii because of the Ready Bunch.
Speaker 1 (21:54):
I only went to London because of friends like and
I went a lot of these places by myself. Even Wow,
that's great, because I was just like, I want to
see stuff. And when I met my wife, that's when
I actually started traveling with somebody. And we've been married
almost five years now, and we went to Italy. We've
gone twice now, but I would hear people talk.
Speaker 3 (22:13):
About that and go, you can eat whatever you want.
You don't even gain weight, And I was like, urban legend,
not real fake.
Speaker 1 (22:20):
Then we went, you can eat whatever you want because
there are no preservatives. They're not like us we're packaging
U ding doll for seven months before we eat them.
Speaker 3 (22:31):
They make their stuff to be eat right then.
Speaker 1 (22:33):
And you can eat all the stuff here that you
can't eat because it'll sit in you forever. And it's
I compared it to like Chinese food. Here you go,
you get stuffed on Chinese food. Two hours later you're like,
where did it go? That's how like the thick the
breads were in Italy, And I was like this is
a everybody was right.
Speaker 3 (22:50):
Yes, Italy was awesome. Yeah, Italy is amazing.
Speaker 1 (22:54):
We did a cooking class in someone's house, Like we
totally embraced it.
Speaker 3 (22:58):
I'm not an embracer.
Speaker 1 (22:59):
My wife is embraces okay, And she said we should
really experience this, like let's not go to because we
we did Florence, which is freaking crazy because I wanted
to see art, like I like the stuff. It's like
the water, Like I don't like the water for the
sake of the water. I don't want to go to
the town for the sake of the town, Like I
want to do stuff. Yes, yeah, yeah, So we're like,
my mom has the list?
Speaker 3 (23:18):
Do you have the list? Very much like things I
want to do. We got to check them off.
Speaker 1 (23:22):
So, you know, it's super funny since I used to
be the kid who's like, mom, quit it, like we're here,
we're in Hawaii, Like why do we have to have
a list?
Speaker 2 (23:31):
You know, it's just unfold and see what happens. And
now my wife is.
Speaker 1 (23:36):
So far that way that I freaking have a list
because she's you know, I'm like, oh my, somebody's got
to be at home, dude, I have to be the
list person.
Speaker 3 (23:44):
Yeah.
Speaker 1 (23:45):
We went out to a lady's house and she found
on some Angie's List Italy. I don't know what they
have over there, but some version of that.
Speaker 3 (23:52):
Yeah, and g and Jesus and so we we.
Speaker 1 (23:59):
Travel like twenty miles out of Florence and went to
her house and stayed the whole day and she just
like she's just a lady, just taught us how to
cook and we made pasta. It was really one of
those experiences that I wasn't looking forward to. But I'm
so grateful that I listened to my wife and we
did it. Yeah, because it's still like so special in
my heart. Wow.
Speaker 2 (24:18):
So do you do you have like those memory like
the all the all the recipes on lock and Usual.
Speaker 3 (24:25):
She does.
Speaker 1 (24:26):
She's a great cook, she knows how. There's once a
year we do homemade, all the homemade noodles and stuff
because we learned how to do that. Yeah, and it's
a process, like it takes hours to do. So I'll
commit to her once a year to do it.
Speaker 3 (24:40):
Yeah.
Speaker 1 (24:40):
But I think she learned two things from her specifically
that she does really well, and they're mostly improvements on pasta. Yeah,
I'm also not a pasta guy. Well yeah, I mean,
but the sauces, you know, it's right where like we're
like that, I've never tasted that before.
Speaker 3 (24:56):
How did you do that? It's all so fresh? I
guess right, it's all all so fresh. Just chop the
pine nuts right then and yeah, all of it.
Speaker 1 (25:04):
Yeah, so Italy to me, I have great memories there
of that and again just chasing television shows because that's
why I went places.
Speaker 2 (25:11):
So you know, it's funny for me. I had that
same experience of travel. You know, just if I if
they book us a show there, it's said, yeah, let's go.
I mean, even if it was a break even or
we'd lose a little money. Our very first tour was
in the UK. We got booked on a couple festivals
(25:35):
and we found out that the touring and surfing they
go hand in hand music and surfing because they both
require travel. And so while we're in London, we had
like four days left before we needed to fly home,
and we found out there were waves in France that
as swell was hitting. So we checked out of our
(25:57):
hotel and into Central Park with all our gear and
tried to sleep during the day, like sleep on our
gear so no one could steal it. But sleeping and
scent you know where at Hyde Park or wherever in London,
it's this band shows up to play like marching band.
We're like trying to sleep like it was comical. And
(26:20):
so now we're we haven't slept at all. We're wired
and we're trying to now make it through London at
night and not get mugged with all our instruments at
like subways and getting kicked out of places. But by
checking out of our hotel for that for those four days,
(26:40):
we saved enough money to get the chunnel over and
surf in France. And so those are like, those are
core memories for us as a band to think through.
Speaker 3 (26:51):
Yeah, and I.
Speaker 2 (26:51):
Wouldn't trade it now. My travel is is still a
beautiful thing. But having kids, I feel like a new
understanding of what home means. Because when you're twenty two
and you've dropped out of college and you're living at home,
(27:13):
travel means success, you know. But then as you grow older,
being home means success because I love my kids, I
love my wife, I want to be there, so yeah,
it totally changes the perspective. And then when I get
a chance I can actually bring my kids with me.
I brought my son to Alaska. We toured up there
(27:33):
this summer, and yeah, I want to pass on that
education to them.
Speaker 1 (27:39):
The first time that I had been to Hawaii, I
was in my thirties. I went by myself.
Speaker 3 (27:44):
It was America.
Speaker 1 (27:45):
I don't think I had a passport at that time,
so I stayed in the States.
Speaker 3 (27:48):
But I went where the time zone was off.
Speaker 1 (27:50):
Because I had to finish a book, okay, and if
my time's al was way different than everybody else's, then
I wouldn't be in the wheel.
Speaker 3 (27:58):
The emails weren't coming.
Speaker 1 (27:59):
There were like four five hours every day where I
did not have to worry about that. And so I
went to Hawaii by myself and I was staying at
a hotel.
Speaker 3 (28:07):
I was just riding.
Speaker 1 (28:07):
And again, Hawaii is a weird place for me to go.
But the Brady bunch went and they had that bad
luck mask. They threw it back in the oak. So
I just wanted to go and see it. Yeah, so
this is a Wahu. Well, first it was Honolulu, so
I bounced around a little bit, even by myself.
Speaker 3 (28:21):
Yeah.
Speaker 1 (28:22):
So first, because I didn't know what I was doing
I just went to Honolulu and stay at a hotel
and I was I thought I need to go do
something even by myself. And so I went to like
the Dole yeah where they make the pine app and
then I guess I make pineapples, but they you know,
the dole.
Speaker 3 (28:35):
Plant, yeah, right in the center.
Speaker 1 (28:36):
And so and then I went and hiked a did
a mountain by myself, and I remember asking somebody to
take a picture and they were like looking for the
other people to be in the picture, and I was like, nop,
just me, you know, like hold your arms out wide
and you take a picture. And so I thought I
should do something on the water. And I went down
and I don't know how to surf, and I wasn't
gonna take surf lessons, but I thought, I'll go and
get one of those like paddle stand up paddle boys. Yeah,
(28:58):
and I'll go and at least get on the wa
and have an experience doing that.
Speaker 3 (29:01):
And so I go and I'm on and I'm you.
Speaker 1 (29:04):
Know, strauch that thing to me so the board doesn't
fly off, but everybody's looking at me really weird, and
I'm like, either I'm killing this, and they're amazed at
a rookie or I'm doing something really wrong. And so
like I'm up, I'm standing up on the board. I'm
exact where I'm supposed to be, but people are like
looking at me, and then a lula me. He's like, oh,
they may recognize me. I got a couple of things
going maybe yeah, and it wasn't that. And so finally
(29:26):
a guy that I think he was giving lessons of
other people, he comes up and he's very nice and
he said, hey, man, that strap is not for your wrist,
it's for your ankle. So it's a strap, yes, yes, yeah, yeah,
so I had it on my wrist. I mean, you know,
different strokes. That's why everybody was staring at me. That's
really good.
Speaker 3 (29:45):
I was really like, I mean it doesn't go could
have gone neck, you know. I could have gone neck. Yeah,
maybe like a sweatban. My head's too big for the sweatman,
but I could have gone neck. But I did. Risk.
Speaker 1 (29:57):
Was surfing what brought you guys as the band together initially,
so kind of I definitely think it's what's kept us
together as a band.
Speaker 3 (30:08):
It's for people that don't participate.
Speaker 2 (30:12):
It sounds funny, but yeah, we were on surf teams
and high school and college. And I always joke UCSD,
the college we went to, is well known for you know,
math and science is not They don't have a football team,
but I will say our surf team is much better
than U. C.
Speaker 1 (30:30):
L A.
Speaker 3 (30:32):
And yeah, that's that was kind of.
Speaker 2 (30:35):
We'd go surfing, we'd make music, but you know, surfing
and music are both kind of you do it because
you love it. You're not thinking I'm going to I'm
going to crush it financially with this occupation.
Speaker 3 (30:51):
You know, surfing is it's.
Speaker 2 (30:53):
A blast, it's a passion, it's a lifestyle. It's a
way to connect with nature, yourself, other people. But you're
never thinking, oh, this is going to make me some money.
I think the same thing holds you with songs, where
I think songs are the scaffolding for the soul. They
get me to places I could never get to otherwise.
(31:15):
And yet the same approach was you know, until our
fourth record, we had that approach where it's like, oh,
of course we're never going to make money with us,
but we're going to pour our life into it because
it's beautiful.
Speaker 3 (31:28):
So why did you guys get dropped at that fourth record.
Speaker 2 (31:32):
We played a show in New York for the head
of Sony and he walked out second song after saying
a couple of expletives and did not like us and
thought we were not a good band.
Speaker 1 (31:50):
So he saw you play yeah and dropped you based
off a song he actually I think he.
Speaker 2 (31:54):
Walked out during a song called Darry to Move, which
ended up being one of.
Speaker 3 (31:58):
Our bigger songs. Yeah.
Speaker 2 (32:00):
Uh so we we finished the show and we're thinking, man,
that went pretty good, right, and our managers like, no,
it did not.
Speaker 4 (32:08):
You.
Speaker 2 (32:08):
I don't think it went well at all, And I
think you guys got dropped And it ended up being
the best thing that could have happened to us.
Speaker 3 (32:18):
Why because we.
Speaker 2 (32:21):
Were then relegated to this basically the farm team of Sony,
which was r D and on Sony tons of money,
tons of power, tons of clout, but we would have
been one of a bunch of other bands, and we
were in a very small ship in a big pond,
and on r D they were hungry and excited and
(32:45):
they were like, let's go.
Speaker 3 (32:47):
We love this, We love you guys.
Speaker 2 (32:49):
And you're our priority, and so we would just basically,
you know, we'd travel around the country plan for folks.
You know, we'd play our our show in the evening
and play for the radio station in the morning, and
halfway through the tour, that's kind of when the aggregate
(33:11):
sum of people started to change, you know. And yeah,
so that was a big turning point for us. And
I don't think it would have happened on Sony, So
that's what I mean. It was a blessing in disguise.
What was the success story of Meant to Live. Meant
to Live was a song that is it still feels
(33:35):
true for me. And when I say was, I feel
like I should say is. It still is a song
that feels like it resonates. There's several lines in it
that feel more poignant now and almost prescient than when
I wrote them. We want more than the wars of
our fathers. That line every night when I sing that,
(33:56):
especially now and being a dad, that feels feels like
a very poignant line, and I feel like it resonated
with people. Music is you know, to state the obviously
you're dealing with resonance, and you know that note that
you hit in the shower where it just keeps going
(34:17):
on forever and you think Wow, my voice is amazing.
You know, you found what's called the resonant frequency of
the room, where all matter will have a resonant frequency
at which it will vibrate. Say a truck drive by
and your window starts rattling this because the truck hit
the frequency at which your window rattles.
Speaker 3 (34:35):
Right.
Speaker 2 (34:35):
So I think that music not only on a physical
level of resonance, but also with the lyrical level. Something's
resonant with me, Like I hear a poem or I
read a book or a phrase and it feels like
it sticks with me and begins to move me in
a way. I think Meant to Live did that for
(34:59):
a lot of people, people where it resonated with them
and it felt like that fist in the air kind
of moment where they want to sing along with it.
Speaker 1 (35:08):
Was there a television performance or was it EMPTV or
was it a radio like what was kind of the
lever that actually like popped that song?
Speaker 3 (35:18):
Well, I mean we did all of them.
Speaker 2 (35:20):
You mentioned, you know, we were talking about the VC
Boys on Letterman. Yeah, we did Letterman, we did Leto,
we did EMPTV. There was there was one moment where
the last minute we were added to a radio show
at Madison Square Garden in New York City and it
(35:43):
was a last minute thing and so and they said, hey,
we want you to go out and play a.
Speaker 3 (35:48):
Couple of songs, just acoustic, just you and so.
Speaker 1 (35:54):
And it was and now that I'm thinking of it,
it was very odd. William Hung, I'm remember William Hung
was the Asma before us.
Speaker 3 (36:03):
Yes, she bangs American Banks.
Speaker 2 (36:04):
But you've got like Destiny's Child and Maroon five and
all these people everyone's backstage. Oh and also the Donald
Trump was there as the apprentice, right, so like it's
a cast of characters.
Speaker 3 (36:19):
What is Z one hundred? Yes, yeah, yeah, it Z
one hundred.
Speaker 2 (36:22):
And so I remember walking on stage with just an
acoustic guitar and uh and playing Meant to Live on
the acoustic guitar and having the entire Madison Square Guard
Garden singing along with me. And that was a moment
where I thought, Wow, they all know this song. That's
(36:45):
that's incredible.
Speaker 3 (36:46):
And those are moments that I feel like that is.
Speaker 2 (36:50):
Why I do what I do, whether it's an arena
or fourteen people backstage, or it could be I do
after shows where the show will finish and I'll go
to the parking lot in the back and send out
a tweet or Instagram and say, hey, let's keep the
night going where multiple people are all seeing the same thing.
(37:10):
When I was in high school going to the punk
show or church or wherever, it felt like, oh, I
resonate with this. I feel like I belong somewhere, And
in that moment at MSG, it felt like, Oh, I'm
a part of something bigger.
Speaker 3 (37:26):
Resonating's interesting.
Speaker 1 (37:27):
I just got off a call where I was being
interviewed about an artist that's killing it right now, and
they're like, why do.
Speaker 3 (37:35):
You think she's making it?
Speaker 1 (37:37):
And I said, well, first, you know, her songs are good,
and also the people she wrote with and sonically, you know.
And I said, you can have all eleven things, though,
and it's still not work. Yeah, Like if it were
a if you could predict it, if you could predict
what worked, Yeah, I think this job would be a
lot easier, I said, because I know I could list
(37:59):
all eleven of these things that I just said that
it's working for her that other people have done, and
for some reason it did not work. I said, but
you know what, it's so funny you said that. You said,
but you know why it's working is because it resonates
with people, like people either hear stories of themselves or
somebody they care about or root for, like there's something
that they're connecting to this artist music and this artist song.
(38:20):
And that was literally the conversation that I had with
the Wall Street Journal that was talking about music. And
it's such an odd thing because again, you can do
everything right and it's still not connect.
Speaker 3 (38:33):
Yeah, And then you.
Speaker 1 (38:35):
Could do everything wrong you connect like freaking crazy, yes,
because it would be like a video going viral that
someone is just like crappily shooting and holding up versus
one banks.
Speaker 2 (38:49):
I think that's a great example where you're like, Okay,
so why is that the song that everyone wants to
hear right now?
Speaker 1 (38:57):
And if you could predict it, or if you were
good enough to just do it every time, you would,
but really you can't, right, there's no way to produce
the perfect from the beginning, there's no way to produce
the perfect song.
Speaker 2 (39:10):
Well, because I think imperfections need to be there. I
think that's where the human component comes in, Like I
resonate with something that feels human to me, and to
be human to errors to human, right, to be human.
So we think like, okay, so we're looking I'm looking
at Miles Davis Kind of Blue.
Speaker 3 (39:31):
It's a perfect album. Hold that record up.
Speaker 1 (39:33):
Okay, there's a segment we do where and we donate
all these records eventually, so we have people bring in
records that mean a lot to them. And you've brought
in Miles Davis Kind of Blue. Why did you bring
that in? Okay, So this is my favorite album. I
think it's a perfect album.
Speaker 2 (39:46):
But it is a deeply human record because you have
these incredible artists, you know, masters of their craft, playing
the song for the first or the second time. Most
of the songs on here are first or second takes,
and I think that's where humanity comes in. I have
(40:08):
all these conversations with my friends that play jazz. They
talk about the bell curve where you have at the beginning,
you're you're so excited about the song, your interest, your
human connection with the song is at a peak, but
your aptitude to play the song is pretty low. These
guys not so much. But maybe the second take, third take,
(40:30):
four take, your aptitude gets better and better. You know
it better and better, so you now tenth take in
it's it's rope, it's all mapped out, but your interest
and your human connection with the song has gone down
because you've done it ten times.
Speaker 3 (40:45):
You just are kind of bored.
Speaker 2 (40:46):
So like usually like the fifth or sixth take, you're
like okay or fourth, it depends on what's happening. But
I think that's when I when I hear a perfect album,
I want to feel like there's humans that are making
the music, you know, because that's that's what resonates with me,
(41:07):
is the humanity, and that's what I feel like in
this what's perfect about it is that's the first or
second take you feel them kind of you feel the
song unfolding and it's nothing is forced about it.
Speaker 3 (41:19):
How did you start listening to Miles Davis?
Speaker 2 (41:21):
I played trumpet in junior high and so yeah, I
think this is a unique album though in the jazz world.
I mean, I think it's the most the best selling
jazz album of all time. So it definitely not only
resonated with me, but with a lot of people. But
(41:42):
I think it is you know, you talk about a
feeling that you had in Japan. Music is almost that
thing for a lot of us, where it's like a
smell where it takes you somewhere, and this album takes
me to a place that I want to go again
and again. It's a serene place that feels tranquil, it
(42:08):
feels human, but there's space for me there too, you know,
for my own thoughts to unfold. A lot of jazz,
incredible though it may be, is so filled with notes
and things that are flying by you that you really
have to pay attention. And this is an album where
it just kind of lets you drift again.
Speaker 3 (42:30):
We're back to the ocean, but.
Speaker 2 (42:31):
Maybe you're just kind of letting it take you where
it goes and you feel comfortable there.
Speaker 4 (42:37):
The Bobby cast will be right back. This is the
Bobby Cast.
Speaker 1 (42:51):
Flee also played the trumpet from Chili Pepper's Yeah and
he just did a jazz record, Yeah, And he talked
about how nervous he was and how after all the
forty years Chili Pepper's the highest level, that he still
felt like he did not have it in him to
pull off a successful jazz record that will be respected.
Speaker 3 (43:08):
Yeah. I mean, imposter syndrome is.
Speaker 2 (43:11):
At every level right where you're always like I don't know,
maybe I'm not sure, but when you delve into jazz.
That's when you know there's layers of mastery and everyone
can see right through it if you're faking it.
Speaker 1 (43:27):
You know, whatever happened with the guy that said we're
dropping switch Foot so he oh man because because it
turned out bad decision.
Speaker 2 (43:37):
Yeah, So after we sold two million copies, he brought
us back over and took a picture and talked about
artist development and all of these things. Of course he did,
but it was this thing where I don't like I
even now. I don't have any ill will or I
(43:58):
think he was trying his best. I think that's a
tough position to be in that I don't want his job,
and you can't change one thing without changing everything. So
I love the fact that I get to make music now.
I mean, we've done so many dumb things as a band.
We've signed record deals. The very first record deal we
(44:22):
signed as a band gave us seven thousand dollars every
record for our entire publishing, so seven thousand dollars per
album and published. That was for the first six albums.
So I mean, these are things that you look back
(44:43):
on and you're like, oh, that's a horrible financial decision.
We had a lawyer look at it found out he's
actually was also doing the legal stuff.
Speaker 3 (44:54):
But all these things, you can either be bitter.
Speaker 1 (44:57):
And like, oh, unt told think about all the numbers,
or you can say no, I mean I love where
I live. I love that I get to talk about
music with you, we got to talk about Miles Davis.
And none of this would happen if we hadn't to
sign that deal. I mean, sure, maybe a different deal,
(45:18):
maybe I meet a different woman. Maybe, but you can't
change one thing without changing everything. So I'm trying to
be content and fully present to the moment I'm in.
Speaker 3 (45:28):
Did you fill the pressure with Darry to Move? After
Meant to Live?
Speaker 1 (45:33):
Was that? Oh my god, we got one and it
was a crazy journey to get one.
Speaker 2 (45:37):
Yeah, Well the funny thing, okay, so here's a funny
story about Meant.
Speaker 3 (45:41):
To Live and Darry to Move.
Speaker 1 (45:43):
Dairy to Move appeared on the album before that, in
switch Foot's catalog, which is an album called.
Speaker 3 (45:51):
Learning to Breathe, and that.
Speaker 2 (45:54):
Was a song that we thought, wow, this is such
a beautiful song. We're going to play it first on
the album. And but it was the same kind of
thing where the record label we were on at the
time was like, yeah, pretty good song. Then nothing happened
with it, but it took you know, we were like,
we still think it's a great.
Speaker 3 (46:13):
Song when we were going to put it on.
Speaker 2 (46:15):
Another album, and so we put it on this one
beautiful Letdown and that's when people thought it was a
great song. So but it is that thing where perspective
is it changes everything, right, So like people will say, well,
it's not a hit like Meant to Live or Dairy
to Move, And in the back of my mind, I'm like, well,
(46:36):
those are all songs that people thought weren't hits, and
what is a hit?
Speaker 3 (46:40):
I think you know.
Speaker 2 (46:41):
Ultimately, again we're talking about resonance, so it's like, well,
what moves you. If it moves you, then go like
we just came out with a single wake Up Mister Crow,
and it's it's all the things that maybe you would say, hey,
this is not where music sat. But our goal was
to resonate with that fourteen year old kid who picked
(47:04):
up a guitar and started playing Zeppelin.
Speaker 3 (47:06):
You know that. We were like, let's make that album.
Speaker 2 (47:09):
And so then it becomes kind of irrelevant what anyone says,
because you feel it from here.
Speaker 3 (47:16):
The album comes out in June.
Speaker 1 (47:18):
That's correct, six six twenty six. Is there is there
a meeting behind that or I just remember the date
we there. We came up with all sorts of meanings
once we found out what the date was.
Speaker 2 (47:29):
Yeah, yeah, yeah, lots of meanings. Yeah yeah, thirteen Lucky thirteen,
double it and two.
Speaker 3 (47:36):
So yeah, it's a palindrome all of it. Yeah, it's
been five years. Huh, since it's been.
Speaker 2 (47:41):
A long time. Yeah, we've came out with the record.
The last record we made was recorded like the High
to COVID. There's so much tension, and I mean the
world has the tension is still there. But I felt
like this album is feels like as a band you
(48:06):
try on all sorts of different jackets.
Speaker 3 (48:08):
You're like, oh this this feels good. I like this.
Speaker 2 (48:10):
And as a songwriter you're always looking for new places,
you know, like your traveler. Right, this album feels like
it's a return to home where you think, oh, this
jacket feels nice, I'm comfortable in this. And again that
having the compass of well, what's going to make that
fourteen year old kid want to pick up the guitar.
Speaker 3 (48:31):
Let's make that record.
Speaker 1 (48:33):
Not the same at all but your new single. I
really liked Stars from you guys. Yes, they to me,
they feel a bit similar. Yeah, like and again, not
the same. I'm not saying they're the same. Yeah this
is you know, I'm a moron, but like that song
kind of made me feel like Stars made me feel.
Speaker 3 (48:51):
Yes, it does have a similar.
Speaker 2 (48:55):
It's they're both dropp d and they both have a
similar movement in the melody that's presented on the guitar.
Speaker 3 (49:02):
I totally agree.
Speaker 2 (49:03):
Oh good, Yes, And we have even thought about, like,
I want to make an intro that has one as
the intro and then you go into the other.
Speaker 3 (49:12):
I think that'd be really fun. Ah good. I love
when I'm not in it. No you're not.
Speaker 2 (49:15):
And actually that particular song is a motif that that
riff that appears in different forms. There's an upside down
version of it in a different song, and then it
comes back and again. It's kind of feels like like
an intentional thread to weave through the whole record.
Speaker 3 (49:33):
Are you a coffee guy? I love coffee. I'm trying
to get there. Okay, I hate coffee. Do you like tea?
Sweet tea? Okay? Only you? I mean I love it.
You're hitting all the boxes, like you know what.
Speaker 1 (49:48):
Like, It's just I feel like we're on the opposite
side on a lot of things, like let's go to
the beach.
Speaker 3 (49:52):
No, well, let's have some coffee. No, let's have some
sweet I love that. It's so good.
Speaker 1 (49:59):
I have been trying to will myself into liking coffee, okay,
because I do understand why people like coffee. I just
it just does not taste good to me. Do you
like okay, let's go back. Do you like coffee shops?
Speaker 3 (50:14):
Yeah?
Speaker 1 (50:14):
I like. I like a vibe of a coffee shop, especially.
I like the music in a coffee shop. I like
coffee house radio, I like all of that, everything, pastries, okay,
I like everything about coffee except the coffee.
Speaker 3 (50:28):
Okay, that's fair.
Speaker 2 (50:29):
It's kind of like me with smoking, Like I love
the idea of stepping outside and breathing for like five
minutes a couple of times a day and just hanging
with somebody and talking. I just don't like the idea of,
you know, smoking, but I love the you know. So
I feel like this is the same same concept. I'm
trying to drink coffee to make myself like it. I
(50:50):
just can't do it, well, is there if.
Speaker 1 (50:55):
You tried, like like kombucha or okay, and I love kombucha,
could you disguise it like put some kombucha in like
a coffee cup and just but then I feel like
I'm not doing it, like if I'm doing all that
work because I'm trying to do it so I socially
can just while everybody's drinking coffee because I've never I've
never had alcohol ever, I've never tasted alcohol. So since
(51:16):
I can't do that, I never did bars and stuff. Okay,
well I'm older now I do coffee. Yeah, but nobody
I just I can't get there coffee of coffee less coffee.
But again, it's like non alcoholic beer. Yeah, I don't
want to drink non coffee coffee.
Speaker 3 (51:32):
Yeah.
Speaker 1 (51:32):
The point of coffee is like for that, I just
didn't know if you could if you are a coffee guy.
Speaker 2 (51:37):
Or I love coffee, I really do, and I think
coffee like when when I show up in a new place,
I look on Yelp for coffee shops and there's usually
like two or three in a section of town, and
that's where I go, and it feels like coffee community conversation.
Speaker 3 (51:53):
I like all that culture. It all feels right there.
I love all that except coffee part for the coffee,
but yeah, I mean you can you can.
Speaker 1 (51:59):
Like kind of secondhand coffee, and I do it, and
that's mostly what I do. Yeah, and I can even
do like an espresso shot really in something like it
needs to be dumped over a cake.
Speaker 3 (52:09):
I did a whole cake with one shot.
Speaker 2 (52:11):
That My daughter, she's like, you know, she'll have like
the whatever, the latte with four donuts and everything.
Speaker 1 (52:19):
That's exactly how I have to do. Yeah, you have kids,
tell many kids.
Speaker 3 (52:23):
I have two.
Speaker 2 (52:23):
I have a fourteen year old daughter and a seven
year old son. Your story of coffee reminds me of Vegemite.
I was convinced I was going to move to Australia
and go to college there. And I was like, well,
their version of a PBJ and I'm going to be
on a budget because I'm in Australia is Vegemite.
Speaker 3 (52:39):
Sandwich. Could never figure out how to like Vegemite. It's
pretty disgusting. And so that's why I never went to Australia.
You know you never went. I never studied there. Oh,
I got to college. It kept you out of Australia. Oh,
I wear so many things. No, yeah, I can't stand it.
Speaker 1 (52:55):
Yeah, there's an exchange student when I was in high school.
Speaker 2 (53:02):
And then I'm like, dude, I'm coming back. I'm going
to fall in love with vegemite and yeah, never worked out.
Speaker 4 (53:09):
Let's take a quick pause for a message from our
sponsor and we're back on the Bobby Cast.
Speaker 3 (53:24):
I was asking about your kids, if you want, if
they love music. They do, and I so.
Speaker 2 (53:28):
My friend is an artist, visual artist, and his definition
of an artist is someone who appreciates beauty visually, can
take it in and appreciate it because he says, you know,
replicating something with your hands or creating something that's that's
(53:49):
a form of art, but even just taking it in
is that's the highest form of artistry. And I feel
like the same is true with music because I have
both my kids.
Speaker 3 (53:57):
They love it.
Speaker 2 (53:58):
They take it in and they can they'll play different instruments.
But I think too about you know kids that you
know have autism or different on the spectrum in different
ways that may never be able to replicate a song
or create it with their fingers, but the music moves
them in ways that maybe doesn't move anyone else in
(54:20):
the room. So yeah, they love music and they feel
it on that level. I think most kids, do you know,
I'm in the I asked, God, your kids. We had
a baby like two weeks ago, first baby, and so
now I'm just deciding what scientifically I want to do
to her to make her.
Speaker 1 (54:40):
Like you know the science experiment. Yes, yeah, and so
like what do I want to make her like? Well,
I will say this, you stack the deck. I had
all the playlists up until like five or six or seven.
You can you hold all the cards. So like I
would even take my daughter to record stores before she
(55:04):
could talk. There's a space, there's a spot called lose records.
All the records that you want, right, and I would pick.
I'd go through and pick albums that I wanted. I'd say, okay,
you want Miles Davis or do you want you know
this this Bob Dylan record? And it'd hold them up
both up to her and she would be like eh eh,
(55:25):
and I'd be like.
Speaker 3 (55:26):
Okay, put this one down.
Speaker 2 (55:28):
And then I'd pick up a David Bowie record, which
one do you want? And she would and so ultimately
she would pick what we would get and then we'd
go home and put it on and we'd listen to it.
And that was kind of one of our traditions. And
the other thing, I mean with Spotify or anything, you
are seating the field. You're you're you're saying, this is
(55:48):
music and it can be whatever you think good music is.
And that's what she's going to have as her foundational
element of what she loves, which is pretty awesome.
Speaker 3 (55:57):
Yeah, I'm looking forward to that.
Speaker 1 (56:00):
Gonna get he into coffee though, no coffee, Yeah, I mean,
so she's going to be like getting coffee in the
back alley, like you know, my dad doesn't let know
I'm doing this, but yeah, two final questions for you,
So talking about music, like, what what was it that
you listened to as a kid that you still find
(56:20):
that if you're putting music on, you still turn it
on because it makes you feel comfortable.
Speaker 5 (56:24):
Oh, So Aretha was My mom and dad are both musicians,
and so music was always on a lot of records
and my mom had a like mostly.
Speaker 2 (56:40):
Male artists looking back, and my mom didn't really tolerate
too many female singers she had.
Speaker 3 (56:46):
She was very particular. She loved motown. But so Aretha
was one.
Speaker 2 (56:50):
Of the the voices that felt like, you know, almost
like a mother kind of tone. For me, it just
felt like, you know that that's that's what Heaven sounds like.
So Aretha feels like my childhood.
Speaker 1 (57:07):
Final question, Well, let me say this first before we
get to the final question.
Speaker 3 (57:11):
And we mentioned it already.
Speaker 1 (57:12):
The new album Forever Now comes out June twenty sixth.
There's a lot of a lot of reasons for that date,
Like we talked about, Yes, wake Up mister Crow is
out now, and I'm not crazy for thinking that felt
a little bit like Stars at least to me.
Speaker 3 (57:25):
Yes made me feel like I was nervous.
Speaker 1 (57:26):
I was never say I feel it okay, good, thank you,
thank you, And I'd like you to be honest.
Speaker 3 (57:31):
I can show you why it feels. Please do which
that's tuned, yeah.
Speaker 1 (57:34):
Okay, so the uh yeah, so this is they're both
and dropped, which is definitely like the fourteen year old
tuning where you're like, yeah, fourteen year old, I love
(57:56):
that sounds heavy.
Speaker 3 (57:58):
So Stars is it has that right? And then the.
Speaker 1 (58:13):
So it has a drop D droning and they're also
very similar at BPMS and they have that a lot
of the dissonance.
Speaker 3 (58:24):
So yeah, they're they're they're they're brothers or sisters.
Speaker 2 (58:27):
I don't know the gender, but they're one of those too,
at least strong cousins.
Speaker 1 (58:30):
Yeah, I have double cousins. Ever heard of that?
Speaker 3 (58:32):
Oh? Is that an Arkansas thing? I don't know what
double cousins are. I'm sorry the idea.
Speaker 1 (58:39):
So my mom and her sister, two sisters, okay, married
my biological dad and his brother. No way, So two
sisters married two brothers, So all offspring, we're all doubled up.
Like to everybody that's related to me is related to them.
Speaker 2 (58:54):
I so the people that live in the alley behind
me when I was writing meant to live same thing.
Speaker 3 (59:02):
They're brothers that married two sisters. Yeah, so we're almost
incest but not quite. No, no, not no incest.
Speaker 1 (59:10):
No no, no, I agree that just said almost the tree
goes up with no branches come out, but it's not.
Speaker 3 (59:16):
Oh my gosh, but it almost feels.
Speaker 1 (59:18):
Yeah, it's yeah, like you can you can almost walk
off the cliff, but you didn't fall off the cliff
and die. That's where we are, okay, okay, yeah almost
almost almost final question. Okay, and please be honest with
me here because I'd asked, Hey, I wonder I want
to what John's like, because I'm always curious of an impression.
Before I get to make my first impression, I like
to tell you what that is. Did anybody tell you
(59:40):
anything about me coming into this room at all?
Speaker 2 (59:43):
The only text I received was like five minutes before,
did you.
Speaker 3 (59:47):
Know where you were coming? No?
Speaker 1 (59:49):
No, so you're just strained. You just fallow feet and
you came here and you didn't know what you're walking into.
Speaker 3 (59:52):
Yeah, kind of didn't know. I knew.
Speaker 2 (59:54):
I was like, I knew you were affiliate with sports
and the Dancing with the Stars, and that was kind of.
Speaker 1 (01:00:00):
That's hilarious because that's like my eighth and ninth jobs. Okay,
all right, so that's what I'm saying. Okay, good, So
what what what information did you have before you walked
in here?
Speaker 3 (01:00:09):
I can read you the text message. If that's okay, I.
Speaker 1 (01:00:11):
Hope it's like strikingly good looking, it's very attractive, super funny,
he smells great.
Speaker 2 (01:00:16):
Yes, why that was reletive irrelevant, but yeah, okay, it
says for the sake of posterity, pretending you've never heard
of Bobby bones for a second well known radio host
in the country. Space has a syndicated morning show on iHeartRadio.
He's also done some hosting. He's on American Idol as
a coach one, Dancing with the Stars and kind of
(01:00:40):
all over the place.
Speaker 3 (01:00:41):
Interviews should be fairly straightforward. Hit me up if you
have any questions. Oh, christ I will see you there shortly.
All right, So that was what I knew. Do you
know what this is on? No?
Speaker 1 (01:00:52):
Okay, so this is the show on Netflix. Okay, I'm
glad I didn't know. By the way, I'm Bobby. Nice
to meet John yet. I was like, yeah, that sounds fun.
I love talking about music. And I heard about the vinyl.
Speaker 3 (01:01:06):
Yeah. Component I'm like, yeah, that sounds great. Did you
enjoy this? I loved it? Okay, I love that. I mean,
what's not to love.
Speaker 1 (01:01:13):
We have to talk about our favorite spots on the
planet and Miles Davis.
Speaker 3 (01:01:19):
Okay, yeah, what I got to teach me some dance moves? Now, No,
you don't want that.
Speaker 1 (01:01:23):
Okay, you will somehow get worse if I teach you
anything dancing. What I was told was John is so nice,
it's going to blow you away. That was what I
was told about you coming in here. Okay, When I
say that, how does that make you feel?
Speaker 3 (01:01:39):
Nice?
Speaker 1 (01:01:39):
Is? Is?
Speaker 3 (01:01:40):
Is an interesting adjective? I agree, I agree.
Speaker 2 (01:01:44):
I appreciate being kind, and yet niceness is actually something
I'm trying to figure out come to terms with.
Speaker 1 (01:01:54):
Nice doesn't always resonate with me. Yes, but I think
it was meant in a way of you're really going
to like him because he's a very kind and he'll
be generous.
Speaker 3 (01:02:03):
Guy.
Speaker 1 (01:02:04):
I think that's what the sentiment was. Yes, and met fully,
but you're the grand Canon. You're better than the Grand
Canyon like I expected.
Speaker 3 (01:02:11):
And then whoa, look at this thing like it was.
Speaker 1 (01:02:14):
That Wow, Okay, I'll take it. Yes, like India status
grand king. Sure, okay, but yeah, I have trouble with
nice because there are people that are nice, but don't
it doesn't feel genuine Yeah.
Speaker 3 (01:02:25):
Well, and it's it's that thing where.
Speaker 2 (01:02:28):
Yeah, I think, yeah, there's a lot there, but I
think for me, yeah, nice is a strange one. And
I think I'm trying to present myself. I want to
be kind, I want to be honest. I want to
be and I think sometimes nice can shave off all
the But I'm coming to you with you know, some scruff.
Speaker 3 (01:02:47):
So here we go. I've really enjoyed this. I have
to thank you for your time.
Speaker 1 (01:02:52):
This has been awesome and we talked about the record
before you got here. Congratulations. And I'm just a big fans.
I've been a big fan for a long time, so
for me, this is thrilling to be able to sit
and spend this time with you and not totally swing
and miss on stars. Let's go, yes, yes, all right,
there he is, John. Thanks for your time.
Speaker 4 (01:03:09):
Man, all right, thank you, thanks for listening to a
Bobby Cast production
Host
Bobby Bones
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
Fudd Around And Find Out
UConn basketball star Azzi Fudd brings her championship swag to iHeart Women’s Sports with Fudd Around and Find Out, a weekly podcast that takes fans along for the ride as Azzi spends her final year of college trying to reclaim the National Championship and prepare to be a first round WNBA draft pick. Ever wonder what it’s like to be a world-class athlete in the public spotlight while still managing schoolwork, friendships and family time? It’s time to Fudd Around and Find Out!